Overview
Our goal for every production is to create a fully-immersive concert experience that engages all of the senses through adequate planning and attention to detail using synchronized state-of-the-art audio-visual systems We rely on this rider to make sure that everything we need to reach this goal is properly communicated and made available.
Key Crew Member Position
FOH
We travel with a Front-Of-House Sound Engineer and a Lighting/Video Director Kindly provide an FOH position centered in the middle of the audience for Audio, Lights and Video.
Playback Engineer
We travel with a Playback Engineer Kindly provide a position on-stage with a work desk that must be completely covered with a black cloth.
This position must be located either UpStageRight (USR) or UpStageLeft (USL) with a direct uninterrupted line-of-sight to the artist’s performance area (Anywhere around the centre and/or down stage)
Audio / Sound
Our sound engineer will operate an exclusive console for our portion of the event and should be allowed full access to all components of the sound systems to adjust as required.
In venues with fixed EQ please insert a 31 band 1/3 octave equalizer on the mains for our engineer to be able to adjust We also request that all inputs be reserved for our exclusive use from the sound check to the end of the event
FOH Audio Console/Desk
The Front-Of-House console should be a high quality, large format digital console and should be positioned near the center of the venue, NOT under a balcony or in a closed/windowed booth.
Our console preference is in the following order; Yamaha PM10/PM7,PM5 OR PM3, CL5, Digico SD7,10/12, MIDAS (HD OR PRO Series), Avid S6L/Venue/Profile, Soundcraft Vi7000, with a minimum of 48 inputs available for our use only Kindly advise on which options are available.
We also prefer that the mixer has capabilities to connect to our Waves SuperRack set up (Either directly with a waves card or Madi-enabled) and should be running the latest firmware.
*The audio console/desk must be available for our exclusive use
FOH Signal Processing
- Four (4) Waves SoundGrid Server EXTREME
- Two (2) DiGiGriD MGB SG-MADI BNC
- One (1) Neve 5045 Primary Source Enhancer
- One (1) Neve 1073 DPA 1u Unit
- One (1) 31 band 1/3 octave equalizer inserted on mains for any touch up EQ our engineer needs to apply before or during the performance This could be high quality analogue or from the mixing desk
Cross Stage Monitor Mix (Side-Fills For Surround Sound OnStage)
There should be provision for a Reverse Stereo Cross Stage Mix into a 2/3-way speaker system for each side of the stage (True X-Stage mixes separate the stage in half, everything from the centre of the stage to the right is mixed into the left X-Stage system, and everything from centre stage to the left is mixed into the right X-Stage system)
Sound Check
We require two (2) hours of sound check time at the minimum in order to achieve our desired output and assure a great performance Just before our performance, we require at least 30 mins of line check.
Kindly contact the Tour Manager / Technical Director to schedule sound check time
*Please have all cables run and line checked before we arrive for our sound check
Technical Rider
Omah Lay
- Two (2) Shure Beta58 / SM58 / KSM9 / Sennheiser SKM6000 wireless microphone
- Two (2) Stereo Wireless Personal monitoring system (Belt Pack Wireless in-ear monitor; preferably a Shure PSM1000 IEM System + Spare)
- Two (2) adjustable microphone stands
- Minimum of Four (4) monitor wedges
Keys
- One (1) Yamaha Montage 8 / Motif XF8 with sustain pedal (preferably Montage 8)
- One (1) Yamaha PSR-S950 with sustain pedal
- Two (2) K&M 18860 Spider pro stand
- One (1) Stereo Wireless Personal monitoring system (Belt Pack Wireless in-ear monitor; preferably a Shure PSM1000 IEM System)
Bass
- One (1) Aguilar DB 751 Amp Head
- One (1) Aguilar DB 810 Cabinet
- One (1) Hercules GS412B AGS stand
- One (1) K&M 18860 Spider pro stand
- One (1) 20’’ (6m) instrument cable (1/4” / jack)
- Stereo Line for Synth Bass
- One (1) Stereo Wireless Personal monitoring system (Belt Pack Wireless in-ear monitor; preferably a Shure PSM1000 IEM System)
Guitar
- One (1) Hercules GS412B AGS stand
- One (1) power outlet for Floor Multi-Fx Units
- One (1) Fender guitar amplifier (preferably Fender Twin Reverb)
- Two (2) 20’’ (6m) instrument cable (1/4” / jack)
- One (1) Wireless Personal monitoring system (Belt Pack Wireless in-ear monitor; preferably a Shure PSM1000 IEM System)
Drums
(DW Collectors Kit/ Yamaha stage custom/ Tama SilverStar / Tama Imperial Star)
- Electric Floor Fan
- Stereo Line Out For Roland SPD-SX (Drum Pad)
- One (1) power outlet for Drum Pad
- SPD-SX Stand & Mount Plate
- Two (2) Snare Drum Stands
- Five (5) Boom Cymbal Stands
- One (1) Hi-Hat Stand
- Two (2) newer DW 5000 or 9000 Foot Pedals or IRON COBRA (no double pedals)
- One (1) Hydraulic Round Drum throne
- One (1) 22x18” Kick Drum
- One (1) 10x6” Snare
- One (1) 14x6 5” Snare
- One (1) 8” Rack Tom
- One (1) 10” Rack Tom
- One (1) 12” Rack Tom
- One (1) 16” Floor Tom
- One (1) 14" K Custom Special Dry FX Hi Hat
- One (1) 8" K Custom FX Splash
- One (1) 10" K Custom Dark Splash
- One (1) 16" ZBT Thin Crash
- One (1) 18" ZBT Dark Crash
- One (1) 20" ZBT Ride
- One (1) Wireless Personal monitoring system (Belt Pack Wireless in-ear monitor; preferably a Shure PSM1000 IEM System)
- Drum monitors (Drum Fill)
Playback Engineer / M.D
- Six (6) XLR Outputs For Playback Rig (6 Outputs)
- One (1) Wired Microphone (Talk Back Mic; preferably Shure SM58)
- One (1) adjustable microphone stand
- One (1) Power Outlet For Laptop AC power
- Electric Floor Fan
- One (1) Work Desk (A Flight Case Can Be Used)
- One (1) Wireless Personal monitoring system (Belt Pack Wireless in-ear monitor; preferably a Shure PSM1000 IEM System)
Communications (Technical Crew)
- Eight (8) Motorola DP2400 Digital UHF Hand portable Radio
- Eight (8) Motorola PMMN4076 DP2400 Handheld Remote Speaker Fist Mic
Others
- Twelve (12) Radial HotShot DM1 or Palmer MI DMS (preferably Radial HotShot DM1)
- Active D.I Boxes
- Risers for: Drums, Keys, Guitar, Bass
Notes
- The promoter/venue agrees to provide at least two (2) sober and able-bodied persons to assist the artist’s road crew with loading and unloading of the artist’s equipment
- The promoter/venue agrees to provide a runner for the use of the concert/tour manager and production manager from load in until load out. This runner will also be available at load in and until such time that they are not required as directed by the artist’s staff
Monitor Mixes (AUX)
AUX OWNER NOTES
Lights
There should be enough working lights for all parts of the stage and venue The following lighting fixtures are important and should be adequately provided as stated;
- Two (2) Follow Spots which must be placed not further than 45metres (147ft/7 653546in) from DownStage, at least 8 mtrs high (27 Ft) and both centered together
- Moving Spot Lighting
- Moving Wash Lighting
- Strobe Lighting
Cryogenics, Fog & Pyrotechnics
The following FX & pyrotechnics items should be provided and all local permits required to operate them must be acquired by the promoter / production team. The required operators of these systems must also be provided.
- A minimum of 2 Positions of CO2 Confetti Blowers [with about 15kg of Rectangular Shaped Metallic Gold Confetti]
- A Minimum of 6 Positions of CO2 Jets, on the down stage edge with an equal gap, pointing straight up [with 12 Bottles of CO2 to be connected to 6 Jets using a CO2 Combiner; 2 BOTTLES → 1 CO2 JET]
- A Minimum of 6 Positions of Showven Sparkulars, on the down stage edge [Large SPARKULAR POWDER Per Machine]
- A Minimum of 3 Positions of Large Coloured Smoke Pyrotechnics [2 Green on stage left | 2 White centre stage | 2 Green on stage right]*
- A minimum of 6 Positions of Stage Fog Machines
- A Minimum of 8 Positions of Showven Sparkulars fall, on the upstage truss equally spaced [Large SPARKULAR POWDER Per Machine]
Screens & Display
Live Video
Depending on the size of the venue, we will need a minimum of three (3) Image Magnification (IMAG) cameras
- One (1) Robot camera on stage
- Two (2) Regular cameras on two (2) 2x1 meter risers 1 meter high [1 camera in the pit, 1 camera placed around the FOH]
LED Screens
- Two (2) IMAG LED Screens (preferably 43’4 H X 23’8 W)
- One (1) Upstage LED Screen (preferably 1 28’ H X 47’ W)
- Full Output Media Server (preferably Resolume Arena)*
Screen Material/Content*
Kindly follow the link below to download our most recent screen content.
Team Contact
Technical Production
Ope Bakare: HueyBakare@gmail.com
Hospitality / Logistics
Perelade Dimanche: PereladeDimanche@gmail com
Creative Direction
Ife 'Diran: kreativekollectiveko@gmail com
Hospitality & Logistics
Travel
- Fifeteen (15) Return Tickets (2 Business Class Tickets, 13 Premium Economy / Economy Tickets)
*Hotel to be vetted by management team prior booking
Airport Pick-Up / Ground Transportation
- One (1) Mercedes Benz Vito (Artist & Mgt)
*Vehicles should be on standby at all times for artiste and/or manager during the duration of the trip
- Two (2) Sprinter Passenger Vans (Band & Crew)
*One (1) of which should be available to the band & crew for the duration of the trip
Security
- At least Two (2) security vehicles + Six (6) security personnel to follow artiste vehicles on all movements, including airport pickup and drop off, to and from event venue
*Assigned security persons are to be with artist & crew at all times, or as directed by management
Accommodation (5-star)
- One (1) Executive Suite (Artist)
- Fourteen (14) Standard Rooms (Mgt, Band & Crew)
*Hotel to be vetted by management team prior booking
Food
- Two (2) per day for all rooms
- Specific meals for artiste to be communicated
Green Room (Artist)
A well air conditioned lockable room with working power outlets to be provided as on-site accommodation at the venue for artiste with the following items;
- Five (5) Fresh Black Face Towels
- Two (2) Bottles Of Hennessy XO
- Five (5) Cans Of Cocacola
- Twenty (20) bottles of water (10 bottles chilled | 10 bottles room temperature)
Catering (Artist)
- Jollof Rice
- Grilled Chicken
- Eggs (Boiled)
Green Room (Band)
A well air conditioned lockable room with working power outlets to be provided as on-site accommodation at the venue for band with the following items;
- Eight (8) Fresh Black Face Towels
- One (1) Bottle Of Hennessy XO
- Five (5) Cans Of Soda - Sprite, Cocacola, Fanta
- Twenty (20) bottles of water
- Fresh Fruits: Grapes, Strawberries, Pineapple
Catering (Band & Crew)
- Jollof Rice
- Grilled Chicken
*if you are unable to provide any of the following items listed, kindly contact a member of the team for suitable alternatives.
