Gateway to the North - June 2019

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june 2019

Area artist inspired by Warhol Frank PEEBLES Gateway staff

T Gateway Photo by James Doyle

Artist Robert Sebastian shows off some paintings in front of Two River Gallery in Prince George. The paintings are part of a new series of prints he is launching.

he paintings come from the same traditional roots as before, but internationally celebrated artist Robert Sebastian is working in new forms. One of the evolutions in this veteran art star’s work is producing paintings on print-canvas. His original images are still for sale, and fetch thousands of dollars each, but he is also allowing select images to go into print series. He chose the canvas medium “because it saves on framing, people can just hang them as they are, and you get just the image in its raw form,” he said as he released them to the world. The first places they are on public offer are WD West Studios and Two Rivers Gallery’s Art Shop, both located in his second home of Prince George. His original home, and the place where his art career his its primary base, is Hazelton in the midst of his Gitxsan Nation ancestry. There is a sect of artists, he said, and he was one of them, that pins their career hopes on selling originals one by one. The

price of a single original can be prohibitive, so the buyers become financially elite as an artist’s career develops. Sebastian wanted the average person to be able to afford his art, and have his work appreciated by the mainstream public. He has now embraced the print, where several copies can be sold at a more inclusive price. “What motivated me was Andy Warhol,” said Sebastian. “I found out he almost never sold an original. That made me think.” He has also been inspired lately by the younger generation of Aboriginal artist. He is now infusing modern images into his traditional depictions, like his recent painting of a leaping fish that has, small in the background as if looking down from high above, an airplane. Sebastian was part of the surge of west coast Indigenous art that broke out of the 1970s and ‘80s as the leading edge of First Nations cultural revival that is still building momentum today. As one of the recognized masters of this genre, Sebastian’s work is in collections all over the world, including British royalty and international governments. — ‘OUR CULTURE, page 4


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