PORTFOLIO
PARASTOO FATHOLOLUMI
2012 - 2024

2012 - 2024
INTERIOR DESIGNER .
INTERIOR DESIGNER . ARCHITECHRAL ENGINEER
As an Architect and Interior esigner, I am passionate about both fields and am constantly expanding my knowledge. I get inspiration from the environment and nature to make my designs better. I Usually bring nature into the space to improve people’s spirits. My main focus in designing is meeting the needs of people of different ages and creating a sense of tranquility. With an open mind and a commitment to continuous learning, I aim for designs that harmonize aesthetics, functionality and well-being.
+98912 340 70 74
parastu.fath@gmail.com
parastu-fathololumi
Autodesk AutoCad
Adobe Photoshop
Adob Indesign
Revit
Sketchup
Autodesk 3ds Max
V-ray
Corona Renderer
Lumion
Rhino
Microsoft Office
Master of Interior Architecture
Pars University of Architecture and Art, Teharn, Iran
Score:18.60/20.00 . GPA:4.00/4.00
Bachelor of Architectural Engineering
Shahid Beheshti University
(National University of Iran (SBU)
Score:16.67/20.00.GPA:3.33/4.00
Diploma in Mathematics Physics
Soodeh High School
Score :16.90/20.00
Freelance Architect
Designing Architectural models
Barzehkar English Academy
Sales Consultant. Learning customer communication principles
Rost (furniture Store)
Sales Expert and Interior Designer
Providing interior decoration advice to customers. Negotiating with diverse employers. Getting familiar with different types of furniture, textures, and wood.
Consulting Engineers Company
Baft Behtestan
Intern, Assisted in designing and planning engineering projects
GRAPHIC PROJECT
Stationery Design
Tose Khazar Holding (MSK)
ICDL Certificate
Tehran Institute of Technology
Fathololumi, P., & Mohseni, A. (2024). Principles for designing age-friendly environments to enhance social sustainability and prevent Alzheimer’s among the elderly. Journal of Design Thinking. https://jdt.ut.ac.ir/article_96044.html
Sketching, Architectural Research, Graphic Design, Painting, Photography, Digital Art, Swimming, Editing, Traveling
English Farsi LANGUAGES
Supervisors: Dr. Sadria, Dr. Tahsildoost
It was a two-semester group project to design a 220m x 80m site, with an area of 4,800 square meters, including a 20-story office tower occupying a surface area of 6,000 square meters, a parking lot for 500 vehicles, and a bus terminal with a capacity of 20 buses.
In the first semester, we developed our proposal for the actual project with the greatest attention to the structure and construction regulations, as we were going to work on its construction document phase next semester.
During the next semester, the structure and details were accurately modeled and all construction documents were completed including structural drawings and HVAC drawings, wall sections, etc.
The floors are connected to a concrete shear core, which is essentially a large vertical column of reinforced concrete located in the tower’s center. The concrete shear core allows the perimeter structural steel columns relatively light.
For the terminal, the goal was to have no columns in the space and glass walls so passengers could see what was going on outside. So we designed x-shaped concrete columns and x-shaped beams.
Supervisors:
Dr. Mosudi Nezhad
The design site located in Evin was one of the oldest and most traditional areas of Tehran. Despite being in one of the most expensive areas of the city, this neighborhood had preserved its old texture. Most of the low-income residents whose houses were traditional, people knew each other and spent a lot of time socializing.
Phase 1: Designing the neighborhood as a whole and determining circulation and overall shape. Phase 2: Dividing the neighborhood into 4 parts and selecting one for more details.
I intended that each unit design be flexible and expandable so that due to the units’ small size, residents can make the best use of them. The important point was that all the units should be designed in such a way that they have a green space or a terrace, there is not much view from each unit to the yard of other units, but all units have a view to the common yard.
Phase 1: Designing the neighborhood as a whole
Site plan
Phase 2: Designing the selected area with more details (the corner section)
Exploitation of suitable southern light
Not having a view to the lower floor due to the stepped form in building
The location of the yard on the south side of the units
- Creating shade in the yard (North side of the yard)
+ Utilization of sunlight in the yard (South side of the yard)
Access to the units is separate from the yard privacy of the courtyards
Taking advantage of the north-south wind
Attention to the security of the collection Two entrances not facing each other
View of the units to the communal yard
Increasing the safety of children in the yard due to parental supervision of the units
Creating a full and empty space Playing with volume
Diagram
- having view of the units to the communal yard
Increasing the safety of children in the yard due to parental supervision of the units
- Not having a view to the lower floor due to the stepped form in building
Section
2021
Supervisors: Dr. Naeini, Dr. Mohseni
Global statistics show that the elderly population is increasing day by day. Urban parks, which serve as popular daytime leisure destinations for many seniors, play a crucial role in enhancing both their mental and physical well-being.
In the process of this design, effective factors in the prevention of Alzheimer’s disease have been investigated by relying on the role of urban parks on the social stability of the elderly. Designing a space that can help the elderly with effective presence in social arenas to strengthen memory and prevent Alzheimer’s disease.
Designing a suitable space for physical activities, mental activities, recreation, intergenerational interaction are among the things that encourage the presence of the elderly in social spaces.
1. Current status of the site / Rigid layout
2. Designing an environment that makes people of different ages feel good
3. Designing spaces with curves, more connection with nature
4. Considering the main spaces as circular
Recreational Activity
Social stairs
Social and intergenerational interaction
Making and displaying handicrafts
Coffee Shop
Storytelling for children
Meeting furniture
Exhibition of works
Stress Control
yoga
Relaxation benches
Physical Activity
Gardening
Golf
Group sport
Mental Activity
Mind games
Reading a book
Painting
5. Space design with various functions for different people, especially the elderly
By encouraging the elderly to participate in the community, their mental and physical health improves
Supervisors: Dr. Mohseni, Eng. Najafian
Since the bride and groom usually have to buy clothes from different places for their wedding ceremony, I decided to design a place where both the bride and the groom can try and purchase their clothes and shoes from the same place.
This project was designed in the third semester of Master of Interior Architecture for a commercial project in Zafaranieh, One of the streets in the expensive area of Tehran.
In fact, I chose this particular function due to the importance of need assessment and high earning in this area.
In the design process, I tried to create spatial hierarchies by the movement path, colors, and height of the spaces, so that while separating the space for the bride and the groom, they can also access each other.
Site Area: 350 m2
Location: Zaferanie, Tehran
Function: Commercial
Design Process
1. Volume partitioning for three different functions
3. Defining the communication path for commuting between spaces
Disadvantage: putting the entrance in the wrong place creating dumb space due to the winding interior corridors
Advantages: Focal point is in front of the entrance Splitting the space into two sections: the bride and groom parts
Chosen Alternative
2. Defining the input space in the middle of the volume
4. Defining different functions with different colors
Exterior Facade
Inspired by the dance of the Bride and Groom
Supervisors: Dr. Mohseni, Dr. Jalili
Pars Cafe was the first modern Iranian cafe and restaurant, a magnificent building that was built around 1330 on the northeast side of Lalezar Jamuri intersection. “Cafe Pars” is one of the last survivors of Lalezar’s glory era and has been introduced as one of the important historical works of Lalezar.
Lalezar Street is one of the oldest streets in Tehran. At the end of the Qajar period and the beginning of the Pahlavi period, it was a symbol of Iranian modernism and art, and it was called the Champs-Elysees of Tehran. Many theaters, restaurants, businesses, cabarets, crockery sellers, dress makers and cinemas are located on this street.
It was decided to design a post-modern style restaurant on the second floor of this building. The challenge was that we had to divide the space into parts so that people don’t encounter a large space at once, but instead experience different spaces step by step.
- Creating light shadow space by combining heavy and light volume
- Separation of spaces
Having a wide view of space
- Breaking the wide view by separating the spaces
- creating different experiences in the restaurant space
- Rotation of the central volume for better layout
- creating view to a central tree
- bringing nature into the space
Supervisors: Dr. Mohseni, Dr. Amir Jalili
High-tech buildings often have a wide range of materials reminiscent of industrial production. Steel, aluminum, glass, and concrete are commonly found in hightech structures. In this way, places with this style of interior design simulate industrial environments like factories.
In this project of the second semester of interior architecture, we were supposed to design a cafe with this unique style. This design required knowledge of high-tech style, so we studied the characteristics of this style.
The design was such that paying attention to the exposed structure, the use of special materials such as concrete and mostly neutral colors plus a sharp color became important.
Spaces:
1.Kitchen
2. Hidden Kitchen
3.Salon
4. Salon with Library
5. Restroom
It is a book cafe, a model that is a combination of a library and a coffee shop, where customers can enjoy a delicious cup of coffee while reading various books.
Supervisor: Eng. Iesa Taherianfar
Goal: Designing a flexible furniture with expandability inspired by an old object
Materials: Polyethylene benches, Metal bars, Phenolic Resin Balls
Dimensions and standards of seats:
Height: 46 to 51 cm
Depth: between 36 and 51 cm
Length: between 50 and 60 cm
Repair and maintenance:
Use of resistant materials in different weather conditions and possible damage
Safety and health:
It does not have a sharp edge
Vandalism:
The possibility of injury to skaters or pedestrians intentionally or unintentionally, pay attention to high resistance material
Urban Furniture Design inspired by an antique object
Original old Object
Function: Gray Stone Burner
Discovery Site: Neyshabur/ Iran
Period: 624 B.C.
Form: In the shape of a triangle with a circle in the middle
Current location: Museum of the Islamic era
Proportion
Form Creation Process
Modular Triangular Volumes Around Circular Rings
Supervisors: Eng. Pishahang
In the Interior Architecture Master’s course, several objects were made with different materials, which were very useful in knowing the types of materials, especially modern materials.
Since we students made objects with different materials, we had the opportunity to learn about different types of modern materials. For example, lightweight concrete was used to make decorative wall panels, table lamps, and wall clocks.
In addition, the coffee tables are made of epoxy resin and oak wood, and steel is used for the bases. In addition, we learned about different molding methods for making products.
1. Finding a sample on the Internet
2. Modeling with Rhino
3. 3D printing of two modules
4. Silicone molding
5. Molding modules with light concrete material
6. Putting the modules together
7. Final patina work
Material: Lightweight Concrete
1. Finding a sample on the Internet
2. Molding with two sections of Polyca pipes
3. Making the body of the lamp with light concrete
4. Body piercing
5. Connecting the lamp and charging wire in the right place
Material: Lightweight Concrete
Elements: wire + Spherical lamp + Plug Adapter
Technical Maps
1. Finding samples on the Internet
2. Preparation of wood and resin
3. Sanding the wood
4. Making resin with desired color
5. Molding the table and pouring resin around the wood
6. Cutting the table into three pieces
7. Polishing the surface of the tables
8. Painting the bases
9. Connecting the legs to the table
1.Finding samples on the Internet
2. Molding with cardboard
3. Placing the clock hand in the mold
4. Filling the mold with light concrete
4. Placement of battery and hands
Material: Lightweight
Concrete + steel clock hands + Battery+
2021Supervisors: Eng. Pishahang
I am very passionate about framing nature and always try to use it in my designs
Music Museum, Tehran
Sketching is my favorite hobby
Sketching with Watercolor, The interior of the music museum
I am fascinated by painting, and I have been painting with various kinds of methods since I was a child. From oil paint to stained glass and other methods