PARK Spring 2025 with Peter Marino x Cornelia Guest

Cornelia Guest PETER MARINO

PARK

JIMMY FALLON R. COURI HAY

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Nationally eminent surgeons caring for you, their neighbors

Oren M. Tepper, MD

Director, Aesthetic Surgery; Director, Craniofacial Surgery, Montefiore Einstein and Professor, Plastic & Reconstructive Surgery, Albert Einstein College of Medicine

From cosmetic procedures to craniofacial reconstruction to pediatric craniofacial and plastic surgery, Oren M. Tepper, MD, provides care that balances traditional aesthetic concepts with modern technology and minimally invasive techniques. A pioneer in stem cell therapy and 3D surgical innovation, his advances have revolutionized patient care and earned international recognition.

After graduating among the top of his class at New York University School of Medicine, Dr. Tepper trained at the

renowned Institute of Reconstructive Plastic Surgery, NYU Langone Medical Center, completing his plastic surgery residency as well as fellowships in craniofacial reconstruction and pediatric plastic surgery.

Dr. Tepper lives in Greenwich, provides specialized care from Manhattan to Connecticut and consults worldwide. He is acclaimed for his role in the separation of conjoined twins Jadon and Anias McDonald, performing similar surgeries twice more in Brazil.

Editor’s Letter

After a fun and festive start to the year here at PARK - think a cover party at the latest hotspot, Au Bar, with Broadway performers, travel to some of the world’s most glamorous destinations, and a behind-the-scenes look into the Met Gala and Fashion Week - we are ready for an even more stylish spring.

We had so much fun highlighting the friendship between star-chitect Peter Marino and one of our past favorite cover stars, socialite, actress, author and animal rights advocate, Cornelia Guest. The two met in the 70s, when Marino was hired to renovate Andy Warhol’s Factory, and the rest has been star-studded history. Guest, who has appeared in the Twin Peaks reboot Twin Peaks: The Return, as well as last year’s Oh, Canada, where she plays Jacob Elordi’s mother, and Marino, who can usually be spotted in his black leather ensemble, have many things in common, especially their love of animals and the arts. Peter Marino’s Art Foundation is in fact his true passion project, and he has already saved Southampton’s historic Rogers Memorial Library which had been turned into a Bed, Bath & Beyond. The worldrenowned architect wound up purchasing the space to house his growing collection, and that is just the beginning.

I was especially thrilled to sit down with the art world’s biggest superstar, Semadar, who has made big moves by creating her own movement. This Italian-born artist, who is the founder of her very own neo-pointillism style, is perhaps one of the only living artists whose work is being studied

today. She is even the only woman artist to be featured in an art encyclopedia in honor of her Leonardo Da Vinci Honorary Award in 2018. Speaking with this social media star about her spirituality and her controversial views on what some people consider art in today’s world is most refreshing for the fact that she doesn’t hold back, in her life, or in her works. If you’re in Manhattan this summer, make sure to check out her upcoming exhibition at Carlton Fine Arts on Madison Avenue, where she will be the only female painter to be featured in the famed gallery since they opened in 1969 –something she is proud of but hopes to change soon.

After practicing plastic surgery at his successful New Jersey practice for the past few decades, Dr. Anthony Berlet is now ready to beautify the Big Apple with his surgical skills. Not just any surgeon, Dr. Berlet, who is also an artist and architect, is opening his Fifth Avenue practice, and he wanted to share the news first with PARK. Read all about his journey and even more importantly, listen to his wife Kerry’s podcast, Once Upon a Surgery, focused on life changing stories from his patients.

Check out our latest travel recommendations, new dining destinations, and an enchanting fashion shoot in nature to capture the spirit of spring.

Thank you as always for taking a walk in the park with PARK!

Julie Sagoskin Editor-in-Chief

Christine’s Letter

I’m incredibly excited to announce my partnership with PARK Magazine and my new role as Senior Editor!

It has been a pleasure working with Christopher A. Pape, Publisher and Founder of PARK Magazine over the past year. His professionalism and talent make this partnership a true honor. I look forward to continuing our collaboration and getting to know the entire team.

I’m especially proud to be part of a beautiful publication that showcases luxury lifestyle and I am eager to share with readers in-depth celebrity features and unique content covering beauty, fashion, real estate, finance, health and so much more!

Over the past decade, I have been extremely fortunate to work with some of the most talented individuals - actors, fashion designers, models, lawyers, doctors, to name a few. It’s been a memorable experience sharing their inspiring success stories and revealing their most intimate thoughts and feelings.

This issue features comedian, actor, author and TV host of NBC’s The Tonight Show, Jimmy Fallon and the release of his new children’s book Papa Doesn’t Do Anything The book is a heartfelt tribute to all the fathers and grandfathers. Be sure to read the article, featuring highlights from Fallon’s recent interview on TalkShopLive. Also featured in this issue, is the timeless appeal of international model Jason McAlister, whose 27 -year Journey from small-town Georgia to worldwide modeling has earned him global status with top brands.

On another note, spring has arrived and is in full force. Whether you’re enjoying a backyard barbecue, a family reunion, a beach day, or a picnic in the park, the season brings it all to life. Enjoy this beautiful time of year full of warmth and breathtaking color. I am looking forward to connecting with you inside the pages of PARK!

Warm wishes,

Christine Montanti Senior Editor

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SHIP FRIEND

BY COURI HAY

OOne of our cover stars, Peter Marino’s oldest and closest friends is Cornelia Guest, the actress, animal rights advocate and author. The two first met in the late 1970s at Andy Warhol’s factory, which Marino, a dapper, bow-tied, young architect, had been hired to renovate. Warhol was among the glittering friends of Guest’s parents, society couple C.Z. Guest and Winston F. C. Guest, whose intimates included a Who’s Who of fashion, art and royalty like Carolina Herrera, Halston, Diana Vreeland, Truman Capote and Cornelia’s godparents, the Duke and Duchess of Windsor.

Guest was a precocious, horse-obsessed teenager at the time, and the two hit it off. About two decades later they met by chance at La Grenouille and have been inseparable ever since. “Charles Masson had an anniversary party, and I was upstairs, and Peter walked in, and we just reconnected, and it was so great to see him,” Guest said. By that time, Marino had adopted his trademark leather-daddy uniform.

They had lunch and became pals. “Over the years we’ve gotten closer and closer, and he really is one of my favorite people in the world. He’s one of my besties and I just adore him, he is the kindest,” she said, adding that with his breadth of knowledge, Marino is like an encyclopedia. “There’s never been anything that I’ve ever asked Peter that he has not given me an amazing answer for.”

She acknowledged their shared love of animals and noted they both adored her Harlequin Great Dane, Pearl. At Marino’s Southampton home, the pooch endears herself to the gardeners by catching moles. “She’s not supposed to, but Pearl, bless her little heart, has gotten numerous moles for him. And the guys that work for him are so happy because nobody likes moles except for me.”

Pearl goes everywhere with Guest, and the dog is welcomed by Marino and his wife, Jane Trapnell, at all their exquisitely decorated homes. Pearl gets along

splendidly with the Marinos’ cats, Wendy and Peter.

Pearl, The Dog, Won Jane’s heart

Peter and Cornelia spend so much time together that the Marinos refer to her as the “substitute wife.” And Jane, who mostly eschews the society whirl, is on board with this arrangement. “I think that Pearl won Jane over,” said Guest. “Anytime I go to the Marinos’, if I don’t have Pearl, Jane’s like, ugh.” Pearl has the run of the house; during a recent dinner party, the dog came into the dining room and Jane told her to go lie on the couch. “It was very funny because most people don’t let dogs on their furniture, and Jane and I certainly do. And the others were like, ‘oh here’s this mini pony.’”

She describes Jane as super smart with a wicked sense of humor. “We laugh at all the same things, and I just love her.”

A True Friendship

“Peter and I always laugh, and we always have fun together,” said Guest. “We talk about everything.” She

admires Marino’s love of beauty in his work and in his collections. “He’s so creative and so smart and loves to laugh and is so down to earth. We’ll sit and watch Game of Thrones and have a little dinner, and the cats are there, my dog is there, and we’ll just giggle and have a good time. So, it’s a true, wonderful friendship.”

Each year for her birthday Marino gifts her a miniature version of one of his bronze boxes that are sold by art dealer Larry Gagosian. Handmade in France, each box is numbered and engraved. In them, she keeps

jewelry and other trinkets. One at her bedside has dog treats inside, handy for Pearl’s midnight snacks.

Author Kevin Kwan at the Marino Art Foundation

It was at Cornelia’s insistence that the Peter Marino Art Foundation hosted its only non-artist book talk, with Crazy Rich Asians author Kevin Kwan. Guest was a character in Kwan’s novel Sex and Vanity, and she and the author have become good friends. The event was wildly popular and attracted many people who aren’t necessarily art aficionados said Isabelle Trapnell Marino,

the foundation’s co-director. “That was fun to get people who weren’t there for the art to come and see it. And actually, a lot of them have written us and said that they’ve come back.”

In Kwan’s next book, Lies and Weddings, there’s a character called Peter Submarino.

Animal Sanctuary

An award-winning equestrian, Guest is an actor whose roles include a recurring part in the

Twin Peaks reboot Twin Peaks: The Return. In her most recent film, 2024’s Oh, Canada, with Richard Gere and Uma Thurman, she plays heartthrob Jacob Elordi’s mother.

She’s a longtime board member of the Humane Society of New York, an ambassador for American Wild Horse Conservation, and a vegan. Several years ago, the native New Yorker moved to Texas and also relocated her nonprofit animal sanctuary there.

Today, the sanctuary no longer rehomes animals but serves is a refuge for animals in need. “Now, I just rescue ones that really need homes that really are in dire shape, and we try to bring them back.,” Guest said. “We give them the best landing possible, and we give them the best life possible.”

All her animals are very happy. Recently, a female turkey, Elizabeth, was sitting on a bunch of eggs, and when she got up for a

moment, Guest realized they were all chicken eggs. “She was sitting on about a dozen chicken eggs, so we moved her into this little nursery area, and Elizabeth’s husband, Philip, every morning would come over and just stare at her. And one morning we woke up and she had hatched 13 little chickens.”

The explanation for this: Elizabeth was born at the sanctuary two years ago and

“THAT WAS REALLY FUN TO GET PEOPLE WHO WEREN’T THERE FOR THE ART TO COME AND SEE IT. AND ACTUALLY A LOT OF THEM HAVE WRITTEN US AND SAID THAT THEY’VE COME BACK.”

hatched in an incubator alongside two Guinea hens and the three bonded. So, Elizabeth has always had her two Guinea hen pals with her. “They were like her little ladies in waiting, and Philip was always guarding them,” Guest said. “So now every morning Philip and the two Guinea hens go over to Elizabeth’s area because the chicks are just getting their feathers now, they’re not big enough to go outside. And he sits and just looks at her all day and puffs his feathers up. And she’s the best mother and all the chicks jump up and sit on her back.”

Peacocks – Peter, Curtis & Juan Carlos

Other creatures at the sanctuary include ten mini horses and donkeys, two pigs, Penelope and Mabel, and three goats, Hansel, Gretel and Matilda. Then there are three peacocks, one named Peter, after her bestie, and the other two are named Curtis and Juan Carlos, after Marino’s closest associates at his design firm.

Independent & Fearless

Guest likely gets her independent, rebellious

streak from her mother, the formidable society leader C.Z. Guest, a Boston Brahmin, legendary gardener, Best Dressed List Hall of Fame fixture and one of Truman Capote’s famous swans.

When Cornelia, who was dubbed Debutante of the Decade in the 1980s, posed topless for Andy Warhol as a teenager, her mother never batted an eye. “My mother was so smart; she knew exactly how to handle me. She never flinched,” Guest explained. However, her mother may have understood her motives completely: she herself had posed in the nude for painter Diego Rivera while in Mexico in her younger years and had had a short stint performing with the Ziegfeld Follies.

Her mom, who passed away in 2003, never got to know Peter Marino, but Guest is certain she’d love him. “She’d try to steal him from me. That wouldn’t work,” she said, laughing.

Instagram @corneliaguest

Star-chitect

PETER MARINO

AN EXTRAORDINARY LIFE

BY R. COURI HAY

Peter Marino, the famed architect with an astounding number of high-profile clients, seems something of an enigma. Tattooed and always clad head-to-toe in biker leather, even when mingling with high society at the chicest formal soirees, he presents an imposing figure to those who don’t know him. His projects include luxe residences, art galleries, hotels, retail and offices, and he is hands down the fashion world’s most in-demand architect, having designed space for the likes of Tiffany’s, Dior, Bulgari, Louis Vuitton, Armani and Chanel, which tapped him for boutiques in Paris, Tokyo, New York, Hong Kong, Los Angeles, Seoul, Singapore and more. In fact, Marino has designed so many Chanel projects that his 25-year collaboration with the couture house was celebrated in a 2021 book, “Peter Marino: The Architecture of Chanel.”

He started out working at illustrious firms SOM, George Nelson and I.M. Pei before launching his eponymous practice, Peter Marino Architect PLLC, in 1978. His firm is renowned for innovative use of light and space, and for integrating contemporary artworks into projects. Marino is credited with redefining the standard for prestige retail design.

For furthering arts and culture, the French Ministry of Culture named Marino a Chevalier de l’Ordre des Arts et des Lettres in 2012, and an Officier de l’Ordre des Arts et des Lettres in 2017.

In addition to design, Marino has many varied interests. Yes, he is a motorcycle enthusiast – the leather is not simply a costume. He is an avid gardener; his garden at his Hamptons

home is a stunner, the site of many storied parties, and in 2023 he won the top prize at the Southampton Rose Society’s annual show.

Passion for art

Perhaps his greatest passion is art. A 2017 60 Minutes profile declared that art is at the center of Marino’s universe, and that his knowledge of it is encyclopedic. He curates it and commissions it for his projects, and he is a prolific collector as well. His vast collection includes contemporary art and furniture, Old Master paintings, Egyptian, Greek and Roman antiquities, Renaissance and Baroque bronzes, 20th century photography, French ceramics, rare books and Old Master drawings.

He aquired the former Rogers Memorial Library in Southampton to house his collection, and after extensive renovations, the Peter Marino Art Foundation opened its doors in 2021.

“He started collecting art the second he had any kind of disposable income whatsoever,” his daugher, Isabelle Trapnell Marino, the Foundation’s co-director, told us. “And he collected in a way that I think a lot of people turn their nose up at, because it has nothing to do with how the market works,” she added. “He’s not buying it as an investment. If he loves it, he wants it. And sometimes those aren’t the winners, so to speak, but he wants to live with it. But he has an incredible eye and really collects across all disciplines, bronze, porcelain, ceramic, painting, sculptures, you name it.” Marino’s collection, she explained, ranges from Egyptian jars circa 5,000 B.C. to things that were produced last year.

“AND I WAS IN TEARS, TO TELL YOU THE TRUTH. EVERY ARTIST CLAPPING YOU ON THE BACK WAS LIKE GETTING AN ACADEMY AWARD, AND I WAS JUST BREAKING DOWN.” Peter

Isabelle Trapnell Marino & Peter Marino

Peter Marino, Bob Colacello (PMC)

Simone Levinson, Peter Marino (PMC)

Peter Marino, Bruce Weber, Nan Bush, Katharina Otto-Bernstein, Scott Howe (PMC)

Peter Marino, Cornelia Guest (PMC)

Robert Wilson, Peter Marino (PMC)

Peter Marino and Anselm Kiefer CREDIT: DANIEL WEISS

Julia Koch, Peter Marino (PMC)

Anthony Ledru, Peter Marino (PMC)

Anthony Ledru, Peter Marino (PMC)

“FOR THE FIRST TIME IN MY LIFE, I WAS REALLY GLAD I HAD TWO BODYGUARDS BECAUSE A THOUSAND PEOPLE STICKING TELEPHONES IN YOUR FACE AND TRYING TO GET NEAR YOU IS SCARY.”

Peter Marino impersonator in Greece

Speaking with Peter Marino for this article, the iconic, AD100-listed architect was warm, funny and witty. He had just returned from Greece, where he attended singer Anna Vissi’s nightclub act – in which she impersonated him.

“I had dinner with her in Paris about ten days ago, and she took a lot of pictures of me and said, ‘You have to come to my show Saturday night in Athens,’ Marino said. “She did a Peter Marino outfit, with my leather hat, my belts, my boots. She looked great. It was hilarious.” Marino joined her onstage and she danced around him.

The crowd loved it. “For the first time in my life, I was really glad I had two bodyguards because a thousand people sticking telephones in your face and trying to get near you is scary,” he said. “I didn’t want to get trampled, and I kept saying ‘Where’s the fire exit?’ And the bodyguards were like, ‘What, are you leaving?’ I said, ‘No, I’m an architect; I want to know where’s the fire exit.’”

Marino continued to regale us with wondrous tales about his life, legendary career and his work with worthy causes. Read on as we demystify this master.

Trademark leather look was his wife’s idea

Marino’s wife, Jane Trapnell, is a costume designer whose work has appeared in major TV shows like Beverly Hills 90210, Kate & Allie and As the World Turns. Once when Marino rode his motorcycle from the Hamptons to Manhattan, he had no time to change out of his biker gear before an interview at his office. And Jane told him to just go with it and make it his signature style. “She put it something like this: You can look like every other bloody architect in the world with your navy blazer and khaki trousers for the rest of your life, and no one will ever know who you are or recognize you, or you can go with your little motorcycle look, buddy.” Marino also notes that as he works with so many fashion houses, wearing a self-styled uniform avoids offending clients.

Tightwad Andy Warhol kick-started Marino’s career

Marino’s first commission under his own name was from Andy Warhol, to design the artist’s house on East 66th Street. “He bought a beautiful, very elegant townhouse because his mom had died in the big house

on Lexington Avenue, and it was creeping him out,” Marino said. “So at that point, in the 1970s, he had enough money to buy a terribly beautiful townhouse, and he needed a really cheap architect that he could take advantage of. [Pause] I mean, he needed a really talented young person to fix up the kitchen, bathrooms, etc. So yeah, he gave me the money to open my own studio and do the architecture for the townhouse.”

The writer Bob Colacello, who has known Marino since 1974 when he was working at Interview Magazine, corroborated. “Andy loved hiring young people,” Colacello told us. “I was 22, his manager, Fred Hughes, was 28, and Paul Morrissey, who directed the films, was probably the oldest at about 30. So Andy loved the idea of hiring very young people, one because he thought they had new ideas, but also because young people starting out were willing to work cheaply.”

Warhol balked at paying some of the bills from the contractor, who had been recommended by Philip Johnson, Marino recalled. “So Johnson, embarrassed, said, ‘Look Andy, I’ll buy some of your portraits of your mother, but the money’s not going to you, it’s going to the contractor.’ So that’s how it all ended well. Andy minded his dollars and cents very carefully.”

Karl Lagerfeld: “the machine gun”

Marino and the late designer Karl Lagerfeld bonded over their mutual longtime association with Chanel. Once, while having dinner, Lagerfeld told Marino that they were the only two people in the world who could work for both the Wertheimer family, which owns Chanel, and the Arnaults, who own Fendi, Vuitton and Dior. “Karl chuckled and said, ‘Let’s just keep it that way, we’re the only two.’” Marino was moved by that statement.

A nickname for Lagerfeld, Marino revealed, was “the mitraillette,” or submachine gun, because he spoke so quickly it was like standing in front a machine gun. “He spoke at double the speed at which a normal person speaks, and so you had to pay attention or you’d miss half of what he said. So I always felt rather stupid.” Lagerfeld was quite a personality, Marino added. ”He knew everything. He was so well-read and so knowledgeable. A favorite conversation was about Swedish architecture in the 1920s.”

“I’M INSANELY HAPPY AND I PINCH MYSELF EVERY DAY AND GO, IS IT REAL? DID I JUST HAVE DINNER WITH THE PRESIDENT OF FRANCE? DID I JUST GIVE A PARTY FOR THE COUNTESS DE VOGÜÉ?”

Marino makes paintings as gifts

As a adolescent, Marino had wanted to be an artist. He tried painting and scultpure. “I made an enormous elephant, which had the head of Barbara Streisand. It was hilarious. All out of white plaster,” he said, laughing. His career took him in a different path, and despite his massive art collection, he still paints sometimes.

There is a treasure-trove of fine artwork installed in the Marinorenovated Tiffany’s in Manhattan, 58 pieces by the likes of Anish Kapoor, Julian Schnabel, Jeff Koons, Jenny Holzer, Richard Prince and Basquiat – the New York Times suggested saving the $30 entry fee at MoMA and visiting Tiffany’s instead – and some portraits of Audrey Hepburn from Breakfast at Tiffany’s on which Marino handpainted squiggles. “I paint as fun but also as gifts for people. And that was my gift to Tiffany’s,” which is owned by the Arnaults, of LVMH.

He pointed out that it is difficult to give something to Mr. Arnault, who is the wealthiest man in Europe. “What are you going to give him, a gift from Tiffany’s? He owns it. A suit from Dior? He owns it. What can you give him? He’s got the LV foundation, every piece of art in the world. So I make paintings for him.”

Hirshhorn Museum honor

In November 2024 the Smithsonian’s Hirshhorn Museum and Sculpture Garden recognized Marino’s impact on the art world with it’s first-ever “Leadership in the Arts” award at its 50th anniversary gala. “For 50 years of them being open they assembled 50 of today’s leading artists who all came to kind of honor me,” Marino said. “And I was in tears, to tell you the truth. Every artist clapping you on the back was like getting an Academy award, and I was just breaking down.”

Dog person now a cat person

Marino had always been a dog person but now has two beloved cats instead. Why the switch? The reason, he explained, is very simple. “I’ve had dogs my whole life and they all die when they’re 10 or 12 years old, and I can’t take another dog death. I really can’t; I’m too much of a wuss.”

He added that he hasn’t recovered from any of his dogs’ deaths, and all his cats live to 22 to 24, so he’s now a cat person. Now aged 75, Marino figures the cats will last as long as he will.

One is named Peter – “It’s not original, but that’s really easy to remember” – and the other is Wendy, like in Peter Pan.”You remember the Peter Pan song ‘I Won’t Grow Up?’ That’s kind of been my life motto. I mean look, I’m completely childish and ridiculous.”

Friendship with Cornelia Guest

Among Marino’s global coterie of pals, his close friendship with actress/ philanthropist Cornelia Guest is one of the most enduring. “Probably of all of her acquaintances I’ve known her longer than anybody except someone who’s related to her,” he said of meeting her at Warhol’s factory when Guest was in her teens. “It was like 1923, and she was a zany, madcap teenager and I was a very earnest, buttoned-down architect,” he quipped. (It was actually the 1970s.)

He recalled Cornelia being lots of fun, and open to everything. “But Cornelia, at the time, was serious. She was a serious equestrian. And, well, at that time we started with nightclubs, so let’s just go with serious clubber.”

Recently, Marino and his wife were giving a chic, formal dinner party for Laurent Bili, the French ambassador to the U.S., with a guest list that included the heads of Versailles, the Louvre and the Petit Palais. “I was having one of my cultural moments,” Marino said. He invited Cornelia, and she agreed to attend. “She came, but unannounced to anyone, she brought Pearl,” he said, explaining that Pearl is a five foot long dog who promptly went on the 18th century dark green velvet sofa and fell asleep. “My wife entered the salon and said, ‘What is that?’”, he laughed.

“Everybody’s mouth dropped like, okay, we knew the Marinos were a little bit out of the ordinary, but they don’t usually have a five foot dog attending the dinner for the French ambassador. And Pearl just

sat there between Cornelia and me and was perfectly happy to join the party.”

Why do these two get along so well? Two of the things Marino values most in a friend are loyalty and a sense of humor. “And shared interests such as eating caviar or dressing up.”

Château de Vaux-le-Vicomte; Venetian Heritage chairman With friends around the world and his wide array of interests, Marino puts his energy into various causes near and far. In October, he hosted the annual fundraising gala for the Château de Vaux-le-Vicomte, the castle outside Paris whose beauty inspired the design of Versailles. Marino helped to draw a powerful crowd, which included the Arnaults, designer Haider Ackerman, Christian Louboutin, Marisa Berenson and Paloma Picasso.

He leapt at the chance, in part because the Countess Cristina de Vogüé, whose family has owned the property for generations, is a longtime friend. They met more than 40 years ago in Salzburg, where he and his wife Jane went every summer until their daughter was born. Someone introduced them, and Marino found her intimidating.

“She was very, very grand, the highest level of French aristocracy, with these crazy emerald earrings,” he said. It turned out that the Countess is Italian, and from the same region in Italy that Marino’s family comes from. “When you speak Italian, you can tell,” he explained. “She said something in Italian and I answered her in Italian and she sort of giggled and waved her finger, said come sit next to me. We’ve been friends ever since.”

One of the things Marino is most proud of is his chairmanship of Venetian Heritage. “I’ve worked for for 25 years restoring some of the buildings and paintings and sculpture in what I think has got to be one of the top cities ever created by mankind,” he told us. The Italian government does not fund them, and that, he says, is why there are

so many organizations trying to save Venice. “It is the history of western Europe from 800 until 1797 when Napoleon stole the Wedding Feast at Cana from the wonderful church and took it to the Louvre.” Until that point, Venice was one of the leading cities in the world, he added, the crosswoads of trade, and where things like diplomacy and the concept of passports were born. “I’m such a fan of Venice. I’ve spent 25 years there, I still haven’t seen three quarters of the buildings or churches or paintings. It has so much. I just would like the whole world to sort of help me.”

In recognition for his years of work restoring Venetian art and architecture Marino received last year the prestigious Hadrian Award from the World Monuments Fund. Other recipients include Queen Sofia of Spain, King Charles of England and the Aga Khan.

Staying humble

Success has never gone to Marino’s head. “I’m insanely happy and I pinch myself every day and go, is it real? Did I just have dinner with the president of France? Did I just give a party for the Countess de Vogüé?.”

He grew up in Queens in a middle class family. “The one client that really impressed my mother was Chanel; she said, ‘Chanel, ooh, la la.’ The only Chanel she ever had was some face powder that I would buy her on Mother’s Day.”

Bob Colacello, co-director of Marino’s art foundation, recalled a visit to the site while it was under contruction. “There were 10 or 12 construction workers in hard hats, local guys, and Peter says, ‘This is my friend Bob. He’s from Brooklyn, I’m from Queens, and we both did really well in life.’” That, he says, is typical Marino. The construction workers love him, the gardeners love him. “He’s very down to earth. And what I like about Peter is that his enormous success has not jaded him. He’s still impressed when he’s invited to a dinner at the Elysee by President Macron.”

petermarinoarchitect.com

PETER MARINO’S ART FOUNDATION ISABELLE TRAPNELL

MARINO & BOB COLACELLO

BY BENNETT MARCUS

Outraged that Southampton’s historic Rogers Memorial Library had been turned into a Bed Bath & Beyond with linoleum floors, dropped ceilings and a sign with a giant towel “on sale now” hanging out front, Peter Marino was determined to save the beautiful 1895 Queen Anne Revival building.

His daughter, Isabelle Trapnell Marino, recalled visiting the depressing space one day in 2018, and her father declared that he would try to get one of his billionaire clients to buy and restore it. Marino’s wife, Jane, said, “Why not you?” So the world renowned architect decided to buy the building to house his vast, and growing, art collection.

“Jane and Isabelle pointed out that I have three warehouses full of paintings,” Peter said, adding that the walls in both his office and homes are already chock full of art, so this way he could display more of his collection.

“He always wanted to have a foundation, but there was never a direct plan for it, and her suggesting that to him just kind of lit a fire,” said Isabelle, who is now co-director of the Peter Marino Art Foundation, which opened in 2021 after an extensive renovation.

Bob Colacello enlisted as co-director Peter outmaneuvered a competing institution to snag his longtime friend Bob Colacello to co-direct the foundation. The Southampton

Arts Center had wanted to hire Colacello, the famed Interview and Vanity Fair writer, as a consultant and had asked Marino for an introduction. Over lunch, Bob recalled, Peter noted they’d known each other “forever,” and had many of the same friends and similar backgrounds. “And so he said, ‘I think you should be associate director along with Isabel.’ And that was that.”

Brunch with Bob

As co-directors the most public-facing role for Isabelle and Bob are a series of Saturday morning talks with artists whose work is on display dubbed “Brunch with Bob.” Peter, Isabelle and Bob have a kind of fireside chat with the artist, with 100 to 150 guests in attendance. The chats are a revival of a similar series that Bob had established a decade ago at the New York City artist’s collective Bruce High Quality Foundation. After the talk guests take in the exhibitions and nosh on finger sandwiches in the garden.

Important artists

Since opening, the foundation has hosted talks with Francesco Clemente, Tom Sachs and Rashid Johnson. Vik Muniz flew up from Brazil, not only because Peter is a big collector, but because he wanted to meet Bob Colacello, whose Interview magazine party column he’d read while a student at the Art Institute of Chicago, back in 1980. Muniz said, “Someday, I’m going to have a social life like Bob Colacello. I’m going to go to four parties a night. And now here I am being interviewed by Bob Colacello.”

“SOMEDAY, I’M GOING TO HAVE A SOCIAL LIFE LIKE BOB COLACELLO. I’M GOING TO GO TO FOUR PARTIES A NIGHT. AND NOW HERE I AM BEING INTERVIEWED BY BOB COLACELLO.”

This summer’s slate includes visual artist Sarah Sze and photographer Wolfgang Tillmans. Tillmans’ talk will take place pre-season, on May 3, even though his show opens on May 23, because by then he’ll be in Paris setting up his retrospective at the Pompidou. “So we’re having kind of a one night only engagement with him,” said Isabelle. “He’s a big enough draw that it’s going to be a full house, even though it’s really not the season out there yet.” In August, there will be an additional panel about the Tillmans exhibit with painter Peter Halley and curator Christian Madsen, both experts on his work.

Peter is thrilled that Tillmans chose the Marino Foundation as the only other museum in America after MoMA to stage a show.”It’s a really big deal for me because then he goes on and has his life retrospective at Pompidou in Paris. So this has evolved as a place where major artists want to be shown,” he said. “And of course it helps that I own 132 of his photos.”

Peter Marino Book Club

Another popular series is the Peter Marino Book Club, where artists who have released books of their work come to the Foundation for a short talk and book signing. This year’s crop will include Bruce Weber, Jonathan Becker and Sarah Sze.

Labor of love for Peter Marino

Isabelle says that establishing the art foundation has been a labor of love for her father. One of the things that he collects are renaissance bronzes, and part of his collection is the labors of Hercules. “He always jokes that the foundation was the last labor of Hercules because he really puts his whole being into every project he does, but watching him do this and have it be something that he has really wanted to do his whole life has been one of the most special things I’ve ever seen,” she said. “I joke with him that the foundation is his favorite child. I’m an only child, but the foundation is his favorite child because it doesn’t talk back.” P

petermarinoartfoundation.org

SEMADAR

An International Artist for Us All

BY JULIE SAGOSKIN

PHOTO BY UDO SPREITZENBARTH

Now an internationally famous artist, Semadar – full name Santina Semadar Panetta – had been drawing up her dreams since she was a young child – literally. The Italian social media star, who currently resides in Canada and has had her works exhibited around the world, is on a mission to ensure that true artistry lives on while explaining what it means to be a woman in the industry. Hint: there aren’t many who have made it to where she is, but she hopes to change that while empowering artists from all over the world. Semadar’s path always pointed to neo-pointillism, and she hasn’t stopped painting outside the lines since.

With over 300,000 followers, she might be a social media star, but Semadar insists she didn’t set out to create art for money or fame. Rather, such things couldn’t help but seek her out due to her skills and talent. This world-famous artist, who attempts to convey the spiritual realm surrounding us, emigrated to Canada before turning 15 and knows just where she stands. “I’m proud to be a Canadian, but also proud to be a human being in this universe because art has no boundaries, so I go where my art is.”

Over the past 15 years, her art has taken her all over the globe. Perhaps her destiny was written – or painted – in the stars. “Ever since I can remember, since I was six years old, I never had a day in my life when I would not

study something, create, draw. It’s a passion that you just have no choice but to follow.” She quickly learned just how true that proved to be when, after graduating from a journalism program at a young age, she realized that while you can be good at something, it doesn’t mean it’s your cup of tea. “When you have a burning passion, passion always prevails.”

Those who are closest to her know this best. After all, she is often so consumed with her painting that she doesn’t notice the time going by, whether she’s studying or in her studio, so her close group of friends from over 25 years are grateful for the precious time they get to spend with her.

For Semadar, her work is meant to invoke a feeling for the observer, whatever that might be. “My objective is very important in my artwork because classicism was all about the church and religious aspects, but my artwork is extremely spiritual. It has nothing to do with religion; it has to do with the universe, our existence. I glorify in my paintings being paradise on earth. I mean, what else is more beautiful than a great sunset? The power of the universe is incredible – you just cannot stop the rain or the birds from flying, and always the sun is rising someplace.” Her complex work can make you contemplate the philosophical, such as your place in the world – even the ending of it all – but without any religious tone. She enjoys that her works are able to awaken in people these good feelings about the universe and, as she says, “how we should take care of it.” She fondly recalled how one admirer of her

work felt that the pieces brought her back to happy times when she was a child.

She might have always known that she had a creative destiny awaiting her, but it wasn’t until one international incident put her on a

serious painting path. “September 11th changed my life. It really touched me, and I said to myself, ‘Life is so fragile. I could have been in one of those buildings.’ So, I said, enough is enough. I am going to be searching for a proper school to make sure that I get the

academic knowledge that I need.” Staying true to that six-year-old girl inside of her that was always drawn to drawing, she knew that to master her craft she would have to learn the fundamentals of how to be an artist. After all, all she wanted was for her name and work to

live on forever – a lesson she learned at the tender age of 14. She remembers being in awe when, upon visiting a museum in Athens after winning a scholarship, she realized that despite the artists being dead for thousands of years, they were still very much alive – and we

“I KNOW MAYBE A LOT OF PEOPLE WILL NOT LIKE MY MISSION BECAUSE NOT EVERYBODY LIKES TO THINK OF ART AS A RHETORIC, BUT YOU WRITE A PAINTING THE SAME WAY YOU WRITE A STORY OR A LETTER AND IN ORDER TO DO THAT YOU HAVE TO STUDY.”

were still talking about them today. “I said I want to be like that. My name will be eternal. I’m going to live forever. My teachers loved it because I was not only the youngest in the class due to skipping a couple of grades, but I was also the smallest and the blondest. They believed that I could do it, so I always had an inner feeling that I really would.”

While searching for the right school in Canada proved to be complicated, she was able to find a fit at an academy where the master was from none other than the Sorbonne in Paris. After six months of being ignored, it only took one sentence to get her master’s attention. “In one class I said, ‘I am immortal,’ and that was that.” He proposed a difficult program for me to enroll in that is usually taught in universities in Europe.” It might have been a five-year program, but she completed it in four and a half – with honors, no less. “It was a fantastic ride. I learned a lot, and if I didn’t have those studies, I wouldn’t be where I am today.”

“I had to really go in-depth to learn all the rhetoric, all the language, on how did these great masters create art that we still talk about today? How did Leonardo da Vinci create the Mona Lisa? I went through the 5,000 years of art history and I still feel that I don’t know enough.” She did, however, learn enough about different schools of art, including the one she wanted to explore most. While she explained how classical art utilizes dark colors, the impressionists made it their mission to remove the rules of the classicists in order to

ensure that they wrote their own history. “The impressionists created a whole new movement, and they did it in three phases. I enjoy pointillism. I was so in love with it that I studied Georges Seurat and Maurice Sendak, and I knew that I would love to continue this language.” My master said, ‘Well, maybe three or four people worldwide will understand what you do.’” In true Semadar fashion, she decided to go ahead and give it a shot – or a brush stroke.

She continued to do what she does best to become the queen of her craft – study. She found herself learning everything about the Polychromy of Synthesis: the study of all the relations and interactions of colors. “You essentially write your painting in a thesis, but it’s a very complex study including two years of studying colors. I can’t explain myself why my colors are so clear. I was taught that your colors are only as clean as your soul, so if you have a clean soul, it shows up on your canvas. When I’m not happy, I cannot paint. I always like to demonstrate the most beautiful aspect of our existence and our planet.”

Her first exhibition, entitled “Semadar Post-Symbolism,” was her way of demonstrating the first five books of the Torah. Her goal was to combine symbolism and intellectual ideas, as well as an approach that would aesthetically resemble post-impressionism. A rabbi even made sure to get her works archived so that students in universities can study them. That was a steppingstone to the creation of Neo-Poin-

“I WANT PEOPLE, YEARS FROM NOW, TO BE ABLE TO LOOK AT MY ARTWORK AND UNDERSTAND WHAT WAS HAPPENING AT THE TIME.”

tillism. “At the very first exhibit in New York, my first critic said that I had upped the chromatics in a style that my predecessor is talking about – something the other impressionists did not do. So that is the difference. I still have this great passion, so I don’t know what else I’m going to do. Still, rather than pressure, I simply have this feeling that I have to create and move forward.”

Her mission is, and has always been, for people to understand and appreciate art – no shock factors needed. “I know maybe a lot of people will not like my mission because not everybody likes to think of art as a rhetoric, but you write a painting the same way you write a story or a letter, and in order to do that you have to study. I’m not a fan of people that just throw paint on the canvas and say, ‘Look how great I am,’ or do shocking things to get attention.” It’s safe to say that she wasn’t a fan of the banana-on-the-wall stunt at Art Basel circa 2019. Rather than fame, it’s about achieving her ultimate goal, which she’s been obsessed with since she was a young teenager: immortality. She would much prefer her art also be contemplated many years from now. “I want people, years from now, to be able to look at my artwork and understand what was happening at the time.”

It’s no wonder that the last person to really impress her was Andy Warhol. And if you don’t know how to speak about your work or have knowledge of your craft, don’t expect her to take you seriously.

She just wants to bring traditions back, to the time when artists were the ones educating the public. She even had to learn new languages, including revising her native tongue of Italian, to truly grasp all of the materials she consumed. She is also passionate about inspiring others who want to learn art without a prohibitive price tag by offering affordable

masterclasses in an attempt to educate those who write to her on a daily basis, asking how she achieves such clean colors, etc.

Other works of hers have since also been published and studied, proof that she is already being immortalized – and perhaps even more important to her, she is hoping that more people will follow in her mission. While one major piece she had done on commission wound up being stolen before it was successfully located, she laughs it off as a sign that she must be doing something right. Something else that plagues the art world is scams, but as Semadar confirms, not even she can reproduce her works. Perhaps it’s because of everything that goes into every single original piece. It can, after all, take her 50,000 or 60,000 brush strokes until she completes one piece. She might make a small sketch and analyze her ideas in her head before hitting the canvas, but she usually continues to get inspired during the process.

The fact she has made it in the art world is even more impressive when taken into consideration that she is the only woman artist mentioned in an art encyclopedia. “It was my REAL moment. I made it!” The publication of the encyclopedia was in honor of her “Leonardo da Vinci Honorary Award in 2018” with more than 15 pages, and it was the very first time that a woman remained in Art History for creating a new style or movement.

She is also excited for her upcoming exhibition at Carlton Fine Arts on Madison Avenue in New York City, where she is the only female painter to be featured in the famed gallery since they opened in 1969. She hopes she is going to change that. P

santinasemadarpanetta.com

Natural Vibrancy

In a world of constant noise – scrolling feeds, relentless headlines, and algorithmic distraction – Adriane Stark’s work commands attention with breathtaking clarity. Her photography doesn’t just capture moments; it seizes them, energizes them, and invites you into a vibrant conversation with the natural world.

Celebrated for her dynamic botanical images and striking architectural compositions, Stark has developed a visual language that pulses with life and vitality. Her signature style – bold, sculptural, and captivating – offers an invigorating counterpoint to mundane existence. “I’m not creating passive images,” she says. “I’m revealing the natural vibrancy that runs through everything around us.”

Stark divides her time between the Hamptons, NYC and South Florida, drawing creative energy from each locale. Her profound connection with nature fuels both her artistic vision and personal passion. “I capture the raw power of what I see,” she explains. “Not as something static, but as something vibrantly alive. There’s an irresistible dynamism to nature – its shape, its light, its rhythm – and I amplify that energy through my lens.”

Garden as an Escape

A graduate of Parsons and a former Art Director with an illustrious editorial background, Stark’s evolution to fine art photography represents an exciting creative expansion. She collaborated with industry titans – The Museum of Modern Art, Random House, Viacom, and The New York Times –earning prestigious accolades from The Art Directors Club, AIGA, and the James Beard Foundation. Eventually, the digital world’s limitations became apparent. “The screen couldn’t contain what I needed to express,” she says. “I discovered that nothing rivals the dynamic complexity of Mother Nature.”

Artist ADRIANE STARK

The energy of nature

BY JEREMY MURPHY

This breakthrough occurred during the pandemic while at her Hamptons residence. Like many, Stark initially planned to master new software and skills during lockdown, but instead found herself drawn to the outdoors. “I stepped into my garden seeking escape,” she recalls. “The energy, the movement, the vitality – it was pulsing all around me.”

Her portfolio, featuring both dramatic monochromatic works and richly textured color pieces, honors traditional photographic techniques while feeling thoroughly contemporary and dynamic. “They’re not simply black and white,” she explains. “They’re four-color black and whites – a technical approach that allows me to create extraordinary depth and dimension, not just contrast.”

Authentically Alive

Each image bursts with intention and energy –almost vibrational. Her celebrated floral series, especially the white flower studies, draws inspiration from groundbreaking landscape designers like Vita Sackville-West and Russell Page, who championed immersive engagement with nature. “Page taught the importance of walking your garden every day, and that’s exactly what I do,” Stark reveals. “I’m inspired by observing the daily transformations. It’s like a story that unfolds day by day – each morning brings new characters, new drama, new revelations.”

This powerful approach to capturing nature’s vibrant moments has brought her work to prestigious institutions including the Cooper Hewitt, the Smithsonian, and recently, the Palm Beach Photographic

Center. Despite these achievements, Stark remains focused on her core mission: igniting connections – not just between viewer and image, but between people and the revitalizing natural world.

“We weren’t designed for a passive screen existence,” she asserts. “We were made to engage, to breathe deeply, to immerse ourselves outdoors. Reconnecting with nature feeds our minds, bodies, and souls, enhancing our quality of life in profound ways. The clean air, the soothing sound of ocean waves, the abundant beauty in gardens and landscapes – all of these connect us to something essential, offering serenity and peace in our hurried lives. My work aims to spark that realization – to inspire people to cultivate their own gardens, regardless of size, to feel the exhilarating curve of a leaf, to experience something authentically alive.”

Inspired by the Greats:

O’Keeffe & Avedon

She draws inspiration from visionary icons like Richard Avedon and Georgia O’Keeffe, particularly admiring O’Keeffe’s transformative perspective on Southwestern landscapes and Avedon’s bold decision to transition from

“I TRY TO GET AS CLOSE TO MY SUBJECT AS I CAN TO REVEAL ITS INHERENT BEAUTY AND DYNAMIC CHARACTERISTICS.”

fashion to photographing everyday Americans. “O’Keeffe wanted her friends to see and be moved by the natural landscape as she saw it,” Stark reflects. “And Avedon didn’t just document people – he elevated them to reveal their power and essence. That’s my approach with nature – I expose the dynamic energy surrounding us that most people overlook.”

Echoing the philosophy of legendary photographer Robert Capa, who famously said, “If your pictures aren’t good enough, you’re not close enough,” Stark explains: “I try to get as close to my subject as I can to reveal its inherent beauty and dynamic characteristics. That intimacy creates power.”

Stark personally prints most of her work, often manipulating tones and textures to create pieces with distinctive, almost tactile qualities. “Like fingerprints,” she says. “Each one pulses with its own unique energy.”

Her ultimate goal isn’t technical perfection – it’s igniting engagement. “When someone experiences my work and thinks, ‘I need to bring that natural energy into my life,’ then I’ve succeeded.”

Because ultimately, Stark’s images aren’t just about flowers or architecture or landscapes. They’re about the vibrant life force that enriches our world. The resonant pulse between moments. The dynamic reminder that the world doesn’t just exist – it thrives, it flourishes, it dazzles – if we’re bold enough to engage with it. P

adrianestarkstudio.com

“Selective Memory”

New York native Nevil Dwek returned to his roots in the Spring of 2025 with Selective Memory, a solo exhibition at Kate Oh Gallery at 31 East 72nd Street. This marked Dwek’s first solo show and showcased his multidisciplinary approach to art, blending photography, writing, and experimental materials to explore the elusive nature of memory and presence.

“The work started with my background in filmmaking,” Dwek said. “When I reflected on things, it was always visual – and often through the act of looking out a window. That view tended to pull me back to something deeply nostalgic.”

From Film to Fine Art

A graduate of NYU’s Tisch School of the Arts, Dwek spent years honing his eye in film and photography, working with high-profile clients like Peter Marino, Chanel, and Ralph Lauren. Yet it was the emotional resonance of memory – often sparked by a fleeting glimpse through a window – that ultimately drew him deeper into fine art. “I loved the idea of capturing a still,” he explained. “But I didn’t want it to be just a regular photograph hanging on the wall. I wanted something that felt more like what a film does… like the feeling of looking out a window from a moving car, when everything is passing by.”

To create that layered, immersive effect, Dwek experimented with glass, mirrors, aluminum, and plexiglass, among other materials. “It took me a few years to make it work so it wouldn’t fall or break,” he said with a laugh. “My framers thought I was crazy. I didn’t want a traditional frame – I wanted it to feel like a real window.”

The Nature of Recollection

In Selective Memory, Dwek drew from his personal photography archive, constructing dimensional works that combined photography, writing, hand-cut films, and alcohol inks to evoke the shifting, dreamlike nature of recollection. “What we remember depends on where we are now,” he said. “It changes. It depends on your emotional state. And sometimes when something’s going on in the present, by going back to a memory, things will just pop up and you don’t know why.”

Curating the exhibition, he said, was like editing a film. “The body of work had to have a thematic feeling to it,” Dwek explained. “Sometimes I’d put them all in front of me

and just stare at them, trying to see what worked and what didn’t. It was almost like scenes in a film – scene one, scene two.”

Kate Oh Gallery

The choice of venue also held personal significance. “I just walked by the gallery one day and went in and started talking to the gallerist,” he recalled. “It just came together naturally.” The location, 31 East 72nd St., across from Ralph Lauren, was especially meaningful. “It was in my neighborhood , where I grew up,” he said. “I’m a native New Yorker. Born at Lennox Hill Hospital, lived on 72nd and Third, and now on 74th. This was on 72nd Street. So it felt very personal.”

Dwek’s creative evolution from filmmaker

Nevil Dwek (COURTESY OF NEVIL DWEK)

Artist NEVIL DWEK

BY JEREMY MURPHY

to artist was more of a natural progression than a sharp turn. After directing his first feature film, “Undermine” starring Ellen Pompeo, in 2003, he began looking for new creative outlets. “I picked up my camera and just started shooting,” he said. “But I always had a side project – exploring ways to push the photograph further, to give it more of an edge or a different feel.”

Inspirations & Commissions : Peter Marino

His work eventually attracted attention from fashion and design heavyweights. A chance encounter led to a commission with architect Peter Marino. “My friend had my artworks on her table and he walked by, pointed to them, and said, ‘I love those,’” Dwek recalled.

He described his style as deeply layered and personal. “Even if it was just a flower, I’d often fragment it, blur some parts, isolate others. I tried to give it a personality,” he said. “There were always layers, always messages hidden in the image.”

Though inspired by some artists, Dwek drew his strongest influences from cinema. “My influences were more cinematic – more directors than visual artists,” he said. “I watched a lot of old films growing up, especially French cinema. It was very reflective, very introspective.”

Even as photography technology advanced, Dwek saw it as an opportunity rather than a threat. “When smartphones

and Instagram came along, it challenged me more,” he said. “That’s when I started using more materials – I knew I had to go beyond just the image.” He viewed AI the same way: “Rather than fight it, I used it.”

Ultimately, Dwek aimed to create work that resonated both emotionally and visually. “When you looked at one of my pieces, you could tell it was mine,” he said. “That’s what I admired in the artists I loved – you recognized their work immediately.” Selective Memory offered a glimpse into that layered, ever-shifting space where memory, emotion, and art met – a window, quite literally, into Dwek’s world. P

nevildwek.com

Together in One Figurative Room

Romanian artist Radu Oreian brought his latest body of work, That Magic Light, to 1969 Gallery in Tribeca, offering a new glimpse into the evolving landscape of his creative mind. The exhibition is both a continuation and a departure for Oreian, whose work has previously captivated audiences in London, Prague, Mumbai, and Rome.

“I’m going through a different phase in my work now,” Oreian explained. “I changed the

Oreian Radu

“That Magic Light” @ 1969 Gallery

BY JEREMY MURPHY

way I painted in the last several years, and now I want to put in more emotion – to have the works come from this energy and not really think with my critical mind but rather let this stream of consciousness take over.”

Oreian, who lives and works in Marseille, France, has built a career on his ability to weave together disparate strands of history, mythology, philosophy, and pop culture into layered, intricate compositions. “That’s the thing that we have to do as artists,” he said. “To put ourselves, our lives there, and also have some references about the world that we live in – art history – and to squeeze everything on one surface.”

That Magic Light presents paintings that oscillate between figuration and abstraction, filled with nods to Renaissance art, childhood memories, and contemporary culture. “There are elements from my childhood. There are visual references from art history, and they all fit together in one figurative room,” he explained.

Ephemeral Moments

The show marks a more emotional, intuitive direction for Oreian. “I want to create this alter ego, just to take the camera of one normal day of painting in my studio,” he said. “Sometimes the answer is much closer than you think. You don’t have to travel far away to talk about things that can be magical.”

The idea of “magic” isn’t simply metaphorical for Oreian. It’s rooted in the fleeting moments of daily life – the way light hits a table, the reflections in a glass. “Those reflections can be an instance of this magical light,” he said. “I want to capture these bouncing ephemeral moments.”

Visitors to the exhibition will be invited to step into these constructed worlds, which Oreian hopes will function almost like portals. “When you look at the collection of them, they do create an atmosphere,” he said. “Having these large sizes in the gallery, it’s inviting to step into these worlds. That was my intention, at least.”

Oreian’s artistic vocabulary draws heavily from his European background, with influ-

ences ranging from medieval frescoes to Roman mosaics. “My real passion is the medieval and early Renaissance,” he said. “But at the same time, I really like the postimpressionist movement. It’s extracting things that resonate with me from the last couple of thousand years.”

Growing up in Romania – ”a crossroads” of empires – also left a mark. “Romania is historically placed between these big empires: the Ottoman Empire, the Russian, the Eastern, and then the Western world,” he explained. “There is a special mix there of all those influences.”

After years spent living in Berlin and now Marseille, Oreian has absorbed a wide spectrum of artistic influences. “All this baggage is stored somewhere,” he said. “Painting for me is the place where I can just put it back into a different shape onto canvas.”

The process of preparing for That Magic Light has been both demanding and exhilarating. “It’s a little bit tight, but it’s also fulfilling,” Oreian said as he prepared the final pieces for shipment to New York. “Now every day I’m finishing one work. Let’s say, the last hundred meters.”

A Special Buzz

The anticipation of showing his work in New York City – Oreian describes it as giving him “a special buzz” – adds another layer of

“TALKING ABOUT ART CAN BE TRICKY.”

excitement. “Art is always about the process of creating, but it’s also about sharing with people,” he said. “To share this moment in which you stay one year in your studio and then you show these new paintings to the world.”

Oreian’s method for achieving the emotional resonance of his pieces is both deliberate and instinctive. “I kept asking myself this question: How do I do it? What do I paint about?” he said. “Sometimes the answer is really in front of you.”

Through ultra-fine brushwork, subtle references, and layers of symbolic imagery, Oreian constructs paintings that reward patient viewers. “It’s almost like you want to go into these studios,” he said. “To have a painting that is so inviting and – lashing? –details that you want to step into.”

Looking forward to the exhibition, Oreian is eager to experience the viewer’s journey. “Talking about art can be tricky sometimes,” he said with a laugh. “My best way of expressing myself is still painting, not words.”

For visitors to Quang Bao’s 1969 Gallery, That Magic Light offers a rare opportunity: a chance to follow an artist not just through history and culture, but through the intimate, flickering moments that define what it means to see, to feel, and, ultimately, to be. P

1969gallery.com

ANDREI KOZLOV

Destined To Be The Next Art World Phenomenon

BY GEORGE WAYNE

PHOTOS BY PATRICK MCMULLAN

The first time GW set eyes on Andrei Kozlov, he was in full-on alpha stud poseur mode, arms akimbo, a paintbrush in his left hand, iPods clogging both eardrums and staring with solemn, reflective focus at an incomplete canvas. So intent were his thoughts it took more than a quiet nudge, or even a shout from his friend, Emanuel Friedman, to get his attention. So, GW went rogue and stepped right in front of his canvas. And that is the first of many indelible memories of time spent getting to know “‘The Koz,” as GW has dubbed him. For this dude and his incredible story are like nothing ever imagined. Andrei Kozlov is undoubtedly one of the luckiest, most fascinating, and intriguing artistic talents this journeyman-cultural-arbiter has ever met. One of New York City’s newest creative changemakers, he is destined to become the talk of this town.

During that first meeting on an early spring afternoon in April, in the makeshift studio he’s finessed in the nether-reaches of Chelsea’s Eleventh Avenue and in every meeting since, I have been most in awe at how phenomenally resilient and focused this 28-year-old guy is. After all, isn’t this the same guy who spent 246 days as a captive of Hamas in the terrorist hotbed of central Gaza? A man who was tortured and starved, hog-tied and blindfolded and shuffled from safe house to safe house in the dead of night in one of the most brutal war zones in the world for months on end. And yet, here he is in the heart of the NYC art scene mere months since his daring and monumental rescue by Israeli Defense Force counterintelligence. Seven months afterward, here he is cosplaying next-generation Chelsea

artist preparing for his grand debut, instilled with the focus and gravitas to become a one-of-a-kind 21st-century force majeure. His is a past and a path already so riveting it has to become a Stephen Spielberg movie one day.

The day is October 7, 2023, a day the world now refers to as ‘’10/7’’. Andrei Kozlov is living in Tel Aviv, Israel, only 18 months after finishing his duty in the Russian Army and leaving his native St. Petersburg for a new life as a confident and ambitious creative in a

new homeland. In his eighth month as a naturalized Israel citizen, he gets a gig as a Security Guard at the two-day Supenova Outdoor Music Festival 70 or so miles from his home in Rishon Lezion (a suburb of Tel Aviv). On the second day of the music and merriment, just as the sun began to rise, Hamas staged its most audacious attack in Israeli territory. Hundreds were slaughtered at the Supernova Outdoor Music Fest on 10/7 of 2023. And for six or seven hours that day, as hipsters around him were being killed left and right in the terrorist rampage. For seven hours Andrei Kozlov stumbled away in

the heat, terrified. Then out of nowhere, a jeep pulled up as he walked, shirtless and in shock along the highway on the outskirts of a town called Reim. His joy and ecstasy at the prospect of rescue quickly turned into the most incredible agony when he realized he’d become a hostage. Hamas dragged him to war-torn Gaza.

For 246 days Andrei Kozlov was a hostage of Hamas terrorists, blindfolded and shuttled around in the dead of night from one Hamas hostage house to another in the heart of central Gaza. Then,

on June 6, 2024, in a remarkable counter-intelligence rescue operation, Andrei Kozlov and three other Israeli hostages were plucked from the heart of terrorist-ravaged Gaza to freedom. It was a hallmark IDF rescue operation, rivaling other daring and iconic ones such as ‘The Raid on Entebbe and Operation Thunderbolt in Uganda, in 1976, and the incredible Israeli counter-terrorist retaliation, Operation Wrath of God in the aftermath of 12 Israeli athletes being slaughtered at the 1972 Munich Olympics.

Almost a year from his release from Hamas captivity, The Koz is now establishing himself as a New York-based painter and finally fulfilling his dream as the next self-taught artist the art world intelligentsia will be buzzing about. Ahh, to be one of the very first to witness and study his self-taught mastery, transforming his trauma into poignant and harrowing paintings destined to awe and inspire generations to come. These “Kozmic Canvases” depict a sweeping

arc, from the moment of capture to the moment of rescue. There is a tantalizing and concurrent dialogue to the work which is incredibly seamless. And there is no denying that these early career paintings of Andrei Kozlov will belong in the hallowed galleries of some noteworthy museum one day. It is an astonishing debut to say the very least. The universe will respond to this work – of that there is little doubt.

‘’Geez, Louise! This work ought to be a future cover for The New Yorker!’’ GW gasped on first sight of a riveting depiction of a shirtless figure, arms pumping and rapt with joy at the thought of being rescued. The view is from the jeep, with the Hamas figure in the center of the vehicle wearing a menacing grimace as the third figure, another hostage, is forced to drive the vehicle at gunpoint with an expression of fear and alarm on his face. ‘’My eye wandered to this work the minute I walked into the room,’’ the arbiter exclaimed. ‘’This will be your seminal piece-de-resistance.’’ GW was mesmerized! ‘’That work

“WHEN HE WAS IN CAPTIVITY, HAMAS ALLOWED HIM A SKETCH BOOK AND A PENCIL. ALAS, IT WAS ALL LOST IN THE RAID TO RESCUE HIM.”

is titled ‘Highway to Hell’’ the Russianborn, 28-year-old Israeli calmly explained in his guttural attempt at being anglophone. ‘’It was the first big canvas I completed.’’ It is a visually stunning and breathtaking piece of work. His dominating color forms: his self-taught figurative approach conveys ‘’the moment when I first got in the jeep thinking I was being rescued. I was so happy and then I realized it was a terrorist with a machine gun poking my stomach. I had been running and hiding and being chased by this one Hamas terrorist. I was running for my life, having barbed wire rip my shirt to shreds, and then I came to this cliff and had no choice but to roll myself down the embankment. I guess the terrorist who was chasing me thought I was dead. So, he stopped following me. Then I saw the Jeep and thought I was being saved.’’ No, darlings – that was just the beginning of the journey through hell for Andrei Kozlov. And the astonishing iconography to this work – 12 canvases being created for his debut exhibition at Lux Contemporary – capture those life-altering, life-warping moments with searing, often fiery brushstrokes.

Everything blossoms from within, both the bad and the good. And

for GW, The Koz has become a constant source of intrigue and wonder. His genuinely good soul and gentle demeanor as the artist walked the writer through the oeuvre will remain the ultimate expression of inner vision and outer calm. It is mindboggling, and an incredible honor to be one of the first to set eyes on these paintings. Personal references are the constant refrain. But how could they not be? The horrible twist of fate, facing death at point-blank range, the ultimate quest and desire for survival, and then succeeding. And from the heart of war-torn Gaza, deciding to now seek and find artistic refuge in New York City. His will unquestionably be one of the most profound artistic paths to watch in the 21st-century world of contemporary art. As dark and foreboding as the narrative is, it seems clear that his personal and transcendental therapy throughout the trauma is also there on the canvas. Art historians will recall this as the most astonishing, tour-de-force debut for Andrei ‘’The Koz’’ Kozlov and the dawn of a profound new talent.

The facts: A boy born in St. Petersburg, Russia who studied advertising and marketing at the St. Petersburg Polytechnic Institute, was lucky enough to also serve his year in the Russian army in the years before the Putin regime declared war on Ukraine. He then decides to get out of dodge (Russia) and to make the most of his grandparents’

“I WAS RUNNING FOR MY LIFE, HAVING BARBED WIRE RIP MY SHIRT TO SHREDS, AND THEN I CAME TO THIS CLIFF AND HAD NO CHOICE BUT TO ROLL MYSELF DOWN THE EMBANKMENT. I GUESS THE TERRORIST WHO WAS CHASING ME THOUGHT I WAS DEAD.”

Jewish lineage to seek life in the promised land of Israel. He achieves the goal and in the eighth month of life as a naturalized citizen of Israel takes a job with the security personnel for a groovy music festival an hour outside Tel Aviv amidst the kibbutz life of southern Israel. ‘’The first day of the festival was incredible. It was the second day, around 7 a.m. when all hell broke loose.’’ Oy vey! But if there is a lucky star to be born under, his must be it. The fact that The Koz also shares the same birthday (September 14) as the new Pope Leo XIV of Vatican City suggests that his mandate may also be ordained. “Were you tortured by the terrorists?” he is asked on our third meeting as we sat in the studio at 11:15 p.m. one absorbing night, as GW sought to further unlock the code to Andrei Kozlov. “Did the Hamas prod your balls, your pink nut-sac with electric charged prods?” He is barely phased by the question. ‘’What do you mean by ‘’prod’’?

He asks with an expression of puzzlement. ‘’Did the terrorists put electric shock to your balls?’’ GW presses. And in his calm, unprovoked, direct yet guttural drone: ‘’No’’. He then goes into detail about

the torture he faced for 246 days. Neither waterboarding or shock jolts to the nuts were part of the oppressors’ repertoire in this instance. His strategy for survival, what that must have been like? ‘’Of all the hostages the terrorists hated me the most. I was tortured for hours on end by being forced to lay covered in thick, itchy wool blankets, in the middle of the hot, hot summer for hours. The last few weeks before the rescue were the hardest. I really began to believe this was going to be the end and I would never make it.’’ His parents, Mikha and Yevgenia, and his younger brother, Dima, are now all safely ensconced in Tel Aviv as their first-born forges an entire new chapter to his already fascinating 28 years of existence. Because, as the cliched Shakespearean refrain declares: ‘’Some are born great, some achieve greatness, and some have greatness thrust upon them.’’ (Twelfth Night). Andrei Kozlov seems to wrangle all three. The art whirl needs an overnight sensation, and GW has no

qualms about placing his imprimatur on this one destined to meet the moment.

Andrei’s art is a testament to the resilience of the human spirit in the face of unimaginable adversity. I watch another master at work as iconic photographer Patrick McMullan captures the very first images of the artist at work finessed for syndicated use for decades to come. It is an astonishing day on the set to say the very least. The paintings are powerful and evocative, and we want all fifteen from this first career works to be museum-worthy right now-right off the bat.

Three cheers for The Koz. P

luxcontemporary.com

Jason MCALISTER

TIMELESS CHARM OF A FASHION ICON

BY CHRISTINE MONTANTI

PHOTOS BY MAURIZO MONTANI

Jason McAlister’s 27-year journey from a modest upbringing in a small town in Georgia, to becoming the face of global modeling campaigns has been nothing short of extraordinary. Standing at 6 feet 2 inches, his striking blue eyes, undeniable charisma and innate ability to connect with the camera have garnered McAlister international success placing him at the top ranks of the modeling and commercial acting world. Over the years, McAlister has earned widespread respect and secured partnerships with some of the world’s most iconic brands, including American Express, Coca-Cola, HUGO BOSS, Wrangler, and Camel, in addition to appearing in high-profile commercials for Hard Rock Hotel & Casino, DANNON, and Shell. Currently, the Georgia native, who is residing in Miami has recently embarked on a new chapter in his life. Becoming a father for the first time and navigating the challenges brought on by the COVID-19 pandemic, the international model has rebranded himself with innovative projects that have recently taken him to cities across the U.S., as well as international destinations in Italy and Spain. Today, at age 51, McAlister is re-inventing his career on his own terms, proving to be not only a hot commodity but also remarkably resilient.

WWith a career spanning almost three decades, aging in the modeling industry has been an incomparable journey for McAlister. It has also required him to be extremely flexible. He began his career in his early 20s, which is often considered the ideal time to enter the business, as the industry tends to focus on youth and a fresh-faced appearance. Overtime, however, McAlister noticed that the business began to shift, especially, when a model approaches their 40s, the opportunities seemed to change. Some aspects of the industry become more competitive and the experience gained over the years can set models apart. McAlister felt that it was no longer just about appearance but rather professionalism and the ability to bring authenticity to the work. Fortunately for the Miami-based model, the industry seems to be appreciating diversity in age, with many brands recognizing that older models can bring a timeless appeal to their campaigns.

McAlister confesses. “It’s a strange time in life. I’m definitely going through some changes. I don’t necessarily feel old, but I do notice myself getting older. A lot of people in the industry know me, so I’m experimenting with evolving my look a bit. I’ve moved away from the beard, trimmed my

hair shorter, and now that it’s really silver, I am just going with it and seeing where it takes me.”

When the Georgia native began his career, he was signed early on by the prestigious agency Ford Models in New York, Miami and Chicago. McAlister has since been represented by Wilhelmina Miami for 25 years and State Model Management in New York & Los Angeles. His long-standing relationship with the top-ranking modeling agencies clearly demonstrates his staying power and the strong professional foundation he has built throughout the years. Currently, as part of his rebranding, McAlister has taken the initiative to contact international modeling agencies himself. Just Last year, he was directly booked by an Italian agency to walk in Fashion Week in Milan, something he hadn’t done in Italy since his thirties.

“It was amazing to be flown by an agency to Milan,” McAlister reveals. “Backstage, all the guys were like, ‘Hey, are you American?’ Where do you live?’ When I told them, ‘Miami, they were all surprised because most of the models walking in the show were European. I’m traveling all over the place lately. From flying around the Carib-

bean Islands being filmed in helicopters to doing shoots on super yachts, creating video and print content for some of the biggest designers in the world. Working in Milan with the Billionaire brand Designer Philipp Plein, was an incredible experience. It is currently one of the most desirable labels for distinguished gentleman.”

“A few years ago, Philipp Plein acquired the Billionaire label and reestablished it in Milan. Since then, the brand has booked more mature male models and has produced some incredible shows in both New York and Italy. Around the time of the pandemic, just before and after, I remember watching those shows and thinking, “How do I get involved with that?” The opportunity with Philipp Plein finally came to fruition last year. The clothes are some of the finest and most luxurious I’ve ever worn. Fashion Week in Italy was an incredible experience and it has always been special to me. It is not just the fashion in Italy, it is the way they treat you, their hospitality, the food; they make you feel like family.”

McAlister is no stranger to traveling around the globe and frequently models in international campaigns. Having worked in 47 countries and more than 450 cities, McAlister describes his favorite travel moments. “Greece was unforgettable. The lifestyle, was similar to living a dream. Just the experience… the culture, the food and architecture, it was surreal.” One of McAlister’s most cherished projects was a global commercial for Hard Rock Hotel & Casino, where he filmed over two and a half months in multiple countries. “It was an adventure,” he explains, “like being part of an international film crew hopping from island to island.”

“I AM JUST TRYING TO EMBRACE THE NATURAL

PROCESS OF AGING

AND SHOW THAT THERE IS BEAUTY AND STRENGTH AT EVERY STAGE OF LIFE.”

Recently, McAlister did a campaign for a European-designed eyewear company and his photos will be featured in over 4,000 stores. The company is an international corporation based in Milan, Italy, that designs, distributes, and retails eyewear. It is the world’s largest eyewear company and known for owning iconic brands like Ray-Ban.

Although modeling has brought McAlister international recognition, he remains extremely humble and grounded from his Southern roots despite the glamour of the fashion capitals where he works. He just flew into New York to participate in a major campaign for a brand called DEVIL-DOG Dungarees. “Although I hadn’t heard of them before, the company has been around since 1940. The brand specializes in high-fashion military-inspired clothing, offering premium jeans and military-style pants with an elevated design. The label also partners with the Wounded Warrior Project, which makes the collaboration even more meaningful for me.”

Today, McAlister divides his time between Miami, New York, Las Vegas, Los Angeles and Europe working with prestigious agencies including Wilhelmina and dozens of others worldwide. While modeling continues to remain a significant part of his life, what he finds most rewarding at the moment is raising his 2 year-old son Mac, with whom he is enamored. However, McAlister will always be passionate about the continuation of his modeling career. He remains committed to do what he loves and will be forever the small-town boy who dared to dream big. One final sentiment from McAlister: “To stay relevant in the modeling industry, it’s about growing with the times and adjusting your look, whether your changing clothing, hair styles or fashion trends. I am just trying to embrace the natural process of aging and show that there is beauty and strength at every stage of life.” P

jason-mcalister.com

You can’t change a dog’s past, but you can rewrite their future. That’s Andrea Stark’s philosophy – not just for her two rescue dogs, but for animals everywhere. A lifelong advocate, Stark has dedicated herself to saving and aiding countless dogs. Her journey from pediatrics to animal rescue, alongside the life-changing work of Tri County Animal Rescue, has made an indelible impact on the fight against animal cruelty.

Tails of Triumph

Before immersing herself in animal rescue, Stark spent nine years working in pediatrics at Roosevelt St. Luke’s Hospital in New York City. “The same love and advocacy I had for children who couldn’t speak for themselves, I transferred to saving animals who also do not have a voice,” she says. Her growing awareness of how many pets are discarded, left to fend for themselves –or worse – compelled her to take action.

Located at 21287 Boca Rio Rd, Boca Raton, FL 33433, Tri County Animal Rescue founded by Suzi Goldsmith, has saved over 89,000 dogs since 1996 – many just moments from euthanasia. The organization collaborates with Big Dog Ranch Rescue and Peggy Adams Animal Rescue League to save dogs from dire situations, including hoarding cases, abandonment, and even the Texas border crisis. Most recently, they rescued 70 dogs from the LA wildfires. Thanks to generous donations, such as the Lois Pope Medical Center’s funding of a state-of-the-art imaging center for dogs and cats, Tri County continues to expand its life-saving efforts.

One of Stark’s biggest battles is shutting down puppy mills. “People don’t realize how horrific these places are,” she explains. “Dogs live in cages without any human love or attention.” She and her husband, John Stark, frequently sponsor transports to relocate at-risk animals to safety, ensuring that no pet is left behind. Goldsmith and Stark both

ANDREA STARK

Establishing the National Animal Abuser

Registry

BY LYDIA GRAVES

“THE SAME LOVE AND ADVOCACY I HAD FOR CHILDREN WHO COULDN’T SPEAK FOR THEMSELVES”

work tirelessly to shut these operations down and give animals the life they deserve.

The fight extends beyond rescue efforts. Many shelters still euthanize adoptable pets, and Stark refuses to accept this as the status quo. She and her husband established the “Andrea and John Stark Free Veterinary Fund for Those in Need” at Tri County Animal Rescue, providing veterinary care, a year’s worth of food, and essential supplies to struggling pet owners. “If money is the only thing standing between a pet staying in a home or ending up in a kill shelter, we’ll cover it.”

Barking up the Right Tree

Stark has drawn inspiration from the Kris Kelly Foundation (@kriskellyfoundation), an organization that leverages social media to expose animal abusers through surveillance footage. Many of these videos lead to arrests, proving the power of public awareness.

Determined to create lasting change, Stark, Goldsmith, and Lauree Simmons of Big Dog Ranch are pushing for a statewide Animal Abuse Registry in Florida. Modeled after the Sex Offender Registry, this legislation would publicly list convicted animal abusers, barring them from ever owning pets again. The registry would include photos, fingerprints,

Andrea & John Stark (PHOTO PMC)

and physical descriptions of offenders, allowing shelters, breeders, and pet stores to prevent them from acquiring animals.

Several states, including Texas, Massachusetts, Arizona, Kentucky, and Washington, have already enacted stricter laws against animal abusers. Inspired by this progress, Delegate Steele (R-42) recently introduced HB 4655 in West Virginia to establish a formal registry, setting a precedent for Florida to follow.

Crucially, Florida’s proposed registry would not cost taxpayers but would be managed by the Animal Cruelty Task Force. However, despite relentless advocacy, Stark and her colleagues have yet to see a significant response from lawmakers.

“The goal is to make this a national law, but we need Florida on board first,” Stark urges in a letter to state senators and congressmen. “National registries exist to protect children from sex offenders and abusers – we must do

the same for our animals. Our pets are our children.”

The urgency of Stark’s mission is clear. “A dog was thrown over the Tri County fence in the dead of night, completely neglected. We caught it on security cameras and were able to save it – but how many others aren’t so lucky?”

Stark isn’t just asking for change – she’s demanding it. “We need to make a difference. My hope for the future is that anyone who abuses an animal – whether it’s a horse, whether it’s a dog, whether it’s a cat – gets cited.” These abusers don’t stop. They move, they adopt again, and they do it all over. A registry would stop them in their tracks.

Howl to Action

Beyond rescuing animals, Tri County prioritizes education. “Susie doesn’t just hand out pets – she carefully vets every adoption to make sure these animals go to loving, responsible homes.” Unlike corporate-run shelters, Tri County offers a personal touch. “The moment you walk through the door, you’re part of the family,” Stark says. “Susie welcomes you. And when we get new puppies, they’re in her office or private rooms.”

Stark’s message is simple but urgent: “Adopt, don’t shop. Rescue does not mean they’re damaged – it means they’ve been let down by humans.” She also stresses the importance of seeking help before surrendering a pet to a kill shelter: “Just research the no-kill shelters. If you need help, it’s out there – reach out.”

Still, she knows rescue alone won’t solve the problem. “We have to pass this registry. If you’re outraged by animal cruelty, do something. Make the calls. Spread the word. Because if we don’t stop them, no one will.”

Andrea Stark and the Tri County team aren’t just rescuing dogs – they’re fighting for a future where no animal suffers. “Give the voiceless a voice,” she urges. P

tricountyanimalrescue.com

Sarah Hoover

“The

Motherload”

BY JEREMY MURPHY

When Sarah Hoover wrote The Motherload, she wasn’t trying to be brave. She was trying to survive. What began as private journaling during a long battle with postpartum depression evolved into a searingly honest memoir, one that has resonated with readers and earned praise from Oprah Daily, who called it a “long overdue reality check.”

“After the birth of my son, who’s seven years old now, I suffered a very long postpartum depression,” Hoover recalled. “I remember feeling so lonely and isolated, and I tried to find a book or an article online or anything I could that would make me feel like I wasn’t the first person to have this experience. And I couldn’t really find anything that spoke to me.”

Ballerina, Gallerist & Writer

A respected figure in the art world, Hoover pivoted to writing during the pandemic, drawing from years of journal entries. “I started trying to turn it into an essay, and before I knew it, I had a hundred thousand words,” she said. What followed was a raw, unfiltered account of a struggle many women experience but few publicly discuss.

“I made the decision when I sold my book that I was really going to commit to a certain level of honesty,” Hoover said. “Whenever I said the unsayable thing, the lighter I felt, the happier I felt, the more connected to other people I felt.”

Born in Indiana and educated at Columbia and NYU, Hoover built her career at the intersection of art and culture, working for prestigious galleries and co-founding ABT’s Accelerator Committee to support female choreographic initiatives. Her deep ties to

ballet stem from her early training under legendary Russian ballerina Irina Kolpakova, whose impact still shapes Hoover’s devotion to the dance world today.

“Ballet taught me about classical music. It taught me about my body. It taught me about this beautiful art form, which I consider to be the pinnacle of human expression,” Hoover explained. “There’s a barrier to entry to ballet in many ways, and it’s expensive for most people, but it was invaluable to me.”

That commitment is part of why she is being honored at the Youth America Grand Prix (YAGP) Gala on April 29. “YAGP is this massive scholarship program. Something like 70% of ABT dancers went through YAGP,” she noted. Her involvement highlights a lifelong belief that supporting young artists is essential to keeping the art form alive.

Confronting Expectations

Writing The Motherload forced Hoover to confront not only the expectations society places on women but also the ones she placed on herself. “I spent the vast majority of my life trying to be as polite and as good and wellbehaved as possible,” she admitted. “And yet I found myself broken and wanting to die.”

What makes Hoover’s voice distinct is her fearless critique of cultural narratives. “There’s huge societal pressure for women to fit into a very narrow definition of what it means to be a good girl,” she said. “If this isn’t the way it turns out for you, you’re a bad woman. It’s heartbreaking.”

Hoover’s willingness to voice the messy realities of motherhood, identity, and mental health has struck a powerful chord. “I’ve had

women in their seventies come up to me at some of my book events and say, ‘After reading your book, I realized that I’ve had postpartum depression since I had my kids 50 years ago,’” she shared.

Creative Fufillment

Her background in art history, she says, shaped the critical lens through which she views the world. “Art history teaches you criticality and questioning systems and power structures,” Hoover explained. “For the first time, I took that knowledge outside of an academic context and tried to apply it to the real world.”

The transition from the art world to memoir writing wasn’t seamless. “I’d never written a memoir. I’d never taken a creative writing class at a college level,” she said. Yet

“The Motherload” by Sarah Hoover

writing unlocked something deeply fulfilling. “I felt like a part of my brain lit up and I didn’t feel like doing anything else. This is the happiest I’ve ever been.”

Though Hoover grapples with “massive imposter syndrome,” she finds peace in her work. “I’ve never felt more like myself and my

true self than when I’m sitting in bed with no pants on writing,” she joked.

As she looks ahead, Hoover plans to write fiction next. “The bug has bitten me now,” she said. Her goal is simple: “Meet interesting, smart people who are passionate and work with them.”

At her core, Sarah Hoover remains an advocate – for women, for artists, for honesty. And whether through dance, writing, or activism, her message is clear: the most radical thing you can do is tell the truth. P

sarahhoover.com

Sarah Hoover (PHOTO BEOWULF SHEEHAN)

JIMMY FALLON

Late Night, Laughter & Literature

BY CHRISTINE MONTANTI

The entertainment industry is home to countless talented performers, but few have achieved the level of success attained by comedian, actor, writer and television host, Jimmy Fallon, of NBC’s The Tonight Show. Beyond building an extremely successful brand, Fallon has become one of the most influential and beloved figures in modern-day entertainment. In addition to his acclaimed television career, he is also a distinguished New York Times best-selling author of children’s books, including his latest release, PAPA Doesn’t Do Anything!

The idolized comedian, known for his hilarious skits as a cast member on Saturday Night Live went on to star in several films before transitioning to host of Late Night with Jimmy Fallon. His success on that show led him to become the host of The Tonight Show Starring Jimmy Fallon. As a result of his magnetism, high-energy and humorous creative segments Fallon revitalized the iconic program, winning multiple Emmy Awards.

Aside from Fallon’s exceptional career on television, he has also proven to be an accredited author of best-selling children’s books. His storytelling is both spirited, and thoughtprovoking, as evidenced in his books such as Your Baby’s First Word Will Be DADA and Everything Is MAMA, which have resonated with families everywhere. His latest

release, PAPA Doesn’t Do Anything!, continues this tradition, offering readers a humorous and endearing take on the multi-layered nature of fathers and grandfathers.

With Father’s Day fast approaching, Fallon recently shared with TalkShopLive host Kathy Buccio a heartwarming conversation about his latest book. During the livestream,

Fallon reflected on intimate moments from his journey as a dad, the wisdom passed down from his grandfather, and how these experiences helped shape this new book. Illustrated by Miguel Ordóñez, PAPA Doesn’t Do Anything!, is part of Fallon’s familythemed series, which includes titles like Your Baby’s First Word Will Be DADA, Everything Is MAMA, This Is BABY, and NANA Loves You

More; each book highlights different family roles.

Fallon began the conversation on TalkShopLive by discussing the book’s inspiration and his creative process. He reveals, “It pays off because it actually is, “Papa DOES do things.” “It’s really about something you can get for Father’s Day for your father or a new dad or grandpa. Grandpas don’t have books out there. There’s nothing to get a grandpa. So, this is something you can get for a grandpa and say thanks.”

Unlike some quick-turnaround celebrity projects, the New York Times best-selling author emphasized the effort behind his work: “It actually takes a long time to write these things. I would say this probably took a year to get made, to really focus and write. It’s not AI, it’s me rhyming all these words.”

The Brooklyn-born television host, des-

“MY GRANDPARENTS LIVED IN OUR BACKYARD. THEY KIND OF HELPED RAISE ME TO BE HONEST. I WOULD SPEND A LOT OF TIME WITH MY GRANDPARENTS.”

tined for stardom, was raised in a town in upstate New York called Saugerties, located on the west bank of the Hudson River. During the live stream, Fallon spoke with great compassion while reflecting on his own childhood and the influence of his grandparents. “My grandparents lived in our backyard. They kind of helped raise me to be honest. I would spend a lot of time with my grandparents. My grandfather always said, “Never forget where you came from.” So, I shout out to Saugerties, New York, which is where I’m from. I love my hometown. I love my childhood. It was great.”

One particularly touching moment came when Fallon remembered how much his grandfather supported his comedy dreams. “My grandpa loved me, and he got to see me do standup comedy and drove me to gigs. He used to watch me get on Saturday Night Live. I was very lucky to have a grandpa. And my kids are lucky to have my dad.”

The late-night talk show host is married to Nancy Juvonen, whom he first met on the set of Saturday Night Live and the couple now have two children together. As a devoted father, Fallon spoke adoringly about his two daughters, Winnie, 11 and Franny, 10. He specifically recalled how Franny, who shares his quick-wit, once pulled an April Fools prank by smashing a plate of whip cream in his face after he came home from work. “My kids are super funny. Every single day is a new thing, Again, no spoilers for anyone who just has a newborn. It’s just such a great ride. I love it. It’s the greatest. Every single day there’s something new and something different.”

PAPA Doesn’t Do Anything! adds to the best-selling author’s growing list of accomplishments, further proving Jimmy Fallon is one of the most versatile entertainers today! As for what’s next for Fallon, stay tuned!

TalkShopLive Link the stream. P

Ed Smyth

Aclever wit. An Irish twinkle in his eye. A wry smile camouflaging a deep wisdom. A passion for history, 18 holes and King Kullen cookies. Ed Smyth is a complex man. A passionate man. The driving forces? They are as unique as he is.

Long before he ever stepped into Town Hall, Ed Smyth’s story had been unfolding along the tree–lined streets and waterfronts of Huntington. Raised by immigrant parents, Dad from Ireland, and Mom from Scotland, they believed deeply in the promise of America. Thanks to his parents’ guidance, Ed learned early on that community wasn’t just a place you lived – it was a responsibility. It was family, heritage, sacrifice, and opportunity all rolled into one.

After serving as a U.S. Marine Staff Sergeant (Reserve) and graduating from New York Law School, Ed returned not just to Huntington, but to Main Street itself. There, he established his legal practice in the very same neighborhood where his father had built his own business – passing the torch from one generation to the next and anchoring his story firmly in the soil of a town he never truly left.

The other big draw to returning home to Huntington? The girl! Year’s prior to his military service and law school, Ed met Coriander Lish as high schoolers in Huntington. This pretty, petite, alluring young woman, with a smile that could tame a wild soul, completely captivated Ed Smyth. Upon his return from law school, he reconnected with and married Coriander, the love of his life.

The Real Story

BY CHRISTINE A. GEED

PHOTO BY OREN SIDDO

To look at them, you would say they were a match made in heaven. But to know them, you see they are two well defined individuals that live and love with openness and respect. Ed, a devout republican, Coriander, a committed democrat, would typically be a relationship headed for a cliff. But, when conversation is honest, interesting, and respectful, these opposites attract. They are a couple for the ages, marking time with a shared sense of authenticity and integrity. With Coriander by his side, Ed Smyth would continue down life’s path of service and responsibility as they soon became parents of four children, 2 sons and 2 daughters; Harlan, Eddie, Jr., Lily,

and Sarah. “Coriander is the love of my life, my family is my pride and joy”, said Ed Smyth. “I could not ask for a better, stronger support system”.

To understand Ed is to understand how deeply he reveres family, hard work, and history. All three topics will have him regaling on the latest anecdote, interaction or cover to cover read. But more than collecting stories of the past, he draws from them. They guide his decisions, shape his priorities, and inspire the legacy he’s trying to build: one where future generations don’t just remember acts or deeds, but the places where they all began. Ed’s vision was to not just remember Huntington as it was, but marvel at what it has become and where it could go.

Ed Smyth’s nod to redevelopment is not rooted in change for change’s sake, but in

thoughtful restoration. His philosophy is grounded in balance – preserving the charm of Huntington’s past while building for a smarter, more sustainable future. It was his commitment to that ideology that led Ed to step up and take a stand – rip a page from his father’s legacy and run for public office. In 2017, Ed ran for and won a Council seat on the Huntington Town Board. Then in 2021, he ran for and won the Town Supervisor’s seat. His mission, curtail overdevelopment, keep a tight rein on Town finances, and improve the quality of government and services.

Ed Smyth has long appreciated Huntington’s strengths – thriving downtowns, beautiful open spaces, and a passionate, dedicated constituency. He has also recognized the weaknesses – neglected industrial properties, crumbling infrastructure, and a lack of new initiatives to help drive the Town’s economy. As Supervisor, Ed led the charge to transform a portion of Melville, Long Island’s crumbling industrial area, into a walkable downtown, with green space, vibrant local business prospects, and the sense of possibility that turns a struggling office park into a community gathering place.

Seeing Huntington as the cultural and economic epicenter of Long Island, Ed Smyth knew there was always potential

brimming from the beautiful community he called home. And if he saw it, he knew that others would see it as well. In 2022, Smyth welcomed a new department to Town Government responsible for bringing Hollywood to Huntington – opening the town’s doors to movies, films, television, and streaming. In just two short years, dozens of movies, and streaming services have flocked to the Town with lights, cameras, and action. Top draw Hollywood was seeing what Ed Smyth saw in his beloved town – even the likes of Steven Spielberg.

Yet it’s not just programs and policy that drive him. It’s personal. He remembers the early days – opening a law office, raising four young children with Coriander, scraping together the grit it takes to grow roots and build something lasting. That empathy fuels his work today, whether it’s championing local businesses through the aftermath of the pandemic to creating new opportunities to improve Town infrastructure, Ed Smyth is a passionate man.

Even now, with decades of experience under his belt, you’ll still catch him on Main Street, chatting with neighbors, often listening more than he speaks, and walking with the same grounded humility that’s defined his life. Whether it’s discussing the budget or the best cookies in town, Ed brings a clarity

“CORIANDER IS THE LOVE OF MY LIFE, MY FAMILY IS MY  PRIDE AND JOY. I COULD NOT ASK FOR A BETTER, STRONGER SUPPORT SYSTEM.”

and steadiness to every conversation – drawing from the many aspects that make him who he is – the Marine, family man, lawyer, hometown son, and dedicated leader.

As a solid leader, he never asked others to do what he wouldn’t do himself. So, he sought workforce leadership that had the

same work ethic as he does. Ensuring that taxpayers were getting their money’s worth every day, with the services to match.

His pride in Huntington is matched only by his pride in the people who make it home. That’s why he’s been relentless in his support of Huntington’s municipal workforce, setting

a high bar for accountability and performance that mirrors his own standards. From trash collection to beach preservation, Ed understands the invisible backbone of a thriving town is its people; he makes sure their work is seen, valued, and empowered. Huntington Town has a tight, streamlined staff. Ed’s philosophy, “Government has to be

“IF RESIDENTS MUST TIGHTEN THEIR BELTS, THEN SO DO WE. TOWN EMPLOYEES HAVE STEPPED UP.”

more frugal, because our taxpayers have to be. If residents must tighten their belts, then so do we. Town employees have stepped up. They give more with less, without visible impact to our residents. I am very proud of that – I am very proud of them”.

Under his leadership, the town has thrived: fiscally sound, culturally enriched, and positioned for future growth. Initiatives like the Made in Huntington Film & TV Festival and the Huntington Summer Carnival have infused the town with creativity and community spirit, ensuring that residents can enjoy both economic opportunity and the simple joy of togetherness.

Ed’s goal is to ensure that Huntington continues to be a place that offers opportunity: opportunity to grow a business, raise a family, explore the beauty in which residents live and indulge in all the passions they hold – even if their passions lie more in culture than golfing. By committing to keeping residents’ Town property taxes that are within its control to only 7% of the overall bill, he is ensuring that those opportunities exist for generations to come.

A complex man with a complex perspective, Ed leads with care and compassion, purpose, and direction. He leads with a nod to his past and an eye to the future. Through Ed’s meaningful changes, those he has made and the ones to follow, he ensures residents get to enjoy the same luxury of earning, living, and raising a family in Huntington – just as he has.

A commitment to service, family, and integrity. That’s a job well done. That’s the real Ed Smyth. P

huntingtonny.gov

BLING IT ON

BY W.A. MULLER

The producers of the popular Hamptons Fine Art Fair are adding a second Memorable show this summer., 2 weeks later, on July 24-27., 2025.

Introducing the Hamptons Jewelry show, at the Southampton fairgrounds.

It brings together, for the time, the “best of the best” in each jewelry category- respected contemporary designers, goldsmiths, esteemed estate dealers, famous international brands and luxury timepieces for both sexes. In total, an amazing $400 million in fine Jewelry will be offered for sale, by 80 elite dealers, who are coming from all the corners of the world to meet the Hamptons fashionados. Expect tight security.

Industry insiders are already calling this one of “highest caliber direct to the public” shows in the nation. Eye catching pieces range in price from an accessible $200 to $3.5 million, so there are treasure for every budget.

The 2025 Hamptons Jewelry Show will offer the largest collection of fine jewelry and watches ever present on the east end.., all for

immediate acquisition. This fashionable, innovative and eagerly- awaited direct to consumer jewelry extravaganza is met with much enthusiasm by locals. By connecting directly with the jewelry makers, this innovative fair eliminates the wholesalers, middleman and retailers, and offers guests an opportunity for substantial savings. The Hamptons Jewelry Show is the region’s most attendee- beneficial and disruptive show of the year. P

hamptonsjewelryshow.com

Berlet Anthony Dr.

Brings His Artistic Eye – and a

BY JULIE SAGOSKIN

PHOTOS BY MARK ELZEY

After more than three decades in practice, Dr. Anthony Berlet is ushering in a new era of aesthetic refinement –this time in the heart of New York City. With the opening of his striking new Fifth Avenue office directly across from the Metropolitan Museum of Art, Dr. Berlet is expanding his reach and reaffirming his commitment to subtle, sophisticated beauty.

Known for his ability to turn faces into art, Dr. Berlet believes plastic surgery is at its best when it’s virtually undetectable. “I never want anybody to look surgical,” he says. “Nobody should know anything except that they look too good.”

His work focuses heavily on facial surgeries –particularly rhinoplasty, facelifts, and eye procedures. “A rhinoplasty can really bring a wallflower out to blossom,” he notes. “It helps you notice other features – beautiful eyes, an expressive mouth. It’s transformative.”

Not one to follow trends, Dr. Berlet is increasingly critical of the overuse of fillers, especially when performed by too many providers. “It’s created a culture of disoriented looks. Even some celebrities look monstrous,” he says. He warns patients about the growing number of practitioners who offer cosmetic procedures after little more than a weekend course. “There’s a big difference between a board-certified plastic surgeon and someone who’s taken a crash course.”

Dr. Berlet is a stickler for the details – down to earlobe reductions during facelifts, something he says many surgeons overlook. “The nose and ears grow as we age. If you don’t balance them, the neck and face can still look aged,” he explains. “It’s the small, subtle adjustments that make all the difference.”

His methods are not just advanced – they’re patientfriendly. Nearly 98 percent of his facial surgeries are

performed under local anesthesia with just a mild oral sedative, minimizing risks and eliminating the need for hospital clearance or general anesthesia. “It’s safer and simpler for the patient,” he says.

Dr. Berlet also brings an artistic philosophy to each procedure. “Form follows function,” he says. “A beautiful nose should work well, too.” His unique perspective is shaped by a lifetime of artistic training – one that began long before medical school.

Before he ever picked up a scalpel, Dr. Anthony Berlet was crafting detailed illustrations, building furniture, and even making drapes for his mother. He was the kid who could draw the “perfect” Popeye at age two and the young man who fixed things around the house with surgical precision.

Born into a long line of doctors, Berlet always knew he’d pursue medicine – but not without forging his own creative path. While attending the University of Pennsylvania, he broke away from a conventional biology major and designed his own course of study that included architecture, art, and chemistry. “I didn’t

“I never want anybody to look surgical. Nobody should know anything except that they look too good.”

“We go out to dinner every night. We have our favorite spots. It’s a lifestyle we love.”

want to be just a number,” he says. “I found my people among the creatives.”

That unique academic blend paved the way for his career in plastic surgery. As a medical student and surgical resident, he continued illustrating textbooks – contributing art for subjects ranging from orthopedics to gynecology. Eventually, he trained in plastic surgery in New Jersey, where his fusion of science and aesthetics felt like a natural fit.

“My practice has evolved quite a bit,” he says. “Plastic surgeons often start in reconstruction – working with breast cancer patients, salvaging limbs. I’ve transferred bones and muscles from one part of the body to another. But I’ve always had an aptitude for cosmetic work, which is where I am today.”

Over the years, he’s earned a reputation for performing surgical “miracles.” One of his most memorable cases? Reattaching a priest’s benediction finger after it was severed in a fall – an operation that landed him on the cover of USA Today. Another time, he rebuilt the scalp of a young girl whose hair was caught in a wheel well of a car. She was dragged, resulting in half of her head and scalp being sanded off – Dr. Berlet welcomed her back as a breast reduction patient 18 years later.

Dr. Berlet’s influence is also felt close to home. His wife, Kerry, a statistics professor at Columbia University’s Teachers College, was so

inspired by the stories she’s heard over the years that she created a podcast called Once Upon a Surgery. Recorded from his office and streamed on YouTube and Spotify, the show shares moving patient journeys – from trauma survivors to people recovering from botched surgeries abroad. “It’s exciting for us,” says Dr. Berlet. “Working together brings us closer. There’s so much to talk about.”

While his Manhattan office may be new, Dr. Berlet has held a license to practice in the city for 15 years. He and Kerry, who’ve kept an apartment in the city for nearly two decades, are longtime New York lovers. “We realized this was the time,” he says. “We already see so many patients from the city – now they don’t have to travel.”

The couple, members of both the Metropolitan Club and the New York Athletic Club, are immersed in the city’s social and culinary scenes. “We’re foodies,” he laughs. “We go out to dinner every night. We have our favorite spots. It’s a lifestyle we love.”

Even with a full patient roster and a second practice in New Jersey, Dr. Berlet remains deeply hands-on. Whether it’s a facelift on a 34-year-old or an 89-year-old, he treats each case with the same precision and artistry. “It’s about restoration versus rejuvenation versus beautification,” he says. “I’ve mastered how to make anything look natural – regardless of what’s needed.” P youtube.com/@onceuponasurgery

ROBERT MCBRIDE

Operation Healing Forces

BY JEREMY MURPHY

Helping Veterans & Special Operations Forces

Beyond his business as a top lobbyist, Robert McBride’s impact stretches into service –specifically through his role as an Executive Board Member of Operation Healing Forces (OHF), a nonprofit supporting active-duty and veteran members of U.S. Special Operations Forces and their spouses. Tom Brady, tennis champion Monica Seles, and golf legend Fuzzy Zoeller are also backers of the organztion that started out with some patriotic yacht owners inviting Green Berets, Marine Raiders, and Navy SEALs onto their boats with their spouses for some well deserved R&R. These soldiers had been

away from their famlies and homes for up to a year. Many had been severely injured or suffered from PTSD. The organization now offers retreats at the homes of their benefactors in idyllic spots across the country,, including the Hamptons, Martha’s Vineyard, and Aspen to Special Operations Forces members, their spouses, and caregivers. “We let them enjoy some of the luxuries we often take for granted, like fishing, boating, skiing, swimming, tennis, and hiking,” said McBride, adding, “They are disconnected from being away. We want to be a small part of getting them back together.”

At OHF’s recent Florida event, McBride was part of a team that raised over $1.5 million to fund their healing programs. “As someone who advocates for military and veterans every day, I can’t say thank you

enough,” he told the crowd. “The job’s not easy, but it’s an important one.” The programs OHF runs – retreats, crisis support, mentorship – are focused on strengthening relationships and stability. “These programs are designed to reduce stress, improve communication, and ultimately create a more stable home environment,” he explained.

That’s where McBride thrives: on the bridge between high-level strategy and real-world results. “I’m not interested in doing anything unless it’s going to move the needle,” he says. “And I want to be around people who want to be impactful.”

McBride doesn’t speak in vague mission statements or buzzwords. He speaks on purpose. “I wake up every day and I have the ability to affect change in people’s lives,” he says. “We’re able to change communities, we’re able to change generations, and we’re able to put people in a position of success.”

McBride Consulting & Business Development Group

As founder and CEO of McBride Consulting & Business Development Group, McBride has earned a reputation for being both strategic and relentless. His consulting firm has advised developers, public officials, unions, and private clients across healthcare, transportation, housing, and infrastructure. But he’s not interested in volume for volume’s sake.

“We turn away probably 60 to 70 percent of the people who ask us to represent them,” he says. “We ask five questions: Who owns the company? Where’s it going? Who’s going to run it? How long are you going to be involved in it? And what’s the exit strategy?”

For McBride, it’s not about politics. It’s about outcomes. “We’re in the business of affecting people’s lives and putting them in a position of success, and at the same time not forgetting where we came from,” he says. “I’m very fortunate and blessed to be in the position I’m in. But I never forgot who I am. I never forgot my roots.”

McBride grew up in Ozone Park, Queens. “I’m the youngest of four kids. I grew up in a

neighborhood that was tough. If you ate slow, you didn’t eat,” he says. “We were Irish immigrants. We didn’t have a lot of money. I wore my neighbor’s hand-me-downs.” Still, he adds, “I had a mother who never told me I couldn’t do something.”

Impacting Underserved Communities

That foundation – humble, tough, unshakable – became the basis of a career that now spans multiple companies and advisory roles. His

“AMERICA IS THE GREATEST THING THAT EVER HAPPENED TO ME.”

work often touches New York communities most in need of infrastructure and housing support, and he maintains a sharp eye on what makes a project meaningful. “We get called to work on housing developments that are in communities that are underserved and have not had affordable housing in 30 years,” he says. “We’re working on healthcare projects that are going to save lives.”

At McBride Consulting, he keeps the standards high – and the relationships personal. “We interview people over six months. I’ll have coffee with them, lunch with them, I’ll meet their family, and I want to see how they interact,” he says. “I’ve built the firm on a foundation of integrity.”

And while some people build businesses to exit, McBride builds to endure. “I’m not looking to build something to sell it. I’m looking to build something that I can hand to my kids,” he says. “My father died at 91 years old and said, ‘America is the greatest thing that ever happened to me.’ That’s a pretty powerful statement from an Irish immigrant who came here with nothing.”

As he looks forward, McBride is still asking hard questions, still refining the mission. “We want to be better. We want to be more efficient. We want to be more impactful. We want to grow. We want to continue to support people,” he says.

When asked what keeps him motivated, the answer is simple: “I don’t need to be famous. I don’t need to be on the front page. I just need to know that I made a difference in somebody’s life. And if I can do that, I’m good.” P mcbrideny.com

JENNIFER MCGRATH

Hearing the Ovarian Cancer Whisper

BY GRACE KATICH

Ovarian cancer is deemed the ‘whisper killer’ of cancers, as its subtle symptoms often go undetected until it’s too late for treatment. You might mistake it for a pulled muscle or regular bloating, delaying necessary precautions. The harsh reality of ovarian cancer is that 1 in 70 women are diagnosed, amounting to 22,000 cases a year – with 15,000 not surviving. Ovarian cancer deserves a platform, and awareness must be spread. Meet H.O.W. Florida, a nonprofit organization dedicated to encouraging women to hear the whisper. H.O.W. Florida.

Jennifer McGrath has been H.O.W.’s executive director for nearly 20 years. With passion driving her philanthropic endeavors in full force, she is more determined than ever to make an impact in the fight to end ovarian cancer.

Jacquie Ligget’s Everlasting Legacy

Jacquie Ligget created H.O.W. in 2001 after being diagnosed with ovarian cancer. She noticed the lack of resources for those diagnosed and took matters into her own hands. Alongside lifelong friend Betsy Matthews, H.O.W. was born to address the lack of conversation around ovarian cancer. “They came up with the name (Hearing the Ovarian Whisper), and it really stands for that – because ovarian cancer is a whisper. By the time you’re diagnosed, it’s usually too late because the symptoms are so subtle,” Jennifer McGrath shared. Ligget passed in 2007. H.O.W.

resiliently honors her legacy by providing resources to those suffering.

A Multi-Tiered Mission

H.O.W. isn’t your typical organization. They go above and beyond to impact those who suffer directly and to help change the course of cancer. The first part of H.O.W.’s mission is the Jacquie Ligget Fellowship, which funds ovarian cancer research in Florida. The fellowship is awarded to a qualified PhD or MD to conduct ovarian cancer research. It recently surpassed $1.5 million in total funding.

The second part of the mission is the Glenda Wright Angel Fund, which directly

supports women impacted by ovarian cancer across Florida by covering everyday living expenses – such as rent, groceries, etc.

The Angel Fund is one of Jennifer’s favorite parts of H.O.W. “The Angel Fund is really near and dear to my heart because we help local women suffering from ovarian cancer through their hardships of paying their everyday living expenses, so they can focus on healing rather than whether or not they’re going to make their mortgage payment.”

The third part of H.O.W.’s mission is the Dr. Robert C. Knapp Medical Student Award, where up to five students interested in gynecologic oncology receive a $3,000

Jennifer McGrath & Catherine Tolton.

award and participate in a 4–6 week shadowing program with a board-certified or boardeligible oncologist. The goal of the award is to inspire more students to pursue careers in gynecologic oncology.

The final aspect of the mission is providing BRCA (Breast Cancer gene) testing to

underserved and uninsured women. H.O.W. directly funds these tests so that women can access potentially life-saving genetic information.

Family Ties

Jennifer’s connection to H.O.W. goes far beyond the professional. When McGrath’s

sister was diagnosed with breast cancer at age 28, red flags went off in her mind, knowing the disease can be hereditary. After her sister tested positive for the BRCA gene, Jennifer and her other siblings got tested immediately. Both Jennifer and her brother tested positive. Watching her sister endure painful chemotherapy and multiple surgeries was devastating. Jennifer decided to take control of her own health.

“I had a prophylactic double mastectomy and then a complete hysterectomy after I had my children. Knowledge is power. So, if you know what’s going to get you, you might as well eliminate it.” She emphasizes the importance of testing and says she will ensure her children take the necessary precautions as well.

Passion at the Forefront

With her journey in mind, when Jennifer saw the opening for the executive director position at H.O.W. 20 years ago, she had an “aha” moment –she knew this path was meant for her. Her hopes for the future include expanding the research H.O.W. conducts, with goals of partnering with a leading national cancer institution and further honoring Dr. Knapp’s legacy, as he developed the lifesaving BRCA test.

Jennifer points out that breast cancer foundations tend to dominate the philanthropic cancer space, and she wants the world to recognize the good that H.O.W. does – and to raise much-needed awareness for ovarian cancer. P

ovariancancerpbc.org

Jennifer McGrath & Andrea Stark (CAPEHART)

Meet the Doctor

Dr. Kenneth Mark, a worldrenowned cosmetic dermatologist, prides himself on both his outstanding work and the relationships he builds with each of his patients. Although he manages four practices, located in East Hampton and Southampton, NYC, and Aspen, Dr. Mark makes sure he embeds himself in each community, relying on patient recommendations to acquire new clients and remaining the sole physician at each location. “Most other practices operate like factories,” he said. “But we try to provide a real VIP boutique experience for our patients. When they call, we want them to know us, and for us to know them. We’re striving to provide the best patient care experience and the most exceptional cosmetic results.” This personalized aspect is also what drew Dr. Mark to dermatology in the first place. “One reason why I was attracted to dermatology was the ability to care for multiple generations. In my practice, I have treated the grandparents, the parents, the kids, and the grandkids. I love the continuity of care aspect, and it’s fun now to perform lip injections on mothers and daughters,” he said.

Master of His Craft

After three years of training in Dermatology at NYU, Dr. Mark completed a two-year fellowship with a cosmetic dermatology surgeon and a plastic surgeon to sub-specialize in cosmetic procedures, plastic reconstruction, and

DR. KENNETH MARK

Cosmetic Dermatologist

BY LEXI WOLF

minimally invasive Mohs micrographic skin cancer surgery. During his education, he witnessed unprecedented advancements in the realm of dermatology, such as the development of lasers, Botox, and hyaluronic acid fillers, leading him to gain unparalleled experience in the art of injectables. “All of what’s being done in dermatology today was brand new when I was coming out of my residency. So, the timing was excellent,” he said.

His Method

Dr. Mark is famous for his layering technique, which involves strategically layering various fillers over time and at different depths of the skin. This methodical approach not only minimizes the amount of filler required but also maximizes the longevity and efficacy of the results. “I don’t want to do the maximum amount for my patients. I want to do the optimal amount, and I’m certainly not in a rush to get it done in one visit. It is always a work of art in progress. It’s all about consistency. We’re layering and topping off, like a good bartender,” he quipped. Although anyone can study this craft, full mastery involves an innate sense of facial aesthetics. “Some of it is having a good eye. I am attracted to beauty, so I know what cheekbones and jawlines and lips should look like,” he explained.

“I’M CERTAINLY NOT IN A RUSH TO GET IT DONE IN ONE VISIT. IT IS ALWAYS A WORK OF ART IN PROGRESS.”

Aleksandra & Dr Kenneth Mark (PHOTO PMC)

New Procedures: Volux, Skinvive & Emsculpt NEO

Allergan, the maker of Botox and Juvederm fillers, chose Dr. Mark to be part of their faculty to train other doctors, which he has been doing for the past five years. He is also in the top 1% of Allergan’s accounts in the country. “Allergan is the number one company for a reason. They’re not just sitting back and resting on their laurels,” he said. “Constantly learning and seeing these new products hit the market and how they can make people look and feel better is one of the best things about my career.”

His favorite of their new innovations is Volux, the first and only FDA-approved Hyaluronic Acid filler made solely for jawline definition. As well as Skinvive, which increases hydration to improve skin smoothness and provide a lasting glow for up to six

months. Dr. Mark believes these recent advancements have already created a paradigm shift in the field of cosmetic dermatology. “It’s not just about lips and lines anymore,” he said. “It’s about thinking like an artist and lifting and sculpting the face. Twenty years ago, everyone who hit 50 was getting a facelift, but now, with tactful injections, those facelifts can be pushed off until 60 or 70.” Dr. Mark also offers Emsculpt NEO, the most cutting-edge treatment in body contouring today – one half-hour session is the equivalent of 24,000 abdominal crunches.

Finding Balance

Dr. Mark has a passion for extreme skiing. He first fell in love with the sport during his childhood, visiting resorts such as Jiminy Peak in Massachusetts and Mount Snow in

Vermont. However, his favorite skiing locale is Aspen, where he has a condo and opened his practice. “Traditionally, the Hamptons practice quiets down in the winter, and that gave me the opportunity to do a lot of skiing. I just love the people, the town, the nature, the beauty of Aspen, the food, the wine, everything,” he explained. Dr. Mark’s passion for skiing extends to his family as well. His son, who is only five years old, has already become an accomplished skier. “He took to skiing like a fish to water. He’s already skied top to bottom Aspen Mountain, including days with 30,000 vertical,” he said. “So I spend hours and hours skiing with him in the winter, which is phenomenal, and luckily, my wife is extremely supportive, loving, and a great mother, so it has all just worked.” P

kennethmarkmd.com

The Guardianship Nightmare of DR. ENA FARLEY

What happened to 84-year-old Dr. Ena Farley, a retired educator, respected community member, and loving mother has become a chilling example of how the guardianship system can go terribly wrong.

In February 2023, Dr. Ena Farley, an 84-year-old widow and retired educator, was forcibly removed from her home in Brockport, New York, by law enforcement officers. The incident, captured on police body camera footage, shows Dr. Farley resisting as officers claim she needs medical attention, despite no court order or warrant authoriz-

A Son’s Plight

for Justice

BY RENE FREID

ing the action. Dr. Farley was not declared mentally incompetent and was the sole owner of her property. The footage includes her exclaiming, “You’re breaking my arm!” as she is dragged from her home.

The Monroe County District Attorney’s Office has not filed charges against the officers involved. This lack of accountability has prompted public outcry and calls for justice. Advocates argue that the incident reflects broader issues of elder rights and the abuse of power by authorities.

Dr. Farley’s son, Jonathan Farley, a Harvard-trained mathematician, has been at the forefront of efforts to seek justice for his mother. He has publicly condemned the actions of the police and the inaction of the District Attorney’s Office. In a legal proceed-

ing, Jonathan Farley filed motions against his brother, alleging financial mismanagement and neglect.

The case has drawn attention to the need for reforms in how elder care and guardianship are handled, as well as the importance of holding law enforcement accountable for actions that infringe upon individual rights. Advocates continue to call for a thorough investigation into the events surrounding Dr. Farley’s removal and for measures to prevent such incidents in the future.

As of April 2025, the fight for justice for Dr. Ena Farley remains ongoing, with her son Jonathan continuing to seek accountability and reform.

On that February day in 2023, when police officers entered Dr. Farley’s home in Monroe County, New York, and forcibly removed her; her son Jonathan stood by helplessly, watching in disbelief as his mother was taken away.

Captured on police body camera footage that has since gone viral garnering over a million views on YouTube, the scene sparked national outrage. But for the Farley family, it was just the beginning of a devastating ordeal.

After her removal, Dr. Farley was placed in a care facility in Irondequoit. There, accord-

ing to Jonathan and documents subpoenaed from the facility, she was isolated from her family, denied legal counsel of her choice, and medicated against her will. For five long weeks, she remained in this limbo without even a temporary guardian assigned to her case, a clear violation of basic due process and human rights.

Behind this disturbing chain of events, Jonathan believes, was a calculated scheme by his brother to gain control over their mother’s assets. A woman presented as a “home health aide” was allegedly connected to this plan and reportedly had a personal relationship with the other brother who

would one year later, become Dr. Farley’s legal guardian.

Jonathan recalls the moment of his mother’s removal as an abduction sanctioned by silence and a lack of oversight. Despite living with her and witnessing the events firsthand, he was given no credible explanation and no opportunity to intervene.

And the consequences were severe.

Not only was Dr. Farley torn from the comfort and safety of her home, but her finances were also thrown into disarray. Just four months before her death in August 2024, nearly $190,000 vanished from her bank accounts, leaving them nearly empty. The emotional and financial toll on Jonathan, who spent approximately $150,000 fighting for his mother’s rights in court, has been profound.

Dr. Farley’s story is tragically not unique. That’s why Jonathan Farley is now advocating for Karilyn’s Law, a proposed New York State bill designed to protect vulnerable seniors and their families from abuses within the guardianship system.

The bill would require courts to grant hearings within ten days of a family member’s petition to challenge questionable guardianships or forced institutionalization. It’s a crucial safeguard meant to prevent the kind of prolonged isolation and unchecked power that devastated Dr. Farley’s final year.

“THE PLAYBOOK IS THE SAME: ISOLATE, MEDICATE, AND LIQUIDATE. ENA’S STORY IS A HORRIFYING EXAMPLE OF WHAT HAPPENS WHEN NO ONE IS WATCHING.”

“This is exactly why I’m pushing so hard for Karilyn’s Law,” said one advocate. “The playbook is the same: isolate, medicate, and liquidate. Ena’s story is a horrifying example of what happens when no one is watching.”

Jonathan Farley is more than a grieving son; he’s also a nationally recognized educator and mathematician who seeks to create opportunities for students across the globe. Now, he’s directing his grief into action, to make sure no other family has to suffer what he did. P

When theatrical producer Jonathan Rockefeller set out to redesign his Park Avenue apartment, he wasn’t looking for a showstopper. He was looking for harmony – between art and architecture, between two owners with distinct tastes, and between a space that was both deeply personal and subtly sophisticated. The result is a layered, light-filled residence where nothing shouts but everything speaks – and at the center of it all is designer TC Chou.

A longtime friend of Rockefeller and his partner, Wilson Rockefeller, TC took on the project with both excitement and hesitation. “I usually don’t mix friendships and work,” he admits, laughing. “But they trusted me, and I felt responsible to make them happy. There was already a closeness, and now they were letting me into something even more personal – their home.”

Design Determination : A Curator’s Care

What followed was a deeply collaborative design process that bridged style and story. TC, who trained at Columbia in architecture and worked under Samuel Botero before launching his own firm, Design Determination, is known for his painterly sensibility and instinctive understanding of space. For this project, he blended classical detail with contemporary restraint, pulling from Rockefeller’s extensive art collection and tailoring every inch of the apartment with a curator’s care.

“It wasn’t just about making the home beautiful,” Rockefeller says. “It was about honoring the art we already loved. Every rug, wallpaper, and light fixture had to complement – not compete with – the works on the wall.”

And the works are impressive: original pieces by Warhol, Motherwell, and Picasso, as well as commissioned reinterpretations of classical portraiture by British artist Jake Wood Evans. These bold canvases required a thoughtful architectural backdrop, not just a decorative one.

The Design Process

TC began in the living room, where a custom Carini rug in deep blue silk and wool anchors the space. The ceiling was reimagined with

Interior DesignerTC CHOU

Art & Architecture with the Rockefellers

BY JEREMY MURPHEY

layered architectural downlights that subtly echo the curves of a decorative chandelier. Venetian plaster adds softness to the walls, while tailored George Smith furniture lends structure. “Lighting is everything,” TC says. “Even the most beautiful finishes fall flat without the right lighting. We spent time making sure every fixture added clarity and warmth.”

The dining room unfolds like a stage set: hand-pressed Zuber wallpaper with an animal motif, a vintage chandelier casting an amber glow over a black marble dining table, and a floating shelf that elegantly showcases the couple’s collection of South African sculpture. “There’s a moodiness to it,” TC says. “A quiet drama.”

In the master bedroom, a more ethereal tone takes over. The headboard wall is dressed in custom hand-painted wallpaper – also by Zuber – that evokes wind-blown willows in soft, layered tones. The opposite wall gleams with a metallic finish that catches ambient light, subtly mirroring the palette. A streamlined Poliform bed system grounds the space, while a vintage chandelier with handcrafted glass details adds delicacy. “This room is about serenity,” TC explains. “It needed to feel soft but still carry the weight of the art.”

The den, meanwhile, is pure contrast and character. High-gloss millwork in deep blue

provides a jewel-box setting, offset by an animal print carpet and a bold red sofa. An Andy Warhol silkscreen above brings a pop of pop. “We wanted something that felt private but also fun,” says TC. “This room gave us permission to play.”

Blending Function & Design

Perhaps the most surprising transformation is in the bathroom, which trades brightness for mood. Black tiles with soft white veining wrap the shower, while a combination of sconces, cabinet lighting, and downlights allow for personalized settings. “Jonathan asked for something moody,” TC recalls. “It’s a little dramatic, but it’s also functional. Like a good theater set.”

While the finished apartment feels seamless, getting there wasn’t without its challenges. Many of the art pieces were too large to fit through standard hallways. TC coordinated a complex operation to unframe, roll, and re-stretch canvases on site. “We had to treat the art as part of the architecture,” he

“EVEN THE MOST BEAUTIFUL FINISHES FALL FLAT WITHOUT THE RIGHT LIGHTING. WE SPENT TIME MAKING SURE EVERY FIXTURE ADDED CLARITY AND WARMTH.” TC CHOU

says. “There’s a whole behind-the-scenes choreography most people will never see.”

What makes the project sing is TC’s sensitivity – not just to aesthetics, but to the emotional texture of space. “TC listens,” Rockefeller says. “He’s not just imposing his taste. He worked with us to make the space ours. And that’s rare.”

Finding the Story

For TC, it comes down to relationships. “Every home has a story. You can’t design in a vacuum. My job is to find the narrative – sometimes in a client’s wardrobe, sometimes in the way light hits a certain wall – and build around that.”

In this case, the narrative is one of thoughtful contrasts: history and modernity, quiet and bold, gallery and home. The art doesn’t dominate – it converses with the space around it. And like a well-directed play, every scene in this apartment feels intentional.

At the end of it all, TC reflects on what he calls his real design metric: “I always ask myself, ‘Would they still be friends with me after this?’” he says with a smile. “If the answer’s yes, I did something right.” P

designdetermination.com

Jonathan Rockefeller (PHOTO PMC)

Lalique, the iconic French crystal house renowned for its timeless craftsmanship and opulent design, proudly opens its doors to a bold new chapter with the unveiling of Maison d’Artiste, an immersive retail and lifestyle flagship in New York City. Nestled within the historic Chopard Mansion at 21 E. 63rd Street, this five-story architectural gem on the Upper East Side marks a significant milestone for the brand, merging French luxury with Manhattan sophistication.

A New Era for the World of Lalique Maison d’Artiste is not merely a boutique – it’s a multisensory experience that redefines luxury retail. Designed to emulate the inti-

Lalique Unveils Maison d’Artiste

A Majestic New Flagship on New York’s Upper East Side

BY W.A. MULLER

(LIDS): The first of its kind outside Paris, this fourth-floor destination showcases Lalique’s bespoke interior capabilities, providing a creative hub for designers and architects.

Artistic Staircase: A mural by NYC street art legend Chris “DAZE” Ellis winds through the property, incorporating Lalique’s signature motifs of femme, flora, and fauna in a dynamic, urban style.

Crystal Meets Creativity: Lalique Interior Design at Its Finest

mate ambiance of a private collector’s home, the space invites guests, interior designers, and architects alike into the vibrant universe of Lalique. Curated with care by Marc Larminaux, Lalique’s Artistic and Creative Director, alongside Christos Prevezanos of Studio Preveza, the flagship is a celebration of art, history, and high design.

Silvio Denz, Executive Chairman of Lalique Group, describes the space as “a unique journey into the heart of Lalique,” designed to offer both loyal clientele and new generations of collectors an inspiring and welcoming atmosphere.

A Tour Through Maison d’Artiste

Each floor of this luxurious townhouse offers

a distinctive perspective into the art of living: Salon d’Exploration: Guests are welcomed into a fluid gallery of Lalique’s latest crystal collections, seamlessly blending contemporary innovation with historic elegance.

• Iconic Atrium: A soaring space showcasing timeless masterpieces and new designs influenced by the visionary Marc Larminaux.

Jewelry Salon: A tribute to René Lalique’s legacy as a master jeweler. Among its many treasures is the debut of the “Manhattan” necklace – a white gold and diamond masterpiece inspired by the New York skyline.

• Veranda d’Essences: A serene secondfloor sanctuary where guests explore Lalique’s luxurious perfumes and candles, encapsulating the brand’s olfactory artistry.

Lalique Art Gallery: The third floor features the largest Lalique Art Gallery to date, spotlighting extraordinary collaborations with artists like James Turrell, Damien Hirst, and Zaha Hadid.

• Bar & Lounge: Inspired by the golden age of travel and the Orient Express, this sumptuous space offers exclusive tastings of Vignobles Silvio Denz wines and Lalique’s co-branded spirits.

Lalique Interior Design Studio

The Maison d’Artiste serves as a full-scale showroom for Lalique’s interior design expertise. Highlights include a luminous light wall of 36 Lauriers crystal panels, a mesmerizing ceiling swirl of 62 crystal Swallows, and a dome of 177 illuminated crystal Anemones. These breathtaking installations, designed in collaboration with the Lalique factory in Alsace, France, showcase the brand’s unparalleled capacity for large-scale, architectural crystal design.

A Historic Address for a Modern Masterpiece

Located between Fifth and Madison Avenues, the mansion’s Beaux-Arts façade and jewelrymaking legacy (formerly home to Jean Schlumberger) offer a fitting backdrop for Lalique’s fusion of old-world artistry and modern luxury. Originally built in 1884, the building’s heritage mirrors Lalique’s own –storied, elegant, and enduring.

Continuing a Legacy in the Heart of NYC

Lalique’s presence in New York City has long been established, from the iconic glass panels of the Coty Building to its recent installations in Restaurant DANIEL and Central Park Tower. The Maison d’Artiste further deepens this connection, reaffirming Lalique’s status as a cultural and artistic icon in luxury design.

Whether you’re a collector, an interior designer, or a lover of French craftsmanship, Maison d’Artiste promises an unforgettable exploration into the enchanting world of Lalique – right in the heart of Manhattan. P

us.lalique.com

Villa Miami

Mario Carbone and Vicky Charles Collab for First Time to Design the Kitchen Experience

BY W.A. MULLER

In a groundbreaking collaboration that bridges culinary mastery and high design, internationally acclaimed chef Mario Carbone and AD100 interior designer Vicky Charles have joined forces to reimagine the heart of the home for Villa Miami, the first-ever residential tower branded by Major Food Group. Developed by Terra and One Thousand Group, the 56-story waterfront tower marks the coming of age for Miami’s Edgewater neighborhood.

This is the first residential project branded by Major Food Group, the hospitality powerhouse behind globally beloved restaurants like CARBONE, Dirty French, and ZZ’s Club. But this time, chef and co-founder Mario Carbone is designing the kitchens himself.

In his foray into interiors, Carbone has partnered with acclaimed AD100 designer Vicky Charles of Charles & Co. to create kitchens that are at once strikingly elegant and uncompromisingly functional.

“The design for Villa Miami blends old European charm with a modern sensibility, creating spaces that feel transportive, much like the experience of stepping into one of our Major Food Group restaurants. We wanted the design to be more than just aesthetically beautiful; it had to evoke a feeling of comfort and hospitality that is warm and inviting while being highly functional.”

The kitchens reflect that same philosophy. Professional-grade elements, CornuFé dualfuel ranges, Wolf and Sub-Zero appliances,

and wall-mounted pot fillers are seamlessly integrated into a warm, romantic setting that nods to the villas of Venice and the Riviera. Custom Italian cabinetry and built-in wine refrigeration marry old-world craftsmanship with modern convenience.

“For years, the city has been defined by white marble and chrome – this residence is a departure, rooted in romance, noble materials, and an intimate connection to its waterfront setting,” said Vicky Charles. The space is bathed in light year-round and designed to frame the panoramic views of Biscayne Bay and Miami Beach. Every detail, from the travertine marble and rich wood flooring to the soft, ambient lighting, was chosen to create an atmosphere of timeless elegance and effortless livability.”

One of the space’s most ingenious features are countertops wells inspired by the pasta cookers in Carbone’s restaurant kitchens, adapted for residential use, allowing resi-

dents to cook like the chef himself. Pantries come thoughtfully curated with Carboneapproved essentials, from oils and spices to sauces worthy of his signature rigatoni.

With only 70 residences, each home feels more like a private estate suspended above Biscayne Bay than a typical condo. And in true Major Food Group fashion, the building will also house a new restaurant concept on the ground floor and a multi-level private club for residents.

Known as The Copper Club, the residentsonly concept comprises the building’s entire amenity suite and creates a curated lifestyle. The club boasts private dining rooms, lounges, a screening room, a hair salon and more, while the rooftop helipad and lounge, elevated pool deck, yacht club and wellness facilities complete MFG’s first residential club offering. P

villamiami.com

Château de Vaux-le-Vicomte

BY BENNETT MARCUS

Vaux-le-Vicomte

The Château de Vaux-leVicomte outside Paris is often referred to as “Versailles without the crowds,” as both 17th-century estates were the work of the same trio of celebrated designers, architect Louis Le Vau, landscape architect André Le Nôtre, and decorator/painter Charles Le Brun. In fact, Vaux-le-Vicomte inspired Versailles; after seeing the finished chateau, King Louis XIV commissioned the design team to create his bigger, glitzier palace.

However, there’s a much deeper, darker connection between these two exquisite castles. After Vaux-le-Vicomte’s owner, Nicolas Fouquet, a member of the French parliament, became Louis XIV’s Superintendent of Finances in 1656, he purchased surrounding villages and embarked on the estate’s grand expansion.

When completed, Fouquet threw a lavish bash, hoping to impress the king. But as ever with politicians, a rival claimed that Fouquet had misappropriated public funds in order to finance the chateau, and he was arrested and imprisoned for life, and his wife was exiled. Louis XIV was, in fact, impressed with the property; so much so that he not only hired the same designers, but he stripped the place, seizing the tapestries, statues and even orange trees from Vaux-le-Vicomte to be installed in his own, much larger palace.

Happier Future; Family-owned

Château de Vaux-le-Vicomte had a few other owners in its long history, and had been neglected for 30 years by 1875 when Alfred Sommier bought it and began a massive restoration of the house and gardens, which was completed by his descendants. Today, the fifth generation of the same family still owns the chateau, one of France’s greatest historical monuments, which is open to the public.

“When my family took over the property in 1875 the place was pretty much empty except for two tables and four busts that remained from the Fouquet time, the 17th century,

because the king and Jean-Baptistie Colbert, who was prime minister at the time, took pretty much everything and put it in Versailles,” said Alexandre de Vogüé, who, with his brothers Jean-Charles and Ascanio, own and run the Château de Vaux-le-Vicomte.

One of France’s Best Kept Secrets

With 100 rooms on 1,200 acres of land and 350,000 yearly visitors, Vaux-le-Vicomte is dwarfed by Versailles’ 2,300 rooms, 2,000-acre gardens and 7 million annual visitors.

Vaux-le-Vicomte has always been off the beaten track, de Vogüé said. “You have to know about French history during Louis XIV, you have to be quite curious about chateaus and gardens, in general, to really know about Vaux,” he explained. The chateau will never be a place ot mass tourism, like Versailles. The de Vogüés strive to grow annual visitors to a maximum of 500,000. “More than that, the wear and tear would be too damaging to Vaux,” he said. It offers more of an exclusive experience to visitors and donors. “Because

there’s a family; I think that’s the biggest difference,” de Vogüé said. “Since the 17th century, there’s always been a family living here and it’s a home before anything else. And I think that’s what people really appreciate here, there is this soul, this “je ne sais quoi,” as we say in French, that makes this place quite special.”

Grand, but also Intimate

All of the chateau’s important rooms are open to visitors. The family members reside in

outbuildings on the estate. The sculptures, paintings, furniture, carpets, tapestries, china and silverware were bought by de Vogüé’s great-great-grandfather. The proprietors plan to publish a book on the home’s decorative arts collections by the end of the year.

“There’s a very human scale to the house. It’s grand, but but it’s also intimate, not a palace like Versailles, which can be a bit cold and dry; impossible to imagine living there,” he said. “At Vaux-le-Vicomte, because it was

done for a family, people really like the fact that they could imagine themselves having a drink or a tea in one of those rooms, because it has this very intimate and human scale.”

Notable Gardens

The formal gardens have been returned to their original state as laid out by Le Nôtre in the 17th century, framing the chateau in what is considered one of the greatest examples of harmony between nature and the built environment. The ambitious landscape design, with 62 statues, twenty-two fountains, wide pebble alleys, basins, grottoes and a canal, was groundbreaking at the time. “Vaux-le-Vicomte was the first time that a landscape designer oversaw the entire project – the gardens, the fountains, the water, everything. Le Nôtre was given carte blanche. And what he did was a real rupture with what had been done before,” garden historian Frédéric Sichet told AD in 2013, when his book about the grounds, “André Le Nôtre à Vaux-le-Vicomte,” was published.

A subterranean river is to open to the public next year. Those who choose to walk the gardens may take a walking stick. Visitors can also rent electric golf carts to explore the property.

Romantic Candlelight Evening

Every Saturday evening during the warm season, the grounds are lit with 2,000 candles,

“THAT’S WHAT PEOPLE REALLY APPRECIATE HERE, THERE IS THIS SOUL, THIS “JE NE SAIS QUOI”.

and there are fireworks at the end of the evening. You can come to dine outdoors – the outdoor ephemeral restaurant is fully booked from the beginning of the season – or simply wander the grounds and have a picnic. “It’s quite magical,” said de Vogüé. “People can eat at this restaurant, al fresco, facing the garden. It’s a very simple idea that my parents created, just to give a very humble idea of what it was like at the party of inauguration that Fouquet threw in 1661. But people absolutely love it, because it’s so romantic and so beautiful.”

During the evening, guests can also wander through the chateau, whose interiors are also set with romantic lighting, and come back outside for the fireworks.

Christmas & Easter

They started having a special Christmas program 19 years ago, and now it’s the chateau’s biggest season, attracting 120,000 visitors. The decor requires artisans to decorate in a very short period of time to minimize closure.

“We close only 10 days in November, to set up. And people now from Paris and even from abroad are coming to our Christmas, because it’s beginning to be quite well known.”

And the de Vogüé family has been somewhat pioneering in establishing a restaurant and gift shop in the 1960s, which back then did not exist in France at historic homes. “It was very rare, but my parents really wanted to share this place with the public and create a vivid experience,” he said. “They were already thinking about experience, which today is everybody’s plan, but at that time it was really not the case.”

Now, he noted, many chateaus do Christmas, as do famous gardens, like Longwood Gardens in Pennsylvania, which de Vogüé had recently visited when we spoke for this article.

Easter is the biggest weekend of the year, attracting 10,000 people over three days. French bureaucracy once reared its head, de Vogüé recalled, when on Easter Sunday at 11am a whole crew of government administrators showed up unannounced for an inspection. They had to close for two hours since all employees had to stop working while they inspected hygiene, security and

safety measures. Everything was fine, fortunately, but he said, laughing, that is France sometimes. “I don’t know if it happens in the U.S., but it was very scary.”

80 Movie Shoots; Sofia Coppola’s Marie Antoinette, YSL

Château de Vaux-le-Vicomte has been the setting for about 80 movies and TV shows over the years, the first in 1968 by director Orson Welles. The James Bond Moonraker movie had scenes there, as did the TV series Versailles, and it stood in for Versailles in Sofia Coppola’s Marie Antoinette. Very often the chateau is used for Versailles scenes, de Vogüé

explained, because it’s very complicated to shoot at Versailles.

There haven’t been any fashion shows at the estate, but during the covid pandemic, when live runway shows were replaced by video presentations, several important designers, including Celine and Yves Saint Laurent, chose to film their collections at Vaux-le-Vicomte.

American Friends of Château de Vaux-le-Vicomte

Alexandre de Vogüé set up an American Friends of the chateau charitable organization

to help raise funds for ongoing restoration and maintenance at the urging of his late aunt, who was director of development for the New York City Ballet. When Alexandre joined the chateau in 2011 after 20 years working as a mountain guide, she insisted it would be a success. “She really helped me, introduced me to her circle of friends and donors.”

Peter Marino Hosted October Gala

In October, famed architect Peter Marino cohosted the chateau’s glamorous fundraising gala along with Louis Vuitton CEO Pietro Beccari and philanthropist Christine Schwarzman. Marino is an old friend of Alexandre’s mother, Countess Cristina de Vogüé. Their friendship was the reason Marino decided to help out. “She hasn’t had the easiest time because her husband died and just did not leave a sufficient fortune to maintain such a large estate,” Marino said. “So they really do need to make these fundraising efforts and I can’t think of anything more worth it.”

Vaux-le-Vicomte only began holding galas in 2018 – last year’s was hosted by Christian Louboutin, also a close family friend – and Marino, a perfectionist, was hands-on with preparations. The leather-clad architect also gave the de Vogüés solid advice, including to hold the galas every other year, which makes it more desirable, and also easier for Ameri-

cans to fly over, lessons he learned as longtime chairman of Venetian Heritage.

“Little by little, we are putting Vaux-leVicomte onto a certain map, to raise the awareness about this place, to raise awareness of our mission,” said de Vogüé. “And that’s the whole point, that people realize how special this place is.” And those attending the galas, he said, fall in love. “They had no idea about the story that Vaux-Vicomte has with Versailles. And they realize it’s a whole huge enterprise to maintain this place, and they want to help. It gives us hope for the future.” P

vaux-le-vicomte.com

An Elegant ITALIAN Escape

Discover Italy’s dual charm – from Rome’s historic elegance to Sardinia’s coastline – on an unforgettable journey of culture and luxury.

BY LISA LOVERRO & CHRISTOPHER PAPE

Roman Elegance with French Flair

Atrip to Rome wouldn’t be complete without a visit to Villa Borghese, the city’s most enchanting green escape. This sprawling park blends natural beauty with cultural richness, offering serene gardens, and breathtaking views over the city.

On the edge of Villa Borghese, the Sofitel Rome Villa Borghese (sofitel.accor.com)is a

refined boutique escape in the heart of the Eternal City. Housed within a 19th-century Roman palazzo, the hotel blends Italian opulence with French flair – all curated by renowned designer Jean-Philippe Nuel. It’s prominent location in the heart of the city, allows for an almost 360-degree view, stretching across its historical center over to St. Peter’s Basilica, including views overlooking the Villa Borghese, making this an ideal retreat when visiting Rome.

The hotel’s design pays homage to its

Roman roots with baroque flourishes, while pastel tones and botanical prints echo the neighboring gardens. The atmosphere is that of a serene urban sanctuary – classic, yet undeniably contemporary. Each of the 78 rooms and suites is offers understated luxury with plush mattresses, marble baths, and bespoke touches like monogrammed pillowcases, room fragrance menus, and private terraces in the top-tier Prestige Suites, all with around-the-clock room service ensuring the city’s pleasures never pause. On the seventh floor, Settimo – the hotel’s rooftop

from the airport, Sofitel Rome Villa Borghese is where timeless Roman beauty meets modern-day indulgence.

Domitian, and the storied Tower of the Monkey. It’s a captivating way to fall in love with Rome all over again.

restaurant and bar – is a true showstopper. With sweeping views of the Vatican and Borghese gardens, it’s one of Rome’s highest and most picturesque dining spots. Sip a signature cocktail as the sun sets or linger over local dishes like Cacio e Pepe or Supplì alla Romana. For business travelers, the hotel offers intimate meeting rooms with curated experiences like wine tastings and French patisserie workshops. Wellness seekers can recharge in the fitness center outfitted with Technogym equipment. Nearby to the Trevi Fountain and Villa Medici, and just 20 miles

And, while in Rome, be sure to take a tour of Villa Medici, a masterpiece of Renaissance mastery. Home to the French Academy, its manicured gardens offer sweeping views of Rome. Stroll through sculpted hedges, ancient pines, and hidden fountains – an exquisite blend of art, architecture, and serene Roman beauty.

For those who prefer to see the city in an entirely new way, book a private walking experience with ArcheoRunning (archeorunning.com). Their “Hidden Rome” tour peels back the layers of the city through secret alleys and forgotten courtyards, stopping at lesser-known spots like Vicolo del Biscione, the subterranean Stadium of

A Jewel in Sardinia

Sardinia, the second-largest island in the Mediterranean is a destination of hidden coves, dramatic cliffs, and some of Europe’s most pristine beaches. Its interior is dotted with charming villages, archaeological sites, and the mysterious nuraghi – stone structures dating back to the Bronze Age. At the island’s southern tip lies Cagliari, the sun-drenched capital and cultural heart of Sardinia, with lively cafés and stylish boutiques.

In the heart of Cagliari, just across from the city’s bustling port and steps from the Via Roma, Hotel Palazzo Tirso Cagliari –MGallery (palazzotirsocagliari.com) is a 5-star boutique retreat that seamlessly

THIS ARCHITECTURAL GEM BRINGS THE ROMANCE OF ART NOUVEAU WITH A CONTEMPORARY ITALIAN DESIGN

blends heritage and modern luxury. Housed within a meticulously restored 1920s building, this architectural gem brings the romance of Art Nouveau with a contemporary Italian design. The result is a refined, tranquil hideaway that captures the spirit of Sardinia’s sun-soaked capital. With 85 rooms, including eight spacious suites and a presidential suite with sweeping bay views, the hotel offers comfort for every kind of traveler. Each room is outfitted with smart technology, plush bathrobes, curated mini-

travelers energized. Business guests are equally well served, with three stylish meeting rooms accommodating up to 90 attendees, and a chic beach club – Tirso Beach Club – just a short drive away at the famed Poetto beach.

bars, and spa-inspired bathrooms. Guests can indulge at two refined restaurants or sip signature cocktails on the rooftop bar, where views stretch from the medieval contours of Castello to the expanse of the Gulf of Angels. The rooftop becomes a front-row seat to the beauty of the island – a place to toast the sunset or savor a dinner under the stars. Wellness is also at the forefront on property. The hotel’s Spa by L’OCCITANE offers a peaceful haven of holistic treatments, while a state-of-the-art fitness center keeps active

While visiting the island, be sure to include a stop at Audarya Winery. Audarya, meaning “nobility of the soul,” is a Sardinian winery where heritage meets innovation. Run by siblings Salvatore and Nicoletta with guidance from their father Enrico, Audarya crafts expressive wines from native grapes. Rooted in respect and tradition, their modern style resonates with curious palates in Italy and beyond.

Whether you’re wandering the historic streets of Marina and Villanova, climbing to the Bastione Saint Remy, or escaping to the beach, Hotel Palazzo Tirso is your gateway to the vibrant soul of Cagliari – effortlessly elegant, warmly welcoming, and unmistakably Sardinian.

Norse Atlantic Airways Connects NYC to Rome in Style

Norse Atlantic Airways (www.flynorse.com) now offers a seamless gateway to the heart of Italy. Operating up to seven direct flights weekly between New York’s JFK and Rome, Norse Atlantic blends low-cost efficiency with long-haul comfort aboard its fleet of modern Boeing 787 Dreamliners. For those seeking a more refined airborne experience, Norse’s Premium Cabin delivers. Think wide, sleepready seats with an industry-leading 43-inch pitch, complimentary meals and drinks, and dedicated check-in for a smoother airport experience. Travelers are pampered with plush blankets, eye masks, and amenity kits, while in-seat USB chargers and more than 200 hours of entertainment ensure productivity or pure escapism at altitude. The airline’s ethos is clear: make intercontinental travel accessible, comfortable, and more sustainable – without sacrificing style. P

sofitelrome.com palazzotirsocagliari.com

Ultra Luxury Meets the Wild West

A Retreat to The Ranch at Rock Creek

BY LYNN KANE

the Ranch at Rock Creek is far from an ordinary luxury resort. It’s a once-in-a-lifetime retreat that combines the untamed beauty of the American West with unmatched sophistication and comfort. Nestled in the Gold Country outside Phillipsburg, Montana – between Yellowstone and Glacier National Parks – The Ranch offers a truly immersive escape into nature without sacrificing modern luxuries. Its allure lies in the flawless blend of rustic elegance and fivestar indulgence.

From the moment I booked my stay, Jesse, my dedicated concierge, took care of every detail to make sure my experience was perfect. My days were carefully planned, filled with incredible activities, and I instantly felt at home. The Ranch’s all-inclusive rates cover everything from gourmet meals and premium beverages to nightly entertainment and an impressive array of on-site activities – all within a completely private setting. Luxury SUVs and golf carts make it easy to explore the vast

that preserve its historical essence. This rustic charm is enhanced by luxurious accommodations and amenities that embrace the rugged beauty of Montana.

The transformation from a homestead to a world-class Relais & Châteaux destination is the vision of owner Jim Manley, an investment banker with a passion for adventure. Manley spent over 20 years searching for the perfect valley with a river running through it. His dream of a retreat that combines exclusivity with nature is realized in The Ranch’s 6,600-acre haven of unspoiled wilderness and carefully curated luxury.

property, with mountain and fat bikes available for personal use.

The story of The Ranch dates back to the late 1800s, during Montana’s mining boom. The region’s rich silver deposits attracted settlers, transforming the Philipsburg landscape with mines and homesteads. Today, The Ranch at Rock Creek stands as a testament to this frontier past, with original and carefully restored buildings

I stayed in one of the bespoke Granite Lodge rooms, conveniently located upstairs from the lounge and dining areas. Upon arrival, my room was stocked with my favorite wine, snacks, and a selection of beautifully bound books. I especially loved the luxurious bedding so much that I inquired about where it was from. Other accommodations include lavish log cabins and unique riverside “glamping” tents for those seeking a more immersive experience, each furnished with handcrafted décor and vintage Western touches.

For adventurers, The Ranch offers an impressive array of private activities, each designed for an intimate, personalized experience. Fly fishing on their world-class trout stream, which feeds into the renowned Clark Fork River, is a must. In hip waders, I caught my first brown trout with the help of Nathon, who spends over 200 days a year fly fishing. His hands-on guidance, from learning

to cast to releasing the fish back into the river, made the experience exhilarating.

Horseback riding through alpine meadows was my favorite activity, offering panoramic views of the ranch from up the mountain. Sam, the ranch manager, paired me with a horse named Jim, perfectly suited to my riding skill level. Riding through the wilderness, I spotted white owls, elk, and countless bird species. The ranch also hosts seasonal rodeos, adding to its authentic Western charm.

Shooting enthusiasts will find excitement at the expansive shooting ranges. Guests can

try their hand at pistols, rifles, and shotguns, with reactive targets – even bow and arrow stations where you can “hunt” bear, bighorn sheep, and elk (just not the real ones). Under expert instruction from Jim, who helped me choose a Benelli shotgun, I spent hours shooting at moving targets.

For guests who prefer a slower pace, The Ranch’s wellness offerings include a heated pool, yoga sessions, and The Granite Spa. The spa treatments incorporate local herbs and botanicals, providing a soothing way to unwind after an active day. I highly recommend the 90-minute CBD-infused massage, followed by a tub soak and sauna session.

Chelsea, my therapist, made each spa visit exceptional, and I found myself returning daily.

Each evening, happy hour from 5 to 7 p.m. was a highlight, featuring local craft beers, fine wines, and snacks (the onion rings were amazing). My favorite happy hour included Dominican cigars and whiskey pairings by the roaring fireplace in the lounge.

Dining at The Ranch centers around fresh, local ingredients sourced from nearby farms and ranches, with menus that change nightly. I enjoyed everything from pecan granola and bacon and eggs to Carolina

barbecued pork with Oaxacan sauce and collard greens, local grass-fed beef, trout, and huckleberry ice cream. The sommelier was not only incredibly knowledgeable but also engaging, offering wine pairings that enhanced each dish. With an impressive wine list featuring unique global selections, their recommendations added an extra layer of sophistication to every meal.

After dinner, the saloon was the place to go, with a lux four-lane bowling alley, a movie theater, pool tables, and karaoke. The friendly atmosphere among guests made socializing effortless, and I especially enjoyed sitting on their handmade saddle bar stools, sipping huckleberry mules and listening to local country bands.

The night before my departure, it snowed heavily, and I woke to a pristine, white-blan-

THE FRIENDLY ATMOSPHERE AMONG GUESTS MADE SOCIALIZING EFFORTLESS

keted landscape. I was told that winter at The Ranch is one of its best-kept secrets. Already, I was planning my return, as the Ranch offers 25 winter activities – from snowmobiling, horse drawn sleigh rides to ice fishing. The nearby Discovery Ski Area, with 67 trails and NO lift lines, added to the allure.

I can’t wait to go back. P

theranchatrockcreek.com

SHA Mexico

A 4-Day Reboot for the Burned-Out

BY LYNN KANE

Iwas on the verge – mentally drained, physically sluggish, and emotionally flat. When the opportunity arose to experience SHA Wellness Clinic’s new location in Mexico, I seized it. A four-day Rebalance & Energize program promised a comprehensive reset, and the proximity to home made it all the more appealing.

Located in Costa Mujeres, just north of Cancun, SHA Mexico is a sanctuary of sleek design and serene ambiance. The architecture is minimalist yet warm, with ocean

views that soothe the senses. From the moment I arrived, the atmosphere signaled a departure from the chaos of daily life.

This wasn’t a typical spa retreat. SHA’s approach is integrative, combining advanced medical diagnostics with holistic therapies. The program began with a thorough health assessment, including body composition analysis, cognitive testing, and cardiovascular evaluations. The goal was clear: identify imbalances and tailor treatments to restore vitality.

Over the next four days, my schedule was a curated mix of therapies and activities. Mornings started with miso soup and plantbased meals designed to nourish without overwhelming. Treatments included intravenous ozone therapy, acupuncture, infrared sessions, and hydroenergetic detoxes. Each was aimed at rejuvenating the body at a cellular level.

Physical activity was personalized. A functional assessment led to tailored training sessions – think TRX, Pilates, or aquagym

– complemented by cryotherapy to aid recovery. Mind-body practices weren’t overlooked; private sessions in yoga and meditation provided mental clarity.

The setting amplified the experience. Between sessions, I lounged by the infinity pool overlooking the Caribbean or strolled along the pristine beach. The environment was as therapeutic as the treatments.

By the end of the program, I felt a profound shift. The fog had lifted, energy levels surged,

and a sense of balance returned. The experience wasn’t just about temporary relief; it instilled habits and awareness that extended beyond the stay.

SHA Mexico’s Rebalance & Energize program is an investment in well-being. For those feeling depleted and seeking a structured, science-backed path to rejuvenation, it’s a compelling option. Four days may seem brief, but the impact is lasting.

shawellness.com

The Ocean Club

Picture this: You’re lounging on a private terrace, an ocean breeze rolling in as the turquoise waters of the Atlantic stretch endlessly before you. The scent of fresh sea air mingles with the aroma of a perfectly mixed martini, crafted by none other than Keith Cash, the best bartender in the Bahamas. Welcome to The Ocean Club, A Four Seasons Resort – a legendary retreat that has been synonymous with exclusivity, glamour, and understated elegance for over 60 years.

A Legacy of Luxury

Nestled on Paradise Island, The Ocean Club boasts an unparalleled sense of privacy with just 107 rooms spread across 35 lush acres. This exclusive haven has long been a favorite

A Four Seasons Resort: Timeless Luxury in Paradiseç

BY LYNN KANE

hideaway for celebrities and discerning travelers alike. It even played a starring role as a filming location in the 2006 James Bond film Casino Royale. But beyond its Hollywood appeal, the resort’s timeless beauty lies in its one-of-a-kind Versailles-inspired gardens and cloisters, a setting that transports guests to

another era of sophistication and romance.

Accommodations: Where Island Elegance Meets Modern Comfort

The Ocean Club offers an exquisite selection of accommodations, from its spacious Crescent Wing guestrooms and suites – redesigned in 2023 in soft, coastal hues – to the charming Hartford Wing, where rooms open onto tropical gardens or panoramic ocean views. For the ultimate in luxury, the resort’s beachfront villas and bungalows come with private plunge pools and seamless access to the pristine white-sand beach.

A Culinary Experience Like No Other

No visit is complete without indulging at DUNE by Jean-Georges, the resort’s signature restaurant. Fusing French-Asian flavors with

Bahamian seafood, every dish is a masterclass in culinary artistry. For a more laid-back dining experience, the newly enhanced Ocean Blu offers fresh, coastal cuisine with a side of ocean views.

Unforgettable Experiences

A visit to The Ocean Club would not be complete without a stop at the iconic Martini Bar, where Keith Cash, the resort’s legendary bartender, will mix up a classic Vesper or a bold Passion Fruit Chili martini. For those who prefer variety, the martini flight offers a trio of expertly crafted mini cocktails, each one a testament to Keith’s artistry. As you sip, take

in the elegance of the space, where history and modern luxury blend seamlessly.

Beyond the bar, the Versailles Gardens offer a tranquil escape. Walking through these French-inspired gardens, with their carefully manicured pathways and classical statues, provides a moment of peace and mental clarity. The scenery is transportive, evoking a sense of old-world European charm against a Caribbean backdrop.

For the ultimate relaxation, the awardwinning spa provides an oasis of tranquility. Set amidst lush tropical greenery, the spa

offers world-class treatments, from rejuvenating facials to signature Bahamian massages that melt stress away. Guests can further unwind in the resort’s heated pools, each designed to offer a unique ambiance –whether it’s an intimate adults-only retreat or a family-friendly lagoon-style escape with breathtaking ocean views.

Art lovers will be drawn to the stunning works of Jane Waterous, the resort’s Artist in Residence. Alongside her son Noah, Jane has adorned the property with captivating artwork, which can be admired in the lobby, Martini Bar, and Spa. The vibrant and expressive pieces add a distinct cultural touch to the resort’s ambiance, making each space feel like a private gallery.

The Verdict: A Caribbean Escape Like No Other

For those seeking a retreat that blends historic glamour with modern luxury, The Ocean Club is a must-visit. Whether you’re indulging in world-class dining, lounging by the infinity pool, sinking into the serenity of the spa, or basking in the warmth of the heated pools, every moment here is designed to be unforgettable. P

fourseasons.com/oceanclub

A Perfect Weekend Retreat

The Kimpton Taconic Hotel in Manchester Vermont

BY LYNN KANE

Nestled in the picturesque town of Manchester, Vermont, The Kimpton Taconic Hotel is the ideal luxury destination for a weekend getaway. Whether you’re looking to hit the hiking trails, carve down snowy slopes, or simply unwind, this boutique gem offers everything you need to recharge and reconnect with nature, loved ones, and even your furry friends.

Outdoor Adventures Await

For those who love the great outdoors, The Kimpton Taconic Hotel is perfectly situated. During the warmer months, the area’s hiking trails are a must-explore, offering breathtaking views of the Green Mountains. When winter rolls in, skiing enthusiasts will appreciate the hotel’s convenient shuttle service to nearby Stratton Mountain. This thoughtful perk makes it easy to enjoy a day on the slopes without the hassle of parking or long commutes.

Luxurious Comfort and Thoughtful Amenities

After a day of adventure, retreat to your beautifully appointed room at The Kimpton Taconic. The accommodations are spacious, comfortable, and designed to feel like a luxurious home away from home. Guests traveling with dogs will especially appreciate the hotel’s pet-friendly policies, which include a cozy dog bed, a water bowl, and a special welcome treat for your fourlegged companion.

Evenings are best spent by the roaring fireplace in the hotel’s inviting common areas. Gather with family and friends to play games, sip hot cocoa, and bask in the warmth and ambiance that make The Kimpton Taconic feel like an extension of your own living room.

Delectable Dining and Happy Hour Fun

Dining at The Kimpton Taconic restaurant, The Copper Grouse, is an experience to savor. The on-site restaurant serves a stellar

steak dinner that’s sure to impress even the most discerning foodie. For a more casual yet equally enjoyable option, don’t miss the daily happy hour from 6 to 8 p.m., where complimentary wine and popcorn create a relaxed and welcoming vibe. It’s the perfect opportunity to unwind and share stories of the day’s adventures.

Retail Therapy in Manchester

If you need a break from the trails or slopes, the Manchester Designer Outlets offer a fantastic way to spend an afternoon. Just a short distance from the hotel, the outlets boast an array of high-end and discount stores, ensuring there’s something for everyone.

Your Home Base in Vermont

With its unbeatable combination of outdoor access, luxurious accommodations, and thoughtful amenities, The Kimpton Taconic Hotel is the ultimate weekend retreat. Whether you’re here to hike, ski, shop, or simply relax by the fire, this charming hotel ensures your stay in Manchester, VT, is nothing short of unforgettable.

Pack your bags, leash up your pup, and head to The Kimpton Taconic Hotel for a weekend you’ll wish could last forever. P

taconichotel.com

SOCIAL SAFARI

Jude Law, Ann DexterJones, Mark Ronson, Andy Warhol, James Franco, Bella Hadid, Peter Thomas Roth, Julia Haart

C ouri

BY R.COURI HAY

Ann Dexter Jones’s Birthday Party

Writer Fran Lebowitz, Blaine Trump, and Nile Rodgers were among the pals of jeweler Ann DexterJones, who came to her birthday party at the Clemente Bar. Her husband, Mick Jones of Foreigner, greeted the guests, including Dorinda Medley, artist Marsia Holzer, and designers Francisco Costa, Wes Gordon, and Vanessa Noel, at the restaurant Eleven Madison Park. Jones’s children, music producer Mark Ronson, DJ Samantha Ronson, and Annabelle Dexter-Jones, who is in the TV show “Succession” and is engaged to Eleven Madison’s chef/owner Daniel Humm, were also in the room. Ann told the crowd, “In order for my new son-in-law to marry my daughter, he offered to give me this party. How convenient is that?” Ann also revealed, “I am writing a book. I was going to wait until some people died, but not everyone was cooperating, so my children told me to just tell the truth.” Jones, who knows everyone from Paul McCartney to Mick Jagger, promises it’s going to be a fun read. Her son, Mark Ronson, whose wife Grace Gummer, the daughter of Meryl Streep, just gave birth to a girl, provided the music at the party. Annabelle and Humm brought out the cake, and everyone sang happy birthday as one does even in a room full of rock royalty.

The Southampton Arts Center Commemorates 250 Years of the American Flag

The Southampton Arts Center (SAC) kicked off Memorial Day weekend with a historic exhibition, “Independency: The American Flag at 250 Years”. Curated by his torian John Monsky, the exhibition explores the American flag’s evolution over two and a half centuries, using rare and significant flags to tell the nation’s story. From a rare kerchief commissioned by Martha Washington in 1775 to flags flown during the Apollo moon landings, each piece offers a unique perspective on the nation’s past. The show is divided into four galleries: Introduction, featuring early American flags, Campaigns, Parades, and Protests, highlighting 19th-century political flags, Vietnam and the Moon, showcasing flags from the turbulent 1960s, and Sacrifice, honoring those who served in battle from the War of 1812 to Afghanistan. Each gallery pairs flags with contemporary photographs, drawings, and artifacts, immersing visitors in the eras these flags represent. As the United States approaches its 250th anniversary, “Independency” invites visitors to reflect on the flag’s role in shaping national identity. Through triumphs and tragedies, innovation and sacrifice, the flag remains a symbol of our country’s ongoing story. The exhibition runs to July 19th. SAC’s co-founders are Simone Levinson and J. Whitney Stevens, with supporters including Hilary and Wilbur Ross, Jamee and Peter Gregory, lighting artist Bently Meeker and Jean Shafiroff. southamptonartscenter.org

Hollywood is Hell

On the other side of the pond in Zurich, Switzerland, Bscher collaborated with Oscar-nominated

Ann Dexter-Jones & Annabelle Dexter-Jones

Photo: PMC

Jamee & Peter Gregory

Photo: PMC

& Bentley Meeker

Photo: PMC

Photo: Sabine Brauer

Simone & David Levinson Photo: PMC

Thomas Pierce & Keni Silva Photo: Getty

actor and artist James Franco for his “Hollywood is Hell” exhibition at one of her two Swiss galleries. Franco’s exhibition consisted of 28 monumental canvases and objects d’art reflecting destroyed posters on the street walls mirroring LA. The works, chaotic and visceral, serve as Franco’s visual interpretation of “a portrait of Los Angeles during Covid.” “Collaging all those different mediums and forms of expression: this is my way,” Franco said. “I started to make collages of new canvases on old canvases, then I repainted them. It became a kind of collage of my younger self with the new self. But the younger self was also, in a way, a product of Hollywood, when I was mostly an actor. So it is really my young actor self being repurposed and put into the collages.” Franco, a Yale PhD, poet, Gucci model, and longtime visual artist, has spent years cultivating an art practice that fuses painting, video art, and performance. He has previously exhibited at MOCA Los Angeles (Rebel, 2012) alongside artists like Paul McCarthy, Douglas Gordon, and Ed Ruscha, as well as in the Pace and Gagosian galleries. “Hollywood is Hell” marks Franco’s latest foray into the art world. Attendees included Lucas Bscher and Christina Gmurzynska. gmurzynska.com

Jude Law and Thomas Pierce Jude Law is in Riga, Latvia filming “The Wizard of the Kremlin” with Alicia Vikander, Paul Dano, and Zach Galifianakis. Thanks to the magic of movie makeup, the former star of “The Talented Mr. Ripley”, which Law made with Gwyneth Paltrow and Matt Damon, has become a perfect doppelgänger of Vladimir Putin. The film opens in Russia in the early 1990s, after the collapse of the

USSR, and follows Putin’s rise to power. Thomas Pierce, one of the film’s Executive Producers, was on the set and says that Law’s performance is already generating awards buzz by those who have seen the early footage. The producer, who is also the founder of the Children’s Oncology Support Fund (COSF), then headed to France for the Cannes Film Festival, which kicked off with screenings including “The Phoenician Scheme” with Scarlett Johansson, Tom Hanks, and Bill Murray. Pierce hosted a party for COSF at The Martinez Hotel. Joining him was “Emily in Paris” star William Abadie and former “Real Housewives of Beverly Hills” alum and model Keni Silva, who was with her boy- friend, Mohamed Hadid, the father of Bella Hadid. Silva was then honored at the Better World Fund Gala for her work with COSF . Pierce, a rising Hollywood power player, was also an Executive Producer of “The Brutalist”, which won three Oscars, including a Best Actor nod for Adrien Brody. cosffoundation.org

Colette Lumiere

Colette Lumiere, who dated art world bad boy Jeff Koons and was part of Andy Warhol’s Factory scene, is one of the most talkedabout female artists to emerge from the 70s and 80s. Along with her friends Jean-Michel Basquiat and Keith Haring, her work appeared in the streets, storefronts, and museums, including the MoMA, the Guggenheim, and PS1, where she was often topless as the audience watched her sleep in her satin jewel box installations. Colette opened an exhibition at Company Gallery on Elizabeth Street, where art lovers

included Julia Haart, photographer Adriane Stark, and Nevil Dwek. Colette is the subject of Emmy-nominated British filmmaker Nick Hampson’s new documentary, “Colette: Beautiful Dreamer”, currently making its rounds on the film festival circuit. The film’s producer, Jennifer Clement, President Emeritus of PEN International and bestsell ing author, devoted a chapter to Colette in her 2024 memoir, “The Promised Party”, writing, “Colette is a woman who turned herself into art.” The trailer is on YouTube. collectcolette.com

Peter Thomas Roth’s Mother Turns 102 Skincare mogul Peter Thomas Roth hired a private jet to take his mother, Carole Roth, to Las Vegas to celebrate her 102nd birthday with 17 family members and Julia Lemigova, a star of “The Real Housewives of Miami”. The festivities started off at Chippendales, where Carole received two lap dances that were so racy they got banned from TikTok. The lucky birthday girl was spotted gambling at the Wynn until 2 am, where she played three-card poker and won $1,500. The group, including her five great grandchildren, also took in the Michael Jackson show, “Michael Jackson: ONE”. Carole was recognized everywhere she went on the strip from her work as a model on QVC, where she uses her son’s Retinol Fusion PM on her perfect legs. As a present, Roth gave his mother her very first Birken bag, making her longtime dream come true. peterthomasroth.com

Wilbur Ross

Geary Ross Photo: PMC

Julia Haart Photo: PMC

Nevil Dwek

Join me on the following pages for a look back at the season’s best parties.

Colette Lumiere

Photo: PMC

Peter Thomas Roth, Brendan Roth, Ryan Roth & Carole Roth

Adriane Stark

Aspen Snow Ball Week

Robin Thicke, Zara Larson, Jay Leno, Christie Brinkley, Keni Silva & COSF

Founder Thomas Pierce

C ouri

BY R.COURI

The Children’s Oncology Support Fund

The Children’s Oncology Support Fund (COSF), founded by film producer and philanthropist Thomas Pierce, celebrated its 3rd Annual Aspen Snow Ball Gala at the St. Regis Aspen. Hosted by Jay Leno, the “Black Tie Fantasy” gala –titled Oh, The Places You’ll Go –raised $3.5 million for pediatric cancer research.

Christie Brinkley was honored with the Philanthropic Impact Achievement Award, and Rollie Jordan was posthumously recognized with the Community Leadership Award.

Guests included best-dressed Board Member Monica Elias; Monsters: The Lyle and

Menendez Story star Nicholas Alexander Chavez; Reacher’s Serinda Swan; Hunter

Doohan; Julieth Restrepo; Orange Is the New Black’s Jackie Cruz; Glee actor Nolan Funk; James Packer; and Princess Natalya Elisabeth Davidovna Obolensky, who splashed out $160,000 for a sculpture by Anthony James.

Co-presenting sponsors included ClinConnect – a company that connects cancer patients with clinical trials across the country – and Velocity Black, a concierge app service. ClinConnect’s founder Robert Maxwell and Lacey Nicole were spotted on the dance floor during Swedish pop star Zara Larsson’s concert. From L.A., In the Grove Music co-founder Darren Drew, a musician and producer, turned heads in a black-and-white Balmain ensemble. The night also featured a surprise performance by platinum recording artist Parson James.

Aspen Snow Ball Gala

The signature gala capped five days of events collectively known as Aspen Snow Ball Week. The festivities kicked off with a Benefit Concert hosted by Honorary Chair Brooke Burke, with performances by Robin Thicke and rising stars

Jiwon Ra Photo: Getty

McKinley & McKaelyn Guidry

Photo: BFA

Robert Maxwell

Photo: BFA

Orcutt & Rene Elizabeth Blythewood Photo: BFA

Nolan Gerard Funk & Nicholas Alexander Chavez Photo: BFA

Lexi, Keni Silva, & Robin Thicke Photo: BFA

Darren Drew, Monica-Elias, Vito DeJaneiro & Sabrina Dimaggio Photo: BFA

HAY

Luke K., Chloe Jane, and Alexis Silva in partnership with the Aspen Art Museum.

Events began with a highenergy “pre-game” takeover at Cloud Nine Alpine Bistro atop Aspen Highlands, followed by an educational panel at the Wheeler Opera House. Thomas Pierce hosted the Benefactor Dinner with DJ Julia Sandstrom at Jayma Cardoso’s Snow Lodge. The After Party and Sunday’s closing Super Bowl Party were held at the brand-new ZigZag Restaurant, owned by COSF founding board members Carly and Scott Weber.

Thomas Pierce – who is also the Executive Producer of this year’s Oscar favorite The Brutalist, starring Adrien Brody –alongside Scott and Carly Weber, Carla Maresca Eichler, Julianne Keil, Michael Orcutt, and Ashley Wyndham. Honorary Chairs were Christie Brinkley, Brooke Burke, and Rachel

The Snow Ball Gala raised funds for Children’s Hospital Colorado. COSF’s support of the pediatric cancer center fueled the sustainability of the Center for Cancer and Blood Disorders Family Wellness Program. These funds increased the number of licensed social workers offering psychosocial support, as well as licensed art and music therapists. Dr. Bob Casey, Director of the Wellness Program, remarked, “COSF has been like winning the lottery for us.”

Committee members in attendance included Peter Brant Jr., Gavin Brodin, Kelley Brodin, Janaina

Devieira, Monica Elias, Bryan Fogel, McKaelyn Guidry, Courtney Ivey, Clemence Janin, Bobby Kunkle, Kasey Lemkin, Janet Mandell, Savanna Mothner, Lacey Nicole, Cami Orcutt, Koehl Robinson, Landen Saks, Katherine Schelbert, model and author Keni Silva, and

Versace, Delvaux, and Alice + Olivia.

Gala Chairs and Co-Chairs included

Julian Polak.

Polak’s company, Maison Spoiled, donated the “Celestial Graduating Charm Bracelet,” which was featured in the auction. Other auction items were donated

Children’s Oncology Support Fund (COSF) The Children’s Oncology Support Fund raises money for programs, development, and research into less toxic therapies for pediatric cancer patients nationwide. COSF provides grants and pledges funding to donordependent patient programs across the country. The organization works directly with hospitals established nonprofits to build meaningful partnerships based on its core values: Transparency, Community, and Relevance.

cosffoundation.org

Zara Larsson

Photo: Getty

Janna Bullock, R. Couri Hay & Monica Elias

Priya Jain Photo: BFA

by photographer David Yarrow, Mr. Brainwash, the Ritz-Carlton Yacht Collection’s Evrima,

Sailor Brinkley

Hunter Doohan & Fielder Jewett

Photo: Getty

Thomas Pierce & Jay Leno

Photo: BFA

Brooke Burke

Photo: BFA

R. COURI HAY CELEBRATES HIS BIRTHDAY AT THE OPENING OF LA PIAZZA

The Story

Mayor Eric Adams came to help Man About Town R. Couri Hay celebrate his birthday at the opening of La Piazza at 20 East 49th St. Also in the mix were Muffie Potter Aston, Anne Dexter Jones, the wife of Foreigner’s Mick Jones, Lady Liliana Cavendish, designers Julia Haart and Nicole Miller, media mavens Adrian Leeser, Monica Elias, and Liz and Todd Shapiro, the artist Colette Lumiere, lighting guru Bentley Meeker, Judy and George Couri, Janna Bullock and his godchildren, attorney Eugenia Bullock and filmmaker and actor James Ginty. Master gardener Rob Urban festooned the staircase to the dinner in the hotspot’s private room, and topped the tables with fragrant white hyacinths in woven baskets. In a nod to the restaurant’s roots in Venice and their wall of elaborate Venetian carnival masks, the tables were decked out with white linen tablecloths, stenciled carnival masks in black, silver and gold, and matching confetti. Couri announced to the assembled that a donation had been made in their honor to God’s Love We Deliver to feed their clients with life-threatening illnesses.

His Honor told Couri he was sticking to his “plant-based” diet, so the hotspot’s critically acclaimed chef Fabrizio Barretta, who was flown over by owners Juljan and Ledjo Musabelliu from their flagship restaurant in Venice, Italy, made sure Mayor Adams got the right dishes. Ledjo, who was flying off to Greece to open a new outpost of La Piazza in Mykonos, was also celebrating his birthday with a group of seventy-five friends on the restaurant’s main floor. Adams was also overheard complimenting Couri on his white jacket with a border of blue poppies inspired by the host’s flower painting, a gift from

Ledjo Musabelliu, Todd Shapiro & Julian Musabelliu

Mayor Eric Adams & R. Couri Hay

Adrien Lesser & Monica Elias

Lexi Wolf, Angelica Cuddy & Sarah Gartner

Ann Dexter Jones & Janna Bullock

Nadja Sayej, D’yan Forest, Joshua Kokeny & Marsin Mogielski

Oliver Young & Eugenia Bullock

Joe Alexander & Janice Gardner Cecil

George Couri, Judy Couri, James Ginty & Fatima

Kerry Berlet & Dr. Anthony Berlet

Jean Shafiroff & Chris Pape

R. COURI HAY CELEBRATES HIS BIRTHDAY AT THE OPENING OF LA PIAZZA

his friend and mentor Andy Warhol. It’s the only way, really.

Others in the room nibbling on pasta with lobster, a white truffle risotto, branzino, and fresh slices of pizza from the restaurant’s gold-domed woodburning oven were Michael Gross, who said his new tell-all will be about St. Barts and the stars and billionaires that frequent its beaches; New York Daily News columnist Richard Johnson; travel writer Joe Alexander; NY Assembly Member Rebecca Seawright; Jean Shafiroff; Park magazine publisher Christopher Pape; private art dealers J and Tom Knapp; Herb Karlitz; Broadway babies Lilu Tobin, Becca Gotlieb, and Michael Witkes; AD100 designer TC Chou; wealth manager Sergio Nicolosi; attorneys Arthur Aidala and Dan Stock; top divorce lawyers Martha Cohen Stine and Harriet Newman Cohen; beauty editor Beth Landman and Lester Davis; dermatologist Howard Sobel; Forbes fashion editor Nadja Sayej; and buzzed-about plastic surgeon Dr. Tony Berlet and his podcaster wife Kerry Berlet, whose popular show Once Upon a Surgery features in-depth interviews with her husband’s patients; celebrity chef Andrew Molen and Vika Costa; and others of that ilk and stripe.

Society’s favorite photographer Patrick McMullan and his assistant Anton Andrieiev were kept busy all night snapping away the good and great.

Richard Johnson & Patrick McMullan

Muffie Potter Aston & R. Couri Hay

Vika Costa, Andrew Molen & Julia Haart

Rebecca Seawright, Nicole Miller & Vicki Schnepss

Lady Liliana Cavendish & Eyal