Page 1

Evening & Day Editions London, 7 June 2018

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31. Andy 56. Andy Warhol Warhol

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Executives.

Edward Dolman

Cheyenne Westphal

Chief Executive Ofcer +1 212 940 1241

Chairman +44 20 7318 4044

edolman@phillips.com

cwestphal@phillips.com

Š Brigitte Lacombe

London.

Robert Kennan

Anne Schneider-Wilson

Ross Thomas

Rebecca Tooby-Desmond

Head of Editions, Europe rkennan@phillips.com +44 20 7318 4075

Senior Specialist aschneider-wilson@phillips.com +44 20 7318 4042

Specialist rthomas@phillips.com +44 20 7318 4077

Associate Specialist rtooby-desmond@phillips.com +44 20 7318 4079

Cary Leibowitz

Kelly Troester

Kip Eischen

Jason Osborne

Worldwide Co-Head, Editions cleibowitz@phillips.com +1 212 940 1222

Worldwide Co-Head, Editions ktroester@phillips.com +1 212 940 1221

Specialist keischen@phillips.com +1 212 940 1332

Cataloguer josborne@phillips.com +1 212 940 1332

New York.

Deputy Chairmen.

Svetlana Marich

Jean-Paul Engelen

Robert Manley

Jonathan Crockett

Peter Sumner

Worldwide Deputy Chairman +44 20 7318 4010 smarich@phillips.com

Deputy Chairman,

Worldwide Co-Head of 20th Century & Contemporary Art +1 212 940 1390 jpengelen@phillips.com

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art +1 212 940 1358 rmanley@phillips.com

Deputy Chairman, Asia and Head of 20th Century & Contemporary Art, Asia +852 2318 2023 jcrockett@phillips.com

Deputy Chairman, Europe +44 20 7318 4063 psumner@phillips.com

Miety Heiden

Alexander Payne

Vanessa Hallett

Vivian Pfeifer

Marianne Hoet

Deputy Chairman, Head of Private Sales +44 20 7901 7943 mheiden@phillips.com

Deputy Chairman, Europe, and Worldwide Head of Design +44 20 7318 4052 apayne@phillips.com

Deputy Chairman, Americas and Worldwide Head of Photographs +1 212 940 1243 vhallett@phillips.com

Deputy Chairman, Americas and Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Deputy Chairman, Europe +32 3257 3026 mhoet@phillips.com

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Evening & Day Editions London, 7 June 2018, 2pm & 6.30pm

Auction and Viewing Location 30 Berkeley Square, London W1J 6EX

Modern and Contemporary Editions

Auctions 7 June 2018 Evening Auction Day Auction

Head of Editions, Europe Robert Kennan +44 20 7318 4075 rkennan@phillips.com

Lots 1 - 61, 6.30pm Lots 62 – 280, 2pm

Viewing 31 May – 7 June 2018 Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation In sending in written bids or making enquiries please refer to this sale as UK030218 or Editions. Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@phillips.com

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Senior Specialist Anne Schneider-Wilson +44 20 7318 4042 aschneider-wilson@phillips.com Specialist Ross Thomas +44 20 7318 4077 rthomas@phillips.com Associate Specialist Rebecca Tooby-Desmond +44 20 7318 4079 rtooby-desmond@phillips.com Administrator Louisa Earl +44 20 7318 4069 learl@phillips.com

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43. KAWS

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Evening Editions Lots 1 – 61, 6.30 pm

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Property from a Private American Collection

1. Henri de Toulouse-Lautrec

1864-1901

Confetti, 1894 Brush, spatter and crayon lithograph in colours, on thin wove paper, the full sheet. The only state, printed by Bella & de Malherbe, London & Paris, commissioned by J & E Bella, 113 Charing Cross Rd., London, framed. S. 57.2 x 44.3 cm (22 1/2 x 17 7/ 16 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ‡

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Provenance Purchased in France, 1950’s Literature Wolfgang Wittrock P13 Loys Delteil 352 Jean Adhémar 9 Götz Adriani 101

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2. Marc Chagall

1887-1985

Paris de la fenêtre (Paris through the Window), 1969-70 Lithograph in colours, on Arches paper, with full margins. Signed and numbered 4/50 in pencil (there were also 25 artist’s proofs), unframed. I. 83 x 60 cm (32 5/8 x 23 5/8 in.) S. 100.2 x 69.6 cm (39 1/2 x 27 3/8 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ‡ ♠ Literature Fernand Mourlot 599

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3. Georges Braque

1882-1963

Paris (Paris 1910 ou Nature morte sur une table) (Paris 1910 or Still Life on a Table), 1910-11/1954 Etching with plate-tone, on tinted Arches paper, with full margins (deckle on two sides). Signed and numbered 12/30 in pencil (there were also a few hors commerce impressions and a few unsigned artist’s proofs), published by Maeght, Paris, 1954, framed. I. 19.9 x 27.6 cm (7 7/8 x 10 7/8 in.) S. 37.7 x 56.7 cm (14 7/8 x 22 3/8 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ‡ ♠ Literature Dora Vallier 3

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4. Pablo Picasso

1881-1973

Fumeur au maillot rayé gris et bleu (Smoker in Grey and Blue striped Jersey), 1964 Aquatint in colours, on Auvergne Richard de Bas laid paper, with full margins. Signed and numbered 16/50 in pencil (there were also 15 artist’s proofs), published by Galerie Louise Leiris, Paris, framed. I. 41.3 x 31.7 cm (16 1/4 x 12 1/2 in.) S. 56 x 40.9 cm (22 x 16 1/8 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ‡ ♠ Literature Georges Bloch 1172 Brigitte Baer 1172

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Property from a Private Collection, New York

5. Pablo Picasso

1881-1973

Lysistrata, 1934 The complete set of six etchings, one with aquatint, on Arches paper, with full margins. All signed and numbered 150/132 in pencil (from the deluxe suite with wide margins, there was also an unsigned book edition of 1500), printed by Roger Lacourière, Paris, published by The Limited Editions Club, New York, all framed, lacking the original portfolio. I. 21.9 x 14.9 cm (8 5/8 x 5 7/8 in.) S. 38.1 x 27.9 cm (15 x 10 7/8 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ‡ ♠ Literature Georges Bloch 267-272 Brigitte Baer 387-392 Patrick Cramer books 24 Including Serment des femmes, Couple et enfant, Cinésias et Myrrhine, Deux vieillards et Voilier, Accord entre les guerriers de Sparte et d’Athènes, and Le festin.

Picasso’s illustration of Aristophanes’ Lysistrata was masterminded by New York literary entrepreneur George Macey, who founded the Limited Editions Club in 1929 - an imprint specialising in commissioning some of the era’s best-known artists to illustrate literary classics. In 1934, Macey commissioned Picasso to illustrate a special edition of the Greek comedy about a woman who sets out to end the Peloponnesian War by convincing her countrywomen to withhold sex from their war-bound husbands and lovers.

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6. Pablo Picasso

1881-1973

Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée (Blind Minotaur Guided Through a Starry Night by Marie-Thérèse with a Dove), pl. 97, from La Suite Vollard, 1934 Sugar-lif aquatint, scraper, drypoint and engraving, on Montval laid paper watermarked Vollard, with full margins (deckle on two sides). Signed in pencil, from the edition of 260 (there was also an edition of 50 with wide margins), printed by Roger Lacourière, published by Ambroise Vollard, 1939, Paris. I. 24.5 x 34.5 cm (9 5/8 x 13 5/8 in.) S. 33.6 x 44.2 cm (13 1/4 x 17 3/8 in.)

‘If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.’ Pablo Picasso

Estimate £60,000-80,000 $81,600-109,000 €68,100-90,700 ‡ ♠ Literature Georges Bloch 225 Brigitte Baer 437 IVBd

Nude, Green Leaves and Bust, 1932 (oil on canvas), Picasso, Pablo (1881-1973) /Private Collection / Photo © Christie’s Images / Bridgeman Images

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7. Alex Katz

b. 1927

Yellow Tulips, 2014 Screenprint in colours, on museum board, the full sheet. Signed and numbered ‘HC 5/5’ in pencil (an hors commerce copy, the edition was 50 and 15 artist’s proofs), published by Lococo Fine Art Publisher, St. Louis, Missouri, framed. S. 122.5 x 195.5 cm (48 1/4 x 76 7/8 in.) Estimate £10,000-12,000 $13,600-16,300 €11,300-13,600 †

8. David Hockney

b. 1937

Lillies, from Europäische Graphik No VII, 1971 Lithograph in colours, on Japanese paper, the full sheet. Signed, dated and numbered ‘XXXI/XXXV’ in pencil (one of 35 impressions on Japanese paper, the edition was 65 and 18 artist’s proofs), published by Galerie Wolfgang Ketterer, Munich (with their blindstamp), unframed. S. 75 x 53.1 cm (29 1/2 x 20 7/8 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ♠ † Literature Scottish Arts Council 118 Ketterer Editionsverzeichnis 101

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Property from a Private American Collection

9. David Hockney

b. 1937

Property from a Private American Collection

10. David Hockney

b. 1937

Summer Sky, 2008 Inkjet printed computer drawing in colours, on wove paper, with full margins. Signed, dated and numbered 25/25 in pencil, published by the artist (with his blindstamp), framed. I. 74.2 x 105.2 cm (29 1/4 x 41 3/8 in.) S. 87 x 115.4 cm (34 1/4 x 45 3/8 in.)

Winter Road Near Kilham, 2008 Inkjet printed computer drawing in colours, on wove paper, with full margins. Signed, dated and numbered 25/25 in pencil, published by the artist (with his blindstamp), framed. I. 110 x 84 cm (43 1/4 x 33 1/8 in.) S. 122.4 x 94.1 cm (48 1/4 x 37 in.)

Estimate £30,000-40,000 $40,600-54,200 €34,100-45,500 ♠

Estimate £30,000-40,000 $40,600-54,200 €34,100-45,500 ♠

Provenance Annely Juda Fine Art, London, 2011

Provenance Annely Juda Fine Art, London, 2011

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11. David Hockney

b. 1937

Untitled No. 4, from The Yosemite Suite, 2010 iPad drawing in colours, printed on wove paper, with full margins. Signed, dated, and numbered 25/25 in pencil, published by the artist (with his blindstamp), framed. I. 81.4 x 61 cm (32 x 24 in.) S. 94 x 71 cm (37 x 27 7/8 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ‡ ♠

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12. David Hockney

b. 1937

Untitled No. 1, from The Yosemite Suite, 2010 iPad drawing in colours, printed on wove paper, with full margins. Signed, dated and numbered 25/25 in pencil, published by the artist (with his blindstamp), framed. I. 81.4 x 61 cm (32 x 24 in.) S. 94 x 71 cm (37 x 27 7/8 in.) Estimate £12,000-18,000 $16,300-24,500 €13,600-20,400 ‡ ♠

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13. Francis Bacon

1909-1992

Deuxième version du triptyque, 1944, (afer, Second Version of the Triptych 1944), 1989 The complete set of three lithographs in colours, on Arches Infnity paper, with full margins. All signed and annotated ‘H.C.’ in pencil (one of 23 hors commerce sets, the edition was 60 and 8 artist’s proofs), published by Michel Archimbaud for the Librarie Séguier for IRCAM Centre Pompidou, Paris, all framed. all I. 62.3 x 46 cm (24 1/2 x 18 1/8 in.) all S. 75.4 x 56.2 cm (29 5/8 x 22 1/8 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ♠ Literature Bruno Sabatier 24 Alexandre Tacou 25

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Property from the Edwin C. Cohen Family Collection

14. Lucian Freud

1922-2011

Afer Chardin, 2000 Etching, on Somerset Textured paper, with full margins. Signed with initials and numbered 26/46 in pencil (there were also 12 artist’s proofs), published by Matthew Marks Gallery, New York, unframed. I. 59.4 x 73.3 cm (23 3/8 x 28 7/8 in.) S. 76.2 x 96.5 cm (30 x 37 7/8 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ‡ ♠ Provenance The artist Matthew Marks Gallery, New York, 2000 Literature Starr Figura 101 Sebastian Smee 43 (image erroneously cropped) William Feaver 308

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Property from the Edwin C. Cohen Family Collection

15. Lucian Freud

1922-2011

Girl Holding Her Foot, 1985 Etching, on Somerset Satin paper, with full margins. Signed with initials and numbered 35/50 in pencil (there were also 15 artist’s proofs), co-published in 1986 by James Kirkman, London, and Brooke Alexander, New York, framed. I. 69.5 x 54.6 cm (27 3/8 x 21 1/2 in.) S. 87.9 x 71.1 cm (34 5/8 x 27 7/8 in.)

Provenance James Kirkman, London, 1987 Literature Craig Hartley 25 Bruce Bernard and Derek Birdsall 200

Estimate £12,000-18,000 $16,300-24,500 €13,600-20,400 ‡ ♠

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Property from the Edwin C. Cohen Family Collection

16. Lucian Freud

1922-2011

Head of Bruce Bernard, 1985 Etching, on Arches paper, with full margins. Signed with initials, inscribed ‘E.C.’ and numbered 13/50 in pencil (there were also 15 artist’s proofs), co-published by James Kirkman, London and Brooke Alexander, New York, framed. I. 29.2 x 29.5 cm (11 1/2 x 11 5/8 in.) S. 50.8 x 46.7 cm (20 x 18 3/8 in.)

Provenance James Kirkman, London, 1987 Literature Craig Hartley 26

Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ‡ ♠

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Property from the Edwin C. Cohen Family Collection

17. Gerhard Richter

b. 1932

Onkel Rudi (Uncle Rudi), 2000 Cibachrome photograph, fush-mounted to white Alu-Dibond plate, the full sheet. Signed and numbered ‘VIII/XXV’ in black felt-tip pen on the reverse (there were also 80 in Arabic numerals), published by Centro Per L’Arte Contemporanea Luigi Pecci, Prato, Italy, contained in the original wooden frame specifed by the artist. framed 95.9 x 58.4 cm (37 3/4 x 22 7/8 in.)

Provenance Marian Goodman Gallery, New York, 2003 Literature Hubertus Butin 111

Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ‡ ♠

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Property from the Edwin C. Cohen Family Collection

18. Gerhard Richter

b. 1932

Guildenstern, 1998 Cibachrome photograph, fush-mounted between Plexiglas and Alucobond plates, with metal strainer on the reverse (as issued). Signed and numbered 3/35 in black marker on a label afxed to the reverse (there were also 3 artist’s proofs), co-published by Anthony d’Ofay Gallery, London and Marian Goodman Gallery, New York. 101.6 x 115.6 cm (40 x 45 1/2 in.) Estimate £20,000-30,000 $27,200-40,800 €22,700-34,000 ‡ ♠

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Provenance Anthony d’Ofay Gallery, London Exhibited London, Anthony d’Ofay Gallery, Gerhard Richter, 11 September - 22 October 1998 Literature Hubertus Butin 95 Gerhard Richter, exh. cat., Anthony d’Ofay Gallery, London, 1998, p. 21

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Property from the Edwin C. Cohen Family Collection

19. Anish Kapoor

b. 1954

Wounds and Absent Objects: eight prints, 1998 Eight pigment transfer prints in colours, on polyester sheets, with colophon and title pages, loose (as issued) all contained in the original buckram-covered wooden box. All signed and numbered 6/12 in black ink on the reverse (there were also 5 artist’s proofs), published by The Paragon Press, London, lacking one print. portfolio 55.9 x 47.6 cm (22 x 18 3/4 in.) Estimate £9,000-12,000 $12,200-16,300 €10,200-13,600 ‡ ♠ Provenance The Paragon Press, London, 1998 Literature The Paragon Press, 1995 - 2000, pp. 136-145

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20. Anish Kapoor

b. 1954

Horizon Shadow, 2010 The complete set of nine etchings in colours, on Somerset Textured Sof White paper, the full sheets, with colophon and the original grey fabric-covered portfolio with printed title. All signed and numbered 8/35 in pencil on the reverse, and numbered ‘8’ in pencil on the colophon (there were also 9 artist’s proofs), published by The Paragon Press, London, with their accompanying Certifcate of Authenticity, all framed. all S. 48.4 x 65 cm (19 x 25 5/8 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ♠

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21. Sol LeWitt 1928-2007 Vanish, 1994 The complete set of 40 screenprints in black, on Fabriano paper, the full sheets, loose (as issued) contained in the original grey fabriccovered portfolio with embossed artist’s name. All signed in pencil on the front and numbered 25/28 in pencil on the reverse (there were also 8 artist’s proofs), published by Marco Noire Editore, Turin, Italy. portfolio 48 x 36 cm (18 7/8 x 14 1/8 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600

22. Imi Knoebel

b. 1940

Schief und Schräg 6 (Crooked and Oblique 6), 2010/2016 Acrylic in colours, on synthetic paper collage. Signed with initials, titled, dated and numbered 4/5 in black ink on the reverse, framed. S. 38.4 x 58 cm (15 1/8 x 22 7/8 in.) Estimate £12,000-18,000 $16,300-24,500 €13,600-20,400 ♠ Provenance Galerie Fahnemann, Berlin Private Collection, Germany

Literature Barbara Krakow 1994.07

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23. Joseph Beuys

1921-1986

Iphigenia/Titus Andronicus, 1985 Photopositive and negative on flm, stamped with brown paint. Signed and numbered 19/45 in pencil on a handmade label afxed to the reverse (there were also 5 artist’s proofs and an edition of 9 in Roman numerals), published by Edition Schellmann, Munich and New York, contained in the original glass and iron frame specifed by the artist. framed 71.1 x 54.9 cm (27 7/8 x 21 5/8 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ‡ ♠ Literature Jörg Schellmann 523

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24. Marcel Duchamp

1887-1968

À L’Infnitif (The White Box), 1967 Screenprint on vinyl mounted to Plexiglas (as issued) with 79 facsimile notes contained in seven black paper folders, with accompanying text, all contained within the original linen-covered portfolio with printed title on the front. Signed, dated ‘1966’ and numbered 72/150 with an electric engraving tool on the Plexiglas, also signed in black ink on the title page, published by Cordier & Ekstrom, New York. portfolio 33 x 28.5 cm (12 7/8 x 11 1/4 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ♠ Literature Arturo Schwarz 637

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25. Günther Uecker

b. 1930

Graphein, 2002 Artist’s book comprising 12 embossed prints, on Eskulan paper, the full sheets, with accompanying texts and colophon, the sheets loose between the original leathercovered backboard with embossed print on the front and printed suede spine, contained in the original Plexiglas slipcase with accompanying custom plinth. All prints and the colophon signed, dated and numbered 65/100 in pencil (there were also 10 hors commerce books and 10 in Roman numerals), co-published by Dorothea van der Koelen, Mainz and Edouard Weiss, Paris. all S. 70 x 50 cm (27 1/2 x 19 5/8 in.) book 74 x 55 x 10 cm (29 1/8 x 21 5/8 x 3 7/8 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ♠ Literature Dorothea van der Koelen, pp. 60-85

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Graphein’s Title page

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Property from a Private American Collection

26. Cy Twombly

1928-2011

Untitled, 1971 The complete series of six lithographs in colours, on Arches and Gray Mi-Teintes paper, with full margins. All signed, dated and numbered 15 from the editions of 24, 25 or 26 in pencil or brown litho-crayon (there were also 5 and 6 artist’s proofs), published by Untitled Press Inc., Captiva Island, Florida (with their blindstamp), all unframed. all I. various sizes all S. 57.2 x 76.2 cm (22 1/2 x 30 in.)

Provenance The artist Heiner Friedrich, Munich Thordis Moeller, c.1971-2 Literature Heiner Bastian 29-34

Estimate £300,000-400,000 $408,000-544,000 €340,000-454,000 ‡

Printmaking was a sporadic, but richly explored endeavour for Cy Twombly who tried nearly every traditional printmaking technique, discovering and developing his hand at etching, lithography, screenprint and monoprinting. His output was modest in comparison to his peers, Jasper Johns and Robert Rauschenberg - each themselves prolifc printmakers - and the majority of the editions Twombly produced, were the result of his close friendship with the latter. Twombly frst worked alongside Rauschenberg in the ‘etching basement’ at Universal Limited Art Editions (ULAE), Long Island, where he enjoyed the expressive qualities of the needleon-metal hand-drawn line and its unplanned outcomes. He approached these etchings without premeditation, referring to them as ‘practice plates’ and experimenting with the role of chance. Twombly used open-bite and mezzotint techniques that are impossible to fully control, demonstrating his willingness to include ‘error’ in the fnal printed outcome. His work at ULAE revealed his intense curiosity and intelligent exploration of the unique capabilities of a wide range of intaglio techniques. However, the etching process requires a cognitive translation of form - a series of logical steps in dialogue with the printmaker that involves more reviewing, altering and modifying than Twombly, used to dealing freely and sporadically with materials, was prepared to submit to. Seeking a more expressive form, Twombly once again followed his friend Rauschenberg and engaged with the altogether more direct medium of lithography, as demonstrated in the present lot. These six lithographs were created in 1971 at Rauschenberg’s Untitled Press in Captiva Island, Florida – a studio which Rauschenberg had established with the express purpose of working in tandem with visiting artists. With the assistance of Robert Peterson (a printmaker who had previously worked with Rauschenberg at Gemini G.E.L.), collaboration became the bedrock of Untitled Press’ short history right from its inception: collating proofng stones given by his neighbour, Maybelle Stamper, lithography stones from Gemini G.E.L., and a restored Fuchs and Lang press. As Rauschenberg explained,

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“In collaboration, one can accept the fact that someone else can be so sympathetic and in tune with what you’re doing that through this they move into depths which might not be obvious if that person had been working alone in a studio with the door shut.” Cy Twombly was the frst to visit Rauschenberg’s new print house, benefting from Untitled Press’ ethos of producing small editions, fnding specialised handmade papers, hand-mixing inks and supporting experimentation with new processes. It was here that Twombly explored the planographic technique of lithography during a period that coincided with the development of his breakthrough style of iconic grey-ground, ‘blackboard’ paintings. Working directly onto the litho stones, he was able to indulge in a more visceral process of markmaking, developing a new script that spoke directly to the relationship between ink and paper. Each of the six lithographs in this series has been printed with a carefully chosen, varying combination of ink and paper: indigo, grey and black each on white Arches, brown on a tan Canson, grey on an olive Canson and russet red on a cream Arches. It is clear that Twombly was carefully working out the resonance or dissonance between these choices, exploring variations on a theme resulting in separate conversations, or parts of a musical score, that coalesce in lyrical meditation. Twombly seems to revel in the variety of looping ribbons that he could create - with each composition layering smudged and smeared handmarks underneath a fully explored lexicon of heavy impasto coils, sharp scratches, and breathily sketched spirals. Simultaneously violent and delicate, the lithographs seem to vibrate with their distinct tonal emotions. The series encapsulates Twombly’s enduring artistic concerns towards mark-making and script, yet also embodies a specifc moment of virtuosity under the guidance and collaborative spirit of Rauschenberg’s Untitled Press.

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27. Robert Rauschenberg

1925-2008

Signs, 1970 Screenprint in colours, on wove paper, with full margins, the colours bright and fresh. Signed, dated and numbered 191/250 in pencil, published by Castelli Graphics, New York, unframed. I. 88.9 x 67.9 cm (35 x 26 3/4 in.) S. 108.3 x 86.4 cm (42 5/8 x 34 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ‡ Literature Edward A. Foster 155

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15/05/18 12:15


28. Andy Warhol

1928-1987

Mao, 1972 Screenprint in colours, on Beckett High White paper, the full sheet. Signed in blue ball-point pen and stamp-numbered 190/250 on the reverse (there were also 50 artist’s proofs), with the artist and printer’s copyright inkstamp on the reverse, co-published by Castelli Graphics and Multiples, Inc., New York, unframed. S. 91.5 x 91.5 cm (36 x 36 in.) Estimate £20,000-30,000 $27,200-40,800 €22,700-34,000 Literature Frayda Feldman and Jörg Schellmann 94

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29. Andy Warhol

1928-1987

Hot Dog Bean, from Campbell’s Soup II, 1969 Screenprint in colours, on wove paper, with full margins. Signed in black ball-point pen and stamp-numbered 124/250 on the reverse (there were also 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, framed. I. 81.1 x 47.6 cm (31 7/8 x 18 3/4 in.) S. 89.1 x 58.6 cm (35 1/8 x 23 1/8 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 Literature Frayda Feldman and Jörg Schellmann 59

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30. Andy Warhol

1928-1987

Old Fashioned Vegetable, from Campbell’s Soup II, 1969 Screenprint in colours, on wove paper, with full margins. Signed in black ball-point pen and stamp-numbered 175/250 (partially) on the reverse (there were also 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, framed. I. 81 x 47.8 cm (31 7/8 x 18 7/8 in.) S. 89 x 58.5 cm (35 x 23 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 Literature Frayda Feldman and Jörg Schellmann 54

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31. Andy Warhol

1928-1987

Skulls, 1976 The complete set of four screenprints in colours, on Strathmore Bristol paper, the full sheets. All signed and numbered 31/50 in pencil (there were also 10 artist’s proofs), published by Andy Warhol Enterprises, Inc., New York, all framed. all S. 76.4 x 101.7 cm (30 1/8 x 40 in.) Estimate £60,000-80,000 $81,600-109,000 €68,100-90,700 † Literature Frayda Feldman and Jörg Schellmann 157-160

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14/05/18 09:18


32. Andy Warhol

1928-1987

Mick Jagger, 1975 Screenprint in colours, on Arches Aquarelle (Rough) paper, the full sheet. Signed by the artist and Mick Jagger in pencil and black felt-tip pen respectively and numbered 116/250 in pencil (there were also 50 artist’s proofs), published by Seabird Editions, London (with their copyright inkstamp on the reverse), framed. S. 111.2 x 73.5 cm (43 3/4 x 28 7/8 in.)

Provenance Galerie Rob Jurka, Amsterdam Purchased directly from the above by the present owner in 1976 Literature Frayda Feldman and Jörg Schellmann 138

Estimate £30,000-50,000 $40,800-68,000 €34,000-56,700

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33. Andy Warhol

1928-1987

Mick Jagger, 1972 Screenprint in colours, on Arches Aquarelle (Rough) paper, the full sheet. Signed by the artist and Mick Jagger in pencil and black felt-tip pen respectively and numbered 76/250 in pencil (there were also 50 artist’s proofs), published by Seabird Editions, London (with their copyright inkstamp on the reverse), unframed. S. 111.3 x 73.5 cm (43 7/8 x 28 7/8 in.) Estimate £25,000-35,000 $34,000-47,600 €28,400-39,700 Literature Frayda Feldman and Jörg Schellmann 142

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34. Roy Lichtenstein

1923-1997

Refections on Girl, from Refections Series, 1990 Lithograph, screenprint and relief in colours with metallized PVC collage and embossing, on Somerset paper, with full margins. Signed, dated and numbered 30/68 in pencil (there were also 16 artist’s proofs), published by Tyler Graphics Ltd., Mount Kisco, New York (with their blindstamp), framed. I. 98.2 x 123.7 cm (38 5/8 x 48 3/4 in.) S. 114.5 x 139 cm (45 1/8 x 54 3/4 in.) Estimate £60,000-80,000 $81,600-109,000 €68,100-90,700 Literature Mary Lee Corlett 245

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35. Roy Lichtenstein

1923-1997

Untitled (Still Life with Lemon and Glass), from For Meyer Schapiro, 1974 Lithograph and screenprint in colours with debossing, on smooth wove paper, with full margins. Signed, dated and numbered 8/100 in pencil (there were also possibly 13 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by the Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, framed. I. 82.5 x 60.7 cm (32 1/2 x 23 7/8 in.) S. 103 x 81 cm (40 1/2 x 31 7/8 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 Literature Mary Lee Corlett 134

36. Tom Wesselmann

1931-2004

Mixed Bouquet with Leger, 1993 Screenprint in colours, on museum board, with full margins. Signed and numbered 60/90 in pencil (there were also 12 artist’s proofs), published by International Images Inc., Putney, Vermont (with their blindstamp), framed. I. 103.4 x 110.7 cm (40 3/4 x 43 5/8 in.) S. 129.5 x 138.4 cm (50 7/8 x 54 1/2 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000

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14/05/18 09:20


37. Tom Wesselmann

1931-2004

From Nude Painting Print, 1979/91 Laser-cut steel multiple, painted with alkyd oil in colours. Signed and numbered 5/25 with an electric engraving tool and further signed, titled and dated in black ink all on the reverse (there were also 6 artist’s proofs), co-published by the artist and Sidney Janis Gallery, New York. 27 x 23.4 cm (10 5/8 x 9 1/4 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700

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14/05/18 09:38


38. After Jean-Michel Basquiat

1960-1988

Per Capita, from Portfolio I, 1983/2001 Screenprint in colours, on wove paper, the full sheet. Numbered 77/85 in pencil on the front, signed and dated ‘11-19-01’ by Gerard Basquiat (Administrator of the Estate of Jean-Michel Basquiat) in pencil on a stamped Certifcate of Authenticity on the reverse (there were also 15 artist’s proofs), published by De Sanctis Carr Fine Art, Los Angeles, framed S. 101.8 x 101.6 cm (40 1/8 x 40 in.) Estimate £25,000-35,000 $33,900-47,400 €28,400-39,800

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39. After Jean-Michel Basquiat

1960-1988

Flexible, 1984/2016 Screenprint in colours, on heavy wove paper, with full margins. Numbered 55/85 in pencil on the front, signed and dated ‘5/13/16’ by Lisane Basquiat and Jeanine Heriveaux (The artist’s sisters and Administrators of the Estate of Jean-Michel Basquiat) in pencil on a Certifcate of Authenticity afxed to the reverse, published by Flatiron Editions, New York, unframed. I. 148.2 x 111.5 cm (58 3/8 x 43 7/8 in.) S. 153 x 115.7 cm (60 1/4 x 45 1/2 in.) Estimate £40,000-60,000 $54,400-81,600 €45,400-68,100

14/05/18 09:21


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40. Keith Haring

1958-1990

Pop Shop I, 1987 The complete set of four screenprints in colours, on wove paper, with full margins. All signed, dated and numbered 154/200, 154/200, 35/200 and 151/200 respectively in pencil (there were also 30 artist’s proofs), published by Martin Lawrence Limited Editions, New York, all framed. all I. 26.4 x 34.3 cm (10 3/8 x 13 1/2 in.) all S. 30.5 x 38.1 cm (12 x 15 in.) Estimate £30,000-50,000 $40,800-68,000 €34,000-56,700 ‡ Literature Klaus Littmann, pp. 82-83

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41. Keith Haring

1958-1990

Flowers, 1990 The complete set of fve screenprints in colours, on Coventry Paper, the full sheets, with title page and original green fabric-covered portfolio with printed title. All signed, dated and numbered 16/100 in pencil (there were also 15 artist’s proofs), published by Tony Shafrazi Editions, New York (with their blindstamp), all framed. all S. 99.7 x 128.9 cm (39 1/4 x 50 3/4 in.) Estimate £25,000-35,000 $34,000-47,600 €28,400-39,700

42. Keith Haring

1958-1990

Pyramid, 1989 Anodized aluminium plate in yellow and blue. With incised signature, date and numbering 26/30 on the reverse (there were also 6 artist’s proofs), published by Edition Schellmann, Munich and New York. 103 x 144 cm (40 1/2 x 56 3/4 in.) Estimate £25,000-35,000 $34,000-47,600 €28,400-39,700 Literature Jörg Schellmann, pp. 146-147 (no. 17)

Literature Klaus Littmann, pp. 165-167

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43. KAWS

b. 1974

Ups and Downs, 2013 The complete set of 10 screenprints in colours, on Saunders Waterford High White paper, the full sheets, with title page, loose (as issued) contained in the original black fabric-covered portfolio with embossed title. All signed, dated and numbered 39/100 in pencil (there were also 20 artist’s proofs), published by the artist, New York. portfolio 93 x 62 cm (36 5/8 x 24 3/8 in.) Estimate £20,000-30,000 $27,200-40,800 €22,700-34,000

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44. KAWS

b. 1974

Man’s Best Friend, 2016 The complete set of 10 screenprints in black and white, on Saunders Waterford High White paper, the full sheets, with title page, loose (as issued) contained in the original grey fabric-covered portfolio with printed title. All signed, dated and numbered 2/100 in pencil (there were also 20 artist’s proofs), published by Pace Prints, New York. portfolio 93.3 x 62.5 cm (36 3/4 x 24 5/8 in.) Estimate £25,000-35,000 $34,000-47,600 €28,400-39,700 ‡

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45. Julian Opie

b. 1958

Walking Statuettes, 2017 The complete series of seven resin model board, hand-painted statuettes. All signed and numbered 14/30 in black ink on the underside (there were also 5 artist’s proofs), published by Alan Cristea Gallery, London. all approx. 39 x 16 x 5 cm (15 3/8 x 6 1/4 x 1 7/8 in.) Estimate £30,000-50,000 $40,800-68,000 €34,000-56,700 ♠ Including Imogen, Natalie, Ian, Danielle, Faime, Tina and Bobby

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46. Julian Opie

b. 1958

Tina Walking, 2010 Lenticular acrylic panel comprised of four inkjet prints in colours, printed directly onto 20 lpi lenticular animating lenses, back mounted with 3mm Dibond. Signed in black ink and numbered 7/35 (printed) on a label afxed to the reverse (there were also 7 artist’s proofs), published by Alan Cristea Gallery, London, contained in the original brushed aluminium frame. specifed by the artist. framed 83 x 42.4 cm (32 5/8 x 16 3/4 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ♠ Literature Alan Cristea 143

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47. Julian Opie

b. 1958

Running Men, from Runners, 2016 Screenprint in colours, on Somerset paper, with full margins. Signed in black ink and numbered 28/50 (printed) on a label afxed to the reverse (there were also 10 artist’s proofs), published by Alan Cristea Gallery, London, contained in a brushed aluminium frame specifed by the artist. framed 152.8 x 156.1 cm (60 1/8 x 61 1/2 in.) Estimate £10,000-15,000 $13,500-20,300 €11,400-17,100 ‡ ♠

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14/05/18 09:41


48. Julian Opie

b. 1958

This is Shahnoza in 3 parts (5), 2008 Flocking adhesive screenprinted on 3mm white Plexiglas acrylic, with hand-focked black nylon, in three panels. Signed in black ink and numbered 15/30 (printed) on a label afxed to the reverse of the head (lef) panel (there were also 7 artist’s proofs), published by Alan Cristea Gallery, London, each panel contained in an original matt black aluminium frame specifed by the artist. overall 95.8 x 147.9 cm (37 3/4 x 58 1/4 in.) Estimate £12,000-18,000 $16,300-24,500 €13,600-20,400 ♠ Literature Alan Cristea 131

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14/05/18 09:41


49. Jonas Wood

b. 1977

50. Grayson Perry

b. 1960

Dilophosaurus Wetherilli; and Archaeopteryx Lithographica, 2015 Two lithographs in colours, on Barcham Green Boxley De Wint Eggshell paper, with full margins. Each signed, dated and numbered 20/30 and 30/30 respectively in pencil (there was also 1 artist’s proof for each), published by Hamilton Press, Venice, California (with their blindstamp), both framed. both I. approx. 65 x 36.5 cm (25 5/8 x 14 3/8 in.) both S. 79 x 57.5 cm (31 1/8 x 22 5/8 in.)

Map of Nowhere, 2008 Etching in red, on Arches paper, with full margins. Signed and annotated ‘AP’ in pencil on the reverse (one of 4 artist’s proofs, the edition was 15), published by The Paragon Press, London, contained in the original yellow painted wooden frame specifed by the artist. framed 162.3 x 122.5 cm (63 7/8 x 48 1/4 in.)

Estimate £12,000-18,000 $16,300-24,500 €13,600-20,400

Literature The Paragon Press 2006-2010, pp. 186-189

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Estimate £18,000-20,000 $24,500-27,200 €20,400-22,700 ♠

14/05/18 09:44


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14/05/18 15:44


51. Damien Hirst

b. 1965

Mickey (Blue Glitter), 2016 Screenprint in colours with glitter, on wove paper, the full sheet. Signed and numbered 40/150 in pencil on the reverse (there were also 10 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by Other Criteria, London, framed. S. 87.4 x 70 cm (34 3/8 x 27 1/2 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ♠

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52. Damien Hirst

b. 1965

Minnie (Pink Glitter), 2016 Screenprint in colours with glitter, on wove paper, the full sheet. Signed and numbered 40/150 in pencil on the reverse (there were also 10 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by Other Critera, London, framed. S. 87.4 x 70 cm (34 3/8 x 27 1/2 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ♠

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53. Damien Hirst

b. 1965

All You Need is Love Love Love, 2009 Screenprint in colours with glaze, on wove paper, with full margins. Signed and numbered 14/50 in pencil (there were also 19 artist’s proofs), published by Other Criteria, London, framed. I. 127 x 127 cm (50 x 50 in.) S. 152 x 151.8 cm (59 7/8 x 59 3/4 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ♠

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54. Damien Hirst

b. 1965

Santiago de Compostela, from Cathedral, 2007 Screenprint in colours with glaze and diamond dust, on wove paper, the full sheet. Signed and numbered 38/50 in black ink (there were also 5 artist’s proofs), published by Other Criteria, London, framed. S. 120.5 x 120.2 cm (47 1/2 x 47 3/8 in.) Estimate £25,000-35,000 $33,900-47,400 €28,400-39,800 ♠

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55. Various Artists In The Darkest Hour There May Be Light, 2006 The complete set of 23 digital photographic prints, lithographs and screenprints, on various papers, the full sheets and with full margins, loose (as issued) contained in the original blue fabric-covered portfolio with printed uppers and title on spine. All signed, most dated and all numbered 8/50 in either pencil, black or silver ink, some on the reverse (there were also 29 artist’s proofs), co-published by the Serpentine Gallery and Other Criteria, London. portfolio 48 x 34 x 6 cm (18 7/8 x 13 3/8 x 2 3/8 in.) Estimate £20,000-30,000 $27,200-40,800 €22,700-34,000 ♠

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Including Banksy Can’t Stop the Feeling, Don Brown La Pléiade, Angela Bulloch Open Pixel Print, John Currin The Jack Ass (Clambake), Tracey Emin More Margate - more past, Angus Fairhurst Proposal for a Public Place, Steven Gregory A Nod’s as Good as a Wink, Marcus Harvey Skull, Damien Hirst Soul, Rachel Howard Can’t Breathe Without You, John Isaacs impossible dreams, Michael Joo Consumables, Jef Koons Dolphin (Bicylcle Rack), Jim Lambie ArthurLeeLove, Sean Landers Woody, Tim Lewis page 2, Sarah Lucas Perceval, Nicholas Lumb Public Place, Tom Ormond Plan for a New Beginning, Lawrence Owen Spot the Dogging, Richard Prince Untitled (hippy drawing), Haim Steinbach Accelerate your escape, and Gavin Turk Reclining Cup

14/05/18 09:47


56. Mel Bochner

b. 1940

Blah Blah Blah, 2017 Monoprint with collage, engraving, embossing and oil paint in colours, on handmade and hand-dyed Twinrocker paper, the full sheet. Signed and dated in pencil, a unique colour variant, published by Two Palms Press, New York, framed. S. 58.2 x 78.6 cm (22 7/8 x 30 7/8 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ‡

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57. Christopher Wool

b. 1955

My House I, 2000 Screenprint in colours, on Matt Custom Art paper, with full margins. Signed, dated and numbered 3/100 in pencil (there were also 20 artist’s proofs), published by Counter Editions, London, framed. I. 99 x 73.6 cm (38 7/8 x 28 7/8 in.) S. 101.5 x 75.8 cm (39 7/8 x 29 7/8 in.) Estimate £12,000-18,000 $16,300-24,500 €13,600-20,400

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58. Rebecca Warren

b. 1965

Zhizni, 2010 Bronze multiple. Signed in black ink and numbered 27/45 (printed) on the accompanying Certifcate of Authenticity (there were also 15 artist’s proofs), published by Counter Editions, London. 28 x 14 x 8 cm (11 x 5 1/2 x 3 1/8 in.) Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ♠

14/05/18 10:37


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59. Bruce Nauman

b. 1941

Sof Ground Etching Series, 2007 The complete series of six sof-ground etchings in colours, on Somerset paper, with full margins.All signed, dated ‘06’ or ‘07’ and numbered 24/50 in pencil (there were also 10 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), all framed. I. 48 x 60.7 cm (18 7/8 x 23 7/8 in.) S. 75.6 x 86 cm (29 3/4 x 33 7/8 in.)

Including Soft Ground Etching - Lavender, Soft Ground Etching - Yellow, Soft Ground Etching - Blue, Soft Ground Etching - Green, Soft Ground Etching - Coral and Soft Ground Etching - Rose

Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100

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60. Banksy

b. 1975

Stop & Search, 2007 Screenprint in colours, on Arches 88 paper, with full margins. Signed in blue pencil and numbered 346/500 in pencil, published by Pictures on Walls, London, with the accompanying Certifcate of Authenticity issued by Pest Control, unframed. I. 45.5 x 38 cm (17 7/8 x 14 7/8 in.) S. 76.5 x 57.5 cm (30 1/8 x 22 5/8 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ♠

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61. Banksy

b. 1975

Laugh Now, 2005 Screenprint in colours, on buf wove paper, the full sheet. Signed and dated in black ink and numbered 20/150 in pencil (the edition was 150 signed and 450 unsigned with 69 artist’s proofs), published by Pictures on Walls, London, with the accompanying Certifcate of Authenticity issued by Pest Control, framed. S. 69.3 x 49.5 cm (27 1/4 x 19 1/2 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ♠

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84. Niki de Saint Phalle

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Day Editions Lots 62 – 280, 2 pm

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62. Salvador Dalí

1904-1989

Carmen - Castanets, c.1970 Bronze with green patina, on a marble base, contained in the original foam-lined wooden box. With incised signature on the reverse and stamp-numbered 228/300 on the lef side (there were also 30 artist’s proofs in Roman numerals), published by 2049 Obra Contemporanea Editeur, Spain, with the accompanying Certifcate of Authenticity. including base 26 x 9 x 11 cm (10 1/4 x 3 1/2 x 4 3/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ♠

63. Salvador Dalí

1904-1989

Vénus, Mars et Cupidon, from Mythologique nouvelle (Venus, Mars and Cupid, from New Mythologies), 1971 Drypoint with extensive hand-colouring in watercolour, on BFK Rives paper, with full margins. Signed and inscribed ‘Bon pour couleur’ in pencil (the ‘colour approval’ impression before the editions of 150 on Rives and 120 on Japon nacré papers, there were also 50 artist’s proofs on Auvergne paper), published by Vision Nouvelle, Paris, printed by Atelier Rigal, Paris, and inscribed ‘Epreuve aquarelle pour B.A.T. faisant partie de notre collection’ by Denise Rigal in pencil on the reverse, unframed. I. 57.5 x 39.6 cm (22 5/8 x 15 5/8 in.) S. 64.8 x 49.8 cm (25 1/2 x 19 5/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ Provenance Atelier Rigal, Paris Private Collection, France Literature see Ralf Michler and Lutz W. Löpsinger 487 This work is registered in the Archives Descharnes under number D_5670 (a certifcate has been issued and is available for purchase from the Archives Descharnes)

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64. Salvador Dalí

1904-1989

Much Ado About Shakespeare II, 1970 The complete set of 16 drypoints in colours, on BFK Rives paper, with full margins. All signed, annotated ‘EA.’ and consecutively numbered 1-16 in pencil on the front, further inscribed and signed ‘Epreuve de notre collection’ by Denise Rigal in pencil on the reverse (one of 25 artist’s proofs, the edition was 250 on Japanese and 200 on BFK Rives papers), printed by Ateliers Rigal, published by Editions Graphiques Internationales, Paris, all unframed. all I. 17.4 x 12.4 cm (6 7/8 x 4 7/8 in.) all S. 44.2 x 31.4 cm (17 3/8 x 12 3/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

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Provenance Atelier Rigal, Paris Private Collection, France Literature Ralf Michler and Lutz W. Löpsinger 390-405 Including: Henry IV, Henry V (a), Henry V (b), Henry VI, Henry VIII, The Taming of the Shrew, The Merry Wives of Windsor, Love’s Labours Lost, Troilus and Cressida, Cymbeline, Two Gentlemen of Verona, Richard II, Richard III, Timon of Athens, King John, and All’s Well That Ends Well

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65. Pablo Picasso

1881-1973

Visage de femme (Woman’s Face), 1953 White earthenware turned pitcher, painted in colours with decoration in engobes, knife engraving and partial brushed glaze. Annotated ‘Edition Picasso’ and numbered 6/200 in black paint and with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside. 31.8 x 17.8 x 27.9 cm (12 1/2 x 7 x 10 7/8 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ‡ ♠ Literature Alain Ramié 192 Georges Ramié 702

66. Pablo Picasso

1881-1973

Chouette (Owl), 1968 White earthenware turned vase, painted in colours with knife engraving and partial brushed glaze. Incised 183/500, ‘EDITION PICASSO’ and ‘MADOURA’ with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside. 29 x 15 x 20 cm (113/8 x 57/8 x 77/8 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ♠ Literature Alain Ramié 543

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67. After Pablo Picasso

1881-1973

Jacqueline à l’Atelier (Jacqueline at the Easel), 1956 Lithograph and pochoir in colours, on Arches paper, with wide margins. Signed and numbered 279/350 in pencil, published by Guy Spitzer, Paris (with their blindstamp and partial inkstamp verso), framed. I. 47.5 x 56.7 cm (18 3/4 x 22 3/8 in.) S. 63.3 x 75.5 cm (24 7/8 x 29 3/4 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ♠

68. After Pablo Picasso

1881-1973

Portrait imaginaire (Imaginary Portraits): one plate, 1969 Ofset lithograph in colours, on Arches paper, the full sheet. Numbered ‘A 108/250’ in pencil, from the American edition (there was also a French edition of 250 marked ‘F’), published by Harry N. Abrams, New York, unframed. S. 65.7 x 50 cm (25 7/8 x 19 5/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ♠ †

69. Pablo Picasso

1881-1973

Vallauris Exposition, 1960 Linocut in colours, on Arches paper, with full margins. Signed and numbered 115/170 in pencil, published by Arnéra, Vallauris, framed. I. 63.8 x 52.7 cm (25 1/8 x 20 3/4 in.) S. 75 x 62 cm (29 1/2 x 24 3/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ Literature Georges Bloch 1290 Brigitte Baer 1268

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70. Henri Matisse

1869-1954

Nu assis dans un fauteuil au décor feuri (Nude Sitting in a Floral Decorated Armchair), 1924 Lithograph, on thin laid paper, with full margins. Signed and numbered 84/250 in pencil, framed. I. 47.8 x 31.5 cm (18 7/8 x 12 3/8 in.) S. 60.5 x 40 cm (23 7/8 x 15 3/4 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡ ♠ Literature Claude Duthuit 445

This lot is sold with no reserve

71. Édouard Vuillard

1868-1940

La Sieste ou la convalescence (Siesta or Convalescence), 1893 Lithograph in colours, on wove paper, with full margins. Signed with initials and numbered ‘6’ in pencil, from the edition of 100, published by Roger-Marx and André Marty, in collaboration with La Couturière, Paris, framed. I. 29 x 22 cm (11 3/8 x 8 5/8 in.) S. 58.8 x 41.5 cm (23 1/8 x 16 3/8 in.) Estimate £500-700 $680-950 €570-790 • ‡ Provenance Libby Howie Limited, London Literature Claude Roger-Marx 2

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72. Paul Delvaux

1897-1994

La Reine de Saba (The Queen of Sheba), 1982 Screenprint in colours, on Japon nacré paper, with full margins. Signed and numbered 6/50 in pencil (there was also an edition of 75 on wove paper), with a ‘Serigraphie L’Atelier’ blindstamp, framed. I. 60 x 43 cm (23 5/8 x 16 7/8 in.) S. 75.3 x 56.2 cm (29 5/8 x 22 1/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ‡ ♠

73. Paul Delvaux

1897-1994

Anne songeuse (Pensive Anne), 1966 Lithograph in colours, on BFK Rives paper, with full margins. Signed and annotated ‘E.A.’ in pencil (an artist’s proof, aside from the edition of 75 on Arches paper), framed. I. 65.5 x 50.5 cm (25 3/4 x 19 7/8 in.) S. 75.9 x 56.5 cm (29 7/8 x 22 1/4 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 ‡ ♠ Literature Mira Jacob 7

74. Paul Delvaux

1897-1994

Anne de profl (Anne’s Profle), 1971 Lithograph, on Arches paper, with full margins. Signed and numbered 47/75 in pencil (there were also 25 artist’s proofs in Roman numerals, printed in sanguine on Japon nacré paper), framed. I. 32 x 24 cm (12 5/8 x 9 1/2 in.) S. 58 x 47.2 cm (22 7/8 x 18 5/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ‡ ♠ Literature Mira Jacob 46

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75. Marc Chagall

1887-1985

Afche d’exposition (Exhibition poster), 1967 Lithograph in colours, on Arches paper, with full margins. Signed and numbered 137/150 in pencil, published by Maeght, Paris, framed. I. 64 x 48 cm (25 1/4 x 18 7/8 in.) S. 76.5 x 57 cm (30 1/8 x 22 1/2 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡ ♠ Literature Fernand Mourlot 476

76. Marc Chagall

1887-1985

Arrivée de Dionysophane (The Arrival of Dionysophanes), pl. 37, from Daphnis and Chloé, 1961 Lithograph in colours, on Arches paper, the full sheet. From the unsigned and unnumbered edition of 250 (there was also a signed and numbered edition of 60 with margins), published by Tériade Editeur, Paris, unframed. S. 42.3 x 32 cm (16 5/8 x 12 5/8 in.) Estimate £3,000-4,000 $4,100-5,400 €3,400-4,500 ♠ † Literature Fernand Mourlot 344 see Patrick Cramer books 46

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77. Joan Miró

1893-1983

Les Forestiers (gris) (The Foresters - Grey), 1958 Aquatint in colours, on BFK Rives paper, with full margins. Signed and annotated ‘H.C.’ in pencil (one of several hors commerce impressions, the edition was 75), published by Maeght, Paris, framed. I. 49.5 x 32.2 cm (19 1/2 x 12 5/8 in.) S. 66 x 50 cm (25 7/8 x 19 5/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ‡ ♠ Literature Jacques Dupin 149

78. Joan Miró

1893-1983

Per Alberti, per La Spagna (For Alberti, For Spain): one plate, 1975 Etching and aquatint in colours, on Fabriano paper, with full margins. Signed and numbered ‘XIX/LX’ in pencil (one of 60 impressions in Roman numerals, the edition was 90), published by Editori Riumiti, Rome, framed. I. 78 x 56.2 cm (30 3/4 x 22 1/8 in.) S. 89.3 x 65.3 cm (35 1/8 x 25 3/4 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡ ♠ Literature Jacques Dupin 926

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79. After Joan Miró

1893- 1983

Le Chien bleu (The Blue Dog), 1958-59 Etching and aquatint in colours, on BFK Rives paper, with full margins. Signed and numbered 33/300 in pencil (there were also 25 artist’s proofs), published by Maeght, Paris, framed. I. 61 x 47.5 cm (24 x 18 3/4 in.) S. 83.6 x 63.1 cm (32 7/8 x 24 7/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠ Literature Maeght 1714

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80. Joan Miró

1893-1983

Intérieur et nuit (Interior and Night), 1969 Lithograph in colours, on textured wallpaper, the full sheet. Signed and numbered 55/75 in pencil, published by Maeght, Paris, unframed. S. 95.3 x 54.6 cm (37 1/2 x 21 1/2 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ‡ ♠ Literature Fernand Mourlot 590

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81. Joan Miró

1893-1983

L’Invitée du Dimanche I (Sunday Guest I), 1969 Etching and aquatint in colours, on Arches paper, with full margins. Signed and numbered 43/75 in pencil (there were also some hors commerce impressions), published by Maeght, Paris, unframed. I. 59.7 x 99 cm (23 1/2 x 38 7/8 in.) S. 80.3 x 115.7 cm (31 5/8 x 45 1/2 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ‡ ♠ Literature Jacques Dupin 480

82. Joan Miró

1893-1983

Il Circulo de piedra (The Circle of Stone): one plate, 1971 Lithograph in colours, on wove paper, the full sheet. Signed and numbered ‘XXIV/XXV’ in pencil (one of 25 impressions in Roman numerals, the edition was 125), published by Grafca uno Giorgio Upiglio, Milan, framed. S. 57 x 45.1 cm (22 1/2 x 17 3/4 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ‡ ♠ Literature Maeght 746

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83

83. Joan Miró

This lot is sold with no reserve

1893-1983

Hommage à Miró, 1972 Lithograph in colours, on Arches paper, with full margins. Signed and annotated ‘e.a.’ in pencil (an artist’s proof, the edition was 75), published by XXe Siècle, Paris, framed. I. 31.7 x 50 cm (12 1/2 x 19 5/8 in.) S. 48 x 63 cm (18 7/8 x 24 3/4 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ‡ ♠

84. Niki de Saint Phalle

1930-2002

Sky Dance, 2000-01 Lithograph in colours with collaged glitter stars, on wove paper, the full sheet. Signed and numbered 180/200 in pencil, unframed. S. 52 x 68.5 cm (20 1/2 x 26 7/8 in.) Estimate £800-1,000 $1,100-1,400 €910-1,100 • ♠

Literature Fernand Mourlot 868

84

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85. Marcel Duchamp

1887-1968

The Chess Players, 1965 Etching, on handmade laid paper, with full margins. Signed, dated and numbered 46/50 in pencil (there were also 10 artist’s proofs and 25 in Roman numerals on Japon nacré paper), framed. I. 43.8 x 57.5 cm (17 1/4 x 22 5/8 in.) S. 50.5 x 65 cm (19 7/8 x 25 5/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠ Literature Arturo Schwartz 621 The Association Marcel Duchamp has confrmed the authenticity of this artwork and will issue a certifcate to the buyer.

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Recto

Verso

86. Marcel Duchamp

1887-1968

Bouche-évier (Sink Stopper), also known as Medallic Sculpture, 1967/79 Nickel-plated cast stainless steel multiple. With incised signature, date ‘64’ (the date of the original lead model from which the cast was made), and numbering 48/100 on the underside (between 1967 and 1979 the International Collectors Society, New York, issued 60 examples in bronze, 30 examples in stainless steel, 70 examples in sterling silver, and 12 artist’s proofs in each metal; with the permission of Duchamp’s widow, the edition was completed posthumously in 1981-82 to the editions of 100 each). 6 cm (2 3/8 in.) diameter Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠ Literature Arturo Schwarz 608 The Association Marcel Duchamp has confrmed the authenticity of this artwork and will issue a certifcate to the buyer.

87. Marcel Duchamp

1887-1968

The Water Mill, 1965/67 Etching and aquatint, on Japanese paper, with full margins. Signed and numbered 16/30 in pencil, the second (fnal) state, published by Arturo Schwartz, Milan, 1967, unframed. I. 24.7 x 14 cm (9 3/4 x 5 1/2 in.) S. 32.5 x 25.5 cm (12 3/4 x 10 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠ Literature Arturo Schwartz 628 This artwork has been recorded in the Archives of the Association Marcel Duchamp.

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88. Michelangelo Pistoletto

b. 1933

Uovo (Egg) Screenprint in colours, on mirror-polished stainless steel with metal strainer on the reverse. Signed and numbered 44/50 in black ink on the reverse. 50 x 40 cm (19 5/8 x 15 3/4 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

89. Joseph Beuys

1921-1986

Five Lithographs, 1977 The complete set of fve lithographs in brown and gold, on wove paper, the full sheets. All signed and numbered 36/60 in pencil (there were also 12 artist’s proofs), published by Propyläen Verlag, Berlin, all framed, lacking the original portfolio. all S. 76 x 56 cm (29 7/8 x 22 in.) two horizontal Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠ Literature Jörg Schellmann 219-223

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This lot is sold with no reserve

90. Joseph Beuys

1921-1986

Ohne Die Rose Tun Wir’s Nicht (We Won’t Do It without the Rose), 1973 Ofset print in colours, on thin cardstock paper, printed to the edges of the sheet (the upper edge unevenly trimmed). Signed, titled, dated and numbered 39/80 in red ink (faded) (there were also 20 in Roman numerals), published by Edition Staeck, Heidelberg (with their inkstamp on the reverse), framed. S. 78.8 x 55.8 cm (31 x 21 7/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • ♠ Literature Jörg Schellmann 61

91. Joseph Beuys

1921-1986

Trace 1, 1974 The complete set of nine lithographs in colours, on white wove or grey-green laid papers, with full margins. All signed and numbered ‘AP 12/17’ in pencil (an artist’s proof, the edition was 98), published by Propyläen Verlag, Berlin, all framed, lacking the original portfolio. all I. various sizes, all S. 52 x 72 cm (20 1/2 x 28 3/8 in.) four vertical

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Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠ Literature Jörg Schellmann 109-117

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92. Francis Bacon

1909-1992

Triptych (afer the centre panel of In Memory of George Dyer, 1971), 1976 Ofset lithograph in colours, on Arches paper, with full margins. Signed in felt-tip pen (faded), re-signed by the artist in pencil in 1992 and stamp-numbered ‘0026’ on the reverse (the edition was 100), published by the Musée Cantini, Marseilles, framed. I. 49 x 36.5 cm (19 1/4 x 14 3/8 in.) S. 65 x 49.8 cm (25 5/8 x 19 5/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ Literature Bruno Sabatier 33 Alexandre Tacou 6

93. After Francis Bacon

1909-1992

Portrait of John Edwards, 2002 Lithograph in colours, on wove paper, with full margins. With printed signature and numbered 43/50 in pencil, from the posthumous edition published by the artist’s estate, London (with their inkstamp on the reverse), framed. I. 73.5 x 54.5 cm (28 7/8 x 21 1/2 in.) S. 99 x 69.6 cm (38 7/8 x 27 3/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠

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94. Francis Bacon

1909-1992

Masque mortuaire de William Blake (afer Study of Portrait based on The Life Mask of William Blake, 1955), 1991 Lithograph in colours, on BFK Rives paper, with full margins. Signed and numbered 9/60 in pencil (there were also some artist’s proofs), published by Michel Archimbaud for the Librairie Séguier, Paris, framed. I. 60 x 50 cm (23 5/8 x 19 5/8 in.) S. 80 x 60 cm (31 1/2 x 23 5/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠ Literature Bruno Sabatier 27 Alexandre Tacou 29

95. Antony Gormley

b. 1950

Sublimate, 2010 Etching and aquatint, on BFK Rives paper, with full margins. Signed, titled, dated and numbered 16/80 in pencil (the edition was 60 and 6 artist’s proofs), published by Thumbprint Editions, London, on the occasion of the exhibition Between You and Me, Rotterdam, 2008, unframed. I. 34 x 49.5 cm (13 3/8 x 19 1/2 in.) S. 57.5 x 76.4 cm (22 5/8 x 30 1/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠ †

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96. Hurvin Anderson

b. 1965

Sun Shade, 2013 Giclée print in colours with unique hand-colouring in acrylic, on Hahnemühle etching paper, with full margins. Signed and numbered 2/25 in pencil, published by Vital Arts, London, unframed. I. 39 x 60.8 cm (15 3/8 x 23 7/8 in.) S. 49 x 70.8 cm (19 1/4 x 27 7/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠

97. Peter Doig

b. 1959

Lapeyrouse Wall, 2004 Etching and aquatint in colours, on wove paper, with full margins. Signed, dated and numbered 28/30 in pencil, published by the artist, unframed. I. 19.5 x 14.5 cm (7 5/8 x 5 3/4 in.) S. 53.2 x 38.2 cm (20 7/8 x 15 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠ †

98. Peter Doig

b. 1959

Canoe Island, 2000 Screenprint in colours, on Somerset paper, the full sheet. Signed and numbered 224/300 in pencil on the reverse (there were also 30 artist’s proofs), published by Counter Editions, London, framed. S. 73.4 x 99.9 cm (28 7/8 x 39 3/8 in.) Estimate £2,500-3,500 $3,400-4,800 €2,800-4,000 ♠

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99. Howard Hodgkin

1932-2017

DH in Hollywood, 1979-85 Sof-ground etching in colours, with hand-colouring in watercolour and oil pastel, on BFK mould-made paper, with full margins. Signed with initials, dated and numbered 13/100 in pencil (there were also 20 artist’s proofs), published by Petersburg Press, New York, framed. I. 19.8 x 26.6 cm (7 3/4 x 10 1/2 in.) S. 21.3 x 28 cm (8 3/8 x 11 in.) Estimate £1,200-1,800 $1,600-2,400 €1,400-2,000 ♠ Literature Liesbeth Heenk 56

100. Howard Hodgkin

1932-2017

Tropic Fruit, 1978 Textile dyes in colours, on handmade paper, the full sheet. Signed, titled and dated in black ink on the reverse of the frame, one of 2 unique variants, framed. S. 59 x 63.9 cm (23 1/4 x 25 1/8 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ♠

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Provenance Petersburg Press, London Sotheby’s, New York, Contemporary Art Part II, 5 Nov 1987, lot 234 Christie’s, South Kensington, Prints & Multiples, 18 July 2007, lot 380 Private Collection, London

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101. David Hockney

b. 1937

Brooke Hopper, from Friends, 1976 Lithograph, on Arches paper, the full sheet. Signed, dated and numbered 63/92 in pencil (there were also 16 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. S. 97 x 71.3 cm (38 1/4 x 28 1/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠ Literature Gemini G.E.L. 713 Museum of Contemporary Art Tokyo 166 Scottish Arts Council 177

102. David Hockney

b. 1937

Sidney in his Ofce, from Friends, 1976 Lithograph, on grey BFK Rives paper, the full sheet. Signed and numbered 35/60 in white crayon (there were also 11 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. S. 60.9 x 52.8 cm (23 7/8 x 20 3/4 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 ♠ Literature Gemini G.E.L. 770 Scottish Arts Council 190

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103. David Hockney

b. 1937

Gorge d’Incre, from Some More New Prints, 1993 Lithograph and screenprint in colours, on Arches 88 paper, with full margins. Signed, dated and numbered 5/68 in pencil (there were also 14 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. I. 48.2 x 61.5 cm (18 7/8 x 24 1/4 in.) S. 54.9 x 68.8 cm (21 5/8 x 27 1/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ Literature Gemini G.E.L. 1624 Museum of Contemporary Art Tokyo 338

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104. Lucian Freud

1922-2011

A Couple, 1982 Etching, on wove paper, with full margins. Signed with initials and numbered ‘A.P. IV/X’ in pencil (one of 10 artist’s proofs in Roman numerals, the edition was 25), published by Thames and Hudson, London, to accompany the deluxe edition of Lawrence Gowing’s book, Lucian Freud, framed. I. 11.4 x 11.4 cm (4 1/2 x 4 1/2 in.) S. 27 x 21.6 cm (10 5/8 x 8 1/2 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ‡ ♠ Literature Craig Hartley 7 Print Quarterly 9

105. Marlene Dumas

b. 1953

Barbie (with pearl necklace), 1997 Lithograph in colours, on wove paper, the full sheet. Signed, titled, dated and numbered 80/100 in pencil (there were also 20 artist’s proofs in Roman numerals), framed. S. 50 x 38.3 cm (19 5/8 x 15 1/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠

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106. Marlene Dumas

b. 1953

Snowfake, 1999 Lithograph in colours, on Arches paper, the full sheet. Signed, titled, dated and numbered 9/50 in pencil, published by Edition Marcel Kalksma, Amsterdam, framed. S. 122 x 68 cm (48 x 26 3/4 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠

107. Marlene Dumas

b. 1953

Purple Pose, 1999 Lithograph in colours, on Arches paper, the full sheet. Signed, titled, dated and numbered 9/50 in pencil, published by Edition Marcel Kalksma, framed. S. 122 x 68 cm (48 x 26 3/4 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠

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128. Richard Hamilton

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Richard Hamilton prints from an Important German Collection Lots 108 – 141 Prints and print-making occupy an essential position of enduring importance throughout Richard Hamilton’s oeuvre. Indeed he made his frst prints aged 17 and continued to experiment with this medium alongside and in conversation with his paintings and sculptures, for the rest of his career. An avid member of London’s progressive Independent Group in the early 1950s, Hamilton approached his image-making with the stated mission of expressing and critiquing the essence of consumer culture, which he described as ‘popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous and big business’. Hamilton drew directly upon the cultural and political changes he witnessed and his magpie approach to social chronicling is demonstrated in the following group of works. Amassed from the late 1960s onwards and held in a private German collection, these lots include iconic and eclectic examples of Hamilton’s printmaking, illustrating Hamilton’s continual examination of the processes of image-making and the technical breadth of his visual experimentation.

‘You can do things in print you can’t do in any other medium.’ Richard Hamilton

Always eager to embrace new technologies and techniques, Hamilton has investigated nearly every process of printmaking. Traditional etching, lithography and screenprint (although under his ministrations they evolve into works far from the traditional), and innovative photographic, digital and lenticular formats have been collated by a keen eye for this collection. Etchings such as Picasso’s Meninas, 1973 (lot 110) highlight Hamilton’s close working relationship with master printmaker, Aldo Crommelynck, who guided the artist in his exploration of the full potential of intaglio printing methods. His veneration for Marcel Duchamp, and the concept of the ready-made is apparent in the witty portrait The Critic Laughs, 1968 (lot 118), and his embracing of unusual mediums and techniques is evinced in the mylar and silicone of the Five Tyres Remoulded, 1971 (lot 126). Hamilton’s clever manipulation of imagery, and sly trenchant take on consumer culture and advertising, mean that his prints remain as innovative in conception and execution now as they have always been.

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Property from an Important German Collection

108. Richard Hamilton

1922-2011

Toaster, 1967 Ofset lithograph and screenprint in colours with metallized polyester collage, on T H Saunders paper, with full margins. Signed and numbered 27/75 in pencil in the image (there were also 7 artist’s proofs), published by the artist, framed. I. 79 x 58.3 cm (31 1/8 x 22 7/8 in.) including text S. 88.6 x 63.5 cm (34 7/8 x 25 in.)

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Estimate £12,000-15,000 $16,300-20,400 €13,600-17,000 ♠ Literature Etienne Lullin 63

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Property from an Important German Collection

109. Richard Hamilton

1922-2011

Release, 1972 Screenprint in colours with silver foil collage, on Hodgkinson mould-made paper, with full margins. Signed and numbered 83/150 in pencil (there were also 15 artist’s proofs), published by Petersburg Press, S.A. for the National Council for Civil Liberties (NCCL) and Release, framed. I. 68.5 x 86 cm (26 7/8 x 33 7/8 in.) S. 70.1 x 94.6 cm (27 5/8 x 37 1/4 in.) Estimate £15,000-20,000 $20,400-27,200 €17,000-22,700 ♠ Literature Etienne Lullin 83

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Property from an Important German Collection

110. Richard Hamilton

1922-2011

Picasso’s Meninas, from Hommage à Picasso, 1973 Hard-ground, sof-ground, and stipple etching, with roulette, open-bite and lif-ground aquatint, drypoint and burnishing, on BFK Rives paper, with full margins. Signed, titled and numbered 49/90 in pencil (there were also 30 impressions in Roman numerals reserved for museums, and 15 artist’s proofs), co-published by Propyläen Verlag, Berlin and Pantheon Presse, Rome, framed. I. 57 x 49 cm (22 1/2 x 19 1/4 in.) S. 75.8 x 56.8 cm (29 7/8 x 22 3/8 in.)

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Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ♠ Literature Etienne Lullin 91

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Property from an Important German Collection

111. Richard Hamilton

1922-2011

Patricia Knight I (coloured), 1982 Lif-ground aquatint, scraper and burnisher with unique hand-colouring in acrylic, on Rives paper, with full margins. Signed and numbered 9/12 in pencil (the edition was 12 unique variants and 2 unique artist’s proofs), published by Waddington Graphics, London, framed. I. 23.3 x 15.9 cm (9 1/8 x 6 1/4 in.) S. 38 x 28.5 cm (14 7/8 x 11 1/4 in.)

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Estimate £10,000-15,000 $13,600-20,400 €11,300-17,000 ♠ Literature Etienne Lullin 122

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Property from an Important German Collection

112. Richard Hamilton

1922-2011

Patricia Knight III (coloured), 1982 Sof-ground, lif-ground and step-bite aquatint, scraper and burnisher with unique hand-colouring in acrylic and enamel paint, on grey Rives paper, with full margins. Signed and numbered 9/12 in pencil (the edition was 12 unique variants and 2 unique artist’s proofs), published by Waddington Graphics, London, framed. I. 23 x 17.5 cm (9 x 6 7/8 in.) S. 42.7 x 32.5 cm (16 3/4 x 12 3/4 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ♠ Literature Etienne Lullin 125

113. Richard Hamilton

1922-2011

Patricia Knight I, II and III, 1982 Three aquatints, two with scraper and burnisher, on Rives paper, with full margins. All signed and numbered 16/50 in pencil (there were also 5 artist’s proofs), published by Waddington Graphics, London, all framed. all I. approx. 23.5 x 16.5 cm (9 1/4 x 6 1/2 in.) all S. 38 x 28.5 cm (14 7/8 x 11 1/4 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ Literature Etienne Lullin 121, 123-124

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Property from an Important German Collection

114. Richard Hamilton

1922-2011

Three Studies of Bloom, 1949/73 Sof-ground etching; gravure; and roulette (three plates), on Hosho Japanese paper, with full margins. Signed, titled and numbered 17/28 in pencil (there were also 3 artist’s proofs), published by Petersburg Press, S.A., framed. I. 15 x 33 cm (5 7/8 x 12 7/8 in.) overall S. 34.7 x 46.8 cm (13 5/8 x 18 3/8 in.) Estimate £800-1,000 $1,100-1,400 €910-1,100 ♠ Literature Etienne Lullin 37.1, 37.2.2, 37.3

116. Richard Hamilton

115. Richard Hamilton

1922-2011

Leopold Bloom, 1983 Sof-ground etching and aquatint with roulette and engraving, on Rives paper, with full margins. Signed and numbered 13/120 in pencil (there were also 12 artist’s proofs), published by Waddington Graphics, London, framed. I. 52.7 x 36.5 cm (20 3/4 x 14 3/8 in.) S. 75.5 x 56.6 cm (29 3/4 x 22 1/4 in.) Estimate £1,000-1,200 $1,400-1,600 €1,100-1,400 ♠ Literature Etienne Lullin 139

1922-2011

Bronze by Gold, 1985-87 Sof-ground and lif-ground aquatint in colours with engraving, scraper and burnisher, on BFK Rives paper, with full margins. Signed, titled and numbered 7/120 in pencil (there were also 12 artist’s proofs), published by Waddington Graphics, London (with their blindstamp), framed. I. 52.5 x 42.5 cm (20 5/8 x 16 3/4 in.) S. 76 x 55.7 cm (29 7/8 x 21 7/8 in.) Estimate £800-1,200 $1,100-1,600 €910-1,400 ♠ Literature Etienne Lullin 146

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Property from an Important German Collection

117. Richard Hamilton

1922-2011

Palindrome, from Mirrors of the Mind, 1974 Lenticular acrylic laminated to collotype in colours, on Chromolux paper, the full sheet, mounted (as issued). Signed and numbered 22/100 in black ink on the lenticular (there were also 10 artist’s proofs), published by Multiples Inc., New York, framed. with mount 72.2 x 57 cm (28 3/8 x 22 1/2 in.) Estimate £1,000-1,200 $1,400-1,600 €1,100-1,400 ♠ Literature Etienne Lullin 94

118. Richard Hamilton

1922-2011

The Critic Laughs, 1968 Laminated ofset lithograph and screenprint in colours with enamel paint and collage, on coated stock paper, with full margins. Signed and numbered 70/125 in pencil (there were also some unnumbered artist’s proofs), published by documenta-Foundation, Kassel, framed. I. 34.2 x 26.4 cm (13 1/2 x 10 3/8 in.) S. 59.5 x 46.5 cm (23 3/8 x 18 1/4 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ♠ Literature Etienne Lullin 68

119. Richard Hamilton

1922-2011

Self-Portrait, 1967 Screenprint in colours, on Schoellershammer paper, with wide margins. Signed and numbered 24/75 in pencil in the image (there were also some artist’s proofs), published by the artist, framed. I. 28.4 x 21.2 cm (11 1/8 x 8 3/8 in.) S. 53.3 x 39.4 cm (20 7/8 x 15 1/2 in.) Estimate £1,200-1,800 $1,600-2,400 €1,400-2,000 ♠ Literature Etienne Lullin 62

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1922-2011

A Dedicated Follower of Fashion, 1980 Photogravure and etching with open-bite, lif-ground and step-bite aquatint, on BFK Rives, paper, with full margins. Signed and numbered 43/100 in pencil (there were also 10 artist’s proofs), published by Waddington Graphics, London (with their blindstamp), framed. I. 58 x 38 cm (22 7/8 x 14 7/8 in.) S. 75.8 x 57 cm (29 7/8 x 22 1/2 in.) Estimate £1,200-1,500 $1,600-2,000 €1,400-1,700 ♠ Literature Etienne Lullin 116

121. Richard Hamilton

Property from an Important German Collection

120. Richard Hamilton

1922-2011

In Horne’s House, 1981-82 Sof-ground, line and stipple etching and engraving with lif-ground and spit-bite aquatint, on BFK Rives paper, with full margins. Signed, titled and numbered 31/120 in pencil (there were also 12 artist’s proofs), published by Waddington Graphics, London (with their blindstamp), framed. I. 52.8 x 43.2 cm (20 3/4 x 17 in.) S. 75 x 56 cm (29 1/2 x 22 in.) Estimate £1,200-1,500 $1,600-2,000 €1,400-1,700 ♠ Literature Etienne Lullin 120

122. Richard Hamilton

1922-2011

The Transmogrifcations of Bloom, 1984-85 Sof-ground etching and aquatint, on Hahnemühle etching paper, with full margins. Signed and numbered 32/120 in pencil (there were also 12 artist’s proofs), published by Waddington Graphics, London, framed. I. 52.8 x 40.8 cm (20 3/4 x 16 1/8 in.) S. 76 x 56.5 cm (29 7/8 x 22 1/4 in.) Estimate £1,000-1,200 $1,400-1,600 €1,100-1,400 ♠ Literature Etienne Lullin 143

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Property from an Important German Collection

123. Richard Hamilton

1922-2011

Swingeing London 67 - poster, 1968 Photo-ofset lithograph in colours, on Fabriano paper, with full margins. Signed and numbered 24/50 in pencil (there were also 50 signed artist’s proofs and a further 1950 unsigned impressions), published by ED 912 Edizioni di Cultura Contemporanea, Milan (with their printed colophon on the reverse), framed. I. 69 x 47 cm (27 1/8 x 18 1/2 in.) S. 70.1 x 50.1 cm (27 5/8 x 19 3/4 in.) Estimate £1,000-1,200 $1,400-1,600 €1,100-1,400 ♠ Literature Etienne Lullin 69

124. Richard Hamilton

1922-2011

How a Great Daily Organ is Turned Out, 1990 Composite of 20 mixed intaglio plates including lif-ground aquatint, gravure, drypoint, hard-ground and sof-ground etching, burin, stipple, mezzotint, engraving and roulette, on Hahnemühle paper, with full margins. Signed and numbered 9/120 in pencil (there were also 12 artist’s proofs), published by Waddington Graphics, London (with their blindstamp), framed. I. 53 x 39.8 cm (20 7/8 x 15 5/8 in.) overall S. 76.5 x 56 cm (30 1/8 x 22 in.) Estimate £1,000-1,200 $1,400-1,600 €1,100-1,400 ♠ Literature Etienne Lullin 172

125. Richard Hamilton and Dieter Roth 1922-2011 and 1930-1998 Seminar (with Dieter Roth), 1971 Ofset lithograph in colours, on Hodgkinson handmade paper, the full sheet. Signed by both artists, dated and numbered 88/96 in pencil (there were also 10 artist’s proofs), co-published by Professional Prints A.G., Zug, and Petersburg Press, S.A., framed. S. 73 x 102 cm (28 3/4 x 40 1/8 in.) Estimate £800-1,000 $1,100-1,400 €910-1,100 ♠ Literature Etienne Lullin 80

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Property from an Important German Collection

126. Richard Hamilton

1922-2011

Five Tyres Remoulded, 1971 The complete set of 8 works including seven screenprints in black, on frosted mylar (superimposed on each other), and one relief cast in white silicone elastomer, with accompanying collotype text sheet, all loose (as issued) contained in the original cream portfolio with printed title. Signed and numbered 74/150 in pencil on the Depths of Cut screenprint and on the reverse of the silicone relief (there were also 15 artist’s proofs), co-published by Professional Prints A.G., Zug, and Eye Editions, Ohio. portfolio 61.5 x 86.5 cm (24 1/4 x 34 in.)

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Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠ Literature Etienne Lullin 79 Including Dimensional Data, Perspective Scheme, Radial Sections, Circumferential Sections, Treads (Line), Treads (Area), and Depth of Cut

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Property from an Important German Collection

127. Richard Hamilton

1922-2011

La Scala Milano, 1968 Photo-etching and screenprint in colours, on mould-made etching paper, with full margins. Signed and numbered 18/65 in pencil (there were also 5 artist’s proofs), published by Petersburg Press, London, framed. I. 25.3 x 37.2 cm (9 7/8 x 14 5/8 in.) S. 50.3 x 59.4 cm (19 3/4 x 23 3/8 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ♠ Literature Etienne Lullin 71

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Property from an Important German Collection

128. Richard Hamilton

1922-2011

The Solomon R. Guggenheim, 1965 Screenprint in colours, on J Green HP Imperial paper, with full margins. Signed and numbered 34/50 in pencil (there were also 10 artist’s proofs), published by Editions Alecto, London, framed. I. 55.7 x 55.9 cm (21 7/8 x 22 in.) S. 58.2 x 59.1 cm (22 7/8 x 23 1/4 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠ Literature Etienne Lullin 60 Editions Alecto 411

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Property from an Important German Collection

129. Richard Hamilton

1922-2011

Lobby, 1984 Collotype and screenprint in colours, on Ivorex paper, with full margins. Signed and numbered 82/88 in pencil (there were also 9 artist’s proofs), published by Waddington Graphics, London (with their blindstamp), framed. I. 32.8 x 48 cm (12 7/8 x 18 7/8 in.) S. 42.8 x 58.1 cm (16 7/8 x 22 7/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠ Literature Etienne Lullin 142

130. Richard Hamilton

1922-2011

Berlin Interior, 1979 Photogravure, engraving and hardground etching with roulette, aquatint and burnishing, on BFK Rives paper, with full margins. Signed and numbered 100/100 in pencil (there were also 10 artist’s proofs), published by Waddington Graphics, London, framed. I. 49 x 69 cm (19 1/4 x 27 1/8 in.) S. 56.3 x 75.7 cm (22 1/8 x 29 3/4 in.) Estimate £1,000-1,200 $1,400-1,600 €1,100-1,400 ♠ Literature Etienne Lullin 109

131. Richard Hamilton

1922-2011

Motel I, 1979 Sof-ground etching with open-bite and step-bite aquatint, burnisher and scraper, on BFK Rives paper, with full margins. Signed and titled in pencil (a proof aside from the numbered edition of 40 and 4 artist’s proofs), published by Waddington Graphics, London, framed. I. 27.8 x 34.8 cm (10 7/8 x 13 3/4 in.) S. 43.8 x 56.3 cm (17 1/4 x 22 1/8 in.) Estimate £800-1,000 $1,100-1,400 €910-1,100 ♠ Literature Etienne Lullin 112

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1922-2011

Instant Painting, 1980 Polaroid photograph in colours, on photo paper, the full sheet. Signed and numbered 13/17 in ink (there were also 2 artist’s proofs), published by Waddington Graphics, London, framed. S. 70 x 55.8 cm (27 1/2 x 21 7/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠ Literature Etienne Lullin 117

133. Richard Hamilton

Property from an Important German Collection

132. Richard Hamilton

1922-2011

Interior with Monochromes, 1979 Collotype and screenprint in colours, on Ivorex paper, the full sheet. Signed and numbered 83/96 in pencil (there were also 10 artist’s proofs), published by Waddington Graphics, London, framed. S. 50 x 70 cm (19 5/8 x 27 1/2 in.) Estimate £1,800-2,000 $2,400-2,700 €2,000-2,300 ♠ Literature Etienne Lullin 110

134. Richard Hamilton

1922-2011

Putting on de Stijl, 1979 Collotype and screenprint in colours, on Ivorex paper, with full margins. Signed and numbered 87/90 in pencil (there were also 9 artist’s proofs), published by Waddington Graphics, London, framed. I. 29.9 x 42 cm (11 3/4 x 16 1/2 in.) S. 49.7 x 66 cm (19 5/8 x 25 7/8 in.) Estimate £1,200-1,800 $1,600-2,400 €1,400-2,000 ♠ Literature Etienne Lullin 111

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Property from an Important German Collection

135 . Richard Hamilton

1922-2011

Bathers (a), 1967 Screenprint in colours, on Schoellershammer paper, the full sheet. Signed and numbered 71/75 in white ink (there were also a few unnumbered proofs), published by the artist, framed. S. 70.5 x 94.5 cm (27 3/4 x 37 1/4 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠ Literature Etienne Lullin 65

135

136. Richard Hamilton

1922-2011

Vignette, 1969 Dye-transfer print in colours, on dye-transfer paper mounted to board (as issued), with full margins. Signed and numbered 29/50 in pencil (there were also 5 artist’s proofs), published by Galerie Hans Neuendorf, Hamburg, framed. I. 48.5 x 39 cm (19 1/8 x 15 3/8 in.) S. 59.2 x 49.3 cm (23 1/4 x 19 3/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ♠ Literature Etienne Lullin 75

136

137. Richard Hamilton

1922-2011

The Apprentice Boy, 1988 Dye-transfer print in colours, on dye-transfer paper mounted to Archivart board (as issued), with full margins. Signed, titled and numbered 5/12 in pencil (there were also 2 artist’s proofs), published by Waddington Graphics, London, framed. I. 48.8 x 47.8 cm (19 1/4 x 18 7/8 in.) S. 63.9 x 63 cm (25 1/8 x 24 3/4 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 ♠ Literature Etienne Lullin 150 137

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Property from an Important German Collection

138. Richard Hamilton

1922-2011

139. Richard Hamilton

1922-2011

Esquisse (Sketch), 1972 Sof-ground etching with hand-colouring in coloured pencils, on Hodgkinson Waterleaf paper, with full margins. Signed, titled and numbered 18/40 in pencil (there were also 4 artist’s proofs), published by Petersburg Press, S.A., framed. I. 18.5 x 26.7 cm (7 1/4 x 10 1/2 in.) S. 36.5 x 45 cm (14 3/8 x 17 3/4 in.)

The Citizen, 1985 Dye-transfer print in colours, on dye-transfer paper mounted to Archivart board (as issued), with full margins. Signed, titled and numbered 8/12 in pencil (there were also 2 artist’s proofs), published by Waddington Graphics, London, framed. I. 48.8 x 48.8 cm (19 1/4 x 19 1/4 in.) S. 63.9 x 63 cm (25 1/8 x 24 3/4 in.)

Estimate £800-1,000 $1,100-1,400 €910-1,100 ♠

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 ♠

Literature Etienne Lullin 87

Literature Etienne Lullin 145

This lot is sold with no reserve

This lot is sold with no reserve

140. Richard Hamilton

1922-2011

141. Richard Hamilton

1922-2011

By the Waters of Miers, 1972 Hard-ground and sof-ground etching with drypoint and aquatint, on German ‘Museum’ paper, with full margins. Signed, titled and numbered 59/75 in pencil (there were also 8 artist’s proofs), published by Petersburg Press, S.A., framed. I. 64.2 x 57.4 cm (25 1/4 x 22 5/8 in.) S. 85.3 x 69.1 cm (33 5/8 x 27 1/4 in.)

Eine kleine schöne Scheisse für Dieter (A Nice Little Shit for Dieter), 1971 Collotype, on laid paper, with full margins. Signed and numbered 44/50 in pencil and titled in black ink (there were also 6 artist’s proofs), co-published by Professional Prints A.G., Zug and Petersburg Press, S.A., framed. I. 22 x 15 cm (8 5/8 x 5 7/8 in.) S. 45 x 35 cm (17 3/4 x 13 3/4 in.)

Estimate £300-400 $410-540 €340-450 • ♠

Estimate £400-600 $540-820 €450-680 • ♠

Literature Etienne Lullin 88

Literature Etienne Lullin 81

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142. Richard Hamilton

1922-2011

Polaroid Portrait: William Katz 20.7.71, 2010 Digital restoration in colours of a polaroid photograph, mounted to heavy-weight wove paper (as issued). Signed by the artist and his wife Rita and dated ‘22.04.10’ in red ink on the reverse of the frame, the only impression from this series to be signed by both Richard and Rita (only a few impressions from this series were signed by Richard), the edition was 2 (one reserved for the Richard Hamilton Archive), published by the Serpentine Gallery, London, with their Certifcate of Authenticity, mounted and framed in a clear acrylic box frame specifed by the artist. overall 18.2 x 13.1 cm (7 1/8 x 5 1/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

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143. Richard Hamilton

1922-2011

Polaroid Portrait: Max Ernst 18.3.73, 2010 Digital restoration in colours of a polaroid photograph, mounted to heavy-weight wove paper (as issued). Signed in black ink on the reverse of the mount (one of only a few signed impressions from the series), the edition was 2 (one reserved for the Richard Hamilton Archive), published by the Serpentine Gallery, London, with their Certifcate of Authenticity, mounted and framed in a clear acrylic box frame specifed by the artist. overall 18.2 x 13.1 cm (7 1/8 x 5 1/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠

144. Richard Hamilton

1922-2011

TiT, 2002 Screenprint in colours, on Somerset paper, with full margins. Signed, titled and numbered 47/50 in pencil (there were also 5 artist’s proofs), co-published by the artist and Alan Cristea Gallery, London, framed. I. 65.8 x 47 cm (25 7/8 x 18 1/2 in.) S. 88.9 x 66.8 cm (35 x 26 1/4 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-8,000 ♠ Literature Etienne Lullin 191 The title of this work is an acronym for the landmark exhibition This is Tomorrow held at the Whitechapel Art Gallery in London in 1956.

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145. Bridget Riley

b. 1931

Composition With Circles 2, 2001 Screenprint, on wove paper, with full margins. Signed, titled, dated and numbered 28/30 in pencil (there were also 5 artist’s proofs), published by Dia Center for the Arts, New York, framed. I. 79.7 x 285.1 cm (31 3/8 x 112 1/4 in) S. 100.3 x 303.8 cm (39 1/2 x 119 5/8 in) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ♠ Literature Karsten Schubert 46

146. Enrico Castellani

1930-2017

147. Bridget Riley

b. 1931

Estrofessione, 1968 Thermoformed white plastic, with accompanying book and printed cardboard slipcover. The edition size unknown, published by Achille Mauri Editore, Milan, unframed. 29.5 x 29.5 x 2.3 cm (11 5/8 x 11 5/8 x 0 7/8 in.)

Sonnet, 2016 Screenprint, on wove paper, with full margins. Signed, titled, dated and numbered 11/150 in pencil, published by Karsten Schubert, London, unframed. I. 48.1 x 36 cm (18 7/8 x 14 1/8 in.) S. 69 x 55.6 cm (27 1/8 x 21 7/8 in.)

Estimate £1,200-1,800 $1,600-2,400 €1,400-2,000 ♠

Estimate £2,500-3,500 $3,400-4,800 €2,800-4,000 ♠

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148. Bridget Riley

b. 1931

149. Bridget Riley

b. 1931

Green Dominance, 1977 Screenprint in colours, on BFK Rives paper, with full margins. Signed, titled, dated and numbered 83/100 in pencil (there were also 20 artist’s proofs), published by Pace Editions, New York, framed. I. 88.4 x 39.4 cm (34 3/4 x 15 1/2 in.) S. 98 x 49 cm (38 5/8 x 19 1/4 in.)

Red Dominance, 1977 Screenprint in colours, on BFK Rives paper, with full margins. Signed, titled, dated and numbered 19/100 in pencil (there were also 20 artist’s proofs), published by Pace Editions, New York, framed. I. 88.4 x 39.4 cm (34 3/4 x 15 1/2 in.) S. 98 x 49 cm (38 5/8 x 19 1/4 in.)

Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ †

Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ †

Literature Karsten Schubert 22

Literature Karsten Schubert 24

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150. Terry Frost

1915-2003

Arizona, 1990 Monotype in colours with extensive handcolouring, on Somerset paper, the full sheet. Printed by the artist, Hugh Stoneman and Alan Cox at the Print Centre, London (with their blindstamp), framed. S. 242.2 x 121 cm (95 3/8 x 47 5/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ Exhibited Austin/Desmond Fine Art, Huxham, Terry Frost: Monotypes for a 75th Birthday, October 1990, catalogue no. 22 Literature David Lewis (ed.), Terry Frost, Scolar Press, 1994, pp. 213-214 Dominic Kemp, pp 12-13, (illustrated in colour fg.3)

151. Patrick Caulfeld

1936-2005

White Ware, 1990 The complete set of eight screenprints in colours, on wove paper, with full margins. All signed and numbered 2/45 in pencil (there were also 13 artist’s proofs), published by Waddington Graphics, London, all unframed. all I. 79.4 x 53.4 cm (31 1/4 x 21 in.) all S. 107.2 x 81.1 cm (42 1/4 x 31 7/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ Literature Alan Cristea 75-82 Including Large White Jug, Arita Flask, Lung Ch’uan Ware and Window, Lamp and Lung Ch’uan Ware, Lung Ch’uan Ware and Black Lamp, Lamp and Kuan Ware, Sue Ware Jar, and Arita Flask-black

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152. Victor Vasarely

1906-1997

Okto-duo, 1988 Wood multiple hand-painted with acrylic in colours on both sides, on white-painted wooden base. Signed in ink (faded) and numbered 156/175 in black ink. 69.5 x 35 x 5.5 cm (273/8 x 133/ 4 x 21/8 in.) Estimate £1,500-2,000 $2,100-2,800 €1,700-2,300 ‡ ♠

153. Victor Vasarely

1906-1997

Torony II, 1970 Wood multiple hand-painted with acrylic in colours on both sides, on white painted wooden base. Signed in red ink and numbered ‘EA 7/18’ in black ink (an artist’s proof, the edition was 175). 62 x 48 x 7 cm (243/8 x 187/8 x 23/ 4 in.) Estimate £2,500-3,000 $3,400-4,100 €2,800-3,400 ‡ ♠

This lot is sold with no reserve

154. Peter Sedgley

b. 1930

Video Disques, 1969-70 The complete set of six kinetic screenprints, in fuorescent colours, on spun aluminium. Each disc with incised signature, title, date and numbering 26/100 with an electric engraving tool on the reverse (there were also 20 proposed artist’s proofs, only half the edition is thought to have been produced), published by Editions Alecto, London, all contained in the original black wooden box with titles on the top, lacking the motor and ultra-violet light unit. each disc 75 cm (291/2 in.) diameter crate 80 x 84 x 23.5 cm (311/2 x 331/8 x 91/ 4 in.) Estimate £1,000-1,500 $1,400-2,100 €1,100-1,700 •♠ Literature Editions Alecto 1019-1024

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155. Josef Albers

1888-1976

Formulation Articulation I & II, 1972 The complete set of 127 screenprints in colours, on 66 sheets of wove paper, folded (as issued), with full margins, with colophon, all contained in the original black linen-covered portfolio, with printed title. Signed and numbered ‘984’ from the edition of 1000 in black ink on the colophon, co-published by Harry N. Abrams, Inc., New York and Ives-Sillman, Inc., New Haven. portfolio 40 x 53 x 9 cm (15 3/4 x 20 7/8 x 3 1/2 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 † Literature Brenda Danilowitz Appendix C

156. Josef Albers

1888-1976

KV-RW, 1967 Screenprint in colours, on wove paper, with full margins. Signed with initial ‘A’, dated, titled and numbered 5/200 in pencil, published by Ives-Sillman, Inc., New Haven, unframed. I. 28 x 28 cm (11 x 11 in.) S. 43.1 x 43.2 cm (16 7/8 x 17 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 Literature Brenda Danilowitz 176

157. Anni Albers

1899-1994

Connections, 1925/1983 The complete set of nine screenprints in colours, on Cartiere Miliani of Fabriano Umbria Italia and Fabriano Cotton papers, with full margins, with an introduction From the Line to the Texture by the publisher, the sheets loose (as issued) contained in original paper-covered cardboard portfolio with printed title. All signed, dated variously from 1925-1983, and numbered 111/125 in pencil, further numbered ‘111’ in pencil on the colophon, published by Fausta Squatriti, Milan. portfolio 70.5 x 51 x 1 cm (27 3/4 x 20 1/8 x 0 3/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 † Literature Nicholas Fox Weber and Brenda Danilowitz 71-79 Including Smyrna-Knüpfeppich, Study for an Unexecuted Wall Hanging, With Verticals, Untitled, Study for Nylon Rug, Study for Hooked Rug, Triangulated Intaglio, Orchestra III and Untitled

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158. Ellsworth Kelly

1923-2015

159. Ellsworth Kelly

1923-2015

Untitled (Orange State I), 1988 Lithograph in colours, on Arches paper, with full margins. Signed and numbered 2/18 in pencil (there were also 6 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamp), framed. I. 97 x 96 cm (38 1/4 x 37 3/4 in.) S. 118.5 x 115.5 cm (46 5/8 x 45 1/2 in.)

Untitled (Orange State II), 1988 Lithograph in colours, on Arches 88 paper, with full margins. Signed and numbered 4/11 in pencil (there were no artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamp), framed. I. 97 x 96 cm (38 1/4 x 37 3/4 in.) S. 118.5 x 115.7 cm (46 5/8 x 45 1/2 in.)

Estimate £3,500-4,500 $4,800-6,100 €4,000-5,100 †

Estimate £3,500-4,500 $4,800-6,100 €4,000-5,100 †

Literature Gemini G.E.L. 1378 Richard H. Axsom 238

Literature Gemini G.E.L. 1379 Richard H. Axsom 239

160. Carmen Herrera

b. 1915

Untitled (NRW), 2017 Lithograph in red, on Arches paper, the full sheet. Signed and numbered 45/100 in pencil (there were also 10 artist’s proofs), published by Kunstsammlung NordrheinWestfalen, Dusseldorf, on the occasion of their exhibition Lines of Sight, 2 December 2017 - 8 April 2018, unframed. S. 100 x 67.2 cm (39 3/8 x 26 1/2 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700

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161

161. Agnes Martin

1912-2004

Paintings and Drawings 1974-1990, 1991 The complete set of 10 lithographs in colours, on frm transparency paper, with full margins, with text, the sheets loose (as issued) contained in the original grey card portfolio with printed uppers. From the edition of 2500 published by Nemela & Lenzen GmbH, Monchengladback and Stedelijk Museum, Amsterdam for Agnes Martin’s 1991 retrospective at the Stedelijk Museum. portfolio 31 x 31 x 1 cm (12 1/4 x 12 1/4 x 3/8 in.)

162

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300

162. Sean Scully

b. 1945

Narcissus, 1985 Hard-ground etching and aquatint in colours, on Arches paper, with full margins. Signed, titled, dated and numbered 7/25 in pencil (there were no artist’s proofs), published by the artist, framed. I. 50.7 x 40 cm (19 7/8 x 15 3/4 in.) S. 75.5 x 56.7 cm (29 3/4 x 22 3/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠ Literature Graphische Sammlung Albertina 85005

163. Eduardo Chillida 1924-2002 Hutsune II (Empty II), 1970 Etching and aquatint, on Chifon de Mandeure paper, the full sheet. Signed and numbered 37/50 in pencil (there were also approximately 14 proofs), published by Maeght, Paris, framed. S. 73.2 x 158.8 cm (28 7/8 x 62 1/2 in.) Estimate £3,000-4,000 $4,100-5,400 €3,400-4,500 ♠ Literature Martin van der Koelen 70006

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164. Frank Stella

b. 1936

Empress of India I, from V Series, 1968 Lithograph with varnish in colours, on Lowell paper, with full margins. Signed, dated and numbered ‘AP XV’ in pencil (one of 16 artist’s proofs in Roman numerals, the edition was 100), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. I. 28.2 x 81 cm (11 1/8 x 31 7/8 in.) S. 41.3 x 89.7 cm (16 1/4 x 35 3/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 Literature Gemini G.E.L. 81 Richard Axsom and Leah Kolb 27

165. Robert Mangold

b. 1937

III, from Plane/Figure Series, Folded, 1992-93 Sof-ground etching and aquatint in colours, on Arches Aquarelle Watercolour paper with central fold (as issued), with full margins. Signed, titled ‘III’ and numbered 46/60 in pencil (there were also 12 artist’s proofs), published by Pace Editions, New York, framed. I. 49 x 70.5 cm (19 1/4 x 27 3/4 in.) S. 57.3 x 76 cm (22 1/2 x 29 7/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 Literature Amy Baker Sandback 40.03 Senior & Shopmaker Gallery, Inc., New York 1993.01.03

166. Robert Mangold

b. 1937

Untitled, from “4 x 4 x 4”, 1990 Screenprint in colours, on Saunders Waterford Ivory paper, with full margins. Signed and numbered 92/100 in pencil (there were also 6 artist’s proofs), published by Parasol Press, New York, framed. I. 111.8 x 112 cm (44 x 44 1/8 in.) S. 121.5 x 121.5 cm (47 7/8 x 47 7/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 Literature Amy Baker Sandback 31 Senior & Shopmaker Gallery, Inc., New York 1990.02

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Property from the Edwin C. Cohen Family Collection

167. Brice Marden

b. 1938

Distant Muses, 2000 Screenprint in colours, on Somerset Velvet paper, with full margins. Signed, dated and numbered 216/300 in pencil (there were also 45 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. I. 21.6 x 33 cm (8 1/2 x 12 7/8 in.) S. 59.4 x 48.3 cm (23 3/8 x 19 in.) Estimate £1,800-2,500 $2,400-3,400 €2,000-2,800 ‡ Literature Gemini G.E.L. 1881

168. Brice Marden

b. 1938

Han Shan Exit 1, 1992 Etching and aquatint, on handmade Twinrocker paper, with full margins. Signed, dated and numbered 26/75 in pencil (there were also some artist’s proofs), published by the artist, New York, framed. I. 18.4 x 13.7 cm (7 1/4 x 5 3/8 in.) S. 25.4 x 19.1 cm (10 x 7 1/2 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡

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1904-1997

Love to Wakako, 1971 Lithograph, on Akawara paper, with full margins. Signed, dated and numbered 51/58 in pencil (there were also 18 artist’s proofs), published by Knoedler Gallery, New York, framed. I. 104.1 x 65.4 cm (40 7/8 x 25 3/4 in.) S. 113 x 71.4 cm (44 1/2 x 28 1/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ‡ Provenance Matthew Marks Gallery, New York Literature Lanier Graham 18

Property from the Edwin C. Cohen Family Collection

169. Willem de Kooning

This lot is sold with no reserve

170. Cornelia Parker

b. 1956

Pornographic Drawing, 2000 Lithograph, on wove paper, with full margins. Signed, dated and numbered 34/200 in pencil, published by the Serpentine Gallery, London, unframed. I. 27.3 x 17.5 cm (10 3/4 x 6 7/8 in.) S. 45.4 x 41.6 cm (17 7/8 x 16 3/8 in.) Estimate £200-300 $270-410 €230-340 • ‡ ♠

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Property from the Edwin C. Cohen Family Collection

171. Peter Fischli and David Weiss b. 1952 and 1946-2012 How to Work Better: one plate, 1991 Screenprint in orchid, on wove paper, with full margins. Signed by both artists and numbered 19/36 in pencil (there were also editions in other colours), published by the artists, framed. I. 45.1 x 20.3 cm (17 3/4 x 7 7/8 in.) S. 69.5 x 49.8 cm (27 3/8 x 19 5/8 in.) Estimate £700-1,000 $950-1,400 €790-1,100 ‡ Provenance Matthew Marks Gallery, New York, 2002 An example of this print was illustrated on the cover of the Guggenheim exhibition catalogue for Peter Fischli David Weiss: How to Work Better, 5 Feb - 27 April 27 2016

This lot is sold with no reserve

172. John Currin

b. 1962

Rachel as the Hag, 2003 Giclée print on tracing paper to Somerset Velvet support, the full sheet. Signed and numbered 78/200 in pencil, published by the Serpentine Gallery, London, framed. S. 42.4 x 29.8 cm (16 3/4 x 11 3/4 in.) Estimate £300-500 $410-680 €340-570 • ‡ Provenance Serpentine Gallery, London

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b. 1938

Untitled, 1965 Etching, on wove paper, with full margins. Signed, dated and annotated ‘5. Zustand Probedruck II’ in pencil (the 5th state, trial proof II, the edition was 20), unframed. I. 31.8 x 24.8 cm (12 1/2 x 9 3/4 in.) S. 54 x 41.3 cm (21 1/4 x 16 1/4 in.) Estimate £2,500-3,500 $3,400-4,800 €2,800-4,000 ‡ ♠ Provenance Anthony d’Ofay Gallery, London, 1991 Literature Fred Jahn 26

174. Jim Dine

Property from the Edwin C. Cohen Family Collection

173. Georg Baselitz

b. 1935

Details from Nancy’s Garden, from The Temple of Flora, 1984 Drypoint, engraving, and electric tools, on BFK Rives paper, with full margins, with accompanying original paper folio with printed title. Signed and numbered 136/175 in pencil (the total edition includes 25 hors commerce impressions), published by The Arion Press, San Francisco, unframed. I. 45.1 x 30.2 cm (17 3/4 x 11 7/8 in.) S. 51.8 x 35.6 cm (20 3/8 x 14 in.) Estimate £700-1,000 $950-1,400 €790-1,100 ‡ Literature Ellen D’Oench and Jean Feinberg 177

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Property from the Edwin C. Cohen Family Collection

175. William Kentridge

b. 1955

Baedeker (Dogana); Baedeker (Pensione); Baedeker (Cambio); and Untitled, 1999 Four lithographs, two in colours, one with handcolouring, three on pages from a Baedeker book with Chine-collé to Arches paper, with full margins, one on pages from a Greek text, the full sheet. All signed, three numbered 29/40 and one numbered 51/100 in pencil, published by David Krut, Johannesburg, three framed. three I. 15.9 x 21 cm (6 1/4 x 8 1/4 in.) three S. 27.9 x 38.1 cm (10 7/8 x 15 in.) one S. 12.1 x 13.7 cm (4 3/4 x 5 3/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡ Provenance Gracie Mansion Fine Art, New York, 2001 Literature David Krut pp. 74-75

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Property from the Edwin C. Cohen Family Collection

176. William Kentridge

b. 1955

Sleeping on Glass, 1999 The complete set of six etchings and aquatint in colours, one with hand-colouring, on spreads from found books with chine-collé to Fabriano Rosapina paper, with full margins. All signed and numbered 47/60 in pencil, published by Malcolm Christian, Kwa Zulu Natal, South Africa, all unframed. I. 25.4 x 34 cm (10 x 13 3/8 in.) S. 35.2 x 49.8 cm (13 7/8 x 19 5/8 in.)

Provenance Gracie Mansion Fine Art, New York, 2001 Literature David Krut pp. 80-83 Including Adaptability Compliance Silence, Staying Home, Panic Picnic, Safer Tropics, This is How the Tree Breaks, and Terminal Hurt Terminal Longing

Estimate £7,000-10,000 $9,500-13,600 €7,900-11,300 ‡

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177. Jim Dine

b. 1935

Winter Windows on Chapel Street, 1982 Screenprint and carborundum in black and white, printed on four sheets of Arches paper, the full sheets. Signed, dated and numbered 27/40 in pencil (there were also 10 artist’s proofs), published by Pace Editions, New York, framed. overall S. 127 x 110 cm (50 x 43 1/4 in.) Estimate £2,500-3,500 $3,400-4,700 €2,800-4,000 Literature Ellen G. D’Oench and Jean E. Feinberg 117

178. Robert Ryman

b. 1930

Untitled, from On The Bowery, 1969 Screenprint in white and blue, on SchodlesHammer paper, with full margins, with the original paper sleeve. Signed, dated and numbered 99/100 in pencil (there were also 20 artist’s proofs in Roman numerals), published by Edition Domberger, Stuttgart (with their blindstamp), unframed. I. 59 x 59 cm (23 1/4 x 23 1/4 in.) S. 65 x 65 cm (25 5/8 x 25 5/8 in.) Estimate £1,000-1,200 $1,400-1,600 €1,100-1,400 † Literature Amy Baker Sandback 1

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179. Robert Rauschenberg

1925-2008

Untitled, from Hommage à Picasso, 1973 Ofset lithograph with screenprint in colours, on Arches paper, the full sheet. Signed, dated and numbered 52/90 in pencil (there were also 30 impressions in Roman numerals reserved for museums and 15 artist’s proofs), co-published by Propyläen Verlag, Berlin and Pantheon Presse, Rome, framed. S. 76.5 x 57 cm (30 1/8 x 22 1/2 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300

180. Robert Rauschenberg

1925-2008

Trunk, from 7 Characters, 1982 Unique collage in colours with pulp relief, on handmade Xuan paper laminated with silk and edged with gold-leaf, with mirror and silk medallion. Signed and dated in pencil, from the series of 70 unique variants, published by Gemini G.E.L., Los Angeles (with their and the artist’s inkstamp in Chinese symbols), framed. collage 78 x 68 cm (30 3/4 x 26 3/4 in.) overall 108 x 77.5 cm (42 1/2 x 30 1/2 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 Literature Gemini G.E.L. 1037

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181. Keith Haring

1958-1990

Pop Shop I: one plate, 1987 Screenprint in colours, on wove paper, with full margins. Signed, dated and numbered 65/200 in pencil (there were also 20 artist’s proofs), published by the artist, framed. I. 26.7 x 34.5 cm (10 1/2 x 13 5/8 in.) S. 30.7 x 38 cm (12 1/8 x 14 7/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ‡ Literature Klaus Littmann, p. 83

182. Keith Haring

1958-1990

Pop Shop VI: one plate, 1989 Screenprint in colours, on wove paper, with full margins. Signed, dated ‘11/3/93’ and numbered 36/200 in pencil by Julia Gruen (Executor for the Keith Haring Estate) on a Stamped Certifcate of Authenticity on the reverse (there were also 25 artist’s proofs), published by the artist (with an iguana blindstamp), framed. I. 29 x 37 cm (11 3/8 x 14 5/8 in.) S. 34.3 x 42 cm (13 1/2 x 16 1/2 in.) Estimate £3,000-4,000 $4,100-5,400 €3,400-4,500 ‡ Literature Klaus Littmann, pp. 150-151

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183. Keith Haring

1958-1990

Lucky Strike, 1987 Screenprint in colours, on wove paper, with full margins. Signed and numbered 6/80 in pencil, published by B. A. T. Suisse SA, Geneva, framed. I. 28.7 x 20 cm (11 1/4 x 7 7/8 in.) S. 29.4 x 20.8 cm (11 5/8 x 8 1/4 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡ Literature Klaus Littmann, pp. 77-78

184. Keith Haring

1958-1990

Untitled, from Free South Africa, 1985 Lithograph in black and red, on BFK Rives paper, with full margins. Signed, dated and numbered 35/60 in pencil (there were also 15 artist’s proofs), published by Edition Schellmann, Munich and New York, framed. I. 77 x 96.1 cm (30 3/8 x 37 7/8 in.) S. 80.6 x 100 cm (31 3/4 x 39 3/8 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 † Literature Klaus Littmann, p. 42 Edition Schellmann, p. 142

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185. Robert Indiana

b. 1928

Book of Love: one plate, 1996 Screenprint in colours, on A.N.W. Crestwood Museum Edition paper, with full margins. Signed, dated and numbered ‘TP 1/10’ (a trial proof aside from the edition of 200), published by American Image Editions, New York, unframed. I. 46 x 45.6 cm (18 1/8 x 17 7/8 in.) S. 61 x 50.6 cm (24 x 19 7/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400

186. Robert Indiana

b. 1928

Chosen Love, 1995 Skein dyed, hand carved and hand tufed archival New Zealand woollen rug, with natural latex backing. Signed and numbered 135/175 in black ink on a fabric label on the reverse, with a further sheared signature in the lower right corner, handcrafed by Master Contemporary Original Artist Rugs, New York. 241.5 x 245.7 cm (95 1/8 x 96 3/4 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700

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187

This lot is sold with no reserve

187. Roy Lichtenstein

188. Roy Lichtenstein

1923-1997

1923-1997

Figures with Rope, from Surrealist Series, 1978 Lithograph in colours, on Arches 88 paper, with full margins. Signed, dated and numbered 37/38 in pencil (there were also 7 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. I. 38.7 x 54.8 cm (15 1/4 x 21 5/8 in.) S. 55.6 x 75.6 cm (21 7/8 x 29 3/4 in.)

Sunrise, 1965 Ofset lithograph in colours, on lightweight wove paper, with full margins. Signed in pencil, from the edition of unknown size, published by Leo Castelli Gallery, New York, the colours attenuated, unframed. I. 43.6 x 58.8 cm (17 1/8 x 23 1/8 in.) S. 46.3 x 61.5 cm (18 1/4 x 24 1/4 in.)

Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 •

Literature Gemini G.E.L. 790 Mary Lee Corlett 152

Literature Mary Lee Corlett II.7

188

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189

189. Tom Wesselmann

1931-2004

190. Tom Wesselmann

1931-2004

Still Life with Blonde, 1999 Screenprint in colours, on museum board, with full margins. Signed and numbered 25/100 in pencil (there were also 12 artist’s proofs), published by Cooper Square Prints, New York, framed. I. 53.2 x 71.2 cm (20 7/8 x 28 in.) S. 76.3 x 94 cm (30 x 37 in.)

Nude, from 11 Pop Artists, Volume II, 1965 Screenprint in colours, on wove paper, the full sheet. Signed and numbered 38/200 in pencil (there were also 50 artist’s proofs in Roman numerals), published by Original Editions, New York, framed. S. 60.3 x 74.9 cm (23 3/4 x 29 1/2 in.)

Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900

Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡

190

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191. Andy Warhol

1928-1987

192. Andy Warhol

1928-1987

Ladies and Gentleman, 1975 Screenprint in colours, on Arches paper, with full margins. Signed, dated, numbered ‘a.p. 1/25’ and annotated ‘©awe’ in pencil on the reverse (an artist’s proof, the edition was 125), published by Luciano Anselmino, Milan, Italy, framed. I. 98.5 x 68.5 cm (38 3/4 x 26 7/8 in.) S. 111 x 73.4 cm (43 3/4 x 28 7/8 in.)

Ladies and Gentleman, 1975 Screenprint in colours, on Arches paper, with full margins. Signed, dated and numbered 70/125 in pencil on the reverse (there were also 25 artist’s proofs), published by Luciano Anselmino, Milan, Italy, framed. I. 88 x 70.4 cm (34 5/8 x 27 3/4 in.) S. 110.2 x 73.5 cm (43 3/8 x 28 7/8 in.)

Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700

Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700

Literature Frayda Feldman and Jörg Schellmann 128

Literature Frayda Feldman and Jörg Schellmann 132

193. Andy Warhol

1928-1987

Electric Chair, 1971 Screenprint in colours, on wove paper, the full sheet. Signed in black ball-point pen and stamp-numbered 089/250 on the reverse (there were also 50 artist’s proofs in Roman numerals), published by Bruno Bischoferger, Zurich (with their inkstamp), framed. S. 90 x 121.6 cm (35 3/8 x 47 7/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 Literature Frayda Feldman and Jörg Schellmann 82

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194. Andy Warhol

1928-1987

Jean Cocteau, 1985 Screenprint in colours, on wove paper, the sheet slightly trimmed. Signed and numbered 175/250 in pencil, further dedicated and signed by Severin Wunderman in blue ink on the accompanying Certifcate of Authenticity, published by the artist (with his inkstamp recto) to commemorate the opening of The Severin Wunderman Foundation, Irvine, California, framed. S. 97.4 x 80.8 cm (38 3/8 x 31 3/4 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 Literature Frayda Feldman and Jörg Schellmann 329A

This lot is sold with no reserve

195. Andy Warhol

1928-1987

Campbell’s Soup Can (Tomato), 1966 Screenprint in colours, on a paper shopping bag. From the unlimited edition (an unknown number were signed), published by the Institute of Contemporary Art, Boston, unframed. I. 42 x 24.3 cm (16 1/2 x 9 5/8 in.) bag 49.7 x 43.3 cm (19 5/8 x 17 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • Literature Frayda Feldman and Jörg Schellmann 4A

This lot is sold with no reserve

196. Andy Warhol

1928-1987

Bunte, 1984 Screenprint and ofset lithograph in colours, on Rives paper, the full sheet. Signed and numbered 407/500 in pencil, published by Burda Verlag, Munich, unframed. S. 85.2 x 69.9 cm (33 1/2 x 27 1/2 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • Literature Frayda Feldman and Jörg Schellmann 304A

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197. Alex Katz

b. 1927

Brisk Day: one plate, 1990 Woodcut in colours, on Somerset paper, the full sheet. Signed and numbered 85/150 in pencil (there were also 16 artist’s proofs), published by Gjon Inc., Kyoto, framed. S. 91.6 x 74 cm (36 1/8 x 29 1/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 Literature Klaus Albrecht Schröder 237

198. Alex Katz

b. 1927

Sasha I, 2016 Archival pigment print in colours, on Crane Museo Max White paper, the full sheet. Signed and numbered 80/90 in pencil (there were also 20 artist’s proofs), published by Lococo Fine Art, St. Louis, Missouri, framed. S. 81.1 x 39.6 cm (31 7/8 x 15 5/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400

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199. Lawrence Weiner

b. 1942

Rome Was Built for a Day & If That Day Don’t Come, 1993 The complete set of four etchings in colours, with collage and hand-colouring in pencil, on wove paper, with full margins. One signed with initials and dated, each numbered consecutively 2A-D/15 in pencil, framed (together). all I. 29 x 21.4 cm (11 3/8 x 8 3/8 in.) all S. 34.8 x 24.5 cm (13 3/4 x 9 5/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 †

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200. Ed Ruscha

b. 1937

Thinks I, to Myself, 2017 Lithograph in colours, on BFK Rives paper, the full sheet. Signed, dated and numbered 7/80 in pencil (there were also 15 artist’s proofs), co-published by Hamilton Press, Venice, California and Royal Academy of the Arts, London, framed. S. 33.8 x 53.5 cm (13 1/4 x 21 1/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800

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201. Ed Ruscha

b. 1937

Anchovy, 1969 Lithograph in colours, on calendered BFK Rives paper, the full sheet. Signed, dated and numbered 12/20 in pencil (there were also 3 artist’s proofs), published by Tamarind Lithography Workshop, Los Angeles (with their blindstamp), framed. S. 48.3 x 71.4 cm (19 x 28 1/8 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 Literature Siri Engberg 29

202. Ed Ruscha

b. 1937

Absolut, 1988 Ofset lithograph in colours, on wove paper, with full margins. Signed and dated in pencil, from the unnumbered edition of 200, published by Absolute Americana Art Gallery, St. Augustine, Florida, framed. I. 106 x 77 cm (41 3/4 x 30 3/8 in.) S. 114.8 x 84.5 cm (45 1/4 x 33 1/4 in.) Estimate £800-1,200 $1,100-1,600 €910-1,400

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203. Christopher Wool and Richard Hell b. 1955 and b. 1949 Psychopts: eight prints, 2008 Eight screenprints in colours, on Saunders Waterford paper, with full margins, with colophon, the sheets loose (as issued) contained in the original grey fabric-covered portfolio. All signed by both artists, dated and numbered 20/21 in pencil (there were also 6 artist’s proofs), published by Brand X Editions, New York (with their blindstamp), lacking one print. portfolio 72 x 58 cm (28 3/8 x 22 7/8 in.) Estimate £10,000-15,000 $13,500-20,400 €11,300-17,000

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204. Barbara Kruger

b. 1945

Gib acht auf den Moment wenn Stolz sich in Verachtung wandelt (Watch the Moment when Pride Changes to Contempt), 1990 The complete set of eight screenprints, on thin wove paper, the full sheets (designed to be tessellated), loose (as issued) contained in the original grey linen-covered portfolio with afxed title. Signed and numbered 6/30 in black ink on a label afxed to the inside of the portfolio, published by Kölnischer Kunstverein, Cologne. portfolio 128 x 92 cm (50 3/8 x 36 1/4 in.) overall 250 x 355.2 cm (98 3/8 x 139 7/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ †

205 Robert Longo

b. 1953

Hell’s Gate, 2007 Archival pigment print, on wove paper, with full margins. Signed, dated and numbered 10/25 in pencil (there were also 5 artist’s proofs), published by Adamson Editions, Washington D.C., framed. I. 34 x 35.6 cm (13 3/8 x 14 in.) S. 45.6 x 45.6 cm (17 7/8 x 17 7/8 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300

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206. Robert Longo

b. 1953

From ‘Charcoal’, 2017 The complete set of four Ditone prints, on Hahnemühle Photo Rag Ultra Smooth paper, with full margins, the sheets loose (as issued) contained in the original grey portfolio. All signed, dated and numbered 11/30 in pencil (there were also 10 artist’s proofs), published by Hatje Cantz, Berlin. portfolio 58.5 x 63.5 (23 x 25 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 Including Untitled (Capitol Detail), Untitled (Riot Cops), Untitled (Throne Room), and Untitled (Bucephalus)

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207. Robert Longo

b. 1953

Black Flag, 1999 Three-dimensional cast paper relief in black, the full sheet. Signed, dated and numbered 41/60 in pencil, framed. S. 71 x 112 cm (27 7/8 x 44 1/8 in.) Estimate ÂŁ4,000-6,000 $5,400-8,200 â‚Ź4,500-6,800 Provenance Galerie des Multiples, Paris Private Collection, Belgium

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208. Gerhard Richter

b. 1932

Kerze I (Candle I), 1988 Ofset lithograph in colours, on ofset paper, the full sheet. One of two unsigned proofs (aside from the edition of 250), published by Verein zur Förderung moderner Kunst e.V. (at the Mönchehaus-Museum für moderne Kunst, Goslar), framed. S. 89.4 x 94.5 cm (35 1/4 x 37 1/4 in.)

Provenance Acquired from the Mönchehaus Museum für moderne Kunst, Goslar in 1998 Christie’s South Kensington, Prints & Multiples, 19 May 2016, lot 227 Private Collection, London Literature Hubertus Butin 64

Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

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209

209. Gerhard Richter

b. 1932

210. Gerhard Richter

b. 1932

Abstraktes Bild (P1), 1990/2013 Chromogenic print, fush-mounted to aluminium with metal strainer on the reverse (as issued). This facsimile object is unsigned and numbered 252/500 in black ink on the reverse, published by Fondation Beyeler, Basel, 2013. 91.8 x 125.4 cm (36 1/8 x 49 3/8 in.)

Bouquet (P3), 2006/2013 Chromogenic print, fush-mounted to aluminium with metal strainer on the reverse (as issued). This facsimile object is unsigned and numbered 252/500 in black ink on the reverse, published by Fondation Beyeler, Basel, 2013. 60 x 88 cm (23 5/8 x 34 5/8 in.)

Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ♠

Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠

Literature Heni Productions P1

Literature Heni Productions P3

210

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211. Mel Bochner

b. 1940

Scoundrel, 2011 Monoprint with collage, engraving, embossing and oil paint in colours, on handmade and hand-dyed Twinrocker paper, the full sheet. Signed and dated in pencil, a unique colour variant, published by Two Palms Press, New York, framed. S. 30.5 x 22.9 cm (12 x 9 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡

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212. Mel Bochner

b. 1940

Go Away!, 2013 Monoprint with collage, engraving, embossing and oil paint in colours, on handmade and hand-dyed Twinrocker paper, the full sheet. Signed and dated in pencil, a unique colour variant, published by Two Palms Press, New York, framed. S. 44.1 x 58.1 cm (17 3/8 x 22 7/8 in.) Estimate £8,000-12,000 $10,900-16,300 €9,100-13,600 ‡

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213. Harland Miller

b. 1964

Happiness: The Case Against, 2017 Polymer-gravure with photo-etching and woodcut in colours, on Hahnemühle paper, the full sheet. Signed in pencil on the front and numbered 50/50 in pencil on the reverse (there were also 12 artist’s proofs), published by Manifold Editions, London, framed. S. 98.5 x 72.5 cm (38 3/4 x 28 1/2 in.) Estimate £4,000-6,000 $5,400-8,100 €4,500-6,800 ♠ †

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214. Harland Miller

b. 1964

Hate’s Outta Date, 2017 Giclée print in colours, on Somerset Satin paper, with full margins. Signed, annotated ‘4M.C’ and numbered ‘AP 1/5’ in pencil (an artist’s proof, the edition was 50), published by Art on a Postcard, London, unframed. I. 14.5 x 8.6 cm (5 3/4 x 3 3/8 in.) S. 16 x 9.7 cm (6 1/4 x 3 7/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ‡ ♠

215. Harland Miller

b. 1964

Rags to Polyester, 2014 Giclée print in colours, on German etching paper, the full sheet. Signed and numbered 45/50 in pencil (there were also 10 artist’s proofs), published by White Cube, London, framed. S. 95 x 74.5 cm (37 3/8 x 29 3/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠

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216. Banksy

b. 1975

Love Rat, 2004 Screenprint in colours, on wove paper, with full margins. Numbered 368/600 in pencil, an unsigned impression (there was also an edition of 150 signed copies), published by Pictures on Walls, London (with their blindstamp), with the accompanying Certifcate of Authenticity issued by Pest Control, unframed. I. 35.5 x 29 cm (13 7/8 x 11 3/8 in.) S. 49.3 x 34.4 cm (19 3/8 x 13 1/2 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ♠

217. Banksy

b. 1975

Jack & Jill, 2005 Screenprint in colours, on wove paper, with full margins. Numbered 331/350 in pencil, an unsigned impression (there was also an edition of 350 signed copies and 22 artist’s proofs), published by Pictures on Walls, London (with their blindstamp), with the accompanying Certifcate of Authenticity issued by Pest Control, framed. I. 45 x 65 cm (17 3/4 x 25 5/8 in.) S. 50 x 70 cm (19 5/8 x 27 1/2 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠ 216

217

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218

218. Banksy

219. Banksy

b. 1975

b. 1975

Bomb Middle England, 2002 Screenprint in colours, on wove paper, with full margins. Numbered 335/500 in pencil, an unsigned impression (the edition was 50 signed and 450 unsigned plus 31 artist’s proofs), published by Pictures on Walls, London, with the accompanying Certifcate of Authenticity issued by Pest Control, framed. I. 24.5 x 96.2 cm (9 5/8 x 37 7/8 in.) S. 35 x 99 cm (13 3/4 x 38 7/8 in.)

I Fought the Law, 2005 Screenprint in colours, on wove paper, with full margins. Numbered 96/500 in pencil, an unsigned impression (there was also an edition of 150 signed copies and 8 artist’s proofs), published by Pictures on Walls, London (with their blindstamp), with the accompanying Certifcate of Authenticity issued by Pest Control, unframed. I. 66.2 x 66.3 cm (26 1/8 x 26 1/8 in.) S. 70.7 x 70 cm (27 7/8 x 27 1/2 in.)

Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠

Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

219

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220. Stik

b. 1979

Single Mum, 2011 Screenprint in colours, on buf Somerset paper, with full margins. Inscribed with the artist’s emblem and numbered 27/50 in pencil, published by Squarity, London (with their blindstamp), with their accompanying Certifcate of Authenticity, framed. I. 106.1 x 40 cm (41 3/4 x 15 3/4 in.) S. 111.6 x 44.8 cm (43 7/8 x 17 5/8 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ♠

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221. Stik

b. 1979

Liberty (Red), 2013 Screenprint in colours, on buf Somerset paper, with full margins. Signed and numbered 8/25 in pencil, published by Squarity, London, with a Certifcate of Authenticity issued by Dorian Grey Gallery, New York, framed. I. 106 x 35.8 cm (41 3/4 x 14 1/8 in.) S. 111.6 x 40.8 cm (43 7/8 x 16 1/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

14/05/18 10:47


222. Stik

b. 1979

Rough Sleeper, 2010 Stencil spraypaint in black and white on MDF cut-out. Signed, dated ‘2009’ and numbered 6/25 in black paint on the reverse, with the Squarity inkstamp on the reverse, framed. 23 x 53 cm (9 x 20 7/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

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223. Julian Opie

b. 1958

View from my Hotel Room, 2008 LCD animation presented as a continuous computer animation on a 3 minute and 39 second loop, with memory card supplied, programmed and ftted in LCD screen, contained in a custom made, silver powder-coated metal surround. Signed in black ink and numbered 76/200 (printed) on a label afxed to the reverse (there were also 20 artist’s proofs), published by Alan Cristea Gallery, London, with various adapters, contained in original foam-lined corrugated cardboard box. 27.5 x 35.3 x 4.5 cm (10 7/8 x 13 7/8 x 1 3/4 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ♠ Literature Alan Cristea 105

224. Julian Opie

b. 1958

You Walk to the Plane. It is Hot. You Stand Still. Close your Eyes., 1990 Unique inkjet print in colours, aluminium box, Perspex and sound system. Signed and dated ‘99’ in black marker on the reverse. 82 x 121 x 11 cm (32 1/4 x 47 5/8 x 4 3/8 in.)

Provenance Galerie Bob van Orsouw, Zurich Private Collection, Switzerland Christie’s, London, Post-War & Contemporary Art Day Auction, 29 June 2011, lot 331 Private Collection, London Private Collection, Sweden

Estimate £4,000-6,000 $5,400-8,100 €4,500-6,800 ♠

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225. Julian Opie

b. 1958

Dino Crawling, 2012 Lenticular acrylic panel comprised of four colour inkjets printed directly onto 20 lpi lenticular animating lenses, back mounted with 3mm Dibond (as issued). Signed in black ink and numbered ‘AP 9/10’ (printed) on a label afxed to the reverse (an artist’s proof, the edition was 50), published by Alan Cristea Gallery, London, contained in a brushed aluminium frame specifed by the artist. framed 41.2 x 71.4 cm (16 1/4 x 28 1/8 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100 ♠ Literature Alan Cristea 170

226. Julian Opie

b. 1958

Maria-Theresa, 2011 Inkjet print in colours, on Epson Premium Semigloss Photo paper dry-mounted to aluminium (as issued), the full sheet. Signed in black ink and numbered 4/40 (printed) on a label afxed to the reverse (there were also 7 artist’s proofs), published by Alan Cristea Gallery, London, contained in a black tulip wood frame specifed by the artist. framed 128 x 91 cm (50 3/8 x 35 7/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ♠ Literature Alan Cristea 157

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227. Julian Opie

b. 1958

Woman Taking Of Man’s Shirt in Five Stages, 2004 Screenprint, on Fedrigoni Sirio paper, with full margins. Signed and numbered 56/80 in pencil (there were also 25 artist’s proofs), published by Alan Cristea Gallery, London, framed. I. 39.5 x 80.5 cm (15 1/2 x 31 3/4 in.) S. 48 x 88.4 cm (18 7/8 x 34 3/4 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠ Literature Alan Cristea 49

228. Julian Opie

b. 1958

Ruth Smoking 3, 2006 Screenprint in colours, on Somerset Satin paper, the full sheet. Signed and numbered 8/50 in pencil on the reverse (there were also 11 artist’s proofs), published by Alan Cristea Gallery, London, framed. S. 121 x 79.8 cm (47 5/8 x 31 3/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ‡ ♠ Literature Alan Cristea 92

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229. Richard Prince

b. 1949

Dude Ranch Nurse, 2008 Lithograph with collage, graphite and ink additions, on wove paper, the full sheet. Signed and numbered 80/96 in pencil, published by the Serpentine Gallery, London, framed. S. 48 x 60.5 cm (18 7/8 x 23 7/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700

230. George Condo

b. 1957

More Sketches of Spain - for Miles Davis: fve plates, 1991 Five etching and aquatints, on Guarro paper, with full margins. All signed, two numbered 5/40, two numbered 37/40, and one annotated ‘P.EX.’ in pencil (one a proof aside from the edition), published by Alexander Kahan, New York, all framed. all I. 118 x 85.3 cm (46 1/2 x 33 5/8 in.) all S. 132 x 97 cm (51 7/8 x 38 1/4 in.) two horizontal Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 Including Untitled No. 7, Untitled 8, Untitled No. 9, Untitled 10, and Untitled No. 12

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231. Akim Monet

b. 1968

Domus Adriani (Hadrian’s Alexandrian Gardens), 2007 The complete set of eight pigment prints in colours, on Photorag Cotton Watercolour paper, with full margins, with colophon, title and text pages, the sheets loose (as issued), contained in the original brown fabriccovered portfolio with printed title. All signed and numbered 2/24 in pencil (there were also 2 artist’s proofs), published by Laumont Editions, New York. portfolio 63.5 x 49.5 x 4.5 cm (25 x 19 1/2 x 1 3/4 in.) Estimate £1,000-1,500 $1,400-2,100 €1,100-1,700 ‡ Provenance Acquired directly from the artist by the present owner

232. Kara Walker

b. 1969

Freedom, A Fable, 1997 Laser-cut paper pop-up book, bound in brown leather (as issued), with the accompanying Norton family Christmas card, contained in original corrugated cardboard box. From the edition of 4000, published by The Peter Norton Family Christmas Project, New York. 23.8 x 21.3 x 1.6 cm (9 3/8 x 8 3/8 x 0 5/8 in.) Estimate £1,200-1,800 $1,600-2,400 €1,400-2,000

233. Darren Almond

b. 1971

Primo, 2007 Cast aluminium painted in maroon. Signed and numbered 4/7 in black ink on the reverse (there were also 2 artist’s proofs). 25.2 x 78.7 cm (9 7/8 x 30 7/8 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 ♠ Provenance Galerie Max Hetzler, Berlin

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234. Dan Flavin

1933-1996

Guggenheim Tondo, 1992 Double-sided mezzotint in purple and green (one on each side), on handmade paper, the full sheet rolled and fastened with a single stitch (as issued). Signed, dated and numbered 10/25 in pencil on the green side, published by the Guggenheim Museum, New York. 15 x 47 x 14 cm (5 7/8 x 18 1/2 x 5 1/2 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 †

235. Zaha Hadid

1950-2016

Solid (Edition No. 31), 2005 Vacuum cast polyurethane resin multiple, with accompanying light-box, contained in the original plastic box. With embossed signature and numbering 158/250, published by Deutsche Guggenheim, Berlin, on the occasion of their 25th anniversary. multiple 4.8 x 37 x 6.5 cm (1 7/8 x 14 5/8 x 2 1/2 in.) with lightbox 9.8 x 38.5 x 6.5 cm (3 7/8 x 15 1/8 x 2 1/2 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ♠ †

236. Maurizio Cattelan

b. 1960

The 1:6 Scale Wrong Gallery, 2006 Multiple comprising wood, brass, steel, aluminium, resin, plastic, glass and electric lighting, with accompanying copy of the Wrong Gallery Times, all contained in the original cardboard box. Numbered 174/2500 in black ink on the base, with the printed Cattelan/Subotnick/Gioni 2005 copyright stamp, published by Cerealart Multiples, Philadelphia. 46.4 x 28.9 x 16.5 cm (18 1/4 x 11 3/8 x 6 1/2 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ‡ ♠

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237. Ai Weiwei

b. 1957

Artist’s Hand, 2017 Cast urethane resin multiple with electroplated rhodium, contained in the original cardboard presentation box. With inscribed signature on the underside, from the edition of 1000, published by the Public Art Fund, USA in collaboration with eBay for Charity to beneft the exhibition Ai Weiwei: Good Fences Make Good Neighbors, New York, 12 October 2017 - 11 February 2018. 12.7 x 10.2 x 10.2 cm (5 x 4 x 4 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700

238. Ai Weiwei

b. 1957

Thin Line, 2017 Acrylic-display case with a PMMA mirror as backdrop, with glass fbre light line. With incised signature, title and numbering 35/100 on the side, further signed and numbered ‘35’ in black marker on the Certifcate of Authenticity afxed to the reverse, co-published by the artist and Amsterdam Light Festival Foundation. 50 x 50 x 25 cm (19 5/8 x 19 5/8 x 9 7/8 in.) Estimate £3,000-5,000 $4,100-6,900 €3,400-5,700

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239. Tony Crag

b. 1949

Bust, 2017 Tin multiple, on Plexiglas base. Signed in black ink on the accompanying Certifcate of Authenticity, from the unnumbered edition of 75, published by the Yorkshire Sculpture Park, West Bretton. 16 x 6.5 x 6.5 cm (6 1/4 x 2 1/2 x 2 1/2 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠

240. Grayson Perry

b. 1960

House of Love, 2017 Brass shrine with two separate fgures and two standing elements. Signed in black ink on the accompanying Certifcate of Authenticity, from the unnumbered edition of 20 and 2 artist’s proofs, published by the Serpentine Gallery, London on the occasion of their exhibition The Most Popular Art Exhibition Ever!, 8 June - 10 September 2017. 60 x 30 x 17.5 cm (23 5/8 x 11 3/4 x 6 7/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

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241. Jef Koons

b. 1955

242. Jef Koons

b. 1955

Cracked Egg, 2008 Aluminium multiple with red glaze, contained in the original black cardboard box. From the edition of 1000, published by the Los Angeles County Museum of Art, Los Angeles as an invitation for the opening of the Broad Art Collection, lacking the card insert. 12 x 8 x 8 cm (4 3/4 x 3 1/8 x 3 1/8 in.)

Balloon Dog (red), 1995 Porcelain multiple painted in chrome, with the accompanying stand, contained in the original Styrofoamlined cardboard box with printed artist’s name. Numbered 850/2300 in gold ink on the underside, published by the Museum of Contemporary Art, Los Angeles. 26.7 cm (10 1/2 in.) diameter

Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400

Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900

243. Jef Koons

b. 1955

Puppy Vase, 1998 Glazed white ceramic vase, contained in the original Stryrofoam-lined white and blue cardboard box. With incised signature, date and stamp-numbered 1403/3000 on the underside, published by Art of this Century, New York and Paris (with their stamp). 45 x 40 x 20 cm (17 3/4 x 15 3/4 x 7 7/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 ‡

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244. David Shrigley

b. 1968

Fucking Ace, 2016 Woodcut, on wove paper, with full margins. Signed with initials, dated and numbered 11/30 in pencil (there were also 4 artist’s proofs), unframed. I. 48.3 x 34 cm (19 x 13 3/8 in.) S. 58 x 42 cm (22 7/8 x 16 1/2 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 ♠

245. Deborah Kass

b. 1952

Vote Hillary, 2016 Screenprint in colours, on Stonehenge paper, with full margins. Signed, dated and numbered 144/250 in pencil on the reverse, published by Brand X Editions, New York (with their blindstamp), unframed. I. 104.1 x 104.1 cm (40 7/8 x 40 7/8 in.) S. 106.7 x 106.7 cm (42 x 42 in.) Estimate £1,200-1,800 $1,600-2,400 €1,400-2,000 ‡

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246. Cindy Sherman

b. 1954

Untitled (Doctor and Nurse), 1980-2002 The pair of two sepia-toned gelatin silver prints, on photo paper, with full margins. Both signed and dated ‘1980-2002’ in pencil on the reverse, both framed. both I. 23.9 x 19 cm (9 3/8 x 7 1/2 in.) both S. 25.2 x 20.2 cm (9 7/8 x 7 7/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700

247. Vik Muniz

b. 1961

Selfportrait, afer Rembrandt, from Pictures of Chocolate, 2002 Chromogenic print, on photo paper, the full sheet fush-mounted to aluminium (as issued). Signed and dated in black ink and numbered ‘AP 3/3’ (printed) on a label afxed to the reverse (an artist’s proof, the edition was 3), framed. S. 84.7 x 76.5 cm (33 3/8 x 30 1/8 in.) Estimate £8,000-10,000 $10,900-13,600 €9,100-11,300

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248. Vik Muniz

b. 1961

Self Portrait as a Tambourine, 1991 Screenprint on tambourine with moulded plastic fnger-hook, with colophon, contained in the original yellow fabric-covered portfolio with printed lid. Signed, titled, dated and numbered 1/6 in pencil on the reverse, further signed in blue ink on the colophon, co-published by the artist and Kunst Editions, New York. tambourine 26 cm (10 1/4 in.) diameter Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400

249. Sam Taylor-Johnson

b. 1967

Third Party (Ray and Pauline), 1999 Chromogenic print, on photo paper, the full sheet fush-mounted to aluminium (as issued). Numbered 16/35 (printed) on the accompanying Certifcate of Authenticity, published by White Cube, London, framed. S. 141.2 x 109.2 cm (55 5/8 x 42 7/8 in.) Estimate £2,500-3,000 $3,400-4,100 €2,800-3,400 ♠

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This lot is sold with no reserve

250. Mat Collishaw

b. 1966

Last Meal on Death Row: Allen Lee Davis, 2012 Digital transfer print in colours, on goatskin parchment, with full margins. Signed and numbered 9/35 in black ink (there were also 3 artist’s proofs), co-published by Other Criteria and Dark Matter Studios, London, contained in a black painted wooden frame specifed by the artist. framed 66.1 x 55.5 cm (26 x 21 7/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • ♠

251. Damien Hirst

b. 1965

Turps Banana, 2011 Digital print in colours with screenprinted glaze, on wove paper, with full margins. Signed in black ink and numbered 6/75 in pencil (there were also 10 artist’s proofs), published by Turps Banana, London (with their blindstamp), unframed. Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ♠

252. Damien Hirst

b. 1965

Six Pills, 2004 Inkjet print in colours, on wove paper, with full margins. Signed and numbered 46/125 in pencil (there were also 12 artist’s proofs), published by Other Criteria, London, framed. I. 25.3 x 34 cm (9 7/8 x 13 3/8 in.) S. 38 x 43.4 cm (14 7/8 x 17 1/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠

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253. Damien Hirst

b. 1965

254. Damien Hirst

b. 1965

The Dead (Lime Green/Island Copper Skull), 2009 Foil block print in colours, on Arches 88 paper, with full margins. Signed and numbered 4/15 in pencil (there were also 5 artist’s proofs), co-published by Paul Stolper and Other Criteria, London, framed. I. 41.2 x 29.5 cm (16 1/4 x 11 5/8 in.) S. 72.1 x 51 cm (28 3/8 x 20 1/8 in.)

The Dead (Silver Gloss/Westminster Blue Skull), 2009 Foil block print in colours, on Arches 88 paper, with full margins. Signed and numbered 10/15 in pencil (there were also 5 artist’s proofs), co-published by Paul Stolper and Other Criteria, London, framed. I. 41.5 x 30 cm (16 3/8 x 11 3/4 in.) S. 72 x 51 cm (28 3/8 x 20 1/8 in.)

Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠

Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠

255. Damien Hirst

b. 1965

For the Love of God, 2007 Screenprint in colours, on heavy wove paper, the full sheet. Signed and numbered 11/1700 in white crayon, published by Other Criteria, London, framed. S. 32.5 x 24 cm (12 3/4 x 9 1/2 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 ♠

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256. Damien Hirst

b. 1965

Benzyloxyurea, from 40 Woodcut Spots, 2011 Woodcut in colours, on Somerset Textured paper, with full margins. Signed in pencil on the front and numbered 12/55 in pencil on the reverse (there were also 10 artist’s proofs), published by The Paragon Press, London, framed. I. 46 x 35.5 cm (18 1/8 x 13 7/8 in.) S. 57.6 x 46 cm (22 5/8 x 18 1/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

257. Damien Hirst

b. 1965

Phendimetrazine, 2011 Screeenprint in colours with glaze, on Somerset paper, with full margins. Signed and numbered 100/150 in pencil (there were also 10 artist’s proofs), published by Other Criteria, London (with their and the artist’s blindstamps), framed, lacking the accompanying Controlled Substances Key Spot Print. I. 48.5 x 93.7 cm (19 1/8 x 36 7/8 in.) S. 70.5 x 119 cm (27 3/4 x 46 7/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ‡ ♠

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258. Damien Hirst

b. 1965

Painting-By-Numbers, 2001 The complete set comprised of a stretched canvas with 90 enamel paints and brushes, with the original cardboard box. Stamp-signed in red on the reverse of the canvas, from the edition of 175, published by Opus Art Ltd., London. canvas 48.5 x 43.2 cm (19 1/8 x 17 in.) box 54 x 80 x 11.5 cm (21 1/4 x 31 1/2 x 4 1/2 in.) Estimate £2,500-3,500 $3,400-4,800 €2,800-4,000 ♠

259. Damien Hirst

b. 1965

Valium, 2000 Full colour gloss fnish lambda, on Fujicolour photo paper, with full margins. Signed in black ink on the front and numbered 230/500 in silver ink on the reverse (there were also 50 artist’s proofs), published by Eyestorm, London, framed. I. 122 cm (48 in.) diameter S. 127 x 127 cm (50 x 50 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠ †

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260. Damien Hirst

b. 1965

Lullaby, from Love Poems, 2014 Photogravure etching with lithographic overlay in colours, on Arches paper, with full margins. Signed in pencil on the front and numbered 47/55 in pencil on the reverse (there were also 15 artist’s proofs), published by The Paragon Press, London, framed. I. 60.5 x 60.5 cm (23 7/8 x 23 7/8 in.) S. 78 x 76 cm (30 3/4 x 29 7/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

261. Damien Hirst

b. 1965

A Dream, from Love Poems, 2014 Photogravure etching with lithographic overlay in colours, on Arches paper, with full margins. Signed in pencil on the front and numbered 47/55 in pencil on the reverse (there were also 15 artist’s proofs), published by The Paragon Press, London, framed. I. 60.5 x 60.5 cm (23 7/8 x 23 7/8 in.) S. 78 x 76 cm (30 3/4 x 29 7/8 in.) Estimate £5,000-7,000 $6,800-9,500 €5,700-7,900 ♠

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262. Damien Hirst

b. 1965

Making Beautiful Drawings, 1994 Artist’s book, containing a unique spin painting in gouache in colours, on paper, with text and 21 reproductive illustrations (seven in colours), all bound (as issued), sofback with stif wrappers with printed title. The drawing signed, dated, annotated ‘OD’ (Original Drawing) and numbered 23/100 in black ink, one of 100 unique variants (there was also a book edition of 800 without the drawing), published by Bruno Brunnet Fine Arts, Berlin, on the occasion of their exhibition, Damien Hirst: Making Beautiful Drawings, 15 January - 5 February 1994. book 23 x 14.8 cm (9 x 5 7/8 in.) Estimate £3,000-5,000 $4,100-6,800 €3,400-5,700 ♠

263. Damien Hirst

b. 1965

It’s a Beautiful Day: one plate, 2013 Polymer-gravure block print in colours, on Zerkall Paper, the full sheet. Signed in pencil on the front and numbered 31/55 in pencil on the reverse (there were also 10 artist’s proofs), published by Other Criteria, London, framed. S. 66.2 x 49 cm (26 1/8 x 19 1/4 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 ♠

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264. KAWS

b. 1974

You Should Know I Know, 2015 Screenprint in colours, on wove paper, the full sheet. Signed, dated and numbered 15/250 in pencil (there were also 50 artist’s proofs), published by Pace Editions Inc., New York, framed. S. 94.6 x 81.3 cm (37 1/4 x 32 in.) Estimate £6,000-8,000 $8,200-10,900 €6,800-9,100

265. Hiroshi Sugito and Yoshitomo Nara b. 1970 and b. 1959 Untitled, 2005 Lithograph in colours, on wove paper, with full margins. Signed by both artists, dated and numbered 44/100 in pencil, published by the artists, framed. I. 29.6 x 22.8 cm (11 5/8 x 8 7/8 in.) S. 42.7 x 33 cm (16 3/4 x 12 7/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400

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266. Yayoi Kusama

b. 1929

Pumpkin 2000 (Red), 2000 Screenprint in colours, on Colorplan paper, with full margins. Signed, titled, dated and numbered 40/100 in pencil (there were also 10 artist’s proofs), published by the Serpentine Gallery, London, unframed. I. 30 x 35 cm (11 3/4 x 13 3/4 in.) S. 48.2 x 63.8 cm (18 7/8 x 25 1/8 in.) Estimate £4,000-6,000 $5,400-8,200 €4,500-6,800 Literature Yayoi Kusama 299

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267. Takashi Murakami

b. 1962

ComplexCon: Mr. Dob (Red/Blue); and ComplexCon: Mr. Dob (Gold), 2016 Two vinyl multiples with hand-printing in colours, each contained in the original silk-lined, printed cardboard boxes. Mr. Dob (Red/Blue) from the unnumbered edition of 750 and Mr. Dob (Gold) from the unnumbered edition of 250, manufactured by Bait x Switch Collectables, Diamond Bar, California. both 24 x 26 x 18 cm (9 1/2 x 10 1/4 x 7 1/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400

This lot is sold with no reserve

268. Takashi Murakami

b. 1962

772772, 2016 Ofset lithograph in colours, on smooth wove paper, with full margins. Signed and numbered 103/300 in black ink, published by Kaikai Kiki Co., Ltd., Tokyo, framed. I. 64.3 x 96.8 cm (25 3/8 x 38 1/8 in.) S. 65.6 x 97.8 cm (25 7/8 x 38 1/2 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • ‡ Artwork ©2016 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

This lot is sold with no reserve

269. Takashi Murakami

b. 1962

Family Happiness; and Panda Family, 2014; and 2016 Two ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 97/300 and 172/300 respectively in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both S. 50 x 50 cm (19 5/8 x 19 5/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • ‡ Artworks ©2014 and 2016 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

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This lot is sold with no reserve

270. Takashi Murakami

b. 1962

Groping for the Truth; Flowerball (3D) – Turn Red!; Flowerball (3D) – Red, Pink, Blue; Flowerball (3D) – Papyrus; Flowerball (3D) – Blue, Red; Thoughts on Picasso; There is Nothing Eternal in this World. That is Why You are Beautiful; Hey! You! Do You Feel What I Feel?; Flowerball (3D) – Red Ball; and Comprehending the 51st Dimension, 2013-2015 Ten ofset lithographs in colours, on smooth wove paper, the full sheets. All signed and numbered variously from the edition of 300 in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 71 cm (27 7/8 in.) diameter Estimate £4,000-6,000 $5,500-8,300 €4,500-6,800 •‡ Artworks ©2013, 2014 and 2015 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

This lot is sold with no reserve

271. Takashi Murakami

b. 1962

We Are Destined to Meet Someday! But for Now, We Wander in Diferent Dimensions; We Are Destined to Meet Someday! But for Now, We Wander in Diferent Dimensions; and Hands Clasped, 2015-2016 Three ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 50/300, 69/300 and 172/300 respectively in black ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. one 68 x 68 cm (26 3/4 x 26 3/4 in.) two 66 x 88 cm (25 7/8 x 34 5/8 in.) Estimate £1,500-2,000 $2,100-2,800 €1,700-2,300 •‡ Artworks ©2015 and 2016 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

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This lot is sold with no reserve

272. Takashi Murakami

b. 1962

Cosmic Power; The Flowerball’s Painterly Challenge; Thoughts on Picasso; Flowerball: Want to Hold You; Scenery with a Rainbow in the Midst; and Flowerball: Open Your Hands Wide, 2014-2016 Six ofset lithographs in colours, on smooth wove paper, the full sheets. All signed and numbered variously from the edition of 300 in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 71 cm (27 7/8 in.) diameter Estimate £2,500-3,500 $3,400-4,800 €2,800-4,000 •‡ Artworks ©2014, 2015 and 2016 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

This lot is sold with no reserve

273. Takashi Murakami

b. 1962

An Homage to IKB, 1957; An homage to Monogold 1960 A; An Homage to Yves Klein, Multicolor A; and An homage to Monopink 1960 A, 2011-12 Four ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 130/300, 153/300, 160/300 and 214/300 respectively in black or silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 74 x 53 cm (29 1/8 x 20 7/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 • ‡ Artworks ©2011 and 2012 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

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This lot is sold with no reserve

274. Takashi Murakami

This lot is sold with no reserve b. 1962

275. Takashi Murakami

b. 1962

Blue Velvet; Rose Velvet; Kaikai & Kiki: Dreaming of Shangri-la; and The Creative Mind, 2015; and 2016 Four ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 68/300, 20/300, 206/300 and 98/300 respectively in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. three S. 60 x 60 cm (23 5/8 x 23 5/8 in.) one S. 68 x 68 cm (26 3/4 x 26 3/4 in.)

Dazzling Circus: Embrace Peace and Darkness within Thy Heart; MG; 1960->2012; Blue Flower & Skulls; Skulls & Flowers Red; Signal; and This Merciless World, 2010-2015 Six ofset lithographs in colours, on smooth wove paper, the full sheets. All signed and numbered variously from the edition of 300 in black or silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 68.5 x 53 cm (26 7/8 x 20 7/8 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,300 • ‡

Estimate £2,500-3,500 $3,400-4,800 €2,800-4,000 • ‡

Artworks ©2015 and 2016 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

Artworks ©2010, 2012, 2013, 2014 and 2015 Takashi Murakami/Kaikai Kiki Co. Ltd., All Rights Reserved.

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This lot is sold with no reserve

276. Takashi Murakami

b. 1962

Homage to Francis Bacon (Study for Head of Isabel Rawsthorne and George Dyer); Homage to Francis Bacon (Study for Head of Isabel Rawsthorne and George Dyer); Homage to Francis Bacon (Study for Head of Isabel Rawsthorne and George Dyer); and Homage to Francis Bacon (Study for Head of Isabel Rawsthorne and George Dyer), 2016 Four ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 33/300, 89/300, 36/300, and 43/300 respectively in black or silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 50 x 50 cm (19 5/8 x 19 5/8 in.) Estimate £2,000-3,000 $2,700-4,100 €2,300-3,400 • ‡ Artworks ©2016 Takashi Murakami/Kaikai Kiki Co. Ltd., All Rights Reserved.

This lot is sold with no reserve

277. Takashi Murakami

b. 1962

And Then x 6 (Blue: The Polke Method); and And Then x 6 (Red Dots: The Superfat Method), 2012-13 Two ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 99/300 and 128/300 respectively in black ink, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both S. 50 x 50 cm (19 5/8 x 19 5/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • ‡ Artworks ©2012-13 Takashi Murakami/Kaikai Kiki Co. Ltd., All Rights Reserved.

This lot is sold with no reserve

278. Takashi Murakami

b. 1962

Flower HOLLOW; and DEATH Flower, 2015 Two ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 79/300 and 46/300 respectively in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, framed. both S. 68 x 68 cm (26 3/4 x 26 3/4 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • ‡ Artworks ©2015 Takashi Murakami/Kaikai Kiki Co. Ltd., All Rights Reserved.

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This lot is sold with no reserve

279. Takashi Murakami

This lot is sold with no reserve b. 1962

Hold Me Tight!; Space Show; Flowerball Multicolor; Awakening; Flowerball: Bright Red; and Flowerball: Koi/Red-crowned Crane Vermilion, 2014-2017 Six ofset lithographs in colours, on smooth wove paper, the full sheets. All signed and numbered variously from the edition of 300 in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 71 cm (27 7/8 in.) diameter Estimate £2,500-3,500 $3,400-4,800 €2,800-4,000 •‡ Artworks ©2014, 2016 and 2017 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

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280. Mark Grotjahn and Takashi Murakami b. 1968 and b.1962 Untitled (Scarlet Lake and Indigo Blue Butterfy 826); and Untitled (Canary Yellow and Black Butterfy 830), 2008-10 Two ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed by both artists (Mark Grotjahn in black ink and Takashi Murakami in silver ink) and numbered 119/300 and 128/300 respectively in silver ink, published by Kaikai Kiki, Co., Ltd., Tokyo, both framed. both S. 70 x 55.5 cm (27 1/2 x 21 7/8 in.) Estimate £1,000-1,500 $1,400-2,000 €1,100-1,700 • ‡ Artworks ©2008-2010 Takashi Murakami/ Kaikai Kiki Co. Ltd., All Rights Reserved.

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Sale Information Evening & Day Editions

Sale Department

Auction and Viewing Location 30 Berkeley Square, London W1J 6EX

Head of Editions, Europe Robert Kennan +44 20 7318 4075 rkennan@phillips.com

Auctions 7 June 2018 Evening Auction Lots 1 - 61, 6.30pm Day Auction Lots 62 – 280, 2pm Viewing 31 May – 7 June 2018 Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation In sending in written bids or making enquiries please refer to this sale as UK030218 or Editions. Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@phillips.com

Senior Specialist Anne Schneider-Wilson +44 20 7318 4042 aschneider-wilson@phillips.com

Auctioneers Henry Highley Adam Clay Hugues Joffre Susanna Brockman Rebecca Tooby-Desmond Ross Thomas

Specialist Ross Thomas +44 20 7318 4077 rthomas@phillips.com

Catalogues London +44 20 7901 7927 New York +1 212 940 1240 catalogues@phillips.com £22/€25/$35 at the gallery

Associate Specialist Rebecca Tooby-Desmond +44 20 7318 4079 rtooby-desmond@phillips.com

Client Accounting Richard Addington, Head of Client Accounting +44 20 7901 7914

Administrator Louisa Earl +44 20 7318 4069 learl@phillips.com

Jason King, Client Accounting, Director +44 20 7318 4086

Property Manager Surya Buck +447867 430097 sbuck@phillips.com Photographers Marta Zagozdzon Charlie Sheldon Jean Bourbon Kent Pell Matt Kroenig

Buyer Accounts Carolyn Whitehead +44 20 7318 4020 Seller Accounts Surbjit Kaur +44 20 7318 4072 Client Services 30 Berkeley Square, London W1J 6EX +44 20 7318 4010 Shipping Andrew Kitt +44 20 7318 4047 Lewis Thomas +44 20 7901 7920 Creative Services Eve Campbell, Creative Services Manager Moira Gil, Graphic Designer Grace Neighbour, Graphic Designer

Front cover Lot 26, Cy Twombly Untitled, 1971 © Cy Twombly Foundation Back cover Lot 50, Grayson Perry, Map of Nowhere, 2008 (detail) © Grayson Perry

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Sell With Us. Our 10th Anniversary Editions auction in New York on 26 April sold an astonishing 392 lots (out of 417) for an incredible 94% sold. There were nearly 900 bidders from 38 diferent countries and, in addition to achieving the highest sale total ever for the department, the sale broke company records for the most online sale registrants, and 80% of the works had online bidding. We look forward to another record-breaking season! Editions including Works on Paper Auction 16 October 2018 New York Deadline to Consign 15 July 2018 Robert Indiana NUMBERS ONE through ZERO, 1978-2003 Sold for $915,000 Š 2018 Morgan Art Foundation / Artists Rights Society (ARS), New York

Enquiries editions@phillips.com +1 212 940 1220

phillips.com

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30 Berkeley Square, London, W1J 6EX phillips.com +44 20 7318 4010 bidslondon@phillips.com Please return this form by email to bidslondon@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying as an individual or on behalf of a company. Please select the type of bid you wish to make with this form (please select one):

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• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of wilful misconduct. Agreement to bid by telephone must be confrmed by you promptly in writing or by fax. Telephone bid lines may be recorded.

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20th Century. Contemporary. Now. (Binky) Palermo Wooster Street acrylic on aluminium, in 2 parts each 57.2 x 52.4 cm (22 1/ 2 x 20 5/8 in.) overall 57.2 x 104.8 cm (22 1/ 2 x 41 1/4 in.) Painted in 1975.

20th Century & Contemporary Art Evening Sale London, 27 June 2018 Enquiries: +44 20 7318 4050 contemporaryartlondon@phillips.com

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UK Guide for Prospective Buyers Each Phillips auction is governed by the applicable Conditions of Sale and Authorship Warranty. All prospective bidders should read these sections carefully. They govern the purchasing agreement under which you buy at auction from Phillips. They may be also amended by saleroom addendum or auctioneer’s announcement during the auction. The complete Conditions of Sale and Authorship Warranty applicable to this auction (Version 9/12/17) are found online at phillips.com, along with detailed information on each lot. Estimates The auction estimates indicated for each lot in this catalogue do not include Buyer’s Premium (applicable on each lot), or VAT or Artist’s Resale Right (where such charges apply). Details of these charges are given below. All Lots are Subject to ‘Buyer’s Premium’ In addition to the hammer (final bid) price, a buyer’s premium is due from all successful buyers. The buyer’s premium is a commission based on the hammer price payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including £180,000; 20% of the portion of the hammer price above £180,000 up to and including £3,000,000; and 12.5% of the portion of the hammer price above £3,000,000. Condition and Condition Reports Phillips does not warrant or guarantee condition on any lot. Solely as a convenience to clients, Phillips may provide condition reports on many lots, which are also available online on the lot detail pages. If there is not a condition report available, that is not a representation that a lot is in perfect condition. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect all lots at our pre-sale exhibitions, and contact our staff with any questions. Bidding at Auction You may bid in the auction in person, online, on the phone, or by placing an absentee bid. The easiest way to arrange or register to bid at auction is to set up a client account online. Go to our homepage, phillips.com and fill out the account form. When you want to register for an auction, click Register on sale pages or lot detail pages, and you’ll confirm your account details, be asked for a credit card number for identification purposes and our Bids Department will process your request. We recommend registering at least 24 hours prior to sale to ensure that you can bid. Good luck! Some lots are sold under special conditions. Phillips uses the following symbols to designate these lots: O ◊ Guaranteed Property The seller of lots designated with the symbol O has been guaranteed a minimum price fnanced solely by Phillips. Where the guarantee is provided by a third party or jointly by us and a third party, the property will be denoted with the symbols O ◊. When a third party has fnanced all or part of our fnancial interest in a lot, it assumes all or part of the risk that the lot will not be sold and will be remunerated via a fxed fee, a percentage of the hammer price or the buyer’s premium or some combination of the

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foregoing. The third party may bid on the guaranteed lot during the auction. If the third party is the successful bidder, the remuneration may be netted against the purchase price. Where Phillips has guaranteed a minimum price on every lot in the catalogue, Phillips will not designate each lot with the symbol(s) for the guaranteed property but will state our fnancial interest at the front of the catalogue. ∆ Property in Which Phillips Has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest. •No Reserve Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot will not exceed the low pre-sale estimate. ♠ Property Subject to the Artist’s Resale Right Lots marked with ♠ are subject to the Artist’s Resale Right calculated as a percentage of the hammer price (in EUR) and payable as part of the purchase price as follows: Royalty Rate: From 0 to 50,000 (4%) From 50,000.01 to 200,000 (3%) From 200,000.01 to 350,000 (1%) From 350,000.01 to 500,000 (0.5%) Exceeding 500,000 (0.25%) The Artist’s Resale Right applies where the hammer price is EUR 1,000 or more, subject to a maximum royalty per lot of EUR 12,500. Calculation of the Artist’s Resale Right will be based on the pounds sterling/euro reference exchange rate quoted on the date of the sale by the European Central Bank. †, §, ‡, or Ω Property Subject to VAT Where there is no VAT symbol, Phillips is able to use the Auctioneer’s Margin Scheme and VAT will not normally be charged on the hammer price. An amount equivalent to VAT at 20% on the buyer’s premium will be included in the buyer’s premium. Property with a † symbol will be sold under normal UK VAT rules, and VAT will normally be charged at 20% on both the hammer price and buyer’s premium. Property with a § symbol and sold to buyers whose registered address is in the EU will be assumed to be remaining in the EU and will be treated as having no symbol (unless informed otherwise by a buyer). Property sold with a ‡ (5%) or Ω (20%) symbol has been imported from outside the EU to be sold at auction under temporary admission, and offered under the Auctioneer’s Margin Scheme at the respective % on the hammer price and an amount in lieu of VAT at 20% on the buyer’s premium. The foregoing is for summary purposes only. Please see the online auction catalogue and Conditions of Sale at phillips.com/ buy and specifically the section ‘VAT AND OTHER TAX INFORMATION FOR BUYERS’ for a more detailed description of the VAT symbols used in this Buyer’s Guide, as well as any VAT refunds that you may be qualified to receive.

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47. Julian Opie

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Index Albers, A. 157 Albers, J. 155, 156 Almond, D. 233 Anderson, H. 96 Bacon, F. 13, 92, 94 Bacon, F. (Afer) 93 Banksy 60, 61, 216, 217, 218, 219 Baselitz, G. 173 Basquiat, J.M. (Afer) 38, 39 Beuys, J. 23, 89, 90, 91 Bochner, M. 56, 211, 212 Braque, G. 3 Castellani, E. 146 Cattelan, M. 236 Caulfeld, P. 151 Chagall, M. 2, 75, 76 Chillida, E. 163 Collishaw, M. 250 Condo, G. 230 Cragg, T. 239 Currin, J. 172 Dalí, S. 62, 63, 64 Delvaux, P. 72, 73, 74 Dine, J. 174, 177 Doig, P. 97, 98 Duchamp, M. 24, 85, 86, 87 Dumas, M. 105, 106, 107

Indiana, R. 185, 186 Kapoor, A. 19, 20 Kass, D. 245 Katz, A. 7, 197, 198 KAWS 43, 44, 264 Kelly, E. 158, 159 Kentridge, W. 175, 176 Knoebel, I. 22 Kooning, W. de 169 Koons, J. 241, 242, 243 Kruger, B. 204 Kusama, Y. 266 LeWitt, S. 21 Lichtenstein, R. 34, 35, 187, 188 Longo, R. 205, 206, 207 Mangold, R. 165, 166 Marden, B. 167, 168 Martin, A. 161 Matisse, H. 70 Miller, H. 213, 214, 215 Miró, J. 77, 78, 80, 81, 82, 83 Miró, M. (Afer) 79 Monet, A. 231 Muniz, V 247, 248 Murakami, T. 267, 268, 269, 270, 271, 272, 273, 274, 275, 276, 277, 278, 279

Taylor-Johnson, S. 249 Toulouse-Lautrec, H. de 1 Twombly, C. 26 Uecker, G. 25 Various Artists 55 Vasarely, V. 152, 153 Vuillard, É. 71 Walker, K. 232 Warhol, A. 28, 29, 30, 31, 32, 33, 191, 192, 193, 194, 195, 196 Warren, R. 58 Weiner, L. 199 Weiwei, A. 237, 238 Wesselmann, T. 36, 37, 189, 190 Wood, J. 49 Wool, C. 57 Wool, C. and Hell, R. 203

Nauman, B. 59 Fischli, P and Weiss, D. 171 Flavin, D. 234 Freud, L. 14, 15, 16, 104 Frost, T. 150 Gormley, A. 95 Grotjahn, M and Murakami, T. 280 Hadid, Z. 235 Hamilton, R. 108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144 Hamilton, R. and Roth, D. 125 Haring, K. 40, 41, 42, 181, 182, 183, 184 Herrera, C. 160 Hirst, D. 51, 52, 53, 54, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263 Hockney, D. 8, 9, 10, 11, 12, 101, 102, 103 Hodgkin, H. 99, 100

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Opie, J. 45, 46, 47, 48,223, 224, 225, 226, 227, 228 Parker, C. 170 Perry, G. 50, 240 Picasso, P. 4, 5, 6, 65, 66, 69 Picasso, P. (Afer) 67, 68 Pistoletto, M. 88 Prince, R. 229 Rauschenberg, R. 27, 179, 180 Richter, G. 17, 18, 208, 209, 210 Riley, B. 145, 147, 148, 149 Ruscha, E. 200, 201, 202 Ryman, R. 178 Saint Phalle, N. de 84 Scully, S. 162 Sedgley, P. 154 Sherman, C. 246 Shrigley, D. 244 Stella, F. 164 Stik 220, 221, 222 Sugito, H. and Nara, Y. 265

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34. Roy Lichtenstein

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phillips.com

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Evening & Day Editions [Catalogue]  

Phillips presents Evening & Day Editions on 7 June in London.

Evening & Day Editions [Catalogue]  

Phillips presents Evening & Day Editions on 7 June in London.