Peeraya Suphasidh Portfolio

PEERAYA SUPHASIDH / PORTFOLIO suphasidh@gsd.harvard.edu +1 617 955 4133 1 Harvard Place, Somerville, Massachusetts 02143, USA suphasidh.com

HOLDING GROUND: Re-Centering Manhattan’s Civic Landscape Program: Manhattan Arrival Plaza Location: New York City, USA Area: 5,700 m2 Status: Student Project

In the future where mass transit will be intrinsic to New York City’s economical, social, ecological, and spatial evolution. Midtown and west Manhattan will re-orient toward Penn station as a center of transit and vital portal to the city’s growth and livelihood.

Holding the ground above Penn Station as an active center for transit, undervalued sties are cleared and re-ordered as a broad civic plaza for arriving and departure, convening, lingering, and celebrating life in the city.

8th Avenue, 34th street, and the surround neighborhood are adapted with increased public realms, reprioritized streets and wider sidewalks, and a massively increased urban forest canopy to produce a more walkable and ecologically productive transit infrastructure for the city.

URBAN PLAN

Visitors, commuters, and residents arriving and departing the city thru this vast forested plains, the newly beating heart of the city, are imprinted with an indelible, seasonally changing experience of this city’s fabric and ethos.

SITE PLAN

condition A: underground entrance

paving detail A

condition B: rain water collection

paving detail B

URBAN PROPOSAL PAVING PLAN Peeraya Suphasidh Portfolio

1

HOLDING GROUND - Student Project

CROSSING THE STREET TO PENN STATION ENTRANCE

ARRIVAL AMONGST THE TREES

WALKING ALONG 8th AVENUE

WALKING ACROSS THE CANOPIES

SEAT LOOKING TOWARD CLEARING AND PENN STATION CANOPY

Peeraya Suphasidh Portfolio

SEATINGS UNDERNEATH THE GLASS CANOPY

2

ENTERING THE CLEARING

HOLDING GROUND - Student Project

=

REHABITATING SWOPE: A POSITION IN RESTORATION

400 lbs carbon emission

The amount of floorspace in buildings around the world—currently about 2.5 trillion square feet—is set to double by 2060, and researchers say this is a major problem for the climate.

Coral bleaching is caused by a prolonged exposure to stressed caused by an extended period of unusual temperature change.

Program: Visitor Center & Housing Location: Woods Hole, Masschusette Area: 5,700 m2 Status: Student Project

1 cubic yard of concrete

Spring 2019 STU_1353 Recast the Outcast Jeanne Gang Claire Cahan

=

=

400 lbs carbon emission

The amount of floorspace in buildings around the world—currently about 2.5 trillion square feet—is set to double by 2060, and researchers say this is a major problem for the climate.

The amount floorspaceemission in buildings around the world—currently about 2.5 trillion square feet—is toof the carbon emission.

Building industry account for set 25% 400 lbs ofcarbon The amount of floorspace in buildings around the world—currently about 2.5 trillion square feet—is set to double byand2060, and researchers say this is a major problem for the climate. double by 2060, researchers say this is a major problem for the climate.

The amount of floorspace in buildings around the world—currently about 2.5 trillion square feet—is set to double by 2060, and researchers say this is a major problem for the climate.

1 second globally

1 cubic yard of concrete

=

400 lbs carbon emission = 761 tons carbon emission globally The amount of floorspace in buildings around the world—currently about 2.5 trillion square feet—is set to double by 2060, and researchers say this is a major problem for the climate.

1 cubic yard of concrete

The project negotiates between the structure of the existing brutalist building and the environs that envelopes it. It synthesizes a position toward restoration as not only an act done for the building alone, but also the ecosystem that encompasses it.

The amount of floorspace in buildings around the world—currently about 2.5 trillion square feet—is set to double by 2060, and researchers say this is a major problem for the climate.

=

761 tons carbon emission globally

Building industry account for 25% of the carbon emission.

The amount of floorspace in buildings around the world—currently about 2.5 trillion square feet—is set to double by 2060, and researchers say this is a major problem for the climate.

1 second globally

1 cubic yard of concrete

The concrete structure of the crumbling sea wall in front of Swope Center will be totally removed, along with the ground level of the building. The remediation of the ground allows different species of native flora and fauna to flourish underneath the proposed visitor center as a way to foster direct engagements with those species. Gradient of wetland and dryland species run across the ground level.

The open courtyard on the level above captures a moment in the ecosystem and landscape, provoking a window of co-existent between the occupants of Swope and the inhabitants of the environment beyond. The programmatic function of the courtyard will be informed by the different scientific research conducted at the Marine Research Center, where the public viewing simultaneously occur.

25% 25%absorbed absorbedby byplants plants =

=

761 tons carbon emission globally

Building industry account for 25% of the carbon emission.

1 second globally

761 tons carbon = emission 48globally lbs carbon absorption

25% 25%absorbed absorbedby bythe theocean ocean =

Building industry account for 25% of the carbon emission.

48 lbs carbon absorption

1 tree per year via photosynthesis

1 second globally

=

One full story is added atop the living quarter to increase its capacity to host more guests. A compacted stacked living unit negates the shift of human’s immediate need. Instead of constructing large living units to fit to the space we demand, perhaps it is the need of the human that has to adjust in order to comply with the increased constrained in our environment. By increasing the density of human inhabitation, the material and energy required to provide for the housing can be lowered as well as its environmental cost.

1 tree per year via photosynthesis

48 lbs carbon absorption

25% 25%absorbed absorbedby byplants plants

25% 25%absorbed absorbedby bythe theocean ocean

By using By using the energy the energy of sunlight, of sunlight, plants plants can can convert convert carbon carbon dioxide dioxide and and water water intointo carbohydrates carbohydrates and and oxygen oxygen in a in process a process called called photosynthesis. photosynthesis.

The The ocean ocean absorbs absorbs carbon carbon dioxide dioxide fromfrom the atmosphere the atmosphere wherever wherever air meets air meets water. water.

Wind Wind causes causes waves waves and and turbulence, turbulence, giving giving more more opportunity opportunity for the for water the water to absorb to absorb the carbon the carbon dioxide. dioxide. ... Ocean ... Ocean plants plants taketake in the in carbon the carbon dioxide dioxide and and givegive off oxygen, off oxygen, just just like like landland plants. plants.

1 tree per year via photosynthesis

=

48 lbs carbon absorption

1 tree per year via photosynthesis By using By using the energy the energy of sunlight, of sunlight, plants plants can can convert convert carbon carbon dioxide dioxide and and water water intointo carbohydrates carbohydrates and and oxygen oxygen in a in process a process called called photosynthesis. photosynthesis.

View looking into the ground level from Eel Pond

Peeraya Suphasidh Portfolio

The The ocean ocean absorbs absorbs carbon carbon dioxide dioxide fromfrom the atmosphere the atmosphere wherever wherever air meets air meets water. water.

Wind Wind causes causes waves waves and and turbulence, turbulence, giving giving more more opportunity opportunity for the for water the water to absorb to absorb the carbon the carbon dioxide. dioxide. ... Ocean ... Ocean plants plants taketake in the in carbon the carbon dioxide dioxide and and givegive off oxygen, off oxygen, just just like like landland plants. plants.

View from land, looking to the visitor center

3

Bird species spotted near Swope Center

Exhibition Space

Site Plan

Model

Native Plant Species

Peeraya Suphasidh Portfolio

4 PlantsPlants Species Species NativeNative to Massachusetts to Plants Species Native to Massachusetts Massachusetts

SHIKUMEN - SHANGHAI - HOTEL - SALON

“long” alley way as salon

ellegant gatherings

Program: Hotel + Salon Location: Shanghai, China Area: Status: Student Project Fall 2019 STU_1309 Reflective Nostalgia: Alternative Future for Shanghai Shikumen’s Heritage Lyndon Neri + Rosanna Hu

Looking back at the history of Shanghai throughout its forced globalization, or westernization, following the opium war in 1840, its urban fabric reacted to the rapid urban growth with the residential typology of the Li-Llong housing (Zhang Yuan). In this increasing dense context, typical courtyard which once was the 15th century Chinese equivalent to a salon was forced to shrink into a mere light well – throwing the people out to spend their time in the small alley ways that lies between the houses. They were washing and drying laundry, socializing, and mingling in this essentially only public space. The people during the 19th century Shanghai may not be discussion philosophy or making art. They may merely be gossiping and exchanging news about possible job opening, nonetheless this physical attribute of the Lilong typology allowed these types of open interaction to occur.

Peeraya Suphasidh Portfolio

5

STU_1209: Reflective Nostalgia: Alternative Future for Shikumen’s Heritage

Pan Light was developed based on the idea of layering. It composes of vertically adjustable light source, emitting down to a translucent and reflective pan. The light bounces back to illuminate the ceiling above. The interactions between different surface materials with the light creates an ambient that can be catered precisely for its surrounding. The translucence material of the pan capture traces of light, layering them against their reflections on the ceiling above.

Pan Light position 1

Entrance

Peeraya Suphasidh Portfolio

Hotel Lobby

Pan Light position 2

Walkway

6

STU_1209: Reflective Nostalgia: Alternative Future for Shikumen’s Heritage

Glass Screen is developed as a partition between each hotel rooms, providing a possibility of a continuous view across the North-South axis. Depending on the level of interaction one desires, each hotel guest is free to open or close this screen of glass accordingly.

Glass Screen Closed

Peeraya Suphasidh Portfolio

Glass Screen Open

7

STU_1209: Reflective Nostalgia: Alternative Future for Shikumen’s Heritage

45°

12m 45°

45°

12 m

12 m

12m

12m

12m

12m 12m

12m

90°

12m

45°

90°

12 m

12m

172m

90°

45°

m 12

90° 90° 90° 45°

45°

45°

m 12

The “Unpredictable City” positions itself as an urban tool to stimulate local culture with economical strategy and an ecological solution. The new housing standards, question the existing conditions and provoke a critical look to the current city quality. How can a mid-rise urban block contribute to the uniqueness of the neighborhood with a distance from the city center? The success of the development cannot solely depend on its connectivity to the urban transportation network but must also be able to generate activity and productivity within its limit. The project claims a maximum programmatic diversity within its dense perimeter while its “non-housing” areas are invested on cultural and public programs.

+

+

45°

URBAN VILLA 45°

12m 45°

12m

12 m

45°

+ 90° + 90° 45° 45° 90° + 90° +

m 12

45°

m 12

45°

m 12

CENTRAL ACCESS

Program: Standard Housing Location: Russia Major Cities Area: 30,000m2 Status: Competition 3rd Prize

m 2m 12 1

in collaborations with Matthieu Boustany, Benoist Desfonds, & A2OM

12m GRID SYSTEM:

45° 12m 12m

12 m

45°

45° PRESCRIBED 45° TYPOLOGIES:

12 1 m 2m

UNPREDICTABLE BLOCK

90°

90° 90° GALLERY ACCESS 45°

+

90° 90°

90°

12m

12m 45° 90°

90°

90° ESTABLISHING HIERARCHY:

172m

M

A R

K E T

90°

The recent decision to renew a wide range of decrepit housing districts offer a chance to reconsider the approach to the housing situation. The project’s ambition is to make a shift from the fast pace Russian building industry and to a more sensitive development that are flexible in configuration of both public spaces and personal amenities.

90°

GARDEN

N

E

K

D

R

IO

A

S

G TA

D

IU

M

POND

S

By also introducing timber construction as a standard for collective housing, Russia is prompted to become new world leader in sustainable building in the near future. Using timber as an alternative primary building material will also contribute to the overall housing quality.

Being more flexible than concrete, wood-based material allows for easy re-configurations and is more suitable for making prefabricated elements.

POND

K

FIELD

MARKET PLAYGROUND GARDEN

1. urban villa establishes access point

covered maket

street garden

stadium

2. defining the housing block

3. establishing inner courtyards

4. developing communal landscape

kiosk

SITE PLAN BY MATTHIEU BOUSTANY

Peeraya Suphasidh Portfolio

COURTYARD VIEW RENDERING BY MATTHIEU BOUSTANY 3

UNPREDICTABLE BLOCK - With Matthieu Boustany, Benoist Desfonds, and A2OM

FRAME_A2_100_RU_STANDARD HOUSING

4.8m GRID - CENTRAL ACCESSED LEVEL 2-5

79.40 m²

42.54 m²

12 13 14 15

10

16

21.28 m²

42.54 m²

1 ROOM

6.00

5.00

STUDIO

11

1 ROOM

3 ROOMS

4.80

9 8 7

4

2

5

3

1

6

79.40 m²

3 ROOMS

12.70

59.13 m²

2 ROOMS B

60.72 m²

2 ROOMS A

5.00

6.00

7 LEVEL - 6 LESECTION VEL WITH CENTRAL ACCESS TYPICAL FLOOR PLAN

FRAME_A2_100_RU_STANDARD HOUSING

0

5.20

5.20

6m

10 m

4.80

4.60

4.80

2m

2 ROOM 59.93m²

1 ROOM

40.3m²

40.3m²

5.40

1 ROOM

9

10

11

12

13

14

15

16

17

5.40

2

4

7

6

20.46m²

3

STUDIO

20.46m²

8

STUDIO 5

AERIAL VIEW RENDERING © RUSSIAN OFFICE

4 ROOMS 4.60

99.69m²

FRAME_A2_100_RU_STANDARD HOUSING

URBAN VILLA TYPICAL FLOOR PLAN

GALLERY_2-3

6m

10 m

17

16 1

9

11

4.80

4.80

2.60

GENERAL SECTION AA

4.80

12

4.80

14

SCALE 1/500

stadium

10

section gallery access

13

semi underground parking

15

inner street

4

section gallery access

2

courtyard

6

pound

5

courtyard

8

market / undeground parking

3

street

2m

A

7

A

0

2 ROOM

1 ROOM

1 ROOM

39.42m²

39.42m²

60.28m²

3 ROOM 80.74m²

99.98m²

4.65

B

10.10

12.70

4.65

4 ROOM

STUDIO

B

19.35m²

street

stadium

section gallery access

semi underground parking

field

playground

pond / ice skating ring

garden

urban villa

SCALE 1/500

street

SECTION WITH GALLERY ACCESS TYPICAL FLOOR PLAN

GENERAL SECTION BB 0

Peeraya Suphasidh Portfolio

4

2m

6m

10 m

UNPREDICTABLE BLOCK - With Matthieu Boustany, Benoist Desfonds, and A2OM

PYEONGCHANG ART COMPLEX

49.60m 5.60m

6.50m

6.50m

5.50m

7.75m

5.00m

7.75m

5.00m

UPPER STREET ACCESS

in collaborations with Matthieu Boustany and Benoist Desfonds

2.3 - COMFORT AREA cafeteria

art book store

freight elevator

maint.

WC

WC

130m2

1.4 - EXHIBITION PREPARATION

public elevator

OF

TO P

50m2

art shop

AC

6.25m

RO

4.00m

Program: Community Art Center Location: Pyeongchang, Korea Area: 5,000m2 Status: Competition

CE

SS 1.3 - PROJECT GALLERY 130m2

6.25m

Flexible space ≠white box. The traditional museum with its succession of rooms and corridors is guiding the visitor through a perfectly static scenography. In contrast, the contemporary museum, or the white box, erase the lines and offer an absolute neutral space. The threedimensional grid of the art complex blurs the definition of an open space and a room. The absence of circulation will allow for an unlimited configurations of the building, where the open space became the room and vice versa.

34.75m

fromarch the ive st ope airs na rch ive

5.50m

RO

OF

TO P

8.75m 4.00m

The building sits on the most prominent location of the 4 sites and exposes its main facade to the Pyeongchangmunhwa-ro. The inclined roof and the reduced third level minimize the impact on the northern site and maintain a pedestrian- friendly scale with its northern facade. An inset from the East road creates a protected and inviting plaza facing the entrance of the Art Complex.

49.60m 5.60m

etin

g ro

offic

om

5.50m

7.75m

cep

tion

desk

public elevator

SITE PLAN BY BENOIST DESFOND

archive storage

3.2

ctor

- RE

SEA

flexi 120m RCH ble 2 roo ms

information desk

LAB 3.1 -

O

230 FFIC E m loca

arc

l co

hive

unity

spa

ce

exh

ibit

34.75m

mm

sketching courtyard

sma

hive

cre

ativ

e le

arn

ing

spa

ce

zon

e to tharchiv e p e st roje air ct g s alle ry

exh

ibit

4.00m

volume development

up

ding

8.75m

ll gro

MY workshop

rea

5.50m

disco very o resof local urc histo 16.5es wo rical-cu m2 rksh ltura op l

arc

SPE CIA LR RO EFER ENC 150 OM m2 E

show terrace

spa

ce

6.25m

dire

4.3 -

5.00m

freight elevator

maint.

WC

WC

e re

5.00m

7.75m

6.25m

SITE PLAN

6.50m

4.00m

me

6.50m

office terrace

49.60m 5.60m

6.50m

control room

5.50m

cloakroom

7.75m

WC

7.75m

5.00m

WC maint.

5.00m

freight elevator

4.00m

storage

6.50m

public elevator 6.25m

waiting area

2.2 - MULTI-PURPOSE HALL 300m2 max capacity : 200 seats

1.2 - SPECIAL EXHIBITION ROOM

stage & screen

projection space

270m2

6.25m 34.75m 5.50m

lobby area

open library

digital hub public reading lounge archive exhibit

2.1 - COMMUNITY LEARNING SPACE

1.1 - OPEN-ARCHIVE PLATFORM 730m2

open library

8.75m

SS

CCE

IN A

MA

reception desk

380m2

ART COMPLEX PLAZA

MY workshop

4.00m

archive exhibit presentation room

CESS

ING AC

PARK

CROSS SECTION

Peeraya Suphasidh Portfolio

5

PYEONGCHANG ART COMPLEX - With Matthieu Boustany, Benoist Desfonds, and A2OM

AERIAL VIEW SHOWING DIFFERENT CONNECTIONS

ACCESSIBLE ROOFTOP

INTER-lEVEL CONNECTION

SITE ORGANIZATION

INTERACTION IN THE INTERIOR SPACES

Peeraya Suphasidh Portfolio

WORK SHOP SPACE CONNECTING THE TWO FLOORS

6

PYEONGCHANG ART COMPLEX - With Matthieu Boustany, Benoist Desfonds, and A2OM

LE CHÂTEAU AMBULANT in collaborations with Matthieu Boustany and Benoist Desfonds

Program: Housing Location: Montlouis-sur-Loire, France Area: 42m2 Status: Competition 1st Prize, On-Going Taking place in the area of ​​the Château de la Bourdaisière gives the opportunity to link a historic and cultural place with contemporary life. « Le Château Ambulant » questions the flexibility and maneuverability of the wood material by manipulating the typology of the individual dwelling.

Two thin openings are cut out of the monolithic volume to let in the light and glimpses of the surrounding environment. The project generates a progressive field of vision on the forest, as to better integrate itself into the external environment. In the thick shell, a fluid space offers a variety of spatial configurations to reinvent everyday gestures. Materiality makes it possible to erase the boundaries between the inside and the outside. One and the same surface crosses the spaces taking advantage of the structural forms specific to wood assemblies. The interior is trimmed on the outside with thick, weatherresistant wood and contrasts with a smooth, even coating.

Only the piercing of the floors by rough trunks reminds us that the house remains anchored to the Earth.

CONCEPT

RENDERING BY MATTHIEU BOUSTANY

PROJET

CHÂTEAU DE LA BOURDAISIÈRE

GIVEN CONTEXT: CHATEAU DE LA BOURDAISIERE Peeraya Suphasidh Portfolio

POSSIBLE LOCATIONS: HOTEL DE VILLE DE PARIS 7

SITE PLAN Maitrise d'Ouvrage

Le Chateau Ambulant Domaine de la Bourdaisière

Les amis des manifestations du Château de La Bourdaisière

LE CHÂTEAU Isabelle Poulain AMBULANT - With Matthieu Boustany and Benoist Desfonds Groupe Qualiconsult Maitrise d'Oeuvre

Bureau de contrôle

Date 19/03/2018

Phase PC

Plan Situation

Architecte DPLG

numéro de la pièce

N° Plan

SCENARIO #1 (house for a couple) The “pieces” are organized according to the degree of intimacy desired. Each level receives a function of housing by offering a different spatial condition.

DISPLAY

SCENARIO #2 (House for a Small Party) The transformation of the space takes place simply by reworking the furniture: the living room now extends from the kitchen to the roof terrace

WORKING SURFACES

STORAGE

SCENARIO #3 (Holiday House) the compact construction takes advantage of its morphology to allow the extension of the house to the outside in case of “over-population”. If a bedroom is added, the protected terrace of the ground floor becomes living room or dining room.

MOVEABLE PANELS

FURNITURE

UNFOLDED INTERIOR ELEVATION

Peeraya Suphasidh Portfolio

8

LE CHÂTEAU AMBULANT - With Matthieu Boustany and Benoist Desfonds

7.7m

17m2

6.8m2 7.2m

6.4m2

2.5m2 9.4m2

8.2m2 CLADDING - ROOFING (Chestnut Wood) groove assembly

3.4m2

SECONDARY STRUCTURE - FRAMEWORK (Chestnut Wood) joist with circular section right palm assembly

11.3m2

FLOOR PLAN: LEVEL 1

FLOOR PLAN: LEVEL 2

PRIMARY STRUCTURE - FRAMEWORK (Chestnut Wood) independent frames: dovetail assemblies connection between frames: tenon - mortise

FINISHES - FLOOR (sycamore maple type) groove assembly

SECONDARY STRUCTURE - FLOOR (Douglas Pine Wood) simple interlocking assembly with primary framework KITCHEN / LIVING

LIVING PRIMARY STRUCTURE- FLOOR (Douglas Pine Wood) independent frames: dovetail assemblies connection between frames: tenon - mortise

POST / RAW TRUNK (chestnut type not debarked) simple interlocking assembly with primary framing and framing pile foundation in natural soil

BEDROOM

VIEWING DECK

JOINERY

COMPONENTS

EXHIBITION COURTYARD Peeraya Suphasidh Portfolio

9

LE CHÂTEAU AMBULANT - With Matthieu Boustany and Benoist Desfonds

LA CHARTREUSE DE NEUVILLE in collaborations with Benoist Desfonds

Program: Museum Extension Location: Chartreuse, France Area: 3,000m2 Status: Competition Expanding on the master plan of the convent of La Chatause, we propose a lineage of extended programs that are interconnected by courtyards. Our reading of the site as a place in the middle of the tranquil forest, therefore our required program in always placed in adjustcent to the courtyard. In doing so, the extended program will always be experienced in relation to the outside and visitor can feel situated with the beautiful surrounding. Our intention is not to impose a design that shout, more the opposite, an extention that will allow a new state of the art facility to complement the context of La Chatause.

Peeraya Suphasidh Portfolio

END OF EXHIBITION SPACE

NEW EXTENSION

MULTI-PURPOSE EXHIBITION SPACE

EXHIBITION COURTYARD

10

LE CHARTREUSE DE NEUVILLE - With Benoist Desfonds, and A2OM

COLOR LAB

Program: Nail Salon Location: Bangkok Thailand Area: 52m2 Status: SD, DD, CD, Completed 2018 The project takes into consideration that light is a material; its west facade is constructed with glass blocks which filter and allow pattern of light to appear when the sun is setting, around 4-6pm. These non-repetitive patterns and the painting-like strokes mimic its environment, ever changing as the swaying shadows of the clouds and branches of the moving trees. The gentle curvature of the ceiling produce a calming atmosphere and give a sinuous experience. It elaborates the continuity of the total space by avoiding any visual disruption by sharp angles.

CROSS SECTION

STRUCTURE 1

EXTERIOR VIEW

Peeraya Suphasidh Portfolio

WAITING AREA

A-101 A-101 A-504

The main open space is used to perform grooming services (manicure and pedicure). Enclosed within the brushed metal shell is a staff room and a small toilet. The shell’s slightly reflective surface plays with the incoming light patterns. Its monolithic volume is excavated to allow a place for a concrete sink FRAME_A3_50_COLOR prompted toward the service area. A short hallway lead to the toilet while the entrance to the staff room LAB is hidden away with heavy curtain on the opposite end.

SERVICE AREA

Section AA' มาตราส่วน

FLOOR PLAN

1:50

1 ผังพื้นชั้น 1 มาตราส่วน

1:50

GLASS BLOCKS AND LIGHT

11

1 ผังพื้นชั้น 1 มาตราส่วน

CEILING

COLOR LAB - Independent Project

RESTAURANT IN SATTAHIP Program: Restaurant Location: Sattahip, Thailand Area: 180m2 Status: SD, DD, CD, On-going

Restaurant in Sattahip is located in Sattahip district of Chonburi. The site was formally used for a tailoring shop before it was closed for business. The client bought the land in 2017 with the intent of reproposing it into a restaurant and creating business for her family in Sattahip. With the government planning to develop the bay area – Chon Buri, Laem Chabang, Sattahip, Aow Poon, and Rayong – by promising high speed train (45 minutes travel from Bangkok to Sattahip) and an international airport in the vicinity, the site as merit high potential of being an important destination.

TERRACE / PLAZA CROSS SECTION LONGITUDINAL SECTION

COUNTER ROOM

FLOOR PLAN

Peeraya Suphasidh Portfolio

12

RESTAURANT IN SATTAHIP - Independent Project

CHANDRA RESIDENCE

BriggsKnowles Architecture + Design Program: Private Residence Location: New Hamshire, USA Area: 180m2 Status: Under Construction Kavitra Chandra, our client, is an electromagnetic engineer from India, who is also a full-time professor at the University of New Hampshire. She is not married and without children. However, her parents spend every summer with her in the States. The house hosts one master bedroom along with 2 guest bedroom, one for each parent as they can no longer share the same room.

We were investigating the continuity of the living space on the ground floor and the second level loft by means of the ceiling/roof geometry. The landscape comes into the loft level atop the garage. The house end with a tip of a glass house, a cantilevered extension of the living space.

STUDY MODEL : CONCEPT Roof at Normal Span: 1. Standing seam metal siding 2. 1 x 2 Furring Strips 3. Permeable weather barrier 4. 3" Polyiscosyanurate with clips 5. 1/2" zip panel exterior sheathing by advantech, tape as needed to create continuous air barrier 6. cellulose insulation 7. I-joist framing with ply reinforcing at wall, bridging as req'd 8. 1/2" gypsum wall board window tape or equivalent air barrier on to window frame

STUDY MODEL : CONCEPT

triple glazed fixed window ganged to door below

01.GARAGE

02.STORAGE

03.BEDROOM

07.BATH

Lift and Slide triple glazed windows with built in sill.

Structural window 7.5 mm insulation screws through jamb @ 12 o.c., for fixed units use clips at similar spacing

08.BEDROOM

04.HALL

05.OFFICE

09.KITCHEN

10.DINNING

11.LIVING

Wood Deck at Door: 1 x 4 cedar decking on 2 x 6 framing. Provide 6" grate at door.

13.GREENHOUSE

Shims and site applied window foam tape by Tremco. Add intermittant supports under door as needed.

GROUND FLOOR PLAN STUDY MODEL : STRUCTURE

Concrete Floor: 1. 4 " reinforced concrete floor slab with finish screed coat.

2. 6 mil polyethylene vapor barrier 3. 8" eps rigid insulation, turn insulation to extend 3' along foundation wall 4. 4" crushed stone (no fines)

13.LOFT

14.BATH

15.BEDROOM 12.GREENHOUSE

Foundation wall: 1. 8" reinforced concrete foundation wall extended below frost line.

2. 4" birdmouth with anchor bolts, to provide continuous insulation.

3. Free draining backfill 4. Course gravel (no fines) backfill 5. Perforated drain pipe 6. Concrete footing with capilary break and damproofing

FIRST FLOOR PLAN

STUDY MODEL : ROOF

WEST ELEVATION

DETAIL SECTION STUDY MODEL : SPACES

EAST ELEVATION Peeraya Suphasidh Portfolio

13

CHANDRA RESIDENCE - Professional Work

VIEW OF “PRELUDE: AN OFFSET” INSTALLATION

Peeraya Suphasidh Portfolio

14

ITERATIONS OF A DREAM - Solo Exhibition

FIGURE BEHIND THE LENSES

STUDYING THE MOVEMENT OF THE DIGITS ZOETROPE : DOUBLE OF ONE’S EYES

Peeraya Suphasidh Portfolio

16 PIECES OF BLOWN GLASS LENSES

15

ITERATIONS OF A DREAM - Solo Exhibition

DUPLICATE OF ONE’S LEGS

BODY DOUBLE

MARKS

DUPLICATE OF ONE’S BODY

Peeraya Suphasidh Portfolio

CLOTHING

BODY

DUPLICATE OF ONE’S ARMS

16

ITERATIONS OF A DREAM - Solo Exhibition

THE DRAWINGS OF THINGS graphite and ink on paper 48�x36�

1. a mark or stroke long in proportion to its breadth, made with a pen, pencil, tool, etc., on a surface: a line down the middle of the page.

2. Mathematics. a continuous extent of length, straight or curved, without breadth or thickness; the trace of a moving point.

3. something arranged along a line, especially a straight line; a row or series: a line of trees.

Peeraya Suphasidh Portfolio

17

THE DRAWINGS OF THINGS - Student Work

POLYTECHNIQUE UNIVERSITY Sou Fujimoto Archtiect Program: Educational Location: Paris, France Area: 10,000m2 Status: Design Development

The competition for Polytechnique University was won in 2012 and I entered the project in its SD phrase, to develop the competition submission into a rational proposal. The team in Paris was re-arranging the plans and making detail drawings while the Tokyo team worked on the overall redesign of the envelope, mainly the origami roof structure and louver details, the facade, and the main public space.

We rethink the structure of the origami roof to straighten the unnecessary kinks while maintaining its dynamic form.

We studied different shape of roof apertures to negotiate with the sun; louvers of different dimensions were also tested.

We shuffled the catwalk to make way for the columns maintaining as much clear path for the light to come down

VERRE + ACIER Structure de toit

VERRE + ACIER Façade

ACIER Passerelles + Escaliers + Plateformes

BÉTON Dalles + Structure de toit

RENDERING © Morph COMPONENTS DIAGRAM

GROUND FLOOR PLAN

STUDY : OPENINGS

FRONT ELEVATION Peeraya Suphasidh Portfolio

18

POLYTECHNIQUE UNIVERSITY - Professional Work

SECTION MODEL SECTION MODEL

Peeraya Suphasidh Portfolio

19

POLYTECHNIQUE UNIVERSITY - Professional Work

LOMBARDINI ANTIPAROS RESIDENCE: SHADED COURTYARD HOUSE Sou Fujimoto Architects Program: Vacation Home Location: Antiparos, Greece Area: 400m2 Status: Competition

ELEVATION 60

A

ENTRANCE (+57.5 m above sea level)

60

+ 5.50

BEDROOM - Emma 27 m²

F1

5.3

6.3

4.8

5.3

9.8

8.1

MAIN LEVEL

3.9

FRIDGE

The starting point of the concept was to create a protected and calm space, in intimate relationship to the landscape and the soul of Antiparos; the sea and the sky as well as minimize the visual impact of the house with being in harmony with the curves of the site and the light on this side of the island, all year long.

F1

BBQ AREA

7.0

GAS

+ 0.00

5.0

GROUNDFLOOR

BASEMENT

WC.

GUEST WC 5.8 m²

8.0

LIVING - DINING ROOM 60 m²

BEDROOM - Paris 30.7 m²

MASTER BEDROOM 39.0m2

BEDROOM / STUDY 18 m²

OUTDOOR LIVING AREA 51 m²

KITCHEN 24 m²

OUTDOOR LIVING AREA 26 m²

BEDROOM 26 m²

MAIN LEVEL (+52 m above sea level)

12.3

+ 0.00

5.5

The outer limit is a long wall following an oval plan, whose height reaches the second level of the house and a large transparent roof made out of pergolas. The inner limit is completely transparent : the rooms are organized in a very simple alternation of open and closed spaces facing the sea. The linear plan divides the space into two main courtyards. Entering the house, one comes into a green garden, without direct views to the landscape but all open to the sky, with indirect views to the horizon through the house. One arrives into the second courtyard after crossing the heart of the house : the large space on the seaside is all covered with the pergolas and opens up to the horizon through three wide openings.

ACCESS TO BASEMENT

DINING AREA

POOL

SUNBATHING AREA

STAFF ROOM 16m2

LAUNDRY 9 m2

STORAGE 18m2

PANTRY WINE CELLAR 8m2

POOL MECHANICAL 16 m2

MACHINERY 15m2 BATH 5m2

BASEMENT

A

MAIN FLOOR PLAN

VIEW FROM SHADED COURTYARD

VIEW FROM SHADED COURTYARD

VIEW FROM SHADED COURTYARD

VIEW FROM STUDY

VIEW FROM SHADED COURTYARD

SITE MODEL

Peeraya Suphasidh Portfolio

20

LAMBARDINI ANTIPAROS RESIDENCE: SHADED COURTYARD HOUSE -

LOMBARDINI ANTIPAROS RESIDENCE: OPEN COURTYARD HOUSE Sou Fujimoto Architects Program: Vacation Home Location: Antiparos, Greece Area: 400m2 Status: Competition - 1st Place

ELEVATION 60

The starting point of the concept was to create a protected and calm space, in intimate relationship to the landscape and the soul of Antiparos; the sea and the sky as well as minimize the visual impact of the house with being in harmony with the curves of the site and the light on this side of the island, all year long.

ENTRANCE (+57.5 m above sea level)

60

+ 4.00

A

MAIN LEVEL + 0.00

MAIN LEVEL FRIDGE

GROUNDFLOOR

GAS

+ 0.00

BBQ AREA

By spreading out the limit between outside and inside in several layers, we can create intermediary spaces or a “between” giving a new apprehension of a living as a user (relation to the intimate and inside) and as an observer (relation to the surroundings). The outer limit is a long wall following an oval plan, whose height varies to reach the water of the pool and the ground of the site. The wall is not a boundary but rather a belt or a screen, subtly protecting from the surroundings to keep the privacy and keep from the wind. The inner limit can thus be completely transparent.

BASEMENT ACCESS TO BASEMENT

GUEST WC 6 m²

OUTDOOR LIVING AREA 50 m² BEDROOM - Emma 28 m²

BEDROOM 26 m²

DINING / LIVING 60 m²

MASTER BEDROOM 25 m²

KITCHEN 23 m²

BEDROOM / STUDY 18 m²

BEDROOM - Paris 27 m²

MAIN LEVEL (+53.5 m above sea level) + 0.00 PROTECTED AREA

VIEW FROM COURTYARD READING AREA

SUNBATHING AREA

POOL TERRACE - 1.00

PANTRY WINE CELLAR 8m2

LAUNDRY 11 m2

STORAGE 20m2

MACHINERY 15m2

POOL MECHANICAL 16 m2

A

BATH 5m2

STAFF ROOM 16m2

BASEMENT

MAIN FLOOR PLAN

VIEW FROM BEDROOM

SITE MODEL

VIEW FROM KID”S ROOM

Peeraya Suphasidh Portfolio

21

VIEW FROM COURTYARD

LAMBARDINI ANTIPAROS RESIDENCE: OPEN COURTYARD HOUSE - Professional

HOUMENBAN

TORAFU Architects Program: Installation Location: Tokyo, Japan Area: 1000m2 Status: Competition An installation in the Yoyogi park which is commissioned by the Meiji Shrine where I was independency developing the design proposals. The project consisted of 200 wooden poles positions at the same maximum elevation. The height of each individual pole varies as it take information from the changing landscape of the Yoyogi Park.

200

200

300

300

300

300

300

300

300

300

SITE_C: OPT_01 187 columns with varying heights carrying total of 2628 names SITE_C: OPT_01 187 columns with varying heights carrying total of 2628 names

200 200

200 200

200

180 mm

LINE OF WOODEN DISPLAY 200

SPECIAL DISPLAY WOODEN POLES

300

300

200

￥100,000 2000 names 2 name per row row height = 200mm column height = .6m~2.7m

￥100,000

￥300,000

￥500,000

￥500,000

350 names text height = 30cm 4 name per column column height = 2.00m

200 names text height = 30cm 4 name per column column height = 2.00m

200 names text height = 30cm 4 name per column column height = 2.00m

2090 names 2 name per row row height = 180mm

ARRANGE OR NAME DISPLAYED

VIEW FROM YOYOGI PARK ENTRANCE Peeraya Suphasidh Portfolio

100 POLES PARK TOPOGRAPHY

100 POLES FOOTBRIDGE

株式会社トラフ建築設計事務所

PROJ ECT：

(仮)明治神宮 芳名板プロジェクト

T I T L E：

OPTION 01 - PLAN / ELEVATION

SCALE：

-

DATE：

17.08.25

NO.

2

株式会社トラフ建築設計事務所

PROJ ECT：

(仮)明治神宮 芳名板プロジェクト

T I T L E：

OPTION 01 - PLAN / ELEVATION

SCALE：

-

DATE：

17.08.25

NO.

2

NAME DISPLAYED OF DIFFERENT PRICE RANGE

VIEW FROM BEHIND THE FOOT BRIDGE 22

VIEW FROM BEHIND THE PATH

HOUMENBAN - Professionla Work

FLOW: AN INSTALLATION Rhode Island School of Design

Utilizing the flow of both water and air on site, lines of yarn are suspended on floating wooden pieces. The wooden pieces danced with the flow of the river, at the same time, the lines of yarns glide with the wind. The installation integrate and render visible the relationship of the dynamism.

Peeraya Suphasidh Portfolio

23