When Mount Eliza anti-vaping campaigner Lily Ford began, she had only one objective – to help others. It came as quite a shock when she received hateful trolling on her social media accounts and online hate despite the mountain of evidence outlining the very unique hazards of this insidious device. (That said, she received a lot of positive messages too.)
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When Mount Eliza anti-vaping campaigner Lily Ford began, she had only one objective – to help others. It came as quite a shock when she received hateful trolling on her social media accounts and online hate despite the mountain of evidence outlining the very unique hazards of this insidious device. (That said, she received a lot of positive messages too.)
Most award-winning authors eventually face a choice: pursue writing full-time or stay tethered to their day job. Though that decision might seem easy and obvious, Brendan James Murray has chosen to stay in the classroom at Frankston High School, teaching English and English Literature to teenagers, while crafting his next book after hours and during school holidays.
In her white weatherboard studio in Mount Eliza, overlooking the Moorooduc plains, award-winning ceramic artist, Manuela Ferstl throws and squashes, rolls and coils, concocts glazes and experiments with firing. She’s an artistic alchemist creating genuinely unique work. In addition to making, she’s been teaching ceramics for over 40 years, sharing her exceptional skills with people of all ages.
20. Singing Aloud
Mezzo soprano Katrina Waters knows all too well that the path of the dramatic soprano is no easy one. After a stellar music career, she’s doing her PhD in music and has interviewed thirteen dramatic sopranos who have sung Brünnhilde from the Metropolitan to Opera Australia. She commissioned a song cycle, ‘Songs for Loud Women,’ based on their stories.
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Style editor Annette Sanfilippo helps us style for spring sharing what’s trending, must-haves, how to wear them with confidence, and where to find them.
32.
If you threw the 1950s, ‘60s, ‘70s and ‘80s into a blender with a hefty dose of community spirit and served it up with a side of cracking good food and drinks, the result would be Seaford’s most memorable eatery, Café La Wheels.
It was March 1899 and still two years before Federation and each state was responsible for its own defence. The Victorian colonial force numbered about 6,000, with a long-held belief that the state was vulnerable to invasion by Russian forces. Then the announcement came; an invasion force had been sighted off Wilson’s Promontory.
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14 SEPTEMBER WALK FOR SUICIDE PREVENTION
9am - 12pm
Every year Chasing Change acknowledges World Suicide Prevention Day by hosting a Walk for Suicide Prevention where the community is invited to come together at Mornington Park to commemorate and reflect on the lives lost to suicide. chasingchange.com.au
7 SEPTEMBER MENTAL HEALTH SAFETY NET BREKKIE ON THE BEACH
9am - 10am
Join Mental Health Safety Net (MHSN) for Brekkie on the Beach, where we will honour fathers and father figures in our lives, enjoy a free egg and bacon roll and a refreshing dip in the bay and connect with our community. mhsnbrekkie7sep25.raiselysite.com
20 SEPTEMBER VOLUNTEER PLANTING DAY IN BALNARRING
9am - 12:30pm
We're planting 7000 native trees and shrubs to create a thriving indigenous woodland of 30 acres for native fauna and flora on the Mornington Peninsula. And we can't do it alone! eventbrite.com
12 SEPTEMBER
LEARN HOW TO HOW TO DEHYDRATE FOOD
10am - 11am
Join permaculture and sustainability educator, Anna the Urban Nanna, in this workshop presentation all about dehydrating food at the Frankston library. eventbrite.com.au
27 SEPTEMBER POINT NEPEAN PORTSEA MARKET
9am - 2pm
Flowers bunched and potted spill out onto the walkway at the entrance, music can be heard in the distance. Follow the sandy road through the stalls, stopping to have a chat to the bakers, makers and growers you meet along the way. Parking $5. craftmarkets.com.au/portsea
Your social circle determines what you think is cool
By Andrea Louise Thomas Photos Gary Sissons & supplied
When Mount Eliza anti-vaping campaigner Lily Ford began, she had only one objective – to help others. It came as quite a shock when she received hateful trolling on her social media accounts and online hate despite the mountain of evidence outlining the very unique hazards of this insidious device. (That said, she received a lot of positive messages too.) A recent study discovered that vaping can cause an irreversible type of lung cancer.
Like cigarettes, vapes contains a raft of toxic chemicals, such as formaldehyde (used to embalm bodies), arsenic (a poison), benzene (a known carcinogen) and heavy metals like nickel and cadmium that have no place in the human lung. This is only part of a very long list of toxins present in vapes. Then there is the highly addictive drug, nicotine, which keeps vapers obsessively using.
In the past, Lily’s vaping was driven by a desire to fit in. That need to belong had real health consequences for her. Granted, this was before the hard evidence about vapes had come out. She and her friends were under the impression that vaping was safer than smoking. There was also a cool, exotic factor to this new fad amongst her peers in high school. “Others saw it as a trend; I saw it as a way to belong,” she says.
“Your social circle determines what you think is cool,” she says. Binge drinking and vaping were common in the groups she wanted to hang out with. Joining that behaviour was a way to belong. “If you could hold your booze, you got more respect,” she says.
One of the appeals of vaping for Lily was the calm she felt after inhaling. Diagnosed with anxiety as a teenager, that sense of tranquillity brought her relief from the weight of anxietyuntil it didn’t. In fact, it made the anxiety much worse. The calm quickly evaporated, replaced by the anxious need for another puff. It became a vicious cycle.
It wasn’t until she started to feel the ill effects of vaping that her thinking started to change. She was in the grips of an addiction that was dominating her life. The vape was the first thing she reached for in the morning and the last thing she touched at night. She wanted better for herself.
Lily substituted the dopamine high she felt from vaping with the vastly superior high she experienced after a run. It was after her first run that she realised the physical fallout of vaping. She coughed up blood-tinged mucus from lung irritation along with the chemicals used to flavour vapes that were still hanging around in her lungs.
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She challenged herself to run further. At first a kilometre seemed an eternity; next thing she knew, she was running a halfmarathon. Within 9-12 months Lily had not only a healthier body, but a stronger sense of self. She felt resilient and capable of doing hard things.
Understanding how to help others drives me. I am here to heal and help others heal. I love people
Lily wanted others to experience that positive change. She sent her story to the Cancer Council’s Quit campaign. “I wanted young people to feel inspired by my story,” she says. Then she started posting to social media illustrating the physical, emotional and spiritual transformation she was going through.
Her story was picked up by The Age newspaper. Lily was surprised to find herself on the cover. She also did a segment on 60 Minutes which was very affirming. She felt seen, respected, heard and grateful for the opportunity.
Now Lily is a yoga and Pilates instructor who is just finishing a five-year double Bachelor of Science degree in Social Science (Psychology) and Social Work (Honours) at RMIT. She is clean, sober, healthy and happy. “Understanding how to help others
drives me. I am here to heal and help others heal. I love people. Being so grounded and connected has transformed my life,” she says.
“When I was younger, I didn’t have any foresight. I couldn’t envision my life beyond 19. A trauma-informed lens was guiding me. I couldn’t apply the necessary judgment,” she says. Now, Lily knows who she is and loves this version of herself. Everything she has learned has reinforced her drive to help others. She’s a good example of how important it is for young people to know themselves and create a vision for the future. Everything Lily has put on her vision board has come to pass. She couldn’t ask for anything more.
IG:
By Sarah Halfpenny Photos Yanni
Mostaward-winning authors eventually face a choice: pursue writing full-time or stay tethered to their day job. For Brendan James Murray, with a Ned Kelly Award under his belt, national recognition, and publishing deals with major houses, that decision might seem easy and obvious. Yet Brendan has chosen to stay in the classroom at Frankston High School, teaching English and English Literature to teenagers, while crafting his next book after hours and during school holidays. It’s a decision that speaks to his passion for education and his connection to the place that made him: the Mornington Peninsula, where he has lived for most of his life.
Growing up in Dromana during the 1980s and ‘90s, Brendan’s working-class upbringing influenced both his teaching philosophy and his writing. “I think certainly growing up in a working-class household shaped me in the sense that when I eventually became a teacher, I had maybe a little bit more of an understanding of what the lives of some of the kids I was teaching are like,” he explains.
His father worked “lots and lots of different jobs,” but the family always valued education. “Both my parents saw education as a way for myself and my brother and sister to have better lives than what they perceived their lives to be.”
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That belief in education’s transformative power led Brendan to teaching, where he’s now spent 15 years in the classroom. His career began at Rosebud Secondary College – the same school he attended as a student – where he taught for over a decade. In 2023, when he realised “I’d spent about 50% of my life at that physical place” he decided it was time to broaden his horizons and made the move to Frankston High School.
His connection to education runs parallel to his acclaimed writing career. From true crime to natural history, Brendan’s literary journey defies easy categorisation. His debut, The Drowned Man, won the Ned Kelly Award for Best True Crime in 2017, while Venom explored Australia’s deadliest snakes and earned a spot in the ABC’s Conversations ‘Best of’ series. His educational memoir The School – a powerful behind-thescenes look at modern teaching – was shortlisted for the NSW Premier’s Literary Award for Nonfiction.
What unites these seemingly disparate works is a common thread of advocacy. “The Drowned Man was about the mistreatment of homosexuals during the Second World War. Venom, although it’s about snakes, it’s about largely the mistreatment of Indigenous people. You could argue that The School is about mistreatment... or disadvantage, definitely,” he reflects. These are stories of the “overlooked or misunderstood or disadvantaged.”
The book weaves together memoir and educational philosophy, exploring “myself when I was a little kid, myself as a parent and myself as a teacher,” he says. At its core lies a passionate argument for reimagining how we nurture young minds. Brendan believes “we need more education, and more imagination in education”; something he sees as having “strangely fallen by the wayside across all of western society.”
He’s particularly frustrated by how imagination becomes relegated to early childhood or business contexts, rather than being recognised as “that kind of fun, playful imagination that can be really nourishing and important for people.” The book draws on his observations of students, some of whom can vividly imagine themselves as archaeologists, while others respond with “I don’t know” or “Nothing!” when asked about their interests or future plans.
Despite his literary acclaim, Brendan remains devoted to teaching. “As a writer who teaches English, it makes me think about language all the time. I think it probably makes me a better writer, having those nutsand-bolts conversations every day, and thoughts about what makes good writing.”
As a writer who teaches English, it makes me think about language all the time
The intersection of his teaching and writing creates a dynamic that enriches both pursuits. When he brings his vintage typewriter into class, students eagerly compete for the chance to use it. “Usually they’re fighting over it,” he laughs. His approach to balancing weighty subject matter in his books with the optimism required in teaching reveals his nuanced understanding of both roles. “You have to be hopeful as a teacher. The nature of the job, in some ways, is this purely optimistic, forward-looking way of being, where you’re looking at young people, and you’re thinking about what they could be.”
His upcoming book with Pan Macmillan promises to be his most personal yet. This new project examines education and childhood through the lens of parenthood. “It’s the first book I’ve written since becoming a parent, and in some ways that’s really intensified this sense I have of wanting to be really clear in my own head about what kids need, and what’s going to position them to get the most out of life.”
The classroom also provides endless inspiration. “I really love working with the kids. It’s fun and it’s funny. It’s challenging in a good way,” he says, describing himself as “one of those lucky people who really, really enjoys their job.”
His commitment to staying local runs deeper than career convenience. “I feel a genuine connection to the Mornington Peninsula. I’ve grown up here. I’ve had so many experiences here. My kids were born here. I met my wife here,” he explains. “People travel all over the world to see places like where we live. It really is a very beautiful part of the world.”
For Brendan James Murray, success looks different from the usual modern-day narrative that pushes for constant movement and relentless ambition. It’s about contentment in doing work that feeds both his creative soul and his desire to make a difference, right where he belongs.
IG: @bjmurrayauthor
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By Andrea Louise Thomas Photos Gary
Sissons
In her white weatherboard studio in Mount Eliza, overlooking the Moorooduc plains, award-winning ceramic artist, Manuela Ferstl throws and squashes, rolls and coils, concocts glazes and experiments with firing. She’s an artistic alchemist creating genuinely unique work. In addition to making, she’s been teaching ceramics for over 40 years, sharing her exceptional skills with people of all ages.
“From the age of three or four, all I wanted to do was become an art teacher,” she says. Manuela has always loved art. As a girl she enjoyed painting and drawing. Her mother was a dressmaker who also painted, made textile adornments and crafted leadlight art. Manuela learned many skills watching her mother. Her father was a cabinetmaker. The family home hummed with creative energy.
Living on the Mornington Peninsula has had a huge influence on her creative practice. “Having the luxury of being so close to the bush with all its beautiful birds and being near the beach, I find when just walking through these environments that my mind wanders and my imagination goes wild. It’s so inspiring. I take a verbal snapshot on my phone of what I want to attempt next based on what I’ve seen,” she says.
I love working with clay because it’s very therapeutic. I like a challenge and I love doing new things
Moving to Mount Eliza as a teenager really cemented her passion for ceramics. Her art teacher at Mount Eliza Secondary College was a wonderful mentor. After high school, Manuela went to Chisholm Institute of Technology in Caulfield, achieving a Bachelor of Arts in Ceramic Design with a major in Raku firing.
At Chisholm, Manuela had the opportunity to learn and experiment with many other mediums such as glass blowing and slumping, perspective and life drawing, geology and glaze making, painting and even the psychology of children’s art. It was a truly wholistic education.
Her work is distinctive – quirky and playful. Even with more traditional shapes she likes to decorate their surfaces with textured sculptural glazes. She feels each piece has its own personality. “I don’t make things multiple times because my work is always changing and evolving,” she says. That keeps it fun and fresh for her and the people who buy her pieces.
In her career as an artist Manuela has won many prizes, done some wonderful residencies and had great opportunities to show her work. A real highlight was being part of an exhibition that travelled from Australia to China. “The awards are really encouraging. The money is secondary,” she says.
Her greatest satisfaction is just getting her hands into the clay. “I love working with clay because it’s very therapeutic. I like a challenge and I love doing new things. When I’m working on a piece, my mind is always onto the next thing. Selling is a bonus. My passion is to create art that is food for my soul,” she says.
continued next page ...
Glazing is the hardest part of the whole process. It’s the last opportunity to ruin a perfectly good piece
Making with clay comes about in different ways. Hand building is a fairly straightforward process, but there is real art and science in throwing pieces on the wheel. Manuela begins by slapping a round of clay onto the centre of the wheel. Then, she cones the clay building it up and squashing it down to compress the particles. This evens the consistency and removes any air bubbles before she begins to make a plate, cup, pot or vase. Manuela enjoys throwing and hand building equally.
“Glazing is the hardest part of the whole process. It’s the last opportunity to ruin a perfectly good piece. It’s mentally difficult because I can put so much effort in and still not get it right. Glaze testing is really interesting. I alter glaze recipes all the time. When I get a good result, I get really excited. Getting it right after so much trial and error is thrilling,” she says.
Manuela feels that art is not about perfection, it’s about creating something original and unique. “For me, a great piece has beautiful form surface texture and glazing. I have a real appreciation of
asymmetry; something that’s not perfect, but doesn’t look labored. The piece has to have a great personality,” she says.
Beauty in a sculptural work is her top priority. “How I use glaze and combine it with form is what makes my work unique. Beauty, to me, is something that works, that’s creative and has depth and dimension. A simple glaze on a piece that’s more creative and complex can look amazing,” she says.
Manuela has fulfilled both her dreams – of being and artist and an art teacher. She has taught hundreds of people the joy and satisfaction of getting their hands into clay. She no longer offers children’s classes because she wants to focus on teaching adults the therapeutic benefits of working with clay. Her classes are very small and sell out quickly. Join her wait list. It’s worth it.
mtelizapotterystudio.com.au
By Muriel Cooper Photos Yanni
The saying, ‘It ain't over till the fat lady sings,’ might not be politically correct today. It refers to Brünnhilde, the Valkyrie in Wagner's Ring Cycle, who, after fifteen gruelling hours of singing over five operas, finally throws herself into Siegfried’s funeral pyre in remorse for having him killed – and also to save the world.
It is true that the role of Brünnhilde demands a great deal of the singer, the dramatic soprano who doesn’t usually come into her own until she’s in her forties. “That’s great,” you might say, “at least there are roles for women in their forties.” But the dramatic soprano’s path is no easy one, as dramatic mezzo soprano and presenter of RPP FM’s Art to Arias, Katrina Waters, knows very well.
Katrina was the recipient of several scholarships in her early career, including one to the Royal College of Music in London. She has sung all over Europe, performed with Opera Australia, is on the principal list of Victorian Opera and is the current president of the Peninsula Chamber Musicians.
Katrina studied law and music concurrently at the Australian National University. This required courage and persistence because, at the time, concurrent degrees were not allowed. Katrina and her pianist mother lobbied the university relentlessly until they finally let her do it.
Now, after a stellar music career, Katrina is doing her PhD in music, entitled ‘Building BrünnhildeAn investigation into the mid-career transitions of female dramatic voices.’ For the project, Katrina interviewed thirteen dramatic sopranos who had sung Brünnhilde from the Metropolitan to Opera Australia. She commissioned a song cycle, ‘Songs for Loud Women,’ based on their stories.
Katrina says, “I really thought I was going to write a manual. The main research question was: How did they build body, voice, and psyche to sing a role like Brünnhilde? Especially given that most of them have had this career break. They don't come into these roles until their forties. And we don't see women on our stages in their forties and fifties very often.”
I sing loud. I'm gonna blow your wig off, I’m not going to be the ingénue, I’m not going to be pretty
“You need the maturity, strength and stamina to sing over these incredibly huge orchestras that Wagner created. However, my PhD goes a little further because it’s a creative practice PhD; I wanted to create music where Brünnhilde demands a new character arc. Why, with these incredibly powerful voices of women singing in their forties and fifties, are they still playing an ingénue who, to save the world, jumps into the fire and kills herself? That’s where Songs for Loud Women comes in, to show a way through addressing gender inequity in this profession that I love.”
“Less than 12% of conductors, directors, producers, and costume designers are women. So we tell stories written by men, mostly directed and conducted by men, through the male gaze. So it's no wonder that the soprano always has to die for her transgressions. My PhD project drew on the stories of these women. They told me stories of the misogyny they’ve encountered, and how they rise above it and take ownership of it, saying, “OK, this is what I've got. I sing loud. I'm gonna blow your wig off, I’m not going to be the ingénue, I’m not going to be pretty.”
Katrina has commissioned five Australian female composers to craft the song cycle. The first song, In the Fire written by Melody Eötvös, is about the young, loud, rambunctious girls with loud voices.
“I have two daughters, and they have loud, expressive voices. We wanted to use Brünnhilde’s famous battle cry and skewer some archetypal male songs, like sea shanties and footy songs. In the original story, Brünnhilde is put into the fire for defying her patriarch. This is the song we imagine her singing after this banishment.”
Katrina continues: “The second song, Silencing Small, is about all the messages women are given to minimise their voice, themselves, and their body. That’s written by an incredible young composer called Roya Safaei, a second-generation Iranian immigrant. One of my interview subjects told the story of being on a young artists' program, a very famous one, and constantly having her agency taken away from her. During this time she was also raped by someone in the Opera House and she put these
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things together: her inability to say “no” and to speak up for herself, which lead to her not being able to say “no” when she needed to.”
“The middle song is about motherhood, All That We Bear, written by Anne Cawrse, an Adelaide-based composer. Because of my own Mum (who died when Katrina was twenty) and my choice to have children as well as pursue an opera career, that was a song that kept bringing me to tears. Out of the thirteen women I interviewed, only three had had children, and I honestly thought the rest had chosen their career, but that was very far from the truth. In fact, more than half had wanted to have children. It’s a complicated choice, and it’s also not a choice, so it was hard for Anne to get all those perspectives into one song.”
These dramatic sopranos are wise women. They were the best mentorships of my life, these people whom I could look up to
difficult and really skewed against women? I wanted to know why these women did this, and, of course, the reason why they pursue this art is that they love it. There’s something indescribable about finding mastery and ownership of your large, loud voice in your forties. In their twenties and thirties, they are squeezing themselves into a repertoire that doesn’t fit; they finally put on their big girl pants and say, 'This is what I can do. This is what fits.' And they get the accolades for it. Technicolour is written by Katy Abbott, who was MSO’s composer-in-residence last year.”
“The fourth song is a send-up that skewers operatic archetypes. It’s almost a cabaret song called What the Fach? Fach is the German word for how we classify voice types. A dramatic soprano is very different from a coloratura soprano or a light soubrette or even a mezzo soprano, and our voices are classified and put into these boxes. The song uses a play on the word 'Fach' to ask the questions: Why do women have to die in opera? Why is it that the critics, who are mostly men, always review the size of the woman before they review their voice, and baritones and tenors’ physiques don't get the same critiques. 'Women are the jewels of the operatic crown,' as the French philosopher Catherine Clément said, but they rarely get to decide how the stories are told. That is thankfully changing, but because the music is so beautiful, we’re sort of seduced into never asking why these women die. It’s composed by Sally Whitwell, who’s also recording the cycle with me. She's an ARIA award-winning pianist.”
“The fifth song is Technicolour and it offers an answer as to ‘Why do we opera singers do this to ourselves?’ Why do these women put themselves into an industry that is so goddamn
“These dramatic sopranos are wise women. They were the best mentorships of my life; these people whom I could look up to. They had beautiful things to say about dramatic voices being late bloomers both in their voice and self-understanding. When you find that, it’s like going from black and white to Technicolour.”
Katrina met her husband, Tom Pugh, when she repatriated from England and started teaching voice at Brighton Grammar. They, along with their two daughters, Sophie and Olivia, worked their way down the peninsula and finally settled in Mount Eliza during the first COVID-19 lockdown. “The space, the bush, and the beaches within 5 kilometres – we had a blissful lockdown. There was no singing work, but we had a ball.”
Listen to Art to Arias on RPP FM 98.7 on Thursdays at 11 am.
Songs for Loud Women is supported by a performing arts development grant from the Mornington Peninsula Shire, the ANU Gender Institute, and an Early Phase Residency from The Street Theatre in Canberra. Whitwell and Waters are currently recording the cycle in preparation for live performances in the ACT, Victoria and South Australia.
IG: @katrina_waters_mezzo
Environmental artist, Liz Walker, has won Frankston Arts Centre’s 2025 Open Exhibition with a prize of $1000 and the opportunity to exhibit at the venue next year. There couldn’t be a worthier winner for a prize that celebrates local artists and the contributions they make to the wider community.
Liz creates innovative, thought-provoking art from locally sourced plastic waste. She asks viewers to consider their consumer choices by illustrating the fallout from plastic consumption. While she crafts beauty from rubbish, her art is a sobering reflection on the impact humans are having on the natural environment. Her work is both personal and universal, as all good art is.
“My art helps me make sense of the madness of this world; it helps me work through my frustrations about our contemporary society. I feel I can make a small difference through my art - it’s the way I can contribute in a sustainable and positive way,” she says.
The beautiful thing about Liz is that she remains an optimist who truly believes people have the power to reverse the negative impacts of plastic waste. Her work is all about raising awareness and gently guiding people towards change and activism that benefits all.
Artists are both truth tellers and dreamers as Liz sees it. “I am certainly a truth teller as my work is about raising awareness about issues that concern me, but I’m also a dreamer; we have to dream and remain optimistic otherwise we’d hide away under a rock, too afraid to poke our noses out and then we’d achieve nothing. There’s always hope,” she says.
Liz believes in the power of storytelling to create positive change. When she found out that the theme of this year’s exhibition was ‘Stories’, she was delighted. Liz was intrigued to see how other artists would approach the theme and looked forward to the opportunity to address it in her own unique way.
“I wanted to tell a story of the natural world - a story of change and compromise, a story of survival, but also, a story of hope. I wanted my story to be something the viewer would take time
to understand. I like drawing people in by making pieces that are visually appealing. Then, hopefully, they take a step back when they realize what materials I’m using. I’ve been making a lot of work about the impact of plastic on the environment so the theme seemed a perfect way to weave a story around that,” she says.
No one was more surprised than Liz when the winner was announced. “In all honesty I did not give winning a second thought - which is quite unusual. To win was a total and wonderful surprise. In fact, when Councillor Sue Baker read out the name of my work it didn’t even click. It wasn’t until she read my name that I realized it was me!” she says.
Liz felt very humbled by the positive comments about her piece from Guest Judge Suzette Wearne (McClelland Sculpture Park + Gallery). She said it gave her confidence that her work is worthy, the courage to push forward and, of course, a win is always a wonderful addition to an artist’s CV.
Liz entered the Open Exhibition because she loves that it’s a community exhibition which she describes as ‘inclusive and joyful’. It’s not the first time Liz has exhibited at the Frankston Arts Centre (FAC). Her exhibition, ‘Let’s Get Real’ during this year’s South Side Festival in May was a huge success.
“I’m so excited at the prospect of exhibiting at FAC again next year. I’m already starting to think about what I’ll be making. I really hope to exhibit my installations and works made from plastic waste in other FAC galleries. I’m currently working towards that,” she says.
As Liz pondered what story she would like to leave behind when she shuffles off this mortal coil, she said, “Here lies Liz Walker- a sustainable artist who cared enough about our precious planet and the people who live on it to try to make a difference. Gratefully
Frankston Arts Centre is delighted to welcome back the Melbourne Symphony Orchestra (MSO) in 2026 as its Classical Music Partner, building on a proud tradition of sell-out concerts in the region.
Led by Chief Conductor Jaime Martín, the MSO will present a threeconcert Classical Series, delivering world-class musicianship and unforgettable performances to local audiences. This expanded season reflects the Orchestra’s commitment to making orchestral music accessible across Victoria while continuing to enchant Frankston concertgoers.
The season begins Friday 27 February 2026 with Strauss and Mozart, featuring Strauss’ Le bourgeois gentilhomme, Bach’s Suite in D Major and Mozart’s Flute Concerto with Concertmaster Natalie Chee as soloist.
On Friday 1 May, Storm and Serenity offers works by C.P.E. Bach, Haydn, Locke, Mozart and Beethoven, with horn soloist Nicolas Fleury under the baton of Chad Kelly.
The finale on Friday 9 October sees internationally acclaimed violinist Christian Li perform Brahms’ Violin Concerto, alongside Tchaikovsky’s Swan Lake Suite and Andrée’s Andante quasi recitativo, conducted by Tianyi Lu.
Friday 5 September, 10.30am & 1.30pm
Experience the exhilaration of two virtuoso pianists as Elyane Laussade and William Schmidt take the stage in this breathtaking showcase of musical brilliance on two grand pianos.
Friday 12 September, 6.30pm
Get ready for a wild ride of sharp wit, outrageous stories, and non-stop laughs when Tommy Little brings his brand-new stand-up show I’m Not Proud to the stage.
Wednesday 17 September, 2pm
Step back in time and relive the golden age of British rock and pop as Glenn Starr and his band bring the legendary hits of The Beatles, The Rolling Stones, Elton John, The Bee Gees, and more to life.
With its rich heritage and exceptional artistry, the MSO promises a stirring year of music in Frankston.
Three-show Classical Series packages are on sale now, with single tickets available from 30 October. Book at thefac.com.au or call 03 9784 1060.
Friday 19 September, 7.30pm
Hailed as “Australia’s best tribute act,” The 60 Four are set to deliver an unforgettable experience, recreating the biggest hits of the ’60s and ’70s in a spectacular, Vegasstyle production.
Tuesday 23 September, 2pm & 6pm
Wednesday 24 September, 10.30am & 1.30pm
Prepare for a world of vaudeville and magic, cardboard and robots, science and innovation, instilling a positive message that will last in the minds and hearts of all audiences. Unmissable school holiday fun!
Thursday 2 October, 7.30pm
The world’s most romantic ballet is re-imagined as a circus spectacular, full of Circa’s signature physicality and shot through with cheeky humour and a thoroughly contemporary energy.
As spring breathes new life into the landscape, McClelland Sculpture Park+Gallery invites you to immerse yourself in a month of creativity, sound, and wonder.
Step into the hauntingly beautiful world of 'Eternal Oblivion', a powerful exhibition that explores memory, loss, and transformation through contemporary sculpture and installation; a thought-provoking journey that peers into the unknownwhere Heaven, Hell, and The Void collide. Inspired by Annie May McClelland’s legacy and the McClelland collection, this exhibition dares you to confront death and experience the afterlife through an artistic lens. This evocative show is not to be missed.
For our youngest music lovers, the Melbourne Symphony Orchestra’s Jams for Juniors returns on Wednesday 3 September, offering joyful, interactive workshops for children aged 0–5. Led by the ever-energetic Karen Kyriakou, these 30-minute sessions are a perfect first step into the world of music
Budding musicians can also join flute virtuoso Eliza Shepherd for a hands-on Melbourne Symphony Orchestra workshop on 6 September, where creativity and collaboration take centre stage in a dynamic learning experience. In a unique opportunity to engage with MSO, participants will collaborate with musicians to build their musical skills, explore composition, and co-create an
original piece to be showcased at the MSO in Your Neighbourhood concert. The workshop culminates in a live performance at Peninsula Community Theatre on Thursday 11 September. Each participating child will receive one complimentary adult ticket to attend the concert, ensuring families can share in this inspiring musical journey.
Set against the stunning backdrop of McClelland Gallery + Sculpture Park, the McClelland Maker's Market returns on Saturday 20 September 2025, from 9am to 2pm.
Featuring over 80 handpicked stallholders, this vibrant event celebrates creativity in all its forms: from artisan crafts and homewares to jewellery, art, and unique gifts. Visitors can meet the makers, enjoy delicious food, live local music, and family-friendly fun; all while exploring the natural beauty of the sculpture park. Entry is by gold coin donation, supporting McClelland’s ongoing projects. Dogs are welcome on leads, making it a perfect day out for the whole family.
And for something truly unique, don’t miss Music at McClelland: Unholy Racket on Sunday 21 September, a bold performance that promises to shake up your Sunday with experimental sounds and unexpected delights. Unholy Rackett is a Renaissance wind consort breathing life into rare and forgotten sounds. With core members Jackie Newcomb, Brock Imison, and Simon Rickard, joined by a rotating cast of guest artists, Unholy Rackett conjures the rich soundscapes of Renaissance and Baroque eras, offering audiences a glimpse into a musical heritage often overlooked by today’s early music movement. Book your ticket now.
Whether you're seeking inspiration, family fun, or a sonic adventure, McClelland is the place to be this September. Come explore, connect, and be moved.
390 McClelland Drive, Langwarrin P: +61 3 9789 1671 W: mcclelland.org.au
By Annette Sanfilippo
when you thought it was safe to start peeling back the heavy, winter layers, spring fashion has something to say about it! The spring 2025 trends are all about layering!
Spring has always been about newness, rejuvenation and a refreshed mindset, and this season will be like no other. It’s time to shed inhibitions and find your unique fashion identities because fabrics, handbags, shoes, and even jewellery are ready for some playful attention and statement styling.
The palette for the season boasts strong colours. In the spotlight are sunset tones from yellow to bright reds, deep greens and shades of blue. And these colours aren’t planning to just sit idly by as accent accessories; they will boldly stand on their own merits ready to 'hero' your outfits. If vibrant is not your thing, then the contrast of timeless neutrals gives you a choice as soft flowy fabrics from sheer silks to open weaves, allowing you to get whimsical and inventive and to create your new fashion story one layer at a time.
Fine metallic chains of differing lengths will showcase overlayed with signature charms that can reflect your mood; a trend that has sadly been missing for a few decades. You will also embrace significant colourful semi-precious gemstone rings and sculptured jewels to add a maximalist aesthetic.
STAPLE WARDROBE MUST-HAVES TO HUNT DOWN:
� a statement maxi (soft floral or something bold)
� a monochrome tailored, oversized suit
� sheer layering pieces
� a bias-cut slip dress
� a timeless vintage piece, whether it's clothing or jewellery
Ballet flats made from mesh or crochet are a must have for dressing pretty, but the sneaker and boot are still the go-to for balancing that feminine look. Fine designed preppy-style loafers have their moment while wooden platforms make a comeback and prints (mainly leopard) on sport trainers teamed with quirky designer handbags will elevate your ongoing desire to live in leisurewear.
With retro and vintage still shining bright you take a modern nod to all this genre has on offer by marrying new and classic with a hint of self-expression to bring in the contemporary feel.
For spring, anything polka-dot will be spot-on! And silky scarves are making a comeback. It will be hard to get it wrong this spring as its all about you and your level of confidence to create the look and pull it off.
This season, boutiques will buzz with a mix of frenzy, contradiction, and escapism. The eclectic mix of moods promises to bring the joyful energy we anticipate in September. Locally, Sonsie Boutique in Mount Eliza has been preparing for the season by stocking their racks with breezy dresses, bold blouses, distinctive jewellery, and everything else you'll need to hit the streets this spring fearless and on-trend.
Enjoy it all.
Fashionably yours, Annette
Kachel Maxi Dress 5/54 Mount Eliza Way, Mount Eliza 5909 0995
Hub Shopping Centre, Frankston 9789 2388
Mount Eliza Way, Mount Eliza. 5909 0995
Our mission is to be more than just a café – we want to be a place where everyone feels welcome and included
12th of October 11am to 3pm
refreshments and an art-filled afternoon
Win a $200 VOUCHER
Art House Gallery is a new artists’ collective with 12 Award-winning local artists showcasing a diverse range of artworks and mediums. Art House Gallery offers a great range of unique
Nicole Barros • Diana Casey • Margaret Greenway • Wendy Hall
Sandra Karick • Billy Nye • Roslyn Otto • Jacqui Simpson • Amanda Steadman
By Sarah Halfpenny Photos Yanni
If you threw the 1950s, ‘60s, ‘70s and ‘80s into a blender with a hefty dose of community spirit and served it up with a side of cracking good food and drinks, the result would be Seaford’s most memorable eatery, Café La Wheels.
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café – we want to be a place where everyone feels welcome and included. We provide employment opportunities for people living with disabilities, create a friendly space for people to connect, and give back to the community that supports us.”
The interior is retro magic; decades of pop culture colliding in an explosion of chrome and vinyl that leaves a lasting impression. It’s a full-scale assault on your senses in the best and most bonkers way possible. But Café La Wheels has substance to match its Instagramworthy interiors.
Ross Petersen is the mastermind behind this time-travelling eatery, with plans beyond filling bellies – though he does that exceptionally well too. “Our mission is to be more than just a
Ross didn’t throw a dart at a map to choose Seaford. “Seaford has a strong sense of community and a welcoming, relaxed coastal feel,” he says. “I wanted Café La Wheels to be in a place where people know each other, support local businesses, and value friendly service.”
With the retro concept, Ross didn’t go halfway – he went full throttle down the vintage highway and never looked back. It’s like someone gave a pop culture devotee an unlimited budget and zero supervision – and somehow it all works brilliantly.
continued page 34 ...
Art House Gallery is a new artists’ collective with 12 Award-winning local artists showcasing a diverse range of artworks and mediums.
Art House Gallery offers a great range of unique and affordable art.
Nicole Barros • Diana Casey • Margaret Greenway • Wendy Hall
Sandra Karick • Billy Nye • Rosyln Otto • Jacqui Simpson • Amanda Steadman
Bev Wormersley • Gabrielle Young • John Young
“I’ve always loved the fun, vibrant, and nostalgic feel of past decades. Each era had its own music, style, and energy, and we’ve blended them into a space that’s colourful, uplifting, and instantly memorable.
“From the black-and-white chequered floor to the bright red vinyl booths and walls covered with music and movie memorabilia, every detail transports you back in time. We’ve got an authentic Airstream food truck inside the café, a Peter Brock Holden Torana, an Evil Knievel motorcycle mounted on the wall, and more than 14 projector screens beaming retro footage. Add in neon lighting and the sound of classic hits, and you’re completely immersed in the experience.”
Families have discovered their new happy place, and it’s easy to understand the magnetism. “We’ve created a space that’s as much for kids as it is for adults,” Ross says. “Families love the music, the retro décor, and the relaxed atmosphere where children are welcome to be themselves. Our menu has something for everyone, and we cater to dietary needs so no one misses out.”
We’ve created a space that’s as much for kids as it is for adults
The menu doesn’t ride on the coattails of all this visual madness – it holds its own beautifully. “Our beef burger is a favourite, along with our vegan burger options. People also love our thick milkshakes served in metal cups, just like the old diners used to do. And you can’t go wrong with our all-day breakfast, and the pancakes are a big hit.”
It’s genius really – create a space where grandparents can reminisce about their youth, parents can show their kids what cool used to look like, and children can experience the simple joy of a world where everything was bright, bold, and utterly without pretension.
The real story at Café La Wheels is in who they hire. Ross has turned inclusion into an art form. “It’s something we’re deeply passionate about. We create roles that match each person’s strengths and provide the support they need to succeed. It’s about ability, not disability – and the joy and pride our team members bring to their work is something customers notice and appreciate.”
continued page 36 ...
The training approach is refreshingly human-centred. “We look for staff who genuinely enjoy people. Training focuses on making every customer feel seen and valued – remembering names, chatting with regulars, and going the extra mile. We also encourage staff to treat the café as if it’s their own, which really shows in the service.”
The community has wrapped this place in a warm embrace that would make even Wednesday Addams feel all fuzzy inside. “We’ve been blown away by the support,” Ross says.
“The way customers have embraced our team members with disabilities has been really heart-warming. We’ve had people ask to take photos with staff, and locals drop off gifts or cards just to say thanks for what we’re doing. Many people have also generously donated some memorabilia for the cafe. Those moments remind me why we started this.”
Ross proves he’s got excellent business instincts by actually listening to his customers. “We’ve made some menu tweaks based on what people were asking for – more vegan and glutenfree choices, for example. We’ve also adjusted our seating to make it easier for prams and wheelchairs, based on feedback from families and carers.
“We also have a range of treats for people who like to bring their dogs along. We’re potentially looking into doing functions for people, such as birthday parties, in the future.”
That future is looking as bright as the neon signs adorning the walls. “We’re hoping to expand our opening hours to include nights, and early mornings for tradies, and we’re also looking into a second restaurant in Frankston, which is very exciting. On top of that, we plan to run more community events, like live music afternoons.”
Ross’s ultimate vision is beautifully simple yet revolutionary in today’s world. “We’re here to bring joy, connection, and a little bit of nostalgia to people’s day. I’d like to think we’re a place where locals can gather, visitors can feel at home, and everyone is treated like a friend.”
cafelawheels.com.au
Come see us at our Pasta factory in 31 Dava Drive, Mornington (Open Tuesday - Sunday)
ARE YOU READY FOR SPRING?
We’re here to take the hassle out of your gardening needs so you can enjoy a greener, cleaner garden.
Our gardening clean up services include mulching, pruning, hedging and Gutter Cleaning.
Our gardening staff can discuss any facet of your garden layout, including: planning, pruning, watering, pest control, plant relocation and maintenance.
We offer a regular or “as required” mowing and gardening services, including green waste removal.
For 35 years “A Cleaner Peninsula” has supported homeowners from Frankston to Portsea with a professional, high-quality service allowing those owners to enjoy their homes by reducing the workload that many experience.
Imagine having you own personal concierge, truly a “one stop shop” for domestic and commercial properties, offering a host of services available for you.
Mount Eliza is a bustling seaside village nestled between Frankston and Mornington. It is approximately 62kms and a 56 minute drive using the M1 or M3 freeways from Melbourne CBD. The town centre is known as Mount Eliza Village and is the main shopping area.
• The coastline around Mount Eliza consists of jagged cliffs featuring scenic walking tracks above stretches of secluded sandy beaches in small bays and coves below. Access to most of the beaches along the coast is via residential streets which offer small car parks at their end points. Those residential streets feature upmarket dream homes and weekend retreats, many of which have spectacular views along the coast.
• The attractive commercial centre of Mount Eliza is located about one kilometre inland along Mount Eliza Way and Canadian Bay Road, and features supermarkets and a number of specialty shops.
• Median house price in Mount Eliza is approximately $1,600,000.
• Australian entrepreneur and aviator Sir Reginald Ansett called Mount Eliza home for years. He would travel from there to his city office by helicopter each day.
• In 1928, the independent girls school Toorak College was built and is one of the oldest independent girls schools in Victoria.
• Prior to large scale subdivision, Mount Eliza was mainly a location for holiday homes. This began to change in the early half of the 20th century when many old estates were subdivided. One such subdivision was Ranelagh Estate, designed by Walter Burley Griffin and Marion Mahony Griffin in 1924 in tandem with the surveyors Tuxen and Miller.
• Mount Eliza Post Office opened on 15 November 1920.
• The Mount Eliza Regional Park, accessed via Two Bays Road, incorporates the former Moorooduc Quarry and offers views across the surrounding plains. At the southern end of the park is a lake with picnic areas and a playground. The Mornington Tourist Railway, which offers steam train rides, has its Moorooduc station located adjacent to the Mount Eliza Regional Park.
• There are several beaches and bays located in Mount Eliza, which include Canadian Bay, Daveys Bay, Half Moon Bay, Moondah Beach, Ranelagh Beach and Sunnyside North Beach.
• Daveys Bay was named after James Davey who constructed a jetty in the 1840s to ship his produce to Melbourne. In 1909 the Daveys Bay Yacht Club was established, and winds its way to a walking track overlookingMount Eliza Beach on the shores of Canadian Bay, which was named after three Canadians who owned a sawmill in the area.
• Adjacent to Sunnyside beach sits a historical property Morning Star Estate which has also been in a number of films, including a three-month location shoot around the mansion for the movie Partisan, starring French actor Vincent Cassell occurred in 20132014. The mansion was the location for the Kath & Kim movie spin-off Kath & Kimderella.
• The population of Mount Eliza was recorded at 18,734 at the 2021 Census.
Freshly brewed coffee is a must-have for weekends. Here are a few places to check out when you're in this beautiful part of the world.
1/84 MOUNT ELIZA WAY
Great place for the best cappuccino and cookies, or if you prefer a nice chai tea with soy milk. Outdoor seating is ideal for relaxing with friends over a coffee or brunch.
76 MOUNT ELIZA WAY
Quaint, cool, quirky coffee shop with an owner brimming with character. Coffee is some of the best in town and made with passion and flair.
1/70 MOUNTAIN VIEW ROAD
Often referred to as a hidden gem, the perfect place to escape awaits, serving quality fare and coffee made by experts in a vibrant setting that aims to bring the community together.
34 RANELAGH
Enjoy scrumptious breakfast, lunch, and dinner with a full bar menu. Relax in the sunny courtyard while friendly staff serve you a creamy latte and bacon benny any time of the day.
The coastline around Mount Eliza consists of jagged cliffs featuring scenic walking tracks above stretches of secluded sandy beaches in small bays and coves below. Access to most of the beaches along the coast is via residential streets which offer small car parks at their end points. Mount Eliza boasts cafes specialising in breakfast and lunches and some fantastic restaurants. Known for its upmarket dream homes and weekend retreats, you will find many Mount Eliza properties have spectacular coastal views.
Photos Yanni
Glowing Skin Starts at DOLL FACE AESTHETICS with Mount Eliza’s trusted cosmetic registered nurse Sheree. Get your glow back this Spring with our most sought-after skin treatments, designed to target pigmentation, dullness, and ageing, while restoring a smooth, radiant complexion.
Stimulates collagen, firms & hydrates skin, also reduces fine lines.
• Includes Exosome Booster (targets Anti-Ageing)
• SIMKA bio-cellulose mask
• Clinical Aftercare Kit CHOOSE YOUR TREATMENT SPRING SKIN RESET
CARBON LASER FACIAL
Instantly brightens, tightens pores, and refines skin texture.
• Includes LED Light Therapy
• Hydration Infusion Facial
Sheree has a
Have you driven past our sign on the highway?
PROFESSIONALLY MADE QUALITY WINE MADE AND BOTTLED IN MOUNT ELIZA BEST VALUE ON THE PENINSULA
DONT JUST TAKE OUR WORD FOR IT - DROP IN AND TRY!
“Wines You Want, Prices You’ll Love”
Experience six exceptional Shirazes, each a testament to the Barossa’s mastery of bold reds. From award winning Bethany to our very own Willow Ridge, expect plush, velvety textures, rich dark fruits, and a warm lingering finish.
HASTINGS RETAIL STORE
WINE TASTINGS, BOTTLE AND CASE SALES
LOCATION: 2080 Frankston - Flinders Rd, Hastings
HOURS: Tuesday to Saturday 10am to 6pm
PHONE: 9596 4278
DROMANA WAREHOUSE STORE
BOTTLE AND CASE SALES ONLY
LOCATION: Unit 5, 3 Trewhitt Court, Dromana Industrial Estate
HOURS: Thursday, Friday & Saturday 10am until 5pm
PHONE: 9596 4878
Say goodbye to winter with two irresistible Shiraz collections. Offering unbeatable value, these handpicked 6-packs are perfect for cosy nights in, gatherings with friends, or stocking up your cellar. Discover them in store today. *6-packs also available by the bottle - prices will vary
Savour six stand-out Shirazes sourced from Australia’s legendary Shiraz regions - Coonawarra, McLaren Vale, and Heathcote. Bursting with dark berry intensity, spice, and silky complexity, these wines deliver richness and elegance from celebrated vineyards.
Glide into a glowing celebration at the Arthurs Seat Eagle’s Spring Lantern Festival – back by popular demand after our sensational 2023 debut! We’ve once again partnered with The Lanternist to create a breathtaking display of Australian native animal light sculptures, set along the ground beneath the Eagle line. As you soar above in your gondola, you’ll see snakes, echidnas, bin chickens and more brought to life in vibrant light!
This year’s festival is bigger and brighter, with even more lanterns to enjoy. Alongside the stunning views, experience free Aussie wildlife shows, live music on Saturdays, kids craft, face painting, and special evening flight deals.
Perfect for families, friends, or a romantic night out, the Spring Lantern Festival combines nature, culture, and artistry in one unforgettable experience. Book your flights now and see the Eagle in a whole new light!
Nestled amongst the native flora and fauna of Arthurs Seat in the hinterland of the Mornington Peninsula, Enchanted Adventure is an award-winning natural attraction passionate about protecting and celebrating the beautiful, natural landscape they call home.
From humble beginnings in 1997, the park has grown into a wonderland of adventure designed to enliven the senses & challenge the mind with the creation of a quality experience being their own living and breathing work of art.
Situated across 25 acres, the park encompasses a variety of activities for all ages from their epic Tube Slides to their Tree Surfing courses, life-size brainteaser puzzles, MisAdventure Voyage playground, Sky Scramble & more! Lose yourself in the colours of over 20 themed gardens, marvel at the structures of hedge topiary and an array of giant sculptures or get tangled in one of their five mazes.
They are the Home of Tree Surfing. Introducing these incredible high ropes courses over 13 years ago, they were the original & first of its kind on the Mornington Peninsula, combining their love for the beauty of the Australian bush and the adrenaline rush of adventure! Tree Surfing is designed for children, adults and daring seniors alike, whether you’re bouncing through the bush on the Nippers Course or conquering great heights on the Grand Course.
Enchanted Adventure is a place where you can reconnect with the people you care most about and have a whole lot of fun while you’re at it.
55 Purves Road, Arthurs Seat
P: 5981 8449
W: enchantedadventure.com.au
Tucked away in the heart of the Mornington Peninsula, Ashcombe Maze & Gardens invites families to swap screen time for green time and rediscover the joy of simply being together. With spring in the air, now’s the perfect time to wander through Australia’s oldest and most famous hedge maze — a living labyrinth full of twists, turns, and timeless charm.
Beyond the maze, whimsical adventures await. Kids (and kids at heart) will love the gnome and fairy scavenger hunt hidden throughout the enchanting gardens. Lush, fragrant, and bursting with colour, every corner is a chance to explore, discover, and let imaginations run wild.
Ashcombe is more than a day out — it’s a place to reconnect. Share giggles over lawn games, slow down on garden strolls, and soak up the fresh spring air as a family. Whether it’s your first visit or a cherished tradition, each trip promises new memories and a deep breath from the everyday rush.
This school holidays, the magic multiplies! Enjoy exciting giveaways, face painting, and kids entertainment that brings the gardens to life. Be sure to follow Ashcombe’s socials for the latest updates on daily activities and special events.
Plan your visit to Ashcombe Maze & Gardens today!
15 Shoreham Road, Shoreham P: 5989 8387 W: ashcombemaze.com.au
Lamble Tours is a family-owned travel business. For over 30 years we have provided extensive touring experiences and happy memories for individuals and groups.
Our itineraries provide a comprehensive guide of daily activities tailored to accommodate all levels of mobility.
There are no hidden extra costs.
Please phone or email to request a detailed itinerary. Confirmation of your booking necessitates a deposit of $200.00 accompanied by a completed booking form.
We advise prompt action to avoid disappointment.
Enjoy a stress-free holiday from the outset with our door-todoor pick up and return service (Metropolitan and Mornington Peninsula).
I look forward to our future travels.
Kind regards Vickie
Lamble
E: lambletours@bigpond.com
P: 0418 853 810
FB: @lambletours
W: lambletours.com.au
5 DAY BRISBANE - THE ROYAL EDINBURGH TATTOO Celabrating 75 Years
Tuesday 10 February - Saturday 14 February 2026
For the first time in Brisbane, experience Australia’s biggest Tattoo ever - over 1,000 performers from around the globe, dazzling lights and projections, and unforgettable Scottish pageantry that will
Saturday
Per person twin share/double Single supp: $1,040
7 DAYS SYDNEY VIVID LIGHTS & CENTRAL COAST
Sunday 31 May – Saturday 6 June 2026
Cost: $3,765 Per person twin share/double. Single supp: $670
7 DAYS HERVEY
• Home pick up & return service metropolitan / Mornington Peninsula For a detailed itinerary phone: 0418 853 810 or E: lambletours@bigpond.com
www.lambletours.com.au
Mon–Fri 7:30am–6pm, Sat 8–1pm 24/1150 Nepean Hwy, Mornington (03) 5911 7277 | twobayslaundry.com.au
Say goodbye to harsh chemicals and hello to a fresher, kinder clean. Two Bays Laundry has arrived on the Mornington Peninsula, offering premium dry cleaning without PERC - the toxic solvent used by most traditional cleaners. From everyday garments to treasured wedding dresses, delicate fabrics to bulky items like prams and rugs, your items are cleaned with care, attention, and an eco-friendly touch.
Founded by Liz and Kirill Orlov, Two Bays Laundry blends highquality garment care with modern convenience, including local pick-up and delivery, digitised receipts, and expert alterations. Whether you’re a busy professional, a family juggling it all, or a business seeking a trusted laundry partner, their service saves you time while protecting your clothes, your skin, and the planet.
Experience laundry, reimagined - where freshness, quality, and sustainability come standard.
Two Bays Laundry - Gentle on your clothes. Kind to your skin. Better for the planet.
P: 5911 7277 W: twobayslaundry.com.au
Your safety is our top priority. Our experienced doctors perform thorough skin checks using advanced imaging technology.
We offer minor surgical procedures where appropriate. Clear, evidence-based advice tailored to your needs, with professional, respectful care, every visit. Contact us today to discuss your skin health with our trusted team.
Suite 1, 4 Langrigg Avenue, Mount Martha
P: 5974 1960
W: mpskincheck.com.au
In a trusted local clinic, our range of laser and beauty skin treatments are supervised by medical professionals.
Our friendly and experienced team will assess your concerns and recommend safe, modern and medically proven options to refresh and rejuvenate your skin. Experience expert skin care in a professional environment tailored to your individual needs. Contact us today to explore your personalised skin treatment options.
Suite 1, 4 Langrigg Avenue, Mount Martha
P: 5974 1474
W: mpskincheck.com.au/aesthetics
LANGWARRIN
MCCLELLAND MAKERS’ MARKET
390 McCLELLAND DR, LANGWARRIN
Sat 20 September, 9am to 2pm
Set within the iconic grounds of McClelland Sculpture Park & Gallery this new market celebrates the incredible local artists of the region. Amazing food, fun for the kids, gourmet producers and live, local music all day long! mcclellandmarket.com.au
EMU PLAINS MARKET
EMU PLAINS RESERVE, BALNARRING
Sat 18 October, 9am to 2pm
More than just a market the EPM is a monthly celebration of art, food, design and community. Explore & support 200+ incredible small businesses each month! emuplainsmarket.com.au
ADVERTISE YOUR MARKET WITH US!
TO LIST YOUR MARKET IN OUR DIRECTORY: CALL RICKY TO BOOK: 0425 867 578
September 6 9am-2pm th
Out in the country, high on the hill, there’s a market where makers, growers and musicians gather to share the bounty of the seasonfrom fresh produce and handmade goods to vintage treasures and local art.
Good things in the heart of Red Hill.
FRANKSTON
LITTLE BEAUTY MARKET
BEAUTY PARK, FRANKSTON
Sat 27 September, 9am to 2pm
Filled to the brim with awesomenessLittle Beauty features 100+ of Melbourne’s very best creatives, foodies and musos. Free entry. Dogs welcome!
littlebeautymarket.com.au
MAIN STREET MARKET
MAIN ST, MORNINGTON
EVERY WEDNESDAY, 9am to 3pm
Hand made, hand baked and home grown products for you to peruse and purchase. Victoria's longest running street market.
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Raising baby chicks is a great experience for kids, parents and grandparents alike. As the chicks grow they transition through a number of different cute and fluffy stages before becoming fully mature, laying hens.
At Talking Hens, we have always been interested in growing our hens from day-old chicks and finally, we now have the opportunity to actually do it! My father, Agostino was a poultry farmer who would always raise his own baby chicks which I used to love watching as a child. It was amazing to see all those little, fluffy chicks grow into laying hens and the weekly changes in feather growth, body size and confidence as they quickly grew.
There are some important things to understand with growing chicks. These include a heat lamp to provide them with constant 30-degree warmth for the first few weeks of their life as they can’t regulate their own body temperature when young. They also need a sturdy, draft-free enclosure or container to live in with a dry layer of wood shavings or hemp for insulation.
Food and water is also vitally important so good access to the correct water drinker and feeder is needed. They don’t need much food but it must be tailor-made for them to provide all of the nutrients needed. We also have all the other equipment and feed needed to keep them happy and healthy and can answer any questions that you might have as they grow.
Talking Hens will be getting a flock of Hy-Line Brown day-old chicks in spring and will have them available for families. We also have hens available at just before they begin to lay. Make an appointment or visit us.
We are open daily 10am to 4pm.
3590 Frankston Flinders Road, Merricks P: 0406 691 231
E: talk@talkinghens.com.au
W: talkinghens.com.au
Talking Hens is a business that enjoys backyard hens. We specialise in friendly, egg laying hens with quality products to keep them happy and healthy. There’s nothing like the friendship and entertainment that you receive from our laying hens - a pleasure to be shared!
Hens
For just over a year, Dear Reader Books has been rehoming preloved books within the Tyabb Packing House Village. What began as a small nook has now blossomed into a larger, brighter home, just across the playground, giving visitors even more reason to linger.
The new space is laid out in a series of inviting rooms. Crime and thrillers in one corner, romance and young adult in another, with fantasy, science fiction, non-fiction and biographies waiting to be explored. Highlights include the cosy vintage book lounge and a light-filled children’s section, complete with a couch where families can pause and read together.
A new retail area also showcases beautifully bound classics, special baby and toddler titles, literary gifts and greeting cards. Popular favourites such as “Blind Date with a Book” have returned, ready to surprise curious readers.
Owner Liz Dellaportas says: “We’re thrilled to welcome both regulars and new visitors into our bigger space. The shelves are still filling, and we have plans for events in the months ahead so follow us on Facebook or Instagram to stay up to date.”
Dear Reader Books is just one reason to visit the Packing House Village, which also features the Rattling Red train café, a playground, outdoor seating and a collection of unique artisan shops.
“We hope that by creating a welcoming space, and offering affordable preloved books, more people will rediscover the joy of a well-told tale.”
14 Mornington-Tyabb Road, Tyabb
IG: @dear_reader_books
FB: @dear reader books
At Seaside Bathware, we believe bathrooms should be as beautiful as they are functional. As a family-run small business based right here in Mornington, we take pride in offering a personalised, down-to-earth service that larger retailers simply can't match.
Step into our welcoming showroom and explore five fullsized bathroom displays, carefully curated to inspire and help you visualise your dream space. From modern minimalism to timeless elegance, our displays showcase a wide variety of quality products, fixtures, and styles. We offer everything from tapware, vanities, and tiles to full bathroom fit-outs – all carefully selected for both quality and value.
We’re also proud to feature a fully compliant NDIS and Aged Care bathroom display, thoughtfully designed to meet accessibility needs without compromising on style. Whether you're updating a family bathroom, planning a renovation, or seeking a practical solution for a loved one, our team is here to help you every step of the way.
Visit Seaside Bathware in Mornington and discover the difference of shopping locally, where expert advice and genuine customer care are always part of the experience. Book a free 1-hour consultation with one of our knowledgeable showroom consultants and let us help bring your bathroom vision to life.
Dromana Beach Sanctuary of Early Learning is the newest in a set of established early learning services on the peninsula. Situated directly across from the beach, this coastal-style centre portrays the same philosophy and values as its sister centres Mount Eliza House, Frankston Beach and Seaford House. This state-of-the-art centre opened at the start of 2025 and has spaces available.
Dromana Beach is committed to providing a vibrant and flexible environment that supports learning and responds to the interests and abilities of each child. The program includes sustainability principles and a health and wellbeing focus, with a strong belief that children are connected to the wider community and environment. A balance of indoor and outdoor experiences is provided within the service's natural landscape and through the Beach and Bush Kinder program, as well as the highly sought-after Nippers program delivered by Victorian Surf Lifesaving.
Buddy the golden retriever is a valued member of the team and visits all of the services regularly, bringing joy and laughter to all of the children.
The play-based program provides opportunities for children to grow, discover, create and imagine. Children are acknowledged as capable, competent and co-contributors who actively participate in their own learning.
The inclusive program recognises the individual learning styles of all children, and it values families for their unique contributions to the centre community. The intention is to support children to be kind, respectful and confident contributors to their community and the world.
The experienced and knowledgeable educators are committed to providing a warm, nurturing environment that recognises childhood as a very special and important time.
299-301 Point Nepean Road, Dromana
P: 5981 8299
E: info@dromanabeach.com.au
W: dromanabeach.com.au
1. Impel
5. Breakfast drink (6,5)
11. Yearly (3,5)
15. Cheek
16. Nautical shelter
17. Foams
19. Strict
21. Plumbing trap pipe (1-4)
23. Gave speech
25. Intimate (feelings)
27. Chatterer
28. Completely consume (3,2)
30. Spewed-out magma
31. Wage
32. Penetrates
33. Duty list
34. Lamb chops
35. Queer
36. Damp & chilly
38. Inlets
40. Drilling platforms
42. For ... & every
44. Temerity
45. French ... soup
46. Lumber
48. Economic bounce-back
49. Famous volcano
50. Eye lustfully
51. Confederacy
52. Against
53. Eons
54. Weaving machine
55. His lordship, his ...
56. Monarch's seat
58. Lush
59. Wine cup
61. Heighten
63. Magnetic resonance imaging (1,1,1)
64. Record label (1,1,1)
65. Michaelmas daisy
67. Hot under the collar
69. Theft
71. Table & ...
73. Neckerchief
74. Carped
76. Afternoon nap
78. Distinguished
80. Decays
82. Donations to charity
83. Become too big for
85. More spasmodic
89. Tiny fish
91. Morphine or heroin
93. Aural organ
94. Quarter of a half
96. Cylindrical
98. Cry
99. Klutz
100. Attempt to equal 102. Salon worker
103. Ungrateful person
104. Piggish
105. Large deer
106. Admit, ... up
107. Hamper (emotions)
108. Map pressure line
110. Ostrich cousin
112. Of race & culture
114. Journalist
117. Anaesthetises
120. Sneeze noise (1-6)
123. Flows away
125. Transaction
127. Confer
128. Garb
131. Blush
133. Brown pigment
134. Fabric insert
135. Caesar or Waldorf
136. Egg-producing chicken
137. White-faced
140. Mite
141. Forensic ID check, ... test (1,1,1)
142. Blackboard stand
145. Snub
147. Acquired in advance (3-6)
148. Dwell
150. Vexes
151. Hence
152. Blade's cutting side
153. Rove
154. Taiwanese city
156. Mineral vein
158. Type of ski lift (1-3)
160. Disruptive weather feature (2,4)
162. Leg joint
163. Unlace
164. Spreading trees
165. Castrate
166. Cult
167. Have (to)
168. Region
170. People who fast
172. Piece (of gossip)
173. Feudal peasant
174. Response
177. Soundless
179. Frosted
180. Guru
182. Foolish
183. Film award
185. Travelling stagehand
187. Palm off
188. Not ever
189. Batty
191. Umpire
192. Approximate hour of arrival (1,1,1)
193. Crested parrot
194. Cinderella's ugly kin
195. Bewitches
1. Smothered
2. Couple
3. Sidekick
4. Panache
5. Covent Garden or La Scala spectacles
6. Ethiopia's Addis ...
7. Manage (3,2)
8. Energy unit
9. Non-reactive
10. Church officials
11. Jaunty
12. Resuming business
13. Amount after tax
14. Quagmire
18. Athletes' outfits
20. To-do (5-2)
22. Curving
24. Accords
26. Alienation
29. Of horoscopes
37. Items for discussion
38. Sanctifying
39. Grabbed
40. Nomadic
41. Suffers in heat
43. Taxi-driver
44. Mum's mum
47. Street protest
57. Female calf
60. Gained
62. Unsuitable
66. Sum
68. Fitness to fly (of plane)
69. ... & now
70. Floor slate
72. Artistically (pleasing)
73. Diddle (5-6)
75. China/Korea continent
77. Aftertaste
79. The ... is just before the dawn (7,4)
81. Also titled (1,1,1)
84. Grievances
85. Jokers
86. Berated
87. Solve (problems) (4,3)
88. Makes elegant
90. Dawdles
92. Eskimo building
95. Long-necked bird
97. Idiot
101. Soldiers
109. Bosom
111. Spoil
113. Dr Jekyll & Mr ...
115. Breadth
116. Scything
118. Goes astray
119. Supplemented, ... out
121. Case-hardened
122. Tramps
124. Wall-smashing device (9,3)
126. Photo blow-ups
129. Baby frogs
130. Legal right of access
131. Mad Russian monk
132. Tottered
138. Endeavour
139. Welsh arts festival
143. Aircraft stunts
144. Pass (of time)
146. Stink
149. Congers
155. Cross
157. Wife of duke
159. Direct course
161. Evoking
165. Digestive fluids, ... juices
169. Postal destination
171. Takes a whiff
172. Sleeps loudly
175. Forgo
176. Religious customs
177. Nasal bone cavity
178. Floodbank
181. 60s frizzy hairstyle
184. Zodiac Cancer symbol
186. Alphabet (1,1,1)
190. The lot
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By Lance Hodgins
It was Friday 31 March 1899 and a dozen “specials” and five ordinary trains had been delivering troops all day to the little bush station beside the army camp at Langwarrin. By sunset, there were five battalions of militia infantry, as well as mounted rifles, rangers, engineers, ambulances and senior cadets – 3,008 soldiers in all –and their tents stretched to the horizon. Something was obviously afoot and rumours were rife.
An invasion force?
Finally, an announcement was made: AN INVASION FLEET HAS BEEN SIGHTED OFF WILSON’S PROMONTORY.
There were enemy ships of war accompanied by transports, all steaming westwards and likely heading for a landing point somewhere in Western Port with the intention of making a raid on Melbourne.
Military wisdom had anticipated such a move. The railway line to Stony Point had been conceived as a defence line during the various “Russian scares” and completed ten years earlier. Its first stop south of Frankston was at a site which became an annual training camp for Victoria’s defence forces. Langwarrin afforded a commanding view over Western Port from which “every hill and valley, every nook and corner, almost every bush and tree, to say nothing of rabbit holes, ought to be familiar to our defending field force.”
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These were the days before Federation in 1901 and each colony was responsible for its own defence. Coastal garrison forts had been built but, with the expansion of rail networks, attention was turning towards more mobile units. Militia brigades were raised, partially paid, and obliged to train for several days each year. Country boys, often members of rifle clubs, could volunteer in the Rangers or, if they owned a horse and rode well, could don the iconic slouch hat and join the Victorian Mounted Rifles.
In 1899 the Victorian colonial force numbered about 6,000 and
just over half of them were now in tents at Langwarrin awaiting further orders.
The invasion has begun!
As the troops poured into camp, the Commandant learned that the enemy had disembarked part of its force at Stony Point and had set up a screen of cavalry and infantry to cover further landings.
All Friday afternoon reconnoitring was carried out by patrols of Mounted Rifles who pushed forward towards Western Port to
sight the enemy. Majors Braithwaite and Reay were in charge in the absence of Colonel Tom Price, the hero and idol of the Mounted Rifles, whose wife had passed away days before.
The officers determined that it was a sizeable landing party and there were probably more to come. The overall defence strategy would be to adopt passive tactics to hold the enemy and delay them from moving northwards. This would allow time for reinforcements to arrive; hopefully the new “Australian” naval squadron by sea and more infantry, artillery and supplies by land.
The ammunition train
Back at Langwarrin, the Camp was guarded by a ring of troops who were digging in and anticipating the engagement.
They were also anxiously awaiting the arrival of a train from Melbourne which would bring much-needed ammunition supplies.
Unfortunately, enemy secret agents in the city had learned of the train and passed on the details to mercenaries who, in turn, would have informed the enemy troops. The train was an obvious and vital target. To attack the train the enemy would have to intercept it somewhere between Frankston and Langwarrin.
A direct approach would take them up the Warrandyte Road where they would encounter the outposts and finally the camp itself.
On the other hand, they might divert westwards from Somerville and go across Baxter’s Flat to gain the high ground which stretched to the south west of the camp – the Mount Eliza ridge. From here
Above: Digging in at Langwarrin continued next page...
they could swoop down on the train before it reached Langwarrin. Any defence would obviously have to cover both possibilities. Colonel Robertson was placed in charge and he began to set up his men in the traditional outpost fashion: sentries for observation, pickets to call back on supports close by and, behind all, a reserve for use whenever an attack might develop. His line stretched for over two miles from the Langwarrin Camp towards Mount Eliza.
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Preparations for attack
Saturday morning broke warm and sultry.
A patrol of 100 mounted rifles set out from the Camp under Lieutenant-Colonel McLeish on a reconnaissance mission. They were only half way to Somerville when they sighted the enemy and immediately sent a message back to HQ that the invading force was a sizable one and approaching fast. McLeish was quite surprised, however, when his withering burst of fire met with little response and an immediate retreat. He wondered if this enemy approach might very well be a feint.
Back at camp, HQ received news of the sighting and was preparing an order for McLeish to hold the enemy for as long as possible when suddenly another scout galloped in. He carried news that the invaders were seen advancing in full force further to the west. This brought a revised order to McLeish: have your sentries fall back on their pickets and promptly take your troops to the right flank!
The officers at HQ were confident they could hold this right flank. It provided them with a distinct natural advantage: a ridge of up to 500 feet high running from the Langwarrin Camp in a south westerly direction to Mount Eliza. This afforded an excellent view over Baxter’s Flat to the south. Along its edge ran the Three Chain
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Road – today’s Moorooduc Highway – which was lined by hedges and wire fences.
The artillery and the front firing line of the defence was able to spread out along it for over two miles. First came Lieut-Col Reay with the volunteer Rangers and then four battalions of infantry under Lieut-Col Williams. Five companies of Senior Cadets under Lieut-Col Henry formed a crescent fringing the western edge of the hill, running almost up to Mount Eliza. On the plateau beyond and at the rear of this front line defence was the main body of infantry battalion, held along the Frankston-Hastings Road, with the Ballarat Rangers nearer the Camp to the east.
Colonel AE Otter had taken up a strong position half way along the ridge. From there he watched over the vast area of open fields lined with hedgerows, backed by a more distant zone of timber where he knew the enemy would find good cover.
Not only did Otter hold a commanding position but he also had a superior force: a very strong infantry backed up by the two Hastings siege guns which he positioned along the Mount Eliza ridge. The siege guns were 40 pounders firing six-inch shells and, although they were old artillery, they could still be fired over a mile with incredible accuracy by the highly trained men of the Hastings Battery.
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Originally intended as stationary siege guns at Western Port, they were now capable of being drawn by teams of bullocks – an idea of their commanding officer, Captain Ham. This gave them a handy portability, and a new nickname; “the ham and beef battery”. Even so, their effectiveness in the field was still regarded as a calculated gamble and the authorities had taken some convincing to allow them into camp.
Bullocks had a reputation for being docile beasts but this didn’t prevent 16 of them escaping from camp overnight, which meant that Otter had to be content with having only two of the four 40-pounders at his disposal. The oxen proved to be far superior to horses and they were able to tow the heavy guns halfway up the heavily timbered Mount Eliza ridge and be positioned strategically to command the open country below - one half way along it and the other at the western end near the Moorooduc quarry.
With them in place, Otter knew that it would be extremely difficult for the enemy to forge its way over the flat lands and take the ridge.
The enemy was first spotted in the bush south west of Somerville, where they had bivouacked near the junction of Coolart and Bungower Roads before beginning their final march northwards. They had made good progress along Coolart Road. Now they had the final three miles across open paddocks and wire fences and they reached the cover of Eramosa Road and the edge of Baxter’s Flat in well under the hour.
The soldiers waiting on the ridge got their first sighting of the enemy. A small group of mounted infantry suddenly appeared out in the open, strung out in a frontal attack formation. Because of their small number, this was not visually threatening at first but everyone knew that behind them was a battalion in full swing.
A galloper was sent off to command HQ, informing them of what he had seen, and orders were returned that the enemy was to be kept in check as long as possible. As a consequence, Major Reay and his Mounted Rifles strategically fell back, whilst slowly contesting every position.
continued next page...
The open appearance of the enemy drew the fire of Colonel Otter’s 40 pounders along the ridge. They were still at some distance but he landed shrapnel in their midst which wiped out most of the enemy supports. The survivors were sent scurrying back to the tree cover and their main body of infantry. They must have realised that they had broken cover too soon.
Nonetheless, Otter was suspicious. It certainly looked like a sham – and Otter was convinced it was. He felt that coming out in the open like that was merely a way of diverting his attention from a more serious movement elsewhere. He had to make a quick decision. Would he need to concentrate on the right flank - or the left?
Once they were screened again by vegetation, the enemy moved westwards along Eramosa Road at an astounding pace. They were heading towards the right flank of defence – the senior cadets and one of the siege guns - which would meet the full force of their frontal attack. The second big gun had been angled to sweep the Three Chain Road along which it was expected the invaders would make their main attack. But it never came into use as intended.
The enemy’s speed of approach along Eramosa Road caught
everyone by surprise and the flank of those defending the ridge defence was about to be breached. Led by their mounted cavalry, they charged up the ridge to meet the cadets, who had been belatedly reinforced by a company of Engineers. The young defenders found themselves right in the middle of the affray and unleashed a fusillade of shots as they desperately tried to hold their ground.
The enemy rushed past the flank, fighting every yard, and were soon amongst the heavy timber of the ridge. They had circumvented the heavy guns and turned to make a bold dash for one of them from behind, brazenly planning to yoke up the bullocks and drive off with them. The gun commander realised too late that he had been surrounded and he was in the laborious process of swinging his gun around when the enemy appeared out of the bush. All seemed lost.
At this stage, the whole defence line was witnessing the volleys being fired by the cadets from their forward position at the end of the ridge. Reports of the enemy’s rapid movement along Eramosa Road had been slow in reaching Colonel Otter and he realised too late that the ridge was at risk.
In a last ditch measure, Otter mobilised his final forces who were stationed along the plateau behind the ridge. Their appearance in great numbers and with superior firepower caught the enemy by surprise and immediately brought matters to a standstill. The enemy was forced to surrender.
The foe had been intercepted before reaching the railway. Had this not happened, the invading column might well have been in full march upon Melbourne within the hour, with a train-load of ammunition in their possession.
They all trudged back to Camp; the jubilant victors and their prisoners, with the ambulance carts bringing up the rear.
The debriefing
Back at Langwarrin, the officers were assembled and addressed by Commandant Sir Charles Holled Smith.
Smith praised the efficiency and discipline of all men in setting up the long line of defence around the camp and complimented the outpost system which operated from Camp. He was not happy with the slowness of the patrols in warning of the attack on the right flank, and blamed them for Colonel Otter’s inability to successfully block the taking of the ridge.
On the other hand, he heaped much praise on the outstanding job done by Lieut-Col Burston, who had commanded the one thousand troops who played the role of the “invaders”.
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Burston had conducted an effective march to Baxter. Although he would have suffered casualties during his feint out into the open, he had then moved his men along the cover of Eramosa Road so quickly that they had climbed the ridge and successfully breached the right flank.
If “Cease Fire” of the exercise had been called a half hour earlier as originally planned, the judges would have been obliged to award the victory to the invaders.
The defenders pointed out that the enemy had, in fact, been ultimately confronted by a fresh battalion who had yet to fire a shot.
They argued that, although the “enemy” had already breached the flank and gained the ridge, they would have been easily prevented from reaching the railway line by such a powerful infantry force that had been kept in reserve.
Commandant Smith sat in the umpire’s chair and listened patiently to these arguments but he diplomatically refrained from saying whether the enemy attack would have reached the ammunition train or not.
And so, over a hundred years later, the question remains: who really did win the Battle of Baxter’s Flat?
