2020 Peninsula School of Art Summer and Fall Workshop Catalog

PENINSULA SCHOOL OF ART

2020 Summer | Fall

OVER 175 WORKSHOPS IN ALL FINE ART MEDIA FOR ADULTS, CHILDREN AND TEENS Painting • Drawing • Printmaking • Paper Arts • Book Arts • Photo & Video Digital Arts • Wax - Hot & Cold • Clay • Metals • Professional Development

www.PeninsulaSchoolofArt.org

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www.PeninsulaSchoolofArt.org | 920.868.3455

Welcome If you're browsing this catalog, you're contemplating a new adventure for yourself. At Peninsula School of Art, we believe each of us the power for artistic expression and we are here to help you along your journey.

For the last 55 years, PenArt has served as a community where artists and appreciators of all ages and abilities can come together to celebrate and grow through the visual arts - whether that is trying art making for the first time, acquiring new skills, or exploring new art forms.

Your experience at PenArt is about both education and inspiration. We offer workshops and professional development opportunities for novice to advanced artists with some of the finest teachers in the country.

It’s not enough to be a great artist to teach at PenArt. Our faculty members must be great educators, as well.

For inspiration, as a student and visitor here, you’ll find engaging exhibitions, Lunch Time Talks, monthly Conversations on Creativity, the nationally-recognized Door County Plein Air festival and more. These public programs will inspire and connect you with leading contemporary artists and fellow learners.

The "PenArt experience" is more than acquiring new skills, it's about friendships, space for exploration, new ideas and new ways of seeing the world through art.

I look forward to welcoming you to Peninsula School of Art this season!

Catherine Hoke Executive Director

Member Registration Opens January 14 Non-Member Registration Opens January 28 Renew your membership before registration opens or at the time of your registration to receive early registration benefit and workshop discounts.

Board of Directors Nancy Sargent, Chair Karen Hertz-Sumnicht, Vice Chair Steve Sauter, Treasurer Mynn Lanphier, Secretary Ginnie Cappaert Julia Chomeau Tom Claggett Karen Cook Marilyn Cushing Sue Enroth Marsella Fults Barb Hambleton Christy Kelly-Bentgen Virginia Maher Mary Beth Maudsley Diane Miller Mary Nelson Stephanie Trenchard Jim VanderHeiden Sylvia Youell Sue Zingsheim

Staff Catherine Hoke, Executive Director Crystal Chesnik, Director of Public Programs & Exhibitions Tori Daubner, Registrar & Operations Manager Elysia Michaelsen, Director of Education Ginny Sowinski, Development & Events Coordinator

CONTACT US Street Address

3900 County Road F Fish Creek, WI 54212

Mailing Address

P.O. Box 304, Fish Creek, WI 54212

Phone

920.868.3455

Email

info@PeninsulaSchoolofArt.org

Web

www.PeninsulaSchoolofArt.org

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Register Early!

While registrations are accepted up until the start date of a workshop, we must have a minimum number of students enrolled four week prior to the start date in order to run the workshop. If you are interested in registering for a workshop, we strongly encourage you to register at least four weeks prior to the start date. This helps to ensure that we meet this minimum student number and your workshop runs.

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CONTENTS Summer | Fall Calendar

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2D Studio Arts Programs About

12

Painting & Drawing Workshops

13

Paper, Print & Book Arts Workshops 39 3D Studio Arts Programs About

44

Metal Workshops

45

Clay Workshops

55

Photography & Digital Arts Programs About

59

Workshops

60

Professional Development Programs Workshops

68

Other Opportunities

69

Children's Programs About

70

Ages 4 to 6

72

Ages 7 to 9

74

Ages 10-12

76

Teen Workshops

78

Family Workshops

79

Exhibitions & Events In the Gallery

82

Lectures, Dialogue & Learning

84

Door County Plein Air Festival

86

Summer & Fall Events

87

Membership

88

Door to Creativity Campaign

89

Travel & Visit Student & Visitor Information

92

Business Partners

93

Scholarships

94

Registration Information & Policies

95

Campus Map

99

Try It Programs Looking to try something new or get your hands dirty in the studio for the first time? See pages: 15, 20, 32, 53 and 58.

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Summer | Fall Calendar June 8-13

Monday

Tuesday

Wednesday

Thursday

Friday

Encaustic Painting • Sarah Rehmer Encaustic • Level 1

Building Momentum in the Studio • Kristy Deetz Any Painting Media • Level 3 - 4

Mixed Media • Benjamin Gardner Acrylic, Drawing, Watercolor, Print|Paper|Book • All Levels

Simplify the Complex • Monica Fogg Watercolor • All Levels Trade Pins: Learn the Basics of Lost-Wax Casting • Lauren Selden Metal • All Levels Developing Your Photographic Eye • Tom Jones Digital Photography • Level 2 - 4 Lunchtime Talk 12:15-12:45pm

June 15-20

Saturday

Try It: Drawing Level 1

Drawing Dimensionally: Abstract Drawing in 2D and 3D Martha MacLeish Drawing • Level 3-4

Building Your Composition Toolkit Shannon Estlund Any Painting Media • Level 2-4

From Photo to Pastel: Finding Your Way Colette Odya Smith Pastel • Level 3-4

Painting with Resin Shane McAdams Any Painting Media • All Levels

Bookbinding and Paper Marbling Sampler Carey Watters Print|Paper|Book • All Levels

Drawing and Painting in Glass Jessica Calderwood Metal • All Levels

Mastering Manual Mode Kasey Hembel Digital Photography • All Levels

The Ceramic Drinking Vessel Jared Janovec Clay • Level 1-2

Bronze Casting • Teresa Lind Metal • All Levels From Armadillo to Zebra • 9am - Noon • Ages 4 - 6

Plein Air Painting 9am - Noon

Painted Selfies • 9am - Noon • Ages 10 - 12 Comic Books Inside and Out • 1- 4 pm • Ages 7 - 9 Graphic Arts • 1 - 4 pm • Ages 13 - 17

June 22-27

Conversations on Creativity 3-5pm Painting Beyond Local Color Shannon Estlund Any Painting Media • All Levels

Contemporary Portraiture • Jonathan Aller Oil, Acrylic • All Levels

In Series: Developing a Body of Work Tom Berenz Any Painting Media • Level 3-4

Art History as Inspiration • Wendi Turchan Any Painting Media, Drawing • All Levels

The Ceramic Bowl • Jared Janovec Clay • Level 1-2

Forging through the Kitchen: Making Handcrafted Utensils • Danny Saathoff Metal • All Levels

Photography: The Image in Sequence Beth Dow • Digital Photo • All Levels

Capturing Expression in Clay • Meghan Sullivan Clay • All Levels

Textures, Patterns, and Prints • 9am - Noon • Ages 4 - 6 Artist Books • 9am - Noon • Ages 10 - 12 Three - Dimensional Artist Books • 1 - 4 pm • Ages 7 - 9 What a Relief • 1 - 4 pm • Ages 10 - 12

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Craft: An Evening of Craft Cocktails and Fine Art

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One of a Kind Prints with Monoprinting 9am - Noon

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

June 29-July 4

Expressive Photography • Daniel Anderson Digital Photography • All Levels Exploring Acrylics: Process, Concepts, and Experimentation • Chris Hyndman Acrylic • Level 2-3 Historical Approaches to Oil Painting • Frank Trankina Oil • All Levels

PenArt CLOSED July 4th

Mokuhanga • Melissa Schulenberg Print|Paper|Book • All Levels Pinch, Coil, Slab • 9am - Noon • Ages 4 - 6

Hand Built Ceramics for the Table 9am - Noon

Personalized Pottery • 9am - Noon • Ages 10 - 12 Ceramic Lawn Ornaments • 1 - 4 pm • Ages 7 – 9 Mastering the Potter’s Wheel • 1 - 4 pm • Ages 13 - 17 An Exercise in Abstraction Emmett Johns • Acrylic • All Levels

Figure Drawing • Amy Fichter Drawing • All Levels

Jumping into Watercolor for the First Time • Dan Danielson Watercolor • Level 1

Capturing Light in Pastel • Dan Mackerman Pastel • Level 2-3 Setting it Up! Creative Settings in Jewelry • Lisa Johnson Metal • All Levels

July 6-11

Drawing on Clay • Molly Anne Bishop Clay, Drawing • All Levels The Composite Image: Experimenting with the Still Life • Kathleen Hawkes Digital Photography • Level 2-4 Influential Artists • 9am - Noon • Ages 4 - 6

Critique Group

Going with the Flow • 9am - Noon • Ages 7 - 9 POP! Art • 1 - 4 pm • Ages 7 - 9

Try It: Screen Printing • Level 1

Comics and Cartooning 9am - Noon

Wildlife Illustration • 1 - 4 pm • Ages 10 - 12

July 13-18

Lunchtime Talk 12:15-12:45pm Riveting Enamels Kieu Pham Gray Metal • All Levels

Basic Soldering Kieu Pham Gray Metal • All Levels

Key to Success Kieu Pham Gray Metal • Level 2-4

Silver on Enamel Kieu Pham Gray Metal • All Levels

Multiplicity Kieu Pham Gray Metal • Level 2-4

Conversations on Creativity 3-5pm

Bezels and Bails Kieu Pham Gray Metal • Level 2-4

Water-Based Painting: Materials and Techniques in Acrylic and Acryla Gouache • Geoffrey Todd Smith Acrylic, Watercolor • All Levels

Expressive Watercolor in the Studio Spencer Meagher Watercolor • All Levels Return to the Drawing Board Erin Washington • Any Painting Media, Drawing • Level 2-4 The Photographic Book Barbara Diener • Digital Photography, Print|Paper|Book • All Levels

Box Making for Artists • Melissa Wagner-Lawler Print|Paper|Book • All Levels Plants to Prints: Eco-Friendly Photographic Processes • Allen Morris Digital Photography • All Levels Show of Hands • 9am - Noon • Ages 4 - 6 Sculpture Basics • 9am - Noon • Ages 7 - 9 Creations in Papier Mache • 1 - 4 pm • Ages 7 - 9

Upcycled Sculpture 9am - Noon

Art, Design, and Architecture • 1 - 4 pm • Ages 10 - 12

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Monday

Tuesday

Wednesday

Thursday

Friday

July 20-25

Lightroom Essentials for Photographers • Kasey Hembel Digital Photography • All Levels

Door County Plein Air Festival Quickpaint 9-11am

Illuminating the Everyday: The House as Subject • Michael Banning Any Painting Media • Level 2-4 The Journey Sketchbook • Kate Borcherding Watercolor, Drawing • All Levels Ceramics for the Garden • 9am - Noon • Ages 4 - 6 Worldly Ceramics • 9am - Noon • Ages 10 - 12 Everyday Clay • 1 - 4 pm • Ages 7 - 9 Clay for the Outdoors • 1 - 4 pm • Ages 10 - 12

Saturday

Kid’s Paint 9-11am Live Auction in the Park Door County Plein Noon Air Festival Open Door Collector's Preview and Gala Reception 6-8pm Auction

July 27-Aug 1

Door County Plein Air Festival Working and Thinking with Color • Melissa Oresky Acrylic • Level 2-4

Collage • Melissa Oresky Any Painting Media, Print|Paper|Book All Levels

Abstraction Demystified • Shane Walsh Acrylic, Oil • All Levels

Drawing for Beginners Philip Salamone Drawing • Level 1

Playful Enamels • Jennifer Wells Metal • All Levels

Powder Coating for Jewelry Melis Agabigum Metal • All Levels

Form and Surface: Alteration, Color, Texture, Ornamentation • Craig Clifford Clay • All Levels

Smartphone Photography Philip Krejcarek Digital Photography • All Levels

Translating Light • Travis Roozee • Digital Photography • All Levels Books that Fold, Twist, and Pop • 9am - Noon • Ages 4 - 6 Never Too Many • 9am - Noon • Ages 7 - 9 One of A Kind • 1 - 4 pm • Ages 10 - 12

Paper Marbling and Bookmaking 9am - Noon

Aug 3- 8

Cut and Paste • 1 - 4 pm • Ages 13 - 17 The Alla Prima Portrait Philip Salamone • Oil • Level 2-3

Watercolor in the Travel Spirit • Brian Frink Watercolor • All Levels

Alchemy and Art: The Magic of Yupo Brian Frink • Watercolor • All Levels

Composition, Choice, and Care • Peter Fagundo Acrylic, Oil • Level 3-4

The Contemporary Still Life Jessica Labatte Digital Photography • All Levels

Adornment • Nicole Jacquard Metal • All Levels Ceramic Spreaders, Spoons, and Scoops • Kristin Pavelka Clay • All Levels Filmmaking with Your Digital Camera • Stewart Stroup Digital Photography, Video • Level 2-4

Painted Stories • 9am - Noon • Ages 4 - 6 Art Making Meets Art History • 9am - Noon • Ages 7 - 9 Beyond the Color Wheel • 1 - 4 pm • Ages 7 - 9 Abstract Possibilities • 1 - 4 pm • Ages 10 - 12

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Critique Group Painting Abstractly 9am - Noon

Aug 10-15

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

Introduction to Abstract Painting with Oil and Cold Wax James Edward Scherbarth Oil, Cold Wax • All Levels

Between Abstraction and Representation • Mary Jane Duffy Any Painting Media • Level 2-4

Sumi Ink Drawing and Beyond • Yoonmi Nam Drawing • All Levels

Oil Painting for Beginners Trina Smith • Oil • Level 1

Figures in the Landscape • Tara Sweeney Watercolor • All Levels

Pendant Making Using Cold Connections • Sarah Mann Metal • All Levels

Object and Memory: Narrative Jewelry • Kristina Smith,Sara Brown Metal • All Levels

Introduction to Adobe Illustrator Emily Scheider Berens All Media, Digital • All Levels

Accessible Animation for Artists • Hannah Hamalian Digital, All Media • All Levels

Exhibition Opening 4-6pm

Fur, Feathers, and Scales • 9am - Noon • Ages 4 - 6

Try It: Throwing on the Wheel Level 1

Hand Built Ceramics for the Outdoors 9am - Noon

Pottery in the Making • 9am - Noon • Ages 10 - 12 Sculptural Clay • 1 - 4 pm • Ages 7 - 9 Claymation • 1 - 4 pm • Ages 10 - 12

Aug 17-22

Lunchtime Talk 12:15-12:45pm Incorporating Water-Based Media with Oil Painting • Trina Smith Oil, Acrylic, Watercolor • All Levels

Alla Prima Plein Air Studies • Bethann Moran-Handzlik Oil • All Levels

Unique Chain Making • Sarah Mann Metal • Level 2-4

Developing Artistry with Animals as Inspiration • Susan Ploughe Oil • Level 2-4

Introduction to Adobe Photoshop: Emily Scheider Berens All Media, Digital • All Levels

Concreation • Michael Nashef Metal • All Levels

Capturing Wildlife in Watercolor • Peggy Macnamara Watercolor • Level 2-3

Voice and Vision: Exploring Ceramic Forms and Surface Decoration • JD Jorgenson,Megan Jorgenson Clay • Level 2-4

Many Ways to Paint • 9am - Noon • Ages 4 - 6 Painted Illusions • 9am - Noon • Ages 10 - 12 Drawing and Painting Animals • 1 - 4 pm • Ages 7 - 9

Collage and Montage 9am - Noon

Sequential Illustration • 1 - 4 pm • Ages 13 - 17

Aug 24-29

Conversations on Creativity 3-5pm Embedding: An Intermediate Encaustic Workshop • Laura Moriarty Encaustic • Level 2-4

Encaustic and Charcoal • Laura Moriarty Drawing, Encaustic • All Levels

Responsive Drawing • Mat Barber Kennedy Drawing • All Levels

10 Paintings in Acrylic • Beki Borman Acrylic • All Levels

Introduction to Jewelry Repair • Michael Nashef Metal • All Levels

Adult Workshop

Children & Teen Workshop

Family Workshop

Try It: Program

Public Program or Event

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Aug 31-Sept 5

Monday

Tuesday

Wednesday

Thursday

Friday

Unique Interpretations in Oil Pastel • George Shipperley Pastel • Level 3-4

Mastering the Watercolor Mindset • Steve Puttrich Watercolor • All Levels

Pastel Drawing for the Beginner • Laverne Bohlin • Pastel • Level 1

Paint + Image: Experimental Media • Lydia Dildilian Acrylic • Level 3-4

Finding Forms in Forged Sheet and Wire • Heather Nuber Metal • All Levels

Creating Connections • Heather Nuber Metal • All Levels

Saturday

Architectural Photography • Serhii Chrucky Digital Photography • Level 2-4 The Portrait: From Drawing to Painting • Stuart Fullerton Drawing, Oil • Level 2 - 3

Sept 7-12

Screen Printing Fundamentals • Christine Style Print|Paper|Book • All Levels PenArt CLOSED Labor Day

Photographing Your Artwork with a Smartphone Professional Development All Levels

Critique Group

Sept 14-19

Try It: Acrylic Painting Level 1 Abstract Landscape Painting with Oil and Cold Wax Medium • Mark Russell Oil, Cold Wax • Level 3-4

Capturing Emotion and Expression in Watercolor • Dan Danielson Watercolor • All Levels

Bricolage: A Low-Tech Approach to Sculpture • Don Krumpos All Media • All Levels

The Value of Values for Those Just Starting Out • Kyle Martin Oil, Acrylic • Level 1 - 2

Conversations on Creativity 3-5pm

Hollow Forms for Jewelry • Susan Richter-O'Connell Metal • Level 2 - 3 Family Art Day 9am-Noon

Sept 21-26

Lunchtime Talk 12:15-12:45pm Drawing from the Masters Emmett Johns Drawing • All Levels

A Clear and Complete Guide to Creative Studio Painting • Tom Nachreiner Oil, Acrylic, Pastel • All Levels

Painting Forest Interiors en Plein Air Kyle Martin Oil, Acrylic • Level 2-3

Capturing Door County's Architecture in Pen and Ink and Watercolor • Ann Thomas Drawing, Watercolor • Level 2-3

Beginning Metalsmithing Susan Richter-O'Connell Metal • Level 1

Preview: Artists for Art Education 5-7pm

Overcoming Difficult Light in Photography • Kasey Hembel Digital Photography • Level 2-3

Adult Workshop

Children & Teen Workshop

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Family Workshop

Try It: Program

Celebration and Silent Auction: Artists for Art Education • 6-8pm

Public Program or Event

Sept 28-Oct 3

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

Photo + Encaustic: Layers, Surface, and Substrate • Sarah Rehmer Digital Photography, Encaustic • All Levels

Acrylic Painting Methods for Beginners Wendi Turchan • Acrylic • Level 1

Drawing for Dummies • Mynn Lanphier Drawing • Level 1

Inventive Approaches to Unconventional Materials Shane McAdams • Drawing, Any Painting Media • All Levels Introduction to Drone Photography and Video • Michael Kienitz Digital Photography, Video • Level 1-2 Critique Group

Colored Pencil: Drama on Dark Paper Rhonda Nass Drawing • All Levels

Capturing Fall Landscapes in Watercolor • Catherine Hearding Watercolor • Level 2 - 3 Copper Plate Etching • Don Krumpos Print|Paper|Book • All Levels

Oct 5-10

Cyanotypes: From Analog to Digital • Tomiko Jones Digital Photography • All Levels Try It: Metalsmithing Level 1 Exhibition Opening Reception 4-8pm

Oct 12-17

Community Iron Pour • 4-8pm Drawing for Dummies: Graduate Seminar • Mynn Lanphier Drawing • Level 2

Pattern and Decoration in Contemporary Painting Maria Rose Adams Any Painting Media • Level 2-3

Abstractions in Watercolor • Jan Heaton Watercolor • Level 1 - 2

Beyond the Postcard Picture Angela Johnson Digital Photography • All Levels Conversations on Creativity 3-5pm

Lunchtime Talk 12:15-12:45pm

Making Great Paintings from Photographs • Shelby Keefe Oil • Level 3 - 4

Oct 26-31

OcT 19-24

Successfully Promoting Your Work Trina Smith All Levels Maximizing the Impact of Your CV, Statement, Bio, and Cover Letters Trina Smith All Levels

Pastels: Immediacy and Color • Tara Will Pastel • All Levels

Family Art Day 9am-Noon

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2-D Studio Arts Workshops PAINTING, DRAWING, PRINTMAKING, PAPER AND BOOK ARTS

Peninsula School of Art’s drawing, painting, and printmaking curriculum strikes a balance between upholding traditional methods that have stood the test of time and celebrating the innovative approaches to art making of today. We believe the variety of workshops offered each summer and fall is our greatest strength; ensuring there is a place for students of all skill levels and creative interests.

Our visiting faculty members are artists and educators operating at the highest level. Instructors bring a wealth of knowledge and experience to our program, which are generously shared to advance the technical skills, conceptual directions, and

personal

motivations

of

each

student.

Our spacious and light-filled 2D studios provide an inspirational setting for creative work. Large tables,

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It was great! Kyle provided the spark my painting had been missing all winter. Something in his enthusiasm, approach or technique, made me rethink my "rules" and the result is my painting has stepped up a level. So excited to get back to my studio! And the school itself is so comfortable and provides exactly what is needed!

- 2019 Student

professional easels, and taborets outfit the drawing and painting studios, while a Graphic Chemical etching press, LED exposure unit, and all of the necessary tools complete the printmaking studio.

PenArt invites you to join us for a workshop – or two – this season. Pursue your creative interests, take risks, and develop new skills among peers in a supportive and exciting learning environment.

Painting & Drawing

Encaustic Painting: Basics, Methods, and Materials Sarah Rehmer

Skill Levels Level 1

A Skill Level 1 workshop does not require any previous art making experience. Build a foundation in the materials, techniques, and vocabulary of the medium.

Level 2

A Skill Level 2 workshop requires basic experience and training in the medium.

Improve technical skills and begin exploring content in your work.

Level 3

A Skill Level 3 workshop requires a growing level of confidence with all aspects of the medium and ability to work and solve problems independently.

Level 4

A Skill Level 4 workshop requires experience, competency, and fluency in the medium. Artistic growth is emphasized through independent work and critique.

All Levels

An All Levels workshop welcomes students of any skill and knowledge level. Instructors offer a balanced and flexible curriculum tailored to each student’s experience. .

ID: 2D2001 Jun 8 - 9 • 9 am - 4 pm Encaustic • Level 1 Members: $225 • Non-Members: $250 Concept

Designed for students new to the encaustic medium, this workshop provides a handson introduction to the materials, working methods, and safety of encaustic painting.

Gain a solid technical foundation and the confidence to continue exploring encaustic beyond the workshop.

Experience

Alternating between demonstrations and working time, learn how to set up your workspace and use the materials and equipment safely, as well as explore basic painting techniques and fusing methods.

If you have current pieces made in another medium, please bring for a discussion on how to translate or enhance the work with encaustic paints. All paints and tools are supplied.

Instructor

Sarah Rehmer was born and raised in the western suburbs of Chicago, where she still resides. She earned her BA in Graphic Design and Photography from Dominican University in River Forest, IL. Sarah found her love for working with pages from old books and encaustic while attending a class post-graduation at the school. Her work is held in private and public collections around the country and internationally. Sarah teaches classes and workshops throughout the Midwest. www.rehmer-studio.com

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The Poetics of Mixed Media Benjamin Gardner

ID: 2D2002 Jun 8 - 9 • 9 am - 4 pm Acrylic, Drawing, Watercolor, Print/Paper/Book • All Levels Members: $230 • Non-Members: $255 Includes materials fee.

Concept

The use of mixed media can broaden your mark-making abilities and expand the content of your work. Through a mixture of practical, technical, and experimental approaches to two-dimensional media, learn how to incorporate different materials into a dynamic studio practice and discuss materials’ relationship to ideas and concepts of art making.

Experience

This workshop begins with the basics of two main categories of 2D materials – graphic or drawing materials and waterbased materials. With this foundation, explore different techniques and mix them together to create a wider range of marks, applications, and aesthetics of combining media. Expect to create multiple tests of materials and techniques, as well as at least one personal, finished artwork that is discussed before the end of the final day.

While not entirely necessary, some art making experience is suggested.

Instructor

Benjamin Gardner received his BFA from Millikin University and MFA from Illinois State University. He has exhibited his paintings and drawings throughout the United States, including exhibitions at Gallery Molly Krom in New York, the Spartanburg Art Museum, the Sioux City Art Center, and Heartbreaker in Peoria, IL. He is an Associate Professor of Art and Design at Drake University, and lives and works in Des Moines, IA. www.benjaminagardner.com

This was an excellent class with a well established, nationally known versatile artist who shared a lot of interesting tips as well as broad insights to abstract painting. Thank you, PenArt for making this class available! - 2019 Student Building Momentum in the Studio Kristy Deetz

ID: 2D2003 Jun 10 - 13 • 9 am - 4 pm Any Painting Media • Level 3 - 4 Members: $450 • Non-Members: $490 Concept

Explore the strengths and limitations of your work in an environment where all approaches to painting and drawing are welcome. Develop new directions, build momentum, and gather feedback from a variety of perspectives.

Experience

This workshop is equally divided between discussions, working sessions, and critiques. Discussions and critiques provide guidance about materials, process, and content to help you expand your skills, see new possibilities, and set future goals.

Working sessions give you hands-on practice to investigate feedback. Expect to work independently at your own pace each day. With over thirty years of teaching experience, Kristy is well versed in all painting and drawing media, and ready to give individualized technical, formal, and conceptual assistance. This workshop is geared toward students with considerable painting experience.

Instructor

Kristy Deetz is a Professor of Art at the University of Wisconsin-Green Bay. She has an extensive national and international exhibition record. Her works have been featured in Encaustic in the Twenty-First Century, Encaustic Art: The Complete Guide to Creating Fine Art with Wax, and Full-Range Color Painting for the Beginner.

Frequently serving as a visiting artist, Kristy has led workshops at Ox-Bow, Anderson Ranch, and Arrowmont. Kristy holds a BFA from Bowling Green State University and MFA from Ohio State University. www.kristydeetz.com

Simplify the Complex Monica Fogg

ID: 2D2004 Jun 10 - 13 • 9 am - 4 pm Watercolor • All Levels Members: $450 • Non-Members: $490 Concept

Leave limitations behind, expand your creativity, and strengthen your personal point of view in this workshop focused on exploring the power of suggestion.

Using fresh, wet watercolor, learn how to identify and capture only the most relevant characteristics of your chosen subject matter.

TRY IT: Drawing

Jun 13 • 9am – 12pm Members: $45 Non-Members: $50

Designed for those interested in trying their hand at drawing for the first time, this workshop teaches you how to translate what you see onto paper through easy-to-understand exercises and a final drawing. Walk away with new skills and the motivation to continue exploring your creative interests. PenArt provides all of the tools and materials needed.

Experience

Each morning begins with a series of exercises dedicated to loosening up, building confidence in your individual aesthetic and mark-making, and practicing different ways of seeing. Daily group discussions address overarching topics in painting, such as composition, while demonstrations and personalized instruction guide you through the practice and development of these skills in more finished paintings. All levels welcome.

Instructor

Monica Fogg is an award-winning artist working in watercolor, encaustic, acrylic, woodcut, and lithography. Her personal work is inspired by images found in nature; distilled to form, movement, and essence.

In addition to leading workshops and artist treks around the world, Monica teaches in the College of Design at the University of Minnesota. She holds a BA in Fine Art from Principa College, MA in Painting from St. Cloud State University, and MFA in Visual Studies from Clemson University. www.monicafogg.com

Painting & Drawing

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Drawing Dimensionally: Abstract Drawing in 2D and 3D Martha MacLeish

From Photo to Pastel: Finding Your Way Colette Odya Smith

Building Your Composition Toolkit Shannon Estlund

Concept

Concept

Concept

ID: 2D2005 Jun 15 - 18 • 9 am - 4 pm Drawing • Level 3 - 4 Members: $450 • Non-Members: $490 In this workshop, focus on the dynamic tension that can occur through the interaction of two- and three-dimensional visual elements. Create low- and high-relief constructions that come off of the wall using a mix of traditional drawing media, including graphite, charcoal, and ink wash, on shaped supports made of paper.

Experience

Learn various approaches to drawing and sculpting with paper, such as marking and embossing, cutting and molding, bending and folding, and hinging and joining, that are applicable whether you are interested in creating non-objective geometric constructions or gestural assemblages that respond to a landscape or figure. You are encouraged to apply the methods to your individual creative goals. Daily presentations of contemporary artists working in corresponding ways inform your investigations.

Instructor

Martha MacLeish is an Associate Professor and Head of the Creative Core Area of the School of Art and Design at Indiana University. She received her BFA in Painting and BA in Art History from the University of Massachusetts at Amherst and her MFA in Painting from Yale University. Martha has exhibited extensively throughout the United States. She has been an Artistin-Residence at the Ragdale Foundation, Hambidge Center for the Creative Arts and Sciences, and the Toos Neger Foundation. www.marthamacleish.com

ID: 2D2006 Jun 15 - 18 • 9 am - 4 pm Pastel • Level 3 - 4 Members: $450 • Non-Members: $490 Looking for ways to progress on your artistic journey? Join other motivated pastel artists in this four-day workshop as you challenge yourself to explore creating paintings from your unique landscape photographs. Emphasis is placed on building skills and finding approaches that best assist you to give form to your vision.

ID: 2D2008 Jun 19 - 20 • 9 am - 4 pm Any Painting Media • Level 2 - 4 Members: $225 • Non-Members: $250 Composition is the first step in creating engaging images. Learn compositional strategies by analyzing masterworks and gain confidence in composing your own drawings, paintings, or other artwork in this two-day workshop.

Experience

Through demonstrations, numerous examples, and one-on-one discussions, Colette provides individualized instruction keyed to your intent. The four days are loaded with lots of painting time, tips, techniques, and supportive group critiques to guide your next steps beyond the workshop setting. Previous pastel experience is required for this workshop.

Through interactive presentations, exercises, and more finished work, explore how shape, value, scale, and figure-ground contribute to successful compositions, practice framing when there is a lot of visual information, learn how to create the illusion of depth using linear perspective, and apply these skills to your choice of subject. Open to all paint media. Prior experience with your chosen medium is required for this workshop.

Instructor

Instructor

Experience

Colette Odya Smith is an award-winning artist who has exhibited widely, including in the US, France, Germany, and China. Her recognitions include being named a Master Pastellist - le Societe des Pastellistes de France, Masters Circle Member International Association of Pastel Societies, and Master Pastelist - Pastel Society of America. Colette teaches, offers critiques, and last year, juried “Enduring Brilliance”, the prestigious exhibition of the Pastel Society of America in New York. She is known for her contemporary landscapes interpreted in a beautiful fusion of realism and abstraction. www.coletteodyasmith.com

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Shannon is an artist and educator living in Fridley, MN with her husband and two daughters. She holds a BFA from the University of Florida and MFA from the Minneapolis College of Art and Design.

Shannon has received several grants for her work, including Minnesota State Arts Board Artist Initiative grants in 2014, 2017, and 2019, and two Community Foundation Art Ventures grants. She has exhibited her work nationally and internationally, and is a member of the collective Rosalux Art Gallery in Minneapolis. Shannon has been featured in New American Paintings and Studio Visit magazines. www.shannonestlund.com

Painting with Resin Shane McAdams

ID: 2D2009 Jun 19 - 20 • 9 am - 4 pm Any Painting Media • All Levels Members: $255 • Non-Members: $280 Includes materials fee.

Concept

Thermoplastic resins in art are most often seen in the realm of sculpture, such as in casting, coating, and laminating. However, when used creatively in combination with additional media, resin can be a powerful painting medium. It offers depth and layering possibilities that other media cannot; resulting in spectacular works.

Experience

This workshop explains the basic physical properties and application techniques of two types of resin – urethane and epoxy.

Demonstrations cover tinting, layering, damming, and incorporating additional media. Begin by pouring a layer of epoxy resin before working on a multi-layered, abstract urethane resin painting. Day two revisits the cured epoxy painting, before pouring an additional layer of resin to create a finished multi-layered piece. Artists of all levels and backgrounds are welcome.

Instructor

Shane McAdams is an artist, educator, writer, and curator residing in Cedarburg, WI. His work has been exhibited at the John Michael Kohler Art Center, Museum of Wisconsin Art, Haggerty Museum of Art, and others. Shane is a three-time Creative Capital awardee and Andy Warhol Writer’s Grant finalist. He has taught at the Rhode Island School of Design, as well as Marian University. He was a regular contributor to The Brooklyn Rail and The Milwaukee Journal Sentinel and currently writes for the Shepherd Express. Additionally, Shane runs the gallery REAL TINSEL on the southside of Milwaukee. www.shanemcadams.com

Painting Beyond Local Color Shannon Estlund

ID: 2D2010 Jun 22 - 23 • 9 am - 4 pm Any Painting Media • All Levels Members: $225 • Non-Members: $250 Concept

Designed for painters of all levels and media, this workshop moves beyond local color to investigate how an imaginative approach to your palette can result in landscape paintings that are expressive and readable.

Experience

Beginning with the nuts and bolts of value and color, complete a series of small exercises that strengthen your observation and drawing skills, introduce you to color theory and color harmonies, and dive into emotional associations of color. On the second day, begin working on a larger landscape painting of your choosing, using underpainting, contrast, expressive color, and color interaction to create the mood you want to evoke. The workshop concludes with a group critique. Open to all levels and all paint media.

Instructor

Shannon is an artist and educator living in Fridley, MN with her husband and two daughters. She holds a BFA from the University of Florida and MFA from the Minneapolis College of Art and Design.

Shannon has received several grants for her work, including Minnesota State Arts Board Artist Initiative grants in 2014, 2017, and 2019, and two Community Foundation Art Ventures grants. She has exhibited her work nationally and internationally, and is a member of the collective Rosalux Art Gallery in Minneapolis. Shannon has been featured in New American Paintings and Studio Visit magazines. www.shannonestlund.com

In Series: Developing a Body of Work Tom Berenz

ID: 2D2011 Jun 22 - 23 • 9 am - 4 pm Any Painting Media • Level 3 - 4 Members: $225 • Non-Members: $250 Concept

Replace the “one work simply followed by another” approach with an “informed series” approach. Designed to help you identify and explore new opportunities, this two-day workshop encourages growth through the development of a multiwork project. Discover how to create a cohesive body of work, gather feedback and inspiration for next steps, and build momentum in your painting practice.

Experience

Through group discussions and presentations of contemporary artists’ work, learn the differences between a thematically guided series, a series based in formal variation, and art that is truly serial in nature. Meet with Tom one-on-one and work through exercises to help you identify and focus the scope of your work.

Leave this workshop with a conceptual direction and the early stages of a new and thoughtful series. Open to those working in acrylic, oil, watercolor and mixed media.

Instructor

Tom Berenz is an accomplished painter and Associate Professor of Drawing and Painting at the University of WisconsinParkside. He holds a BFA from UWOshkosh and MFA from UW-Madison. He has received numerous awards, including the 2017 Mary L Nohl Established Artist Fellowship, Best Painting Award from the National Weather Center Biennale, and First Place Award at the Wisconsin Biennial.

Tom lives and works in Milwaukee, WI. www.tomberenz.com

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Contemporary Portraiture Jonathan Aller

ID: 2D2012 Jun 24 - 27 • 9 am - 4 pm Oil, Acrylic • All Levels Members: $495 • Non-Members: $535 Includes model fees.

Concept

Portraits are one of the most intimidating subjects to paint. Creating a simplified process not only helps you to paint with confidence, but also gives you the freedom to explore a more contemporary approach that is entirely your own. By investigating a range of styles that are prevalent in portraiture, such as impressionistic, naturalistic, and realistic, this workshop unpacks what makes a successful portrait.

Experience

This workshop begins with a series of demonstrations and guided explorations.

Working from a live model each day, emphasis is placed on exploring various media, such as oils, acrylics, colored pencils, and markers, to expand your own unique artistic expression of what contemporary portraiture means to you. Open to all levels and painting and drawing media.

Instructor

Johathan Aller received his BFA in Illustration at the Ringling College of Art and Design and MFA from Minneapolis College of Art and Design. Shortly after earning his BFA, his love for painting took him to Florence, Italy to study at the Angel Academy of Art Atelier under Maestro John Michael Angel. At the Angel Academy, he was taught the techniques of the masters in drawing and painting. Jonathan is a recipient of the Elizabeth Greenshields Foundation Grant. His current work explores relationships between identity and culture by blending contemporary issues with a naturalistic approach. www.jonathanaller.com

Art History as Inspiration Wendi Turchan

ID: 2D2013 Jun 24 - 27 • 9 am - 4 pm Any Painting Media, Drawing All Levels Members: $450 • Non-Members: $490 Concept

Using art history as a point of departure, this workshop explores methods for finding and using inspiration to create unique, individual works of art. Discover likely and even unlikely sources of inspiration in the various genres and moments discussed and identify approaches that best fit with your personal interests and goals.

Experience

The first three days begin with a brief lecture on a specific time and place in art history, focusing on the unique aesthetics, key artists, and later influences of each period, followed by time to write, sketch, and discuss your interpretation of the day’s topic. Spend the remainder of each day working independently to create at least one original work, breaking for inprogress discussion with Wendi and your classmates. The final day begins with a conversation about the work completed thus far, followed by time to pursue individual projects. A seasoned educator across all media, Wendi provides technical and material-specific instruction throughout the workshop.

Instructor

Wendi Turchan is a Wisconsin-based artist and educator. Her work explores time and place utilizing small, temporary forms within the landscape. Wendi’s work has been exhibited widely across the country in solo and group shows. She received her BFA from University of Wisconsin-Oshkosh and MFA in Painting from the University of Oregon. Wendi is a Lecturer of Art at the University of Wisconsin - Fond du Lac. www.wendimichelleturchan.com

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Exploring Acrylics: Process, Concepts, & Experimentation Chris Hyndman

ID: 2D2014 Jun 29 - Jul 2 • 9 am - 4 pm Acrylic • Level 2 - 3 Members: $455 • Non-Members: $495 Includes materials fee.

Concept

Acrylic paint is the most flexible painting medium available; uniquely capable of being modified for a variety of art making needs.

Designed for intermediate painters, this workshop explores how to combine acrylic painting techniques with your individual interests and goals. Discover how the medium can not only illustrate your ideas but embody and drive them as well.

Experience

This workshop begins with a review of the basics of acrylic emulsion, as well as color issues unique to acrylic painting. Daily demonstrations, focused exercises, and guided experimentation address additive, subtractive, and layering techniques that capitalize on the properties of acrylic paint, including staining, pouring, image transfers, hard-edge techniques and masking, glazing, tissue collage, decal painting, and stamping. Chris offers strategies for developing ideas within each activity and encourages you to discover variations suited to your own practice and concerns. A group discussion closes each day.

Instructor

Chris Hyndman makes paintings that focus on color and texture, structured surfaces, and the function of pattern and digital tools in shaping and imaging contemporary identities. He holds a BA from the University of Guelph in Canada and MFA in Painting and Drawing from Ohio University.

Chris is a Professor in the School of Art and Design at Eastern Michigan University. He lives and works in Chicago. www.chrishyndmanstudio.com

Historical Approaches to Oil Painting Frank Trankina

ID: 2D2015 Jun 29 - Jul 2 • 9 am - 4 pm Oil • All Levels Members: $450 • Non-Members: $490 Concept

Have you ever wondered what materials the old masters used? This workshop focuses on historical approaches to painting through an exploration of traditional materials and techniques. Hone your individual painting skills as you learn how to prepare surfaces, lay down an underpainting, work alla prima, paint indirectly, use overpainting, develop texture, glaze, and much more.

Experience

The first day begins with a review of the formal elements of painting, including value, color theory, and composition, followed by demonstrations and hands-on practice building and preparing a traditional canvas and panel. The remaining time alternates between demonstrations, plenty of painting time, and individualized feedback as you work through a series of historical techniques and methodologies.

Instructor

Frank Trankina is a contemporary still life painter known for his focus on subjects from popular culture. He earned his BFA and MA in Painting from Northern Illinois University and MFA in Painting and Drawing from the School of the Art Institute of Chicago. Frank has received numerous awards and grants. His work is exhibited across the country and abroad, and is held in many private and public collections. Frank is a Professor of Art and the Painting Area Coordinator at Northern Illinois University. www.franktrankina.com

An Exercise in Abstraction Emmett Johns

ID: 2D2017 Jul 6 - 7 • 9 am - 4 pm Acrylic • All Levels Members: $225 • Non-Members: $250 Concept

Explore the philosophy that abstraction holds all creative expression in this fastpaced two-day workshop. Alternating between working spontaneously and working methodically, discover the inherent possibilities within your paintings.

Experience

Demonstrations and instructor-led exercises each morning introduce you to abstract and non-objective approaches to art making, while group conversations on the history of painting provide you and your developing work with context. You are encouraged to work more independently in the afternoon with Emmett providing individualized feedback throughout.

Instructor

For over 20 years, Emmett Johns has been working intensively with pastels and oil paints. He is nationally recognized for his landscape, portrait, and large-scale abstract paintings. The structural integrity and portrayal of the deeper essence of a particular place or person are of utmost importance to the artist. Emmett’s work can be found at his gallery located in the Settlement Shops in Door County, and during the winter, at his gallery in Albuquerque. www.emmettjohns.faso.com

Jumping into Watercolor for the First Time Daniel Danielson

ID: 2D2018 Jul 6 - 7 • 9 am - 4 pm Watercolor • Level 1 Members: $225 • Non-Members: $250 Concept

This workshop is designed specifically for the beginner or the frustrated novice who wants a fresh review of the fundamental techniques of watercolor. Dan’s bold, loose, and expressive painting style, combined with his easy-to-follow lessons, make this beginner’s workshop a fun, new experience.

Experience

Get your feet wet for the first time in watercolor as you learn about the basic handling of brushes, pigments, and papers. Essential techniques, such as color blending, wet-into-wet, gradation, masking, dry-brushing, and more, are simplified for easy understanding. No experience necessary, the only requirements are to bring an open mind and desire to learn and enjoy the process.

Instructor

After studying under renowned Irving Shapiro at The Academy of Art, Dan Danielson continued on to an exciting career as a creative director in Chicago.

Soon after retiring, he began painting and teaching full-time. Dan’s painting style captures the fresh, transparent, and fluid qualities of watercolor, while his teaching style makes painting fun. He is an award-winning Signature Member of The Transparent Watercolor Society of America and a board member of The Illinois Watercolor Society. www.dandanielson.com

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This workshop was awesome. I loved every minute of it. The building and grounds were comfortable and offered lots of unique spaces. I also appreciated the sense family from the staff on up.

You really know how to run a workshop. Many, many thanks. I will be back!

- 2019 Student

Figure Drawing Amy Fichter

ID: 2D2019 Jul 8 - 11 • 9 am - 4 pm Drawing • All Levels Members: $500 • Non-Members: $540 Includes model fees.

Concept

Designed for students of any level interested in strengthening their observational skills and expanding their understanding of the figure, this workshop investigates a classical and anatomical approach to drawing. While drawing from a live model, develop a process for observing and translating visual information to paper.

Jul 11 • 9am – 12pm Members: $45 Non-Members: $50

Designed for those interested in trying screen printing for the first time, this workshop guides you through the process of creating an image, exposing silkscreens, mixing ink, and printing your image on paper. Walk away with new skills and the motivation to continue exploring your creative interests. PenArt provides all of the tools and materials needed.

ID: 2D2020 Jul 8 - 11 • 9 am - 4 pm Pastel • Level 2 - 3 Members: $450 • Non-Members: $490 Concept

With an emphasis on layering, learn how to draw on sanded paper and take advantage of its unique ability to hold lots of color.

Look to the great Impressionists, the first generation of artists to discover the effects of color, light, and shadow, for technical inspiration throughout the underpainting and painting process.

Experience

Join Amy as she discusses and demonstrates topics related to human anatomy, skeletal structure, body proportion, and pose. Spend two days studying the head and facial features and complete a classical line portrait drawing using simple materials, including conte crayons and graphite pencils. The following two days are dedicated to the full figure, focusing on learning and observing anatomical landmarks through studies and a final drawing that is convincing, dynamic, and beautiful.

The first day begins with a refresher of the basics, using a technique from the 1600s to build a painting from a tonal sketch to the final strokes of color. The following three days are devoted to colored underpainting.

Experiment with base coloring using alcohol and watercolor. Discuss the color effects used by the Impressionists, including fragmenting color and optical blending, and gain hands-on practice. Leave this workshop with confidence in the handling of materials, use of color, and interpretation of light. Previous pastel experience is required.

Instructor

Instructor

Experience

TRY IT: Screen Printing

Capturing Light in Pastel Dan Mackerman

Amy Fichter earned her MFA in Drawing from the University of South Carolina. She has been teaching figure drawing at the university level for 20 years; 17 of them as the primary figure drawing instructor at the University of Wisconsin-Stout.

Amy’s creative work, in both drawing and photography, has been shown in over 70 exhibitions regionally, nationally, and internationally. Her figure drawings are in the permanent collections of the Birmingham Museum of Art, Columbia Museum of Art, and the Mint Museum. www.amyfichter.com

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Dan Mackerman has been teaching painting and drawing since 1985. He holds an MFA from the University of Minnesota, and his experience includes work with University of MN, Minneapolis College of Art and Design, Minneapolis Institute of Art, and the Minnesota Museum of American Art, among others. Dan has an extensive exhibition record and his work is in over 70 public collections. He has received grants and awards in juried competitions through the years, most recently a 2017 Minnesota State Artist Initiative Grant. www.danmackerman.com

Drawing on Clay Molly Bishop

ID: 3D2009 Jul 8 - 11 • 9 am - 4 pm Clay, Drawing • All Levels Members: $485 • Non-Members: $525 Includes clay and firing fees.

Concept

Build a personal vocabulary of imagery and learn how to use your ceramic work as a tool for storytelling in this handson workshop. Discover how keeping a sketchbook, even for those not confident in their drawing skills, can influence and enrich the surfaces of your ceramic pieces.

Experience

Each day explores both drawing and ceramic concepts, including idea generation through exercises on paper, developing a daily drawing practice, hand-built construction methods, and surface decoration. Learn how to create simple functional forms using hump molds and templates, as well as how to transfer your unique images to the surfaces of your pieces using colorful underglazes and sgraffito. Discover how ceramics can be a fun and unexpected canvas for drawing.

No prior drawing or ceramics experience required.

Instructor

Born and raised in Virginia, Molly Anne Bishop graduated from Virginia Commonwealth University’s Craft/ Material Studies Program. Working mostly in clay, she draws inspiration from lizards, popular sports, and travel. Molly has been a resident artist at Red Lodge Clay, Lillstreet Art Center, The Skopelos Foundation for the Arts in Greece, c.r.e.t.a. in Italy, and the International Studio in Jingdezhen, China.

She shares a studio in Chicago with her best friend and spends her time running an art-based business, teaching workshops, and drawing in her sketchbook. www.mollyannebishop.com

Water-Based Paintings: Materials and Techniques in Acrylic and Acryla Gouache Geoffrey Todd Smith

ID: 2D2021 Jul 13 - 16 • 9 am - 4 pm Acrylic, Watercolor • All Levels Members: $450 • Non-Members: $490 Concept

This workshop introduces a range of concepts in painting and drawing with water-based media. Focusing on the materials of acrylic and Acryla gouache, learn the traditional techniques specific to each, as well as experimental approaches.

Leave this workshop with an understanding of how to use these materials in both representational and abstract applications on paper, canvas, and panels.

Experience

Beginning with simple observational exercises, Geoffrey introduces basic acrylic and gouache painting techniques step. by-step. Gain hand-on practice and explore all that these media are capable of through still life, landscape, and/or abstract pursuits with practical instruction and feedback throughout. If time allows, learn more about Geoffrey’s painting process, including an explanation of the techniques used to create his work. Open to all levels.

Instructor

Geoffrey Todd Smith creates complex, rulebased abstractions that place him firmly within the orbit of modern American Art, but with a wandering eye toward the future.

He works with a range of media, including gel pens, graphite, collage, enamel paint, gouache, acrylic, and oil. Geoffrey’s work has been exhibited extensively throughout the United States, and is held in many collections. He lives and works in Chicago and teaches at Northern Illinois University. www.geoffreytoddsmith.com

Expressive Watercolor in the Studio Spencer Meagher

ID: 2D2023 Jul 17 - 18 • 9 am - 4 pm Watercolor • All Levels Members: $225 • Non-Members: $250 Concept

Bring your personal photographs to life with the transparency and dramatic immediacy of watercolor. Harness the fundamentals of this often intimidating medium, gain an understanding of the principles of composition, color, and design, and learn how to simplify any scene by editing out unwanted clutter and focusing on the large shapes of color.

Experience

This workshop begins with basic exercises in applying paint to paper with particular emphasis on washes, as well as a stepby-step group painting. Demonstrations and discussions address the differences in brushes, papers, and paint quality, application techniques, and the importance of value studies as a tool for developing dynamic and bold compositions.

Ample time for hands-on practice and individualized feedback is built into each day’s schedule. Expect to complete as many as two paintings each day from your photo references, as well as a series of technical exercises.

Instructor

Spencer Meagher is a plein air and studio painter whose subjects focus on the contemporary world. His paintings provide a realistic glimpse into how he views his surroundings; avoiding the details and allowing the color and value to tell the story.

He has participated in many regional and national competitions and been honored with juror awards. Spencer resides in Mount Vernon, IL and teaches watercolor classes throughout the region. www.spencermeagher.com

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Return to the Drawing Board: Hypothesis & Experimentation Erin Washington

ID: 2D2024 Jul 17 - 18 • 9 am - 4 pm Any Painting Media, Drawing Level 2 - 4 Members: $235 • Non-Members: $260 Includes materials fee.

Concept

Drawing has historically been considered a medium used to translate thought. The contemporary art world has excitedly embraced drawing as a means unto its own. Its accessibility and flexibility is an empowering medium in which to play, experiment, and dare to fail.

Through various experimental exercises and prompts, explore non-traditional approaches to drawing, idea generation, collage, and materials.

Experience

This workshop begins with material and historical demonstrations of traditional and contemporary drawing, collage, and phototransfer methods. Question and discuss definitions of drawing. Through instructorprovided prompts, you are asked to embrace experimentation, hypothesis with unknown results, and fast-paced processes to fuel long-paced work. This workshop is best suited for artists familiar with 2D and/ or 3D materials and who are interested in investigating new generative pursuits.

Instructor

Erin Washington is a painter, drawer, and installation artist living and working in Chicago. Notable solo exhibitions have been held at such venues as Illinois State University, The Riverside Art Center, and Zolla/Lieberman Gallery. Erin is currently a lecturer in the Painting and Drawing Department of The School of the Art Institute of Chicago, where she received her MFA. www.erinwashington.com

Illuminating the Everyday: The House as Subject Michael Banning

ID: 2D2025 Jul 20 - 23 • 9 am - 4 pm Any Painting Media • Level 2 - 4 Members: $450 • Non-Members: $490 Concept

This workshop focuses on how both the interior and exterior imagery of the home can become compelling subject matter for painting. Through the investigation of light, composition, perspective, and color, create paintings that bring out the inherent qualities of narrative and mystery found in the familiar space of home.

Experience

A balanced curriculum of demonstrations, discussions of contemporary and historical art, and hands-on studio work address methods for approaching light, composition, point-of-view, color, and format. Work from personal photographs, direct observation, and your imagination with Michael providing individualized feedback. This workshop is open to oil, acrylic, gouache, and watercolor painters, however all demonstrations are completed in oil.

Instructor

Michael Banning has been creating paintings and drawings of American landscapes and domestic interiors for over 30 years. His work has been exhibited in solo shows throughout the country and is held in numerous private and public collections. Michael is the recipient of multiple grants from the Minnesota State Arts Board and City of Chicago Department of Cultural Affairs, as well as the recipient of a Jerome Foundation Travel and Study Grant. He earned his BFA from the University of Colorado-Boulder and MFA from the Minneapolis College of Art and Design, where he currently teaches in the MFA and Fine Arts departments. www.michaelbanning.com

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The Journey Sketchbook Kate Borcherding

ID: 2D2026 Jul 20 - 23 • 9 am - 4 pm Watercolor, Drawing • All Levels Members: $450 • Non-Members: $490 Concept

Capture images and memories in a personal manner as you learn how to create and use a plein air journey sketchbook for your travels near and far. Put aside expectations and let your hand record what you see; unleashing your creative spirit to explore new media, ideas, and possibilities.

Discover how your journey sketchbook can be a springboard for creating new works in the studio.

Experience

Spend half of each day outdoors using a variety of art tools and prompts, including viewfinders, value sketches, vignettes, sketch walks, 10-minute images, written recordings, and more, to fill your journey sketchbook. Use pencil, watercolor, ink pens, and watercolor pencils as the base media for your plein air work. The second half of each day is spent working in the studio. Review the group’s and your own journey sketches, then identify ideas to explore through a group of series- or variation-based works. Kate provides individualized feedback throughout the week.

Instructor

Kate Borcherding is a mixed media artist.

Her artistic style is both neoclassical and postmodern. Kate received her MFA in Printmaking from IU-Bloomington and her BS in Art from UW-Madison. Since then, she has been the recipient of countless awards and honors, participated in numerous exhibitions, and completed an Arts/Industry residency at John Michael Kohler Arts Center. Kate is a Professor of Printmaking and Drawing at Sam Houston University.

Working and Thinking with Color Melissa Oresky

ID: 2D2027 Jul 27 - 30 • 9 am - 4 pm Acrylic • Level 2 - 4 Members: $450 • Non-Members: $490 Concept

This workshop helps you develop and expand the way you use color. Learn to intentionally and consciously navigate the spaces of hue, value, and intensity; consider color groupings and compositional strategies; and use color interaction to your advantage in your art and design practice.

Explore color’s philosophical and cultural content as well.

Experience

Demonstrations, discussions, and group work sessions begin with modern color theory and expand into observational, experimental, and process-based explorations of color. Work with acrylic paint and cut paper collage, as well as whatever digital apps you may have.

Readings and videos on color supplement hands-on learning. Open to those who already use color in their practice but may have never formally learned the principles of color theory, as well as those who have a foundation in color, but would like to broaden or revisit it.

Instructor

In her works on paper, canvas, and in video, Melissa Oresky engages collage as a material practice, visual language, and concept. Her work examines landscape through the lens of abstraction. Melissa received her BFA from the School of the Art Institute of Chicago and MFA from the University of Illinois - Chicago. She has exhibited her work in solo and group shows, nationally and internationally. Melissa is a Professor of Painting and Drawing at Illinois State University. www.melissaoresky.com

Abstraction Demystified Shane Walsh

ID: 2D2028 Jul 27 - 30 • 9 am - 4 pm Acrylic, Oil • All Levels Members: $450 • Non-Members: $490 Concept

During this hands-on workshop, take an in-depth look at strategies for creating compelling abstract drawings and paintings.

Expand your knowledge of materials, strengthen your understanding of historical and contemporary abstraction, and identify your individual interests and direction within the genre.

Experience

Daily presentations led by Shane introduce you to fundamental concepts of abstraction and a variety of artists. Visual prompts and exercises encourage you to experiment with different approaches, including working with the element of chance or through a formal structure, and, ultimately, invent a new visual language. Expect to work on a number of pieces each day. Individualized instruction and group discussions provide constructive feedback throughout the week.

Painters of all levels welcome.

Instructor

Shane Walsh received his BFA from Milwaukee Institute of Art and Design and MFA from the University of Washington. His paintings are the result of his involvement with collage, both in a literal sense and as a conceptual framework for understanding the legacy of abstraction. Shane’s work has been included in solo and group exhibitions throughout the country. He is a two-time Mary Nohl Suitcase Fund recipient. Shane teaches painting and drawing at the University of Wisconsin-Milwaukee. www.shanewalshpaintings.com

Collage Melissa Oresky

ID: 2D2029 Jul 31 - Aug 1 • 9 am - 4 pm Any Painting Media, Print/Paper/Book All Levels Members: $225 • Non-Members: $250 Concept

With its stream of endlessly reproducible images, materials, patterns, and information, the medium of collage has a unique history and vital connection to contemporary life.

During this two-day workshop, explore basic approaches to collage, including organizing collections of images and materials and taking them apart and piecing them together in new pictorial images or abstract designs.

Experience

Presentations of works by modern and contemporary artists introduce you to the limitless possibilities of working with collage, while technical demonstrations and exercises explore the material processes and concepts presented. Exercises are specific, but also allow for individual interpretation and play. Work with images and materials that you collected prior to class commencing. This initial image collection is a vital aspect of the collage process. Open to students of all levels and backgrounds.

Instructor

In her works on paper, canvas, and in video, Melissa Oresky engages collage as a material practice, visual language, and concept. Her work examines landscape through the lens of abstraction. Melissa received her BFA from the School of the Art Institute of Chicago and MFA from the University of Illinois - Chicago. She has exhibited her work in solo and group shows, nationally and internationally. Melissa is a Professor of Painting and Drawing at Illinois State University. www.melissaoresky.com

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Drawing for Beginners Philip Salamone

Alchemy and Art: The Magic of Yupo Brian Frink

The Alla Prima Portrait Philip Salamone

ID: 2D2031 Aug 3 - 4 • 9 am - 4 pm Watercolor • All Levels Members: $225 • Non-Members: $250

ID: 2D2032 Aug 3 - 4 • 9 am - 4 pm Oil • Level 2 - 3 Members: $250 • Non-Members: $275 Includes model fees.

Whether you’re interested in pursuing painting or sculpture, drawing is at the core of every artistic discipline. Build a foundation in the classical fundamentals, strengthen your observational skills, and learn how to make drawings that are convincing and true to life through an easyto-understand, yet analytical approach.

Concept

Concept

Yupo is a plastic surface that offers many interesting and exciting opportunities not possible with traditional paper substrates.

This two-day workshop explores how a variety of water-based media, including watercolor, ink, and high-flow acrylic paint, interact with the Yupo substrate.

The objective of this workshop is to learn how to make convincing, sensitive paintings that are true to life through a coherent, analytical approach. Practice and gain confidence in seeing, understanding, and translating visual phenomena using the fundamentals of oil painting.

Experience

Experience

Experience

ID: 2D2030 Jul 31 - Aug 1 • 9 am - 4 pm Drawing • Level 1 Members: $225 • Non-Members: $250 Concept

Using a step-by-step process, discover a number of principles to help you see, interpret, and express the world around you.

Demonstrations, as well as personalized instruction and feedback from Philip, guide you through each stage of the process.

Topics to be covered include measuring, proportions, perspective, value structure, effects of light, edge control, composition, and material handling.

Instructor

Philip Salamone was born and raised in central Wisconsin to an Italian family of East Coast ex-pats. He graduated from the University of Wisconsin-Madison with a degree in Fine Arts, later moving to New York to study at the Grand Central Atelier.

After completing their three-year program and additional studies at the Art Students League, he returned to Madison to build a community of like-minded artists to learn from and grow alongside. He now teaches at both the University of WisconsinMadison and at his own school, the Atwood Atelier. www.philipsalamone.com

Discover Yupo’s full potential through daily demonstrations and exercises.

Exhaust the substrate’s limitations as you use traditional watercolor and acrylic processes and approaches, as well as more experimental techniques. Additionally, play with translucent Yupo in various collage processes. Group discussions offer the opportunity to share your findings and learn from your peers. Emphasis is placed on selfexploration and experimentation.

Instructor

Brian Frink has taught Painting and Drawing at Minnesota State UniversityMankato for the past thirty years, and currently serves as the Department of Art Chair. He earned his undergraduate degree from Illinois State University and MFA from University of Wisconsin-Madison. Brian’s work has been exhibited extensively, most recently at the Minnesota Museum of American Art and Blanden Museum. He has received numerous grants and awards, including two McKnight Fellowships, six Minnesota State Arts Board grants, a National Endowment for the Arts Fellowship, and a Jerome Foundation Travel and Study grant. www.brianfrink.com

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Through demonstrations and personal critiques, Philip introduces a variety of topics, including creating a strong likeness through accurate drawing, understanding value and the effects of light, mixing color, manipulating edges, and understanding cranial structure. Using a simple step-bystep process, paint one six-hour portrait from a live model each day. This workshop is designed for painters with experience in oil, however artists with less experience who prefer to work in grisaille are encouraged to register.

Instructor

Philip Salamone was born and raised in central Wisconsin to an Italian family of East Coast ex-pats. He graduated from the University of Wisconsin-Madison with a degree in Fine Arts, later moving to New York to study at the Grand Central Atelier.

After completing their three-year program and additional studies at the Art Students League, he returned to Madison to build a community of like-minded artists to learn from and grow alongside. He now teaches at both the University of WisconsinMadison and at his own school, the Atwood Atelier. www.philipsalamone.com

Watercolor in the Travel Spirit Brian Frink

ID: 2D2033 Aug 5 - 8 • 9 am - 4 pm Watercolor • All Levels Members: $450 • Non-Members: $490 Concept

Discover how quick studies made using basic drawing and watercolor supplies to record your travels, both near and far, can enrich your studio practice. Create small works that document the places and moments around you, before returning to the studio to reinterpret and expand upon those observations through larger, more finished paintings.

Experience

This workshop begins with an overview of materials and best practices for small, quick studies. Beginning students are introduced to the process and tools of watercolor, while more advanced students head out into the Door County landscape to create their first works in the “travel spirit.” The rest of the week alternates between dedicated time to document places of inspiration and time in the studio creating new works based on your studies.

Instructor

Brian Frink has taught Painting and Drawing at Minnesota State UniversityMankato for the past thirty years, and currently serves as the Department of Art Chair. He earned his undergraduate degree from Illinois State University and MFA from University of Wisconsin-Madison. Brian’s work has been exhibited extensively, most recently at the Minnesota Museum of American Art and Blanden Museum. He has received numerous grants and awards, including two McKnight Fellowships, six Minnesota State Arts Board grants, a National Endowment for the Arts Fellowship, and a Jerome Foundation Travel and Study grant. www.brianfrink.com

Composition, Choice, and Care Peter Fagundo ID: 2D2034 Aug 5 - 8 • 9 am - 4 pm Acrylic, Oil • Level 3 - 4 Members: $450 • Non-Members: $490 Concept

Designed for those ready to push themselves and take their practice to the next level, this workshop focuses on the relationship between how you paint, the choices you make regarding materials, process, scale, and context, and what those choices mean. Using composition and its role in the evolution of art history as a point of exploration, discover how to make the work only you can make, having isolated and elevated your own sensibility.

Experience

Alternating between discussion and working time, develop an understanding and sensitivity toward your unique touch and choice. Study composition throughout history, observe how it has changed over time, discuss what those changes mean, and explore those insights through a variety of hands-on methods throughout the week.

Instructor

Peter Fagundo earned his BS from Regis University and MFA from the School of the Art Institute of Chicago. His work has been exhibited extensively nationally and internationally; most recently at Shane Campbell Gallery in Chicago and NADA Miami. Peter is an instructor of painting and drawing at The School of the Art Institute of Chicago. www.peterfagundo.com

Process, Purpose, Passion: Introduction to Abstract Painting with Oil and Cold Wax James Scherbarth ID: 2D2035 Aug 10 - 13 • 9 am - 4 pm Oil, Cold Wax • All Levels Members: $450 • Non-Members: $490 Concept

This workshop explores the versatility and possibilities of combining oil paint with cold wax medium. Unlike encaustic, cold wax is used at room temperature, to both extend the paint and serve as a medium. Combine cold wax, tube oils, pigment sticks, powdered pigments, and a variety of implements to create meaningful abstractions.

Experience

Focused on process, demonstrations, image presentations, and group discussions illustrate how to push the limits of the medium, invite surprise, and incorporate your personal goals and interests. Whether you’re a beginner or more advanced, Jim works with you individually to help you advance on your journey with abstraction.

This workshop is well suited for those who enjoy the sharing, flexibility, and happenstance of a group learning environment.

Instructor

An award-winning artist hailing from Minnesota, James Edward Scherbarth is best known for his use of color, line, and texture in creating contemporary abstract oil and cold wax paintings. His creative process is an intuitive one of constructing and deconstructing, of collecting, blending, erasing, blurring, and marking, and clarifying and mimicking the natural processes of the world. James is on the Board of Directors for the Veterans in the Arts and maintains a working and teaching studio in Minneapolis. www.jamesedwardscherbarth.com

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Sumi Ink Drawing and Beyond Yoonmi Nam

ID: 2D2036 Aug 10 - 13 • 9 am - 4 pm Drawing • All Levels Members: $550 • Non-Members: $590 Includes materials fee.

Concept

Engage with the past while you immerse yourself in the present in a workshop focused on the practice of drawing using sumi ink and brush on paper. Take a contemporary and experimental approach to sumi ink drawing while referencing traditional Asian brush painting and calligraphy. Consider brush marks and lines to be descriptive, meditative, intuitive, experimental, and expressive, while also examining varied modes of presentations.

Experience

Each day, engage in demonstrations, conversations, and independent and collaborative hands-on work. Using sumi ink and a variety of brushes and papers, carefully examine the nature, properties, and interaction of these three materials.

Working from the book The Mustard Seed Garden Manual of Painting, begin investigating simple mark-making, as well as ways of folding, binding, and mounting your drawings. You are encouraged to come with an open mind and experimental spirit.

Instructor

Born and raised in Seoul, South Korea, Yoonmi Nam earned a BFA in Printmaking from Hong-Ik University and MFA in Painting and Printmaking from the Rhode Island School of Design. Her work considers cross-cultural experiences and a sense of transience through observations of everyday objects and occurrences. Yoonmi has received numerous grants and awards to support her studio practice. She has taught at RISD and Washington University.

Currently, she teaches at the University of Kansas. www.yoonminam.com

Figures in the Landscape Tara Sweeney

ID: 2D2037 Aug 10 - 13 • 9 am - 4 pm Watercolor • All Levels Members: $450 • Non-Members: $490 Concept

Things that move are not limited to humans.

Expand your landscape and cityscape toolbox as you adjust your mindset to see boats, trees, clotheslines, and more as animated figures in your compositions.

Learn to see structure of light and shadow, perspective, and depth as you simplify figures and spaces into shapes and values with a three-layer, four-value approach to watercolor.

Experience

Demonstrations and guided exercises introduce you to pigment characteristics, wet-into-wet mingling, transparent layering, intentional lost and found edges, and lively brushwork. Expect to paint primarily from personal photo references in the studio. If weather and time allow, work from direct observation en plein air. Tara provides individualized feedback throughout the painting process. Open to all levels.

Instructor

Tara Sweeney is an award-winning artist and illustrator based in Saint Paul, MN who creates with watercolor, ink, and book forms. She teaches watercolor workshops nationally and internationally, as well as leading international plein air sketching workshops. She is a Professor Emeritus with Augsburg University, where she taught drawing and painting for 25 years. Tara is a signature member of the National Watercolor Society and Minnesota Watercolor Society. www.tarasweeneyart.com

26 www.PeninsulaSchoolofArt.org | 920.868.3455

Between Abstraction and Representation Mary Jane Duffy

ID: 2D2038 Aug 14 - 15 • 9 am - 4 pm Any Painting Media • Level 2 - 4 Members: $225 • Non-Members: $250 Concept

In what ways do you tolerate abstraction in your visual field? How can you reinterpret the world around you? What does it mean to combine different kinds of representation within the same picture plane? Explore the continuum of abstraction and representation in painting in this workshop.

Experience

Working through a series of studies based in observation, experiment with different ways to abstract the world around you, including using reflective objects for distortion, looking through a lens or kaleidoscope, projecting images onto three-dimensional objects, and exploring how the manipulation of paint and surface can also create an abstraction. Look at the work of historical and contemporary artists and examine how they handle the space between representation and abstraction.

Leave this workshop with a range of strategies to continue your explorations.

A general understanding of observational skills in drawing and painting is required.

Instructor

Mary Jane Duffy makes paintings and drawings that investigate the ways technology affects our experience of the world. She has exhibited her work in numerous solo and group exhibitions in the US and abroad. Mary Jane holds a BS in Studio Art from Skidmore College and an MFA in Painting and Drawing from Northwestern University. She is a Lecturer in DePaul University’s Department of Art, Media, and Design. www.maryjaneduffy.com

Oil Painting for Beginners Trina Smith

ID: 2D2039 Aug 14 - 15 • 9 am - 4 pm Oil • Level 1 Members: $225 • Non-Members: $250 Concept

Gain confidence in the nuts and bolts of the oil painting medium in this workshop geared toward beginners. Learn how to interpret what you see and transfer that information to canvas to create paintings in the realist tradition that are aesthetically sound. Color theory and compositional strategies are covered along with the technical basics of oil painting.

Experience

Focusing on developing varying skills and exploring different approaches, complete three still life paintings. Tips and strategies for paint mixing and application, seeing and translating color, and solving compositional issues are at the heart of each painting approach. Demonstrations and discussions introduce you to each concept, while individualized instruction provides you with feedback. Though you are working from the still life each day, the objectives of this workshop benefit any genre or style.

Instructor

Trina May Smith grew up in the Pacific Northwest. Earning her MFA from the University of Wisconsin-Madison, she now calls Wisconsin home. Trina has an active studio practice and exhibits regularly in solo and group shows. She is represented by the Tory Folliard Gallery in Wisconsin and is an Assistant Professor in Painting at the University of Wisconsin-Oshkosh. www.trinamaysmithart.com

Introduction to Adobe Illustrator®: Incorporating Digital Tools into Your Studio Practice Emily Scheider Berens

ID: PH2015 Aug 14 - 15 • 9 am - 4 pm All Media, Digital • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

Concept

This workshop introduces you to the basics of creating vector-based work in Adobe Illustrator®. Learn to utilize this program as a supporting prep tool for future projects, including stand-alone vector compositions and digital prints that mimic traditional media.

Experience

Demonstrations and hands-on practice introduce you to the process of importing, organizing, and exporting files; merging photographic image files with vector compositions to create mixed-media collage work; using pen and brush tools to create line drawings and vector artwork; utilizing the shape-building and patterning tools; and creating templates for future projects, including stencils, pattern blocks, or film positives for screen printing.

Instructor

Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for ‘tra-digital’ media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has exhibited her work and delivered digital literacy workshops regionally and internationally.

She is a faculty member within UWMilwaukee’s Peck School of the Arts, and has taught community education-focused workshops serving artists hailing from a diverse range of backgrounds and skill sets. www.emily-scheider.com

Capturing Wildlife in Watercolor Peggy Macnamara

ID: 2D2040 Aug 17 - 18 • 9 am - 4 pm Watercolor • Level 2 - 3 Members: $225 • Non-Members: $250 Concept

In this workshop, build a foundation in illustrating wildlife in watercolor from the initial drawing through the final washes.

Sharpen your observational skills, learn how to render form, and gain confidence in the use of color and value.

Experience

Through lectures and demonstrations, Peggy guides you through the process of drawing your image, mixing your palette, laying down transparent washes, removing and replacing imagery, pouring backgrounds, building up neutrals and colors, and developing your composition.

Animal and bird specimens are provided by the Field Museum for reference, or you may bring your own images or sketches of natural subject matter.

Instructor

Peggy Macnamara has served as the Artistin-Residence at Chicago’s Field Museum of Natural History since 1990. In collaboration with museum scientists, she has traveled all over the world to illustrate nature and conservation efforts. She has published four books through the University of Chicago Press. In addition, Peggy is an Associate Professor at the School of the Art Institute of Chicago. www.peggymacnamara.com

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Incorporating Water-Based Media with Oil Painting Trina Smith

ID: 2D2041 Aug 17 - 18 • 9 am - 4 pm Oil, Acrylic, Watercolor • All Levels Members: $225 • Non-Members: $250 Concept

In this workshop, learn how to begin a painting with water-based media, such as acrylic or watercolor, and finish elements with oil paint. Application strategies for each medium are discussed and explored, as well as how paint application and visual approach relate to content in your work.

Experience

Expect to complete two paintings over the course of this workshop. Preliminary studies to explore application potential accompany each piece. Your first painting begins with acrylic paint before incorporating oil paint, while the second begins with watercolor on an absorbent ground before finishing with oil. It is recommended that students either work from observation or from images of nature for this workshop.

Instructor

Trina May Smith grew up in the Pacific Northwest. Earning her MFA from the University of Wisconsin-Madison, she now calls Wisconsin home. Trina has an active studio practice and exhibits regularly in solo and group shows. She is represented by the Tory Folliard Gallery in Wisconsin and is an Assistant Professor in Painting at the University of Wisconsin-Oshkosh. www.trinamaysmithart.com

Introduction to Adobe Photoshop ®: Incorporating Digital Tools into Your Studio Practice Emily Scheider Berens

ID: PH2016 Aug 17 - 18 • 9 am - 4 pm All Media, Digital • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

Concept

This workshop introduces you to the basics of Adobe Photoshop® as a tool for combining digital imaging techniques with your existing studio practice. Create rich mixed-media compositions as you learn the fundamentals of importing and remixing hand-rendered artwork.

Experience

Through a series of demonstrations and hands-on exercises, learn how to import, organize, and export files with Photoshop®; use layers, blending modes, and the FX panel; refine image selection techniques; create custom digital brushes and handrendered mark-making; blend together digital paint layers; and use retouching tools to enhance your imagery. Leave this workshop with a set of new digital skills and at least one print.

Instructor

Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for ‘tra-digital’ media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has exhibited her work and delivered digital literacy workshops regionally and internationally.

She is a faculty member within UWMilwaukee’s Peck School of the Arts, and has taught community education-focused workshops serving artists hailing from a diverse range of backgrounds and skill sets. www.emily-scheider.com

28 www.PeninsulaSchoolofArt.org | 920.868.3455

Alla Prima Plein Air Studies Bethann Moran-Handzlik

ID: 2D2042 Aug 19 - 22 • 9 am - 4 pm Oil • All Levels Members: $450 • Non-Members: $490 Concept

Explore the natural beauty of Door County with brush in hand in this workshop focused on the creation of small plein air studies. Whether you want to be the champion of the next quick paint or simply improve your painting techniques, learn how to see your subject more clearly, create compositions that are structurally sound, mix accurate color, and work efficiently.

Experience

Through a balanced curriculum of demonstrations, plenty of painting time, individualized instruction, and group feedback, Bethann shares a new set of skills to focus on each day, including how to select a composition, capture light, and develop nuanced brushwork. As a bonus, one night, join Bethann in painting a nocturne study. Expect to leave this workshop with at least three finished alla prima studies from each day, a pile of notes from demonstrations and critiques, and a sense of accomplishment.

Instructor

Bethann Moran-Handzlik’s work is dedicated to realism derived from direct observation and memory. She received her BA in Graphic Design and Philosophy from St. Norbert College and MFA in Painting and Drawing from the University of Wisconsin-Milwaukee. Her paintings have been exhibited regionally, nationally, and internationally. She has been the recipient of a Hudson River Fellowship awarded by the Grand Central Atelier, and a La Napoule Foundation Artist Residency in France.

She is a Lecturer of Art at the University of Wisconsin-Whitewater. bethannmoranpainting.blogspot.com

Developing Artistry with Animals as Inspiration Susan Ploughe

ID: 2D2043 Aug 19 - 22 • 9 am - 4 pm Oil • Level 2 - 4 Members: $450 • Non-Members: $490 Concept

Embedding: An Intermediate Encaustic Workshop Laura Moriarty

ID: 2D2044 Aug 24 - 27 • 9 am - 4 pm Encaustic • Level 2 - 4 Members: $460 • Non-Members: $500 Includes materials fee.

Hone your observational and painting abilities as you delve into the world of capturing animals on canvas. Discover how to create paintings that are fresh and lifelike by choosing a dynamic point of view, using color to promote interest, varying brushwork for different effects, and capturing the essence of your subject without obsessing over detail. Develop skills that transfer to any subject matter.

Concept

Experience

Through a combination of conversations, demonstrations, and experimental projects, Laura introduces you to a range of contemporary artists, materials, and processes. Learn how to create an inlaid line in encaustic - the gateway to creating wonderfully complicated cross-sections of color and pattern - and explore building up and manipulating paint. In addition to making paintings on panels, work sculpturally to create your own collection of elements and experiment with poured wax techniques.

A variety of painting approaches are demonstrated and discussed each day.

Explore each concept with Susan’s assistance. In addition to practicing established methods, tackle inventive exercises that expand your artistry and promote creativity. Expect to take home a series of studies to inspire you when designing your own projects. Previous oil painting experience is required.

Instructor

Susan Ploughe is an award-winning painter and an enthusiastic instructor who loves helping people develop their skills.

She has a BFA in painting, and worked as an illustrator/designer before turning to painting and teaching full-time in 2003.

She is a Signature Member of Oil Painters of America and the American Impressionist Society. Susan’s artwork is in private and corporate collections, and has been featured in Fine Art Connoisseur, American Art Collector, International Artist and Plein Air magazines. www.susanploughe.com

This immersive workshop asks the question, what are you putting into your art? Hone your ideas, sharpen your skills, and bring your appreciation for embedding with encaustic to a whole new level. Learn techniques to create works all with the aim of revealing what is embedded and embedding what you wish to reveal.

Experience

Instructor

Laura Moriarty makes process-driven sculptural paintings and works on paper, creating forms, colors, textures, and patterns that result from the same processes that shape and reshape the earth. Laura’s work is exhibited extensively and included in many public and private collections. Among her honors are grants from the Adolph and Esther Gottlieb Foundation, New York Foundation for the Arts, and the Pollock-Krasner Foundation.

Laura teaches at R&F Handmade Paints. www.lauramoriarty.com

Responsive Drawing Mat Barber Kennedy

ID: 2D2045 Aug 24 - 27 • 9 am - 4 pm Drawing • All Levels Members: $450 • Non-Members: $490 Concept

Drawing is the cornerstone of all representational work, the basis for painting, and an end in itself. Yet for so many, drawing is an unimaginative and inexpressive process. In this workshop, Mat shares his philosophy and approach to drawing as a rich art form and great aid in establishing dynamic and emotionally charged images. Learn how to read the work as it emerges and let the work tell you what it needs; bridging the gap between technical proficiency and artistic liberation.

Experience

Work through intuitive exercises designed to reset your expectations and limitations of drawing and help you build confidence.

Expand your language of line and tone as you draw with your fingers, erasers, and pencils in new ways. Leave this workshop with a more expressive voice. Open to all levels.

Instructor

For over 20 years, Mat Barber Kennedy has been drawing and painting aging machines, tools, and buildings. Constructed in layers, adapted over generations, and decaying in pieces, he is fascinated by the junctions of materials and corrosion of designed objects over time. Mat is a Fellow of the Royal Society of Arts, a Member of the Royal Institute of Painters in Watercolour, and in 2007 was awarded the Turner Medal in London. In addition, he has been a featured artist of the Door County Plein Air Festival for several years. Mat currently lives and works in Chicago, IL. www.matbarberkennedy.com

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Encaustic and Charcoal Laura Moriarty

ID: 2D2046 Aug 28 - 29 • 9 am - 4 pm Drawing, Encaustic • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

Concept

Designed for those who enjoy drawing and making marks, as well as those who love to use their drawings to build paintings, this workshop explores working serially with a focus on combining encaustic with charcoal.

Learn a range of techniques, from collaging drawings onto themselves in an encaustic painting to carefully planning layers of collaged drawings to more experimental, less-controllable approaches with the materials that result in fascinating textures and patterns.

Experience

Demonstrations aim to show you how to create mixed media works, including straightforward technical how-tos, complex compositional concepts, and using the interplay between encaustic and charcoal to your advantage. Consider your personal drawing narrative ahead of class and come with ideas and references. Create fresh charcoal drawings to use in your work as well. You may work on panels or paper.

Instructor

Laura Moriarty makes process-driven sculptural paintings and works on paper, creating forms, colors, textures, and patterns that result from the same processes that shape and reshape the earth. Laura’s work is exhibited extensively and included in many public and private collections. Among her honors are grants from the Adolph and Esther Gottlieb Foundation, New York Foundation for the Arts, and the Pollock-Krasner Foundation.

Laura teaches at R&F Handmade Paints. www.lauramoriarty.com

10 Paintings in Acrylic Beki Borman

ID: 2D2047 Aug 28 - 29 • 9 am - 4 pm Acrylic • All Levels Members: $225 • Non-Members: $250 Concept

An artist really learns to paint when given the freedom to let go of a subject and the expectations of a single painting. In this workshop, practice how to do just that through repetition and technique. Learn how to experiment and challenge yourself to find new methods for rediscovering your chosen subject.

Experience

With Beki as your guide, paint the same subject ten times. See how your interpretation, style, and skills evolve from one painting to the next. The uses of acrylic paint are also covered as part of the journey.

As a group, discuss color, value, style, method, history, and more. This workshop is open to all levels.

Instructor

Beki Borman was born and raised in the Milwaukee area. She attended the Milwaukee Institute of Art & Design where she received her BFA in Painting. Since graduating, Beki has exhibited her work both locally and nationally. She paints colorful and textural landscapes in oil and acrylics using a combination of knife and brush techniques. Some of her influences include Vincent van Gogh, Wolf Kahn, and Wayne Thiebaud. Beki works out of her home studio in Milwaukee. Her work is represented by the Woodwalk Gallery in Egg Harbor. www.bekiborman.com

30 www.PeninsulaSchoolofArt.org | 920.868.3455

Unique Interpretations in Oil Pastel George Shipperley

ID: 2D2048 Aug 31 - Sep 1 • 9 am - 4 pm Pastel • Level 3 - 4 Members: $225 • Non-Members: $250 Concept

Oil pastels are pure pigments combined with non-drying oil and wax binder, allowing for a wide range of applications, including underpainting, layering, sgraffito, and blending with solvents for a wash effect. This workshop offers an opportunity to develop your individual drawing and painting practice, as well as discover the compositional advantages of working with a limited palette.

Experience

Throughout the two days, George demonstrates foundational techniques and experimental methods, as well as provides individualized instruction. A group discussion with constructive feedback from your peers closes each day.

Instructor

George Shipperley is a highly-acclaimed contemporary Impressionist painter who specializes in oil pastel. He places emphasis on originality, creativity, and color in his work. George is a Signature Member of The Oil Pastel Society and former member of the the Palette & Chisel Academy in Chicago.

He was inducted into the Illinois Fox Valley Arts Hall of Fame in 2014. George’s work is represented by Edgewood Orchard Gallery in Door County, Abel Contemporary Gallery in Stoughton, WI, and Proud Fox Gallery in Geneva, IL. www.georgeshipperley.com

Pastel Drawing for the Beginner Laverne Bohlin

ID: 2D2049 Aug 31 - Sep 1 • 9 am - 4 pm Pastel • Level 1 Members: $225 • Non-Members: $250 Plus materials fee.

Concept

Used by artists since the 1600s, pastel has a rich history. Delve into the unique characteristics of the medium in this twoday workshop designed for beginners.

Learn about the tools and materials specific to pastel and build confidence in using them to capture your chosen subject matter.

Experience

The first day begins with a presentation of the history of pastel and examples of artist’s work from 1600 to present day, followed by an introduction to the different types of pastels and pastel papers. Gain handson practice through guided exploration of mark making, layering, and color mixing.

The second day addresses how to start a pastel painting using a line stroke or side stroke and creating a sense of space and volume. Plenty of time is dedicated to drawing from landscape photo references with individualized instruction from Laverne throughout. The workshop closes with a review of techniques learned and resources for continued education.

Instructor

Laverne Bohlin’s introduction to the pastel medium began as a portrait sketch artist at her local amusement park. Furthering her studies in fine art, she received a BFA from the University of Michigan. Using pastels and oils, Laverne paints colorful landscapes in a contemporary impressionist style. After a successful career as a designer, Laverne now devotes herself full-time to studio art and teaching. www.lavernebohlinart.com

Mastering the Watercolor Mindset Steve Puttrich

Paint + Image: Experimental Media Lydia Dildilian

Concept

Concept

ID: 2D2050 Sep 2 - 5 • 9 am - 4 pm Watercolor • All Levels Members: $450 • Non-Members: $490 Success in watercolor has deep roots in mindset. When you are in the midst of a wash, whether controlled, free, or anything in between, the key ingredient is managing your mindset by redefining results as opportunities to be enhanced and any issues as puzzles to be solved.

Experience

Explore watercolor’s full potential by using a photograph’s essence as a reference to be captured, rather than copied. Each day, work toward completing a series of remarkable scenes with Steve as your guide. More importantly, build skills in mastering a watercolor mindset that serves you well for a lifetime of painting. This workshop consists of demonstrations and discussions done throughout the day as challenges arise, and plenty of hands-on practice. All levels welcome.

Instructor

Steve Puttrich began his studies at the American Academy of Art, as well as the Art Institute of Chicago. He received degrees in architectural illustration, graphic design, and fine art. After a 35-year career as an artist, designer, and Vice President of Creative Services and Innovation for Parson Corporations, Steve is now enjoying painting and teaching full-time. In his work, he strives to tell a story through his own personal connection and experience with his subject matter. www.steveputtrich.com

ID: 2D2051 Sep 2 - 5 • 9 am - 4 pm Acrylic • Level 3 - 4 Members: $450 • Non-Members: $490 The word ‘image’ continuously collects new context; confusing what a drawing, painting, or photograph could identify as.

Existing on multiple levels, images cross geography, politics, memory, and physical space itself. In this workshop, build your knowledge of acrylic paint and alternative processes through the framework of understanding image, its functions, and utility.

Experience

Beginning with a facilitated discussion about the properties of acrylic paint, review basic material usage by building color and/ or value relationships. Demonstrations and discussions address acrylic paint’s wide range of applications and its ability to adapt and transform, while hands-on exploration investigates various alternative painting techniques, image transfer processes, and approaches for combining new materials with acrylics effectively.

Instructor

Lydia Dildilian received her BFA in Painting and Drawing from Miami University in Ohio and MFA from the University of Florida in Gainesville. Her work has been included in 11 solo exhibitions, over 60 group exhibitions, four publications, and belongs to several private collections.

Lydia’s work deals with complex themes of human perception, though, consciousness, and space/place. She is an Associate Lecturer and Gallery Director at University of Wisconsin-Green Bay and Marinette.

She teaches painting, drawing, design fundamentals, and art history. www.lydiadildilian.com

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The monoprint workshop was well done. The studio is lovely & well equipped.

Such a nice light filled place. Don struck the right balance between demonstration and giving us space to create. He gave us feedback as needed so we felt supported in our printmaking. Don was genuinely engaged and created a positive environment for learning.

My friend and I are both educators and know good teaching. Don provided that.

- 2019 Student TRY IT: Acrylic Painting Sep 12 • 9am – 12pm Members: $45 Non-Members: $50

Designed for those interested in trying their hand at acrylic painting for the first time, this workshop teaches you how to mix paint, handle brushes, and translate what you see onto canvas.

Walk away with new skills and the motivation to continue exploring your creative interests. PenArt provides all of the tools and materials needed.

The Portrait: From Drawing to Painting Stuart Fullerton

ID: 2D2052 Sep 9 - 12 • 9 am - 4 pm Drawing, Oil • Level 2 - 3 Members: $495 • Non-Members: $535 Includes model fees.

Abstract Landscape Painting with Oil and Cold Wax Medium Mark Russell ID: 2D2054 Sep 14 - 17 • 9 am - 4 pm Oil, Cold Wax • Level 3 - 4 Members: $450 • Non-Members: $490 Concept

Discover the intimate and compelling art of portraiture in this four-day workshop. With Stuart as your guide, build new technical skills and gain confidence as you practice capturing the portrait from start to finish in both charcoal and oil paint.

Broaden your language of painting by exploring new methods of working with oil and cold wax medium. In this workshop, you are encouraged to experiment and add unique texture, mark-making, and layering to your process to create surfaces that are rich, complex, and engaging.

Experience

Experience

Concept

Devoted to solving some of the recurring drawing issues that come up in portraiture, the first day and a half explores gesture, comparative measurement, and the invaluable tools of a hand mirror and plumb line. The following two and a half days focus on painting the model’s portrait in oil. Using a standard palette of colors, discover the relationships of warm and cool tones; and expanding on the value relationships learned when working in charcoal. Demonstrations and one-on-one instruction provide you with feedback and bring practice to the next level.

Instructor

Stuart Fullerton grew up in north central Wisconsin and studied ancient Greek and Latin at Harvard University. After a year studying archeology in Greece and Turkey, he returned to Harvard for law school. He is a long-time member of the Palette and Chisel Club and of the Plein Air Painters of Chicago. Stuart has been accepted into countless juried shows and has been invited to take part in the Door County Plein Air Festival, Carmel Plein Air Festival, among others. Stuart is on the Board of the Directors of the Oil Painters of America and of the Palette and Chisel Club. www.stuartfullerton.com

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While demonstrations introduce a variety of techniques, the majority of class time is reserved for hands-on experimentation through prompts and individually driven explorations. Mark provides one-onone critiques to help connect group exercises with each student’s unique goals. Demonstrations and examples are landscape-based, however artists with a focus on abstraction or other imagery are welcome.

Instructor

Mark Russell has been creating landscape paintings for more than 20 years. Surface provides a steady stream of inspiration, such as the texture of a rock, the edges of a cloud, the reflections and movement in water, or the veil of light on a hazy day. Mark builds layer upon layer to the surface through a process of scraping, rubbing, adding, and subtracting. He has exhibited his work in group shows with galleries and museums across the country, and is included in private and corporate collections. Mark holds degrees from DePaul University and The American Academy of Art in Chicago. www.markrussellstudio.com

Bricolage: A Low-Tech Approach to Sculpture Don Krumpos

ID: 3D2029 Sep 14 - 17 • 9 am - 4 pm All Media • All Levels Members: $465 • Non-Members: $505 Includes materials fee.

Concept

Bricolage is defined as something constructed from a diverse range of objects.

In this low-tech sculpture workshop, gain the confidence to start to build without any technical skills and learn basic art principles and problem-solving.

Experience

Beginning with a simple box, Don guides you through the process of building in and around it with found objects and items you make in class to create a successful art object. Through presentations and discussions, learn about assemblage, collage, cabinets of curiosities, reliquaries, low-tech materials and tools, how to find and use a variety of found objects, and other reference knowledge. Open to artists of all levels and backgrounds.

Instructor

Don Krumpos grew up on a centuryold hobby farm in northeast Wisconsin cobbling together inventions from his father’s cast-iron machinery and developing a kinship for bric-a-brac and found objects.

He is an art educator and makes work that embraces the spectacle of live performance and the participatory nature of art making and viewing process. Don also runs Yonder in Algoma, showcasing artworks by regional and national artists that create meaningful and accessible art-based experiences for the public. www.yonderartland.com

Capturing Emotion and Expression in Watercolor Daniel Danielson

The Value of Values for Those Just Starting Out Kyle Martin

Concept

Concept

ID: 2D2055 Sep 18 - 19 • 9 am - 4 pm Watercolor • All Levels Members: $225 • Non-Members: $250 Successful paintings start with a simple idea or thought. Using a “brain before brush” approach, find the freedom of expression and spontaneity in your paintings. Discover the lively, fluid characteristics of watercolor that make it the perfect medium for capturing an image’s mood or character.

Experience

This workshop is designed for beginners who are just getting their feet wet, as well as experienced artists ready to bring a fresh liveliness to their watercolors.

Demonstrations and plenty of painting time each day emphasize a relaxing, rewarding, and fun approach to the medium to help you find yourself in watercolor. You can do no wrong in this workshop as you discover how to paint more fluid, fresh watercolors.

Plenty of reference photos are provided or you may bring your own.

Instructor

After studying under renowned Irving Shapiro at The Academy of Art, Dan Danielson continued on to an exciting career as a creative director in Chicago.

Soon after retiring, he began painting and teaching full-time. Dan’s painting style captures the fresh, transparent, and fluid qualities of watercolor, while his teaching style makes painting fun. He is an award-winning Signature Member of The Transparent Watercolor Society of America and a board member of The Illinois Watercolor Society. www.dandanielson.com

ID: 2D2056 Sep 18 - 19 • 9 am - 4 pm Oil, Acrylic • Level 1 - 2 Members: $225 • Non-Members: $250 Your journey in painting begins in black and white. Much like a contractor works from a blueprint to build a house, painters work from small black and white value sketches to build a painting. Designed to help you build confidence behind the easel, this workshop introduces tools for simplifying scenes, creating value relationships, and using compositional strategies.

Experience

Through interactive demonstrations, Kyle takes the mystery out of identifying and mixing values, simplifying what you see, and building a harmonious painting from large, basic shapes. Practice mixing values using a special value palette provided by Kyle, putting together striking compositions, and developing confident brushwork.

Expect to work quickly on several canvases each day. Leave this workshop with a set of skills that directly relate to your next steps in full-color painting. Open to oil and acrylic painters. All demos are done in oil.

Instructor

An award-winning artist, Kyle Martin enjoys painting landscapes, still lifes, and figures. He teaches the importance of the fundamentals, liberating students to paint quickly with juicy brushwork while maintaining good drawing skills.

Kyle’s degree in graphic design allows for a shape-based interpretation of the landscape. He also holds a degree in Art Education and is a licensed teacher in the state of Wisconsin. kyle-martin.blogspot.com

Painting & Drawing

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Drawing from the Masters Emmett Johns

ID: 2D2057 Sep 21 - 22 • 9 am - 4 pm Drawing • All Levels Members: $225 • Non-Members: $250 Concept

Explore the ideas and techniques of the great masters of draftsmanship in this fast-paced drawing workshop. Essential to all aspects of image making, this workshop helps artists of all backgrounds build confidence and skill.

Experience

With an emphasis on hands-on practice, move around the studio as you work on a series of short and long observational drawings from still life setups and Emmett’s master drawings. Learn how to use line, value, texture, shape, and more to complete drawings that are accurate and creative. If time allows, abstract drawing concepts are introduced. Open to artists of all levels and backgrounds.

Instructor

For over 20 years, Emmett Johns has been working intensively with pastels and oil paints. He is nationally recognized for his landscape, portrait, and large-scale abstract paintings. The structural integrity and portrayal of the deeper essence of a particular place or person are of utmost importance to the artist. Emmett’s work can be found at his gallery located in the Settlement Shops in Door County, and during the winter, at his gallery in Albuquerque. www.emmettjohns.faso.com

Painting Forest Interiors en Plein Air Kyle Martin

A Clear and Complete Guide to Creative Studio Painting Tom Nachreiner

Concept

Concept

ID: 2D2058 Sep 21 - 22 • 9 am - 4 pm Oil, Acrylic • Level 2 - 3 Members: $225 • Non-Members: $250 For the artist, the forest is a peaceful retreat of dancing shadow. In this twoday workshop, venture into the forest with your easel and capture the play of light and shadow during the early autumn color change. Learn how to see the forest as broad areas of value and color opposed to overwhelmingly complex information with Kyle’s guidance.

Experience

ID: 2D2059 Sep 23 - 26 • 9 am - 4 pm Oil, Acrylic, Pastel • All Levels Members: $450 • Non-Members: $490 Gain confidence in your ability to translate your subject to canvas or smooth panel, like Tom uses, as you strengthen your observational skills, build a reliable process for planning, and develop your unique voice. Whether you are a beginner or more experienced painter, this workshop helps you to identify a focus in your painting practice through positive approaches to art making and a new pattern for success.

Kyle presents a process to paint the large masses and shapes first, which acts as a foundation to place your dappled light onto.

Discuss modern color theory, including the strengths and limitations of modern organic pigments, mineral pigments, and earth pigments. Plenty of time is dedicated to hands-on practice with Kyle available for individualized instruction. Come prepared to squeeze out big piles of paint and enjoy two days in the forest creating paintings full of light and shadow. Open to oil and acrylic painters. All demos are done in oil.

Experience

Instructor

Tom Nachreiner received a BFA with Honors from Layton School of Art in Milwaukee. He has been a self-employed illustrator since 1978 and a fine artist since 2000. Tom has won many Best of Show awards at plein air events, and is a Signature Member of the Oil Painters of America and the American Impressionist Society. Recently, he created four largescale paintings for the Green Bay Packers’ Permanent Art Collection depicting scenes from the Ice Bowl. Tom is represented by Edgewood Orchard Gallery in Door County. www.tomnachreiner.com

An award-winning artist, Kyle Martin enjoys painting landscapes, still lifes, and figures. He teaches the importance of the fundamentals, including design and value, liberating students to paint quickly with juicy brushwork while maintaining good drawing skills. Kyle’s degree and background in graphic design allow for a shape-based interpretation of the landscape. He also holds a degree in Art Education and is a licensed teacher in the state of Wisconsin. kyle-martin.blogspot.com

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Each morning, Tom demonstrates a variety of topics, including planning compositions, handling and selecting materials, and paint application. Working from provided photo references, paint for the remainder of each day with Tom available for individualized feedback. Leave this workshop with focus and direction for future work. Open to oil, acrylic, and pastel painters of all levels. All demonstrations are done in oil, using walnut oil instead of mineral spirits.

Instructor

Capturing Door County’s Architecture in Pen and Ink and Watercolor Ann Thomas

ID: 2D2060 Sep 23 - 26 • 9 am - 4 pm Drawing, Watercolor • Level 2 - 3 Members: $450 • Non-Members: $490 Concept

Using Door County’s scenic towns as a backdrop, hone your skills in sketching structures and street scenes with a simple set of portable tools in this four-day workshop. Leave this workshop with new techniques and strategies to create more interesting compositions in any setting.

Experience

Through demonstrations and discussions, Ann shares pen and ink and watercolor techniques, how to zoom in on the most important elements for dynamic compositions, and how to achieve convincing, yet simple perspective in the field. Plenty of one-on-one assistance is provided. An encouraging critique closes each day. Expect to work outside as much as possible, weather permitting.

Instructor

Ann Thomas is an award-winning illustrator working in colored pencil, watercolor, pastels, and pen and ink. She has received numerous awards, including a Moonbeam Award for Excellence in Children’s Literature and the Silver Benjamin Franklin Award.

Ann works out of her home studio in Milwaukee, WI, and teaches in both traditional classroom settings and online. www.annthomasillustration.com

Photo + Encaustic: Layers, Surface, and Substrate Sarah Rehmer

ID: 2D2061 Sep 28 - Oct 1 • 9 am - 4 pm Digital Photography, Encaustic All Levels Members: $510 • Non-Members: $550 Includes materials fee.

Concept

This workshop is designed for both painters and photographers interested in gaining new skills and pushing the boundaries of their studio practice through the combination of encaustic and photography.

Explore a range of subject matter, as well as a variety of surfaces on which to create work.

Experience

Demonstrations introduce you to the basics of encaustic painting and digital printing, while ample working time and one-on-one conversations with Sarah provide handson practice and time to discuss thematic and aesthetic concepts. Learn how to set up your workspace and use the materials and equipment safely, as well as explore painting techniques and fusing methods. All paints, tools, and some printing is included in your tuition. Additional printing may be purchased subject to time and supplies.

Instructor

Sarah Rehmer was born and raised in the western suburbs of Chicago, where she still resides. She earned her BA in Graphic Design and Photography from Dominican University in River Forest, IL. Sarah found her love for working with pages from old books and encaustic while attending a class post-graduation at the school. Her work is held in private and public collections around the country and internationally. Sarah teaches classes and workshops throughout the Midwest. www.rehmer-studio.com

Drawing for Dummies Mynn Lanphier

ID: 2D2062 Sep 28 - 30 • 1 pm - 5 pm Drawing • Level 1 Members: $225 • Non-Members: $250 Concept

If you have always wanted to learn to draw, or feel your drawing skills are rusty or inadequate, this workshop helps you gain confidence in rendering a variety of subject matter in a realistic way. By learning to tap into your intuitive right brain, dramatically improve perception and technical skill as you explore the process of drawing.

Experience

Mynn leads you through a series of simple exercises that are fun, easy, and meditative in nature, resulting in a remarkable development of skills. This workshop is designed for the absolute beginner, as well as those working in other media interested in honing their drawing skills. Only a few basic supplies are needed along with a willingness to let go of insecurities and preconceptions. Try new approaches to drawing in a relaxed and supportive setting.

Returning students are encouraged to join Drawing for Dummies: Graduate Seminar.

Instructor

Mynn Lanphier has a BFA in Drawing and Painting and MA in Curriculum and Instruction. She has been teaching children and adults for over 35 years. Mynn especially loves teaching drawing, because she feels it’s the most important foundation for creating artwork, and also because she believes that anyone can learn to draw!

Painting & Drawing

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Acrylic Painting Methods for Beginners Wendi Turchan

ID: 2D2063 Oct 2 - 3 • 9 am - 4 pm Acrylic • Level 1 Members: $225 • Non-Members: $250 Concept

Designed to introduce students to the technical and expressive possibilities of acrylic painting, this two-day workshop develops conceptual and technical skill in tandem. Build a foundation in basic color theory and color mixing, paint application, and methods for using acrylic mediums.

Experience

Mornings are dedicated to demonstrations and working through a series of techniquebased exercises aimed to introduce you to traditional and experimental acrylic painting concepts. Each afternoon is spent producing one finished painting related to the morning’s exercises. Wendi provides individualized instruction and feedback throughout the painting process. Group discussions of completed works close each day.

Instructor

Wendi Turchan is a northeast Wisconsinbased artist and educator. Her work explores time and place utilizing small, temporary forms within the landscape.

Wendi’s work has been exhibited widely across the country in solo and group shows.

She received her BFA from University of Wisconsin-Oshkosh and MFA in Painting from the University of Oregon. Wendi is a Lecturer of Art at the University of Wisconsin - Fond du Lac. www.wendimichelleturchan.com

Making Marks: Inventive Approaches to Unconventional Materials Shane McAdams ID: 2D2064 Oct 2 - 3 • 9 am - 4 pm Drawing, Any Painting Media All Levels Members: $225 • Non-Members: $250 Concept

Often in an artist’s quest to represent their chosen subject matter with accuracy, they miss out on the unique characteristics of not only the material in hand, but other media that might better fit their ideas. In this process-based workshop, challenge convention and broaden the spectrum of materials used to make your work.

Experience

The first half of the workshop focuses on working through an array of materials, examining each for their natural qualities, noting the effects, and determining which are worth pursuing further. From there, Shane encourages you to work with one or two specific materials to tease out an individual composition or series of compositions as a final takeaway.

Instructor

Shane McAdams is an artist, educator, writer, and curator residing in Cedarburg, WI. His work has been exhibited at the John Michael Kohler Art Center, Museum of Wisconsin Art, Haggerty Museum of Art, and others. Shane is a three-time Creative Capital awardee and Andy Warhol Writer’s Grant finalist. He has taught at the Rhode Island School of Design, as well as Marian University. He was a regular contributor to The Brooklyn Rail and The Milwaukee Journal Sentinel and currently writes for the Shepherd Express. Additionally, Shane runs the gallery REAL TINSEL on the southside of Milwaukee. www.shanemcadams.com

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Colored Pencil: Drama on Dark Paper Rhonda Nass ID: 2D2065 Oct 5 - 6 • 9 am - 4 pm Drawing • All Levels Members: $225 • Non-Members: $250 Plus materials fee.

Concept

Whether a novice or veteran in colored pencil, discover and gain proficiency in a new layering technique that allows you to capture drama and detail beyond what you thought possible of the medium.

Experience

This workshop begins by examining the work of contemporary colored pencil artists.

Following that, experiment with various stroke applications, produce a color match strip as reference for all future works, and design and begin a final composition.

Rhonda provides feedback throughout the process. Leave this workshop feeling confident in your ability to complete your work with excellence.

Instructor

From the moment Rhonda Nass drew her first pencil profile of a classmate, she was hooked on the limitless possibilities of communicating through art. Her teacher’s proclamation, “You could never be an artist,” catapulted her into a career in the arts.

Rhonda earned her degree in Art Education from University of Wisconsin - Madison, and since then she and her husband, Rick, have collaboratively operated Ampersand, an illustration studio in Prairie du Sac, WI. She continues to develop her work with inspiration from Caravaggio, Peter Paul Rubens, Wayne Thiebaud, and Robert Bateman. www.rnass.com

Capturing Fall Landscapes in Watercolor Catherine Hearding

ID: 2D2066 Oct 7 - 10 • 9 am - 4 pm Watercolor • Level 2 - 3 Members: $450 • Non-Members: $490 Concept

Using the colors of the autumn season as your muse, learn how to compose and edit a landscape composition, mix brilliant fall colors, and create transitional color movement. Capture the essence of the landscape by painting shapes and values and eliminating excess detail. Use the concepts of value, intensity, and color temperature to problem-solve, develop, and complete your paintings.

Experience

Each morning begins with a demonstration designed to highlight the concept of the day. The first day includes a step-by-step painting to guide you through the process.

Spend the rest of each day gaining handson practice painting trees, rocks, water, and other landscape elements. Individualized instruction is provided throughout the week.

Instructor

Catherine Hearding is a self-taught artist with more than 40 years of experience in watercolor painting. She works from her home studio in Lake Elmo, MN, where she can observe the rural landscapes that she loves to paint. Additionally, she spends time on the north shore of Lake Superior painting en plein air and capturing photos for reference in the studio. Catherine is president of the Minnesota Watercolor Society, and holds Signature Memberships with the Transparent Watercolor Society of America, Watercolor USA Honor Society, Minnesota Watercolor Society, and more.

She has received many local and national awards, and her work can be found in numerous public and private collections. www.chearding.com

Abstractions in Watercolor Jan Heaton

ID: 2D2068 Oct 12 - 15 • 9 am - 4 pm Watercolor • Level 1 - 2 Members: $450 • Non-Members: $490 Concept

Drawing for Dummies: Graduate Seminar Mynn Lanphier

ID: 2D2069 Oct 12 - 14 • 1 pm - 5 pm Drawing • Level 2 Members: $225 • Non-Members: $250

Designed for those with minimal watercolor experience, this workshop invites you to find a balance between the spontaneous and controlled qualities of the medium.

Build a foundation in traditional and experimental techniques, explore the evolution of an abstract form from observed reality, and develop a new visual language.

Concept

Experience

Before demonstrating more advanced techniques, Mynn reviews basic concepts from the introductory workshop. Take your drawing skills to the next level through individualized coaching and critiques. Working from your own selected photographs, expect to complete one or more finished drawings. Leave this workshop with newly gained knowledge and confidence. Students are required to have completed the beginning Drawing for Dummies workshop.

Presentations and group discussions introduce you to abstract image-making, while demonstrations focus on the various watercolor techniques and tools that can be utilized to create a finished painting.

Come prepared with a singular subject, such as a leaf, sketch, or object found in nature, and from that source, learn how to subtract, isolate, redefine, and translate the information into abstract compositions. Jan provides one-on-one feedback throughout the process. Expect to leave this workshop with a small series of works that explore your one central subject. Students from all stylistic backgrounds are welcome, however the non-representational style is emphasized.

Instructor

Jan Heaton is a watercolorist who calls Austin and Laguna Beach home. Her abstract watercolors are inspired by the structure, color, and pattern of elements in nature that are often overlooked. Her work isolates details and exposes the viewer to an everyday object or place from a new perspective. Jan’s artwork is represented by art dealers and galleries in Austin, San Antonio, Santa Barbara, San Francisco, Marble Falls, and Atlanta. www.janheaton.com

Refresh and explore the skills you learned in Mynn’s Drawing for Dummies workshop, and then apply them to produce more finished works of art. Engage in an intensive experience to explore the process of taking a piece from conception to completion.

Experience

Instructor

Mynn Lanphier has a BFA in Drawing and Painting and MA in Curriculum and Instruction. She has been teaching children and adults for over 35 years. Mynn especially loves teaching drawing, because she feels it’s the most important foundation for creating artwork, and also because she believes that anyone can learn to draw!

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Pattern and Decoration in Contemporary Painting Maria Rose Adams

Making Great Paintings from Photographs Shelby Keefe

Concept

Concept

ID: 2D2070 Oct 16 - 17 • 9 am - 4 pm Any Painting Media • Level 2 - 3 Members: $225 • Non-Members: $250 More than merely pleasing to the eye, pattern provides a dynamic framework for formal and conceptual exploration. The desire for order is central to humanity and repeating decoration adorns every corner of life. This workshop urges you to consider the meditative, creative, and ubiquitous nature of pattern and inspire ideas for incorporating it into your practice.

Experience

Drawing inspiration from personal objects, the natural world, and past work, create a variety of pattern studies in your chosen medium. Demonstrations address techniques for pattern invention, the role of color, and spatial phenomena. Develop and execute a concept for the incorporation of pattern into at least one personal piece.

Individualized instruction and feedback from Maria are provided throughout the process.

A facilitated group discussion and sharing of work closes the workshop. Some painting experience is required.

Instructor

Maria Rose Adam’s richly colored, densely patterned work is a celebration of and meditation on life’s simple pleasures. She holds a dual BFA in Studio Art and Art Education from Michigan State University and MFA in Drawing and Painting from the University of Washington. Maria is a recipient of the Minnesota State Arts Board Initiative Grant and has shown her work nationally and internationally. She lives and works in Saint Paul, MN. www.mariaroseadams.com

ID: 2D2071 Oct 21 - 24 • 9 am - 4 pm Oil • Level 3 - 4 Members: $450 • Non-Members: $490 Address the challenges and advantages of working from photo references in this four-day workshop. Bring your paintings to life as you develop a sensibility for selecting imagery, utilizing a bright and complementary palette for underpainting, and employing impressionist-based painting methods.

Experience

Daily demonstrations address the importance of thumbnail sketches, underpainting, paint application, movement and focal points, and color. The remainder of each day is dedicated to independent working time with Shelby available for individualized instruction and feedback.

Bring a large selection of photo references that explore a variety of subject matter, including the landscape, architecture, and figures.

Instructor

Shelby Keefe earned a BFA and embarked on a career as a graphic designer. She became a full-time fine artist in 2005 and has since been traveling around the country painting in plein air competitions, including the Door County Plein Air Festival, teaching workshops, as well as producing work in her Milwaukee studio. Shelby is a Signature Member of the American Impressionist Society and the American Women Artists.

Her work is represented at Fine Line Designs in Door County, Oh-Be-Joyful Gallery in Crested Butte, and Castle Gallery of Fine Art in Fort Wayne, IN. www.studioshelby.com

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Pastels: Immediacy and Color Tara Will

ID: 2D2072 Oct 26 - 29 • 9 am - 4 pm Pastel • All Levels Members: $450 • Non-Members: $490 Concept

Pastel is an intuitive medium with a wide range of possibilities. Explore color, mark-making, and technical application in this four-day workshop focused on the landscape as subject. Learn the importance of composition, accurate values, and confident linework.

Experience

Demonstrations introduce you to the different types of pastel, paper options, application methods, and other technical information, while hands-on work puts these concepts into practice. Personal exploration is emphasized throughout the process. Break for critiques each day to better understand the bigger picture of composition, value, color, and markmaking. Bring a selection of personal photo references of the landscape. Open to all levels.

Instructor

Tara Will grew up watching the creative hands of her grandmother, and had a love of creating from a young age. She attended Mount Saint Mary’s University in Maryland double majoring in Art and Philosophy. Tara predominantly works in pastels; capturing the essence of a space using bold colors and strong marks. She has participated in numerous plein air competitions. In 2017, Tara achieved her Master Circle status with the International Association of Pastel Societies. She is also a Signature Member of the Maryland Pastel Society and an Associate Member of the Pastel Society of America. Tara resides in Maryland with her husband and four small children. www.tarawill.com

PRINT • PAPER • BOOK

The Poetics of Mixed Media Benjamin Gardner

Skill Levels Level 1

A Skill Level 1 workshop does not require any previous art making experience. Build a foundation in the materials, techniques, and vocabulary of the medium.

Level 2

A Skill Level 2 workshop requires basic experience and training in the medium.

Improve technical skills and begin exploring content in your work.

Level 3

A Skill Level 3 workshop requires a growing level of confidence with all aspects of the medium and ability to work and solve problems independently.

Level 4

A Skill Level 4 workshop requires experience, competency, and fluency in the medium. Artistic growth is emphasized through independent work and critique.

All Levels

An All Levels workshop welcomes students of any skill and knowledge level. Instructors offer a balanced and flexible curriculum tailored to each student’s experience.

ID: 2D2002 Jun 8 - 9 • 9 am - 4 pm Acrylic, Drawing, Watercolor, Print/ Paper/Book • All Levels Members: $225 • Non-Members: $250 Concept

Bookbinding and Paper Marbling Sampler Carey Watters

ID: 2D2007 Jun 15 - 18 • 9 am - 4 pm Print/Paper/Book • All Levels Members: $495 • Non-Members: $535 Includes materials fee.

The use of mixed media can broaden your mark-making abilities and expand the content of your work. Through a mixture of practical, technical, and experimental approaches to two-dimensional media, learn how to incorporate different materials into a dynamic studio practice and discuss materials’ relationship to ideas and concepts of art making.

Concept

Experience

This workshop begins with the basics of two main categories of 2D materials – graphic or drawing materials and waterbased materials. With this foundation, explore different techniques and mix them together to create a wider range of marks, applications, and aesthetics of combining media. Expect to create multiple tests of materials and techniques, as well as at least one personal, finished artwork that is discussed before the end of the final day.

While not entirely necessary, some art making experience is suggested.

This workshop begins with a day spent marbling a variety of papers that are used to make five different book structures. The remaining three days explore saddle stitch, Japanese stab, coptic, case bound, and secret Belgium binding structures. Use a variety of materials and techniques to put a twist on these standard book structures.

Finally, design and construct a slip case that holds all five book structures and a mini sampler of traditional paper marbling patterns. Leave this workshop with a beautiful bookbinding reference box for your library. Open to all levels.

Instructor

Instructor

Benjamin Gardner received his BFA from Millikin University and MFA from Illinois State University. He has exhibited his paintings and drawings throughout the United States, including exhibitions at Gallery Molly Krom in New York, the Spartanburg Art Museum, the Sioux City Art Center, and Heartbreaker in Peoria, IL. Benjamin is affiliated with Moberg Gallery in Des Moines. He is an Associate Professor of Art and Design at Drake University, and lives and works in Des Moines, IA. www.benjaminagardner.com

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This workshop focuses on the timeless crafts of bookbinding and paper marbling.

Learn how to create interesting and unpredictable patterns on paper, several binding styles, and basic skills in paper and book arts. Discover opportunities for experimentation within each process.

Experience

Carey Watters is Assistant Professor of Graphic Design and Typography at the University of Wisconsin-Parkside. She received her BFA in Graphic Design from the University of Wisconsin-Milwaukee and MFA from the University of WisconsinMadison. Carey’s current book and collage work weave together concepts regarding memory, historic map making, and religious and pagan symbolism. www.careywatters.com

Mokuhanga Melissa Schulenberg

ID: 2D2016 Jun 29 - Jul 2 • 9 am - 4 pm Print/Paper/Book • All Levels Members: $525 • Non-Members: $565 Includes materials fee.

Concept

Mokuhanga, a Japanese water-based woodcut process, requires no printing press and is a safe way to print almost anywhere.

Discover the versatility of this wonderful relief printmaking technique as you learn traditional carving methods, registration, and various printing techniques.

Experience

Demonstrations and discussions introduce Mokuhanga, including its history, materials, and basic process, and direct you in the planning and carving of multiple blocks to create a finished print. Each day progresses through the steps of carving, paper preparation, and printing, as well as tool sharpening and paper management. Ample time is dedicated to working each day with Melissa providing individualized feedback throughout the process. Open to all levels.

Instructor

Melissa Schulenberg is an artist/printmaker currently residing in Canton, NY, where she is an Associate Professor of Art at St. Lawrence University. She received her BA in Studio Art from Bowdoin College, MA in Printmaking from Purdue University, and MFA in Printmaking from the University of Colorado at Boulder. Melissa’s work has been exhibited nationally and internationally. Her work takes inspiration from observed organic forms, the natural landscape, and her immediate surroundings.

Melissa teaches various printmaking, drawing, and book arts courses.

Box Making for Artists Melissa Wagner-Lawler

ID: 2D2022 Jul 13 - 16 • 9 am - 4 pm Print/Paper/Book • All Levels Members: $450 • Non-Members: $490 Concept

Whether you’re interested in creating a space to keep an artist book, your prints, or other ephemera you’ve created or collected, this workshop offers an introduction to building and covering box structures. Learn how to design and assemble a clamshell portfolio box, slip case, and specimen box.

Experience

Focusing on a different type of box each day, demonstrations and instructor-led exercises build skill progressively. Gain hands-on practice selecting materials, such as book cloth and decorative paper, and using proper technique to build and cover boxes. Melissa provides individualized instruction and feedback throughout the making process, as well as in in-progress and final critiques. Open to all levels.

Instructor

Melissa Wagner-Lawler is a book artist, printmaker, and Lecturer in the Print and Narrative Forms department at the University of Wisconsin-Milwaukee. She earned her BFA from the Milwaukee Institute of Art and Design and MFA from the Minneapolis College of Art and Design, both with an emphasis in printmaking.

Her work investigates the perception of landscape and place using the image making properties of printmaking. Melissa’s work is held in numerous collections, including the Library of Congress Rare Book Collection, Stanford University, University of Utah, and Yale University. www.redthreadletterpress.com

The Photographic Book Barbara Diener

ID: PH2008 Jul 17 - 18 • 9 am - 4 pm Digital Photography, Print/Paper/Book All Levels Members: $225 • Non-Members: $250 Concept

This workshop demystifies the process of creating a photographic book. Whether you’re interested in putting together a book of favorite photographs or embarking on a conceptual project to feature and distribute your work, learn how to develop a book from the making of photographs to the final product of a bound volume.

Experience

Guided instruction provides you with hands-on practice editing, sequencing, and designing layout, while discussions address options for physically printing and binding a book after the workshop concludes. Come prepared with a grouping of photographs or body of work. A computer with Adobe Lightroom® or Photoshop®, and InDesign® is required. Open to all levels; previous experience with these programs is helpful, but not necessary.

Instructor

Through the landscape and people she encounters, Barbara Diener explores her own relationship to ideas of home, personal history, and collective memory in her photography practice. Born in Germany, she earned a BFA from the California College of the Arts and MFA from Columbia CollegeChicago. Barbara’s work has been exhibited widely and she has participated in several artist residency programs, including the Fields Project, ACRE, and HATCH. Barbara is the Collection Manager in the Department of Photography at the Art Institute of Chicago and teaches at Oakton Community College and the School of the Art Institute of Chicago. www.barbaradienerphotography.com

Paper | Print | Book

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Collage Melissa Oresky

ID: 2D2029 Jul 31 - Aug 1 • 9 am - 4 pm Any Painting Media, Print/Paper/Book All Levels Members: $225 • Non-Members: $250 Concept

With its stream of endlessly reproducible images, materials, patterns, and information, the medium of collage has a unique history and vital connection to contemporary life.

During this two-day workshop, explore basic approaches to collage, including organizing collections of images and materials and taking them apart and piecing them together in new pictorial images or abstract designs.

Introduction to Adobe Illustrator®: Incorporating Digital Tools into Your Studio Practice Emily Scheider Berens

Introduction to Adobe Photoshop ®: Incorporating Digital Tools into Your Studio Practice Emily Scheider Berens

Concept

Concept

ID: PH2015 Aug 14 - 15 • 9 am - 4 pm All Media, Digital • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

ID: PH2016 Aug 17 - 18 • 9 am - 4 pm All Media, Digital • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

This workshop introduces you to the basics of creating vector-based work in Adobe Illustrator®. Learn to utilize this program as a supporting prep tool for future projects, including stand-alone vector compositions and digital prints that mimic traditional media.

This workshop introduces you to the basics of Adobe Photoshop® as a tool for combining digital imaging techniques with your existing studio practice. Create rich mixed-media compositions as you learn the fundamentals of importing and remixing hand-rendered artwork.

Presentations of works by modern and contemporary artists introduce you to the limitless possibilities of working with collage, while technical demonstrations and exercises explore the material processes and concepts presented. Exercises are specific, but also allow for individual interpretation and play. Work with images and materials that you collected prior to class commencing. This initial image collection is a vital aspect of the collage process. Open to students of all levels and backgrounds.

Experience

Experience

Instructor

Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for ‘tra-digital’ media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has exhibited her work and delivered digital literacy workshops regionally and internationally.

She is a faculty member within UWMilwaukee’s Peck School of the Arts, and has taught community education-focused workshops serving artists hailing from a diverse range of backgrounds and skill sets. www.emily-scheider.com

Experience

In her works on paper, canvas, and in video, Melissa Oresky engages collage as a material practice, visual language, and concept. Her work examines landscape through the lens of abstraction. Melissa received her BFA from the School of the Art Institute of Chicago and MFA from the University of Illinois - Chicago. She has exhibited her work in solo and group shows, nationally and internationally. Melissa is a Professor of Painting and Drawing at Illinois State University. www.melissaoresky.com

Demonstrations and hands-on practice introduce you to the process of importing, organizing, and exporting files; merging photographic image files with vector compositions to create mixed-media collage work; using pen and brush tools to create line drawings and vector artwork; utilizing the shape-building and patterning tools; and creating templates for future projects, including stencils, pattern blocks, or film positives for screen printing.

Through a series of demonstrations and hands-on exercises, learn how to import, organize, and export files with Photoshop®; use layers, blending modes, and the FX panel; refine image selection techniques; create custom digital brushes and handrendered mark-making; blend together digital paint layers; and use retouching tools to enhance your imagery. Leave this workshop with a set of new digital skills and at least one print.

Instructor

Instructor

42 www.PeninsulaSchoolofArt.org | 920.868.3455

Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for ‘tra-digital’ media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has exhibited her work and delivered digital literacy workshops regionally and internationally.

She is a faculty member within UWMilwaukee’s Peck School of the Arts, and has taught community education-focused workshops serving artists hailing from a diverse range of backgrounds and skill sets. www.emily-scheider.com

Screen Printing Fundamentals Christine Style

ID: 2D2053 Sep 9 - 12 • 9 am - 4 pm Print/Paper/Book • All Levels Members: $475 • Non-Members: $515 Includes materials fee.

Concept

Explore the world of screen printing in this workshop open to all levels. Moving through the process from start to finish, transform black line drawings and photographs into immediate, colorful, and creative highquality prints on paper.

Experience

Bricolage: A Low-Tech Approach to Sculpture Don Krumpos

ID: 3D2029 Sep 14 - 17 • 9 am - 4 pm All Media • All Levels Members: $465 • Non-Members: $405 Includes materials fee.

Concept

Bricolage is defined as something constructed from a diverse range of objects.

In this low-tech sculpture workshop, gain the confidence to start to build without any technical skills and learn basic art principles and problem-solving.

Build a foundation in silkscreen printing as Chris guides you through the process of making film positives from your personally drawn or photographed artwork, applying emulsion and exposing screens, mixing ink, organizing registration, and printing successfully. Additional screen printing methods covered include using screen filler, blended ink methods, and color reduction printing. Open to all skill levels, however knowledge of principles of art and design is helpful.

Experience

Instructor

Instructor

Christine Style maintains a printmaking studio in Green Bay, WI. At the end of 2018, she retired from 30+ years of teaching printmaking, drawing, and 2D design as a Professor at the University of Wisconsin-Green Bay. Chris earned her BS in Art from UW-Madison and MFA from UW-Milwaukee. She is secretary to the State Board for Wisconsin Visual Artists and is on the board for Print Forum, a support group with the Milwaukee Art Museum. Chris exhibits regionally, nationally, and internationally. www.christinestyle.com

Beginning with a simple box, Don guides you through the process of building in and around it with found objects and items you make in class to create a successful art object. Through presentations and discussions, learn about assemblage, collage, cabinets of curiosities, reliquaries, low-tech materials and tools, how to find and use a variety of found objects, and other reference knowledge. Open to artists of all levels and backgrounds.

Don Krumpos grew up on a centuryold hobby farm in northeast Wisconsin cobbling together inventions from his father’s cast-iron machinery and developing a kinship for bric-a-brac and found objects.

He is an art educator and makes work that embraces the spectacle of live performance and the participatory nature of art making and viewing process. Don also runs Yonder in Algoma, showcasing artworks by regional and national artists that create meaningful and accessible art-based experiences for the public. www.yonderartland.com

Copper Plate Etching Don Krumpos

ID: 2D2067 Oct 7 - 10 • 9 am - 4 pm Print/Paper/Book • All Levels Members: $495 • Non-Members: $535 Includes materials fee.

Concept

Dive into the centuries-old printmaking process of etching in this workshop that introduces the techniques, materials, and equipment. In this process, a copper plate is covered with an acid-resistant ground.

Using sharp tools, scratch an image into the ground and submerge the plate in an acid bath. The acid “bites” into the areas where the ground has been scratched away creating clearly defined lines ready to hold ink and transfer your image.

Experience

Through demonstrations and hands-on practice, learn about hard ground and aquatint processes, how to ink and print a plate, paper handling, press use, and other printmaking techniques. Leave this workshop with multiple iterations of your imagery using multi-stage acid biting. Open to all levels.

Instructor

Don Krumpos grew up on a centuryold hobby farm in northeast Wisconsin cobbling together inventions from his father’s cast-iron machinery and developing a kinship for bric-a-brac and found objects.

He is an art educator and makes work that embraces the spectacle of live performance and the participatory nature of art making and viewing process. Don also runs Yonder in Algoma, showcasing artworks by regional and national artists that create meaningful and accessible art-based experiences for the public. www.yonderartland.com

Paper | Print | Book

43

3-D Studio Arts Workshops METAL SCULPTURE & JEWELRY, CLAY SCULPTURE & POTTERY

The metals and ceramics curriculum at Peninsula School of Art emphasizes process over product.

We believe the finished piece is only one step in a student’s artistic development. Our workshops, at all levels, encourage students to examine

The instructor was exceptional, the ideal combination of technical and creative ability with a solid, accessible teaching style. He was very organized and gave us information as well as inspiration, loved him! - 2019 Student

the materials at hand, experiment with various techniques, and exchange ideas. When the stresses of completing a perfect piece are set

outfitted with hand tools for forming and finishing,

aside, students experience tremendous growth.

a rolling mill, soldering setups, enameling kilns,

Phenomenal visiting

artists

faculty

and

members

educators, aim

to

our

improve

students’ fluency in the materials and tools of each medium, as well as help students to

determine

new

conceptual

directions.

Our designated 3D studios are fully equipped, organized with the full spectrum of tools needed, and filled with natural light. The metals studio is

44 www.PeninsulaSchoolofArt.org | 920.868.3455

casting equipment, and all of the necessary benchtop power tools. The ceramics studio features potter’s wheels, a slab roller, large tables for hand building, two electric kilns, and three raku kilns.

Experience

a

metals

or

ceramics

workshop

this summer. Allow yourself to be inspired

by Peninsula School of Art’s beautiful setting and dive into your own artistic development.

METALS

Trade Pins: Learn the Basics of Lost-Wax Casting Lauren Selden

ID: 3D2001 Jun 10 - 13 • 9 am - 4 pm Metal • All Levels Members: $550 • Non-Members: $590 Includes materials fee.

Concept

Skill Levels Level 1

A Skill Level 1 workshop does not require any previous art making experience. Build a foundation in the materials, techniques, and vocabulary of the medium.

Level 2

A Skill Level 2 workshop requires basic experience and training in the medium.

Improve technical skills and begin exploring content in your work.

Level 3

A Skill Level 3 workshop requires a growing level of confidence with all aspects of the medium and ability to work and solve problems independently.

Level 4

A Skill Level 4 workshop requires experience, competency, and fluency in the medium. Artistic growth is emphasized through independent work and critique.

All Levels

An All Levels workshop welcomes students of any skill and knowledge level. Instructors offer a balanced and flexible curriculum tailored to each student’s experience.

Lost-wax casting techniques have been used by jewelers for thousands of years.

Learn the basics of creating original metal forms using lost-wax casting in this fastpaced workshop open to all levels. Create small brooches of your own design using wax and reductive carving techniques.

Experience

Lectures, demonstrations, and handouts lead you step-by-step through the entire process. Cast your first form and create multiples using rubber mold techniques.

After casting multiple brooches, trade your original works for those of your classmates’.

Lauren provides individualized instruction throughout the four days. Open to all levels, however those with previous experience are encouraged to push their designs further.

Instructor

Lauren Selden is a Professor of Art at Stephen F Austin State University in Texas.

Her exhibition accomplishments include solo, invitational, and juried exhibitions in national and international venues. Lauren’s work has been published in Metalsmith Magazine, Lark Books 500 Metal Vessels, and Lark Books 500 Wedding Rings. Her outdoor sculpture have been on public display in various cities across the country.

In 2018, Lauren spent time at the Baer Art Center Residency in Hofsos, Iceland, and had the honor to be a featured artist in the 2do Festival de Arte Nueve in Chihuahua, Mexico. www.seldenart.com

46 www.PeninsulaSchoolofArt.org | 920.868.3455

Bronze Casting Teresa Lind

ID: 3D2002 Jun 15 - 19 • 9 am - 4 pm Metal • All Levels Members: $505 • Non-Members: $555 Plus materials fee.

Concept

Using contemporary methods and materials, learn the ancient art of bronze casting in this engaging and labor-intensive workshop. Create a ceramic shell cast of an original wax sculpture or transform an existing piece into a final work in bronze.

Experience

Teresa guides you step-by-step in the lost wax process of bronze casting, resulting in a finished sculpture. Be prepared for a busy week loaded with information, hard work, and a unique hands-on experience.

Additional material costs vary based on the size and number of sculptures you produce, as well as the current market price of bronze and other consumables. All levels welcome.

Instructor

Teresa Lind earned her BFA in Drawing, Painting, and Sculpture from the University of Wisconsin-Oshkosh. After studying at the Florence Academy of Art in Italy, she graduated from the University of Wisconsin-Milwaukee with an MFA in Sculpture. Teresa is a lecturer in the Sculpture Department at UW-Whitewater.

She attends national and international conferences and participates in juried exhibitions. In addition to her teaching and personal practice, Teresa runs a small custom metal casting business from her studio in Chilton, WI.

Drawing and Painting in Glass Jessica Calderwood

ID: 3D2003 Jun 19 - 20 • 9 am - 4 pm Metal • All Levels Members: $250 • Non-Members: $275 Includes materials fee.

Concept

Discover a new approach to enameling in this intensive two-day workshop.

Working from personal sketches and photo references, learn how to use chiaroscuro rendering techniques to create imagery in vitreous enamel.

Experience

Demonstrations address stenciling, underglazes, china paints, painting with oils, and using a bending break to create simple metal forms. Working from your preparatory sketches or reference images, gain handson practice with Jessica available for individualized instruction and feedback.

Leave this workshop with a handful of working samples. As an option, manipulate files in Photoshop to create and print precise stencils. Open to all levels, however basic enamel skills are preferred.

Instructor

Jessica Calderwood is an image-maker and sculptor, working in esoteric craft media.

She uses a combination of traditional and industrial enamel and metalworking processes as a means to make statements about contemporary life. She earned her BFA from the Cleveland Institute of Art and MFA from Arizona State University with an emphasis in Metalworking. Jessica’s work has been exhibited throughout the US and abroad in curated and juried exhibitions. She has also participated in artist residencies with the John Michael Kohler Arts/Industry Program. Jessica is an Associate Professor of Art at Ball State University. www.jessicacalderwood.com

Forging Through the Kitchen: Making Handcrafted Utensils Danny Saathoff

Setting it Up!: Creative Settings in Jewelry Lisa Johnson

Concept

Concept

ID: 3D2006 Jun 24 - 27 • 9 am - 4 pm Metal • All Levels Members: $450 • Non-Members: $490 Plus materials fee.

Have you ever thought about cooking with hand-crafted utensils you made yourself?

Pouring soup from a ladle that you created or flipping pancakes with a spatula built to fit your hands? This workshop focuses on beautiful, functional kitchen tools made mostly of metal. Possible items include spoons, forks, cheese knives, scoops, strainers, bowls, spatulas, and more.

Experience

Through demonstrations and hands-on practice, learn how to raise sheet metal to make hollow forms, saw, texture, file, and finish and polish metal, as well as how to fabricate and rivet wood or stone for handles. Soldering is included in the construction; however, the majority is completed using cold connections. Copper and brass are primarily used, but silver is also an option. Open to all levels; some metalsmithing experience is helpful.

Instructor

Danny Saathoff is a jewelry designer and sculptor. He refers to his jewelry as small-scale sculpture and his sculpture as large-scale jewelry. Danny’s sculptures have been commissioned by restaurants, airports, hospitals, and more. His jewelry can be found in galleries around the country and online. Danny is an Instructor of Metalsmithing at Carleton College. In addition to jewelry and sculpture, he loves to make beautiful, functional objects; from kitchen tools to boats. www.dannysaathoff.com

ID: 3D2008 Jul 8 - 11 • 9 am - 4 pm Metal • All Levels Members: $455 • Non-Members: $495 Includes materials fee.

Develop interesting, fun compositions that explore a variety of settings to showcase alternative materials, found objects, cabochons, and faceted gemstones in rings or pendants. Learn how to use basic jewelry making techniques to design and fabricate rivets, as well as an assortment of bezel, reverse tab, prong, and tube settings.

Experience

Daily demonstrations, handouts, and plenty of hands-on practice introduce you to a variety of setting techniques, as well as fabrication fundamentals, including soldering, sawing, filing, surface textures, and finishing methods using polishing compounds or patinas. Expect to leave this workshop with at least one completed piece. Open to all skill levels. Those with more experience are encouraged to push the boundaries of their projects. Bring in a special object from home or alternative material you’re looking to transform into jewelry.

Instructor

Lisa Johnson is the Director of Jewelry and Metalsmithing and Fiber and Textiles at The Lighthouse Art Center in Tequesta, FL. After receiving her BFA from Miami University and MFA in Jewelry Design from Indiana University, she was awarded an Artist-in-Residence at Arrowmont School of Arts and Crafts. Selected publications featuring her work include On Body and Soul: Contemporary Armor to Amulets, 500 Necklaces, New Earrings: 500 Designs, among others. www.lisajohnsonstudio.com

Metal

47

Riveting Enamels Kieu Pham Gray

ID: 3D2010 Jul 13 • 9 am - 12 pm Metal • All Levels Members: $75 • Non-Members: $80 Plus materials fee.

Concept

Enameling offers unlimited opportunities to develop rich surfaces of color. Learn enameling techniques and explore cold connections as you work toward a completed piece in this half-day workshop.

Experience

Through demonstrations, Kieu shares how to torch fire enamel on copper, as well as how to use transparent enamels on silver to create true, vibrant colors. After firing all of your pieces, rivet them together to complete at least one finished pendant. Open to all levels.

Instructor

Kieu Pham Gray has been creating jewelry for more than 25 years. Her interest in jewelry began with the need to “look the part” while working in retail management at Nieman Marcus. Since then, she has sold to over 30 stores and participated in numerous juried exhibitions.

Kieu and her husband own and operate TheUrbanBeader.com, where they work to provide the industry with specialty supplies and tools. In addition, she teaches a wide range of workshops throughout the country and authored the book “Hot and Cold Jewelry Connections”. Kieu lives and works in Peninsula, OH. www.kieuphamgray.com

Silver on Enamel Kieu Pham Gray

ID: 3D2011 Jul 13 • 1:30 pm - 4:30 pm Metal • All Levels Members: $75 • Non-Members: $80 Plus materials fee.

Concept

Do you like the look of enameled silver, but not the expense? Learn how to create a metallic effect on copper using silver foil and transparent enamels that won’t break the bank.

Experience

Through demonstrations and guided work time, gain an understanding of basic enameling techniques using transparent and opaque enamels and how to elevate the materials to achieve a vibrant effect.

Leave this workshop with three enameled pendants. Open to all levels.

Instructor

Kieu Pham Gray has been creating jewelry for more than 25 years. Her interest in jewelry began with the need to “look the part” while working in retail management at Nieman Marcus. Since then, she has sold to over 30 stores and participated in numerous juried exhibitions.

Kieu and her husband own and operate TheUrbanBeader.com, where they work to provide the industry with specialty supplies and tools. In addition, she teaches a wide range of workshops throughout the country and authored the book “Hot and Cold Jewelry Connections”. Kieu lives and works in Peninsula, OH. www.kieuphamgray.com

48 www.PeninsulaSchoolofArt.org | 920.868.3455

Shapely Links: Introduction to Basic Soldering Kieu Pham Gray ID: 3D2012 Jul 14 • 9 am - 12 pm Metal • All Levels Members: $75 • Non-Members: $80 Plus materials fee.

Concept

In this workshop, develop your silver soldering skills while creating a unique loop design. Jumpstart your metalsmithing knowledge with these techniques and best practices.

Experience

Gain confidence and refine your skills in the handling of tools and materials as you successfully solder simple joints using fine silver stock and sterling silver jump rings.

You can expect to complete a bracelet by the end of this half-day workshop. Open to absolute beginners and those who are more advanced interested in a refresher of the basics.

Instructor

Kieu Pham Gray has been creating jewelry for more than 25 years. Her interest in jewelry began with the need to “look the part” while working in retail management at Nieman Marcus. Since then, she has sold to over 30 stores and participated in numerous juried exhibitions.

Kieu and her husband own and operate TheUrbanBeader.com, where they work to provide the industry with specialty supplies and tools. In addition, she teaches a wide range of workshops throughout the country and authored the book “Hot and Cold Jewelry Connections”. Kieu lives and works in Peninsula, OH. www.kieuphamgray.com

Multiplicity Kieu Pham Gray

Key to Success Kieu Pham Gray

Concept

Concept

ID: 3D2013 Jul 14 • 1:30 pm - 4:30 pm Metal • Level 2 - 4 Members: $75 • Non-Members: $80 Plus materials fee.

This ring may look simple, but the challenge lies in the soldering. Work through the difficulties of soldering one part of the ring, while managing not to melt another in this half-day workshop.

Experience

Refine your soldering and ring making skills through demonstrations and guided working time using fine and sterling silver stock. Previous silver soldering and simple ring making experience is required for this workshop.

Instructor

Kieu Pham Gray has been creating jewelry for more than 25 years. Her interest in jewelry began with the need to “look the part” while working in retail management at Nieman Marcus. Since then, she has sold to over 30 stores and participated in numerous juried exhibitions.

Kieu and her husband own and operate TheUrbanBeader.com, where they work to provide the industry with specialty supplies and tools. In addition, she teaches a wide range of workshops throughout the country and authored the book “Hot and Cold Jewelry Connections”. Kieu lives and works in Peninsula, OH. www.kieuphamgray.com

ID: 3D2014 Jul 15 • 9 am - 4 pm Metal • Level 2 - 4 Members: $115 • Non-Members: $125 Plus materials fee.

Your metals shop was very well equipped. The class size was nice. The structure of the workshop was great.

The instructor was terrific.

Just the right amount of demo time. I was so pleased to go home with a couple of pieces that I am quite proud to share with my friends. I look forward to taking my next metals workshop.

- 2019 Student

The key to success is in the planning. In this workshop, discover methods for planning your fabrication projects while fine tuning your soldering skills. Discuss the many considerations needed when fabricating pieces with multiple components of different sizes.

Experience

Using basic silver stock, including wire, tubes, jump rings, and sheet metal, create your base key and added decorative silver pieces. Put all of these components together to create your key to success.

Previous silver soldering experience is required for this workshop.

Instructor

Kieu Pham Gray has been creating jewelry for more than 25 years. Her interest in jewelry began with the need to “look the part” while working in retail management at Nieman Marcus. Since then, she has sold to over 30 stores and participated in numerous juried exhibitions.

Kieu and her husband own and operate TheUrbanBeader.com, where they work to provide the industry with specialty supplies and tools. In addition, she teaches a wide range of workshops throughout the country and authored the book “Hot and Cold Jewelry Connections”. Kieu lives and works in Peninsula, OH. www.kieuphamgray.com

Metal

49

Bespoke Bezels and Bails Kieu Pham Gray

Playful Enamels Jennifer Wells

Powder Coating for Jewelry Melis Agabigum

Concept

Concept

Concept

ID: 3D2015 Jul 16 • 9 am - 4 pm Metal • Level 2 - 4 Members: $115 • Non-Members: $125 Plus materials fee.

Regardless of which direction you view this piece, there is something special to tantalize the eye. Design and fabricate a pendant using a variety of techniques that are sure to expand your metalsmithing vocabulary.

Experience

Starting from sterling silver stock, make twists and turns to create an open back setting and unique bezel to hold a cabochon in place. Add a custom bail as a final touch to push this pendant over the top. Previous soldering and wire working experience is required for this workshop.

Instructor

Kieu Pham Gray has been creating jewelry for more than 25 years. Her interest in jewelry began with the need to “look the part” while working in retail management at Nieman Marcus. Since then, she has sold to over 30 stores and participated in numerous juried exhibitions.

Kieu and her husband own and operate TheUrbanBeader.com, where they work to provide the industry with specialty supplies and tools. In addition, she teaches a wide range of workshops throughout the country and authored the book “Hot and Cold Jewelry Connections”. Kieu lives and works in Peninsula, OH. www.kieuphamgray.com

ID: 3D2016 Jul 27 - 30 • 9 am - 4 pm Metal • All Levels Members: $525 • Non-Members: $565 Includes materials fee.

Investigate the world of possibilities for surface color and design in this workshop where enameling techniques are mixed and layered. Learn how to work with liquid, powder, transparent, and opaque enamels, as well as watercolor and china paints.

Experience

Demonstrations and discussions introduce you to the fundamentals and proper application techniques of each material.

From there, break the rules in as many ways as you can and develop your own visual library. Work from your sketchbook, favorite photographs, or imagination. Open to all levels; no previous experience with enamels required.

Instructor

Jennifer Wells is a studio artist living and working between the US and Italy.

After earning her MFA from East Carolina University, she spent a year at Arrowmont School of Arts and Crafts as a resident artist. She also completed shorter-term residencies at Pocosin Arts and Jentel Foundation. Jennifer has taught numerous workshops nationally and internationally, and been a Visiting Artist and Professor with a number of universities. Jennifer is in the collection of the Enamel Arts Foundation and the Racine Museum. www.jennwells.com

50 www.PeninsulaSchoolofArt.org | 920.868.3455

ID: 3D2018 Jul 31 - Aug 1 • 9 am - 4 pm Metal • All Levels Members: $240 • Non-Members: $265 Includes materials fee.

Traditionally an industrial process, powder coating offers a weatherproof and chip and scratch resistant finish. When used on jewelry, it offers an inexpensive, versatile, and colorful way to make your jewelry “POP!” Learn how to quickly and easily apply this durable finish to your pieces in a wide array of colors.

Experience

Demonstrations, discussions, and handson practice introduce you to various home setup options, powder coating equipment, and effective cleaning, spraying, and sifting methods. The majority of class is dedicated to time to experiment, make samples, and finish already-made pieces. You are encouraged to bring finished, bare metal works that you would like to transform with color. Open to all levels.

Instructor

Melis Agabigum is an educator and studio artist from Michigan. She received her BFA in Art and Design from the University of Michigan and MFA in Intermedia from the University of Wisconsin-Milwaukee.

Melis has taught jewelry, sculpture, and 3D fabrication courses at several universities.

Currently, she is the Visiting Assistant Professor and Area Head of Jewelry and 3D Fabrication at Earlham College. Melis’ work has been show at the national and international level. www.melisbanu.com

Adornment Nicole Jacquard

ID: 3D2019 Aug 5 - 8 • 9 am - 4 pm Metal • All Levels Members: $450 • Non-Members: $490 Concept

Learn the basics of working with metal as you create four pieces of jewelry, including a ring, pendant, earrings, and a brooch, from start to finish. With emphasis placed on the building blocks of making work, leave this workshop with confidence in using a variety of cold and heat joining processes, as well as techniques for creating mechanisms.

Experience

Each day focuses on one of the four pieces of adornment. With Nicole as your guide, follow a step-by-step approach to make each finished piece using metal wire and sheet. Open to students of all levels, no previous experience is necessary.

Instructor

Nicole Jacquard is an Assistant Professor and the Area Head at Indiana University in Bloomington. She was the President of the Society of North American Goldsmiths from 2015-2017. Nicole’s education includes a BFA from IU, MFA from the University of Michigan, and a second MFA and PhD in Fine Art from RMIT University in Melbourne, as well as a two-time recipient of the prestigious Fulbright Award. Nicole’s practice explores themes of the souvenir, ornamentation, longing, and nostalgia associated with the collection of personal objects; interested in how ordinary objects transcend the mundane through the association of memory. www.nicolejacquard.com

Object and Memory: Narrative Jewelry Sara Brown and Kristina Smith

ID: 3D2021 Aug 10 - 13 • 9 am - 4 pm Metal • All Levels Members: $460 • Non-Members: $500 Includes materials fee.

Concept

How can a wearable object tell a story?

In this workshop, explore the idea of creating jewelry as a signifier of experience, memory, or story. Using personal items of importance and materials of interest as a starting point, design and fabricate a series of small-scale wearables using both traditional and non-traditional techniques.

Experience

Demonstrations and discussions address technical processes and conceptual concerns, including making chains and pinback mechanisms, incorporating alternative materials, using image transfer processes, general fabrication tips, as well as techniques for researching and troubleshooting new ideas. Experiment with techniques presented and leave with a collection of samples as research, as well as the start of several pieces. Previous metalsmithing experience, including sawing, filing, and soldering, is preferred.

Instructor

Sara Brown is a studio jeweler and educator currently teaching at Winthrop University in Rock Hill, SC. She received her MFA in Metalsmithing and Jewelry Design from Indiana University. www.sarabrownstudio.com Kristina Smith is an image and object based visual artist and educator based in Dallas, TX. She received an MFA with distinction in Studio Art from Texas Women’s University in Denton, TX. Kristina currently teaches Photography and New Media at the University of North Texas. www.kristinasmithfineart.com

Pendant Making Using Cold Connections Sarah Mann

ID: 3D2022 Aug 14 - 15 • 9 am - 4 pm Metal • All Levels Members: $225 • Non-Members: $250 Concept

Whether you’re an absolute beginner or more experienced metalsmith interested in a refresher, this workshop explores cold connection techniques to make a tab set object pendant. Expand your skillset as you design and fashion your own original pendant.

Experience

Through demonstrations and hands-on practice, Sarah introduces and guides you through the process of creating a tab set object pendant. Learn how to texturize, layer, and saw metals to create a base on which to set a unique found object, stone, or fabricated metal dome using wire and tube rivets. Open to all levels; no experience necessary.

Instructor

Sarah Mann is a professional jeweler of over 20 years. She studied jewelry design under Heikki Seppa at Washington University in St. Louis and at the Fuji Studio in Florence. Her work has been featured in numerous solo and group exhibitions and is represented in galleries across the country. Sarah currently lives and works in Milwaukee, where she creates stunning sterling silver jewelry. www.mannstudio.com

Metal

51

Unique Chain Making Sarah Mann

ID: 3D2023 Aug 17 - 18 • 9 am - 4 pm Metal • Level 2 - 4 Members: $225 • Non-Members: $250 Concept

In this workshop, focus on designing and creating a distinctive necklace or bracelet that is a dramatic departure from the average cable chain. Challenge yourself and apply fresh thinking as you create a unique chain from start to finish.

Experience

Using wire and sheet metal, design and fabricate inspired links and clasps that encourage you to consider connecting elements in a whole new way. Sarah provides individualized feedback throughout the process. Leave this experience with a new set of skills, design concepts, and a finished chain. Previous soldering experience is required for this workshop.

Instructor

Sarah Mann is a professional jeweler of over 20 years. She studied jewelry design under Heikki Seppa at Washington University in St. Louis and at the Fuji Studio in Florence. Her work has been featured in numerous solo and group exhibitions and is represented in galleries across the country. Sarah currently lives and works in Milwaukee, where she creates stunning sterling silver jewelry. www.mannstudio.com

Concreation Michael Nashef

Introduction to Jewelry Repair Michael Nashef

Concept

Concept

Experience

Experience

ID: 3D2024 Aug 19 - 22 • 9 am - 4 pm Metal • All Levels Members: $460 • Non-Members: $500 Includes materials fee.

Explore the possibilities and processes of introducing alternative materials into your jewelry and small-object making. Combine concrete with colored dyes to create unique, colorful pieces using traditional and advanced mold-making techniques.

A presentation of Michael’s work and series of demonstrations introduce you to not only the limitless opportunities for incorporating concrete into your practice, but also the techniques involved in making molds, working with concrete as a raw material, and coloring and treating the surface. As you begin to form ideas throughout the week, work more and more hands-on with Michael available for individualized instruction, feedback, and troubleshooting in the completion of your new pieces. If time allows, see how Michael utilizes 3D printed materials in the creation and problem solving of his work. Open to all levels.

Instructor

Michael Nashef earned his BFA in Metals and Jewelry Design from Kendall College of Art and Design and MFA from Bowling Green State University. Throughout his career, he has managed a jewelry store, worked as a CAD designer, launched his fine jewelry company Intersecting Hearts, and taught at the university level. Michael was the area coordinator and lecturer at Towson University in Maryland and currently is an instructor at Kalamazoo Institute of Art. www.nashefdesigns.com

52 www.PeninsulaSchoolofArt.org | 920.868.3455

ID: 3D2026 Aug 24 - 27 • 9 am - 4 pm Metal • All Levels Members: $515 • Non-Members: $555 Includes materials fee.

Add the basics of jewelry repair to your metalsmithing toolkit in this hands-on workshop. Explore the first level of this skillset as you learn about common tools and how to use them, repair styles, soldering, different metals, and more.

Alternating between demonstrations and guided exercises, Michael emphasizes hands-on working time throughout the four days. Practice sizing a ring up and down, soldering and repairing a chain, and cleaning, polishing, and achieving a mirror finish on the surfaces of your pieces. Your tuition includes chains, rings, and other materials for practice. In addition, please bring broken jewelry of your own. Open to all levels, however some previous jewelry making experience is preferred.

Instructor

Michael Nashef earned his BFA in Metals and Jewelry Design from Kendall College of Art and Design and MFA from Bowling Green State University. Throughout his career, he has managed a jewelry store, worked as a CAD designer, launched his fine jewelry company Intersecting Hearts, and taught at the university level. Michael was the area coordinator and lecturer at Towson University in Maryland and currently is an instructor at Kalamazoo Institute of Art. www.nashefdesigns.com

The quality of instruction was such that within an hour I knew I made a wise decision to take this course -2019 Student

Finding Forms in Forged Sheet and Wire Heather Nuber ID: 3D2027 Aug 31 - Sep 1 • 9 am - 4 pm Metal • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

Creating Connections Heather Nuber

ID: 3D2028 Sep 2 - 5 • 9 am - 4 pm Metal • All Levels Members: $465 • Non-Members: $505 Includes materials fee.

Concept

Concept

Move metal, push it to new limits, bend it your will, and, maybe, even bend yourself to its will in this two-day workshop.

Learn how to create texture, volume, and movement in new forms for jewelry or sculpture.

Are you tired of making the same old clasp?

Working with alternative materials and not sure how to join them together? Or, looking for more intentional transitions?

Discover the endless possibilities of making connections in this four-day jewelry workshop.

Experience

Experience

Guided exploration introduces you to a variety of hammers and different surfaces, while discussions help you to see how these experiments can be put into practice to create jewelry or sculptural forms. Expect to leave this workshop with a trove of samples, at least one finished piece, and the start of many more. Open to all levels.

Instructor

Heather Nuber is a metalsmith, contemporary jeweler, and installation artist.

She received her BFA in Metalsmithing from Edinboro University in PA and her MFA from Indiana University. She has also studied at Haystack Mountain School of Crafts, Penland School of Crafts, Peters Valley School of Craft, and Touchstone Center for Craft. Heather has exhibited work nationally and internationally in juried and invitational shows, and was an artist-in-residence with The Birdsell Project in South Bend, IN. She has taught workshops at Indiana University, Touchstone Center for Craft, and assisted at Penland School of Craft. Heather’s work focuses on the dynamics of personal relationships and social interactions. www.heathersnuber.com

Beginning with an overview of many examples brought by Heather, see how you can put twists on old standards and challenge yourself to imagine and innovate.

Through demonstrations and plenty of hands-on practice, learn new techniques unique to your and your classmates’ challenges and design and fabricate new mechanisms. Leave this workshop with a sketchbook full of ideas, tons of samples, and freshly finished pieces. Open to all levels.

Instructor

Heather Nuber is a metalsmith, contemporary jeweler, and installation artist.

She received her BFA in Metalsmithing from Edinboro University in PA and her MFA from Indiana University. She has also studied at Haystack Mountain School of Crafts, Penland School of Crafts, Peters Valley School of Craft, and Touchstone Center for Craft. Heather has exhibited work nationally and internationally in juried and invitational shows, and was an artist-in-residence with The Birdsell Project in South Bend, IN. She has taught workshops at Indiana University, Touchstone Center for Craft, and assisted at Penland School of Craft. www.heathersnuber.com

TRY IT: Metalsmithing Oct 10 • 9am – 12pm Members: $45 Non-Members: $50

Designed for those interested in trying their hand at metalsmithing for the first time, this workshop teaches you how to saw, form, and texturize metal, as well as use cold connections to join pieces together. Walk away with new skills and the motivation to continue exploring your creative interests.

PenArt provides all of the tools and materials needed.

Metal

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Bricolage: A Low-Tech Approach to Sculpture Don Krumpos

ID: 3D2029 Sep 14 - 17 • 9 am - 4 pm All Media • All Levels Members: $465 • Non-Members: $505 Includes materials fee.

Concept

Bricolage is defined as something constructed from a diverse range of objects.

In this low-tech sculpture workshop, gain the confidence to start to build without any technical skills and learn basic art principles and problem-solving.

Experience

Beginning with a simple box, Don guides you through the process of building in and around it with found objects and items you make in class to create a successful art object. Through presentations and discussions, learn about assemblage, collage, cabinets of curiosities, reliquaries, low-tech materials and tools, how to find and use a variety of found objects, and other reference knowledge. Open to artists of all levels and backgrounds.

Instructor

Don Krumpos grew up on a centuryold hobby farm in northeast Wisconsin cobbling together inventions from his father’s cast-iron machinery and developing a kinship for bric-a-brac and found objects.

He is an art educator and makes work that embraces the spectacle of live performance and the participatory nature of art making and viewing process. Don also runs Yonder in Algoma, showcasing artworks by regional and national artists that create meaningful and accessible art-based experiences for the public. www.yonderartland.com

Hollow Forms for Jewelry Susan Richter-O’Connell

Beginning Metalsmithing Susan Richter-O’Connell

Concept

Concept

ID: 3D2030 Sep 18 - 19 • 9 am - 4 pm Metal • Level 2 - 3 Members: $225 • Non-Members: $250 Create volume without weight! In this twoday workshop, take your construction skills to a new level and learn how to build threedimensional, multi-walled, hollow forms with Susan as your guide.

Experience

Starting with sheet metal, use the rolling mill and hand tools to create texture, as well as a variety of cutting tools to create unique shapes. Explore multiple soldering techniques and finishing methods to clean and patina your hollow forms. Susan provides guidance throughout the process.

Choose to create one individual piece or several smaller elements. Some soldering experience is required for this workshop.

Instructor

Susan Richter O’Connell began her career in the arts as a dancer. After moving to Sheboygan, WI, she transitioned from dancer to metalsmith. Susan founded the jewelry and metalsmithing program at the John Michael Kohler Arts Center over a decade ago. She continues to teach classes around the state while making work in her home studio for art fairs and galleries. Many of the found materials in her work come from beach combing along the shores of Lake Michigan and Lake Superior. Though beach stones are a mainstay of her work, Susan is constantly evolving and surprising with new elements and techniques. www.susanrichteroconnelljewelry.com

54 www.PeninsulaSchoolofArt.org | 920.868.3455

ID: 3D2031 Sep 21 - 22 • 9 am - 4 pm Metal • Level 1 Members: $225 • Non-Members: $250 Have you always wondered how a piece of jewelry is constructed? This workshop is designed to introduce you to the fundamentals of metalsmithing. Begin with a blank piece of metal and learn the construction skills needed to design and build a finished piece of jewelry.

Experience

The first day begins with an exploration of techniques to help you find your unique design voice, followed by an introduction to the hand tools used to cut, texture, and shape metal sheet and wire. Learn how to use the soldering torch to join your metal elements and gain confidence through guided practice. Finish your completed piece of jewelry with your choice of patina and polishing techniques. Susan provides individualized instruction throughout the process. No previous experience necessary.

Instructor

Susan Richter O’Connell began her career in the arts as a dancer. After moving to Sheboygan, WI, she transitioned from dancer to metalsmith. Susan founded the jewelry and metalsmithing program at the John Michael Kohler Arts Center over a decade ago. She continues to teach classes around the state while making work in her home studio for art fairs and galleries. Many of the found materials in her work come from beach combing along the shores of Lake Michigan and Lake Superior. Though beach stones are a mainstay of her work, Susan is constantly evolving and surprising with new elements and techniques. www.susanrichteroconnelljewelry.com

CLAY

55

SKILL LEVELS Level 1

A Skill Level 1 workshop does not require any previous art making experience. Build a foundation in the materials, techniques, and vocabulary of the medium.

Level 2

A Skill Level 2 workshop requires basic experience and training in the medium.

Improve technical skills and begin exploring content in your work.

Level 3

A Skill Level 3 workshop requires a growing level of confidence with all aspects of the medium and ability to work and solve problems independently.

Level 4

A Skill Level 4 workshop requires experience, competency, and fluency in the medium. Artistic growth is emphasized through independent work and critique.

All Levels

An All Levels workshop welcomes students of any skill and knowledge level. Instructors offer a balanced and flexible curriculum tailored to each student’s experience.

The Ceramic Drinking Vessel Jared Janovec

The Ceramic Bowl Jared Janovec

Concept

Concept

ID: 3D2004 Jun 19 - 20 • 9 am - 4 pm Clay • Level 1 - 2 Members: $250 • Non-Members: $275 Includes clay and firing fees.

Ceramic drinking vessels have been developed and used by humans in most parts of the world for thousands of years. In this two-day workshop, explore the drinking vessel and its rich history as you create a variety of forms, including cups, tumblers, teacups, mugs, and tea bowls.

Experience

Through brief lectures and presentations, demonstrations, and guided instruction, learn how to create a range of drinking vessels on the potter’s wheel and using hand building techniques. Bring color, pattern, imagery, text, and texture to the surfaces of your pieces to further personalize your work. This workshop is designed for beginners and intermediates.

Instructor

Jared Janovec’s career as an artist spans twenty-five years. His primary creative focus has been on the development of ceramic and mixed media sculptures and object-oriented compositions that speak to human, botanical, and biological imagery and narratives. He also specializes in hand built, mold-made, and wheelthrown ceramic vessels. His work has been included in numerous international, national, and regionally adjudicated and invitational exhibitions. Jared is an educator and mentor, serving thousands of students over his twenty-year teaching career. He is currently an Associate Professor of Art and Design at the University of WisconsinWhitewater.

56 www.PeninsulaSchoolofArt.org | 920.868.3455

ID: 3D2005 Jun 22 - 23 • 9 am - 4 pm Clay • Level 1 - 2 Members: $250• Non-Members: $275 Includes clay and firing fees.

The bowl form holds a specific place in the history of ceramic vessels. For thousands of years, ceramic bowls have been made in a variety of sizes and shapes to serve a purpose in a wide range of environments, including the day-to-day household, ceremonies and rituals, and many points in between. This workshop focuses on the fundamental skills in crafting ceramic bowls.

Experience

Presentations and demonstrations introduce approaches to forming bowls using hand building techniques, plaster molds, and the potter’s wheel. Explore surface enhancement techniques, including using underglazes, to develop personalized ceramic forms. This workshop is designed for beginners and intermediates.

Instructor

Jared Janovec’s career as an artist spans twenty-five years. His primary creative focus has been on the development of ceramic and mixed media sculptures and object-oriented compositions that speak to human, botanical, and biological imagery and narratives. He also specializes in hand built, mold-made, and wheelthrown ceramic vessels. His work has been included in numerous international, national, and regionally adjudicated and invitational exhibitions. Jared is an educator and mentor, serving thousands of students over his twenty-year teaching career. He is currently an Associate Professor of Art and Design at the University of WisconsinWhitewater.

Capturing Expression in Clay Meghan Sullivan

ID: 3D2007 Jun 24 - 27 • 9 am - 4 pm Clay • All Levels Members: $485 • Non-Members: $525 Includes clay and firing fees.

Concept

Focused on rendering the human face and its varied expressions, this four-day workshop strengthens your observational skills, introduces sculpting and hollowing techniques, and explores surface development through an anatomical approach.

Experience

Working from photo references and direct observation of your own face, solid sculpt four small heads that emphasize emotion and expression. Demonstrations, group discussions, and plenty of handson practice address the anatomy of the head, the psychological and emotional use of color, and hollowing techniques.

Use engobes, underglazes, and washes to experiment with surface. Open to all levels.

Instructor

Meghan Sullivan is originally from Boston, MA. She received her BFA from Massachusetts College of Art and Design and MFA from the University of NebraskaLincoln. Meghan now lives in Appleton and is the Uihlein Fellow of Studio Arts at Lawrence University. She has received several grants and been an artist-inresidence at national and international studios, including the Mudflat Studio, Watershed Center for the Ceramic Arts, Studio Shiro Oni, and The Skopelos Center for the Arts. Meghan exhibits nationally and internationally. www.meghansullivanceramics.com

Drawing on Clay Molly Bishop

ID: 3D2009 Jul 8 - 11 • 9 am - 4 pm Clay, Drawing • All Levels Members: $485 • Non-Members: $525 Includes clay and firing fees.

Concept

Build a personal vocabulary of imagery and learn how to use your ceramic work as a tool for storytelling in this handson workshop. Discover how keeping a sketchbook, even for those not confident in their drawing skills, can influence and enrich the surfaces of your ceramic pieces.

Experience

Each day explores both drawing and ceramic concepts, including idea generation through exercises on paper, developing a daily drawing practice, hand-built construction methods, and surface decoration. Learn how to create simple functional forms using hump molds and templates, as well as how to transfer your unique images to the surfaces of your pieces using colorful underglazes and sgraffito. Discover how ceramics can be a fun and unexpected canvas for drawing.

No prior drawing or ceramics experience required.

Instructor

Born and raised in Virginia, Molly Anne Bishop graduated from Virginia Commonwealth University’s Craft/ Material Studies Program. Working mostly in clay, she draws inspiration from lizards, popular sports, and travel. Molly has been a resident artist at Red Lodge Clay, Lillstreet Art Center, The Skopelos Foundation for the Arts in Greece, c.r.e.t.a. in Italy, and the International Studio in Jingdezhen, China.

She shares a studio in Chicago with her best friend and spends her time running an art-based business, teaching workshops, and drawing in her sketchbook. www.mollyannebishop.com

Form and Surface: Alteration, Color, Texture, and Ornamentation Craig Clifford

ID: 3D2017 Jul 27 - 30 • 9 am - 4 pm Clay • All Levels Members: $485 • Non-Members: $525 Includes clay and firing fees.

Concept

Bring the world around you onto the surfaces of your wheel-thrown pottery through press molds, carving, and alterations by hand. Learn how to make small press molds and create clay pressings from the local environment in an investigation of surface. Layer electric kiln glazes for deep luscious surfaces that bring your pots to life.

Experience

The workshop begins with an introduction to hand built and wheel-thrown forms, followed by a demonstration of press mold making and creating clay pressings.

Integrate various surface approaches, including additive techniques, as well as carving and glaze layering, into your vessels. All levels of experience with wheel throwing and hand building welcome.

Instructor

Craig Clifford received his BFA from California State University - Long Beach and MFA from Louisiana State University.

He exhibits his work nationally and internationally. Craig is a past artist-inresidence at The Archie Bray Foundation in Montana and c.r.e.t.a. in Italy. He has taught ceramics and art at California State University - Long Beach, University of Southern California, Mississippi Valley State University, and is currently the Head of the Ceramics Program at the University of Wisconsin-Oshkosh. www.craigcliffordceramics.com

Clay

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My workshop definitely exceeded my expectations!

The instructor did an outstanding job. She created a relaxed, welcoming, confidencebuilding environment. I am beyond inspired!

-2019 Student TRY IT: Throwing in the Wheel Aug 15 • 9am – 12pm Members: $45 Non-Members: $50

Designed for those interested in making a piece on the potter’s wheel for the first time, this workshop guides you through the process of wedging clay, centering on the wheel, and creating a bowl and/or cup. Walk away with new skills and the motivation to continue exploring your creative interests. PenArt provides all of the tools and materials needed.

Ceramic Spreaders, Spoons, and Scoops Kristin Pavelka

ID: 3D2020 Aug 5 - 8 • 9 am - 4 pm Clay • All Levels Members: $485 • Non-Members: $525 Includes clay and firing fees.

Concept

Voice and Vision: Exploring Ceramic Forms and Surface Decoration Megan and JD Jorgenson

ID: 3D2025 Aug 19 - 22 • 9 am - 4 pm Clay • Level 2 - 4 Members: $515 • Non-Members: $555 Includes clay and firing fees.

Move beyond the traditional, ceramic tabletop objects and learn how to construct utilitarian kitchen tools, such as spreaders, spoons, scoops, and reamers, using both hand built and wheel-thrown construction.

Additionally, give an old kitchen tool new life by replacing the handle with a ceramic handle of your own design.

Concept

Experience

Each morning focuses on making objects on the wheel and using press molding techniques with JD as your guide. While each afternoon explores finish and surface with Megan. Surface processes include stamping, inlay, and image transfer using screen printing and block printing techniques. This workshop emphasizes experimentation and finding unique expressions in clay.

Each day alternates between demonstrations, brief gatherings to discuss examples of form and surface from Kristin’s personal collection of kitchen tools, and plenty of hands-on working time.

Construction methods include coil, slab with paper plates, wheel-thrown parts, and basic clay molds for small forms. Explore surface decoration techniques that translate across all firing temperatures, such as creating textured slabs, sgraffito, mishima, resists, and underglaze transfers. Open to all levels of experience.

Instructor

Kristin Pavelka earned her BA in Studio Arts from Carleton College and MFA in Ceramics from Penn State University. She makes functional candy-like glazed ceramic objects; creating a visual balance between opposites. She has been recognized with numerous awards and residencies from the Archie Bray Foundation, Watershed Center for Ceramic Arts, Jerome Foundation, Minnesota State Arts Board, and Red Lodge Clay Center. Kristin lives and works in Eden Prairie, MN. www.pavelkapottery.com

58 www.PeninsulaSchoolofArt.org | 920.868.3455

In this four-day workshop, join Megan and JD for an exciting collaboration between form and surface. Designed to add to your technical vocabulary, explore a range of approaches for forming and surfacing ceramic objects.

Experience

Instructor

JD and Megan Jorgenson are studio artists in Kimball, MN, where they operate Maine Prairie Studio, a ceramics studio, teaching space, and gallery.

Megan earned an MFA in Ceramics from Utah State University and has been an artist-in-residence at the, Northern Clay Center, and Marlboro College among others.

JD earned his BA at the University of Iowa.

While working at the Northern Clay Center in Minneapolis, he was a recipient of the Jerome Foundation Emerging Artist Grant at The Saint John's Pottery. He exhibits nationally and is invited to present at international conferences and symposiums. www.meganmitchellceramics.com jd-jorgenson.squarespace.com/home

Photography & Digital Arts Workshops PHOTOGRAPHY, VIDEO, DIGITAL ARTS & TECHNOLOGY

Peninsula

School

of

Art’s

photography

and

digital arts curriculum merges traditional and contemporary approaches to digital photography, hybrid photography processes featuring digital and

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artistic

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disciplines.

Our workshops are designed to provide both the

beginning

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opportunity to refine and shape their skills.

My workshop was great. It was well organized, educational, and fun...I know I will leave having learned so much more than when I arrived and I know that it will be taught with enthusiasm, patience and confidence by someone who is passionate about photography.

-2019 Student

workshops venture into the unique surrounding landscape for inspiration and fieldwork. The

Visiting photography and digital faculty members

studio is outfitted with a projector for sharing

are exceptional artists and educators. Drawing upon

images and video, lighting equipment, seamless

their own experience and knowledge, instructors

backdrops, an Epson printer, and stations for

help students build technical skills, determine new

students to plug in their own laptops and tablets.

conceptual directions, and develop a sustainable creative practice through various teaching methods.

Join and

While the school is a home base for lectures,

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discussions, and computer-based work, many

and

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inspiring encourages personal

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59

Developing Your Photographic Eye Tom Jones

Skill Levels Level 1

A Skill Level 1 workshop does not require any previous art making experience. Build a foundation in the materials, techniques, and vocabulary of the medium.

Level 2

A Skill Level 2 workshop requires basic experience and training in the medium.

Improve technical skills and begin exploring content in your work.

Level 3

A Skill Level 3 workshop requires a growing level of confidence with all aspects of the medium and ability to work and solve problems independently.

Level 4

A Skill Level 4 workshop requires experience, competency, and fluency in the medium. Artistic growth is emphasized through independent work and critique.

All Levels

An All Levels workshop welcomes students of any skill and knowledge level. Instructors offer a balanced and flexible curriculum tailored to each student’s experience.

ID: PH2002 Jun 10 - 13 • 9 am - 4 pm Digital Photography • Level 2 - 4 Members: $450 • Non-Members: $490 Concept

Sharpen your vision as you overcome challenges and explore different approaches to your photography, in this hands-on workshop. Examine the art of photography, learn how images can convey meaning, and test out new ideas while building technical and conceptual skills. Experimentation is emphasized to push beyond familiar territory and discover new ways of being expressive through photography.

Experience

Alternating between lectures, discussions, and hands-on photography exercises, each day focuses on a different photographic strategy. Independent working time and one-on-one conversations with Tom help you to determine a direction that propels you beyond the duration of the workshop.

This workshop is designed for those with familiarity with their digital camera.

Instructor

Tom Jones is an artist, curator, and educator.

He earned an MFA in Photography and MA in Museum Studies from Columbia College in Chicago, IL. Tom’s artwork examines how American Indian culture is represented through popular culture and raises questions about these depictions of identity by non-natives and Natives alike. He continues to work on an ongoing photographic essay on the contemporary life of his tribe, the Ho-Chunk Nation of Wisconsin. His work is in numerous prestigious private and public collections.

Tom is a Professor of Photography at the University of Wisconsin-Madison. www.tomjoneshochunk.com

60 www.PeninsulaSchoolofArt.org | 920.868.3455

Mastering Manual Mode Kasey Hembel

ID: PH2003 Jun 15 - 18 • 9 am - 4 pm Digital Photography • All Levels Members: $450 • Non-Members: $490 Concept

It’s time to make the jump from auto to manual! This comprehensive workshop explores the technical components that make a great image and how to manipulate your camera’s settings to achieve desired effects and accurate light and color every time. Explore fast-moving objects, dreamy dragged-shutter images, and short depthof-field macro photos.

Experience

Gain hands-on experience as you work through daily challenges that address composition, exposure, and content.

Engage in group discussions, as well as one-on-one with Kasey for individualized feedback. Leave this workshop feeling confident in your ability to adapt to any situation with your camera. This workshop requires a DSLR camera.

Instructor

Kasey Hembel received her BA in Studio Art with emphases in Photography and Painting from the University of WisconsinGreen Bay. Her photography interests include travel, nostalgia, and the use of alternative cameras. Kasey co-owns a photography business, Kasey and Ben Photography, in Green Bay. www.kaseyandben.com

Photography: The Image in Sequence Beth Dow

ID: PH2004 Jun 22 - 23 • 9 am - 4 pm Digital Photography • All Levels Members: $225 • Non-Members: $250 Concept

In this workshop, examine how the meaning of your photographs can shift and change when viewed in sequence. Experiment with three different forms, including grids, book sequences, and exhibition installations to understand how to create and control the context of your photographs.

Experience

Expressive Photography Daniel Anderson

ID: PH2005 Jun 29 - Jul 2 • 9 am - 12 pm Digital Photography • All Levels Members: $225 • Non-Members: $250 Concept

The goal of any photograph is to communicate an idea. The question is, how do you move beyond documenting a scene and begin interpreting it? Explore your intentions, expand your visual language, and learn new techniques to engage your viewer’s mind and emotions with each image you create in this hands-on workshop.

Through presentations of many artists examples and group discussions, discover how images can be sequenced in grids, print-on-demand books, and exhibition installations. Bring a selection of 20-40 of your images that you believe work together.

Use these images for guided exploration throughout the two days. This workshop requires a computer with Photoshop.® Some knowledge of Photoshop® is helpful, but not necessary.

Experience

Instructor

Instructor

Beth Dow is an artist working at the intersection of landscape, perception, and the history of photography. Her photographs have been exhibited around the world. Beth has received numerous awards, including Grand Prize in the inaugural Photography.Book.Now competition, top-six finalist in the 2007 Critical Mass Book Award, two fellowships from the McKnight Foundation, and several grants from the Minnesota State Arts Board. She lives in Minneapolis, where she teaches photography and maintains an active studio. www.bethdow.com

Beginning with a survey of a range of photography, including the works of master photographers, examples of Dan’s images, and your own, discuss how to use and combine visual elements to create truly expressive images. Practice these skills and develop your voice out in the beautiful Door County landscape with Dan as your guide.

Open to all digital camera formats and skill levels.

Daniel Anderson’s personal photography practice is primarily dedicated to the landscape in its many forms. He has photographed widely throughout Door County, the American West, England, Scotland, Iceland, Ireland, Greece, and Italy; capturing the high drama of storms, vast panoramas, as well as the delicacy of intimate details of nature. Daniel studied with Ansel Adams and other contemporary masters of photography. His Ellison Bay Gallery is open by appointment. www.danielandersonphotography.com

The Composite Image: Experimenting with the Still Life Kathleen Hawkes

ID: PH2006 Jul 8 - 11 • 9 am - 4 pm Digital Photography • Level 2 - 4 Members: $460 • Non-Members: $500 Includes materials fee.

Concept

Explore unique and creative ways of looking at, composing, and constructing photographic works. Learn the basics of studio lighting, Photoshop®, compositing images, and inkjet printing as you experiment with the concept of the still life.

Experience

With a different focus each day, engage in technical demonstrations and exercises, discussions on contemporary still life photography, independent and collaborative work, and critiques. In the first two days, source objects, gain familiarity with lighting and Photoshop®, and experiment with using multiple images to create a work.

The final two days alternate between producing images behind the camera and editing works. Leave this workshop with a large-scale inkjet print and new technical knowledge. A digital camera capable of manual exposures and laptop with Photoshop® is required.

Instructor

Kathleen Hawkes is a visual artist who creates photographs, drawings, and other constructed works. She earned a BFA from Cornell University and MFA from the University of New Mexico. In 2012, she received a Fulbright Fellowship to photograph childhood memories and domestic spaces in the South Pacific.

Kathleen lives and works in Minnesota and is an Assistant Professor of Photography at the University of Wisconsin-La Crosse. www.kathleenhawkes.com

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Plants to Prints: Eco-Friendly Photographic Processes Allen Morris

ID: PH2007 Jul 13 - 16 • 9 am - 4 pm Digital Photography • All Levels Members: $475 • Non-Members: $515 Includes materials fee.

Concept

Discover the many possibilities of combining digitally captured images with historical printing processes in this handson workshop. Working with imagery of your choosing, learn the basics of each process and how plant life and soil from the surrounding landscape can be incorporated into your final prints to achieve rich colors and unique effects.

Experience

Alternating between time in the field and time in the studio, Allen guides you through the image capture process, collection of natural materials, preparation and editing of your digital images, transforming your collected organic materials into pigment, and finally developing each print using gum bichromate processes. Demonstrations, discussions, and individualized instruction address technical and conceptual concerns.

This workshop requires a DSLR camera, familiarity with its basic functions, and a laptop.

Instructor

Allen Morris is a photographer based in Milwaukee, WI. He received his BFA in Applied Visual Arts from Oregon State University and MFA in Studio Art from the University of Nebraska-Lincoln. His work has been exhibited in galleries in the United States and abroad. Allen is an active member of the Postcard Collective and Society for Photographic Education. He is an Associate Lecturer of Photography at the Peck School of Arts at the University of Wisconsin-Milwaukee. www.allenmorrisphoto.com

The Photographic Book Barbara Diener

ID: PH2008 Jul 17 - 18 • 9 am - 4 pm Digital Photography, Print/Paper/Book All Levels Members: $225 • Non-Members: $250 Concept

This workshop demystifies the process of creating a photographic book. Whether you’re interested in putting together a book of favorite photographs or embarking on a conceptual project to feature and distribute your work, learn how to develop a book from the making of photographs to the final product of a bound volume.

Experience

Guided instruction provides you with hands-on practice editing, sequencing, and designing layout, while discussions address options for physically printing and binding a book after the workshop concludes. Come prepared with a grouping of photographs or body of work. A computer with Adobe Lightroom® or Photoshop,® and InDesign® is required. Open to all levels; previous experience with these programs is helpful, but not necessary.

Instructor

Through the landscape and people she encounters, Barbara Diener explores her own relationship to ideas of home, personal history, and collective memory in her photography practice. Born in Germany, she earned a BFA from the California College of the Arts and MFA from Columbia CollegeChicago. Barbara’s work has been exhibited widely and she has participated in several artist residency programs, including the Fields Project, ACRE, and HATCH. Barbara is the Collection Manager in the Department of Photography at the Art Institute of Chicago and teaches at Oakton Community College and the School of the Art Institute of Chicago. www.barbaradienerphotography.com

62 www.PeninsulaSchoolofArt.org | 920.868.3455

Organize and Edit: Lightroom® Essentials for Photographers Kasey Hembel

ID: PH2009 Jul 20 - 21 • 9 am - 4 pm Digital Photography • All Levels Members: $225 • Non-Members: $250 Concept

If all of your files are saved on your desktop, you’ve misplaced images or catalogs, or you dream of an organized workflow but fear it’s too late to begin, this is the workshop for you. Join Kasey for a guided tutorial of Adobe Lightroom® from creating your first catalog and setting preferences to organizing and editing your images in preparation for printing, sharing, or exhibiting.

Experience

Through instructor-led exercises, learn the safest ways to download and backup your images, as well as strategies for photo organization and workflow with an emphasis on editing your images to bring out true-to-life light and color. Editing skills include perfecting exposure, solving color cast problems, sharpening soft images, creating black and white versions, and batch processing groups of photos to shorten your time in front of the computer.

Familiarity with your computer is required for this workshop, as well as either Adobe Lightroom®, 3, 4, 5, 6, or Adobe Lightroom® Classic CC.

Instructor

Kasey Hembel received her BA in Studio Art with emphases in Photography and Painting from the University of WisconsinGreen Bay. Her photography interests include travel, nostalgia, and the use of alternative cameras. Kasey co-owns a photography business, Kasey and Ben Photography, in Green Bay. www.kaseyandben.com

Translating Light Travis Roozée

ID: PH2010 Jul 27 - 30 • 9 am - 4 pm Digital Photography • All Levels Members: $450 • Non-Members: $490 Concept

Discover new photographic possibilities while immersing yourself in the scenic landscape of Door County. Whether you’re new to the medium or a seasoned photographer looking to enhance your skill set, this workshop explores how to interpret and respond to a variety of lighting conditions, control unfavorable situations, and prepare for the moment when beautiful natural light occurs.

Experience

Through a balanced curriculum of studio instruction, group discussion, daily explorations in the field, and out-of-class assignments, core photographic principles are reinforced and new technical and conceptual skills developed. Leave this workshop with confidence shooting in a variety of environments and lighting situations. Open to all levels. A DSLR camera is required for this workshop.

Instructor

Travis Roozée is an artist, educator, and professional photographer. His personal work investigates places that have been altered by external forces, often because of industrial development. Travis’ work has been included in numerous solo and group exhibitions across the United States. His experience as an instructor encompasses technical and creative courses. Additionally, he produces commercial images for a diverse list of clients. Travis earned an MFA in Photography from Cranbrook Academy of Art. www.travisroozee.com

Smartphone Photography: Exploring Creativity Using the Camera on Your Phone Philip Krejcarek

ID: PH2011 Jul 31 - Aug 1 • 9 am - 4 pm Digital Photography • All Levels Members: $225 • Non-Members: $250 Concept

Explore the untapped creative potential of an everyday tool that is right at your fingertips – your smartphone camera. In this workshop, learn how to make the most of your iPhone or Android’s camera settings and applications to create imaginative and compositionally sound images.

It was an incredible experience and I hope to take another workshop at PenArt next summer! Kasey was an amazing instructor. Very knowledgeable, helpful, and non-judgmental, which is so important for novice photographers. Her class was very well structured and designed, and she broke down concepts into easy-to-understand components. I would highly recommend any of Kasey’s workshops and I really hope to have her as an instructor again!

- 2019 Student

Experience

Demonstrations introduce you to the functions of your camera, as well as the applications you are encouraged to add to your phone. Throughout the two days, work through a series of shooting and editing exercises intended for using a smartphone camera. If interested, make professional enlargements of your work on a pigmented inkjet printer at the close of the workshop.

Open to all, this experience is designed for both beginners, as well as those who have a more advanced understanding of their smartphone cameras and photo editing.

Instructor

Philip Krejcarek is a Professor of Art at Carroll University where he has taught photography the past 40 years. His work has been displayed nationally and is included in the public collections of the Milwaukee Art Museum, Denver Art Museum, Wustum Museum of Fine Arts, and the Haggerty Museum of Art. www.philipkrejcarek.weebly.com

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The Contemporary Still Life Jessica Labatte

ID: PH2012 Aug 3 - 4 • 9 am - 4 pm Digital Photography • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

Concept

This two-day workshop introduces you to concepts and techniques specific to still life photography. Gain a foundation in the basics of styling, lighting, shooting, and retouching to improve the quality of your photographs. Explore sources of inspiration and discover how still life objects can convey meaning and metaphor in your work.

Experience

This workshop begins with a lecture on the history of the still life in art and photography; providing historical context to the practice of contemporary still life photography. Demonstrations and handson practice address the styling, capturing, editing, and inkjet printing processes from start to finish. Jessica provides individualized feedback throughout.

Leave this workshop with an inkjet print, as well as the skills needed to continue investigating the still life as subject matter.

Instructor

Jessica Labatte’s constructed imagery investigates the materiality of photography through light, color, illusion, and paradoxes inherent in photographic representation.

She is Assistant Professor of Art, as well as the Photography Area Coordinator at Northern Illinois University. Her work has been exhibited in numerous galleries and museums, and reviewed in The New York Times, The New Yorker, Artforum, and Chicago Magazine. Jessica was an artistin-residence at Light Work, Ox-Bow, and Latitude. www.jessicalabatte.com

Filmmaking with Your Digital Camera Stewart Stroup

Accessible Animation for Artists Hannah Hamalian

Concept

Concept

Experience

Experience

Instructor

Instructor

ID: PH2013 Aug 5 - 8 • 9 am - 4 pm Digital Photography, Video • Level 2 - 4 Members: $450 • Non-Members: $490 Designed for the evolving photographer, this workshop introduces the powerful video features of your DSLR or mirrorless camera and provides a basic foundation for the use of video editing software. Expand your practice, discover the filmmaking capabilities and limitations of your camera, and gain confidence shooting video in a variety of conditions.

The first part of this workshop is dedicated to gaining an understanding of your camera’s video settings, allowing time for technical instruction, visual experiments, individualized feedback, and learning the language of digital cinema. From there, independent and small group assignments provide hands-on experience shooting moving imagery, capturing audio, sequencing a story, and editing and exporting files. A DSLR or mirrorless camera is required, as well as familiarity with your camera’s functions.

Stewart Stroup worked for the University of Wisconsin-Madison, writing, shooting, and editing instructional video projects for the School of Education. After ten years, he established Grassland Media, Inc. to provide similar services to a wider array of clients. Over the last 30 years as a producer, videographer, writer, and editor, Stewart has worked with a range of broadcast, corporate, and institutional clients.

Additionally, he is an instructor at Madison College where he teaches video production. www.grasslandmedia.com

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ID: PH2014 Aug 10 - 13 • 9 am - 4 pm Digital, All Media • All Levels Members: $450 • Non-Members: $490 An introduction to animation using your smartphone, this workshop explores a variety of approaches. Gain an understanding of the fundamentals of animation, including timing, storyboarding, and techniques that can be translated to clay, paper, digital materials, and more.

Discover how this medium can be used to express your artistic interests.

A combination of lectures, demos, and short screenings introduce you to the various facets of animation. Using readily available smartphone apps, work through a series of exercises. In addition to technical instruction, learn and discuss the narrative motivations behind particular techniques.

Class content addresses several different types of materials, including drawings on paper, claymation, stop motion with objects, and more. No matter your area of interest, leave this workshop with the tools you need to use animation in the future.

Hannah Hamalian is an instructor and artist engaged in demonstrating complexity in order to point to the richness of life. Based in Milwaukee, WI, she teaches at Milwaukee Institute of Art and Design and University of Wisconsin-Milwaukee. Hannah has worked professionally as a freelance animator for the past six years. As a filmmaker, she uses animation, live action, and appropriated videos to ask questions of herself and her viewers. Hannah received her BA from Carleton College and MFA from UWMilwaukee. www.hannahhamalian.com

Introduction to Adobe Illustrator®: Incorporating Digital Tools into Your Studio Practice Emily Scheider Berens

ID: PH2015 Aug 14 - 15 • 9 am - 4 pm All Media, Digital • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

Introduction to Adobe Photoshop ®: Incorporating Digital Tools into Your Studio Practice Emily Scheider Berens

ID: PH2016 Aug 17 - 18 • 9 am - 4 pm All Media, Digital • All Levels Members: $235 • Non-Members: $260 Includes materials fee.

Architectural Photography Serhii Chrucky

ID: PH2017 Sep 2 - 5 • 9 am - 4 pm Digital Photography • Level 2 - 4 Members: $450 • Non-Members: $490 Concept

This workshop introduces you to the basics of creating vector-based work in Adobe Illustrator®. Learn to utilize this program as a supporting prep tool for future projects, including stand-alone vector compositions and digital prints that mimic traditional media.

This workshop introduces you to the basics of Adobe Photoshop® as a tool for combining digital imaging techniques with your existing studio practice. Create rich mixed-media compositions as you learn the fundamentals of importing and remixing hand-rendered artwork.

Designed for the intermediate to advanced photographer, this workshop focuses on the practice and conceptual framework of architectural photography. Discover strategies for rendering places and spaces by comparing and contrasting architectural photography against modes with which you are more familiar, such as portraiture or landscape photography. Translate techniques you’ve already mastered and learn how to successfully approach issues specific to interiors and exteriors.

Experience

Experience

Experience

Concept

Concept

Demonstrations and hands-on practice introduce you to the process of importing, organizing, and exporting files; merging photographic image files with vector compositions to create mixed-media collage work; using pen and brush tools to create line drawings and vector artwork; utilizing the shape-building and patterning tools; and creating templates for future projects, including stencils, pattern blocks, or film positives for screen printing.

Through a series of demonstrations and hands-on exercises, learn how to import, organize, and export files with Photoshop®; use layers, blending modes, and the FX panel; refine image selection techniques; create custom digital brushes and handrendered mark-making; blend together digital paint layers; and use retouching tools to enhance your imagery. Leave this workshop with a set of new digital skills and at least one print.

Instructor

Instructor

Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for ‘tra-digital’ media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has exhibited her work and delivered digital literacy workshops regionally and internationally.

She is a faculty member within UWMilwaukee’s Peck School of the Arts, and has taught community education-focused workshops serving artists hailing from a diverse range of backgrounds and skill sets. www.emily-scheider.com

Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for ‘tra-digital’ media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has exhibited her work and delivered digital literacy workshops regionally and internationally.

She is a faculty member within UWMilwaukee’s Peck School of the Arts, and has taught community education-focused workshops serving artists hailing from a diverse range of backgrounds and skill sets. www.emily-scheider.com

As you survey the architecture of Fish Creek and surrounding Door County, develop a process of exploration, research, and planning before you begin making images.

Each day consists of discussions, walks, and studio time – both for processing and reviewing work. Leave this workshop with an appreciation for and practice in planning and production workflows for architectural photography.

Instructor

Serhii Chrucky is a photographer who specializes in producing commercial and editorial images depicting the built environment. Recently, his work has appeared in the books Art Deco Chicago, Designing Modern America, and Bauhaus Goes West: Modern Art and Design in Britain and America. Serhii has long been interested in the history of architecture and design. He holds a BFA in Photography from the University of Illinois-Chicago and MFA in Visual Art from Washington University in St. Louis. Serhii lives and works in Chicago. www.serhiichrucky.com

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My workshop definitely exceeded my expectations!

The instructor did an outstanding job. She created a relaxed, welcoming, confidencebuilding environment. I am beyond inspired and...the environment at PenArt is so great. Thank you!

- 2019 Student

Overcoming Difficult Light in Photography Kasey Hembel

ID: PH2018 Sep 21 - 22 • 9 am - 4 pm Digital Photography • Level 2 - 3 Members: $235 • Non-Members: $260 Includes materials fee.

Concept

Ask any photographer what is toughest to master, and most give the same answer – light. No matter how well you know your camera, whether you are new to photography or have been shooting for years, there is always something to learn about light.

Experience

This workshop dives into the complex subject by addressing the most common lighting problems and how to avoid them by choosing the best position for yourself and your subject in relation to the light source, as well as adding or subtracting light with different tools when necessary. Through hands-on practice, learn how to spot ideal lighting situations and how to make the most of harsh light. Subjects include indoor and outdoor portraiture, window light, sunsets, natural use of flash, bright midday light, and compensation for fluctuating colors in ambient light.

Instructor

Taking a workshop at Peninsula School of Art is always one of the highlights of my summer. Thank you for another great experience! - 2019 Student

Kasey Hembel received her BA in Studio Art with emphases in Photography and Painting from the University of WisconsinGreen Bay. Her photography interests include travel, nostalgia, and the use of alternative cameras. Kasey co-owns a photography business, Kasey and Ben Photography, in Green Bay. www.kaseyandben.com

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Photo + Encaustic: Layers, Surface, and Substrate Sarah Rehmer

ID: 2D2061 Sep 28 - Oct 1 • 9 am - 4 pm Digital Photography, Encaustic • All Levels Members: $510 • Non-Members: $550 Includes materials fee.

Concept

This workshop is designed for both painters and photographers interested in gaining new skills and pushing the boundaries of their studio practice through the combination of encaustic and photography.

Explore a range of subject matter, as well as a variety of surfaces on which to create work.

Experience

Demonstrations introduce you to the basics of encaustic painting and digital printing, while ample working time and one-on-one conversations with Sarah provide handson practice and time to discuss thematic and aesthetic concepts. Learn how to set up your workspace and use the materials and equipment safely, as well as explore painting techniques and fusing methods. All paints, tools, and some printing is included in your tuition. Additional printing may be purchased subject to time and supplies.

Instructor

Sarah Rehmer was born and raised in the western suburbs of Chicago, where she still resides. She earned her BA in Graphic Design and Photography from Dominican University in River Forest, IL. Sarah found her love for working with pages from old books and encaustic while attending a class post-graduation at the school. Her work is held in private and public collections around the country and internationally. Sarah teaches classes and workshops throughout the Midwest. www.rehmer-studio.com

New Vantage Points: Introduction to Drone Photography and Video Michael Kienitz

Cyanotypes: From Analog to Digital Tomiko Jones

ID: PH2019 Oct 2 - 3 • 9 am - 4 pm Digital Photography, Video • Level 1 - 2 Members: $225 • Non-Members: $250

ID: PH2020 Oct 7 - 10 • 9 am - 4 pm Digital Photography • All Levels Members: $480 • Non-Members: $520 Includes materials fee.

Concept

Concept

Covering the range of heights between a ladder and a helicopter, drones provide unique views for capturing photos and videos. In addition to traditional photography, there are a variety of applications for drone-based work, including land management, real estate, architecture, and wildlife observation. Learn how to safely operate a provided drone and shoot high-resolution photos and HD video.

Experience

Lectures, demonstrations, and handson practice address how a drone works and how to utilize these small devices for photography and video with excellent results. FAA guidelines, legislation for drone use, and how to obtain a commercial drone license are discussed before heading out into the field. Michael guides you through the processes of flight, image and video capture, and editing from start to finish.

Instructor

Michael Kienitz has been a photographer for over 40 years. His traditional work has appeared in Life, Time, Rolling Stone, Elle, Newsweek, and other major publications worldwide. His practice also includes dronebased photography and video, having shot in varied conditions, from the heat of the Amazon Basin to Iceland. Michael has taught Photojournalism, Photography and Video with Drones, and Electronic Imaging at the University of Wisconsin-Madison, as well as led seminars for the National Press Photographers Association and others. www.michaelkienitz.com

Discover the magic of one of the earliest photographic processes – the cyanotype.

Explore the local terrain, collecting and using objects from the landscape to create camera-less images, as well as capturing conventional photographic images.

Emphasis is placed on experimentation in this hands-on workshop.

Experience

This workshop balances time in the field and time in the studio. Learn the fundamentals of contact printing, including preparing chemistry, paper, and digital negatives. Explore the landscape to create camera-less images. Build upon this foundation through lens-based photographic images using your digital camera. Edit and prepare files for digital negatives and use both the sun and an exposure unit to create cyanotype prints. Demonstrations, discussions, and individualized instruction address technical, formal, and conceptual concerns. This workshop requires a digital camera and laptop with Photoshop®.

Instructor

Tomiko Jones’ work is linked to place, exploring transitions in the landscape in social, cultural, and geographical terms.

She is an Assistant Professor at University of Wisconsin-Madison and serves on the Board of Directors of the Society of Photographic Education. She received her MFA in Photography with a Certificate in Museum Studies from the University of Arizona. www.tomikojonesphoto.com

Beyond the Postcard Picture Angela Johnson

ID: PH2021 Oct 16 - 17 • 9 am - 4 pm Digital Photography • All Levels Members: $225 • Non-Members: $250 Concept

The world around us has changed, yet the creative approach to travel photography has remained largely the same. This workshop investigates a meditative approach to focusing and framing your images. Slow down, look deeper, and ignore the easy postcard shots. Challenge yourself to remove the clutter, obvious, and cliché from your frame to create memorable and powerful images of your surroundings.

Experience

Through daily lectures, discussions, and plenty of hands-on practice in the field, discover how to capture your own interpretation of new and familiar scenes.

Finish each day with a constructive critique; learning from both Angela and your peers.

All skill levels welcome. Familiarity with your camera is recommended.

Instructor

Angela Johnson received her Masters in Art Education and MFA in Photography from the University of Wisconsin-Madison.

She has done large-scale collaborations and installation work including three photography projects at elementary schools in Madison. Angela’s photography interests include travel photography, alternative and camera-less processes, family and memories, and bookmaking. www.angelajohnsonartist.com

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Professional Development Programs FOR ARTISTS OF ALL MEDIA PenArt’s professional development workshops are developed specifically for artists; providing career and confidence building tools to support all aspects of a creative practice. Led by practicing artists, participants are introduced to concepts and practical skills grounded in real life examples. A spirit of community and resource sharing underscore each of these offerings.

Successfully Promoting Your Work Trina Smith

ID: PR2002 Oct 24 • 9am – 12pm Professional Development • Level: All Levels Members: $45 • Non-Members: $50 This professional development workshop is designed to outline various methods for promoting your work and practice. Topics such as building relationships with galleries, finding group exhibitions, and publication opportunities, both online and in print, are addressed. In addition to an outline of opportunities in the field, a variety of strategies are discussed to customize the outcomes of your professional goals on a regional, national, or international platform.

Maximizing the Impact of Your CV, Statement, Bio, and Cover Letters Trina Smith ID: PR2003 Oct 24 • 1pm – 4pm Professional Development • All Levels Members: $45 • Non-Members: $50

Create or improve the effectiveness of your professional documents in this hands-on workshop. Discuss strategies for developing and maximizing each document. Ample time is dedicated to writing and workshopping solid first drafts of your artist statement and bio. Multiple approaches are presented so that you can design a statement and bio that best aligns with your artwork.

Instructor

Photographing Your Artwork with a Smartphone

ID: PR2001 Sep 12 • 9am – 12pm Professional Development • Level: All Levels Members: $45 • Non-Members: $50 This professional development workshop prepares you for submitting high-quality digital images of your artwork to juried exhibitions, galleries, and other professional opportunities.

Using a smartphone, learn how to photography your twodimensional and/or three-dimensional artwork, adjust digital images for proper white balance, and size images following specific guidelines using basic editing software.

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Trina May Smith grew up in the Pacific Northwest. Earning her MFA from the University of Wisconsin-Madison, she now calls Wisconsin home. Trina has an active studio practice and exhibits regularly in solo and group shows. She is represented by the Tory Folliard Gallery in Wisconsin and is an Assistant Professor in Painting at the University of Wisconsin-Oshkosh. www.trinamaysmithart.com

PenArt Critique Group FIRST FRIDAY OF THE MONTH, 3-5PM OPEN TO ALL | FREE Critiques are an indispensable component of every artist’s

education,

growth,

and

individual

path.

Unfortunately, far too many see it as a setting to be feared. Rather, look at it as a rest stop along your studio practice’s ongoing journey; a place to stop, check your direction, clear the trash out of the car, and refresh yourself for the next leg. Filled with practical information from a variety of perspectives, critiques provide you with the means to reflect on the purpose and progress of your journey.

Moderated by PenArt’s Director of Education Elysia Michaelsen, Critique Group invites artists of all levels and backgrounds to come together for conversation.

Reserve a 30-minute block to share your in-progress and/or finished work, ask questions of the group, and discuss what might be next. Feedback is transcribed by Elysia, not only so you can focus on the conversation at hand, but also allows you to revisit comments once you return to your home studio and continue working.

Email workshop@PeninsulaSchoolofArt.org to reserve your spot.

Call for Art JURIED STUDENT | MEMBER | FACULTY EXHIBITION OPENS DECEMBER 4, 2020 Submission is open to all current Members of PenArt (artists may join or renew their membership at the time of submission). Artists working in any 2D or 3D media are encouraged to enter. Works need not have been produced during a PenArt workshop, but must have been created during the past three years. Artists may enter up to two works for consideration for a fee of $10.

Prospectus Available June 2020.

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CHILDREN'S WORKSHOPS AGES 4 TO 12

Designed for ages 4 to 12, Peninsula School of

instructors in collaboration with PenArt’s Director

Art’s children’s curriculum encourages young

of Education. Instructor-led tours of exhibitions in

students to discover their sources of inspiration and

the Guenzel Gallery, field trips through the grounds,

express themselves in new ways. From painting to

demonstrations, and group brainstorms throughout

sculpture and printmaking to ceramics, our four-day

the week punctuate hands-on working time. On the

workshops foster inquisitiveness, inspire the pursuit

final day of class, young artists share the week’s

of meaningful ideas, and promote self-expression.

work with family and friends in a studio exhibition.

Housed in the original teaching and studio spaces

While

of Peninsula School of Art’s founder Madeline

media and technical skills, the goal of any

Turtelot, our youth studios are packed with history,

workshop

filled with natural light, and equipped with all of

myriad of ways to use their imagination to

the tools and materials needed for each lesson. In

turn

these spaces, young artists engage in the creative

skill we deeply value and believe serves our

process from start to finish through new and

students well beyond the studio classroom.

unique lessons developed by our summer-long

70 www.PeninsulaSchoolofArt.org | 920.868.3455

our

the

program is

to

ordinary

explores

help into

children the

a

range discover

extraordinary;

of a a

About Workshop Age Groups PenArt works closely with instructors to develop engaging and educational art lessons appropriate for each age group.

Children must have reached the minimum age required at the time their workshop begins. Thank you for understanding.

Dress for Mess Young artists should dress appropriately for art making. PenArt provides t-shirts and aprons to help avoid stains.

Snack Time Young artists take a short break halfway through each day. Please pack an appropriate snack for your child and label with his/her name.

PenArt is not nut free.

Please note any allergies on your child’s health form.

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From Armadillo to Zebra

Ages 4 to 6

ID: YA2001 June 15 - 18 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140 Young artists learn how to use line, shape, color, and texture to accurately draw a wide range of animals and their environments in this workshop. Each day focuses on a different part of the world and the animals native to it, as well as different drawing and painting materials, including colored pencils, oil pastels, watercolors, and tempera paints.

Textures, Patterns, and Prints

ID: YA2002 June 22 - 25 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140 In this workshop, children explore the rich history of printmaking. Featuring the processes of monotype, collagraph, relief, and paste papers, students learn the tools and materials specific to each. After gaining familiarity with the fundamentals, children are encouraged to experiment and create one - of - a - kind prints by layering color and texture, mixing processes, and more.

Pinch, Coil, Slab

ID: YA2003 June 29 - July 2 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140 Focused on a different construction method each day, young artists learn how to hand build using pinch, coil, and slab techniques. Functional pieces, such as bowls, vases, and decorative tiles, are created throughout the week using self - hardening clay. Basic painting skills are introduced and practiced as each piece is finished with tempera paint.

Influential Artists

ID: YA2004 July 6 - 9 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140 Well - known movements from throughout history are explored in this workshop. Young artists look at the styles and artists that made each movement famous, from the Renaissance to Post Modernism, for inspiration for the day’s explorations. Skill building exercises and final projects are completed in collage, pastel, watercolor, and tempera using traditional and experimental methods.

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Clay Project Pick up Some clay projects need to be bisque and glaze fired and cannot be taken home until later. PenArt will contact you with specific pickup information. We strongly recommend that you bring your child with you to identify their projects. All unclaimed items will be recycled after September 30th.

Show of Hands

ID: YA2005 July 13 - 16 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140 Using a variety of materials and techniques, young artists create a series of puppets, including finger, sock, hand, and simple rod construction. Students gather inspiration for their puppets’ characteristics from popular children’s books, poems, and music. Individual and collaborative mixed media theaters set the stage for everyone’s puppets to perform at PenArt and home.

Ceramics for the Garden

ID: YA2006 July 20 - 23 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140 In this ceramics workshop, students create a different accessory for the garden each day. Garden tags, toad houses, gnomes, and lanterns are created using pinch, coil, and slab construction techniques with self - hardening clay.

Finish each piece with color, pattern, and landscape - inspired imagery using tempera paint.

Books that Fold, Twist, and Pop

ID: YA2007 July 27 - 30 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140

Fur, Feathers, and Scales

ID: YA2009 August 10 - 13 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140

Children learn how to design, illustrate, and engineer three - dimensional books with pockets, pop - up images, folds, scrolls, and moveable parts in this workshop. A different theme provides inspiration each day. Simple folded forms are introduced first, followed by more complex, multi - page books. Pages and book covers are created using drawing, painting, and collage techniques.

Nature and art intersect in this ceramics workshop as students create their own pack of animal sculptures. Gather inspiration from pets, creatures of Door County, and wild animals from throughout the world. Students learn how to use pinch, coil, and slab techniques to form each animal out of self - hardening clay. Texture, pattern, and color are added using a variety of mark - making tools and tempera paint.

Painted Stories

Many Ways to Paint

In this workshop, young artists read and draw inspiration from popular children’s books to create their own characters, tell new stories, and combine language and art. Throughout the week, students learn basic techniques in colored pencil, watercolor, tempera, and book making, as well as methods for telling and illustrating stories of their own. Leave this workshop with a series of two - dimensional pieces.

Young artists push the boundaries of traditional painting to create unique and vibrant pieces in this workshop.

Basic painting techniques, including brush handling and color mixing, are practiced, followed by more experimental approaches to tempera, watercolor, and mixed media. Skill building exercises, individual pieces, and large - scale collaborative pieces fill each day.

ID: YA2008 August 3 - 6 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140

ID: YA2010 August 17 - 20 • 9am - Noon Ages 4 - 6 Members: $125 • Non-Members: $140

Children

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Ages 7 to 9

Comic Books Inside and Out

Ceramic Lawn Ornaments

POP! Art

In this drawing workshop, young artists explore the language of cartooning and develop their own characters, storylines, and books. Through exercises and finished projects, students strengthen their drawing skills, try a variety of drawing and painting media, and build confidence in storytelling. Comics, manga, and graphic novels are shared and discussed to help young artists find their own unique style.

Pulling inspiration from the summer landscape, young artists create a series of functional ceramic pieces designed for the outdoors. Using low - fire clay and pinch, coil, and slab construction techniques, students learn how to make flower pots, lanterns, toad houses, and garden gnomes. Each piece is enhanced with pattern, color, and imagery using brightly colored underglazes.

In this workshop, young artists travel back in time to the 1950s and 60s to explore the world of Pop art. Each day focuses on a different artist of the movement and their approach to pop, including Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, and Andy Warhol.

Using images of today, young artists create a series of two - dimensional works in the pop style using collage, markers, tempera paint, and printmaking.

Three - Dimensional Artist Books

ID: YA2014 July 6 - 9 • 9am - Noon Ages 7 - 9 Members: $125 • Non-Members: $140

ID: YA2011 June 15 - 18 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140

ID: YA2012 June 22 - 25 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140 Young artists view books in a whole new way in this workshop focused on designing and constructing three dimensional art books. Each day presents a different theme and engineering challenge, including a tunnel book, single pop - ups, and more complicated structures. As students fill the pages of their books, drawing basics are reviewed, as well as techniques for working in colored pencil, watercolor, and collage.

ID: YA2013 June 29 - July 2 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140

Going with the Flow

In this workshop, students learn how to take advantage of the unique qualities of watercolor. Exercises help young artists develop skills in observation, contour drawing, and watercolor application.

Learn how to mix color, use wet and dry application techniques, control washes, add texture, and combine with other media for desired effects. Landscapes, portraits, narrative scenes, and abstract compositions are explored throughout the week.

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ID: YA2015 July 6 - 9 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140

Sculpture Basics

ID: YA2016 July 13 - 16 • 9am - Noon Ages 7 - 9 Members: $125 • Non-Members: $140 Dive into the many materials and techniques of sculpture in this workshop.

Wire, plasterwrap, everyday materials, and fabric are used to create abstract and realistic, hard and soft sculptures.

The work of historic and contemporary artists, such as Louise Nevelson, Alexander Calder, Claes Oldenburg, and Tara Donovan, provide inspiration and instruction throughout the week.

Creations in Papier Mache

Never Too Many

This workshop introduces young artists to papier - mache as a durable medium for creating sculptural or functional artworks. Techniques are first introduced and practiced on a bowl or vase before moving on to the larger endeavor of creating a self - portrait bust. Learn how to add dimensional elements and features to create a truly unique sculpture. Pieces are completed using tempera paint.

This workshop focuses on three different printmaking methods, including painterly monoprints, textural collagraph prints, and graphic relief prints. Young artists learn about the history of printmaking and gain hands - on practice using the tools and materials of each printmaking process. Layering, playing with color, and experimentation is encouraged throughout the week. Students make enough prints to bring home, as well as trade with each member of class.

ID: YA2017 July 13 - 16 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140

Everyday Clay

ID: YA2018 July 20 - 23 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140 In this ceramics workshop, young artists create functional and decorative clay pieces using basic hand building techniques. Cups, bowls, vases, platters, and bookends are created from pinch, coil, and slab construction. Add texture, pattern, and color using mark - making tools and brightly colored underglazes.

All pieces are finished with a clear underglaze to ensure they are food safe.

ID: YA2019 July 27 - 30 • 9am - Noon Ages 7 - 9 Members: $125 • Non-Members: $140

Art Making Meets Art History

ID: YA2020 August 3 - 6 • 9am - Noon Ages 7 - 9 Members: $125 • Non-Members: $140 Impressionism, Cubism, Surrealism, and Abstract Expressionism provide plenty of inspiration in this painting workshop. Each day young artists look at and discuss the styles and artists that made each movement famous before diving into hands - on challenges. Skill building exercises and final projects are completed in collage, pastel, watercolor, and tempera paint.

Health & Photo Release Forms Health and photo release forms must be completed and submitted before the first day of class.

Find it at: PenArt.org/release2020

Beyond the Color Wheel

ID: YA2021 August 3 - 6 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140 Color is one of the most powerful tools an artist can use. In this workshop, young artists learn how nature creates color, how color affects the way they see and feel, and how artists have used color throughout art history. A range of painting styles, paint media, and subject matter are explored, including portraiture, nature studies, and abstraction. Create a series of paintings that illustrate the endless possibilities of color.

Sculptural Clay

ID: YA2022 August 10 - 13 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140 In this workshop, young artists use hand building techniques to explore the sculptural possibilities of clay. Pinch, coil, and slab construction are used to create a series of unique works of art, including masks, bookends, bobbleheads, and decorative tiles. Children decorate the surfaces of their pieces with texture tools and brightly colored underglazes.

Drawing and Painting Animals

ID: YA2023 August 17 - 20 • 1 - 4 pm Ages 7 - 9 Members: $125 • Non-Members: $140 Using foundational art elements, children learn how to accurately draw and paint their favorite animals. Photo references of animals from around the world provide inspiration throughout the week as students practice combining line, form, texture, and color to capture the likeness of a wide range of animals and their environments. Pieces are made using graphite pencils, colored pencils, oil pastels, watercolor, and tempera.

Children

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What a Relief

ID: YA2026 June 22 - 25 • 1 - 4 pm Ages 10 - 12 Members: $125 • Non-Members: $140

Ages 10 to 12

In this workshop, young artists learn the basics of the oldest form of printmaking – relief. Relief prints are made by cutting away material on a soft block to create a printable surface with positive and negative areas. Learn how to design an image, carve safely, mix ink, and print successfully. Students create enough prints to bring home, as well as trade with their classmates.

Personalized Pottery

ID: YA2027 June 29 - July 2 • 9am - Noon Ages 10 - 12 Members: $125 • Non-Members: $140 Great for both beginning and returning students, this workshop focuses on using the wheel to create a variety of functional pieces, including bowls, cups, vases, and plates. The first two days are spent on the wheel and the final two days adding hand built embellishments to personalize pieces, as well as images, text, and pattern using brightly colored underglazes. Pieces are finished with a clear glaze ensuring they are food safe.

Wildlife Illustration

ID: YA2028 July 6 - 9 • 1 - 4 pm Ages 10 - 12 Members: $125 • Non-Members: $140

Painted Selfies

Artist Books

In this workshop, students develop their skills in drawing and painting as they create a series of self - portraits.

Techniques for drawing accurate proportions and facial features are introduced and practiced, as well as the basics of painting with watercolor and tempera. Master self - portrait works of Vincent van Gogh, Frida Kahlo, and Yayoi Kusama provide inspiration and creative challenges throughout the week.

Dive into the history and techniques of book arts in this fundamental workshop.

Students learn how to prepare paper, fold simple and more complex forms, sew bindings, and design covers and pages using printmaking and marbling techniques. After plenty of practice, students create a final journal featuring painted covers, a Coptic stitch binding, and blank pages to fill with writing and drawings.

ID: YA2024 June 15 - 18 • 9am - Noon Ages 10 - 12 Members: $125 • Non-Members: $140

ID: YA2025 June 22 - 25 • 9am - Noon Ages 10 - 12 Members: $125 • Non-Members: $140

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In this workshop, students strengthen their observational skills and build confidence in illustrating wildlife.

Techniques for seeing and translating proportion, capturing movement, creating believable texture, and using colored pencils, pen and ink, and watercolor are shared and practiced. Students work from provided and personal photo references for skill building exercises and final illustrations.

Health & Photo Release Forms Health and photo release forms must be completed and submitted before the first day of class.

Find it at: PenArt.org/release2020

Claymation

Art, Design, and Architecture

One of A Kind

Art and architecture intersect in this workshop focused on drawing, architectural design, and sculptural construction techniques. Young artists gather inspiration from visionary artists and architects to create deceivingly dimensional, yet flat drawings and three - dimensional models of their own unique architectural designs made out of tagboard.

In this workshop, students explore the printmaking process of monoprinting.

Unlike other forms of printmaking, monoprints are images that can only be printed once. Students learn variations of the process, including painting with ink directly onto plexiglass, making stencils by hand, and using found objects to create textures, as well as how to properly handle paper, mix ink, and print successfully. Students create enough prints to bring home, as well as trade with their classmates.

ID: YA2029 July 13 - 16 • 1 - 4 pm Ages 10 - 12 Members: $125 • Non-Members: $140

Worldly Ceramics

ID: YA2030 July 20 - 23 • 9am - Noon Ages 10 - 12 Members: $125 • Non-Members: $140 Inspired by destinations both near and far, this ceramics workshop explores a variety of styles, forms, and surface design techniques. Each day, young artists design and create functional and decorative pieces on the wheel based on the day’s global focus and lessons. The final day is dedicated to adding texture, embellishments, and color inspired by historic ceramic traditions. A final clear glaze ensures all pieces are food safe.

Clay for the Outdoors

ID: YA2031 July 20 - 23 • 1 - 4 pm Ages 10 - 12 Members: $125 • Non-Members: $140 Using a combination of the potter’s wheel and hand building techniques, young artists produce a range of functional pieces designed for the outdoors, including bud vases, flower pots, lanterns, and decorative garden sculptures.

Students learn basics of hand building and wheel throwing, as well as how to modify, embellish, and decorate with underglazes. Pieces are finished with a final clear glaze for durability.

ID: YA2032 July 27 - 30 • 1 - 4 pm Ages 10 - 12 Members: $125 • Non-Members: $140

Abstract Possibilities

ID: YA2033 August 3 - 6 • 1 - 4 pm Ages 10 - 12 Members: $125 • Non-Members: $140

ID: YA2035 August 10 - 13 • 1 - 4 pm Ages 10 - 12 Members: $125 • Non-Members: $140 Young artists explore the fascinating process of claymation in this unique workshop. Students learn the tools necessary to make their own short stop - motion films, including storyboarding, creating characters using self - hardening clay, and making mixed media backdrops.

With help from one another and the instructor, students produce and film their stop - motion on iPads provided by PenArt. All videos are sent via email following the workshop.

Painted Illusions

ID: YA2036 August 17 - 20 • 9am - Noon Ages 10 - 12 Members: $125 • Non-Members: $140 Throughout history, artists have used a variety of techniques to trick the eye of the viewer. This workshop dives into the methods behind Optical Art, Trompe L’oeil, tessellations, and more. Throughout the week, students create two - dimensional works that appear three - dimensional, imply movement, vibrate, hide images, and warp. Pieces are made using colored pencils, markers, watercolor, and tempera paint.

Focused on line, shape, color, and texture, this workshop investigates the world of abstract painting. The work of Wassily Kandinsky, Joan Miro, Mark Rothko, and Sol LeWitt provide inspiration throughout the week. Students learn how to simplify the surrounding world to create an abstract image, as well as gestural and geometric approaches. Pieces are completed using colored pencils, markers, watercolor, tempera paint, and mixed media.

Pottery in the Making

ID: YA2034 August 10 - 13 • 9am - Noon Ages 10 - 12 Members: $125 • Non-Members: $140 In this workshop, young artists learn the basics of making functional pottery, including cups, bowls, vases, and small plates. A combination of potter’s wheel and hand building techniques teach the fundamentals of three - dimensional construction, while underglaze painting and sgraffito techniques explore surface decoration. A final clear glaze ensures all pieces are food safe.

Children

77

Teen Workshops AGES 13 TO 17 Graphic Arts

ID: YA2037 June 15 - 18 • 1 - 4 pm Members: $125 • Non-Members: $140 In this workshop, teen artists investigate how imagery and text are used in the world of art and advertising. Discover how powerful images can be as you study the work of Keith Haring, Takashi Murakami, Shepard Fairey, and more. Create initial logo and poster design sketches as you experiment with typography, imagery, and painting style.

Take your sketches and transform them into finished works of art using colored pencils, markers, acrylic paint, and/or printmaking techniques.

Mastering the Potter’s Wheel

ID: YA2038 June 29 - July 2 • 1 - 4 pm Members: $125 • Non-Members: $140

Whether your teen is exploring their creative interests for the first time or preparing a college portfolio, Peninsula School of Art’s teen program offers opportunities for students to expand their artistic potential. Intensive handson

experiences

encourage

teens

to

explore

new concepts, develop new skills, exchange ideas, and develop a lasting studio practice.

Across all media, instructors challenge students to become more confident risk takers through technical skill building exercises and creative experiments. Project prompts and individualized feedback help teen artists find their unique voice.

Each week closes with a brief conversation about the work created, challenges and triumphs, and what each student is excited to explore next.

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This workshop offers the opportunity for teens to refine their skills on the potter’s wheel. Basic throwing techniques are reviewed and more advanced methods introduced as students create a series of mugs, bowls, and plates.

Students design and decorate the surface of each piece using hand built embellishments, texture tools, and brightly colored underglazes. A final clear glaze ensures all pieces are food safe.

Cut and Paste

ID: YA2039 July 27 - 30 • 1 - 4 pm Members: $125 • Non-Members: $140 Teen artists explore basic and more advanced collage and montage techniques in this workshop. Students learn how to use found papers, recycled materials, and printmaking methods to communicate their artistic vision. The works of Robert Rauschenberg, Hannah Hoch, Henri Matisse, Max Ernst, and more are referenced for instruction and inspiration throughout the week.

Sequential Illustration

ID: YA2040 August 17 - 20 • 1 - 4 pm Members: $125 • Non-Members: $140 In this workshop, teens learn the process of illustrating a sequential story from writing, layout, and sketching to the final finished pages. Techniques in colored pencil, ink, markers, and watercolor are shared and practiced. From there, students design and roughly sketch a multiple - page story with illustrations using the media of their choosing with instruction throughout the process.

9am-Noon $15/person per session Plein Air Painting June 19

One of a Kind Prints with Monoprinting June 26

Hand Built Ceramics for the Table July 3

Comics and Cartooning July 10

Upcycled Sculpture July 17

Family Workshops DROP IN ANYTIME, STAY AS LONG AS YOU LIKE. Friday mornings are set aside for drop-in art making experiences for children and family members of all ages. Designed to introduce participants to a variety of processes, materials, and ideas, a different medium is featured each week. From painting to ceramics, creativity

Door County Plein Air Festival Kid’s Paint July 25 - see page 86

Paper Marbling and Bookmaking July 31

Painting Abstractly August 7

Hand Built Ceramics for the Outdoors August 14

is exercised through guided exploration. Projects and instruction

Collage and Montage

are adapted to individual age and skill levels. No pre-registration

August 21

required. Best suited for families with children ages 4 to 12.

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Exhibitions & Events COMMUNITY EVENTS AND EXHIBITIONS FOR APPRECIATORS OF ALL AGES Interwoven with workshops, our Guenzel Gallery exhibitions, public programs, and special events provide new perspectives to selected artistic themes. For instance, you’ll find workshops that correspond with media highlighted in our exhibitions, which in turn bring inspiration for projects in our public programs. Special events are the celebratory piece of our programming, engaging students and visitors of all ages in the joy of artistic discovery.

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In the Gallery

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Old is New: Contemporary Artists Using Historic Techniques MAY 30 TO JULY 11 OPENING RECEPTION: FRIDAY, MAY 29, 4-6PM People have been making art for over 100,000 years.

Throughout that long history, new materials and techniques were discovered, fell in and out of popularity, and were sometimes nearly forgotten. Old is New presents the work of contemporary artists using historic materials and techniques to speak to today’s culture.

Margaret Muza

New Media 10101: Art and Technology AUGUST 15 TO SEPTEMBER 19 OPENING RECEPTION: FRIDAY, AUGUST 14, 4-6PM Digital technologies have been steadily seeping into all aspects of our lives. The home computer entered the market in 1977, and now we have powerful processors in our phones, health trackers on our wrists, and even sensors in our electric toothbrushes. It is no surprise that digital technologies, along with technological advances in science and industry, have found their way into our art as “new media.” New Media 10101 examines how contemporary artists use this technology to create.

Emily Scheider Berens

Art by Numbers OCTOBER 3 TO NOVEMBER 28 OPENING RECEPTION: SAT, OCTOBER 10 Mathematics, rightly viewed, possesses not only truth, but supreme beauty – mathematician Bertrand Russell, 1919 A 2014 study showed that for mathematicians, looking at an elegant equation activates the same area of the brain activated when others see a beautiful painting. While this study offered scientific proof, the connection between art, beauty, and mathematics has long been evident. Art by Numbers explores this connection through work resulting from or inspired by mathematics.

Tia Wierenga

83

Lectures, Dialogue & Learning FOR ARTISTS, MAKERS, VIEWERS & APPRECIATORS There are more ways to engage with art than making. With our dynamic line-up of Lunchtime Talks, Conversations on Creativity, Guided Tours, and docent program, Peninsula School of Art has you covered.

Lunchtime Talks Thurs. Jun 11, Jul 9, and Aug 13 Sat. Sep 19, and Oct 17 12:15-12:45pm, bag lunches welcome Free and open to all No registration necessary

Add a dash of art to your day. Drop by PenArt over your lunch break to hear from artists about their work, experts on topics related to current exhibitions, and more. Beginning this June, Lunchtime Talks will take place the second Thursday of each month through August, and the third Saturday of each month from September through May. Visit PeninsulaSchoolofArt.org for updates on monthly speakers.

Conversations on Creativity Third Wednesday of each month, 3-5pm Free and open to all, no registration necessary.

Conversations on Creativity is your chance to come together with other learners to talk about art and artists. Each month we’ll cover a new topic - from what is creativity and how the creative process works, to aesthetics, the art market and inspiring artists. We’ll explore the topic through articles, podcasts, videos, and/ or books. Join us for coffee and lively discussion from 3-5pm on the third Wednesday of each month. Visit PeninsulaSchoolofArt.org for updates on monthly topics and to join the mailing list.

Guided Tours Become a Docent Docent Luncheon Thurs, Jun 4, 12-2pm

Followed by an exhibition walk-though from 2-3 pm RSVP by Sat.,, May 30 Do you like talking to people, asking questions, and learning new things? Become a docent at the Peninsula School of Art. As a docent, you’ll get a sneak peak of new exhibitions and learn about ways to share your own enthusiasm while drawing out visitors’ thoughts and questions about art on view. Then, you’ll engage visitors to the gallery in conversations and informal tours during 2-hour volunteer shifts on the Thursday afternoons and Saturday mornings of your choice. Learn more at the orientation luncheon on Thursday, June 4. Contact Crystal at 920.868.3455 x405 or exhibit@PeninsulaSchoolofArt.org with questions or to RSVP.

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June through September Thurs, 1-3pm and Sat, 10am-noon (while exhibitions are open) Free and open to all, no registration necessary.

See the Guenzel Gallery’s exhibitions in a whole new light on guided tour. PenArt’s docents are here to provide answers to your questions, engage in casual conversations, and in-gallery activities. Their unscripted tours adapt to the interests and dynamics of each visitor or group.

Have a group of 10 or more? Please call 920.868.3455 x405 or email exhibit@PeninsulaSchoolofArt.org to schedule a private tour.

Events

85

2020 Featured Artists Kurt Brian Anderson, MI Greg Barnes, NC Beth Bathe, PA Zufar Bikbov, CT Carla Bosch, TX Richard Boyer, UT Carl Bretzke, MN Jay Brooks, NY Brienne Brown, PA Brian Buckrell, Canada Shar Coulson, IL Joshua Cunningham, MN TJ Cunningham, FL James Faecke, WI Jake Gaedtke, MT Debra Joy Groesser, NE Stephanie Hartshorn, CO

Door County Plein Air Festival EVENTS JULY 19-25

Tim Horn, CA Qiang Huang TX Jane Hunt. CO Charlie Hunter, VT Shelby Keefe, WI Mat Barber Kennedy, IL John P. Lasater, IV, AR Christopher Leeper, OH Kyle Ma, TX Jim McVicker, CA

EXHIBITION AND SALE JULY 26 TO AUGUST 8

Spencer Meagher, IL

The Door County Plein Air Festival celebrates the tradition of outdoor

Dan Mondloch, MN

painting with some of the finest painters from across the country. 40 artists will put brush to canvas, capturing the summer light over the waters and fields of Door County. Listen and learn from daily artist demonstrations. Tour local partner galleries as artists paint on site.

Relax with great music and food at our sunset concert and paint out.

View presentations by the festival judge, award winning artists, and knowledgeable collectors. View fresh paintings at our Collector's Preview Gala Auction. Children can try painting plein air during our Kid's Paint, Saturday, July 26. Be at the heart of festival excitement during the Quick Paint competition. Vote for your favorite artists at our Open Door Reception. Take home an original piece of fine art.

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Allison Menke, MD Kathie Odom, TN Deke Palecek, WI Anton Pavlenko, OR Craig Reynolds, AL Jason Sacran, AR Brian Sindler, IL Steve Stauffer, UT William Suys, WI Kim VanderHoek, CA Tara Will, MD

More info:

www.PeninsulaSchoolof Art.org/2020DCPAF

Craft THURSDAY, JUNE 18, 5-8PM HATCH DISTILLERY, EGG HARBOR $100/PERSON - LIMITED TICKETS Save the date for an evening of craft cocktails, chef-crafted foods and fine art and crafts. This year's inaugural event will feature a silent auction of

items centered around food, drink and the

table.

Make

merry

and

support

the

children

and teen art education programs of PenArt.

Artists for Art Education PREVIEW: FRIDAY, SEPTEMBER 25. 5-7PM CELEBRATION & SALE: SATURDAY, SEPT 26 6-8PM The nationally-recognized artists and faculty of PenArt come together to support PenArt's Door to Creativity Campaign. Over 50 works of art are available in silent auction.

Invitation-only preview Friday

evening. Community celebration and sale Saturday evening with live music and light hors d'oeuvres.

Community Iron Pour OCTOBER 10, 4-7PM $20 PER PERSON TO CREATE A TILE FREE TO WATCH THE POUR All ages can join in the festivities at the at the annual Community Iron Pour. Using simple tools, create your own 5"x5" iron tile by etching into a preformed sand-and-resin mold. At dusk, the dramatic pouring of white-hot, molten iron begins, continuing until all the tiles are poured. The event includes, live music, and beverages and food for purchase.

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Membership Makes all the Difference

MEMBERSHIP LEVELS PenArt Friend - $75 - $124

JOIN US IN MAKING PENART A HUB FOR EXPLORATION IN THE VISUAL ARTS BY BECOMING A MEMBER.

• Early workshop registration • Member rates on workshops • Access to studio rentals • Catalog, event and e-newsletter mailings.

PenArt Sustainer - $125-$499 • All Friend benefits • Two free days of studio rental

PenArt Patron - $500-$999

• All Sustainer benefits • One free week studio rentals • PenArt Totebag

Visionary - $1000 - $4999

• All Patron benefits • 20% off PenArt facility rentals • Invitations to private events

PenArt Leader - $5000 and up

• All Visionary benefits • Private luncheon with the Director and Chair of the Board

All tax deductible membership gifts support the Annual Fund. Memberships cover all individuals in the household and are valid for one year from date of membership. If you have any questions, please contact: development@PeninsulaSchoolofArt.org

At

any

level

you

will

be

supporting

• FREE

family-friendly

community

outreach

and

programs for 3000 children and families

art making. While tuition and fees cover a

• Special events like the Door County Plein

extraordinary

opportunities

for

learning

portion of our operating expenses, it is your annual membership that enables us to offer:

Air

Festival

and

Community

Iron

Pour

• FREE exhibitions in our Guenzel Gallery • Space and equipment for artists of all ages

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THE DOOR TO CREATIVITY CAMPAIGN WILL REINVENT AND REVITALIZE THE PENART CAMPUS TO SUPPORT THE NEXT GENERATION’S IMAGINATION, LIFELONG LEARNING, CREATIVE GROWTH AND WELCOME MORE ART LOVERS, LEARNERS AND APPRECIATORS TO OUR FACILITIES, AND VISITORS TO OUR VIBRANT COMMUNITY.

Open Doors For Artists and Appreciators of all Ages TO LEARN, GROW, AND EXPLORE THROUGH THE VISUAL ARTS There simply isn't enough space to hold the growing

inspiring creative growth and fostering the next

number of creative learners, art appreciators and

generation's

young artists that visit PenArt on a daily basis,

enhance our canvas for artistic and educational

or to offer the types of programs our community

programming, and provide a welcoming, inclusive

- near and far - has come to depend on us for.

setting for the celebration of creative expression

With your support, the upgraded PenArt campus

imagination.

It

will

dramatically

within the vibrant Door County community.

will serve as a platform for artists of all ages,

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The re-imagined Peninsula School of Art campus is so much more than a series of buildings. It is a manifestation of the belief that everyone deserves access to the arts - and each of us has the potential for artistic expression. It is a new way of thinking about who we are and how we engage with our world. A place for people of all ages and backgrounds to come together to celebrate and grow through the visual arts. A creative community for learning, skills development and collaboration, a platform for dialogue, a safe haven for exploration, and a gateway to new community partnerships.

With your support we will: • Develop two dedicated, state-of-the-art adult painting, drawing, printmaking and mixed media studios.

• Create a digital arts and photography studio.

• Provide access to print and digital technologies for our community, children and adults.

• Replace two seasonal studios, with a dedicated, year-round children and teen education space that can accommodate up to four simultaneous programs.

• Create direct access from the youth studios to the Guenzel Gallery.

• Furnish the studios with age appropriate equipment and materials.

• Refresh the exterior of main campus to allow for safe student drop off, a school bus turn around, and dedicated outdoor spaces for children, teens and families.

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For more information on the Door to Creativity Campaign visit: www.PeninsulaSchoolofArt.org/DTC

Join us in the Door to Creativity Campaign and open doors for curious minds of all ages, backgrounds and abilities to learn, discover and explore through the visual arts.

Gifts of all sizes are appreciated.

Peninsula School of Art accepts gifts via check, credit card, cash, stock or other tangible asset to the Door to Creativity Campaign. Gifts can include multiyear pledges, and are eligible for tax deduction. To make a contribution, contact 920.868.3455, email: development@PeninsulaSchoolofArt.org

Travel & Visit

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Door County is a region in the "left thumb" of Wisconsin - the small land mass projecting into the water from the east-central side of the state. Fish Creek, in the center of Door County and the location of Peninsula School of Art, is about a three hour drive from Milwaukee and a five hour drive north from Chicago or east from Minneapolis

ADDITIONAL TRAVEL AND LODING INFORMATION: DoorCounty.com VisitFishCreek.com

Student & Visitor Information WHAT IS DOOR COUNTY?

SHIPPING SUPPLIES

Door County refers to a 70-mile long region in

Students are welcome to ship art supplies to PenArt,

Wisconsin, that contains 34 named islands and

however, supplies may only arrive one week prior

dozens of small cities, towns, and communities,

to your workshop. Packages must be clearly labeled

each

feel.

with your name and the instructors name and class

Throughout the quaint harborside towns and the

date. PenArt staff will hold your package and place

pastoral interior dotted with picturesque farms and

in your studio prior to the start of your workshop.

orchards, quality art galleries and studios reflect

CONCIERGE LUNCH

with

its

own

distinct

look

and

Door County’s deserved reputation for culture in the country. The rich performing arts scene–from classical and jazz music to renowned theater troops–garners national attention. Door County’s state and county parks offer some of the best hiking and biking opportunities to be found in the Midwest.

When you're working in the studio, you shouldn't have to worry about your next meal. Every day we offer a concierge lunch program through a local restaurant for $10 per day. Orders may be placed for salads and sandwiches before 9:30am each morning of your workshop. PenArt staff

STAYING

will facilitate payment and your order will be

At this time we are unable to offer student

delivered before your workshop breaks for lunch.

housing. We have in the past, and hope to again soon! Several

of PenArt's partner hotels offer

discounts for students, see next page or visit our website for an updated listing of our partners.

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(We

also

provide

refrigerator

for

choose

bring

to

your a

a

microwave

convenience, sack

lunch

and

if

you

with

you.)

OUR PARTNERS Peninsula School of Art is a non-profit organization that is financially supported by an amazing community of businesses - both locally and nationally. With deep gratitude, we thank and highly recommend the following partners.

ARTIST RESOURCES

DOOR COUNTY LODGING PARTNERS

The Homestead Suites, Fish Creek

DOOR COUNTY RESTAURANTS, RETAILERS AND SERVICES

DOOR COUNTY ARTS & ENTERTAINMENT

SUPPER BLunch,WL &DinnerCLUB Cocktails, Sister Bay

Connie Glowacki Gallery, Fish Creek The Cookery Restaurant, Fish Creek

MEDIA PARTNERS For more information on becoming a Business Partner and the benefits of working with PenArt, visit: www.penart.org/businesspartner

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Scholarships Peninsula School of Art is dedicated to offering educational opportunities to aspiring artists and increasing access to our programs for a diverse group of participants. Applications for scholarship support are encouraged. Specific scholarships are funded by contributors to the Peninsula School of Art, whether through endowed funds or special gifts. We are grateful for these important gifts.

Scholarships are available by contacting the PenArt offices at at 920.868.3455 or online at: P e n i n s u l a S c h o o l o f A r t . o r g /s c h o l a r s h i p s /

ADULT SCHOLARSHIPS The Peninsula School of Art Scholarship Fund supports the on-going artistic development of full-time college and university students, as well as full-time professional art educators. The scholarship covers up to 80% of the tuition expenses for any Peninsula School of Art workshop. Housing and food are the responsibility of the student.

There are a limited number of scholarship spaces available in each workshop, so please indicate your first, second, and third workshop choices on your application. If you wish to take a specific workshop whether or not you receive a scholarship, we encourage you to register for the workshop in addition to submitting a written scholarship application. If awarded a scholarship, your account will be credited for the amount of the scholarship.

However, you will be required to pay the full tuition at the time of registration and you will be assessed a cancellation fee if you cancel.

APPLICATION DEADLINES

March 15 - for workshops held May - July June 15 - for workshops held Aug - Oct

NOTIFICATION DATES

April 1 - for workshops held May -July July 1 - for workshops held Aug - Oct

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YOUTH SCHOLARSHIPS Established in 2012, in memory of Kathryn A. Doerr (Katie), by her family, this endowed fund provides critical support for Peninsula School of Art youth scholarships and outreach programs. During her lifetime, Katie was an advocate and supporter of art education, notably to art education in the Door County community she loved.

These scholarships cover 100% of the tuition expenses for any children’s or teen workshop.

Participation in the program is limited to full-time residents of Door and Kewaunee, Wisconsin counties.

There are a limited number of scholarship spaces available in each workshop, so please indicate your child's first, second, and third workshop choices on your application. If your child wishes to take a specific workshop whether or not they receive a scholarship, we encourage you to register for the workshop in addition to submitting a written scholarship application. If awarded a scholarship, your account will be credited for the amount of the scholarship.

However, you will be required to pay the full tuition at the time of registration and you will be assessed a cancellation fee if you cancel.

APPLICATION DEADLINE April 15

NOTIFICATION DATE May 15

Registration Information & Policies General Information

• Registrations are accepted by mail, phone, online or in person beginning January 14, 2020 for Members of Peninsula School of Art, and January 28, 2020 for non-Members. Students may join or renew at the time of registration.

• Registrations are accepted strictly on a first-come, first-registered basis. Your place in the workshop will be reserved when we receive payment in full.

• Please read the workshop description carefully before enrolling to ensure that the workshop content and skill level is appropriate.

• Peninsula School of Art accepts all persons regardless of race, color, national origin. gender, sexual orientation or religion. You must be at 16 years old to attend an adult workshop.

• The staff is available from 8am to at least 5pm, Mon-Sat (May-Oct) and Tue-Sat (Nov-Apr) to help. We are happy to contact faculty members on your behalf; please do not contact faculty members directly.

• Unacceptable behavior: Peninsula School of Art reserves the right to refuse registrations from participants who have a history of disruptive behavior or to dismiss any student without refund who disrupts our learning environment.

• While registrations are accepted up until the start date of a workshop, we must have a minimum number of students enrolled four week prior to the start date in order to run the workshop. If you are interested in registering for a workshop, we strongly encourage you to register at least four weeks prior to the start date. This helps to ensure that we meet this minimum student number and your workshop runs.

Adult Registrations

• Upon receipt of full payment, a confirmation notice will be emailed to you within two days. The confirmation notice contains important information regarding your workshop, lunch options, arrival and a link to the supply list. Please add Registrar@PeninsulaSchoolofArt.org to your safe sender list.

• If your payment is declined or check is not valid, your registration will be voided.

• The majority of our campus is handicapped accessible, however some studios are not. If you have any special needs or require special accommodations, please let us know when you register.

Children & Teen Registrations

• Children must have reached the minimum age required at the time their workshop begins.

• Upon receipt of full payment, a confirmation notice will be emailed to you within two days. The confirmation letter contains important information regarding the workshop, arrival and a link to the Health and Photo Release Form. Please add Registrar@PeninsulaSchoolofArt.org to your safe sender list.

• Health and Photo Release Forms must be returned prior to the start date of the workshop.

• For half day workshops, pack an appropriate snack for your child and label with his/her name, but keep in mind refrigeration is not available. PenArt is not nut free.

• If your child has any learning needs, allergies, or any other special concerns, please let us know when you register and include details on the Health Release Form.

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Registration Information & Policies Payments & Fees

• Peninsula School of Art accepts Visa, MasterCard, Discover, personal checks, bank checks, money orders or cash.

• Materials fees not included in tuition are to be paid directly to the instructor before the end of class. You may pay by check or exact change. When known, these fees will be indicated on your supply list. For other classes, the materials fee will be based on the amount of materials used during the workshop.

• Model fees are included in workshop fees.

Supplies & Dress

• For most adult workshops, you will receive a list of required and optional supplies within 48 hours of registration with your confirmation notice.

• Instructors may request that you bring more supplies than you will actually use during the course of the workshop. The acquisition and cost of these items are your responsibility.

• All supply lists are available on our website. Please visit your workshop page, scroll down and click the link for the supply list.

• All materials for children and teen workshops will be provided, unless otherwise noted.

• All students should dress appropriately for art making, including suitable footwear. Many classes use dyes, inks or paints that may stain hands and clothing. We are not responsible for clothes that become stained during the workshops.

• Weather permitting, students will take their lunch and breaks on the grounds and should have appropriate clothing to wear outside.

Cancellation Policy To Cancel a Workshop PenArt makes a substantial investment when planning a workshop. While we understand that circumstances may arise causing a change in your plans, we must adhere to a business policy. If you need to cancel your registration, PenArt must be notified by phone, and the following policies apply: • 30 days or more prior to a workshop: Full refund of tuition, less a $100 cancellation fee for adult workshops or $25 cancellation fee for youth workshops and $15 for Try It Programs.

• 29 days or less prior to a workshop: No refunds for any amount.

Cancellation fees reflect the cost of registration, staff, instructor contracts, material acquisitions, and other services. This policy applies to all registrants, regardless of the reason for cancelling.

For your protection and should an unforeseen personal emergency arise, we HIGHLY recommended the purchase of trip insurance. Some credit cards, auto clubs, travel services, or online companies offer travel insurance for non-refundable expenses. If it’s necessary for either an instructor or PenArt to cancel a workshop, you will receive a full refund of tuition, but not other related expenses. If you drop out of a class once it has started, there are no refunds for any amount.

Transfers

Students may transfer from one workshop to another, space permitting, 30 days or more prior to the workshop for which they are currently registered. A $25 transfer fee for adult workshops, a $15 transfer fee for children and teen workshops and a $10 transfer fee for Try It workshops will apply. Registrations are not transferable to another person. There is a limit to one transfer per student per year.

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Registration Information & Policies Waiting Lists

When a workshop fills, we start a waiting list. There is no charge to be on a waiting list. If space becomes available we contact the first person on the list. That person has 24 hours to register before we move on to the next.

If PenArt Cancels a Workshop

Occasionally, PenArt must cancel a workshop due to low enrollment, illness or other unforeseen circumstances. If we do, we will notify you as soon as possible. You may register for another workshop (based on availability) or receive a full refund of tuition paid. Notification of cancellation will normally occur four weeks prior to the beginning of the workshop, in rare cases however, it may be less. Peninsula School of Art is not responsible for losses incurred due to housing, personal expenses, travel or other arrangements.

If there is a Change in Workshop Instructor

Occasionally, a listed instructor is unable to participate because of a change in his or her professional schedule. If we must replace an instructor, we will do so with someone of equal or similar credentials. When time permits, we will inform all registered students.

Meals

Students have the option to purchase lunch at PenArt for $10 per day. We also provide a microwave and refrigerator for your convenience, if you choose to bring a sack lunch with you. Space is limited and we ask that students be respectful of others. • Peninsula School of Art takes food allergies very seriously and is not equipped to handle allergic reactions. If you have specific dietary needs or allergies, bringing your own lunches is your best option.

We are not able to accommodate particular food preferences, dietary restrictions or food allergies.

Please be advised Peninsula School of Art is not a nut free zone. • Additional visitor resources are available on our website.

Pets and Service Animals

Please leave your pets at home. Pets, other than licensed therapy/service animals such as Seeing Eye Dogs, are not allowed on the grounds, in cars in the parking lot or in PenArt buildings. There are few housing accommodations in Door County that allow pets. If you must bring your pet, ask us about an appropriate local kennel.

Peninsula School of Art complies with the Americans with Disabilities Act (ADA). Any student who plans to bring a service animal must notify the Registrar at the time of registration, at which time we may ask if the service animal is required because of a disability and what work or task the service animal has been trained to do. A service animal must be under the handler’s control at all times, and the handler is expected to clean up after the service animal. For more information, please visit - https://www.ada.gov/regs2010/ service_animal_qa.html

Accessibility and Special Assistance

Our goal is to meet your needs. Please let us know if you have physical limitations with regards to walking, stairs, vision, etc. The majority of our campus is accessible and barrier-free, although some studios are not.

If your youth or teen student has any learning needs, allergies, or any other special concerns, please let us know when you register and include details on the Health Release Form.

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Classes fill early. Registrations are accepted online, by mail or phone.

Please print clearly and fill out completely. Mail this form to: Peninsula School of Art, P.O. Box 304, Fish Creek, Wisconsin 54212 Name:

Date:

Child's Name (if applicable):

Child's Birth Date:

Billing Address: Billing City, State, Zip Billing Phone:

Cell or Local Phone:

Email: Mailing Address (if different from billing): Mailing City, State, Zip:

Course ID

Title

Member Tuition

Non-Member Tuition

Tuition Subtotal Gift Certificate Amount (If applicable, please enclose certificate with registration) Total Tuition Annual Membership/Contributing Membership TOTAL AMOUNT DUE (Membership & Tuition)

o I have read and agree to the registration policies. oCheck enclosed, payable to Peninsula School of Art oro Charge to: o VISA o MasterCard o Discover Name on card:

Exp. Date:

Account #:

CVV:

Signature:

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Student Drop Off Entry Guenzel Gallery Hamming Room - Lecture space and digital arts studio 5. 2D Arts Studio 6. 2D Arts Studio 7. Metals Studio 8. Clay Studio 9. Kiln Yard - Electric and raku kilns 10. Pathway to five additional acres 11. Garret Studio (second floor) 12. Art Resource Library 13. Offices/Administration

14. Children, Teen, Family Studio the "Barn" 15. Gazebo - Outdoor meeting and student dining area 16. Tent/Outdoor Studio (seasonal) 17. Children, Teen, Family Studio Tourtelot Studio 18. Madeline Tourtelot Archives and Study Center 19 to 27. Outdoor Sculpture Collection 28. Accessible Parking

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Peninsula School of Art, Inc. P.O. Box 304 3900 County F Fish Creek, WI 54212

Non-Profit Org. U.S. Postage PAID Permit No. 25 LaCrosse, WI 54601

Registration Opens MEMBERS: JANUARY 14 NON-MEMBERS: JANUARY 28

Online Registration www.PeninsulaSchoolofArt.org

© Peninsula School of Art, Inc. 2020