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Theatre & Performance 2010

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KEY TO SYMBOLS New

Title available as an ebook

CONTENTS

Inspection copy available

Web resource available

Title is, or comes with, a CD-ROM/DVD

Welcome to the new Palgrave Macmillan Theatre and Performance catalogue.

2

General Theatre and Performance

For 2010 we have included titles publishing up until March and a selection from later months. This is to ensure that you receive only the most accurate information about forthcoming books.

2

Theatre& Series

We are delighted to announce six new titles in the Theatre& series, publishing in May 2010.

Launched in summer 2009 and edited by Jen Harvie and Dan Rebellato, this series of short and compelling books provides the best new writing on the hottest and most widely-studied topics in the field (See p.2-4 for more details). Also publishing in 2010 is Playing for Real, edited by Tom Cantrell and Mary Luckhurst, and featuring interviews with an award-winning line-up of actors, including Sir Ian McKellen, about how they portray real people (see p.21).

5

Practice and Practitioners

9

Theatre and Performance Practices Series

10 Dance 11 Gender and Sexuality 12 World Theatre 12 Studies in International Performance Series 15 Theatre History 16 Shakespeare Handbooks Series 17 Redefining British Theatre History Series

At a higher level, our two core series, Studies in International Performance, published in association with FIRT/IFTR (see p.12-14) and Performance Interventions (see p.23-24) continue to build on the successes of previous years. Highlights include Dramaturgy of the Real on the World Stage, edited

by Carol Martin (see p.12) and Contesting Performance, edited by Jon McKenzie et al. (see p.23).

We are also very excited to have published two key new academic texts in the emerging field of practice as research, including Practice-as-Research: In Performance and Screen, a groundbreaking integrated book and DVD, edited by Baz Kershaw et al. (see p.7). Furthermore, adding to the established collection of important texts on Irish Drama is the new paperback edition of Patrick Lonergan’s award-winning Theatre and Globalization: Irish Drama in the Celtic Tiger Era (see p.14).

21 Modern and Contemporary Theatre

If you would like to find out more about our 2010 publishing program or submit a proposal please visit www.palgrave.com/theatre or contact us directly. Sign up to our Theatre and Performance RSS feed at www.palgrave.com/rss to receive the latest news about publications and events from Palgrave Macmillan in this field.

23 Performance Interventions Series

We hope you enjoy the catalogue.

25 Study Skills

Best wishes

18 Palgrave Shakespeare Studies Series

25 Teaching and Researching in Higher Education 26 Index

Kate Haines, Publisher, Undergraduate Publishing | k.haines@palgrave.com Paula Kennedy, Publisher, Scholarly & Reference Publishing | p.kennedy@palgrave.com Sarah Plows, Marketing Executive | s.plows@palgrave.com

For a complete list of titles, please visit www.palgrave.com.

Prices are correct at the time of print.

Our catalogues and the packaging they are delivered in are recyclable - when you have finished with this catalogue please recycle it. Printed by an ISO 14001 (Environmental Standard) accredited printer on paper from a managed source to PEFC standard, and printed using vegetable-based ink.

LEFT HEADER

General theatre and performance

I S B N 978-0-230-21028-8

9

780230 210288

performance, and is the author of

Theatre Censorship in Britain: Silencing, Censure and Suppression.

small books on theatre & everything else

I S B N 978-0-230-21028-8

9

780230 210288

theatre & ‘This book is about us. It documents our presence, articulates our position and questions our experience as casual onlookers, silent witnesses, engaged spectators, willing participants, in this glorious activity called audience. See for yourself.’

– Lois Weaver

Research Fellow in Theatre Studies, Birkbeck College, University of London, UK. She specialises in

twentieth century British theatre and contemporary performance, and is the

Ric Knowles

author of Theatre Censorship in Britain: Silencing, Censure and Suppression.

small books on theatre & everything else

I S B N 978-0-230-21028-8

9

www.palgrave.com

www.palgrave.com

LIONEL PILKINGTON is RCUK

interculturalism

780230 210288

theatre & ireland Lionel Pilkington ‘This book is about us. It documents our presence, articulates our position and questions our experience as casual onlookers, silent witnesses, engaged spectators, willing participants, in this glorious activity called audience. See for yourself.’

– Lois Weaver

SUSAN BENNETT is RCUK Research Fellow in Theatre Studies, Birkbeck College, University of London, UK. She specialises in twentieth century

British theatre and contemporary performance, and is the author of

Theatre Censorship in Britain: Silencing, Censure and Suppression.

small books on theatre & everything else

I S B N 978-0-230-21028-8

9

www.palgrave.com

780230 210288

theatre & museums Susan Bennett

Printed in China

small books on theatre & everything else

RIC KNOWLES is RCUK Research Fellow in Theatre Studies, Birkbeck College, University of London, UK. She specialises in twentieth century British theatre and contemporary

Ric Knowles

Theatre& is a vibrant new series of very short books covering the hottest and most often studied topics in theatre and performance. They represent a fresh intervention into the discipline, presenting the best writing from ‘A-list’ scholars in a format that is digestible, attractive and affordable to students.

‘This book is about us. It documents our presence, articulates our position and questions our experience as casual onlookers, silent witnesses, engaged spectators, willing participants, in this glorious activity called audience. See for yourself.’

– Lois Weaver

Theatre & Audience provides a provocative overview of the questions raised by theatrical encounters between performers and audiences. Focusing on European and North American theatre and its audiences in the twentieth and twentyfirst centuries, it explores belief in theatre’s potential to influence, impact and transform. Illustrated by examples of performance which have sought to generate active audience involvement – from Brecht’s epic theatre to the Blue Man Group – it seeks to unsettle any simple equation between audience participation and empowerment.

Printed in China

performance, and is the author of Theatre Censorship in Britain: Silencing, Censure and Suppression.

theatre & feeling Erin Hurley

Printed in China

College, University of London, UK. She specialises in twentieth century British theatre and contemporary

Lionel Pilkington

Series Editors: Jen Harvie and Dan Rebellato

ERIN HURLEY is RCUK Research Fellow in Theatre Studies, Birkbeck

Erin Hurley

‘This book is about us. It documents our presence, articulates our position and questions our experience as casual onlookers, silent witnesses, engaged spectators, willing participants, in this glorious activity called audience. See for yourself.’

– Lois Weaver

7

What does theatre do for – and to – those who witness, watch, and participate in it?

theatre & museums Susan Bennett

Theatre & Audience provides a provocative overview of the questions raised by theatrical encounters between performers and audiences. Focusing on European and North American theatre and its audiences in the twentieth and twentyfirst centuries, it explores belief in theatre’s potential to influence, impact and transform. Illustrated by examples of performance which have sought to generate active audience involvement – from Brecht’s epic theatre to the Blue Man Group – it seeks to unsettle any simple equation between audience participation and empowerment.

theatre & ireland

Theatre & Audience provides a provocative overview of the questions raised by theatrical encounters between performers and audiences. Focusing on European and North American theatre and its audiences in the twentieth and twentyfirst centuries, it explores belief in theatre’s potential to influence, impact and transform. Illustrated by examples of performance which have sought to generate active audience involvement – from Brecht’s epic theatre to the Blue Man Group – it seeks to unsettle any simple equation between audience participation and empowerment.

theatre & interculturalism

What does theatre do for – and to – those who witness, watch, and participate in it?

Theatre & Audience provides a provocative overview of the questions raised by theatrical encounters between performers and audiences. Focusing on European and North American theatre and its audiences in the twentieth and twentyfirst centuries, it explores belief in theatre’s potential to influence, impact and transform. Illustrated by examples of performance which have sought to generate active audience involvement – from Brecht’s epic theatre to the Blue Man Group – it seeks to unsettle any simple equation between audience participation and empowerment.

theatre & feeling

THEATRE& SERIES

What does theatre do for – and to – those who witness, watch, and participate in it?

What does theatre do for – and to – those who witness, watch, and participate in it?

Printed in China

General Theatre and Performance

7

7

7

www.palgrave.com

Each title includes an overview of key debates, key concepts and further reading – but, most importantly, makes an original and compelling critical argument.

Theatre & Interculturalism

Theatre & Museums

Ric Knowles, Professor of Theatre Studies, University of Guelph, Canada

Susan Bennett, University Professor, Department of English, University of Calgary, Canada

Theatre & Feeling

As human traffic between nations increases and as hybridity becomes more characteristic of cultural production, it becomes imperative to critically reexamine the way cultural exchange is performed.

This text surveys established approaches to the topic and proposes new ways of thinking about theatrical flow across cultures.

This book explores the relationship between theatre and museums in contemporary culture and the experience of contemporary museums as theatre. It shows how discourses of performance studies can open up new avenues of inquiry about the production and reception of the museum experience and its important place in contemporary culture.

Erin Hurley, Assistant Professor, McGill University, Canada

This text explores the idea that, for many people, theatre is a passion. It provides an intellectual framework for the range of emotional experiences engendered by the theatre, bringing the issue of theatrical feeling into focus as both a research object and a method in Theatre Studies.

May 2010 Paperback

96pp £4.99

178x111mm 978-0-230-21846-8

May 2010 Paperback

96pp £4.99

178x111mm 978-0-230-57548-6

Theatre & Ireland Lionel Pilkington, Senior Lecturer in English, National University of Ireland, Republic of Ireland

Often regarded as innately performative, Ireland has been the location for the ‘drama’ of rebellion and anti-colonial insurgency. This book argues that theatre in Ireland is a cultural phenomenon that is not restricted to professional, urban theatre, but is rooted in alternative and competing traditions of popular drama and performance.

May 2010 Paperback

2

96pp £4.99

178x111mm 978-0-230-57462-5

May 2010 Paperback

96pp £4.99

178x111mm 978-0-230-58020-6

Theatre & Nation Nadine Holdsworth, Senior Lecturer in Theatre and Performance Studies, University of Warwick, UK

Throughout the history of the nation-state, theatre has contributed to the construction and reappraisal of the nation and national identities. This book argues that ideas of the nation are constantly in flux and explores the way theatre engages with such changes according to different geographical, political, economic, social and cultural climates.

May 2010 Paperback

96pp £4.99

178x111mm 978-0-230-21871-0

Order securelyatonline at www.palgrave.com or +44 (0)1256 302866 1000s of scholarly ebooks available www.palgraveconnect.com, asktelephone your librarian to request a trial

2

GENERAL THEATRE AND PERFORMANCE 7

7

Censure and Suppression.

‘This book is about us. It documents our presence, articulates our position and questions our experience as casual onlookers, silent witnesses, engaged spectators, willing participants, in this glorious activity called audience. See for yourself.’

– Lois Weaver

Printed in China

780230 210288

theatre & nation Nadine Holdsworth JILL DOLAN is RCUK Research

Fellow in Theatre Studies, Birkbeck College, University of London, UK. She specialises in twentieth century

British theatre and contemporary performance, and is the author of

Theatre Censorship in Britain: Silencing, Censure and Suppression.

Jill Dolan

small books on re & everything else

Theatre & Audience provides a provocative overview of the questions raised by theatrical encounters between performers and audiences. Focusing on European and North American theatre and its audiences in the twentieth and twentyfirst centuries, it explores belief in theatre’s potential to influence, impact and transform. Illustrated by examples of performance which have sought to generate active audience involvement – from Brecht’s epic theatre to the Blue Man Group – it seeks to unsettle any simple equation between audience participation and empowerment.

small books on theatre & everything else

I S B N 978-0-230-21028-8

9

www.palgrave.com

780230 210288

theatre & sexuality

Nadine Holdsworth

Theatre Censorship in Britain:

theatre & nation

HOLDSWORTH is RCUK

Fellow in Theatre Studies,

College, University of

UK. She specialises in

century British theatre and orary performance, and is the

B N 978-0-230-21028-8

Theatre & Ethics

What does theatre do for – and to – those who witness, watch, and participate in it?

Nicholas Ridout, Senior Lecturer in Performance, Queen Mary University of London, UK

theatre & sexuality Jill Dolan

‘While there are a number of remarkable insights in Nicholas Ridout’s book, the most significant is simply to have brought together these two terms — ‘theatre’ and ‘ethics’ — in an approachable, compelling volume.’ - D.J.Hopkins, San Diego State University, USA

Printed in China

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ative overview of the nters between performers n and North American tieth and twentyheatre’s potential to ustrated by examples of enerate active audience atre to the Blue Man e equation between rment.

June 2009 Paperback

www.palgrave.com

Theatre & Sexuality

Theatre & Audience

Jill Dolan, Princeton University, USA

Helen Freshwater, RCUK Research Fellow in Theatre Studies, Birkbeck College, University of London, UK

This text explains the critical validity of using sexuality as a lens for examining theatre’s creation and reception. The book offers clear introductions to sexual identity politics, ways of ‘reading’ sexuality on stage and a select history of LGBTQ theatre, including a reading of Split Britches/ Bloolips’ production Belle Reprieve.

May 2010 Paperback

96pp £4.99

178x111mm 978-0-230-22064-5

Foreword by Lois Weaver

‘This book is about us. It documents our presence, articulates our position and questions our experience as casual on-lookers, silent witnesses, engaged spectators, willing participants, in this glorious activity called audience. See for yourself.’

- Lois Weaver June 2009 Paperback

104pp £4.99

178x111mm 978-0-230-21028-8

Theatre & The Body Colette Conroy, Lecturer in Drama and Theatre, Royal Holloway University of London, UK Foreword by Marina Abramović

‘This book rightly complicates how we think of the body today.’ - Marina Abramović Bodies are active and dynamic elements of theatre production and spectatorship. They are important concepts as well as objects within theatre. This book examines the rich and complex relationships between the uses of bodies in theatre and the ways in which bodies are culturally imagined and understood in theatre.

December 2009 Paperback

96pp £4.99

Theatre & Education Helen Nicholson, Reader in Drama and Theatre, Royal Holloway University of London, UK Foreword by Edward Bond

88pp £4.99

178x111mm 978-0-230-21027-1

Theatre & Globalization Dan Rebellato, Professor of Contemporary Theatre, Royal Holloway University of London, UK Foreword by Mark Ravenhill

‘A lively read that makes clear why thinking about theatre and globalization matters and how these two terms are imbricated with/in each other.’ Janelle Reinelt, University of Warwick, UK June 2009 Paperback

112pp £4.99

178x111mm 978-0-230-21830-7

Theatre & Human Rights Paul Rae, Assistant Professor, Theatre Studies Programme, National University of Singapore

Foreword by Rabih Mrové

‘This is a wide-ranging but precise account of the movement for creating theatre for young audiences. It records its history and examines its various, often conflicting, philosophies.’ - Edward Bond

‘With an intense display of knowledge and expertise, Paul Rae weaves a delicately precise web, connecting the dots between the theatre and human rights, and creates a tapestry of learning that begins with Antigone and extends all the way to contemporary events.’ - Rabih Mroué

June 2009 Paperback

June 2009 Paperback

104pp £4.99

178x111mm 978-0-230-21857-4

104pp £4.99

178x111mm 978-0-230-20524-6

178x111mm 978-0-230-20543-7

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

3

GENERAL THEATRE AND PERFORMANCE

Theatre & Politics

Theatre Studies

Joe Kelleher, Professor of Theatre and Performance, Roehampton University, UK

Kenneth Pickering, Founder and Director, Institute for the Arts in Therapy and Education, UK and Mark Woolgar, Head of Performing Arts, Richmond Adult Community College, UK

‘On the evidence of this tour de force Joe Kelleher demonstrates why so many consider him to be the most lucid commentator on contemporary theatre operating in the English language.’ - Alan Read, King’s College London, UK June 2009 Paperback

96pp £4.99

178x111mm 978-0-230-20523-9

Theatre & The City Jen Harvie, Reader in Theatre and Performance, Queen Mary University of London, UK Foreword by Tim Etchells

‘Harvie’s engagingly presented and well organized study of theatre and the city effectively combines performative with cultural analysis and offers an introduction to this important subject that should prove attractive to students, scholars, and general readers alike.’ - Marvin Carlson, City University of New York, USA June 2009 Paperback

104pp £4.99

‘This is one of those allencompassing and highly accessible companions to undergraduate and diploma courses that you can tell will be covered with highlighter marks and coffee stains by students within a week. Clear and informative, Pickering and Woolgar outline challenges in defining theatre, summarize the ideas of key practitioners, and provide reassuring advice on how to undertake a research project.’ - What’s On Stage.com June 2009 Paperback

224pp £16.99

234x156mm 978-0-230-21141-4

2nd edition Kenneth Pickering, Founder and Director, Institute for the Arts in Therapy and Education, UK

This invaluable companion provides clear explanations of concepts, supports students in their practical and theoretical explorations of the subjects and offers insights for research and reflective writing.

April 2010 Paperback

288pp £14.99

Acting Professionally Raw Facts About Careers in Acting 7th edition Robert Cohen, Claire Trevor Professor of Drama, University of California, Irvine, USA and James Calleri, President of Calleri Casting and Adjunct Professor, Syracuse University, USA

Palgrave Foundations Series

For more information on all titles in this series, please visit www.palgrave.com/theatre/tand.asp

Performance Studies Edited by Erin Striff, Assistant Professor of English, University of Hartford, USA September 2002 Hardback Paperback

232pp £60.00 £21.99

234x156mm 978-0-333-78673-4 978-0-333-78674-1

Readers in Cultural Criticism Series Editor: Catherine Belsey

Modern Theories of Performance From Stanislavski to Boal Jane Milling, Lecturer in Drama and Graham Ley, Professor of Drama and Theory, both at University of Exeter, UK October 2000 Hardback

208pp £55.00

216x138mm 978-0-230-24147-3

Palgrave Key Concepts

178x111mm 978-0-230-20522-2

Please use the following ISBN to order all the titles in this series: Paperback: 978-0-230-20327-3

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Key Concepts in Drama and Performance

‘It is the leading book of its kind, and certainly the best available resource for young actors who wish to begin their professional careers.’ Harold Dixon, University of Arizona, USA Filled with practical information on how to enter the acting profession in the US, and now completely updated, this is the essential handbook for anyone interested in an acting career. Praised for its honesty, broad coverage and wise advice from working professionals, the authors present the vital facts that every would-be actor needs to know.

August 2009 Paperback

272pp £17.99

216x138mm 978-0-230-21724-9

216x138mm 978-0-333-77541-7

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

GENERAL THEATRE AND PERFORMANCE • PRACTICE AND PRACTITIONERS

Edited by Corinne Saunders, Professor of English Literature, Ulrika Maude, Lecturer in English Literature and Jane Macnaughton, Director, Centre for Arts and Humanities in Health and Medicine, all at University of Durham, UK

Featuring contributions from Marina Warner, Antony Gormley and P. D. James, this book focuses on the dynamic relation between the body and the arts. Contributions from a variety of disciplines explore this relation across a range of periods and art forms, spanning medicine, literature from the classical period to the preset, and visual and performing arts.

March 2009 312pp 216x138mm 50 illustrations/photographs including 30 of Antony Gormley’s work Hardback £50.00 978-0-230-55204-3

ebook available from: Palgrave Connect Literature & Performing Arts Collections

The Social Impact of the Arts An Intellectual History Eleonora Belfiore, Assistant Professor of Cultural Policy Studies and Oliver Bennett, Professor of Cultural Policy Studies, both at University of Warwick, UK

‘This short book is a great read, full of fascinating material, which will provide incendiary matter for debates about the arts in society.’ Mark O’Neill, Cultural Trends ‘This is a much-needed study...and a timely one as well: an examination of what lies behind the rhetoric, it fills a surprising gap in the fastexpanding literature on cultural policy.’ - Sir Christopher Frayling, Chairman, Arts Council England, and Rector, Royal College of Art This text is a fascinating account of the value and functions of the arts in society, in both the private sphere of individual emotions and selfdevelopments and public sphere of politics and social distinction.

September 2008 Hardback

248pp £50.00

216x138mm 978-0-230-57255-3

ebook available from: Palgrave Connect Literature & Performing Arts Collections

Practice and Practitioners

Sound A Reader in Theatre Practice

SOUND

The Body and the Arts

Ross Brown, Dean of Studies, Central School of Speech and Drama,UK

A READER IN THEATRE PRACTICE

ROSS BROWN

‘There is no other book that considers equally and inseparably the theory, philosophy and practice of stage sound.

A rigorously controlled piece of research of great originality and of terrific significance to the discipline.’ - Chris Baugh, University of Leeds, UK

Brown explores relationships between sound and theatre, focusing on sound’s interdependence and interaction with human performance and drama.

Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.

Contents: Series Editor’s Preface / Introduction: The Theatre of Sound / PART I: DRAMATURGICALLY ORGANISED NOISE / Defining Theatre Sound Design / What the Textbooks Say / The Pre-History of Sound Design / Alternative Takes / Five Sound Designers in their Own Words / PART II: THEATRICALLY ORGANISED HEARING / Problems with Sound as Scenography / Live Listening: The Aural Phenomenology of Theatre / Resounding Theatres / Alternative Realities / John Levack Drever on Sound Effect-Object-Event / Conclusion / Bibliography November 2009 Hardback Paperback

256pp £60.00 £19.99

234x156mm 978-0-230-55187-9 978-0-230-55188-6

Readers in Theatre Practices Series Editor: Simon Shepherd

At the heart of every performance lies a tension, a tension between the material object and the magical transformations of theatre. Taking elements of theatre craft such as sound, puppetry and directing, the series explores this relationship, offering both the vocabulary and historical context for critical discussion and creative practice.

For more information please visit www.palgrave. com/theatre

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

5

PRACTICE AND PRACTITIONERS

Practice-as-Research In Performance and Screen

Devising in Process DEVISING IN

S PROCES

Edited by Ludivine Allegue, Independent Artist/External Post-Doctoral Researcher, Panthéon-Sorbonne University, France, Simon Jones, Professor of Performance, University of Bristol, UK, Baz Kershaw, Professor of Performance, University of Warwick, UK and Angela Piccini, Lecturer in Screen Studies, University of Bristol, UK ‘This represents the first comprehensive attempt to lay down disciplinary and epistemological parameters for the field of Practice as Research. As such it is completely new, groundbreaking and important. More importantly, it is exceptionally well-conceived, carefully organized and thought-through.’ - Dr Lynette Hunter, University of California, Davis, USA This groundbreaking integrated book and DVD presents an exploration of the major fissures of established knowledge created by a new trans-disciplinary, worldwide project. Through an innovative combination of formats, it aims to embody the principles of performance and screen practice-as-research in its structure and design.

Contents: How to use this Publication / Acknowledgements / B.Kershaw: Practice-asResearch: An Introduction / S.Jones: The Courage of Complementarity: Practice-as-Research as a Paradigm Shift in Performance Studies / A.Piccini & C.Rye: Of Fevered Archives and the Quest for Total Documentation / J.Dovey: Making a Difference: Media Practice-as-Research, Creative Economies and Cultural Ecologies / C.Bannerman & C.McLaughlin: Collaborative Ethics in Practice-as-Research / B.Smith: Digital Archives: Plus Ça Change, Plus C’est La Même Chose / J.Adams, J.Bacon & L.Thynne: Peer Review and Criteria: A Discussion / R.Nelson: Modes of Practice-as-Research Knowledge and Their Place in the Academy / L.Allegue & M.Costin: Practice-as-Research in France 2008 / H.Daniel: Transnet a Canadian-Based Case Study on Practice-as-Research, or Rethinking Dance in a Knowledge-Based Society / A.Richards: Performance Research in Australia 1988-2007 / Images / List of Colour Images / Catalogue / Bibliography / Index / List of Catalogue Contributors / DVD

August 2009 Hardback

6

272pp £70.00

Edited by Alex Mermikides, Lecturer in Drama and Jackie Smart, Senior Lecturer in Drama, both at Kingston University, UK

Devising in Process brings together detailed case studies of the creative process of eight theatre companies making devising-based performances in styles ranging from physical theatre to puppetry to live art. Writers have been 9 granted unusual access to the rehearsal room, enabling them to offer concrete insights into how ideas evolve and develop.

EDITED BY

ALEX MERMIKIDES ANDJACKIE SMART

Contents: Introduction / S. Behrndt: People Show in Rehearsal: People Show #118 The Birthday Tour / J. Kelly: Station House Opera / T. Moss: The Making of Faulty Optic’s Dead Wedding: Inertia, Chaos and Adaptation / G. White: Devising and Advocacy: The Red Room’s Unstated / P.Stainer: The Distance Covered: Third Angel’s 9 Billion Miles from Home / H. Freshwater: Delirium: in rehearsal with theatre O / A.Mermikides: Clash and Consensus in Shunt’s ‘big shows’ and the Lounge / J.Smart: Sculpting the Territory: Gecko’s The Arab and The Jew in Process April 2010 Hardback Paperback

256pp £50.00 £16.99

216x138mm 978-0-230-57366-6 978-0-230-57367-3

234x156mm 978-0-230-22001-0

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

PRACTICE AND PRACTITIONERS

Mapping Landscapes for Performance as Research Scholarly Acts and Creative Cartographies Edited by Shannon Rose Riley, Assistant Professor of Humanities, San Jose State University, USA and Lynette Hunter, Professor of the History of Rhetoric and Performance, University of California, Davis, USA Although the sciences have long understood the value of practice-based research, the arts and humanities have tended to structure a gap between practice and analysis.

This book examines differences and similarities between Performance as Research practices in various community and national contexts, mapping out the landscape of this new field.

Contents: List of Figures / Acknowledgements / Abbreviations and Acronyms / Contributors / Introduction / PART I: LAY OF THE LANDSCAPE – GEOGRAPHIES, LEGACIES, DISCIPLINES 1 / B.Kershaw: Performance Practice as Research: Perspectives from a Small Island / S.Jones: Working on the Middle Ground: A Case-Study of Institutional Inter-Action about Practice-as-Research / R.Gough: Troubling Performance: Local, National and International / J.Plastow: Using Performance as a Practice as Research tool in Africa / T.Hauptfleisch: Rating the Theatre Practitioner: A South African Case-Study / B.Haseman: Performance as Research in Australia: Legitimating Epistemologies / L.Levin: Locating the Artist-Researcher: Shifting Sites of Performance as Research [PAR] in Canada / W.H.Sun & F.C.Fei: Social Performance Studies [in China]: Between the Real and the Virtual / A.Arlander: Artistic Research - From Apartness to the Umbrella Concept at the Theatre Academy, Finland / I.Watson: An Actor Prepares: Performance as Research [PAR] in the Theatre / S.L.Foster: Making a Dance/Researching through Movement / S.J.Graham: Performance as Research [PAR] in North American Ethnomusicology / J.Elkins: The Three Configurations of Studio-Art PhDs / A.J.Sabatini: Approaching Knowledge, Research, Performance, and the Arts / PART II: CARTOGRAPHIES – TERMS FOR FINDING/CHARTING THE WAY(S) / K.Yasuda: Action Research / N.Kaye: Disjunction: Performing Media Space / P.Lichtenfels: Embodiment / B.Kershaw: Environment / S.R.Riley: Lab/Studio / S.Kelly: Medium / D.Pollock: Oral History / I.Noé: Site-Particular / L.Hunter: Situated Knowledge / PART III: MAPPING PAR IN THE US – COMMUNITIES, CLASSROOMS, STAGES, AND HOLODECKS / S.Jackson: When Is Art Research? / L.D.Nielsen: The Oral History Project: Practice-Based Research in Theatre and Performance / H.Spiller: University Gamelan Ensembles as Research / J.T.Warren: Performative and Pedagogical Interventions: Embodying Whiteness as Cultural Critique / K.Yasuda: Open up the Box: Pedagogy, Action Research and Art / R.Malague: Searching for Spalding Gray: PAR Pedagogy, an Undergraduate Ensemble, and ‘The Edinburgh Project’ / L.Hunter: Valuing Performance/Practice as Academic Knowledge / M.Arsem: Performed Research: Audience as Investigator / S.R.Riley: Miss Translation USA Goes to Cuba: Performance as Research toward a Performative Ethnography / J.Wyman: Acting (on) our own Discomforts: BLW’s [Media] Performance as Research / L.Hunter: Theory/Practice as Research: Explorations, Questions and Suggestions / J.D.Rossini: Dramaturgy: Conceptual Understanding and the Fickleness of Process / S.M.Carnicke: Collisions in Time: 21st Century Actors Explore Delsarte on the Holodeck / J.B.Rovan: Living on the Edge: Alternate Controllers and the Obstinate Interface / Select Bibliography / Index July 2009 Hardback

304pp £55.00

The Actor in Costume THE ACTOR IN COSTUME

Aoife Monks, Lecturer in Theatre Studies, Birkbeck College, University of London, UK

‘This lively, ambitious, and readable book frames costume as an essential element in the understanding and imagination of theatrical embodiment; much more than a treatment of costume design and history, The Actor in Costume makes an immediate difference to our thinking about performance today.’- W. B. Worthen, Columbia University, USA AOIFE MONKS

How do audiences look at an actor in costume onstage? Monks explores this question, engaging with the main theoretical approaches to the study of actors in performance. The book considers costume’s power to shape identity and form bodies drawing on examples from Modernist performance to nudity and stage ghosts.

Contents: Introduction: The Dress Rehearsal / Dressing-Up: The Actor’s Body and Costume / Dressing the Audience: A History of Fashion at the Theatre / Re-dressing the Actor: Modernist Costume / Crossdressing: Authenticity and Identity / Undressing: The Disappointments of Nudity / Dressing the Immaterial: The Problem of Ghosts / Epilogue / After-Effects: Costume and the Memory of Performance November 2009 Hardback Paperback

176pp £50.00 £16.99

216x138mm 978-0-230-21699-0 978-0-230-21700-3

216x138mm 978-0-230-22219-9

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

7

PRACTICE AND PRACTITIONERS

Performance and the Contemporary City

The Art of Clowning Eli Simon, Professor of Acting, University of California, Irvine, and member of clown troupe Clownzilla

An Interdisciplinary Reader Edited by Nicolas Whybrow, Associate Professor of Theatre and Performance Studies, University of Warwick, UK

Whybrow’s interdisciplinary collection of urban writings demonstrates how performance is ‘at work’ in the city. His selection highlights both diversity and the potential for interaction, drawing attention to the possible identities produced by the multi-faceted nature of the modern metropolis.

Contents: List of Illustrations / Acknowledgements / Note / Preamble / Introduction / PART I: WALKING/ THEATRES / Introduction / J.Watts: How Scratched Car Revealed the Price of a Peasant’s Life / W.Benjamin & A.Lacis: Naples / T.Etchells: Eight Fragments on Theatre and the City / S.Pile: Sleepwalking in the Modern City: Walter Benjamin and Sigmund Freud in the World of Dreams / P.Küppers: Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur / Wrights & Sites: A Manifesto for a New Walking Culture: ‘Dealing with the City’ / PART II: DRIFTING/THINGS / Introduction / C.Lavery: Situationism / A.Hussey: ‘The Map is not the Territory’: The Unfinished Journey of the Situationist International / R.Wentworth: ‘The Accident of Where I Live’ - Journeys on the Caledonian Road / A.Coles: ‘How Long I ‘Been On?’: Marc Dion’s Performative Archaeology of the City / L.Gardner: What a Carry On / P.Rae with L.K.Hong: Nosing Around: A Singapore Scent Trail / PART III: SOUNDING/RHYTHMS / Introduction / C.Lavery: The Pepys of London E11: Graeme Miller and the Politics of Linked / S. Gorman: Wandering and Wondering: Following Janet Cardiff’s Missing Voice / H.Lefebvre & C.Régulier: Attempt at Rhythmanalysis of Mediterranean Cities / Rumours: A Conversation Between Francis Alÿs and James Lingwood (extract) / PART IV: PLAYING/PLACE / Introduction / S.J.Smith: Graffiti / I.Sinclair: Skating on Thin Eyes: the First Walk (extract) / M.Bunting: The Policing of the Artist / U.Hofbauer & F.Derschmidt: Horror Vacui / LIGNA: Radioballet / Space Hijackers: Circle Line Party / B.Delanoë: Paris Plage / G.Dyer: An Explosion of Delight / M.Augé: Non-places / J.Winter: All the World’s a Car Park / M.Kwon: By Way of a Conclusion: One Place After Another (extract) / N.Kaye: Performing the City: Kyrysztof Wodiczko / PART V: VISIONING/FLOWS / Introduction / A.Appadurai: The Right to Participate in the Work of the Imagination / N.Fyfe: Zero Tolerance, Maximum Surveillance?: Deviance, Difference and Crime Control in the Late Modern City / K.Piper: A Nigger in Cyberspace / J.Harkin: Cyborg City / C.Lavery: Instructions for Performance in Cities / Bibliography / Index April 2010 Hardback Paperback

8

272pp £55.00 £19.99

Improvisation in Drama

‘…a clear, practical and well thought-out guide for novice or aspiring clowns…Simon brings together classic exercises with his own innovations in a progression that gives the student and teacher a clear path.’ - Jeff Raz, Founder and Director of the Clown Conservatory, San Francisco, USA, Lead Clown in Cirque du Soleil November 2009 Paperback

192pp £17.99

2nd edition Anthony Frost, Lecturer in Drama and Ralph Yarrow, Professor of Drama and Comparative Literature, both at University of East Anglia, UK

This was the first book to offer a unified view of work central to most drama training. This edition features new practical examples and includes extended assessments of various practitioners as well as further coverage of women practitioners, non-western theatre, ‘long form’ improvisation and live-action role play August 2007 Hardback Paperback

280pp £55.00 £18.99

216x138mm 978-1-4039-8686-3 978-1-4039-3670-7

216x138mm 978-0-230-61523-6

New Performance/New Writing Performance Practice and Process Contemporary (Women) Practitioners Elaine Aston, Professor of Contemporary Theatre and Performance and Geraldine Harris, Professor of Theatre Studies, both at Lancaster University, UK

Drawing on handson experience from workshops and interviews, this innovative book explores the work of eight gender aware theatre and performance artists and companies.

November 2007 Hardback Paperback

208pp £50.00 £16.99

216x138mm 978-0-230-00154-1 978-0-230-00155-8

John Freeman, Senior Lecturer in Drama, Brunel University, UK

Contemporary practitioners are creating work that contradicts traditional thinking about performance and this book guides those wishing to explore these innovative approaches. Exploring relationships between written text and body, space and devising, the author traces the history of performance and provides useful case studies and writing exercises.

August 2007 Hardback Paperback

192pp £50.00 £17.99

216x138mm 978-1-4039-9813-2 978-1-4039-9814-9

Collaboration in Theatre A Practical Guide for Designers and Directors Rob Roznowski, Head of Acting and Directing and Kirk Domer, Head of Design and Associate Chair, both at Department of Theatre, Michigan State University, USA May 2009 Hardback

204pp £47.50

234x156mm 978-0-230-61420-8

ebook available from: Palgrave Connect Literature & Performing Arts Collections

216x138mm 978-0-230-52719-5 978-0-230-52720-1

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

PRACTICE AND PRACTITIONERS THEATRE & PERFORMANCE PRACTICES Series Editors: Graham Ley and Jane Milling Theatre & Performance Practices explores key performance practices encountered in the study of modern and contemporary theatre. Each book in the series charts the critical and historical development of a mode of performance practice and assesses its contemporary significance.

Autobiography and Performance Deirdre Heddon, Senior Lecturer in Theatre Studies, University of Glasgow, UK

Autobiography and Performance offers a comprehensive overview of the use of autobiography in performance. Examining the work of key practitioners, Heddon argues that autobiographical performances act as sites of resistance and intervention and uncovers the political potentials and limits that accompany the use of the personal in performance November 2007 Hardback Paperback

232pp £52.50 £17.99

216x138mm 978-0-230-53752-1 978-0-230-53753-8

Dramaturgy and Performance Cathy Turner and Synne Behrndt, both Lecturers in Performing Arts, School of Community and Performing Arts, University College of Winchester, UK

There is a growing interest in ‘dramaturgy’ as a critical concept and as a practical process. Outlining different perspectives this book introduces both concept and practice in an accessible and engaging style. Using case studies and suggesting areas of further study, the authors provide an insight into contemporary debates and new directions November 2007 Hardback Paperback

248pp £52.50 £17.99

216x138mm 978-1-4039-9655-8 978-1-4039-9656-5

Devising Performance

Staging the Screen

A Critical History

The Use of Film and Video in Theatre

Deirdre Heddon, Senior Lecturer in Theatre Studies, University of Glasgow, UK and Jane Milling, Lecturer in Drama, University of Exeter, UK

Greg Giesekam, Ankur Productions

‘With ‘devising’ as the linchpin, the authors bring into dialogue an extraordinary array of aesthetic theories and practices, political ideologies and popular forms of entertainment, historical movements and critical thought. A must read for performance studies enthusiasts, scholars and practitioners alike, whether seeking a history or a guide-book.’ - Mady Schutzman, California Institute of the Arts, USA October 2005 Hardback Paperback

280pp £52.50 £17.99

216x138mm 978-1-4039-0662-5 978-1-4039-0663-2

ebook available from: Ebook Library, Ebooks.com, Myilibrary, Netlibrary

Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work November 2007 Hardback Paperback

296pp £52.50 £17.99

216x138mm 978-1-4039-1698-3 978-1-4039-1699-0

Storytelling and Theatre Contemporary Professional Storytellers and their Art Michael Wilson, Professor of Drama, University of Glamorgan, UK

‘Wilson’s book provides a clear depiction of the situation of storytelling and theatre in the present precarious day and why storytellers must become even more artful than ever before if they are somehow to capture and maintain the truth content of storytelling, even as professionals.’ Jack Zipes, from the Foreword October 2005 Hardback Paperback

240pp £52.50 £17.99

216x138mm 978-1-4039-0664-9 978-1-4039-0665-6

ebook available from: Netlibrary

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

9

PRACTICE AND PRACTITIONERS

Theatre Performance and Technology

Writing Dancing Together

Dance

The Development of Scenography in the Twentieth Century

Valerie A. Briginshaw, formerly Professor of Dance Studies, University of Chichester, UK

Christopher Baugh, Professor of Performance and Technology, University of Leeds, UK

‘There simply are no competing texts…invaluable and long overdue.’ - Richard Downing, University of Wales, Aberystwyth, UK October 2005 Hardback Paperback

272pp £52.50 £17.99

216x138mm 978-1-4039-1696-9 978-1-4039-1697-6

Applied Drama Helen Nicholson, Lecturer, Drama and Theatre Department, Royal Holloway, University of London, UK

This book provides an overview of the theoretical concepts underpinning practice in applied drama and theatre and examines a range of practices in the light of contemporary theoretical and political concerns.

September 2005 208pp Hardback £52.50 Paperback £17.99

216x138mm 978-1-4039-1645-7 978-1-4039-1646-4

ebook available from: Myilbrary

Please use the following ISBN(s) to order all titles in this series: Hardback: 978-1-4039-8735-8 Paperback: 978-1-4039-8736-5 For more information on all titles in this series, please visit www.palgrave.com/theatre

Valerie A. Briginshaw, formerly Professor of Dance Studies, University of Chichester, UK, and Ramsay Burt, Professor of Dance History, De Montfort University, UK

Dance, Space and Subjectivity

This book, now available in paperback, contains readings of international postmodern dances, exploring the roles dance and space play in constructing subjectivity and reading dances ‘against the grain’ to reveal their potential for troubling conventional notions of subjectivity associated with a white, Western, heterosexual, able-bodied, male norm.

Contents: List of Illustrations / Acknowledgements / Preface to the Paperback Edition / Introduction / PART I: CONSTRUCTIONS OF SPACE AND SUBJECTIVITY / Travel Metaphors in Dance: Gendered Constructions of Travel, Spaces and Subjects / Transforming City Spaces and Subjects / Coastal Constructions in Lea Anderson’s Out on the Windy Beach / PART II: DANCING IN THE ‘IN-BETWEEN SPACES’ / Desire Spatialized Differently in Dances that can be Read as Lesbian / Hybridity and Nomadic Subjectivity in Shobana Jeyasingh’s Duets with Automobiles / Crossing the (Black) Atlantic: Spatial and Temporal Displacements in Meredith Monk’s Ellis Island and Jonzi Di’s Aeroplane Man / PART III: INSIDE/OUTSIDE BODIES AND SPACES / Fleshy Corporealities in Trisha Brown’s If You Couldn’t See Me, Lea Anderson’s Joan and Yolande Snaith’s Blind Faith / Carnivalesque Subversions in Liz Aggiss’s Grotesque Dancer, Mark Morris’s Dogtown and Emilyn Claid’s Across Your Heart / Architectural Spaces in the Choreography of William Forsythe and De Keersmaeker’s Rosas Danst Rosas / Appendix / Endnotes / Bibliography / Index October 2009 Paperback

264pp £18.99

216x138mm 978-0-230-22979-2

Writing Dancing Together situates cultural texts (from theatre and dance, but also including examples of visual art, film and music) in sociohistorical and political contexts.

April 2009 Hardback

256pp £50.00

216x138mm 978-0-230-53564-0

An Introduction to Community Dance Practice Edited by Diane Amans, Director, Freedom in Dance

‘A rich stock of case studies and personal experiences - often moving - bring theoretical concerns to life...this is an inspiring read that will give courage to all those dancers who work with community groups. There should be a well-thumbed copy in every dancer’s kitbag.’ François Matarasso, Arts Professional July 2008 Hardback Paperback

296pp £52.50 £17.99

234x156mm 978-0-230-55168-8 978-0-230-55169-5

ebook available from: Ebrary, Palgrave Connect Social & Cultural Studies Collections

10

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

GENDER AND SEXUALITY Gender and Sexuality

Violence Against Women in Early Modern Performance Invisible Acts Kim Solga, Assistant Professor of English, University of Western Ontario, USA

‘This is an inspiring book that deserves serious attention.’ - Susan Bennett, University of Calgary, Canada Examining some of the most iconic texts in English theatre history, including Titus Andronicus, The Duchess of Malfi and The Changeling, this book reveals the pernicious erasure of rape and violence against women in the early modern era, and the politics and ethics of rehearsing these negotiations on the twentiethand twenty-first century stages.

Feminist and Queer Performance

Feminist Futures?

Critical Strategies

Theatre, Performance, Theory

Sue-Ellen Case, Professor and Chair of Critical Studies in Theater, University College Los Angeles, USA

Sue-Ellen Case is arguably the most influential and significant scholar in feminist and queer theatre studies. This collection brings together her most important writing. Framing this with new introductory material, Sue-Ellen Case will contextualize her work within broader developments in critical theory and feminist / lesbian studies.

November 2008 Hardback Paperback

208pp £55.00 £18.99

Feminism and Theatre Reissued edition

Contents: List of Illustrations / Acknowledgements / Encounters with the Missing: From the Invisible Acts to In/visible Acts / Rape’s Metatheatrical Return: Rehearsing Sexual Violence Among the Early Moderns / The Punitive Scene and the Performance of Salvation: Violence, the Flesh, and the Word / Witness to Despair: The Martyr of Malfi’s Ghost / The Architecture of the Act: Renovating Beatrice Joanna’s Closet / Afterword / Bibliography / Notes / Index September 2009 Hardback

224pp £50.00

February 2008 Hardback Paperback

184pp £50.00 £17.99

This work is a timely contribution to the debates surrounding feminism, theatre and performance.

The excellent, crossgenerational mix of theatre scholars and practitioners engaging in lively, cutting-edge debates on critical topics make this essential reading for students and scholars in Theatre and Performance Studies as well as Gender Studies.

Sue-Ellen Case, Professor and Chair of Critical Studies in Theater, University College Los Angeles, USA

October 2007 Paperback

Foreword by Elaine Aston

ebook available from: Dawson ERA, Ebook Library, ebooks.com, Ebrary, Myilibrary, NetLibrary, Palgrave Connect Literature & Performing Arts Collections

This classic study is both an introduction to, and an overview of, the relationship between feminism and theatre. The reissued edition features a new Foreword by Elaine Aston who examines its influence, developments and importance.

216x138mm 978-0-230-21954-0

Queer Writing

216x138mm 978-0-230-53754-5 978-0-230-53755-2

Edited by Elaine Aston, Professor of Contemporary Theatre and Performance, both at Lancaster University, UK and Geraldine Harris, Professor of Theatre Studies

264pp £18.99

216x138mm 978-1-4039-4533-4

Performance Interventions Series Editors: Elaine Aston and Bryan Reynolds

216x138mm 978-0-230-52117-9 978-0-230-52118-6

Homoeroticism in Jean Genet’s Fiction Elizabeth Stephens, Research Fellow, University of Queensland, Australia

This text provides the first full-length study of homoeroticism in Jean Genet’s fiction. It shows how the theory of writing elaborated in his work provides a new way to understand homosexual literature, not as the inscription of a stable sexual subjectivity but as the mobilization of a perverse dynamic within the text.

July 2009 Hardback

224pp £50.00

216x138mm 978-0-230-20585-7

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

11

WORLD THEATRE World Theatre Studies in International Performance Published in association with FIRT/IFTR

Series Editors: Janelle Reinelt and Brian Singleton

Dramaturgy of the Real on the World Stage Edited by Carol Martin, Associate Professor of Drama, New York University, USA

This text brings together an incredible range of international theatre thinking, plays and performance texts, many published here for the first time, that ask questions about how we have come to understand reality and truth in the twentyfirst century and analyse the presentation of nonfiction on the international stage.

Contents: PART I: ESSAYS / C.Martin: The Dramaturgy of the Real / J.Reinelt: Towards a Poetics of Theatre and Public Events / W.Hesford: Staging Terror / Y.Hutchison: Post-1990s Verbatim Theatre in South Africa: Exploring an African Concept of Truth / A.Sowinska translated

by B.Paloff: Reality from the Bottom Up: Documentary Theatre in Poland / F.Malzacher: The Scripted Realities of Rimini Protokoll / PART II: TEXTS / J.Dubow: Rewind - A Cantata for Voice, Tape and Testimony / P.Miller: Rewind: Cantata / A.Roosen: Is.Man / R.Mroué: Introduction to Three Posters / E.Khoury & R.Mouré: Three Posters / J.Ostrowska translated by E.Janicka: The Magic Years of Youth in Dreary Times, Or Theatre of the Eighth Day’s View of Itself, Again During Dreary Times / Teatre Ósmego Dnia translated by B.Johnston: The Files / P.Sztarbowski translated by A.Valles: Pawel Demirski: We’re not Hyenas - An Interview / P.Demirski translated by A.Valles: Don’t Be Surprised When They Burn Your House Down / A.Pauls translated by S.J.Townsend: Kidnapping Reality: An Interview with Vivi Tellas / V.Tellas translated by S.J.Townsend: Excerpts from the Plays of Vivi Tellas / B.Vorlicky: An Intimate Love Letter: Art, Life & Showbiz, Ain Gordon Writer/Director / A.Gordon: Art, Life & Showbiz / Index January 2010 Hardback

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288pp £55.00

216x138mm 978-0-230-22054-6

Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre

Theatre, Facilitation, and Nation Formation in the Balkans and Middle East

Shannon Steen, Assistant Professor of American Studies, Race Theory and Performance Studies, University of California, Berkeley, USA

Sonja Arsham Kuftinec, Associate Professor of Theatre Arts and Dance, University of Minnesota, USA

An exciting new work on how black and Asian racial structures were woven together within US theatrical practices in the run up to the Second World War, Steen uses this history to model how we might use performance histories to more carefully assess how racial formation occurs on the boundaries between racial groups in an international context.

February 2010 Hardback

240pp £52.00

How might theatre intervene in violent interethnic conflicts? This book addresses this question through detailed case studies in the Balkans and the Middle East, showing how theatrical facilitations model ways that ethnic oppositions can move towards ethical relationships.

June 2009 Hardback

240pp £50.00

216x138mm 978-0-230-00539-6

216x138mm 978-0-230-22193-2

Indonesian Postcolonial Theatre Spectral Genealogies and Absent Faces Evan Darwin Winet, Independent Scholar

This book explores modern theatrical practices in Indonesia from a performance of Hamlet in the warehouses of Dutch Batavia to Ratna Sarumpaet’s feminist Muslim Antigones. The book reveals patterns linking the colonial to the postcolonial eras that often conflict with the historical narratives of Indonesian nationalism.

February 2010 Hardback

288pp £50.00

216x138mm 978-0-230-54688-2

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

WORLD THEATRE

Performance and Cosmopolitics Cross-Cultural Transactions in Australasia Helen Gilbert, Professor of Theatre, Royal Holloway, University of London, UK and Jacqueline Lo, Senior Lecturer in Literature and Cultural Studies, Australian National University, Australia

This ground-breaking study of cross-cultural theatre in the Australasian region focuses on theatrical events and practices in avant-garde and mainstream contexts. It explores the cultural and political dimensions of Australia’s engagement with Asia and sheds light on international arts marketing and trends in cross-cultural performance training.

Performance, Exile and ‘America’

Worlding Dance

Edited by Silvija Jestrovic, Associate Professor, School of Theatre, Performance and Cultural Policy, University of Warwick, UK and Yana Meerzon, Associate Professor, Department of Theatre, University of Ottawa, Canada

Edited by Susan Foster, Professor, Department of World Arts and Cultures, University College Los Angeles, USA

Contents: List of illustrations / Series Editors’ Preface / Acknowledgements / Notes on Contributors / S.Jestrovic & Y.Meerzon: Introduction: Framing ‘America’: Between Exilic Imaginary and Exilic Collective / PART 1: ‘AMERICA’ BETWEEN THE EXILIC IMAGINARY AND THE EXILIC COLLECTIVE / E.Fitzpatrick: Land of Air-conditioning and Opportunity: America on the Irish Stage / Y.Prizant: Ninety Miles Away: Exile and Identity in Recent Cuban-American Dramas / D.Manole: An American Mile in Others’ Shoes’ – The Tragicomedy of Immigrating to the 21st Century U.S. / Y.Meerzon: The American Landscape Reconsidered. On Theatricality of Urban America in the Russian Émigré Writings, with the Special Focus on Vasily Aksyonov’s Works / PART 2: AMERICAN PERFORMATIVITY / F.Rokem: Theatres in America: Brecht and Kafka / V.Ambros: America Relocated – Karel Čapek’s Robots between Prague, Berlin and New York / A.Ackerman: At Home in Exile: Finding America in Casablanca and Camino Real / PART 3: AMERICA AND THE OTHER: FROM REPRESENTATION TO INTERVENTION / E.Jaffe-Berg: De-Territorializing Voices: Staging the Middle East in American Theatre / D.Basiouny & M.Carlson: Current Trends in Arab-American Performance / J.Wasserman: Bombing (on) the Border: Ali & Ali and the aXes of Evil as Transnational Agitprop / S.Jestrovic: Exiles and the City: Krzysztof Wodiczko’s New York Interventions of Making the Familiar Strange / Index October 2009 Hardback

280pp £50.00

216x138mm 978-0-230-57456-4

June 2009 Paperback

What world has been constructed for dancing through the use of the term ‘world dance’? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This book endeavours to make new epistemological space for the analysis of the world’s dance by offering a variety of new analytic approaches.

Contents: Acknowledgements / Notes on Contributors / S.L.Foster: Worlding Dance – An Introduction / L.Hammergren: The Power of Classification / J.S.Murphy: Mobilizing (in) the Archive: Santee Smith’s Kaha:wi / P.Srinivasan: A “Material”-ist Reading of the Bharata Natyam Dancing Body: The Possibility of the “Unruly Spectator” / A.Kraut: Race-ing Choreographic Copyright / S.L.Foster: Choreographies and Choreographers / A.Chatterjea: Red-stained Feet: Probing the Ground On Which Women Dance in Contemporary Bengal / Y.Wong: Artistic Utopias: Michio Ito and the Trope of the International / M.E.Savigliano: Worlding Dance and Dancing Out There in the World / Works Cited / Index June 2009 Hardback

224pp £50.00

216x138mm 978-0-230-20594-9

256pp £18.99

216x138mm 978-0-230-23402-4

Winner of the Australasian Association for Theatre, Drama and Performance Studies Rob Jordan prize Shortlisted for the NSW Premier’s Literary Awards Gleebooks Prize and Biennial Prize for Literary Scholarship

Theatre, Intimacy & Engagement The Last Human Venue Alan Read, Professor of Theatre, King’s College, University of London, UK

‘This is a rich and rewarding book, written with feeling and a deep commitment to its many, various and often unpredictable subjects.

Reader’s who accept its generous invitation will be seduced, provoked and encouraged to think afresh about how they understand their theatre, their politics and their intellectual engagement.’

- Nicholas Ridout, Queen Mary, University of London, UK This book, now available in paperback, unravels politics from theatre in order to propose a new means to politicize performance. Performance analyses ranging from child actors, animals and objects to reflections on the theatre work of Societas Raffaello Sanzio, Forced Entertainment and Goat Island combine to offer a critique of performance studies.

June 2009 Paperback

364pp £18.99

216x138mm 978-0-230-23524-3

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

13

WORLD THEATRE

Performance, Ethics and Spectatorship in a Global Age

Politics and Violence in Cuban and Argentine Theater

Helena Grehan, Senior Lecturer in English and Creative Arts, Murdoch University, Australia

Katherine Ford, Assistant Professor of Hispanic Studies, East Carolina University, USA

This book takes performance studies in exciting new directions, exploring the ways in which ethics can be used to understand the complex questions facing contemporary spectators. Engaging with five key performances, the book reflects on the emotional and intellectual impacts of politically inflected performance on spectators, critics and theorists.

This book looks at Cuban and Argentine theatre of the late 1960s and early 1970s to see how the idea of spectacle as violence was used to comment on and question the social and political violence that was unfolding offstage.

March 2009 Hardback

224pp £50.00

216x138mm 978-0-230-51801-8

March 2010 Hardback

272pp £55.00

Ibsen and the Irish Revival Irina Ruppo Malone, Postdoctoral Fellow, English Department, National University of Ireland, Republic of Ireland

Violence Performed Local Roots and Global Routes of Conflict Edited by Patrick Anderson, Assistant Professor, University of California, San Diego, USA and Jisha Menon, Assistant Professor of English, University of British Columbia, Canada

This topical collection explores the relationship between violence and performance. The authors offer fresh theoretical perspectives and examine media as diverse as street theatre, performance art, photography and cinema in locations as diverse as Korea and South Africa to India and Israel.

November 2008 Hardback

412pp £65.00

216x138mm 978-0-230-53726-2

Please use the following ISBN(s) to order all titles in this series: Hardback: 978-1-4039-4456-6 Paperback: 978-1-4039-4457-3

234x156mm 978-0-230-61314-0

This book examines Henrik Ibsen’s influence on the Irish Revival and the reception of his plays in turn-of-thetwentieth-century Dublin. It highlights the international dimension of the Irish Literary Revival and offers new perspectives on W.B. Yeats, J.M. Synge, Lennox Robinson, James Joyce, George Moore and Sean O’Casey.

February 2010 Hardback

240pp £55.00

216x138mm 978-0-230-23199-3

Theatre and Globalization: Irish Drama in the Celtic Tiger Era Patrick Lonergan, Lecturer in English, National University of Ireland, Republic of Ireland

‘A remarkable study of Irish theatre.’ - Steven Berkoff Globalization is transforming theatre everywhere. As writers seek new opportunities to produce their work internationally, audiences are seeing the world – and the stage – differently.

This groundbreaking study, now available in paperback, explores these developments in the context of the transformation of Ireland since the early 1990s.

Contents: Acknowledgements / List of Abbreviations / Introduction / Globalization and Irish Theatre / Globalizing Irish Drama: Brian Friel’s Dancing at Lughnasa, 1990/1999 / Globalizing National Theatres: Sean O’Casey’s The Plough and the Stars, 1926/1991/2002 / Historicizing the Brand: Dion Boucicault’s The Shaughraun, 1874/2004 / Globalization and Authorship: Martin McDonagh, 1996-2005 / Globalization and Cultural Exchange: Tony Kushner’s Angels in America, Dublin, 1995 / Globalizing Gender / Race and the Brand: Irish Theatre in 2005 / Conclusion: Our Global Theatre / Works Cited / Index December 2009 Paperback

260pp £19.99

216x138mm 978-0-230-24191-6

Winner of the 2008 Theatre Book Prize, awarded by the Society for Theatre Research

For more information on all titles in this series please visit www.palgrave.com/theatre

14

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WORLD THEATRE • THEATRE HISTORY

Crossroads

Contemporary Irish Drama

Performance Studies and Irish Culture

2nd edition

Edited by Sara Brady, Lecturer in Drama Studies and Fintan Walsh, Part-time Lecturer in Drama Studies, both at Trinity College, Dublin, Republic of Ireland

‘An engrossing, lively, timely, and important collection…The essays exemplify, probe, illuminate, and analyze the very rich performative landscape of Ireland. This book opens up new vistas to scholars of performance studies and Irish studies - and to anyone else wanting to learn more about the ebullient action of Irish culture.’- Richard Schechner, New York University, USA The highly performative categories of ‘Irish culture’ and ‘Irishness’ are in need of critical address, prompted by recent changes in Irish society, the arts industry and modes of critical inquiry.

This book broaches this task by considering Irish expressive culture through some of the paradigms and vocabularies offered by performance studies.

August 2009 Hardback

272pp £55.00

216x138mm 978-0-230-21998-4

Anthony Roche, Associate Professor, School of English, Drama and Film, University College Dublin, Republic of Ireland

‘Anthony Roche loves theatre, and Irish theatre in particular - he was at the opening nights; he has long known the playwrights, directors, and actors, as people and professionals; he has been in the scholarly debate about contemporary drama in Ireland all the way along. His new edition of this groundbreaking study really puts the reader on top of the subject, and up to date on many of the most successful English-speaking plays of recent times.’ - Adrian Frazier, National University of Ireland, Republic of Ireland This new edition of Anthony Roche’s pioneering survey of twentieth-century Irish drama brings the story up-to-date with new material on the contemporary Irish theatre scene.

Contents: Acknowledgements / Introduction / Beckett and Behan: Waiting for Your Man / Friel’s Drama: Leaving and Coming Home / Murphy’s Drama: Tragedy and After / Kilroy’s Doubles / Northern Irish Drama: Imagining Alternatives / The 1990s and Beyond: McPherson, Barry, McDonagh, Carr / Notes / Select Bibliography / Index July 2009 Hardback Paperback

304pp £60.00 £18.99

216x138mm 978-0-230-21978-6 978-0-230-21979-3

THEATRE HISTORY PALGRAVE STUDIES IN THEATRE AND PERFORMANCE HISTORY Series Editor: Don B. Wilmeth

Interrogating America through Theatre and Performance Iris Smith Fischer, Associate Professor of English, University of Kansas, USA and William W. Demastes, Professor of English, Louisiana State University, USA October 2009 Paperback

320pp £19.99

234x156mm 978-0-230-61901-2

Beyond the Golden Door Jewish American Drama and Jewish American Experience Julius Novick, Emeritus Professor of Drama Studies, Purchase College, USA October 2009 Paperback

200pp £17.99

246x189mm 978-0-230-61966-1

ebook available from: Dawson ERA, Ebook Library, ebooks.com, Ebrary, Myilibrary, NetLibrary, Palgrave Connect Literature & Performing Arts Collections

Theatre, Performance, and the Historical Avant-garde Günter Berghaus, Senior Research Fellow, University of Bristol, UK January 2010 Paperback

400pp £21.99

234x156mm 978-0-230-61752-0

Please use the following ISBN to order all titles in this series: Paperback: 978-0-230-00250-0 For more information on all titles in this series, please visit www.palgrave.com/theatre

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

15

THEATRE HISTORY

The Changing Language of Modern English Drama 1945–2005

Ruskin, the Theatre and Victorian Visual Culture

Kate Dorney, Curator of Modern and Contemporary Performance, Theatre Museum, UK

An account of language and drama between 1945 and 2005, synthesizing linguistic and dramatic knowledge in order to illuminate the ways in which anxieties and attitudes toward language manifest themselves in discourses on and around English theatre of the time, and how these anxieties and attitudes reflect back through the theatre of this period.

September 2009 Hardback

264pp £50.00

216x138mm 978-0-230-01329-2

The Ancient World on the Victorian and Edwardian Stage Jeffrey Richards, Professor of Cultural History, Lancaster University, UK

The first study of the depictions of the Ancient World on the Victorian and Edwardian stage, this book analyzes plays set in and dramatizing the histories of Greece, Rome, Egypt, Babylon and the Holy Land. In doing so, it seeks to locate theatre within the wider culture, tracing its links and interaction with other cultural forms.

October 2009 Hardback

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280pp £50.00

216x138mm 978-0-230-22936-5

Edited by Anselm Heinrich, Lecturer in Theatre Studies, University of Glasgow, UK, Kate Newey, Professor of Drama and Theatre Arts, University of Birmingham, UK and Jeffrey Richards, Professor of Cultural History, Lancaster University, UK

This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of ‘Ruskinian theatre’, an approach to theatre which values its educative purpose as well as its aesthetic expression.

Contents: Acknowledgements / Notes on Contributors / K.Newey: Introduction: The Victorian Stage and Visual Culture / PART I: RUSKIN AND THE THEATRE / J.Richards: John Ruskin, Olympian Painters and the Amateur Stage / T.Hilton: Ruskin at the Savoy / R.Dickinson: Ruskinian Moral Authority and Theatre’s Ideal Woman / A.Leng: Reinterpreting Ruskin and Browning’s Dramatic ‘Art-poems’ / A.Heinrich: Ruskin and the National Theatre / A.Tate: The First Theatrical Pre-Raphaelite? Ruskin’s Molière / PART II: THE THEATRE AND THE VISUAL ARTS IN THE NINETEENTH CENTURY / J.Norwood: The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre / D.Mayer: Supernumeraries: Decorating the Late-Victorian Stage with lots (& lots & lots) of Live Bodies / R.Foulkes: ‘A truer peep at Old Venice’. The Merchant of Venice on the Victorian stage / S.West: The Photographic Portraiture of Henry Irving and Ellen Terry / J.Davis: ‘Auntie, can you do that?’ or ‘Ibsen in Brixton’: Representing the Victorian Stage through Cartoon and Caricature / Bibliography / Index April 2009 Hardback

256pp £50.00

216x138mm 978-0-230-20059-3

SHAKESPEARE HANDBOOKS Series Editors: John Russell Brown, Paul Edmondson and Kevin Ewert The Shakespeare Handbooks are unique student guides to Shakespeare’s plays. Their central feature is a commentary that shows the text’s potential in performance and how its characters can come alive on stage. The use made of properties, costumes and stage business, entries and exits, processions, music, song, dance, ritual, violence and noise: all of these things and more are shown to contribute to performance and study of the plays. Further sections consider the original text or texts, what is known of early performances, four or five landmark productions, and current criticism. For students of both Theatre and Shakespeare, these are books to keep at hand for practical work, study and independent exploration.

King Lear John Russell Brown, Honorary Professor, University College London, UK September 2009 Hardback Paperback

168pp £35.00 £9.99

198x129mm 978-1-4039-8688-7 978-1-4039-8689-4

Julius Caesar David Carnegie, Professor and Chair of Theatre, Victoria University of Wellington, New Zealand April 2009 Hardback Paperback

168pp £42.50 £9.99

198x129mm 978-1-4039-4890-8 978-1-4039-4891-5

A Midsummer Night’s Dream Martin White, Professor of Theatre, University of Bristol, UK November 2008 Hardback Paperback

184pp £42.50 £9.99

198x129mm 978-1-4039-4537-2 978-1-4039-4538-9

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

THEATRE HISTORY Redefining British Theatre History General Editor: Peter Holland This series brings together major practitioners in theatre history in order to establish ways in which previous assumptions need fundamental questioning and to initiate new directions for the field.

Published in association with the Huntington Library

The Performing Century Nineteenth-Century Theatre’s History Tracy C. Davis, Barber Professor of Performing Arts, Northwestern University, USA and Peter Holland, McMeel Family Professor of Shakespeare Studies, University of Notre Dame, USA

Richard II

Henry IV

Jeremy Lopez, Assistant Professor of English, University of Toronto, Canada November 2008 Hardback Paperback

176pp £42.50 £9.99

198x129mm 978-0-230-51749-3 978-0-230-51750-9

The Winter’s Tale Ros King, Professor of English Studies, University of Southampton, UK November 2008 Hardback Paperback

168pp £42.50 £9.99

198x129mm 978-0-230-00851-9 978-0-230-00852-6

Parts I and II James N. Loehlin, Associate Professor of English, University of Texas at Austin, USA May 2008 Hardback Paperback

240pp £45.00 £12.99

198x129mm 978-0-230-01910-2 978-0-230-01911-9

This book, now available for the first time in paperback, looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On a variety of subjects, the authors redefine what theatre and performance in the Nineteenth century might be.

November 2007 Hardback Paperback

288pp £58.00 £18.99

234x156mm 978-0-230-57256-0 978-0-230-25040-6

Please use the following ISBN(s) to order all titles in this series: Hardback: 978-1-4039-1775-1 Paperback: 978-1-4039-1776-8 For more information on all titles in this series, please visit www.palgrave.com/theatre

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

17

THEATRE HISTORY

Players, Playwrights, Playhouses Investigating Performance, 1660-1800 Michael Cordner, Ken Dixon Professor of Drama, University of York, UK and Peter Holland, McMeel Family Professor of Shakespeare Studies, University of Notre Dame, USA

This book brings together theatre historians to identify and exemplify a variety of productive new approaches to the investigation of plays, players, playwrights, playhouses and other aspects of theatre in the long eighteenth century. Their inquiries range from stage censorship and anti-theatricalism to the political resonances of adultery comedy.

October 2007 Hardback Paperback

320pp £53.00 £18.99

234x156mm 978-0-230-52524-5 978-0-230-25057-4

PALGRAVE SHAKESPEARE STUDIES Series Editors: Michael Dobson and Gail Kern Paster

Shakespeare and the Institution of Theatre ‘The Best in this Kind’ Erica Sheen, Lecturer, Department of English and Related Literatures, University of York, UK

This innovative book offers an interdisciplinary analysis of Shakespearean theatre, presented in a series of imaginative readings of plays from every period of the playwright’s career, from Two Gentlemen of Verona and The Taming of the Shrew to King Lear and The Tempest, mapping a new approach to ideas of the theatre as an institution.

From Performance to Print in Shakespeare’s England

May 2009 Hardback

Edited by Peter Holland, McMeel Family Professor of Shakespeare Studies, University of Notre Dame, USA and Stephen Orgel, Jackson Eli Reynolds Professor of Humanities, Stanford, USA

Popular Shakespeare

‘...a remarkably important book, not only in its reassessment of the historiography of British theatre history, but also as a glimpse into the future of performance-based Shakespearean studies...’ - Natalie Aldred, SHARP News May 2008 Paperback

288pp £18.99

234x156mm 978-0-230-21013-4

Please use the following ISBN(s) to order all titles in this series: Hardback: 978-0-333-98219-8 Paperback: 978-0-333-98220-4 For more information on all titles in this series please visit www.palgrave.com/theatre

Theory, History, Performance and Theatrical Persons Edited by Paul Yachnin, Tomlinson Professor of Shakespeare Studies, McGill University, Canada and Jessica Slights, Associate Professor of English, Acadia University, Canada

This text brings together leading scholars in theory, literary criticism, and performance studies in order to redress a serious gap in Shakespeare studies and to put character back at the centre of our understanding of Shakespeare’s achievement as an artist and thinker.

December 2008 Hardback

264pp £50.00

216x138mm 978-0-230-57262-1

Please use the following ISBN(s) to order all titles in this series: Hardback: 978-1-4039-1165-0 Paperback: 978-1-4039-1164-3 For more information on all titles in this series, please visit www.palgrave.com/theatre

216x138mm 978-0-230-52480-4

Simulation and Subversion on the Modern Stage Stephen Purcell, Lecturer in English (Drama), Southampton Solent University, UK

In recent years, the ‘Popular Shakespeare’ phenomenon has become ever more pervasive: in fringe productions, mainstream theatre, or the mass media, Shakespeare is increasingly constructed as an authentic part of popular culture. A vivid account of Shakespeare in performance since the 1990s, this book examines what ‘Shakespeare’ means to us today.

February 2009 Hardback

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184pp £50.00

Shakespeare and Character

256pp £50.00

216x138mm 978-0-230-57703-9

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

THEATRE HISTORY

Shakespeare and Religious Change

The RSC Shakespeare Complete Works Edited by Kenneth J. E. Graham, Associate Professor of English, University of Waterloo, Canada and Philip D. Collington, Associate Professor of English, Niagara University, USA

Contents: Acknowledgments / Note on Spelling Conventions / Notes on Contributors / K.J.E.Graham: Introduction / PART I: SHAKESPEARE AND SOCIAL HISTORY: RELIGION AND THE SECULAR / R.Strier: Sanctifying the Bourgeoisie: The Cultural Work of The Comedy of Errors / D.Shuger: ‘In a Christian Climate’: Religion and Honor in Richard II / PART II: DRAMATIC CONTINUITIES AND RELIGIOUS CHANGE / A.F.Johnston: William Cecil and the Drama of Persuasion / M.A.Blackstone: The Queen’s Men and the Performance of Allegiance, Conformity, and Difference in Elizabethan Norwich / E.Williamson: Things Newly Performed: The Resurrection Tradition in Shakespeare’s Plays / K.Sawyer Marsalek: Staging Allegiance, Re-membering Trials: King Henry VIII and the Blackfriars Theater / PART III: RELIGIOUS IDENTITIES / P.Jensen: ‘Mirth in Heaven’: Religion and Festivity in As You Like It / G.Clark: Speaking Daggers: Shakespeare’s Troubled Ministers / T.Bishop: Othello in the Wilderness: How did Shakespeare Use his Bible? / PART IV: SHAKESPEARE AND THE CHANGING THEATRE: RELIGION OR THE SECULAR / J.Knapp: Author, King, and Christ in Shakespeare’s Histories / A.B.Dawson: The Secular Theater / Index July 2009 Hardback

296pp £52.00

216x138mm 978-0-230-21309-8

Early Modern Literature in History Series Editors: Cedric C. Brown and Andrew Hadfield

Shakespeare’s Widows Dorothea Kehler, Professor Emeritus of English Literature, San Diego State University, USA; Life Member of Clare Hall, Cambridge University, UK

Using a variety of approaches from new historicism to performance criticism, Kehler offers a detailed, feminist study of the thirty-one widow characters of Shakespeare’s plays.

August 2009 Hardback

256pp £52.50

216x138mm 978-0-230-61703-2

William Shakespeare Jonathan Bate, Professor of Shakespeare and Renaissance Literature, University of Warwick, UK and Eric Rasmussen, Professor of English, University of Nevada, USA

‘It’s the essential reference book for anyone who’s ever been in love, felt jealousy, fear, hatred, or desire. All human life is here - and every home should have one.’ - Dame Judi Dench ‘Excellent, succinct notes and introductions to each play.’

- John Carey, The Sunday Times ‘The paper quality and page design are excellent, and the illustrations in the introductory materials are lavish and well reproduced...a virtual comet-tail of supplementary materials are to be found at www. rscshakespeare.co.uk - the RSC is certainly the first edition of Shakespeare to provide a link to it’s editor’s blog...

Bate’s general introduction to Shakespeare’s life, stage and reputation is superb, and the short introductions to individual works, in particular, are among the best of their kind available.‘ - Professor Michael Dobson, writing in The London Review of Books ‘Jonathan Bate and Eric Rasmussen have given us an edition full of endless fascination.’ - Tom Deveson, Times Educational Supplement Developed in partnership with The Royal Shakespeare Company, this fresh Complete Works combines the very latest scholarship with elegant writing and design. It boasts a wealth of features that will appeal to public and academic libraries, teachers, students and lovers of Shakespeare everywhere, including: •

A definitive modernized edition of Shakespeare’s text based on the 1623 First Folio (the first and original Complete Works lovingly assembled by Shakespeare’s fellow actors and the version of Shakespeare’s text preferred by many actors and directors today).

•

Thought-provoking essays on each play and a superb general introduction by Professor Jonathan Bate.

•

On-page notes which explain words or references unfamiliar to modern audiences.

•

Photographs of performances.

•

Clear, single-column page design, with plenty of space for writing notes.

•

A key facts ‘box’ for each play which summarises the plot, major roles, language and sources.

Leading the editorial team is renowned Shakespearean scholar Professor Jonathan Bate, who has worked in close collaboration over many years with the artists and archivists at the RSC. His introductions and notes draw on a unique wealth of experience and resources and will help the reader to understand Shakespeare’s plays as they were originally intended - as living theatre to be enjoyed and performed.

For a full table of contents please visit: www.palgrave.com and for more details visit: www.rscshakespeare.co.uk April 2007 Hardback Paperback

2552pp £35.00 £19.99

234x177mm 978-0-230-00350-7 978-0-230-20095-1

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

19

THEATRE HISTORY

RSC Shakespeare Individuals From Macmillan and the Royal Shakespeare Company, fresh editions of Shakespeare’s most celebrated plays featuring: •

An Introduction to each play by renowned scholar Professor Jonathan Bate.

•

Each play includes three specially commissioned interviews with leading Directors including Peter Brook, Sam Mendes and Greg Doran.

•

Outstanding on-page notes explain words and references unfamiliar to a modern audience.

•

A detailed scene-by-scene analysis for each play.

Henry IV, Part I

Henry IV, Part II

August 2009 240pp 216x138mm Hardback £20.00 978-0-230-23212-9 Paperback £6.99 978-0-230-23213-6

August 2009 240pp 216x138mm Hardback £20.00 978-0-230-23214-3 Paperback £6.99 978-0-230-23215-0

Much Ado About Nothing

Romeo and Juliet

August 2009 200pp 216x138mm Hardback £20.00 978-0-230-23209-9 Paperback £6.99 978-0-230-23210-5

August 2009 216pp 216x138mm Hardback £20.00 978-0-230-23207-5 Paperback £6.99 978-0-230-23208-2

Other titles already published in the series: • King Lear • Antony and Cleopatra • Othello • The Winter’s Tale

20

• Macbeth • Sonnets and Poems • Hamlet • The Tempest

• A Midsummer Night’s Dream • Love Labour’s Lost • Richard III

For more details visit: www.rscshakespeare.co.uk

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

MODERN AND CONTEMPORARY THEATRE Modern and Contemporary Theatre

Playing For Real Actors on Playing Real People Edited by Tom Cantrell, Actor, Tutor and Researcher, Department of Theatre, Film and TV, and Mary Luckhurst, Professor of Modern Drama, both at University of York, UK

‘This invaluable book offers riveting and fascinating insights into the actor’s process and the crucial question as to how fact might become fiction.’ - Steve Waters, University of Birmingham, UK This is the first book to explore how actors play real people. How do you capture Hitler, Mugabe, or a serial killer? How do you portray living monarchs or political leaders? Is it possible to embody a genius like Mozart or Darwin? With a multiple awardwinning line-up, including Sir Ian McKellen on playing himself in Ricky Gervais’s Extras.

The Making of British Asian Theatre

Women and Ireland as Beckett’s Lost Others

An Introduction to Performance Practice

Beyond Mourning and Melancholia

Dominic Hingorani, Lecturer, London Metropolitan University and Brunel University, UK, Professional Theatre Director, and Associate Director, Conspirators’ Kitchen Theatre Company

Rina Kim, Sessional Lecturer, Department of English and Comparative Literary Studies, University of Warwick, UK

An introduction to British Asian theatre over the past thirty years. Hingorani explores and examines productions from major British Asian theatre companies (including Tara Arts, Tamasha, Kali Theatre), providing students with the theoretical tools and practical examples with which to study the performance practices of British Asian theatre.

April 2010 Hardback Paperback

256pp £50.00 £16.99

176pp £42.50 £9.99

198x129mm 978-0-230-23041-5 978-0-230-23042-2

March 2010 Hardback

240pp £50.00

216x138mm 978-0-230-23047-7

Samuel Beckett Cool Britannia?

History, Memory, Archive

British Political Drama in the 1990s

Edited by Seán Kennedy, Assistant Professor of English, St Mary’s University, Halifax, Canada and Katherine Weiss, Assistant Professor of English, East Tennessee State University, USA

Contents: Introduction / INTERVIEWS / Roger Allam / Eileen Atkins / Simon Callow / Chipo Chung / Oliver Ford Davies / Diane Fletcher / Henry Goodman / Jeremy Irons / Matthew Marsh / Ian McKellen / David Morrissey / Joseph Mydell / Michael Pennington / Siân Phillips / Elena Roger / Timothy West April 2010 Hardback Paperback

216x138mm 978-0-230-21138-4 978-0-230-21139-1

This study investigates the relationship between emotion, memory, exile and the poetics of grieving in Beckett’s works. Using a psychoanalytic framework, this monograph traces discourses of mourning (Klein), melancholia (Freud) and abjection (Kristeva) in Beckett’s texts, and demonstrates how Ireland and women are often the objects of loss.

Edited by Rebecca D’Monté, Senior Lecturer, Department of Drama, University of the West of England, UK and Graham Saunders, Lecturer, Department of Film, Theatre and Television Studies, University of Reading, UK

‘This is an impressive collection by some of the best critics in the field. Each contribution is in dialogue with the subject matter and each other, providing salient observations about British ‘Rough theatre’ in an age of bodily mutilation...A superb reader for students studying the plays and playwrights of this volatile era.’ - David Krasner, Yale University, USA November 2007 Hardback Paperback

264pp £50.00 £16.99

This volume comprises ten essays challenging the dominant account of Samuel Beckett as a figure that cannot be read historically by drawing on new archival materials and situating his finished works in their historical context.

December 2009 Hardback

240pp £55.00

216x138mm 978-0-230-61944-9

New Interpretations of Beckett in the 21st Century

216x138mm 978-1-4039-8812-6 978-1-4039-8813-3

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

21

MODERN AND CONTEMPORARY THEATRE

Samuel Beckett and the Problem of Irishness

Sensualities/Textualities and Technologies

Emilie Morin, Lecturer in Modern British and Irish Drama, University of York, UK

‘Samuel Beckett and the Problem of Irishness deftly brings together scholarly erudition with theoretical sophistication in a strikingly original and judicious manner.

Particularly impressive is the book’s international reach, demonstrating an alertness to French and European contexts as well as the Irish one.’- Ronan McDonald, University of Reading, UK Beckett’s bilingual œuvre has been approached from many angles, most of which stress its autonomy from understandings of Irishness emerging from the Irish Literary Revival. Emilie Morin shows that such autonomy is only apparent, and that Beckett’s avant-garde practices remain bound to the exigencies that govern their very development.

October 2009 Hardback

240pp £50.00

216x138mm 978-0-230-21986-1

216x138mm 978-1-4039-4645-4

‘Drawing on his own workshops in Sri Lanka in 2000 and research in Rwandan prisons, Thompson builds a moving and often disturbing picture of how theatre can be used for political ends.’ - What’s On Stage.com

This innovative collection, with essays by a range of internationally renowned scholars, reconsiders textual practices in contemporary performance, specifically focusing on the exciting exchange between text, body and technology.

December 2009 240pp Hardback £50.00

216x138mm 978-0-230-22025-6

(Syn)aesthetics Redefining Visceral Performance Josephine Machon, Lecturer in Drama, Brunel University, UK

A timely book that identifies the practice of ‘(syn) aesthetics’ in artistic style and audience response, which helps to articulate the power of experiential practice in the arts. This exciting new approach includes interviews with leading practitioners in of theatre, dance, site-specific work, live art and technological performance practice.

240pp £50.00

216x138mm 978-0-230-22127-7

ebook available from: Palgrave Connect Literature & Performing Arts Collections

Günter Berghaus, Senior Research Fellow, University of Bristol, UK 400pp £19.99

James Thompson, Professor of Applied and Social Theatre, University of Manchester, UK

Edited by Susan Broadhurst, Head of Drama; Reader in Drama and Technology and Josephine Machon, Lecturer in Drama, both at Brunel University, UK

Live Events and Electronic Technologies

May 2005 Paperback

Applied Theatre and the End of Effect

Writings of the Body in 21st Century Performance

April 2009 Hardback

Avant-garde Performance

Performance Affects

Performance Affects explores performance projects in disaster and war zones to argue that joy, beauty and celebration should be the inspiration for the politics of community-based or participatory performance practice, seeking to realign the field of Applied Theatre away from effects towards an affective role, connected to sensations of pleasure.

Contents: Acknowledgments / PART I: THE END OF EFFECT / Introduction: Hedonism is a Bunker / Incidents of Cutting and Chopping / The End of the Story? / Academic Scriptwriters and Bodily Affects / PART II: PERFORMANCE AFFECTS / Performance Affects: A Kind of Triumph / The Call of Beauty: An Affective Invitation / About Face: Disturbing the Fabric of the Sensible / Conclusion: Let Them Slide / Endnotes / Bibliography / Index April 2009 Hardback

216x138mm 978-0-230-22160-4

Howard Barker: Ecstasy and Death Modernism and Performance Jarry to Brecht Olga Taxidou, Senior Lecturer in Drama, University of Edinburgh, UK

‘Enjoyable to read, informative and illuminating.’ Jon Erickson. Ohio State University, USA November 2007 Hardback Paperback

272pp £55.00 £19.99

216x138mm 978-1-4039-4100-8 978-1-4039-4101-5

An Expository Study of His Plays and Production Work, 1988-2008 David Ian Rabey, Professor of Drama and Theatre Studies, University of Aberystwyth, UK

Barker has been acclaimed as ‘England’s greatest living dramatist’ in The Times and as ‘the Shakespeare of our age’ by Sarah Kane. His uniquely stylish work brings together startlingly original forms of classical discipline, moral ruthlessness and catastrophic eroticism. This study considers the full range of his theatrical achievements.

April 2009 Hardback

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216pp £50.00

304pp £50.00

216x138mm 978-1-4039-9473-8

Order securely online at www.palgrave.com or telephone +44 (0)1256 302866

MODERN AND CONTEMPORARY THEATRE

Theatre Censorship in Britain Silencing, Censure and Suppression Helen Freshwater, RCUK Research Fellow in Theatre Studies, Birkbeck College, University of London, UK

This exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain examines the unpredictable outcomes of censorship, deepseated anxieties about the performative influence of the stage, and the complex questions raised by acts of theatrical censorship.

April 2009 Hardback

224pp £50.00

Performance Interventions Series Editors: Elaine Aston and Bryan Reynolds

Contesting Performance Emerging Sites of Research

Edited by Jon McKenzie, Associate Professor of English, University of Wisconsin, USA, Heike Roms, Lecturer in Performance Studies, Aberystwyth University, UK and C.J.W-L. Wee, Associate Professor of English, Nanyang Technological University, Singapore Contesting Performance is a collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.

216x138mm 978-0-230-22378-3

Howard Barker: Politics and Desire An Expository Study of His Drama and Poetry, 1969-87 David Ian Rabey, Professor of Drama and Theatre Studies, University of Aberystwyth, UK

‘Rabey mobilizes powerful metaphors, almost as responses in kind to Barker’s lines, in sentences that have the quality of muscular poetry...At the border between criticism and theatre, Politics and Desire stands opposite Brecht’s Messingkauf Dialogues, challenging critical boundaries of theatre, and inviting us to experience the catastrophic throes of tragic transformation.’ - James D. Balestrieri, Theatre Three This is a revised and updated paperback edition of the critically acclaimed first full-length critical assessment of this most individual, challenging, conceptually energetic of British dramatists, whose recognition and influence have extended to a position of international eminence.

January 2009 Paperback

320pp £19.99

Contents: Notes on Contributors / J.McKenzie, C.J.W.-L.Wee & H.Roms: Introduction: Contesting Performance in an Age of Globalization / PART I: INSTITUTIONALIZING PERFORMANCE STUDIES / D.Taylor: The Many Lives of Performance: The Hemispheric Institute of Performance and Politics / G.McAuley: Interdisciplinary Field or Emerging Discipline?: Performance Studies at the University of Sydney / H.Roms: The Practice Turn: Performance and the British Academy / S.Jackson: Rhetoric in Ruins: Performance Studies, Speech, and the ‘Americanization’ of the American University / U.Tadashi & T.Yuichiro: Performance Studies in Japan / PART II: CONTESTING THE ACADEMIC DISCIPLINE THROUGH PERFORMANCE / E.Scheer & P.Eckersall: Between Antipodality and Relational Performance: Performance Studies in Australia / B.Kunst: Critical Writing and Performance Studies: The Case of Slovenian Journal Maska / R.Langenbach & P.Rae: ‘Say as I Do’: Performance Research in Singapore / S.Peters: The Performance of Performance Research: A Report from Germany / Č.Feldman & M.Blažević: Translate, or Else: Marking the Global Troubles of Performance Research in Croatia / PART III: THE POWER OF PERFORMANCE PRACTICE / K.Amine: Performing Postcoloniality in the Moroccan Scene: Emerging Sites of Hybridity / S.Murgiyanto: Searching for the Contemporary in the Traditional: Contemporary Indonesian Dance in Southeast Asia / S.Aronson-Lehavi & F.Rokem: Word and Action in Israeli Performance / L.Kruger: Democratic Actors and Post-Apartheid Drama: Contesting Performance in Contemporary South Africa / Index

December 2009 264pp Hardback £55.00

216x138mm 978-0-230-00845-8

216x138mm 978-0-230-57740-4

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

23

MODERN AND CONTEMPORARY THEATRE

Naming Theatre

Performance and the City

Demonstrative Diagnosis in Performance

Edited by D.J. Hopkins, Head of Theatre Studies, Shelley Orr, Visiting Assistant Professor of Theatre, both at San Diego State University, USA and Kim Solga, Assistant Professor of English, University of Western Ontario, USA

James Frieze, Senior Lecturer in Drama, Liverpool John Moores University, UK

Reading a range of work from the US and UK over the last two decades, this is an innovative study of theatre’s growing obsession with technologies and effects of naming. How does theatre reflect, and intervene in, naming practices across domains such as philosophy, computing, journalism, anthropology, advertising, military training, and genetics?

October 2009 Hardback

224pp £50.00

216x138mm 978-0-230-51770-7

Get Real Documentary Theatre Past and Present Edited by Alison Forsyth, Lecturer in Theatre Studies, University of Aberystwyth, UK and Chris Megson, Senior Lecturer in Drama and Theatre, Royal Holloway University of London, UK

Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new sociopolitical realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and ‘verbatim’ theatre, and applying a range of critical perspectives.

April 2009 Hardback

272pp £52.00

Urban studies has long understood the city as a ‘text’. What would it mean now to use performance to rethink that metaphor?

Performance and the City queries the role theatre and performance play in urban policy, architecture, and civic history, while also exploring their important place in the memories created in the wake of urban trauma.

April 2009 Hardback

288pp £52.00

216x138mm 978-0-230-20497-3

Women in Irish Drama

Against Theatre Creative Destructions on the Modernist Stage Edited by Alan Ackerman, Associate Professor of English, University of Toronto, Canada and Martin Puchner, Professor of English and Comparative Literature, Columbia University, USA

This text shows that the most prominent writers of modern drama shared a radical rejection of the theatre as they knew it. Together with designers, composers and film makers, they plotted to destroy all existing theatres. But from their destruction emerged the most astonishing innovations of modernist theatre.

October 2007 Paperback

272pp £19.99

216x138mm 978-0-230-53745-3

Performance and Place Edited by Leslie Hill, Associate Artist of Artsadmin, UK and Helen Paris, Lecturer, Department of Performing Arts, Brunel University, UK April 2006 Paperback

296pp £20.99

216x138mm 978-1-4039-4504-4

A Century of Authorship and Representation Edited by Melissa Sihra, Lecturer in Drama, Trinity College Dublin, Republic of Ireland

Featuring original essays by leading scholars, this book, now available in paperback for the first time, explores the immense legacy of women playwrights in Irish theatre since the beginning of the twentieth century and engages with representations of women by a selection of male playwrights to re-evaluate familiar traditions.

January 2009 Paperback

264pp £17.99

Please use the following ISBN(s) to order all titles in this series: Hardback: 978-1-4039-4443-6 Paperback: 978-1-4039-4444-3 For more information on all titles in this series, please visit www.palgrave.com/theatre

216x138mm 978-0-230-57791-6

ebook available from: Dawson ERA, Ebook Library, ebooks.com, Ebrary, Myilibrary, NetLibrary, Palgrave Connect Literature & Performing Arts Collections

216x138mm 978-0-230-22115-4

ebook available from: Palgrave Connect Literature & Performing Arts Collections

24

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STUDY SKILLS • TEACHING AND RESEARCHING IN HIGHER EDUCATION Study Skills

Studying Arts and Humanities Catherine Bates, Teaching Fellow in English, Keele University, UK and Abi Matthewman, Manager, Centre for Humanities and Health, King’s College London, UK

Clearly illustrated with examples of written work and useful interactive exercises, this guide will encourage independent learning, helping arts and humanities students to develop effective study habits and learn successful strategies for reading and writing about theoretical texts.

July 2009 Paperback

208pp £12.99

216x138mm 978-0-230-20547-5

Teaching and Researching in Higher Education

Teaching Theatre Today Pedagogical Views of Theatre in Higher Education Anne Fliotsos, Assistant Professor of Theatre, Purdue University, USA and Gail Medford, Associate Professor of Theatre, Bowie State University, USA

Through thirteen essays, Teaching Theatre Today addresses the changing nature of educational theory, curricula, and teaching methods in theatre programs of colleges and universities of the United States and Great Britain.

Contents: P.P.Gillespie: Preface / G.Stewart Medford & A.L.Fliotsos: Introduction / A.Berkeley: Changing Views of Knowledge and the Struggle for Undergraduate Theatre Curriculum, 1900-1980 / O.G.Brockett: On Teaching Theatre History / P.P.Gillespie & K.M.Cameron: The Teaching of Acting in American Colleges and Universities, 1920-1960 / A.L.Fliotsos: The Pedagogy of Directing, 1920-1990: Seventy Years of Teaching the Unteachable / M.Wright: Playwrighting: A Pedagogy of Transmutation / N.Stucky & J.Tomell-Presto: Acting and Movement Training as a Pedagogy of the Body / L.Greeley: The Teaching of Introduction to Theatre in American Universities and Colleges / B.Salzer: Teaching Design in a World Without Design / M.M.O’Hara: Technology and Theatre Pedagogy / G.Stewart Medford: Educational Theatre in Historically Black Colleges and Universities as Critical Pedagogy Sites / J.L.Jones: Teaching AfricanAmerican Theatre History / R.Brannen: Teaching Theatre in British Higher Education Today / M.A.Pagen: Preparing Future Teachers of Theatre in Higher Education January 2010 Paperback

288pp £19.99

234x156mm 978-0-230-61900-5

1000s of scholarly ebooks available at www.palgraveconnect.com, ask your librarian to request a trial

25

INDEX A Ackerman Puchner Against Theatre

24

Acting Professionally Cohen Calleri

4

The Actor in Costume Monks

7

Against Theatre Ackerman Puchner

24

Allegue Jones Kershaw Piccini Practice-as-Research

6

Amans An Introduction to Community Dance Practice 10 The Ancient World on the Victorian and Edwardian Stage Richards

16

Anderson Menon Violence Performed

14

Applied Drama Nicholson

10

The Art of Clowning Simon

8

Aston Harris Feminist Futures?

11

Aston Harris Performance Practice and Process

8

Autobiography and Performance Heddon

9

Avant-garde Performance Berghaus

22

B Bates Matthewman Studying Arts and Humanities

25

Baugh Theatre Performance and Technology

10

Cordner Holland Players, Playwrights, Playhouses

18

Henry IV, Part I Shakespeare Bate Rasmussen

20

Crossroads Brady Walsh

15

Henry IV, Part II Shakespeare Bate Rasmussen

20

Hill Paris Performance and Place

24

Hingorani The Making of British Asian Theatre

21

D D’Monté Saunders Cool Britannia?

21

Holdsworth Theatre & Nation

Dance, Space and Subjectivity Briginshaw

10

Davis Holland The Performing Century

17

Holland Orgel From Performance to Print in Shakespeare’s England

18

Devising in Process Mermikides Smart

6

Hopkins Orr Solga Performance and the City

24

Devising Performance Heddon Milling

9

Dolan Theatre & Sexuality

3

Dorney The Changing Language of Modern English Drama 1945-2005 Dramaturgy and Performance Turner Behrndt Dramaturgy of the Real on the World Stage Martin

F Feminism and Theatre Case

11

Feminist and Queer Performance Case

11

Feminist Futures? Aston Harris

11

Fischer Demastes Interrogating America through Theatre and Performance

15

5

Fliotsos Medford Teaching Theatre Today

25

2

Ford Politics and Violence in Cuban and Argentine Theater

14

Berghaus Avant-garde Performance

22

Berghaus Theatre, Performance, and the Historical Avant-garde

Forsyth Megson Get Real

24

15

Foster Worlding Dance

13

Beyond the Golden Door Novick

15

Freeman New Performance/New Writing

8

Freshwater Theatre & Audience

3

Brady Walsh Crossroads

15

Freshwater Theatre Censorship in Britain

23

Briginshaw Burt Writing Dancing Together

10

Frieze Naming Theatre

24

Briginshaw Dance, Space and Subjectivity

10

Broadhurst Machon Sensualities/Textualities and Technologies

From Performance to Print in Shakespeare’s England Holland Orgel

18

22

Frost Yarrow Improvisation in Drama

Brown King Lear

8

16

Brown Sound: A Reader in Theatre Practice

G

5 Get Real Forsyth Megson

C

24

Giesekam Staging the Screen 21

Gilbert Lo Performance and Cosmopolitics

Carnegie Julius Caesar

16

Graham Collington Shakespeare and Religious Change 19

Case Feminism and Theatre

11

Case Feminist and Queer Performance

11

Grehan Performance, Ethics and Spectatorship in a Global Age

The Changing Language of Modern English Drama 1945-2005 Dorney

16 4

Collaboration in Theatre Roznowski Domer

8

Conroy Theatre & The Body

3

13

14

2

I Ibsen and the Irish Revival Ruppo Malone

14 8

Indonesian Postcolonial Theatre Winet

12

Interrogating America through Theatre and Performance Fischer Demastes

15

An Introduction to Community Dance Practice Amans 10 Jestrovic Meerzon Performance, Exile and ‘America’

13

J Julius Caesar Carnegie

16

K Kehler Shakespeare’s Widows Kelleher Theatre & Politics

19 4

Kennedy Weiss Samuel Beckett

21

Key Concepts in Drama and Performance Pickering

4

Kim Women and Ireland as Beckett’s Lost Others

21

King Lear Brown

16

King The Winter’s Tale

17

Knowles Theatre & Interculturalism Kuftinec Theatre, Facilitation, and Nation Formation in the Balkans and Middle East

2 12

L Loehlin Henry IV

17

Lonergan Theatre and Globalization: Irish Drama in the Celtic Tiger Era

14

Lopez Richard II

17

H

M

Harvie Theatre & The City

4

Heddon Autobiography and Performance

9

Heddon Milling Devising Performance

9

Contemporary Irish Drama Roche

15

Contesting Performance McKenzie Roms Wee

23

Heinrich Newey Richards Ruskin, the Theatre and Victorian Visual Culture

16

Cool Britannia? D’Monté Saunders

21

Henry IV Loehlin

17

26

Hurley Theatre & Feeling

9

Cantrell Luckhurst Playing For Real

Cohen Calleri Acting Professionally

23

Improvisation in Drama Frost Yarrow

Bennett Theatre & Museums

5

22

Howard Barker: Politics and Desire Rabey

9

Belfiore Bennett The Social Impact of the Arts

The Body and the Arts Saunders Maude Macnaughton

Howard Barker: Ecstasy and Death Rabey

16 12

2

Machon (Syn)aesthetics

22

The Making of British Asian Theatre Hingorani

21

Mapping Landscapes for Performance as Research Riley Hunter

7

Martin Dramaturgy of the Real on the World Stage

12

McKenzie Roms Wee Contesting Performance

23

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INDEX Mermikides Smart Devising in Process A Midsummer Night’s Dream White

6 16

Milling Ley Modern Theories of Performance

4

Modern Theories of Performance Milling Ley

4

Modernism and Performance Taxidou Monks The Actor in Costume Morin Samuel Beckett and the Problem of Irishness

22 7 22

Much Ado About Nothing Shakespeare Bate Rasmussen 20

24

New Performance/New Writing Freeman Nicholson Applied Drama

Richard II Lopez

8 10

Nicholson Theatre & Education

3

Novick Beyond the Golden Door

15

P

3 17

Richards The Ancient World on the Victorian and Edwardian Stage Ridout Theatre & Ethics

16 3

Riley Hunter Mapping Landscapes for Performance as Research

7

Roche Contemporary Irish Drama

15

Romeo and Juliet Shakespeare Bate Rasmussen

20

Roznowski Domer Collaboration in Theatre

N Naming Theatre Frieze

Rebellato Theatre & Globalization

8

The RSC Shakespeare Complete Works Shakespeare Bate Rasmussen Ruppo Malone Ibsen and the Irish Revival Ruskin, the Theatre and Victorian Visual Culture Heinrich Newey Richards

16

S 22 21

24

Performance and the City Hopkins Orr Solga

24

Sensualities/Textualities and Technologies Broadhurst Machon 22

5

18

Shakespeare and Religious Change Graham Collington 19 Shakespeare and the Institution of Theatre Sheen

18

Shakespeare Bate Rasmussen Henry IV, Part I

20 20

Performance, Ethics and Spectatorship in a Global Age Grehan

14

Shakespeare Bate Rasmussen Henry IV, Part II

Performance, Exile and ‘America’ Jestrovic Meerzon

13

Shakespeare Bate Rasmussen Much Ado About Nothing 20

The Performing Century Davis Holland

17

Shakespeare Bate Rasmussen Romeo and Juliet

20

Shakespeare Bate Rasmussen The RSC Shakespeare Complete Works

19

Shakespeare’s Widows Kehler

19

Sheen Shakespeare and the Institution of Theatre

18

Sihra Women in Irish Drama

24

Simon The Art of Clowning

8 5

4

Pickering Woolgar Theatre Studies

4

Pilkington Theatre & Ireland

2

Players, Playwrights, Playhouses Cordner Holland

18

Playing For Real Cantrell Luckhurst

21

Politics and Violence in Cuban and Argentine Theater Ford

14

The Social Impact of the Arts Belfiore Bennett

Popular Shakespeare Purcell

18

Solga Violence Against Women in Early Modern Performance

Practice-as-Research Allegue Jones Kershaw Piccini Purcell Popular Shakespeare

6 18

Q Queer Writing Stephens

11

11

3

Theatre & The City Harvie

4

Theatre and Globalization: Irish Drama in the Celtic Tiger Era Lonergan

14

Theatre Censorship in Britain Freshwater

23

Theatre Performance and Technology Baugh

10

Theatre Studies Pickering Woolgar

4

Theatre, Facilitation, and Nation Formation in the Balkans and Middle East Kuftinec

12

Theatre, Intimacy & Engagement Read

13

Theatre, Performance, and the Historical Avant-garde Berghaus

15

Thompson Performance Affects

22

Turner Behrndt Dramaturgy and Performance

9

V Violence Against Women in Early Modern Performance Solga 11 Violence Performed Anderson Menon

14

W White A Midsummer Night’s Dream Whybrow Performance and the Contemporary City Wilson Storytelling and Theatre

16 8 9 12

9

The Winter’s Tale King

17

Women and Ireland as Beckett’s Lost Others Kim

21 24

Steen Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre

12

Women in Irish Drama Sihra

Stephens Queer Writing

11

Worlding Dance Foster

13

Writing Dancing Together Briginshaw Burt

10

Striff Performance Studies

9 4 22

Rabey Howard Barker: Politics and Desire

23

Studying Arts and Humanities Bates Matthewman

25

Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre Steen

12 13

Theatre & The Body Conroy

Staging the Screen Giesekam

(Syn)aesthetics Machon

Read Theatre, Intimacy & Engagement

2

Winet Indonesian Postcolonial Theatre

22

3

2

Theatre & Museums Bennett

5

Rabey Howard Barker: Ecstasy and Death

Rae Theatre & Human Rights

2

Theatre & Ireland Pilkington

Sound: A Reader in Theatre Practice Brown

Storytelling and Theatre Wilson

R

3

Theatre & Interculturalism Knowles

3

Performance and Place Hill Paris

Pickering Key Concepts in Drama and Performance

Theatre & Human Rights Rae

Theatre & Sexuality Dolan

Saunders Maude Macnaughton The Body and the Arts

8

3

2

13

4

2

Theatre & Globalization Rebellato

4

22

Performance Studies Striff

3

Theatre & Feeling Hurley

Theatre & Politics Kelleher

Performance and Cosmopolitics Gilbert Lo

Performance Practice and Process Aston Harris

3

Theatre & Ethics Ridout

19

Samuel Beckett and the Problem of Irishness Morin

Shakespeare and Character Yachnin Slights

3

Theatre & Education Nicholson

14

Performance Affects Thompson

8

25

Theatre & Audience Freshwater

Theatre & Nation Holdsworth

Samuel Beckett Kennedy Weiss

Performance and the Contemporary City Whybrow

Teaching Theatre Today Fliotsos Medford

Y Yachnin Slights Shakespeare and Character

18

T Taxidou Modernism and Performance

22

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New for 2010! An interactive online study skills resource for students Students’ lack of study skills can be a barrier to their learning, and can hold you back from teaching your chosen subject. skills4studycampus is a flexible solution, offering e-learning modules on four of the core skills needed for student success:  Writing Skills  Referencing and Plagiarism  Reading and Note-Making  Critical Thinking Skills As an interactive online resource, skills4studycampus enables students to learn in their own time and space, in a way that suits them. As their tutor, you can be involved as much or as little as you like, using the resource in-class or assigning it for self-study. skills4studycampus is quality-assured. It has been developed by the team behind the UK’s bestselling student text - The Study Skills Handbook - including Stella Cottrell, and in consultation with study skills and online learning experts from a range of universities.

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