顏珮珊
YEN PEI SHAN
Yen Pei Shan was born in 1994 in Taoyuan, graduated from BFA in Fine Arts from TaipeiNational University of the Arts, now studying at MFA in the Graduate Institute of Plastic Arts, Tainan National University of Arts. •Painting •Print Making •Digital Drawing •Micro-Animation
S ELECT ED GROUP EX HIBITION S 2018 P~P, Sin Pi n Pi er — A bs ol ut el y A r t Spa c e , K a o h s i u n g , Ta i w a n - The 23rd D a D un Fi ne A r t s E xhi bi t i on, Ta i c h u n g C i t y D a D u n C u l t u r a l C e n t e r, Ta i c h u n g , Ta i w a n - The Art E xhi bi t i on of N ew Ta i pei Ci t y, N e w Ta i p e i C i t y Ar t C e n t e r, N e w Ta i p e i C i t y, Ta i w a n - Sights/ Si t es – E m erge A r t i s t s : A D uo Sh o w b y P e i - S h a n Y E N & C h e n - Yu Y U , Sin Pin P i er — A bs ol ut el y A r t Spa ce, Ka o h s i u n g , Ta i w a n - The 16t h Ta oyua n Cont empor a r y A r t Aw a rd , Ta o y u a n Ar t s C e n t e r, Ta o y u a n , Ta i w a n 2017 Brigh t St a r s Proj ect 1 0 Yea r s A nni ver s a r y, I T P a r k , Ta i p e i , Ta i w a n - Su r Le s R out i nes D es A ut res , Ina r t Spa c e , Ta i n a n , Ta i w a n - Brigh t St a r s Proj ect 1 0 Yea r s A nni ver s a r y, C o r n e r s t o n e Ar t G a l l e r y, Ta i c h u n g , Ta i w a n 2016 The 10t h L ong Yen A r t Awa rd Tour E xh i b i t i o n , K i n g s t o n e Bo o k s t o re , Ta i w a n - Xian Du Zhua ng hot el : R epubl i c of Ta i w a n Ar t F a i r, X i a n D u Z h u a n g h o t e l , G u a n d u , Ta i w a n - Bl in g Bl i ng Tea r s , Underground A r t mu s e u m , Ta i p e i , Ta i w a n - Yo un g Voi ces , Ta i chung Ci t y D a dun C u l t u r a l C e n t e r, Ta i c h u n g , Ta i w a n 2015 Taipe i N a t i ona l Uni ver s i t y of t he A r t s × K y o t o U n i v e r s i t y Of Ar t s An d D e s i g n , E x c h a n g e Exh ibit i on, J a pa n - The 1st M a ca u Pr i nt ma ki ng Tr i enni a l , M a c a o Mu s e u m o f Ar t , C h i n a - Here I A m : KUA D × TN UA , N or t h a nd S o u t h g a l l e r y, Ta i p e i , Ta i w a n - Numbe r 7 1 , Ta i pei A r t i s t V i l l a ge, Ta i pe i , Ta i w a n
AWARDS & GRANTS 2 0 1 8 N a t i ona l Cul t ure a nd A r t s F o u n d a t i o n C re a t i o n G r a n t s , Ta i w a n - The 2 3 rd D a D un Fi ne A r t s Ex h i b i t i o n , J u d g e s ’ Aw a rd , Ta i w a n - The A r t E xhi bi t i on of N ew Ta i p e i C i t y, Me r i t Aw a rd , Ta i w a n - The 1 6 t h Ta oyua n Cont em p o r a r y Ar t Aw a rd , J u d g e s ’ Aw a rd , Ta i w a n 2 0 1 7 Shor t l i s t ed f or N a t i ona l P a l a c e Mu s e u m Aw a rd , Ta i w a n 2 0 1 6 L ong Yen A r t Awa rd, Ta i w a n 2 0 1 5 The 2 9 t h D epa r t ment of F i n e Ar t s , Ta i p e i N a t i o n a l U n i v e r s i t y o f - A r t s , St udent Awa rd, Ta i w a n - M a ca u Pr i nt ma ki ng Tr i enn i a l , J u d g e s ’ Aw a rd , C h i n a 2 0 1 4 B r i ght St a r s Awa rd, Ta i wa n
COLLECTED 2 0 1 8 W hen you emi t r a ys f rom y o u r e y e s , Ar t Ba n k , Ta i c h u n g , Ta i w a n 2 0 1 7 G row & Soul out , A r t B a n k , Ta i c h u n g , Ta i w a n 2 0 1 6 L ove a s t i dewa t er & Soul o u t , L o n g Ye n F o u n d a t i o n
”Being in SOMEWHERE too frequent ly, t hey are inEVERYWHERE.”
In our daily life, the ordinary objects which are too frequently there, such as those intricateness of brick walls, sheet metal houses, iron fences and potted plants. These ordinary extraordinariness would make us get lost and be in a hole space forming abreast. The ” hole” doesn’t mean a real pit, but a fake path. It represents a confusing situation from the alienation of our vision and mind of familiar world.
And, in our daily time, there are two unclear and buffering moments. One is early morning, and the other is dusk. In the legends and folklore, the evil would show the cloven foot especially at the dusk; therefore, this moment is the best time to reveal something. Due to sunlight gone, these ordinary objects there are turning into something for night by artificial light.
Then, through light, I see the “hole� in this moment.
Wai t for pass│Gi cl ee│120x165cm│2016
W he n you e m it r a ys fro m yo u r eyes │Gic lee│1 2 0 x 1 6 7 c m│2 0 1 6
A i r D ol l i n the dark terrace Gi cl ee 120x145cm 2017
S ul try ni ght Gi cl ee 110x133cm 2017
Huge plant ing, bi g w i n d o w s , l y i n g d o g , s i l e n t p e o p l e │ G i c l e e │ 9 3 x 1 2 0 c m │ 2 0 17
▼ B elly Bu tto n 0 1
▶ ▲ Voi d pi geonhol e
▶▼ B el l y B utton 02
G ic le e
Gi cl ee
Gi cl ee
60x 90 c m
9 0x100cm
90x100cm
2018
2 018
2018
S omethi ng-20171112 Gi cl ee 50x90cm 2018
S omethi ng-2018020 6 Gi cl ee 80x100cm 2018
C omma: bet ween s e c l u d e d a n d b u s tl i n g │ Gi c l ee│120x165cm│2018
The roadsi de scenes C ycl i c vedi o 2018
A B C D
A . D L o v e a s ti d e w a te r 20x20cm Etc h i n g 2015
B Soul out 20x20cm Etc h i n g 2015
C C i rc l e ru n n i n g 20x20cm Etc h i n g 2016
G r owl 20 x 2 0 c m E tc hing 20 1 5
D o you fi nd i t ? 30x20cm E tchi ng 2015
Up to w o nderla nd 20x15cm E tchi ng 2014
Hooded people
H ooded peopl eâ…Ą
2 2 x 2 6 .5 c m
22x15cm
s c re e n p ri n ti n g A .P
screen pri nti ng A .P
2015
2015
H ooded peopl eâ… 20x30cm s c r een pri nti ng A .P 2014
M et am or p h o s i s Vedio 02: 11 Handm ade An i m a ti o n 2014
In The B ox Vedi o 02:30 C omputer A ni mati on 2014