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Modernism ďŹ rst appeared in furniture and everyday objects. It is highly ornamental and inspired by stylised plants and animals, sometimes almost becoming abstract.

When we talk about decoration, it should never be regarded as accessory to the object, but is intimately entwined with the same. We see symmetry abandoned in favour of undulating shapes, known as the Whiplash Line, which transmit vitality, strength, asymmetry and irregularity. It was designed to express a degree of optimism that matched the psychological state of the social class. Modernism has been called new, young, oral, etc., leading it to be given such names as Art Nouveau, Liberty Style, etc.

Design and the desire to integrate the arts became very important. We saw the appearance of designers who were also decorators. This makes modernist buildings very attractive works of art. The ďŹ rst place we saw this trend was in the industrial arts. Pride of place goes to MacDonald Murdo’s sinuous high-backed chairs, textiles, Van de Velde’s tapestries, Emile GallĂŠ glassware, Tiffany was another outstanding creator of glassware and also created leaded glass lamps inspired by mediaeval stained glass. Outstanding Modernist artists in Barcelona: the incredible Picasso, for painting, and the one and only GaudĂ­, the high point of Catalonian Modernism in architecture.

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&O #BSDFMPOB FO TF BQSPCĂ˜ FM QSPZFDUP EF 3FGPSNB Z &OTBODIP QSFTFOUBEP QPS FM JOHFOJFSP *EFMGPOTP $FSEĂ‹ 1SFWFĂ“B MB DPOTUSVDDJĂ˜O EF VO USB[BEP PSUPHPOBM EF DBMMFT DBSBDUFSJ[BEP QPS TV HSBO BNQMJUVE The industrial process that saw the light in Catalonia followed the same pattern as that in the rest of Europe: the ďŹ rst stage saw the development of the consumer goods industry, especially textiles – cotton and wool. This was followed by the capital goods industry feeding the insatiable demand of factories, agriculture and new means of transport (the railway).

The nascent Catalonian industry was founded with family capital from long-standing craftsmen and manufacturers. The reinvestment of the proďŹ ts allowed the companies to grow steadily. Technical innovations were implemented very quickly (lighting, telegraphy, railways, trams, sewers, etc). In 1859, Barcelona approved the Urban Development project, presented by the engineer Idelfonso CerdĂ . It involved building wide streets with an orthogonal layout.

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Catalonian modernist architecture also refers to the intention of creating a new art, breaking with the dominant styles of the time, such as historicism and eclecticism. The idea was to create a new aesthetic framework, with a leading role being given to inspiration from nature, while incorporating new ideas derived from the industrial revolution. That’s why iron and glass were often used in architecture. However, it was also a reaction to the poor aesthetic value of the architecture with iron that was so popular in those days.

Generally speaking, their aspirations were based on the ideas of John Ruskin and William Morris, which we could summarise as democratising beauty, in the sense that even the most mundane objects should have aesthetic value and be accessible to all (the socialisation of art), although without using the new mass production techniques. Modernism was not only present in the mainstream arts but also in the design of furniture and all kinds of objects used in daily life. Modernist artists were often “comprehensive artistsâ€?, as they not only designed the buildings but the furniture and other commonly used objects as well. This meant that many modernist architects were also designers, as their creations weren’t limited to the building itself, given that they also created the decoration and the utensils it was to contain. As a result, they mastered not only architecture but also painting, sculpture and the decorative arts (furniture, ďŹ ttings, lamps, jewellery, posters, etc.).

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Modernism was a very expensive, bourgeois art that tried to integrate all art and all the arts into architecture. It was an essentially decorative movement, although it did possess original architectural solutions. It developed between the 19th and 20th centuries.

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The movement turned away from the solutions the iron and glass revolution offered architecture, although making use of industry for interior decoration and ironwork, etc.

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It used bland, rounded forms, although this was not the only characteristic of Modernism as there was also a profusion of decorative motifs. The inuence of architectural Modernism can still be felt in modern architecture. Modernist architecture as such came into being in Belgium with Henry van de Velde and Victor Horta and was called Art Nouveau. Henry Clemens van de Velde (1863-1957) was one of the ďŹ rst modernists. He built the Bloemenwert house, though the most interesting thing about it is its decoration.

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It is inuenced by German Expressionism, with its typical undulated roofs. Víctor Horta is the most representative and purest modernist. His undulating roofs and facades are also very typical with a very decorative interplay of light and shade that brings the Baroque period to mind.

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The new architectural trends broke with traditional criteria and sought new ways of building with their sights on the 20th century that gave considerable importance to aesthetics.

This movement totally changed the way people lived and led to the growth of the cities with the setting up of industries run by an increasing number of members of the bourgeoisie. This meant that Modernism was an urban and bourgeois style.

Modernism rejected the unattractive industrial architecture of the ďŹ rst half of the 19th century and developed new architectural concepts based on Nature, which consisted of the building materials used, the shapes of the buildings and the ďŹ gures on their facades.

The architects and their sculptors placed birds, butteries, etc. on the outside of their buildings.

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La Costa Brava Ês el nom assignat a la zona costera de Catalunya que comença a la desembocadura del riu La Tordera, a Blanes, i acaba a la frontera amb França, a Portbou. Limita al nord amb la Costa Vermella i al sud amb la Costa del Maresme.

Aquesta franja litoral tÊ una extensió de 214 km i està compresa per les comarques catalanes de l’Alt Empordà , el Baix Empordà i La Selva. Es situa a la província de Girona. El terme Costa Brava va ser publicat pel periodista Ferran Agulló a les pà gines de La Veu de Catalunya el 12 de setembre de 1907. Amb aquesta expressió, el periodista volia descriure el paisatge agrest i escarpat que caracteritza gran part de la zona costera.

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Before the arrival of the tourist trade, many of these towns had been small ďŹ shing villages, with narrow, winding streets and whitewashed houses. Their locals, their traditions and the natural beauty of the area awoke the interest of artists and writers such as Marc Chagall, Picasso, RusiĂąol or DalĂ­. Currently the area conserves, almost intact, the characteristic essence of the pre-tourism era.

The most endearing aspect of the Costa Brava are the beautiful coves, cliffs crystalline waters and plentiful vegetation, where mountain and sea meet in small maritime villages surrounded by golden sands, so inherent to this part of the country.

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LIVING ROOMS 2010

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LIVING ROOMS 2010

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LIVING ROOMS 2010

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LIVING ROOMS 2010

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$0N#*/&% 6/*54 XI *$I XI &/ $0N#*/&% 65*-*4& :063 %*/*/( 41"$& 50 *54 G 6-- 105&/5*"-

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LIVING ROOMS 2010

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$BCP EF $SFVT MB #BIĂ“B EF 3PTBT MBT *TMBT .FEBT P FM 1BSRVF /BUVSBM EFMT "JHVBNPMMT TPO BMHVOPT EF MPT FTQBDJPT OBUVSBMFT NĂˆT EFTUBDBEPT EF FTUB UJFSSB FO MB RVF FODPOUSBSĂˆ VOB ora EJWFSTB BTĂ“ DPNP VOB GBVOB DPNQVFTUB QPS FTQFDJFT EF SFQUJMFT BWFT NBSJOBT KBCBMĂ“FT UPSUVHBT FUDy ZB RVF IBZ RVF SFDPSEBS RVF MPT FTQBDJPT OBUVSBMFT QSPUFHJEPT EF MB $PTUB #SBWB BCBSDBO EFTEF MPT NĂˆT EF NFUSPT EF BMUVSB B MPT GPOEPT NBSJOPT EF QPTJEPOJB ZB RVF IBZ UBOUP QBSRVFT UFSSFTUSFT DPNP NBSJOPT UPEPT FMMPT DPO TV FODBOUP -B 3FTFSWB .BSĂ“UJNB EF MBT *TMBT .FEBT TPO VOPT JTMPUFT RVF QPTFFO VOPT GPOEPT NBSJOPT EFTUBDBEPT FO TVT BMSFEFEPSFT RVF BUSBFO DBEB BĂ—P B OVNFSPTPT WJTJUBOUFT TPCSFUPEP DJFO tĂ­ďŹ cos. -BT *TMBT .FEBT FTUĂˆO QSPUFHJEBT EFTEF IBDF NĂˆT EF EĂ?DBEBT FT QPS FMMP RVF DPCSB JNQPSUBODJB TV DPOTFSWBDJĂ˜O Z MBT BDUJWJEBEFT FO FMMBT FTUĂˆO MJ NJUBEBT 1BSRVF /BUVSBM EFMT "JHVBNPMMT FT VOP EF MPT QBSRVFT OBUVSBMFT NĂˆT JNQPSUBOUF EF MB $PTUB #SBWB 4VT IVNFEBMFT TPO EF VOB JNQPSUBO DJB FYRVJTJUB QBSB MB NJHSBDJĂ˜O EF BWFT FT QPS FMMP RVF FTUBNPT BOUF VOB [POB QFSGFDUB QBSB MB QSĂˆDUJDB EFM BWJTUBNJFOUP EF BWFT Cabo de Creus, the Bay of Roses, the Medes Islands or the Aiguamolls wildlife park are just some of the most beautiful natural spaces of this area, where diverse fauna can be found, including various species of reptile, marine birds, wild boar, turtles, etc. The protected natural space in the Costa Brava is of more than 1,000 metres in height in areas from the seabed to the highest point. There are as many land reserves as there are maritime, all of which have their own individual charm.

5IF .FEFT *TMBOET are islets which possess marine reserves of great repute and which attract numerous visitors, most of whom are scientists. These islands have been protected for the past two decades, making their conservation a matter of huge importance. As a result, activities in these areas are limited.

"JHVBMNPMMT XJMEMJGF park is one of the most important natural parks on the Costa Brava. Its wetlands are of exceptional importance in the migration of birds, making it a great location for bird watching.

Cap de Creus, la Badia de Roses, les Illes Medes o el Parc Natural dels Aiguamolls sĂłn alguns dels espais naturals mĂŠs destacats d’aquesta terra, on podrĂ trobar una ora diversa, aixĂ­ com una fauna composada per espècies de rèptils, aus marines, porcs senglars, tortugues, etc‌ ja que cal recordar que els espais naturals protegits de la Costa Brava abasten des dels mĂŠs de 1.000 metres d’alçada ďŹ ns a les profunditats marines de Posidònia, ja que hi ha tants parcs terrestres com marins, tots ells amb el seu encant.

-B 3FTFSWB .BSĂ“UJNB de les Illes Medes estĂ constituĂŻda per uns illots que tenen uns fons marins destacats al seu voltant que atrauen cada any a nombrosos visitants, sobretot cientĂ­ďŹ cs. Les Illes Medes estan protegides des de fa mĂŠs de 2 dècades, ĂŠs per aquest motiu que tĂŠ una especial importĂ ncia la seva conservaciĂł i les activitats que s’hi practiquen estan limitades. &M 1BSD /BUVSBM EFMT "JHVBNPMMT ĂŠs un dels parcs naturals mĂŠs importants de la Costa Brava. Les seves humitats sĂłn d’una importĂ ncia exquisida per a la migraciĂł d’aus, per la qual cosa estem davant d’una zona perfecta per a la prĂ ctica d’avistament d’aus.

LIVING ROOMS 2010

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LIVING ROOMS 2010

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LIVING ROOMS 2010

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In La Cerdanya, the panoramic views are extremely beautiful, although the smaller details are equally stunning. From any point of the valley, -though views are better from a height- the district rises up in all its splendour, the mountainous amphitheatre that encloses it appears, forming three superimposed colours: the pink snow of the highest summits, the blackish green of the ďŹ r trees and pines mid way down the mountain, and the brighter yet peaceful green of the prairies, poplars and alders. These three colours combined create a landscape of exceptional elegance.

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The Roman Road, a route that crosses borders over the Roman Pyrenees, from Perpignan, through RosellĂłn, Northern Catalonia, to Basella in Alt Urgell; namely from the Mediterranean to the start of the western lowlands. This journey ďŹ rst follows the river Tet, then goes on to join the river Segre, forming a natural corridor, with one mountainous obstacle, the port of Percha, located at about the halfway mark. The route passes through the regions of RosellĂłn, el Conent, La Cerdanya and Alt Urgell.

La Via RomĂ nica, ruta transfronterera del romĂ nic pirenaic, transcorre transversalment des de PerpinyĂ , a la comarca del RossellĂł, a la Catalunya Nord, ďŹ ns a Basella, en el lĂ­mit meridional de l’Alt Urgell; ĂŠs a dir, des de la MediterrĂ nia ďŹ ns a l’inici de les terres planes de ponent. El recorregut segueix primer la vall del riu Ter per acabar d’enllaçar desprĂŠs amb la del Segre formant un passadĂ­s natural amb un Ăşnic obstacle orogrĂ ďŹ c, el port de la Perxa, situat aproximadament a mig camĂ­. La ruta travessa les comarques del RossellĂł, el Conent, la Cerdanya i l’Alt Urgell.

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The area of the Pyrenees known as the Roman Road still has the physical characteristics and cultural roots it had back in the middle ages. The current border, which extends over the length and breadth of the Pyrenees, has little to do with the political divisions of the era, however. The communities from both sides maintain solid ties, on religious, historic, human and commercial levels. Thus, the culture remains intact, as have historical remains such as the numerous Romanic monuments. The cultural roots of these regions go back as far as the Middle Ages. The over one hundred religious monuments on the Roman Road date back to this time.

La zona pirenaica que engloba la Via RomĂ nica constitueix un territori amb caracterĂ­stiques fĂ­siques molt semblants i posseeix unes arrels culturals comunes que es remunten al principi de l’Edat Mitjana. L’actual lĂ­nia fronterera que s’estĂŠn al llarg dels Pirineus tĂŠ molt poc a veure amb les divisions polĂ­tiques d’aquella època. Les comunitats d’ambdues vessants de la cornisa mantenen vincles sòlids tant de llinatges feudals i administraciĂł religiosa com de relacions humanes i comercials. Estem parlant per tant d’una mateixa cultura, els vestigis de la qual han arribat ďŹ ns avui dia expressats en centenars de monuments romĂ nics. Es tracta, per tant, d’un conjunt monumental bastant homogeni i al mateix temps ric en matisos, singulars i atractius, que abasten una zona pirenaica perfectament deďŹ nida.

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-PT NVOJDJQJPT EF $FSEBOZB TPO "MQ #FMM WFS EF $FSEBOZB #PMWJS %BT 'POUBOBMT EF $FSEBOZB (FS (VJMT EF $FSEBOZB *TÛWPM -MFT -MÓWJB .FSBOHFT .POUFMMË J .BSUJOFU 1SBUT J 4BOTPS 1SVMMBOT 1VJHDFSEË 3JV EF $FSEBOZB 6SÞT The capital of La Cerdanya is Puigcerdà , a city founded in 1177 and now serves and the commercial nucleus for the whole region.

The primitive population known of these areas lived in the Neolithic period (4000AC). The Romans knew them as “ceretansâ€?. In the VII century the County of Cerdanya formed part of the Marca Hispanica. They, together with others, formed Catalonia. PuigcerdĂ , new capital in the XII century is a reection of the demographic and economic increases of the era, which lasted for two centuries. The strategic situation was motive for continuous confrontation between Spain and France (XV-XIX centuries, something that sparked the Treaty of the Pyrenees (1659) which divided the historical and natural regions between both countries. This situation was only worsened by the provincial divide between Lleida and Gerona in 1833.

The municipal areas of La Cerdanya are: Alp, Bellver de Cerdanya, Bolvir, Das, Fontanals de Cerdanya, Ger, Guils de Cerdanya, Isòvol, Lles, Llívia, Meranges, Montellà i Martinet, Prats i Sansor, Prullans, Puigcerdà , Riu de Cerdanya, Urús.

La capital de la Cerdanya gironina Ês Puigcerdà , ciutat fundada l’any 1177 i consolidada avui dia com a nucli comercial de tota la comarca.

Els seus primitius pobladors coneguts van viure durant el perĂ­ode neolĂ­tic (4000 aC). Els romans els van denominar “ceretansâ€?. El segle VII es gesta el Comtat de Cerdanya dintre de la Marca HispĂ nica. Juntament amb d’altres, formaria el que anomenem Catalunya. PuigcerdĂ , nova capital el segle XII, ĂŠs el reex d’un auge demogrĂ ďŹ c i econòmic que durarĂ dos segles. La seva situaciĂł estratègica va ser motiu d’enfrontaments continus entre França i Espanya (s. XV-XIX) fet que va ocasionar la signatura del Tractat dels Pirineus (1659), que va dividir la comarca, natural i històrica, entre ambdĂłs paĂŻsos. Aquesta situaciĂł es va agreujar amb la divisiĂł provincial espanyola entre Lleida i Girona (1833).

Els municipis de la Cerdanya són els segßents: Alp, Bellver de Cerdanya, Bolvir, Das, Fontanals de Cerdanya, Ger, Guils de Cerdanya, Isòvol, Lles, Llívia, Meranges, Montellà i Martinet, Prats i Sansor, Prullans, Puigcerdà , Riu de Cerdanya, i Urús.

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“Trinxatâ€?, “Conejo con setasâ€? (rabbit and mushrooms), “tirĂł (duck) with turnipsâ€?, achicoria (a type of plant used in salads),“hĂ­gado con agridulce (sweet and sour kidneys)â€?, raspberries, wild strawberries and much more besides, form part of the local cuisine, praised by gourmet chefs the world over for its originality.

Honey and cheeses, pears, sloe liqueur, quinces and patisserie are other typical products from this region.

Exquisite meats, such as “pa de fetge�, or kidney bread are elaborated by locals, along with a variety of different types of “bull� or sausages, which together make up an impressive offering of top class produce.

The local cuisine, however is not limited to these typical dishes. Almost 300 restaurants in the area offer a hugely varied array of culinary styles to enjoy, from haute cuisine to the simplest of dishes elaborated with the utmost care and professionalism. It is not surprising then that the region has been known as the “Gastronomic Regionâ€?, resulting in the numerous famous cookery days in the Alp Meranges, Ger and PuigcerdĂ amongst others.

El “trinxatâ€?, el “conill amb boletsâ€?, el “tirĂł (Ă nec) amb napsâ€?, l’axicòria (ĂŠs un tipus de planta per a l’amanida), el “fetge agredolçâ€?, gerdons, maduixes silvestres i molts d’altres, identiďŹ quen una cuina natural i personalitzada, exclusiva d’aquesta vall i elogiada pels gourmets que busquen l’originalitat d’una cuina autòctona i sensacional.

La mel, els formatges, les peres, els aranyons, els codonys i la pastisseria sĂłn altres productes tĂ­pics d’aquesta zona. Els deliciosos embotits de la comarca elaborats pels artesans carnissers de la Cerdanya, com ara el “pa de fetgeâ€?, les diferents varietats de “bullâ€? i la llonganissa, conďŹ guren una oferta de productes ceretans de primera qualitat.

Però la oferta gastronòmica de la Cerdanya no es limita a aquests plats típics. GairebÊ 300 restaurants de la comarca ofereixen una cuina molt variada per satisfer les preferències dels visitants.

Des de l’alta cuina exclusiva ďŹ ns als mĂŠs senzills però saborosos menĂşs populars elaborats amb entusiasme i professionalitat. En resum, l’alta cuina i la cuina popular donen a la Cerdanya la seva fama de “Comarca Gastronòmicaâ€?. És per aquest motiu que sĂłn famoses les jornades gastronòmiques d’Alp Meranges, Ger i PuigcerdĂ entre d’altres.

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