Interior Design Portfolio 2019

인테리어 디자인 포트포리오

DESIGN

interior architecture & design portfolio 2016-19 VOL. 001 SELECTED WORKS

peterlee1.myportfolio.com [ 웹사이트 ]

선별한 작품

인테리어 디자인 ACADEMIC WORK

PROJECT - 1

Peter Lee 2016 - 2019

P 2 - 3

portfolio

Interior Architecture BA InArch

2016 - 2019

TABLE OF CONTENTS

06 15

ANCIENT EGYPT //

16 25

INFRAFAIL //

26 33

FINDULATION //

34 51

KOREAN CULTURAL CENTER //

AFTERLIFE

AMTRAK HIGH SPEED TRAIN

CHIAROSCURO

한인문화회관

ANCIENT EGYPT // AFTERLIFE

PROJECT: INARCH NARRATIVE STUDIO LOCATION: THE FIELD MUSEUM DATE: FALL, 2018

The Ancient Egyptians believed that life on Earth was only one part of an eternal journey which ended, not in death, but in everlasting joy.

From everyday artifacts, hieroglyphs, mummies, and to a Book of the Dead, this exhibition demonstrates how the Ancient Egyptians lived and died in preparation of the afterlife.

P 6 - 7

PROJECT - 1

PROJECT - 1 P 8 - 9

[ EXISTING CONDITIONS ]

PROJECT - 1

PERSPECTIVE SECTION

The perspective section to the left shows an overview of the entire exhibit. Upon entering you are greeted by large statues of ancient Egyptian gods with a large digital video screen as a backdrop. This sets the tone for the rest of the exhibit and puts the visitor in an “alternate reality�.

After learning of how the Ancient Egyptians lived and prepared for death, the visitor enters the mastaba which tells the story of the journey to the afterlife through floor to ceiling hieroglyphs. The exhibit is designed to let visitors contemplate on what is beyond life and death regardless of what their beliefs are.

P 10 - 11

The Ancient Egyptians believed that life on Earth was only one part of an eternal journey which ended, not in death, but in everlasting joy.

The Life section of the exhibit contains artifacts from the daily lives of ancient Egyptians and gives us clues to how they lived. As visitors explore through the death section of the exhibit, they can learn about the mummification process and how the ancient Egyptians prepared the bodies for the afterlife.

NEC TILEMATRIX | VIDEO WALL SOLUTION

2

NEC TILEMATRIX VIDEO WALL The Tilematrix Video Wall Screens can be used as a single screen (over the display cases and on the face of the pilasters) or multiple screens.

The screens will be recessed so they are flush with the surrounding planes.

1

2

The Tilematrix Video Wall Screens will also act as a secondary light source.

3 1

4

4

CONCRETEWORKS GFRC PANEL The Concreteworks GFRC Wall Panels are used as wall treatments, inside the display cases and the faces of the free standing cases. 2’x4’ panels will be installed for the wall treatment with 3/4” reveal in between each panel. The panels will be cut to size for the display cases.

CONCRETEWORKS | GFRC PANEL

FASTENER WALL SHEATH GFRC PANEL

CAST-IN CLIP WALL STUD

NEC TILEMATRIX VIDEO WALL SOLUTION

CONCRETEWORKS GFRC PANEL

PROJECT - 1

ALTERNATE REALITY The Ancient Egypt Afterlife exhibit is designed to make visitors feel like they are in the afterlife.

P 12 - 13

NEC TileMatrix Video Walls are utilized to display inverted scenes of nature. The video walls are scattered throughout the exhibit and integrated into the display cases to immerse the visitor into an “alternate reality�.

ANCIENT EGYPT: AFTERLIFE AT THE FIELD MUSEUM IN CHICAGO

P 14 - 15

PROJECT - 1

INFRARAIL // REVEALING THE HIDDEN

P 16 - 17

PROJECT - 2

CHICAGO

ST. LOUIS

PROJECT - 2

infra red

Door Opening

Lounging Area

PROJECT: INARCH DETAIL STUDIO LOCATION: AMTRAK HIGH SPEED RAIL DATE: FALL, 2018 Standing Bar Cafe / Bar

Infrarail is a design proposal for a cafe car on the new Amtrak high speed train from Chicago to St. Louis. This proposal draws on concepts from infrared light.

Wheelchair Area Condiments / Waste

Individual Seating

Booth Seating

Eletrical / Emergency ADA Restroom

P 18 - 19

Infrared (IR) light is the part of the EM spectrum that people encounter most in everyday life, although much of it goes unnoticed. It is invisible to human eyes, but people can feel it as heat. The cafe car utilizes backlit acrylic panels to “reveal the hidden” by manipulating objects and people within the train car.

Door Opening

FLOOR PLAN

LUMINII MATRIX PLUS | HIGH EFFICIENCY GRID LED PANEL A flexible LED backlighting system that provides even illumination with minimal cavity depth. The unique design allows it to be directly mounted onto a surface.

TECHNICAL INFORMATION MODEL:

Matrix Plus (SO)

LEDS/UNIT:

144

LUMENS AT 30K:

832 LM

POWER

POWER

CONSUMPTIONK:

6.1 W

LUMENS PER WATT:

6.1 W

DIMENSIONS:

12” X 12”

3FORM CHROMA | LIGHT DIFFUSION ACRYLIC

Avalanche D01 - 01%

Paperwhite D02 - 20%

Powder D03 - 40%

LED STRIP LIGHTS LUMINII Matrix Plus lined along the exterior wall. Each light is programmed to shine a unique color

Transparent Panel A transparent panel will diffuse the light evenly across its surface. It will also reveal the structure behind it

Polar D03 - 50%

PROJECT - 2

MANIPULATION The TileMatrix LED backlighting system is programmed to have the lights constantly changing from pink and blue hues [colors of the IR spectrum].

P 20 - 21

Although the light is the main design component, how the light manipulates the objects and people in the train car is also a point of focus. The lighting will give all objects and people a purplish pink hue regardless of their skin color.

ZIPLINE 001 | CUSTOM TASK LIGHTING LED Task Light A task light is included in the space for people who need to work

High Gloss Acrylic The light fixture extends 18� horizontally so the material needs to be light-weight but sturdy

Charging Station A different iteration of the light base includes a USB port to charge phones

TABLETOP + CUPHOLDER | INDIVIDUAL & BOOTH SEATING The furniture design was kept to a minimal to draw attention to the light and how it changes the objects and people in the train car.

+

The design draws inspirataion from the IPhone 5 beveled edge and a standard petri dish.

SEAT GRAB HANDLE | ERGONOMIC HANDLE

Flat Handle

Half-round Handle

[Above] are different variations of the seat grab handle for standing passengers.

There is a flat, half-round and round handle to see which has the best grip.

Round Handle

Beveled End Cap 2x Set Screws High Gloss Acrylic

PROJECT - 2

BASE CONNECTION | 360 SWIVEL WITH USB PORT

USB Port Metal Clamps

P 22 - 23

1” Fastener

AMTRAK: HIGHSPEED TRAIN FROM CHICAGO TO ST. LOUIS

P 24 - 25

PROJECT - 2

FINDULATION

PROJECT - 3 “In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time.”

P 26 - 27

- Libba Bray

1:4 CHIAROSCURO The challenge was to design a “space within a space” utilizing design concepts from the Baroque period. Findulation was inspired by Bernini’s columns for the altar at St. Peters Basilica and draws on concepts from chiaroscuro.

The light frame and the fins allow light to pass through casting shadows onto the person inside.

P 28 - 29

PROJECT - 3

P 30 - 31

PROJECT - 3

1:1

P 32 - 33

PROJECT - 3

KOREAN CULTURAL CENTER // 한인문화회관 PROJECT: INARCH FINAL STUDIO LOCATION: CHICAGO, IL DATE: SPRING, 2019

Han is a complex emotion, a condition marked by deep sorrow and a sense of incompleteness. On the other hand, it gives a sense of hope, an ability to silently endure hardships and suffering. It is intensely personal yet felt collectively by both old and new generations.

With rectilinear forms, simplicity and materials, this design proposal draws on concepts of traditional korean architecture and shapes them through a modern lens.

P 34 - 35

PROJECT - 4

FULTON / RANDOLPH MARKET

GOOGLE FEDERALES

MORGAN STATION

901 W LAKE

DUCK DUCK GOAT

WE WORK

SITE ANALYSIS The fulton market district has historically been home to food packers and distributors in an area that has had an industrial presence since 1880.

The area did not have “L” transit access until the Morgan Street Stop openeded in 2012. Driven by the newly available public transportation, the area saw a surge in new restaurants and additional amenities in subsequent years. These changes were followed by an interest from companies looking for non-traditional, openloft office space; In stark contrast with area’s industrial past.

MOMOTARO

2

4

3

3" 15'-616

3" 15'-616

5

3" 15'-616

LEE

LEE Drawn

Checked

PETER

Designed PETER

7

6

3" 15'-616

COLUMBIA COLLEGE CHICAGO INARCH FINAL STUDIO, SPRING 2019

1

3" 15'-616

3" 15'-616

RESTAURANT

UP

108

107

FIRE STAIR 2

111

1" 17'-28

A3

110

A2

A4

111 A3 8'

PROVIDE FULL INSULATION & ACOUSTICAL SEALANT IN NEW WALLS AT RESTROOM 106 & 107

A2

32’

112

STORAGE

110 A3

CLEAR

KITCHEN

LOUNGE

B

107

2 A5.2

60

"

WOMEN'S RESTROOM

UP

106

1 A4.1

EQ

1" 17'-28

64’

PRODUCED BY AN AUTODESK STUDENT VERSION

A2

901 W LAKE STREET, CHICAGO, IL 60607

1" 23'-12

3" 14'-1016

1" 6'-616

A

A1

109

KOREAN CULTURAL CENTER CHICAGO

3" 10'-118

SECONDARY ENTRANCE

FIRST FLOOR PLAN

1" 30'-58

" 4'-3

NEW WALLS AROUND KITCHEN/PREP TO BE 3-5/8" @ 12" OC.C, FULL INSLUATION & TWO LAYERS OF TYPE 'X' GYP. BD. EACH SIDE WITH ACOUSTICAL SEALANT AT TOP & BOTTOM

COURTYARD 113

CLEAR

5'-8"

103

101

BREAK ROOM

102

104. LOADING DOCK

111. STORAGE

POCHE LEGEND:

105. FIRE STAIR 1

112. LOUNGE

HONED GRANITE SLAB

POLISHED GRANITE SLAB

A5 3" 15'-016

110. FIRE STAIR 2

1" 30'-58

1" 44'-62

A1

Description

ARCHITECTURAL EXHIBIT

103

14'-113 8"

104

MOVING EXHIBIT

24" THICK WALL FOR IN-WALL DISPLAY CASE

1" 23'-12

1" 22'-72

LOADING DOCK

A5

A2

109. W LAKE ENTRY

103. BREAK ROOM

FIRST FLOOR CONSTRUCTION PLAN

A2

4'-3 "

8'

3'

A2 104

1" 21'-12

1" 17'-28

A3 UP

CLEAR

11" 61'-616

105

E

102. EXHIBIT 2

1" 8'-816

FIRE STAIR 1 105

108. RESTAURANT

GENERAL NOTES: 1. ALL NEW WALL TO BE SANDED & PRIMED. COORDINATE WITH OWNER. 2. ALL TRIM JOINTS TO BE CAULKED. 3. ALL NEW WALLS TO BE 3'58" METAL STUDS @ 16" OR 12" OCC WITH (1) LAYER TYPE 'X' GYP. BD. EACH SIDE, U.N.O. 4. PROVIDE METAL IN WALL BLOCKING BEHIND ALL NEW MILLWORK, VERIFY LOCATIONS IN FIELD WITH ARCHITECT & OWNER.

4 A5.2

UP

106

107. KITCHEN

101. EXHIBIT 1

" 60

106

D

14'-1015 16"

EQ

1" 17'-28

MEN'S RESTROOM

100. LOBBY

100

3 A5.2 12" THICK WALL

Date

ALIGN

LOBBY EX

C

5'-0"

A1

1" 31'-44

EX

1 A5.2

5/11/19

106. RESTROOMS

F

LEE

LEE Checked

PETER Drawn

SCALE: 18" = 1'-0"

Designed PETER

FIRST FLOOR CONSTRUCTION PLAN

COLUMBIA COLLEGE CHICAGO INARCH FINAL STUDIO, SPRING 2019

PRODUCED BY AN AUTODESK STUDENT VERSION

1

PROJECT - 4

EX

113. COURTYARD

A3.1 Sheet

5

of

10

4

3

5

7

6

LEVEL 3

PRODUCED BY AN AUTODESK STUDENT VERSION

BUILDING SECTION PRODUCED BY AN AUTODESK STUDENT VERSION

29'-0"

901 W LAKE STREET, CHICAGO, IL 60607

2

KOREAN CULTURAL CENTER CHICAGO

PRODUCED BY AN AUTODESK STUDENT VERSION

1

LEVEL 2 15'-0"

32’

64’

LEVEL 1

10

PETER

COLUMBIA COLLEGE CHICAGO INARCH FINAL STUDIO, SPRING 2019

of

LEE

7

LEE

Sheet

Checked

5/11/19

A4.1

Drawn

Date

SCALE: 3/16" = 1'-0"

Designed PETER

Description

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

4

3 3" 15'-616

5

3" 15'-616

7

6

3" 15'-616

3" 15'-616

3" 29'-08

3" 16'-416

CLASSROOM

203

204

CHILDREN'S ROOM

" 4'-3

1" 31'-118 GALLERY

3" 15'-616

SECOND FLOOR PLAN

A1

1" 22'-72

205

A

32’

DOWN

204A

A2 201

206

A4

207 A3

206

205

A4

STORAGE

A4

207

A3 8'

PANTRY

202

A2

64’

PRODUCED BY AN AUTODESK STUDENT VERSION

B

204B

3'

STORAGE

FIRE STAIR 2

A3

A2

CLEAR

A2

A2 202

901 W LAKE STREET, CHICAGO, IL 60607

2

KOREAN CULTURAL CENTER CHICAGO

1

201 16'-1015 16"

UP

A1

CAFE 200

200. CAFE LIBRARY 208

1" 17'-28

210A A2

A2

5'-815 16"

211

14'-113 8"

214

OFFICE 3

MULTIPURPOSE ROOM

213

A2

A2 3" 16'-616

OFFICE 2 212 3" 14'-316

A2

OFFICE 1 211

A2

LIBRARY

210

209 A2

3" 14'-316

3" 32'-08

F

212. OFFICE 2

205. CHILDREN’S

213. OFFICE 3

POCHE LEGEND:

1" 23'-12

SERVICE CORRIDOR

1" 22'-72

4'-3

"

212

211. OFFICE 1

204. CLASSROOM

1" 28'-98

A1

206. FIRE STAIR 2

214. SERVICE CORRIDOR

207. STORAGE

215. FIRE STAIR 1

WOOD FLOORING

Description

A4 210B

213

SECOND FLOOR CONSTRUCTION PLAN

1" 17'-28

214

8'

A4

DOWN

CLEAR

A3

210. MR ROOM

203. GALLERY

215

5/11/19

A3.2

SECOND FLOOR CONSTRUCTION PLAN SCALE: 18" = 1'-0"

Sheet PRODUCED BY AN AUTODESK STUDENT VERSION

1

209. CONFERENCE

GENERAL NOTES: 1. ALL NEW WALL TO BE SANDED & PRIMED. COORDINATE WITH OWNER. 2. ALL TRIM JOINTS TO BE CAULKED. 3. ALL NEW WALLS TO BE 3'58" METAL STUDS @ 16" OR 12" OCC WITH (1) LAYER TYPE 'X' GYP. BD. EACH SIDE, U.N.O. 4. PROVIDE METAL IN WALL BLOCKING BEHIND ALL NEW MILLWORK, VERIFY LOCATIONS IN FIELD WITH ARCHITECT & OWNER.

UP

FIRE STAIR 2 215

E

201. PANTRY 202. STORAGE

A3

D

208. LIBRARY

Date

C

1" 32'-44

1" 17'-28

MILLWORK TO MATCH EXTERIOR PANELS. G.C. TO PROVIDE NECESSARY BRACKETS & CONNECTORS TO INSTALL FLOATING SHELVING

6

of

10

P 36 - 37

LONGITUDINAL SECTION

1

BUILDING SECTION

0"

BUILDING SECTION The Korean Cultural Center has a mainly open plan centered around a double height atrium that is visible from all areas of the building. A grand stair seating connects the first and second levels and has a large skylight to provide natural daylight.

P 38 - 39

PROJECT - 4

PROJECT - 4

THE COURTYARD ma dang

A courtyard can be found in most traditional Korean architecture. It was typically located in the center of the building and was used as a communal space where most interactions and activities occured.

P 40 - 41

In the Korean Cultural Center Chicago, the atrium acts as a “Courtyard� and ties all of the spaces together. The Courtyard doubles as a lounging area and a performance space and is visible from all areas of the building.

P 42 - 43

PROJECT - 4

Ax on 1

2

3

5 4

6

7

8

1. WOOD PLANK CEILING 2. TIMBER BEAMS 3. OAK WOOD PANELS 4. BRICK MASONRY 5. SHEER TEXTILE 6. BIRCH PLYWOOD 7. PAINTED GYPSUM BOARD 8. HONED GRANITE FLOOR SLABS

P 44 - 45

PROJECT - 4

뜀칄 bu chae A buchae is a traditional Korean fan, typically made of paper and wood. The buchae, originally used to keep cool on a hot day, was used for ceremonies, performances and was used to identify social class.

An accent piece made of multiple fans is hung on the back wall behind the cafe bar. The lightness of the paper is in stark contrast with the masonry wall that it sits on. Since the building is mainly open, it can get pretty lively. The cafe is a place where one can find a moment of calm.

Cafe Perspective

P 46 - 47

PROJECT - 4

P 48 - 49

PROJECT - 4

PROJECT - 4 TOP SET SCREW ELBOW BRACKET 3/8” FASTENER ROD BRACKET

OAK WOOD BOOK SHELF

BOTTOM SET SCREW

P 50 - 51

MULLION

MILLWORK DETAIL

peter lee peterwlee.design@gmail.com 224 392 7488 peterlee1.myportfolio.com [ 웹사이트 ]

peter lee peterwlee.design@gmail.com 224 392 7488 peterlee1.myportfolio.com [ 웹사이트 ]