Theatre To Think About
by Tracy Letts




Executive Producer
Penny Bank
Directed by Be Boyd

May 26 -
Theatre To Think About
by Suzan-Lori Parks
Theatre To Think About
by Tracy LettsExecutive Producer
Penny Bank
Directed by Be Boyd
May 26 -
Theatre To Think About
by Suzan-Lori Parks
Welcome to August: Osage County, Tracy Letts’ powerful, disturbing, and hilarious Pulitzer Prize-winning play that elevates family dysfunction to an art. We think you’ll be pleased to spend the next three hours with the Westons. We know you’ll be grateful that they are not your family.
By now you should have received your subscription brochure for the 2023-24 season. We urge you to subscribe or renew your subscription as quickly as possible. You won’t just be securing your seats, but making an important statement – that you support our organization, our mission, as a whole. You’re not just signing up for a particular slate of plays but endorsing all the other work we do, including our many educational and community engagement programs. In other words, you’re making a commitment to our institution and what we stand for. You're saying that professional theatre is a vital part of life, and that you want to see PBD continue to grow and flourish.
Of course, your subscription also assures that you’ll have the seats you want on the days you want them, and that you’ll pay less than you would for single tickets. We’re very excited about the upcoming season, as all five plays, each in their own way, have something to say about this unsettled time we’re living in. We believe strongly that it’s very important for theatre to be a pulpit for expression, to hold up a mirror to society, to get us talking. We hope you’ll be part of the conversation.
August: Osage County is, of course, the penultimate play of our 2022-23 season. We close with another Pulitzer Prize winner, Suzan-Lori Parks’ Topdog/Underdog, which opens on May 26. It’s a very different story of family dysfunction: a two-character play about the boiling sibling rivalry between two brothers, now in their 30s, who were abandoned by their parents as teenagers and forced to fend for themselves. Please join us for this trenchant tragicomedy.
Enjoy the show!
William Hayes Producing Artistic DirectorWe are enthusiastic about supporting Palm Beach Dramaworks. It is a truly valuable asset in our community. A key reason we moved to the West Palm Beach area is because of the wealth of cultural amenities here. When we were introduced to PBD (in that cozy Banyan Street theatre), we knew it was special. It brings all of us high quality productions, both new works and treasured classics. As producers, we have learned so much and have met extraordinary people. We feel we are members of the PBD family and want to do our part to help ensure that our theatre continues into the future with sustained vigor and stimulating productions.
– Marsha and Stephen RabbOur dear friend’s amazing set designs for Twelve Angry Men, The House of Blue Leaves, Billy and Me, and The History Boys, will live on in our memory.
August 8, 1947 - February 1, 2023
Our dear friend’s amazing set designs for Twelve Angry Men, The House of Blue Leaves, Billy and Me, The Cripple of Inishmaan, The History Boys, Les Liaisons Dangereuses, and Old Times will live on in our memory.
August: Osage County is presented by special arrangement with Dramatists Play Service, Inc., New York
August: Osage County premiered in June 2007 at Steppenwolf Theatre Company in Chicago, IL, Marthas Lavey, Artistic Director; David Hawkanson, Executive Director.
Steppenwolf’s production of August: Osage County opened on Broadway at the Imperial Theatre on December 4, 2007. It was produced by Jeffrey Richards, Jean Doumanian, Steve Traxler, Jerry Frankel, Ostar Productions, Jennifer Manocherian, The Weinstein Company, Debra Black/Daryl Roth, Ronald & Marc Frankel/Barbara Freitag, and Rick Steiner/Staton Bell Group.
“Lay Down Sally” (Eric Clapton, Marcy Levy and George E. Terry) ©(Renewed) Throat Music Ltd. And Eric Patrick Clapton administered by Warner-Tamerlane Publishing Corp. All rights on behalf of Throat Music Ltd administered by WB Music Corp. All rights reserved. Used by permission.
William Hayes
Producing Artistic Director
Sue Ellen Beryl
Managing Director
Theatre To Think About
by Tracy Letts DirectorWilliam Hayes
Executive Producers
Toni and Martin Sosnoff
Stage Manager
Kent James Collins*
Scenic Design
Michael Amico
Costume Design
Brian O’Keefe
Lighting Design
Kirk Bookman
Sound Design
Roger Arnold
Fight Choreographer David A. Hyland
Dinner at the home of Violet Weston is not for the faint-hearted. It is, however, a raucously good time for audiences of August: Osage County, Tracy Letts’ Pulitzer Prize-winning play. The centerpiece of this dysfunctional family drama, the dinner scene—like the play itself—is harrowing, hilarious, and ultimately devastating, as barbs and taunts and stings are hurled in a manner both over the top and all too real. Ever since the early days of previews at Chicago’s Steppenwolf Theatre in 2007, what happens around the family table at the end of the second act has engendered an audience response rarely encountered in contemporary theatre.
“In the beginning, the actors would come offstage buzzing with the audience,” says Letts. “They’d say, ‘It’s like a hockey match out there. It’s incredible.’ One of the things the actors were responding to was the breadth of experience out in the audience. Some people were holding their sides laughing. Other people were in tears, really upset by what they were seeing. And there was a lot of cross talk –people in the audience talking to one another during that scene, talking about the play to people that they didn’t even know. And not in an off-putting way, so that you wished they would just shut up. They were so caught up in what they were watching that they had to check in with their fellow audience members.”
August: Osage County is a big, bold tragicomedy that grabs the audience with its opening line – “Life is very long” – and holds on for a remarkably fast three-plus hours. Set in a large country home outside Pawhuska, Oklahoma, the play is about the pain family members inflict on each other and pass along from generation to generation. Causing most of the damage is the damaged Violet, a drug-addled monster of a mother. Her depleted husband, Beverly, who prefers drinks to drugs, walks out the door one morning and disappears. The Weston daughters and other family members gather around Violet, and the rancor and rage that spill forth have audiences laughing and cringing – often simultaneously – in horrified recognition.
The play is a “largely fictional” story of Letts’ family, and Violet is based on Tracy’s maternal grandmother. “She doesn’t talk much like my grandmother, but she hews
very closely to my grandmother’s attitude and manner,” he says. “My grandmother was a piece of work. When I gave the play to my mother to read for the first time, I was very nervous about what her reaction would be. And her first response after reading it was, ‘I think you’ve been very kind to my mother.’”
Letts says that the act of writing the play gave him “a new love and respect” for his grandmother. “I think that the generation of people that Violet represents, especially that generation of women, suffered an awful lot of damage. And some of them, as in the case of Violet, found a way to take it out on succeeding generations. At one point my mother gave me a gift of my grandmother’s diary from when she was about 13 years old. There’s nothing particularly remarkable about the diary. It’s the matter-of-fact, day-to-day experiences of a 13-year old girl living in poverty in Oklahoma. And its matter-of-factness makes it remarkable to me. She was just a little kid, with little kid ideas and dreams. And then I think about what she became as a result of her experiences, as a result of a lot of things that she went through.”
From the start, Letts envisioned August: Osage County as a huge, sweeping play. “I was telling a story based on experiences of my family and a lot of other families: Midwestern, Southern, Plains, Middle of America families,” says Letts, who is also a Tony Award-winning actor for his performance as George in Edward Albee’s Who’s Afraid of Virginia Woolf? “And as I was working out my story, I figured the best container for that story was the sprawling American drama, one that would take place over three acts and play out over a luxurious bit of time. So often when we get in the theatre we are told, ‘You’ve got to make it quick, you’ve got to get in and out.’ As an actor I’d done a lot of those pieces, and there was a part of me that started to rebel. Sometimes I really like that feeling of settling in to a long, good story, which makes for a rich, more luxurious theatre experience.”
August: Osage County is one of the most popular and critically acclaimed plays of the twenty-first century and has been produced all over the world. (There is also a well-received 2013 film adaptation with a screenplay by Letts and an all-star cast headed by Meryl Streep.) For all the accolades and awards, Letts says that the communal response of the audience means as much to him as anything. “That’s what I get most jazzed by,” he says. “It’s that shared experience. It’s the idea that we’re all in that room together, feeling these things, seeing things we recognize, or maybe being reminded of things we thought we’d gotten rid of. I hope audiences come away with that sense of community, not only with the people onstage, but the people sitting around them in the theatre.”
Palm Beach Dramaworks presents
by Tracy Letts(In Order of Appearance)
Beverly Weston..................................................Dennis Creaghan*
Johnna Monevata....................................................Ryffin Phoenix
Violet Weston............................................................Sara Morsey*
Ivy Weston..............................................................Margery Lowe*
Mattie Fae Aiken....................................................Laura Turnbull*
Charlie Aiken....................................................Stephen Trovillion*
Barbara Fordham.............................................Kathy McCafferty*
Bill Fordham..............................................................Bruce Linser*
Jean Fordham.............................................................Allie Beltran
Sheriff Deon Gilbeau............................................David A. Hyland
Karen Weston.................................................................Niki Fridh*
Steve Heidebrecht........................................Christopher Daftsios*
Little Charles Aiken.................................................Iain Batchelor*
August 2007. A large country home outside Pawhuska, Oklahoma, sixty miles northwest of Tulsa.
Production Crew
Stage Manager ............................................................................. Kent James Collins*
Assistant Stage Manager.................................................................... Tyler B. Osgood
Head Stagehand........................................................................... Caroline Castleman
Wardrobe Supervisor .............................................................................John Santillan
Head Electrician ...................................................................................... Addie Pawlick
(Beverly Weston) has been a member of the PBD family for more than ten years, and was recently seen as Juror 9 in Twelve Angry Men. He has done over a dozen plays here, including the world premiere of The People Downstairs (Mr. Koophuis), Freud’s Last Session (Sigmund Freud), Long Day’s Journey Into Night (James Tyrone), and Of Mice and Men (Candy). Among his other favorites are A Delicate Balance, The Pitmen Painters, American Buffalo, and The Weir. He has worked extensively in all media across the country and in Europe, appearing with the legendary Elizabeth Taylor in The Little Foxes in London's West End. He was seen on Broadway in the original productions of The Elephant Man and Neil Simon's 45 Seconds from Broadway. He has done more bad television than he cares to admit, but there were some good ones along the way, including Star Trek: The Next Generation, L.A. Law, NYPD Blue, and several appearances on Law & Order.
RYFFIN PHOENIX
(Johnna) is a Navajo and Omaha writer and performer. She was born and raised on the beautiful lands of the Navajo Reservation. Her passion for storytelling led her to train in the craft of acting at the Speiser/Sturges Acting Studio in Los Angeles. Ryffin has performed in several productions for Native Voices at the Autry Museum and the Yale Indigenous Performing Arts Program. Her most recent performance was in George R.R. Martin’s Dark Winds as Wanda McGinnis. She spends her free time writing short stories and screenplays.
SARA MORSEY (Violet Weston) is honored to make her PBD debut. Thirty-plus years in regional theatre include these most recent credits: rolling world premiere of Alabaster (Bib), Driving Miss Daisy (Daisy Werthan), And Then There Were None (Emily
Brent), Ripcord (Abby Binder), all at Florida Repertory Theatre where she is a member of the acting ensemble; The Year of Magical Thinking (Joan Didion) at GableStage. Other theatre affiliations include Actors Theatre of Louisville, the Hippodrome Theatre, Shakespeare & Company, and the Indiana and Kentucky Shakespeare Festivals. International credits include An Enchanted Land (Marjorie Kinnan Rawlings) at the Edinburgh Festival Fringe, Sex Female and I Like You, I Love You, Now Agree with Me with Black C Art Gallery at the National Palace of Culture in Sofia, Bulgaria. MFA in acting from the University of Louisville.
(Ivy Weston) was most recently seen at GableStage in Heisenberg. She last appeared at PBD in the filmed and live productions of The Belle of Amherst ; the film was included in The Wall Street Journal's year-end list of “The Best Theatre of 2021.” An award-winning actress, Margery has performed in New York and across the country in various national tours, as well as at Lincoln Center, the Kennedy Center, The Muny, Canadian Stage, the Fox Atlanta, Theatre Off Park, Sanford Meisner Theatre, Shakespeare Theatre of Maine, Kansas City Starlight, Stages St. Louis, Maine State Theatre, Stage West, and many others. Florida credits include Maltz Jupiter Theatre, Zoetic Stage, Caldwell Theatre Company, Coconut Grove Playhouse, Actors' Playhouse, Naked Stage, American Stage, Florida Shakespeare, Royal Poinciana Playhouse, Parker Playhouse, and Stage Door Theatre. As a company member of the famed Stratford Shakespeare Festival, Margery received a Tyrone Guthrie Award. She is a Carbonell Award winner, a Silver Palm winner, and was named New Times Best Actress and Broadway World Best Actress. Margery also works in film, television, and as a voice-over artist. margerylowe.com
LAURA TURNBULL
(Mattie Fae Aiken) has appeared at PBD in Indecent, The Cripple of Inishmaan, Zorba!, A Delicate Balance, The Effect of Gamma Rays on Man-in-theMoon Marigolds (with her daughter, Arielle Hoffman), and Jacques Brel is Alive and Well and Living in Paris (with her husband, Avi Hoffman). She was most recently seen in the world premiere of Michael McKeever’s American Rhapsody at Zoetic Stage, and Milk and Honey at The Wick Theatre. Laura has worked at nearly every professional theatre in South Florida (including Maltz Jupiter Theatre, Actors’ Playhouse, and GableStage), as well as on Broadway, Off-Broadway, in national tours, regional theatres, and on television and film. She is a proud, long-standing member of Actors’ Equity Association and SAG-AFTRA.
STEPHEN TROVILLION
(Charlie Aiken) is making his PBD debut. Broadway: Ted Cleveland, Jr. in The Young Man From Atlanta. Chicago: Drew in Eastern Standard (Joseph Jefferson Best Actor nomination), Ned Weeks in The Normal Heart at The Next Theatre, and Lucio in Measure for Measure at Chicago Shakespeare. Florida: Lord Sturman in The Clearing at Florida Stage, 16 seasons of City Theatre's Summer Shorts (two Carbonell nominations), Man in Now and Then at Actors’ Playhouse, and Papa Frank/Terrence Ray in American Rhapsody at Zoetic Stage. Oncamera work includes episodic television and commercials. Stephen has an MFA in acting from DePaul University, taught at the University of Wisconsin – Stevens Point, and is a member of AEA and SAG-AFTRA.
KATHY McCAFFERTY
(Barbara Fordham)
Previously at PBD: Blanche in A Streetcar Named Desire, Regina in The Little Foxes, and Rosemary in Outside Mullingar. She is thrilled to be back! Kathy recently starred in the
premiere of Ronán Noone’s Thirst, directed by Theresa Rebeck, at Dorset Theatre Festival and at the Origin 1st Irish Theatre Festival. Broadway/National tour: The Curious Incident of the Dog in the Night-Time. Off-Broadway: Lincoln Center Theater, 59E59. Regional theatre includes Williamstown Theatre Festival, Huntington Theatre Company, the Ahmanson Theatre, Arts Center of Coastal Carolina, Portland Stage, Premiere Stages, Cincinnati Playhouse in the Park, Bay Street Theater, Shadowland Stages, Repertory Theatre of St. Louis, Boise Contemporary Theater, Arkansas Repertory Theatre, and many others. TV/ Film: The Gilded Age, Little America, House of Cards, 30 Rock, Law & Order: CI, Law & Order: SVU, Dates Like This, The Onion News
BRUCE LINSER (Bill Fordham) was most recently seen at PBD as Juror 12 in Twelve Angry Men, Henk in the world premiere of The People Downstairs, and Artie in The House of Blue Leaves. This past summer, he played Jane/Lord Edgar in The Mystery of Irma Vep at Island City Stage. Other favorite roles include Man in Chair in The Drowsy Chaperone (The Wick Theatre), Cliff in Cabaret (Maltz Jupiter Theatre), Renoir in The Impressionists (Caldwell Theatre Company), and numerous roles at FAU’s Festival Repertory Theatre including Che in Evita, Bobby in Company, and Malvolio in Twelfth Night. As a director, favorite productions include Man of La Mancha and Avenue Q (MNM Theatre Company), and The Science of Leaving Omaha, Woody Guthrie’s American Song, and The Spitfire Grill (PBD). Bruce is also the manager of PBD’s The Dramaworkshop, dedicated to the development of new plays. brucelinser.com
ALLIE BELTRAN (Jean Fordham) is delighted to make her return to the PBD stage. She will be graduating from the University of Florida in the spring with BAs in theatre and economics (with a financial focus), and a minor in dance. Favorite credits include Eurydice (Eurydice), Cabaret (Fritzie, Sally understudy, Fight Captain), Fireflies (Narrator), A Christmas Carol (Ghost of
Christmas Past, Solicitor, Martha, Fred’s Wife), I Miss All My Entrances (Jess), Antigone (Eurydike, Antigone understudy), Michael Feinstein and the Palm Beach Pops (featured dancer), and, of course, Our Town (Rebecca Gibbs), her PBD debut. Special thanks to all the beautiful people that support her. Love you, Betty. Hi, Donna! Instagram: @allie.beltran
DAVID A. HYLAND
(Sheriff Deon Gilbeau, Fight Choreographer) is the Chair of the Theatre Department at Palm Beach State College. He was previously seen at PBD as The Visitor in The Spitfire Grill, Herr Fahrenkopf in The Night of the Iguana, Sam Craig in Our Town, Karl Lindner in A Raisin in the Sun, and Frank in All My Sons. Additionally, Dave was recently the fight choreographer for Twelve Angry Men and Almost, Maine, understudying the male roles in the latter. He has also been seen in South Florida at Theatre Lab, playing Roger in Tar Beach. Other notable credits include Edward in Someone Who'll Watch Over Me, Eddie in Fool for Love, and Benedick and Dogberry in a six-actor version of Much Ado About Nothing. David also performs regularly with an improv theatre group called Mod 27 and holds an MFA in acting from The Ohio State University.
NIKI FRIDH (Karen
Weston) is delighted to be returning to PBD, where she was previously seen in last season’s production of Almost, Maine. Niki has received two Carbonell Awards (and six nominations), and is a four-time recipient of the Silver Palm Award. Some of her memorable appearances include To Fall in Love, Most Wanted, and The Revolutionists at Theatre Lab; The Curious Incident of the Dog in the Night-Time and Trust at Zoetic Stage; Grounded and Vita & Virginia at Thinking Cap Theatre; White Rabbit Red Rabbit at Urbanite Theatre; The Book Club Play at Actors’ Playhouse; Summer Shorts 2014 at City Theatre; and Shorts Gone Wild 1, 2, and 3 at Island City Stage/City Theatre. Up next, she will be playing the title role at Island City Stage’s production of Tracy Jones. Niki is a proud member of Actors’ Equity Association.
CHRISTOPHER DAFTSIOS (Steve Heidebrecht) is delighted to make his PBD debut. OffBroadway includes Urban Stages, Theatre Row, John Houseman Theatre, Anne L. Bernstein Theater, Mint Theater, and Town Hall. Regional: TheatreWorks (Palo Alto), John Drew Theatre (Guild Hall), Chicago Dramatists, Shadowland Theatre, Forestburgh Playhouse, Luna Stage, New Century Theatre, The Gilbert. Film/TV: Law & Order, Law & Order: SVU, The Equalizer, Royal Pains, Conviction, A Haunting, Ball and Vase (opposite Austin Pendleton). Playwright: Lily, produced by NJ Rep, select monologues published by Applause Theatre & Cinema Books in The Best Men's Monologues from New Plays 2020; and Circus Dreams, produced by NJ Rep, published by Smith and Kraus in the 2018 Theatre Brut Anthology. Christopher recently finished shooting a co-starring role on FBI (CBS), and the lead in the feature film Get Real, which will be released on Amazon Prime later this year. He is a proud member of SAGAFTRA, Actors’ Equity, the Dramatists Guild, and The Actors Studio.
IAIN BATCHELOR (Little Charles Aiken) is delighted to be making his mainstage debut at PBD in such a monumental play. Most recently, Iain appeared in the New Year/New Plays Festival as Robert T. Lincoln in Bill Cain’s Crossing Ebenezer Creek. Notable theatre credits include Murder on the Orient Express (Actors’ Playhouse); The White Card (GableStage); The Rivals (Arcola Theatre, UK); Edward II (National Theatre, UK); Billy Budd (Southwark Playhouse, UK); Richard III, King John (Royal Shakespeare Company, UK); and King Lear (Leeds Playhouse, UK). Iain is known for his role as Thomas Seymour in the Emmy-nominated BBC series Wolf Hall (2015), as well as for his work on Doctors (BBC), The Coroner (BBC), and The White Princess (STARZ). Films include Allied (2016) and Assassin’s Creed (2016). Iain is also the voice of Marcus Stuyvesant in the award-winning video game series, Hitman (IO Interactive). Instagram: @iain___b
WILLIAM HAYES
(Director) is the producing artistic director and a founding member of PBD. He has directed some 50 productions for the company: his credits run the gamut of playwrights from A (Edward Albee) to Z (Paul Zindel), and include William Inge, Eugène Ionesco, David Mamet, Eugene O’Neill, Tennessee Williams, and August Wilson. Bill is the recipient of numerous awards, including the Florida Professional Theatre Association’s Richard G. Fallon Award for Excellence in Professional Theatre (2017), a Silver Palm Award presented by the South Florida Theatre League “for his outstanding work as Producing Artistic Director” of PBD (2014), and, with Sue Ellen Beryl, the REMY Pioneer Award presented by the South Florida Theatre League (2015). Bill served two terms as president of the Florida Professional Theatres Association, and is a national ambassador for The Actors Fund. He began his career as an actor, and returned to the stage earlier this season in PBD’s acclaimed production of Reginald Rose’s Twelve Angry Men.
(Playwright) received the 2008 Pulitzer Prize for Drama and the Tony Award for Best Play for August: Osage County. Other plays include The Minutes (Pulitzer finalist), Linda Vista, Mary Page Marlowe, The Scavenger’s Daughter, Superior Donuts, Man From Nebraska (Pulitzer finalist), Bug, and Killer Joe. Several of his plays premiered at Chicago’s Steppenwolf Theatre Company, where he has been a member since 2002. Also an acclaimed actor, Letts won the 2013 Tony Award for Best Leading Actor in a Play for his performance in a revival of Edward Albee’s Who’s Afraid of Virginia Woolf? He’s also appeared on Broadway in his play The Minutes, Arthur Miller’s All My Sons, and Will Eno’s The Realistic Joneses. A short list of his Steppenwolf credits includes David Mamet’s American Buffalo and Glengarry Glen Ross, Harold Pinter’s Betrayal, and Martin McDonagh’s The Pillowman. Letts has also written screenplays (including The Woman in the Window and the film adaptation of August: Osage County), and appeared on the big screen (Ford v Ferrari, Little Women, The Post, and Lady Bird ) and small screen (Divorce).
KENT JAMES COLLINS (Stage Manager) is grateful to be back for his second season at PBD, where he previously stage managed The Science of Leaving Omaha, Twelve Angry Men, The Duration, and Almost, Maine. Other credits include Norwegian Cruise Line, Universal Orlando Resort, The REV Theatre Company, Contemporary American Theater Festival, Delaware Theatre Company, Sacramento Theatre Company, and Florida Repertory Theatre. BFA in musical theatre, University of Central Florida. Creator of Half Hour Call on YouTube. Proud member of Actors’ Equity. Thanks to Bill, Sue Ellen, Lara, Tyler, and the entire PBD team. kentjamescollins.com
MICHAEL AMICO (Scenic Design) most recently designed the sets for The Science of Leaving Omaha, The Belle of Amherst, Intimate Apparel (Carbonell nomination), The Duration, Almost, Maine, The People Downstairs, Ordinary Americans, Fences, Indecent, Woody Guthrie’s American Song, Edgar & Emily, The Little Foxes, Sweeney Todd, and The Night of the Iguana (Carbonell nomination) for PBD. Previous seasons here include 1776, Picnic (Carbonell nomination), The Lion in Winter, Of Mice and Men, Talley's Folly (Carbonell Award), The Pitmen Painters, All My Sons (Carbonell nomination), The Beauty Queen of Leenane, The Gin Game, American Buffalo, Copenhagen, Private Lives, The Weir, The Chairs (Carbonell nomination), A Moon for the Misbegotten (Carbonell nomination), and Seascape. He has designed scenery for theatres throughout Florida, including Aida at Actors’ Playhouse, Dial M for Murder, and Deathtrap at Maltz Jupiter Theatre, Fully Committed at the Broward Center, As Thousands Cheer at the Kravis Center, Benedict Arnold at Florida Stage, Ten Unknowns at Florida Studio Theatre, and Beguiled Again at Riverside Theater.
BRIAN O’KEEFE (Costume Design) began designing for PBD in 2009, became costume shop manager and resident designer in 2015, and has designed over 60 shows here. He has received 11 Carbonell Award nominations, winning for Les Liaisons Dangereuses, The Lion in Winter, and A Doll's House, and was a Silver Palm Award recipient in 2022. A graduate of UNC-Chapel Hill, he spent his earlier career as a patternmaker for the Shakespeare Theatre in Washington, DC and major costume houses in New York, including Barbara Matera, Ltd.,
Parsons-Meares, Michael-Jon Costumes, and Eaves-Brooks. He was later resident designer, principal patternmaker, and shop manager for Seaside Music Theatre in Daytona Beach, spending 16 years designing over 75 productions and supervising 90 more. Other regional design credits: Playmakers Repertory Theatre, Orlando Repertory Theatre, Winter Park Playhouse, St. Augustine's Limelight Theatre, University of Central Florida. Other regional patterning credits: Alabama and Utah Shakespeare festivals, and Stages St. Louis.
KIRK BOOKMAN (Lighting Design) For PBD, he has designed The Science of Leaving Omaha, Twelve Angry Men, 4000 Miles, The Belle of Amherst, Intimate Apparel, The Duration, Almost, Maine, The People Downstairs, A Streetcar Named Desire, The House of Blue Leaves, Equus, Satchmo at the Waldorf, Lady Day at Emerson’s Bar & Grill, and Buried Child. Maltz Jupiter Theatre: Dirty Rotten Scoundrels, Thoroughly Modern Millie, and Glengarry Glen Ross. NYC: American Dance Machine at the Joyce Theater; Closer Than Ever at The York Theatre Company; Company with the New York Philharmonic starring Neil Patrick Harris and Patti LuPone (subsequently broadcast in movie theatres nationwide); Charles Busch’s The Divine Sister, Shanghai Moon, and The Tribute Artist. Broadway: The Sunshine Boys (with Jack Klugman and Tony Randall), The Gin Game (with Julie Harris and Charles Durning), and Gentlemen Prefer Blondes. San Francisco Symphony and PBS: The Thomashefskys with Michael Tilson Thomas. Many productions for Pittsburgh Public Theater and Cincinnati Playhouse in the Park.
ROGER ARNOLD (Sound Design) has been a freelance sound engineer and designer for over 35 years. He is a voting member of both NARAS (the Grammys) and the Audio Engineering Society (AES.org). Roger became an educator of music technology in 2006 and was the senior
music technology professor at the University of New Haven. During his tenure there, he designed and provided sound for The Rocky Horror Show, How to Succeed in Business Without Really Trying, and Spring Awakening. In 2018, he relocated to South Florida, and in 2019 he became sound engineer and resident sound designer for PBD, where his credits include The Science of Leaving Omaha, Twelve Angry Men, 4000 Miles, The Belle of Amherst, Intimate Apparel, The Duration, Almost, Maine, The People Downstairs, and Skylight. BA in music and sound recording, University of New Haven. MA in music technology, University of Newcastle.
TYLER B. OSGOOD (Assistant Stage Manager) is excited to be spending his second season with PBD. Regional credits include the One Humanity Tour (2022), The Science of Leaving Omaha, Twelve Angry Men, 4000 Miles, The Belle of Amherst, Intimate Apparel, The Duration, Almost, Maine, and The People Downstairs at PBD; The Sound of Music, Songs Under the Stars, The Very Hungry Caterpillar Show, Holiday Heroes 2019, A Christmas Carol 2019, and Sunday in the Park with George at ZACH Theatre; A Wrinkle in Time, A Christmas Carol 2018, Detroit ’67, and The Age of Innocence at McCarter Theatre. Tyler is a proud graduate of Texas State University, where he earned his BFA in theatre technology and production.
Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and state managers employed in this production.
AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.
“The child comes home and the parent puts the hooks in him. The old man, or the woman, as the case may be, hasn’t got anything to say to the child. All he wants is to have that child sit in a chair for a couple of hours and then go off to bed under the same roof. It’s not love. I am not saying that there is not such a thing as love. I am merely pointing to something which is different from love but which sometimes goes by the name of love. It may well be that without this thing which I am talking about there would not be any love. But this thing in itself is not love. It is just something in the blood. It is a kind of blood greed, and it is the fate of a man. It is the thing which man has which distinguishes him from the happy brute creation. When you got born your father and mother lost something out of themselves, and they are going to bust a hame trying to get it back, and you are it. They know they can’t get it all back but they will get as big a chunk out of you as they can. And the good old family reunion, with picnic dinner under the maples, is very much like diving into the octopus tank at the aquarium.”
—Robert Penn Warren, All the King's MenExecutive
Producing Artistic Director
Managing Director
Chief Financial & Operating Officer
Administrative
Business & HR Director
Development Manager
Director of Education & Community Engagement
Marketing Coordinator
Company & House Manager
The Dramaworkshop Manager
Box Office & Group Sales Manager
Assistant Box Office & House Manager
Box Office Assoiciate
Box Office Assoiciate
Production
Production Manager
Associate Production Manager/Audio Engineer
Costume Shop Manager/Resident Costume Designer
Resident Director
Resident Lighting Designer
Head Electrician
Head of Properties
Charge Scenic Artist/Carpenter
Wardrobe Supervisor
Assistant Stage Manager
Head Stagehand
Associates
Writer/Editor
Marketing Consultant
Bookkeeper
Poster Artwork
Graphic Designer
William Hayes
Sue Ellen Beryl
Rudina Toro
Lara Garcia
Linda Berman
Gary Cadwallader
Kenzie Frysztak
Pierre Tannous
Bruce Linser
Mark Sullivan
Darius Rivera
Desmond Lewis
Joseph Montagnino
Michael Amico
Roger Arnold
Brian O'Keefe
J. Barry Lewis
Kirk Bookman
Addie Pawlick
Doug Wilkinson
Rebecca Pancoast
John Santillan
Tyler B. Osgood
Caroline Castleman
Sheryl Flatow
Jennifer Sardone-Shiner
Themis Quiros
Paul Gaschler
Brad Brett
― Tracy Letts, August:
County
The law firm of Larmoyeux & Bone exclusively represents victims of automobile negligence, medical malpractice, product liability and other claims involving serious injury or death.
Chris Larmoyeux and Bill Bone are specialists in civil trial law as certified by the Florida Bar. The firm is located downtown at CityPlace, 550 South Quadrille Boulevard, Suite 200, West Palm Beach, Florida 33401. Tel: {561} 832-9400 www.LB-LAW.com
Our goal is to introduce the joy of writing for the live theatre to young people, and to give teens a creative voice in expressing their thoughts and ideas. Our program encourages students to write about subjects that are meaningful to them, and to give educators tools to incorporate playwriting into your theatre or language arts classrooms.
Emily Singer Dreyfoos School of the Arts
Aditya Jasti The Benjamin School
Bianca Borchers Park Vista High School
Sally Brown Somerset Academy Canyons
Abigail McMullen American Heritage School
Daniela Guarino American Heritage School
Abigail Trachtenberg American Heritage School
Oliver Shane William T. Dwyer High School
Kassidy Eaton Royal Palm Beach High School
Sophia Madden Royal Palm Beach High School
Sponsored by:
The live reading will be on Wednesday, April 26 at 7pm
Call (561) 514-4042 ext 2 or palmbeachdramaworks.org
$50,000
Bitasta (Vitti) Chaturvedi and Family
Cathy and Tom Farmer
Leah and Ed Frankel Foundation
Pamela and Robert Goergen
$25,000
Penny Bank
Roy Bartolomei and Peter Wronsky
Susan and Joe Biernat
Rebecca and Randell Doane
Monica and Scott Laurans
Diann and Tom Mann
Stephanie and John Pew
Wayne Shepard
Dan Sherbo and Tom Nixon
Stanley Waldshan, in Honor of Carole Waldshan
$15,000
Karen and Alfred Blum
Ann and Bob Hagelstein
Robin and Reuben Jeffery
Elaine and Larry Rothenberg
$10,000
Gail and Paul Altieri
Penny and Mitchell Beers
Atesh Chandra
Paul Bernabeo and David Cohen
Mary Jo and Vince Elhilow
Zee Jay and Jerry Greenspan
Rochelle and David Hirsch
Michael Hoagland and Joseph Kolb
Rand Hoch
Emma Horn
Judy Lewent and Mark Shapiro
Phyllis Cohen
Michael Collins and Jim Harshbarger
Esther Flaster
Eric Geller and Susan Metzler-Kirkman
Gayle Brody Jacobs
Emily and Naj Pervez
Zelda Mason
Sandra and Bernie Meyer
Thomas Moran
Linda and Jay Rosenkranz
Shari Santell
Madeline and Arnold Schuster
Arlene and Richard Siudek
Louise and Barry Snyder
Diana and John Weir
Ron Wetzel and Nathan Hench
Joseph and Susan Winter Zacherman
$5,000
Robyn and Dale Rands
Barbara Rosenberg
Esther and Ivan Schaeffer
Jody Sklar and Dana Fishkin
Judith and Howard Weiner
Adrienne Yorinks
Become a member with a minimum pledge of $5,000 over five years. For $1,000 a year, you’ll be recognized as a $5,000 donor in our playbill and on our website for the next five years. If you pledge $10,000, or $2,000 every year for five years, you’ll receive additional acknowledgement on our lobby wall. Gifts can be made from your IRA required minimum distribution (RMD) to receive a qualified charitable deduction (QCD).
For more information call Linda Berman (561) 514-4042 ext. 106 or email lberman@palmbeachdramaworks.org
Patrons Circle
Friend $5-$99
n Donor gift available at box office
Advocate $100-$499
Friend benefit plus:
n Listing on website and in our playbill
Artists Circle
Actor $500-$999
Advocate benefits, plus:
n Handling fees waived
Director $1,000 -$2,499
Actor benefits, plus:
n Exclusive ticket concierge service to reserve and/or exchange tickets
Playwright $2,500 -$4,999
Director benefits, plus:
n Invitations to meet the artistic team at exclusive vipbd events
n Two complimentary tickets to one Dramawise Act 1 and Act 2 per season
Associate Producer $10,000
Playwright benefits, plus:
n Invitation for two to one Opening Night exclusive reception with the Producing Artistic Director.
n Parking validation for one car in the Banyan Garage for all mainstage productions
Producer, Costume, or Set Sponsor for one mainstage production
$15,000
Associate Producer benefits, plus:
n Half-page playbill recognition with photo
n Invitation for two to meet costume and set designers
n Additional curated benefits such as:
- Invitation for two to the cast meet and greet
- Invitation for two to first read-through Executive Producer of one mainstage production $25,000 Producer benefits, plus:
n Full-page playbill recognition as sole Executive Producer with photo
n Additional curated benefits such as:
- Invitation for two to the technical rehearsal
- Invitation to lunch with the play’s Director or Producing Artistic Director
For more information and details on benefits, contact Linda Berman at 561-514-4042 ext. 106, or email lberman@palmbeachdramaworks.org
sales cover less than half of our annual
Your help is critical to our success.
I / We would like to make a tax-deductible contribution to Palm Beach Dramaworks!
Gifts of $100 or more will be recognized in our playbill for one year from the gift date.
A QCD is a tax efficient way to support a charity and satisfy your annual required minimum distribution (RMD). Once you reach RMD age, the money you send from your traditional IRA to a qualified charity counts towards your RMD but isn’t subject to federal income tax.
Please return this form to the Box Office, or via mail to:
Palm Beach Dramaworks
201 Clematis Street West Palm Beach, Florida 33401
Your donation is greatly appreciated!
Palm Beach Dramaworks is a 501(c)(3) not-for-profit corporation and gifts are tax-deductible to the extent provided by law. Federal tax ID #65-1040048. A copy of the official registration and financial information may be obtained from the Division of Consumer Services (800-435-7352 within FL). Registration does not imply endorsement by the state. Registration #CH15836.
$100 -$499
$500-$999
$1,000 -$2,499
$2,500 -$4,999
$5,000 - $9,999
$10,000 - $14,999
$15,000 to $24,999
$25,000 and above
Please contact me/us about all giving opportunities.
Please let us know if you plan to:
Add PBD as a beneficiary for a life insurance policy
Other
I/We have already included Palm Beach Dramaworks in our estate plan. Please list my/our name as follows:
Donor Recognition Name
Enclosed is a check for $ Check # (Payable to Palm Beach Dramaworks)
Please charge my credit card Monthly: $
One time, full amount: $
Visa MasterCard AmEx Discover
Name on Credit Card
Credit Card Number
Security Code
Signature
For more information call Linda Berman at 561-514-4042 ext. 106, or email lberman@palmbeachdramaworks.org
Exp. Date
Your generosity keeps the curtain rising!
$100,000 and Above
Nancy and Gene Beard
Susan and Joe Biernat
Robert Popolow
State of Florida Division of Cultural Affairs
The Cultural Council of Palm Beach County
$50,000 - $99,999
Penny Bank
Susan Ellerin and Charles Lieppe
Bob Spiegel and Jackie Grimm
Gilbert Maurer
Anonymous
Sally Nathanson
$25,000 - $49,999
Margaret and Robert Blume
Tina and Jeff Bolton
Stephen Brown and Jamie Stern
Impact 100
Diane and Mark Perlberg
Shubert Foundation
Toni and Martin Sosnoff
Oblio and Barry Wish
Marsha and Stephen Rabb Donations received
Your generosity keeps the curtain rising!
$15,000 - $24,999
Ruth Baum
Hermine Drezner
Susan and Larry Goldfein
Goodes Family Foundation
Eric Friedheim Foundation
Judy and Lew Kramer
Michael McCafferty and Joseph Horton
Sandra and Bernie Meyer
Lawrence Sanders Foundation
Marlene and Marty Silver
Mimi and Frank Walsh
$10,000 - $14,999
Joanna and Ben Boynton
Honorable Ann Brown
Ann and Robert Fromer
Beverly and Stuart Halpert
Priscilla Leslie
Mary Lupo and Edward M. Ricci
Anonymous
Beverly Myers
Robert Nederlander
Bernard Perry
Arlene and Aarne Reid
Louise and Barry Snyder
$5,000 - $9,999
Patti Silver and Leonard Ackerman
Diane and Andy Berk
Daft Family Foundation
Esther and Sid Dinerstein
Joan and David Genser
Priscilla Heublein
Sherry and Stephen Jacobs
Marilyn Meyerhoff and Samuel M. Feldman
Cynthia Nalley
Charles Orozco
Barbara Prine
Donna Reynolds
Peter Rezzonico
Martie and Bob Sachs
Rates vary by location
Banyan Garage: 200 Banyan Blvd. between Olive Ave. and Narcissus Ave. = 3 minutes
Datura Garage: 205 Datura St. between Narcissus Ave. and Olive Ave. = 3 minutes
City Center Garage: 199 N. Dixie Hwy. on Southwest corner of Dixie and Banyan Blvd. = 5 minutes
Governmental Centre Garage: 215 N. Olive Ave. between Dixie Hwy. and Olive Ave. = 5 minutes
Governmental Center 4th Street Parking Lot: 315 3rd St. between Dixie Hwy. and Olive Ave. = 6 minutes
Evernia Garage: 333 Evernia St. between Olive Ave. and Dixie Hwy. = 6 minutes
Waterfront Clematis Garage: 101 Clematis St. with entrance on Southeast corner of Banyan Blvd. and Narcissus Ave. = 3 minutes
PARKING LOCATIONS AND PRICING: downtownwpb.com/parking
FREE TROLLEY: downtownwpb.com/trolley-2
FREE RIDE CIRCUIT: ridecircuit.com/palmbeach
Palm Beach Dramaworks does not own or run any of the parking lots, garages, or valets in the area. All parking is privately or city operated and monitored. Rates posted may change without notice. Parking anywhere downtown without payment will result in cars being booted or towed at the owner’s expense.
$1,000 - $4,999
Beth Alcalde
Madeline and Stephen Anbinder
Edwige and John Bade
Michael Bakst and Tim Harris
Judy and Sam Barker
Sherry and Tom Barrat
Roy Bartolomei and Peter Wronsky
Jameson Baxter
Karen and Alfred Bearman
Linda and Keith Beaty
Janet Bent
Barbara Blanck
Bill Bone
Brooks Family Foundation Anonymous
Roy Cacciaguida
Loretta and Bob Comfort
Susan and John Connor
Lucy W. Cook
Gail and John Cooney
Karol and Paul Costa
Melissa Ann Coyne
Mary Jo and Vince Elhilow
Arlene and Glenn Englander
Susan and William Fink
Renate Franco
James Fuld
Maggie and John Gagliardi
Sandra and George Garfunkel
Joan Gelch and Morris Weintraub
Toby Gluckstern
Anonymous
Mary Cirillo-Goldberg and Jay Goldberg
Sandra and Paul Goldner
Rona Goldstein
Roe Green
Rachel Grody
Byron Gross and Ricky Tovim
Alice Gross
Allison and Stuart Haft
William Harris
Joann and Forrest Hayes
Carla and David Herwitz
Phyllis Hopman
Jean Hutchison
Jeanne Kanders
Daniel Kaufman and Timothy Beaver
Vicki and Chris Kellogg
Susan and Charles Kiernan
David Kimmel Foundation
Lisa Koza
Wesley Lauer
Marsha and Henry Laufer
Monica and Scott Laurans
Arlene Lazarus
Patricia Lebow
Sidney Lesowitz and Peter Rogers
Ellen Levy
Judy Lewent and Mark Shapiro
Terry and David Liddell
Ibby Lucas
Virginia Lynn
Macy's Inc.
Stephen and Emily Magowan
Barbara and Eric Malkin
Pamela and Brian McIver
McNulty Charitable Foundation
Jeri and Charles Muoio
Elsie and Dick Myers
Sally and Bob Neumann
Elinor and Harold Oertell
Lenore Orlowska-Warren and Donald Warren
Palm Beach County Human Rights Council
Mary Ellen and Michael Peyton
Norman Resnick
Elizabeth and Gerald Rorer
Carrie and Stan Rosenbaum
Barbara Rosenberger
Linda and Jay Rosenkranz
Jeff Rosenkranz
Linda and Harold Rosenson
Carol and Joseph Rosetti
Fran and Leon Sachs
Donna Marie Schooley
Susan and Charles Schwartz
Lindalee and Robert Scrivener
Caroline and Bill Shepherd
Julia and Wayne Shovelin
Phyllis and Herbert Siegel
Linda and Don Silpe
Culver Smith and Donna Marks
Smith, Ball and Baez Injury Lawyers
Lois Steinberg
Karin and John Strasswimmer
Gunster
D'Vera Topol
Frances and Robert Weisman
Lois and Barry Weiss
Robin and Richard Abedon
Sherry Norris and John Bauman
Nancy and Peter Berkley
Penny and Harold Blumenstein
Nancy and Peter Brown
Paul Bernabeo and David Cohen
Laura Cole
Martha and Milt Dalitzky
William Deskin
Mikella Di'Siena
Harriett Eckstein
Stuart and Lynn Edinoff
Elaine and Thomas Ermolovich
Beth and Rich Fentin
Willie and Jerod Field
Pam and Don Ford
Anonymous
Eric Geller and Susan Metzler Kirkman
Anonymous
Linda Agnolucci
Deanna and Bernard Albert
Joan and Jay Albert
Doris and Harry Albirt
Diane and Peter Arnet
Beth Baker
Joan Balfour
Michele and James Banker
Helene Barnett and Howard Rubin
Catherine and Steven Barre
Susan Bauchner
Nadine Bederson
Nancy and Mark Bender
Barry Benjamin
Ron Wetzel and Nathan Hench
Louise Ross and Bruce Wolf
Lee Wolf and Jordan Cohen
Diane and John Wren
Marcy and Jack Zeltzer
Brenda Kulick and Jay Gettinger
Virginia Gibson
Howard A. Grossman
Marcia Halpern
Michael Hoagland and Joseph Kolb
Judith Hochroth and Allan Green
Enid Hoffman
Sherry and Michael Hyman
Gayle Brody Jacobs
Barbara and David Jenkins
Patricia and William Jordan
Debra Kelly-Ennis and Joe Nestic
Nancy and Paul Knapp
Marjorie and Sheldon Konigsberg
Phyllis and Larry Kushins
Wendi Levine and Hall Sisson
Judy Linser
Nancy and Paul McKenna
Nancy Beren
Maryellen Bereson
Ellen Bernstein
Bob and Cherrie Bierley
Nona Redding Bilionis
Lori Black
Margaret and Matthew Blake
Jane Bloom
Bill Blumberg
Fran and Stanley Bogarty
Susan and Paul Brenner
Gail and Marc Bressler
Roslyn and Alan Brilliant
Audrey Brody
Helene and Ken Brower
Bonnie and Bob Buchanan
Kari Floren and Michael McKenzie
Thomas Meier
Joan and Carlton Moody
Carolyne New
Martha and Ward C. Parker
Luann and Bill Parmelee
Joseph O. Rubinelli, Jr.
Elizabeth and John Santoro
Anita and Bob Seidemann
Francine and Art Siegel
Barbara Sommers
Jayne Suskin
Connie and Vincent Tamburo
Elissa Terry
Donna and Charles Ward
Donna and Malcolm Wattman
Kimberly and Roger Yaseen
Philip Buttaravoli
Dennis Butz and Susan Gould
Brenda and Gary Caplan
Iris Capobianco
Carol L. Carnevale
Rebecca Cavanaugh
Eileen and David Chernoff
Phyllis Cohodes
Barbara Considine
Sandra and Lowell Cook
Dennis Creaghan and Deborah
Esposito
Silvana Darlington
Janet and David Desmon
Genevieve Dole
Margaret Donnelley
Lawrence Dougher
Louise Dougher
Sally Drob
Linda and Philip Dunmire
Cheryl Dunn Bychek
Dana Egert
Shelly and Neal Ehrenberg
Karen and Jay Eliezer
Janet L. Ellis
Susan and Royce Emley
Marie and Geoffery Etherington
Matthew Farley
Ronnie Fassberg
Donna and Steven Feldman
Charles Feller
Ann and Lee Fensterstock
Lynne and Perry Feyk
Nona Fine
Karen Fischer
Marsha Fishbane
Claire Barenholtz and Alan Fishman
Melanie and Mort Fishman
Margaret Flah
Leona and Marvin Fleischman
Regina Foon and Albert Seidner
Karen Sue Fox
Helen Franke
Deena and Seymour Freeman
Dianne and Richard Freeman
Judy and Barry Friedfeld
Ann and Ira Friedman
Bea and Chris Fries
Diana and Elliot Garfinkel
Paul and Irene Garfinkle
Sandy and Frank Geller
Rana Gerson
Carol Getson
Diane and Robert Ghormley
Doris Gilman
Vivian and Harvey Glassman
Suzanne Gold
Sue Goldfinger and Timothy Bell
Joan Goldstein
Sharon and Bruce Goodman
Michael Goodman
Dianne and Martin Gorbaty
Lydia and Stuart Gordon
Conrad Goulet and Orlando Chiang
Helen "Cookie" Govrin
Gail and Ed Greenberg
Zee Jay and Jerry Greenspan
Joseph Guidetti
Lenora Hall
Jackie and Arthur Harris
Anonymous
Auta and Robert Hendler
Anne and Robert Hite
Nancy and Barry Horowitz
Alesia and John Hoy
Jennifer Jackson
Isa and Ken Joseph
Ellen and Jerry Kahan
Gloria and Armand Katz
Judy and John Keller
Sheryl and Leonard Kessler
Barbara Messick and Emil Kessler
Gail and Michael Kirsch
Lois and Larry Kleinberg
Arlene Fine Klepper
Helen and Al Kniberg
Shirley Koo
Linda and Gene Kopf
Matthew Korinko
Brenda Korn
Ellen and Irving Kramer
Ellen and Jerry Kranzler
Gail and Sid Kreppel
Ethel and Marvin Krotenberg
Sally Lapides and Arthur Solomon
Iris and Steven Lapidus
Marilyn and Alan LeRoy
Albert Leizman and Ann Harte
Wynne Leon
Stephanie and Sam Levine
Shelley Levine
Meron Levitats
Ellen Livingston and Edward Levitt
Barbara and Myron Levy
Marilyn and Charles Levy
Miriam Lieff and Albert Goldberg
Marilyn and Richard Litner
Rachel and Per Lorentzen
Arlene and David Lurie
Ellen and Andrew Lynette
Anonymous
Harriette and Edgar Mandeville
Mary Ann Martin
Millie and David McCoy
Jim and Gail McKay
Etta and Froman Mehl
Elaine and David Mendelow
Daisy and John Merey
Sharon and Keith Meyer
Deborah and Ernest Mhoon
Madeline and Arthur Millman
Peg Minges
Daniel and Harriet Mironov
Harriet Molk
Eileen and Anthony Montalbano
Barbara Morgenstern
Beverly and Marvin Morse
Alice and Allan Mostoff
Hank Narrow
Samuel Neulinger
Sheila and Stuart Novins
Alison and Thomas O'Brien
Laura and William Orlove
Abby and Steve Perelman
Muriel and Bill Perlberg
Dennis Perry
Zakia and Stan Phillips
James Sabin and Yolanda
Phinney
Charlotte and Norman Plotsky
Robin and Joseph Pollack
Marsha and Jerry Pollak
Jill and Lee Pollock
Joan Putterman
Diane Quinn
Rochelle and George Ram
Mary Jane Range
Geri and Irv Ratner
Sue Regan
Susan and Erick Reickert
Giselle Reischer and Harvey
Rubinson
Alison and David Rice
Marilyn Rice
Barbara Richman
Beverly Ringel
Patti and John Riter
Helenan and Stanley Robin
Stephen Roos and Terry Sobrane
Paige M. Rose
Pearl and Stanley Rosenberg
Susan and Jerome Rosenzweig
Barbara and Chip Ross
Carolyn Rowe
Pamela Saba
Fran Sadoff-LeBow
Billie and Steven Sandler
Henrietta and Bergino Santo
Peter Schneider and Dena Seigel
Barbara Schulman
Sanford Schuman
Amy and Richard Schwed
Merri Scott
Carole Sebbane
Rita Seidner
Christine and Mark Shalloway
Steve Shapiro
Tina Parsons and Randy Sherman
Judy and Mark Shernicoff
Phoebe and Sam Shochat
Elizabeth and Alan Shulman
Tracy Siani
Bernice Rieders Sickle
Paul Siegel
Sybil and Marshall Sigel
Debra A. Silver
Miriam and Ron Silverman
Nellie Lou Slagle
Tema Smeyne and Edward Gerstein
Joyce and Robert Smith
Linda Sorenson
June and Jerome Spunberg
Molly and Nick St. Cavish
Mark and Phyllis Stein
Barbara and Fred Stern
Shirley Stone Cohlan
Goldie and Alan Stopek
Cari and Lenny Sukienik
Judith Suslow
Terrie Temkin
Shirley and Jack Thompson
Susan and Martin Trefler
Elaine C. Tucker
Beth and Jim Walton
Bruce Warshal
James B. Watson
Betty Weber
Arlin Weingold and Natalie Pincus
Howard Weinstein and Suzanne LeVine
Commissioner Gregg K. and Rebecca Weiss
Barbara and Stephen Weiss
Diane and Stephen Weiss
Naomi and Fred Weissenberg
Carol Weltz
Nancy and David Wolf
Robin Woodard
Eleanor and Joel Yura
Desi and Ben Zalman
Esther and Richard Zaretsky
pbpark@bellsouth.net
Serving Palm Beach For Over 50 Years
pbpark@bellsouth.net
Fully Licensed and Insured (14 Million Dollar Policy)
pbpark@bellsouth.net
Serving Palm Beach For Over 50 Years
Fully Licensed and Insured (14 Million Dollar Policy)
Serving Palm Beach For Over 50 Years
Fully Licensed and Insured (14 Million Dollar Policy)
We Handle Your Cars With Care
We Handle Your Cars With Care
We Handle Your Cars With Care
COMPLETE SERVICE FOR VALET PARKING, CONSULTING AND MANAGEMENT OF PARKING GARAGES, LOTS AND CONTROL SYSTEMS.
We Handle Your Cars With Care
COMPLETE SERVICE FOR VALET PARKING, CONSULTING AND MANAGEMENT OF PARKING GARAGES, LOTS AND CONTROL SYSTEMS.
COMPLETE SERVICE FOR VALET PARKING, CONSULTING AND MANAGEMENT OF PARKING GARAGES, LOTS AND CONTROL SYSTEMS.
The PBD Restaurant Club provides our patrons with special offers and discounts throughout the season at these restaurants that support our theatre.
Complimentary scoop of gelato with the purchase of an entrée
185 Banyan Blvd
(561) 342-6699
Complimentary order of fries with the purchase of a burger
213 Clematis St
(561) 651-1075
3-Course Prix Fixe Dinner ($34.99)
120 S Dixie Hwy
(561) 659-7373
10% off (excludes tax, gratuity, and happy hour items)
207 Clematis St
(561) 899-3117
3-Course Prix Fixe Dinner ($52-offer valid show days only))
101 N Clematis St
(561) 833-5090
Complimentary order of guacamole w/ purchase of (2) entrees
224 Clematis St
(561) 650-1001
palmbeachdramaworks.org
A great big thanks to all of you who contributed to our Take a Deep Breath Campaign, helping us to achieve our stringent safety protocols and breathe easy in our beautiful theatre.
$100,000
Honorable Ann Brown
Louise and Barry Snyder
Toni and Martin Sosnoff
$50,000
Nancy and Gene Beard
$25,000
Sue Ellen Beryl and William Hayes
Penny Bank
Ruth and Ted Baum
Tina and Jeff Bolton
Leah and Ed Frankel Foundation
Nancy Goodes
$15,000
Stephen Brown and Jamie Stern
Phyllis and Herbert J. Siegel
$10,000
Joan G. Smith and William Karatz
Sally Nathanson
$5,000
Aarne and Arlene Reid
Mimi and Frank Walsh
The Chastain Foundation Christina Dennis Susan and Larry Goldfein
$1,000 - $2,500
Edwige and John Bade
Roy Bartolomei and Peter Wronsky
Lucy W. Cook
Anonymous
Cathy and Tom Farmer
Arlene F. and Donald Fleischman
Renate Franco
Linda L. and Keith Beaty
Karen and Alfred Blum
Joan and Lyle Brundage
Paula Kaminsky Davis
Dinah Fulton
Rochelle and David A. Hirsch
Michael Hoagland and Joseph Kolb
Pam and Bob Goergen
Alice Gross
Byron Gross and Ricky Tovim
Ann and Bob Hagelstein
Anonymous
Priscilla Heublein
$500 - $999
Sherry and Stephen Jacobs
Marjorie and Sheldon Konigsberg
Judy and Lew Kramer
Laura Brooks
Randi and Norman Pecan
Stephanie and John Pew
Joanne Polozker
Barbara N. Prine
Patricia and William Jordan
Terry Liddell
Zelda Mason
Arlene and Richard Siudek
Nicki van Vonno
Diana and John Weir
Lois and Barry Weiss
Ann Marie and Peter Rezzonico
Naomi Rosenberg
Carol and Joseph Rosetti
Francine and Art Siegel
Lois Steinberg
Zee Jay and Jerry Greenspan
Marcy and Jack Zeltzer
If you’d like to contribute to the campaign, visit our new website, www.palmbeachdramaworks.org/donate.
Palm Beach Dramaworks is a professional, nonprofit theatre company that engages and entertains audiences with provocative and timeless productions that personally impact each individual.
To enhance the quality of life through the transformative power of live theatre.
Ruth Baum
Nancy Beard
Ravi Chaturvedi
Esther Dinerstein
Roe Green
Daryn M. Kirchfeld
Sidney Lesowitz
J. Barry Lewis
Sherron Long
Pamela McIver
Marilyn Meyerhoff
Charles Muoio
Sally Nathanson
Robert Nederlander
Shari Santell
William N. Shepherd
Louise Snyder
Mimi Draper Walsh
Beth Walton
Lee Wolf
Palm Beach Dramaworks is a proud member of...
December 8-24, 2023
A meditation on the connections between past, present, and future, and on the choice between speaking up and speaking out regardless of the consequences or remaining silent for the sake of self-preservation. Inspired by the life of Hungarian Holocaust survivor Georgia Gabor, the play interweaves her story with that of a young American woman facing racial discrimination in this country in 2020.
March 29-April 14, 2024
This Pulitzer Prize-winning, groundbreaking play changed American theatre in the person of its everyman tragic hero, Willy Loman, a dime a dozen, disappointed, disillusioned, and delusional traveling salesman with a skewed vision of the American Dream. All he wanted, the playwright wrote in his memoir, was “to count.” Or as Willy’s wife, Linda, implores, “Attention must be paid.”
October 13-29, 2023
Four New Yorkers involved in a murder investigation – a slacker security guard in a Manhattan apartment building, his bythe-book boss, a rookie cop and her macho partner – face moral and ethical dilemmas in this comic drama by the Academy Awardwinning screenwriter of Manchester by the Sea. The play explores issues of racism and sexism, and whether it’s ever honorable to do the wrong thing for the right reason.
February 2-18, 2024
Lauren Fein and her wife, Paola Munoz, are professors at a prestigious American university. They live with Dylan, their 16-yearold African American foster son whom they’ve cared for since he was a baby. When Professor Fein’s actions run afoul of the university’s “diversity, equity, and inclusion” policies, her groundbreaking research, her career, and her family are all put in jeopardy.
May 24-June 9, 2024
Following the death of his wife, a disconsolate Godfrey Crump moves with his daughters, Ernestine and Ermina, from Pensacola, FL to Brooklyn in 1950. Seventeen-year-old Ernestine is our guide in this warm memory play, a coming-of-age tale in which the sisters confront a cultural and racial divide and are exposed to new ideas, as they seek to break free from their father’s restrictive rules.