BOOK, MUSIC, LYRICS BY LAURENCE O’KEEFE & KEVIN MURPHY
BASED ON THE FILM WRITTEN BY DANIEL WATERS
HEATHERS THE MUSICAL WAS ORIGINALLY DIRECTED OFF-BROADWAY BY ANDY FICKMAN AND CHOREOGRAPGHED BY MARGUERITE DERRICKS
STARRING (IN ALPHABETICAL ORDER)
SOPHIE ELIZABETH CHEW, HEATHER CHUNG, FRANKLIN NOEL DING, FOO XI KAI, LOIC LASTENNET, ARIELLE LEUNG, KRISTEN LIN, AOIFE MORRISON, ROMANA RAIHAN, GASPAR TAN, KEMI TAN, SARAH TAN, MAXIMUS JACOB TARNOPOLSKY, TOH KAI KIAT BRYAN, LUCAS WAN, MEGAN EKKO WONG
MUSICAL DIRECTOR
JOANNE HO
LIGHTING DESIGNER
AMIRUL AZMI
VOCAL COACH NATALIE YEAP
SOUND DESIGNER DANIEL WONG
SET DESIGNER GRACE LIN
COSTUME DESIGNER MOE KASSIM DIRECTOR CALEB GOH
PRODUCED BY TRACIE PANG AND ADRIAN PANG
SINGAPORE AIRLINES THEATRE 21 JUNE 2025
The duration of the performance is approximately 135 minutes, including a 15 minutes intermission.
HEATHERS THE MUSICAL: TEEN EDITION is presented by arrangement with Concord Theatricals. www.concordtheatricals.com
Performance & rehearsal musical tracks provided by Right On Cue Services www.RightOnCueServices.com
DIRECTOR’S MESSAGE
High school films have had a long history particularly rooted in the culture of American adolescence. Early examples emerged in the 1950s with Gidget and Rebel without a Cause, growing in popularity over the next few decades with titles such as Grease, Bye Bye Birdie, Carrie, To Sir, with Love, Footloose, and The Outsiders. By the end of the 1980s, they had become a staple of the American film, thanks in no small part to John Hughes redefining the genre with classics like Ferris Bueller’s Day Off, The Breakfast Club, and Sixteen Candles. Heathers was written by Daniel Waters in 1989 and became an instant cult classic. It was intended to contrast the optimistic teen movies of the era, presenting a cynical depiction of high school imbued with dark satire.
Over the last 35 years, Heathers has managed to remain in the cultural zeitgeist thanks to the 2014 off-Broadway musical, based on the film. Interestingly, it now speaks to two separate generations – one that grew up on the film and another that grew up on the musical. Parents who loved the film are now finding a shared affinity with their children who adore the musical. With an upcoming return to New York in a brand, new production, I felt it was the perfect time to introduce this wickedly funny social satire to a Singaporean audience as part of Pangdemonium’s Triple Threats.
Triple Threats was created in 2014, over a decade ago, and has been a wonderful platform for budding young musical theatre performers to hone their skills. Much of the material and process has been tailored to each individual performer to allow them the chance to grow in their craft. This year, for the very first time, performers have been given the chance to use those well-honed skills in a full-length musical! Incidentally, Heathers debuted as a musical the year that Triple Threats was conceived!
The themes in Heathers have remained eerily relevant in present day. The musical is a bold, darkly humorous, and often sobering commentary on social hierarchy, mental health, and the dangers of power and popularity amongst teenagers and high school cliques. Rosalind Wiseman’s 2002 self-help book Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends, and Other Realities of Adolescence, (which became the premise for the 2004 teen film, Mean Girls), talks about the travails of navigating high school, handling patterns of aggressive behavior, insecurity, and the need to fit in. For me, I was that kid in high school that was constantly ostracized and bullied for being different. I think the unapologetic manner that the musical embraces these themes will give audience members pause as they attempt to make sense of the world of teenagers. Believe it or not, the scenarios may seem wildly fanciful but, in truth, are not that far from reality.
This musical was a beast to creatively helm but also brought immense joy in the journey. I would like to thank the entire production team who have worked tirelessly to bring this production to fruition, without which none of what you are about to see could be possible. A special shout out to the entire cast who worked sedulously to breathe life into their characters. They tell the story with humour, angst, joy, and immense heart.
I would also like to thank all of you for supporting Pangdemonium and the performing arts here in Singapore. Live theatre is an experience like no other so let’s continue to embrace it with childlike wonder and unmitigated joy! I hope you laugh, cry, gasp, and thrill at the performances!
Enjoy the show!
Dr. Caleb Goh Director of Triple Threats
ARTISTIC DIRECTORS’ MESSAGE
Dear Friends,
Welcome to Pangdemonium’s Triple Threats 2025!
Since 2014, our Triple Threats model has been in the form of an intensive two-week training programme in the disciplines of singing, dancing and acting, culminating in a showcase for friends and family. But this year we are raising the stakes (and raising the roof!) with a full-fledged musical, Heathers: The Musical (Teen Edition)!
One of Pangdemonium’s key missions is to nurture young talents in a safe, professional environment. Triple Threats gives aspiring performers an opportunity to discover and develop fundamental skills and techniques of musical theatre. And perhaps more significantly, we aim to empower these young folks to feel great about themselves, while having FUN!
To our wonderful Triple Threats Director Caleb Goh; our awesome Musical Director Joanne Ho; and brilliant Vocal Coach Natalie Yeap – thank you for your dedication, patience and hard work.
And to our young Triple Threats – you’ve all demonstrated commitment, discipline, energy, and passion, learned new skills, discovered more about yourselves, and grown in self-confidence. May this be a truly memorable step in life’s journey for each and every one of you. And, welcome to the Pangdemonium family!
Thanks to the dear friends and families of these young Triple Threats – with your support, encouragement and love, the world belongs to them!
Finally, we would like to express our heartfelt gratitude to our sponsors Diana Koh Foundation, Shaw Foundation, and The Grace, Shua and Jacob Ballas II Charitable Trust, whose support makes this programme possible.
Best regards,
Adrian & Tracie Pang Artistic Directors
TRIPLE THREATS 2025
Third Row: Gaspar Tan, Sophie Elizabeth Chew, Lucas Wan, Aoife Morrison, Maximus Jacob Tarnopolsky, Heather Chung, Arielle Leung
Second Row: Kristen Lin, Romana Raihan, Toh Kai Kiat Bryan, Kemi Tan, Megan Ekko Wong, Loic Lastennet
First Row: Sarah Tan, Franklin Noel Ding, Foo Xi Kai
QUOTES FROM THE CAST
(IN ALPHABETICAL ORDER)
Sophie Elizabeth Chew
I am currently a Year 2 Theatre student at School of the Arts (SOTA), and I fell in love with musical theatre at the age of 3. My interest was further developed after I watched School of Rock on the West End at age 7. Fun fact: three of my top five Spotify Wrapped songs last year were from Heathers: The Musical!
After such an amazing and fulfilling experience in Triple Threats last year, I was thrilled to audition again — especially for Heathers: The Musical (Teen Edition)! Being cast as Martha is an incredible honour, and I’m grateful for this opportunity to further develop my performance skills while growing as a performer in this production.
Heather Chung
Originating from Korea, I graduated from NAFA’s Diploma in Theatre (English Drama) in 2024 with the Best Graduate Award. I am currently honing my craft in LASALLE College of the Arts’s BA (Hons) Acting programme, where I continuously strive to deepen and refine my artistry.
I deeply love acting, dancing, and singing, and this is a wonderful opportunity to develop my skills in all three areas. Since I haven’t had formal musical theatre training before, I wanted to take this chance to explore this new field and grow as a well-rounded performer.
Franklin Noel Ding
I have been a passionate performer and musician since I was a child, obsessed with the musicals Ride The Cyclone, Chicago, and Cabaret. Having been in Sing’theatre’s productions of Grease (2024) as Doody, Aladdin (2024) as the Sultan, and The 25th Annual Putnam County Spelling Bee (2025) as Leaf Coneybear, I strongly believe in the transformative power of musical theatre.
I joined Triple Threats simply because I love to perform. I also love meeting like-minded people and making friends with them throughout the production process! Through this process, I will not only be able to improve my skills as a musical theatre performer, but also have lots of fun.
Foo Xi Kai
I am a Visual Arts student with a passion for musical theatre and often dabble in stage design. I’m currently training at The Voice Company and would love to thank my teacher, Ms. Johanna!
I wanted to join Triple Threats to begin my journey in musical theatre. It’s an amazing opportunity for youths to explore theatre and be involved in it. Everyone I’ve met is so kind and welcoming, which has really helped me navigate the unfamiliar aspects of theatre.
Loic Lastennet
Ever since I began singing at the age of 7, I’ve had the privilege of performing at the Singapore National Day Parade, ChildAid, the pre-show of Nathania Ong: Spirit of Giving, Pangdemonium’s Triple Threats in 2024, and most recently, at a recital in Carnegie Hall, New York.
Heathers: The Musical (Teen Edition) offers me the chance to explore bold characters and themes, and to grow as a performer while being part of a full ensemble. I am excited to help tell a story that is edgy, emotional, and meaningful, and to share this experience with the audience.
Arielle Leung
I’m Arielle, and I’m a Year 5 Music student at SOTA. I’m thrilled to be returning to Triple Threats this year as part of the cast of Heathers: The Musical (Teen Edition)! Outside of musical theatre, I enjoy various activities such as embroidery, tarot, composing, and journaling.
Being a part of Triple Threats has helped me grow and blossom into a better performer in a supportive environment, and I look forward to continuing to polish my skills alongside my fellow cast members. Truly, I couldn’t have asked for better company.
Kristen Lin
I am an aspiring actress and a recent graduate of Temasek Polytechnic’s Digital Film & Television course. I discovered my love for acting through my CCA, Teatro, performing in various school plays. Heathers: The Musical (Teen Edition) marks my exciting debut in musical theatre, and I’m thrilled to begin this new chapter!
I’ve always loved Heathers: The Musical, so joining this year’s Triple Threats felt like the perfect opportunity. It’s one of my favourite shows, and I’m excited to challenge myself, grow as a performer, and be part of such a bold, brilliant production alongside other passionate young artists.
Aoife Morrison
Hi! I am a first year student at SOTA. I participated in my first-ever dance competition in 2019 in Gold Coast, Australia, where I performed a musical theatre piece titled Never Grow Up from the musical Peter Pan. That experience further developed my love and interest in theatre, which led me to start auditioning for numerous productions.
I enjoy watching musicals — I am always fascinated and amazed by the raw talent on stage. I aspire to be just like these performers in the future. I am very grateful to be given the opportunity to participate in this musical and further develop my performance skills while making new friends and memories.
Romana Raihan
I have just graduated from Junior College and I am waiting to major in Economics at National University of Singapore. One of my earliest memories is watching The Lion King live, and musical theatre has been an integral part of my life since. My favourite musical is Falsettos, which embodies what musical theatre means to me — unabashedly human.
I’ve never been part of a musical production before, so I took this as a chance to fulfill what was once a pipe dream of mine. I’m incredibly grateful for the opportunity to develop my skills! Heathers: The Musical was my first favourite musical, and I can’t wait for it to be my first musical theatre performance too.
Gaspar Tan
I am Gaspar, an aspiring actor and musical theatre performer. Originally drawn to a career in science research and analytics, I discovered a deep love for the stage in 2023. This newfound passion led me to pursue formal training, and I am now enrolled in the Diploma in Performance at LASALLE.
I feel that this is a great opportunity for me to test myself and see how much I’ve grown over the past two years. Heathers: The Musical was actually the first musical I ever watched, and I’m beyond excited to revisit it as part of Triple Threats!
Kemi Tan
I have always had a passion for the performing arts. Since I was young, I’ve been attending classes, performances, and competitions to improve my craft. I’ve also watched many musicals! Musical theatre is important to me because of how magical it is.
My dream is to perform in a musical on the big stage. That’s why I chose to join Triple Threats — it feels like a dream come true! Being part of the magic that comes with staging a musical and performing with my friends on stage is an experience I will truly cherish.
Sarah Tan
I am studying theatre at SOTA, and my current favourite musical is Wicked, as so much emotion is portrayed in the songs, and it perfectly describes the feeling of being misunderstood and being the odd one out, as well as exploring the themes of friendship, betrayal, and grief.
I have always had a passion for singing and theatre, so when I found out that there was a programme that combined the two, I immediately signed up. I am so grateful for this opportunity to polish my skills and make new friends along the way.
Maximus Jacob Tarnopolsky
I love getting on stage and embracing the joy of performing. Raised in the US and Singapore, I’ve been drawn to acting and public speaking since starring in The Prince of Egypt at age 5. Now, I’m eager to expand my versatility and be inspired by Pangdemonium’s passionate performers.
As J.D. so wisely says, “Chaos is great, and it becomes a little magical when harnessed by vibrant creatives.” When the opportunity to participate in Triple Threats came along, I leapt at it. I’m eager to learn, lose myself under the tutelage of visionary artists, and embrace the chaos of the stage.
Toh Kai Kiat Bryan
I’m a 15 year old student at Swiss Cottage Secondary School, where I discovered my passion for musical theatre through my involvement in the Swiss Show Choir. Cabaret, Newsies, and Wicked are my favourite musicals. I am thrilled by how musicals capture audiences’ attention through song and dance. With the support of my family, teachers, and friends, I hope to continue pursuing my passion.
After my choir conductor introduced me to Triple Threats, I jumped at the opportunity. Being my first time in a musical, I’m excited to create lasting memories, meet new friends, and bring my talent to life on stage.
Lucas Wan
I discovered my passion for music at 14 and have pursued musical theatre ever since. Currently studying for a Diploma in Performance at LASALLE, I’m training to become a musical theatre artiste with aspirations to write and stage original musicals on Broadway, combining performance with creative storytelling.
It’s very hard to find opportunities to train in musical theatre and work with others who love it as much as I do, especially in Singapore. When I saw the chance to learn and be part of a local production, I went straight for it.
Megan Ekko Wong
Megan Ekko Wong
Hello, I’m 20 this year and currently pursuing a private diploma in Music Production and Audio Engineering. My first exposure to musicals were through online bootlegs of Heathers and coming across the opening number of Beetlejuice on Broadway. I was hooked instantly.
Hello, I’m 20 this year and currently pursuing a private Diploma in Music Production and Audio Engineering. My first exposure to musicals was through online bootlegs of Heathers: The Musical and discovering the opening number of Beetlejuice on Broadway. I was hooked instantly.
I auditioned for the Triple Threats Programme because I wanted to give justice to my younger self who was too afraid to pursue her passions, and prove that I can achieve anything I set my mind to.
I auditioned for Triple Threats because it felt like a sign when I saw that the company would be doing a production of Heathers: The Musical (Teen Edition). It felt like my life coming full circle — doing a production that introduced me to the wonderful world of theatre. I wanted to do justice to my younger self, who was too afraid to pursue her passions, and prove that I can achieve anything I set my mind to. I am truly grateful to the team at Pangdemonium for believing in my potential even before I fully believed in myself.
CREATIVE TEAM
Caleb Goh Director
Caleb graduated with a BA in Drama, from QUT (Australia), an MFA in Musical Theatre from SDSU (California), and a Ph.D. in Musical Theatre at WAAPA (Australia). He has worked professionally as an actor, singer, playwright, director, choreographer and dancer in over eighty stage productions, a dozen television series, and four feature films, both in Singapore as well as the United States of America.
For the past two decades, Caleb has directed over forty plays and musicals, and choreographed over twenty musicals, plays with music, and dance performances. Additionally, from 2006–2012, Caleb was the glee club director and choreographer at La Jolla Country Day School in California. In 2012, the Caleb Goh Dance Award was named after him to honor his contribution to the dance and musical theatre curriculum at the institution.
In Singapore, Caleb taught musical theatre history at LASALLE and directed and choreographed the musical theatre productions at the university. He was also previously the artist-in-residence, mentor and musical theatre lecturer at the College of Alice and Peter Tan at NUS.
In recent years, Caleb has held the position as the artistic director of the Grace Theater Company in New York. Website: www.calebygoh.com
Joanne Ho Musical
Director
Joanne is the first Singaporean to graduate from the Royal Conservatoire of Scotland with an MA in Music Directing. She was nominated for Best Musical Direction in Broadway World’s West End Awards. Joanne has worked extensively abroad, with credits spanning London, Scotland, Malaysia and Korea.
Selected music directing credits include Dear Evan Hansen; Fun Home (Pangdemonium); The LKY Musical (Singapore Repertory Theatre, Aiwei), Tick Tick Boom (Sight Lines); Spoonful of Sherman (Sing’theatre); In Pieces; The Box; Viral Songs: A Cycle (7/8 Musical Collective); Chicken Little, Red Riding Hood; Peter Rabbit; Three Little Pigs; Treasure Island (SRT’s Little Company); The Paiseh Pieces (Second Breakfast Company); The Addams Family (Edinburgh Fringe).
Other selected theatre credits include Wicked (International Tour); The Soldier and His Virtuous Wife (The Theatre Practice); La Vie En Rose (Sing’theatre); Urinetown (Pangdemonium); Aida (Limelight Productions, Scotland); Company (Dream Academy).
Natalie Yeap Vocal Coach
Natalie Yeap
Vocal Coach
Natalie Yeap is a Singapore-based actor, vocal coach, and musical theatre specialist with a passion for helping singers find their unique voice. A graduate of the Royal Academy of Music (Musical Theatre), Natalie’s performance credits include A Midsummer Night’s Dream with SRT, and she will next appear in their Fried Rice Paradise: The Makan Party.
Natalie Yeap is a Singapore-based actor, vocal coach, and musical theatre specialist with a passion for helping singers find their unique voice. A graduate of the Royal Academy of Music (Musical Theatre), Natalie’s performance credits include A Midsummer Night’s Dream with Singapore Repertory Theatre, and she will next appear in their Fried Rice Paradise: The Makan Party.
As the founder of Natalie Yeap Vocal Studio, she champions a safe, inclusive, and empowering space for singers to explore their artistry, with a focus on musical theatre & contemporary vocal styles. Natalie is also the resident vocal coach at SRT and the founder of two vibrant collectives: Broadway Belters and We’re Oquay, a queer performing arts platform.
As the founder of Natalie Yeap Vocal Studio, she champions a safe, inclusive, and empowering space for singers to explore their artistry, with a focus on musical theatre & contemporary vocal styles. Natalie is also the resident vocal coach at Singapore Repertory Theatre and the founder of two vibrant collectives: Broadway Belters and We’re Oquay, a queer performing arts platform.
Known for her warmth, eccentric humour, and clear technical guidance, Natalie believes in teaching with heart, empathy, and a good dose of unhinged musical theatre energy.
Known for her warmth, eccentric humour, and clear technical guidance, Natalie believes in teaching with heart, empathy, and a good dose of unhinged musical theatre energy.
Grace Lin Set Designer
Grace Lin Set Designer
Grace Lin is a designer of sets / environments for plays, musicals and film. She holds a Bachelor of Arts in Architecture from the National University of Singapore and a Masters in Design Communication from the Royal Melbourne Institute of Technology.
Grace Lin is a designer of sets and environments for plays, musicals and film. She holds a Bachelor of Arts in Architecture from NUS and a Masters in Design Communication from the Royal Melbourne Institute of Technology.
Set Designer: BURP (PLAYtime!);
National Day Charade, One Meter Square (Wild Rice); Por Por’s Big Fat Surprise Wedding (SRT); Little Mournings (The Finger Players); After Life, A Monster Calls (The Young Company); Nightwatchers (Juo Studios); The Odyssey, Two Weeks with the Queen (UWCSEA); Mixed (Theatreworks).
Associate Set Designer: Tick Tick Boom (Sight Lines); Dear Evan Hansen, Who’s Afraid of Virginia Woolf, Falling, Into the Woods, Doubt: A Parable, End of the Rainbow, Muswell Hill (Pangdemonium); psychobitch (Wild Rice); Cinderella (Singapore Ballet); 2:22 A Ghost Story, The Almighty Sometimes (SRT); 7 Sages of the Bamboo Grove (Toy Factory).
Selected Set Designer credits include BURP (PLAYtime!); National Day Charade, One Meter Square (W!ld Rice); Por Por’s Big Fat Surprise Wedding (Singapore Repertory Theatre); Little Mournings (The Finger Players); After Life, A Monster Calls (The Young Company); Nightwatchers (Juo Studios); The Odyssey, Two Weeks with the Queen (UWCSEA); Mixed (Theatreworks). Associate Set Designer: Tick Tick Boom (Sight Lines); Dear Evan Hansen, Who’s Afraid of Virginia Woolf, Falling, Into the Woods, Doubt: A Parable, End of the Rainbow, Muswell Hill (Pangdemonium); Psychobitch (W!ld Rice); Cinderella (Singapore Ballet); 2:22 A Ghost Story, The Almighty Sometimes (Singapore Repertory Theatre); 7 Sages of the Bamboo Grove (Toy Factory).
Amirul Azmi
Lighting Designer
Amirul Azmi is a Singapore and UK based Lighting Designer and Theatre Technician. He holds a Master of Arts in Collaborative Theatre Production and Design from Guildhall School of Music and Drama, London.
His lighting design credits include Ride the Cyclone, Once on This Island, and The Addams Family (LASALLE), Romeo and Juliet (Sight Lines), The Wonderful World of Dissocia (Wild Rice), Exponential Ir/relevance (Guildhall, London) and Epics Upended (Anystage Creative, France).
Amirul’s experience also includes international touring and festival work, where he has collaborated with a diverse range of creative teams across genres and disciplines. With a background in both technical production and creative design, he envisions using light to support storytelling and will continue to contribute his artistry, expertise, and collaborative spirit to the ever-evolving landscape of the arts and theatre industry.
Daniel Wong Sound Designer
Daniel Wong is a sound designer, composer and music producer. He graduated from Yong Siew Toh Conservatory of Music with a B.Mus (Hons) in Recording Arts & Science.
Sound design credits include Doubt: A Parable, People Places & Things; Muswell Hill (Pangdemonium), Disgraced; 2:22 — A Ghost Story; The Almighty Sometimes; Tuesdays with Morrie (SRT), Every Brilliant Thing; I And You (Gateway Arts), G*d is a Woman; Cafe (Wild Rice).
Moe Kasim Costume Designer
Moe received training in the performance arts with the SAF Music and Drama Company in the 1990s.
Moe’s credits for costumes in theatre include Snow White and the Seven Dwarfs, Jack and the Bean Sprout, The Magic Fundoshi, Singapore Theatre Festival 2008, 2009 and 2011, Happy Endings: Asian Boys Vol.3, Beauty World for Wild Rice. Victor Victoria with Laura Fygi for Zebra Crossing Production (2009). Dream Academy’s Broadway Beng series 1, 2 and 3, Dim Sum Dollies musical revue series: History Of Singapore, Kumar the Queen, Sing Dollar, Multiple Personalities Disorder, Cinderel-Lah. He also worked with Tom Hawkes in Mozart’s Cosi Fun Tutte, Leoncavallo’s Pagliacci and Puccini’s Gianni Schicchi, with David Edwards in Lehar’s The Merry Widow and with Andrew Sinclair in Verdi’s Aida for Singapore Lyric Opera. Jim Cartwright’s The Rise and Fall of Little Voice and David Henry Hwang’s Chinglish by Pangdemonium.
MUSICAL NUMBERS
ACT ONE
Beautiful
Veronica, Company
Candy Store
Heather Chandler, Heather Duke, Heather McNamara
Fight For Me
Veronica, Company
Candy Store Playoff
Heather Chandler, Heather Duke, Heather McNamara
Freeze Your Brain
J.D.
ACT TWO
Prom Or Hell?
Veronica
My Dead Gay Son
Ram’s Dad, Kurt’s Dad, Company
Seventeen
Veronica, J.D.
Shine A Light
Ms Fleming, Company
Lifeboat
Heather McNamara
Big Fun
Ram, Kurt, Veronica, Company
Dead Girl Walking
Veronica, J.D.
Hello, Veronica Company
Pain In My Path
J.D.
The Me Inside Of Me
Veronica, Heather Chandler, Officer Milner, Officer McCord, Principal Gowan, Ms Fleming, Coach Ripper, Company
You’re Welcome
Veronica, Kurt, Ram
Never Shut Up Again
Heather Duke, Kurt, Ram, Company
Our Love Is God
J.D., Veronica, Company
Shine A Light Reprise
Heather Duke, Company
I Say No
Veronica, Company
Hey Yo Westerberg
Heather McNamara, Company
Kindergarten Boyfriend
Martha
Yo, Girl / Meant To Be
Heather Chandler, Kurt, Ram, J.D., Company
Dead Girl Walking (Reprise)
Veronica, Heather McNamara, J.D., Company
Finale
(Seventeen Reprise)
J.D., Veronica, Martha, Company
REHEARSAL PHOTOS
REHEARSAL PHOTOS
REHEARSAL PHOTOS
CREDITS
CAST (IN ALPHABETICAL ORDER)
Martha Dunnstock
Heather Chandler
Veronica’s Dad / Officer Milner
Coach Ripper
Jason Dean (J.D.)
Ms. Fleming
Veronica Sawyer (Evening)
Officer McCord
Principal Gowan / Veronica’s Mom
Kurt’s Dad / Big Bud Dean
Veronica Sawyer (Matinee)
Heather McNamara
Kurt Kelly
Ram’s Dad
Ram Sweeney
Heather Duke
CREATIVE TEAM
Book, Music and Lyrics
Director
Musical Director
Vocal Coach
Set Designer
Lighting Designer
Sound Designer
Costume Designer
Sophie Elizabeth Chew
Heather Chung
Franklin Noel Ding
Foo Xi Kai
Loic Lastennet
Arielle Leung
Kristen Lin
Aoife Morrison
Romana Raihan
Gaspar Tan
Kemi Tan
Sarah Tan
Maximus Jacob Tarnopolsky
Toh Kai Kiat Bryan
Lucas Wan
Megan Ekko Wong
Laurence O’ Keefe & Kevin Murphy
Caleb Goh
Joanne Ho
Natalie Yeap
Grace Lin
Amirul Azmi
Daniel Wong
Moe Kassim
PRODUCTION & STAGE MANAGEMENT TEAM
Production Manager
Stage Manager
Assistant Stage Manager
Technical Manager
Wardrobe Manager
Sound Operator No. 1
Sound Operator No. 2
Sound Operator No. 3
Lighting Operator
Followspotter
Followspotter
Production Apprentice
Leah Sim
Koh Yi Wei
Alvan Tan
Ian Lee Jung Daeun
Raymond Goei
Katriel Tai
Leeyau Shi Min
Tan Yi Kai
Zai
Emily F. Soegijanto
On Yu Kim
PANGDEMONIUM TEAM
Artistic Director / Managing Director
Artistic Director / Producer
General Manager
Associate Director
Production Manager
Associate Production Manager
Company Stage Manager
Marketing Manager
Digital Marketing Executive
Marketing Executive
Relationship Manager
Business Development Manager
Ticketing Manager
Accounting Manager
Company Administrator
Production Apprentice
Ticketing Assistant
Associate Artist
PANGDEMONIUM BOARD
John Currie
Jacqueline Chan
Debbie Andrade
Dr. Jade Kua
Hanming Wang
Beatrice Chia-Richmond
Tracie Pang
Adrian Pang
Tracie Pang
Adrian Pang
Renee Tan
Timothy Koh
Leah Sim
Othman M. Yusof
Koh Yi Wei
Kristal Zhou
Richie Ryan
Qiang Qian Tan (QQ)
Guineviere Low
Annabelle Lim
Michelle Seetoh
Mariem Touahria
Hilmi Shukur
On Yu Kim
Ng Jaelyn
James Tan
ACKNOWLEDGEMENTS
Diana Koh Foundation
Shaw Foundation
The Grace, Shua and Jacob Ballas II Charitable Trust
Pangdemonium Theatre Company Ltd is a registered charity with IPC status. Registration number: 201229915M.
Pangdemonium Theatre Company Ltd is supported by the National Arts Council’s Major Company Scheme for the period from 1 April 2023 to 31 March 2026.
