THE PAISANO
Texas Senate bill set to restrict on-campus protest
Demonstrations on college campuses are expecting more obstacles
By Jasmine Williams Managing Editor
Senate Bill 2972 established time, place and manner restrictions on expressive activity on college campuses in Texas. The Paisano interviewed Right to Rebel, an organization that has held protests on UT San Antonio’s Main Campus, for its response to the bill. The spokesperson for RTR has requested to remain anonymous.
The bill was filed by Republican Senator Brandon Creighton on March 14 in response to pro-Palestinian protests on college campuses last year. It was signed into law by Governor Greg Abbott on June 20 and went into effect on Sept. 1.
RTR is a “revolutionary youth organization in San Antonio, Texas.” It is not an official student organization under UT San Antonio, according to the spokesperson.
“We have deliberately not registered as a student organization because what we understand as the structure for registered student organizations, at least in the case of an organization trying to have openly revolutionary politics, would be to control or corral those politics into dead ends,” they said.
According to the bill, expressive activities include “assemblies,
protests, speeches, the distribution of written material, and the carrying of signs and the circulation of petitions.”
The restrictions placed on expressive activities include using a device to amplify sound during class hours; expressive activities during the last two weeks of a
“We want to do what the masses are willing to do. If people are angry, we want to be angry with them.”
semester; expressive activities on campus between 10 p.m. and 8 a.m; camping or erecting tents on campus; wearing a mask, facial covering, disguise or other means of concealing a person’s identity; and lowering the the U.S. or Texas flag to raise another nation’s or organization’s flag. Additionally, students and employees will be required to present proof of identity and status at the institution on request by a peace officer engaging in an official duty. On RTR’s Instagram posts, the faces of participating members are covered in masks and blurred. The spokesperson explained why. “We try to censor our faces mainly in terms of trying to make it more difficult to repress our organization,” the spokesperson said.
“We try our best to talk to people and be personable and have all of our work face the masses, but not directly face the police.”
Institutions must now establish disciplinary sanctions for students, student organizations or employees who interfere with the expressive activities of others or violate an institution policy or state law. A grievance procedure for addressing complaints of a violation must be established as well.
The spokesperson opted not to discuss the organization’s plans to conduct protests on UT San Antonio campuses.
“We don’t necessarily have the strongest idea of what on-campus work will look like this semester, specifically in terms of police repression,” the spokesperson said. “We want to do what the masses are willing to do. If people are angry, we want to be angry with them. If people are willing to do X, Y, or Z and need leadership, we’re not going to deny that to them. But we’re also not going to disclose those plans publicly.”
New e-cigarette, vape laws take
effect in Texas
Three senate bills
are now
set to curb the consumption of nicotine towards minors
By Jake MirelesEditor-in-Chief
Three new laws have taken effect in the State of Texas, effectively banning the sale of vapes and e-cigarettes as of Sept. 1. These bills — which proponents say aim to curb Texas teens’ consumption of nicotine — aim for the sale of nicotine and cannabis vapor devices to adults as well.
Senate Bill 2024, proposed by Sen. Charles Perry (R-Lubbock), bans the marketing, advertising and sale of e-cigarette devices appealing to minors and devices that are disguised or resemble common household objects and school supplies. The bill has an added provision banning the sale of e-cigarette devices manufactured in nations considered foreign adversaries to the United States including China.
Notably, the U.S. is one of the largest consumers of Chinese-manufactured vapes and e-cigarettes. According to Wired, the U.S. accounts for nearly twothirds of Chinese vape and e-cigarette exports.
SB 2024 also includes a provision that expands the definition of “e-cigarette” under state law. This new definition includes all e-cigarette devices containing cannabinoids or alcohol. Under this provision, the previous limitation on the marketing and sales of e-cigarette devices would also apply to vapes and e-cigarettes containing Delta-8.
SB 1313, proposed by Sen. Molly Cook (D-Houston), bans the marketing of cigarettes, e-cigarettes and other tobacco products that appeal to minors. Going forward, advertisements for these products cannot include cartoon characters, cannot include images of celebrities or
visualizations of fruit or juice among other limitations.
SB 1316 bans the advertising of cigarettes, e-cigarettes and other tobacco products within 1,000 feet of a church or school. This bill was sponsored by Cook as well.
These bills represent the latest in a Texas bipartisan effort to curb teenage consumption of nicotine products. The Texas Medical Association, which represents over 59,000 physicians and medical students, advocated heavily for these bills to combat what the organization deems a “vaping crisis” in Texas.
“I think the biggest thing around the ‘crisis’ word is that we know two things. One is that most adults who are addicted to nicotine started [using] in their adolescent and young adult years,” Maria Monge, MD, a member of TMA’s Council on Science and Public Health, said during an interview with The Paisano.
“The second is that although vaping, when it came on the scene, was kind of introduced as a healthier alternative to combustible cigarette use, what we now have is data [that says], unfortunately, there is a higher risk of going on to use combustible cigarettes in people who vape.”
According to the Centers for Disease Control, 1.63 million students in the U.S. used e-cigarettes in 2024. However, in Texas, teen usage of e-cigarettes seems to be decreasing already. According to a study conducted by the Texas Department of State Health Services, 13.8% of middle and high school students reported having ever used or tried e-cigarettes in 2023. This is a significant reduction from 16% in 2021 and 21.1% in 2020.
Chapter 9.37 of UT San Antonio’s “Handbook of Operating Procedures” titled “Peaceful Public Assembly” contains the university’s policies as of Aug. 29 on expressive activity and disciplinary sanctions for violations. To view the policies, visit utsa.edu/hop/.
Valero invests $1.5 million into business, engineering college
By Michael Morales Staff Writer
UT San Antonio recently announced a $1.5 million investment from Valero intended to strengthen the university’s commitment to student success and workplace development. On Aug. 27, Valero officially awarded the $1.5 million to the benefit of students at the Carlos Alvarez College of Business and the Klesse College of Engineering and Integrated Design.
Students from either college have experienced a high rate of employment by Valero in the past. Throughout Valero’s 37 years of support, 160 interns and over 400 current Valero employees hail from UT San Antonio.
This extensive hiring is due to both colleges preparing students with real-world skills needed in highdemand fields. The ongoing studentto-professional pipeline has ensured targeted support where the demand for skilled graduates is highest.
“This investment shows Valero’s deep commitment not only to UT San Antonio but to the San Antonio community,” said Dr. Jonathan Halbesleben, Dean of the Carlos Alvarez College of Business. “By supporting our students, Valero is helping ensure that our graduates are prepared for high-demanding careers that benefit both industry and [the] city as a whole.”
Along with scholarships, the gift will expand mentorship opportunities, professional development and experiential learning programs.
“This is especially meaningful for first-generation and underserved
students who may not have access to professional networks within their families,” Halbesleben said.
“Structured mentorship ensures that all students have the guidance they need to succeed in their careers.”
These mentorship opportunities aim to close the gap that many of these first-generation students face.
Simultaneously, it ensures equitable access to career pathways exclusive to students attending UT San Antonio.
This partnership aligns with UT San Antonio’s mission as a Tier One research university and Hispanic Serving Institution.
Focusing on long-term goals, this partnership is viewed by UT San Antonio heads as a first step in broader partnerships between UT San Antonio and industry leaders. The accomplishment with Valero could serve as a model for other companies to invest in student success.
“Our hope is that this is just the beginning,” Halbesleben added. “As companies see the direct impact of investing with UT San Antonio students, we expect more organizations to join in building a strong, sustainable workforce for San Antonio.”
Areas on campus where students will be able to gain access to new resources include the UT San Antonio Student Success Center, as well as the Career Compass Initiative located in the Alvarez College of Business.
“This gift ensures that UT San Antonio students are not only receiving a world-class education but also the career support and connections they need to thrive,” Halbesleben stated.
File photo/The Paisano
Project Marvel discourse
Mayor informs citizens on city budget at town hall meeting
By Marisela Cruz News Editor
Mayor Gina Ortiz Jones held her second town hall meeting on day 78 of her 100-day initiative alongside District 3 Councilmember Phyllis Viagran to provide residents of San Antonio with economic support. The agenda for the meeting consisted of the Fiscal Year 2026 budget and the upcoming bond in 2027, as well as flood projects, Project Marvel and the Taiwanese Delegation visit to re-advance manufacturing opportunities.
On Jones’ campaign website, her initiatives are listed as follows: Public Safety, Housing Affordability, Early Childhood Education and Childcare, Respecting Taxpayers & Smart Investments, Ready to Work and Connecting People to Opportunities. During the town hall meeting, she covered half of the initiatives.
Held at the Southside Lions Senior Center, the room’s majority consisted of senior citizens that resided in District 3, with city officials in attendance as well. Numerous San Antonio police officers lined the back of the room. Director of Public Works Department Razi Hosseini and others sat among the crowd waiting to address the questions that the attendees had, which occurred at the end of the meeting.
Jones first addresses the FY 26 budget and how the city council is taking note of what is changing at the federal and state level for funding distribution. The City of San Antonio should expect some changes in what will be funded and how funding will be allocated. Jones explains to the attendees that the city council will keep the ‘Big Beautiful Bill’ in mind, the reconciliation bill and cuts to Social Security, Medicare and Medicaid.
“We’re thinking about, when [the Big Beautiful Bill] is enacted, who is going to hurt the most? And how can we think about changes in our own budget that try to mitigate that as much as possible,” Jones said.
Further explaining where the city budget funds will go, Jones discussed the “no fail projects,” minimizing impact to vulnerable communities and negating the long-term impact.
In 2021, San Antonio’s city bond was $800 million, and in 2022, it increased to $1.2 billion, according to Jones. City officials are expecting that the city may experience a
much lower budget in the near future.
“To give you a sense of how challenging the fiscal environment is, just frankly, how tough the economy is right now, our financial folks said it’s actually going to be much, much lower, around $500 million,” said Jones.
During the town hall meeting, Jones made note of focusing the budget on places that especially need it, such as the Southside Lions Senior Center, where the town hall was held.
The budget will also go towards 14 projects on the state’s flood mitigation plan. District 3 residents further explained their distress about floods in their zone to the mayor during the question portion of the meeting.
“We certainly care about the floods, public safety issues, just like anything else,” Jones explained.
During the meeting, Jones covered the topic regarding the support of the Sports and Entertainment district downtown. Jones explained to the attendees the allocated budget for Project Marvel and what the citizens could potentially pay towards Project Marvel.
“The county is doing $311 million and the city’s contribution is $489 million. I say if you pay twice you should vote twice,” Jones stated.
According to the City of San Antonio’s website, the
expected Sports and Entertainment district will be funded mostly by visitors, not local residents. It further explains that property taxes will only be used if voters approve at the Nov. 4 venue tax election.
“So, I know you read and heard a lot about me asking questions. You know what? At the end of the day, that’s what you elected me to do. You have elected me to go ask these questions to make sure that you have the information you need,” Jones said in response to the City Council’s vote in favor of the Sports and Entertainment district.
Jones allotted 20 minutes to speak to the meeting’s attendees, addressing the Taiwanese electronic and electrical manufacturers potentially generating more job opportunities in San Antonio.
“We are ready to partner on all business and manufacturing opportunities because these are their jobs for our homes,” Jones explained.
After Jones concluded, attendees were allowed the remaining time to ask questions. Instead of responding to most of the questions directly, Jones called for other city officials to answer questions regarding infrastructure, safety and other District 3 disputes.
Jones’ 100 day plan ends Sept. 26. There is no set date for the next town hall meeting.
Spurs fans attend rally for anticipated arena downtown
By Alejandra Garza Staff Writer
San Antonio City Council approved the San Antonio Spurs term sheet for their new arena on Aug. 21. The Spurs, as well as the San Antonio Livestock Show & Rodeo, hosted an event at Idle Beer Hall & Brewery during the early evening of Sept. 7. The event’s objective was to launch the campaign for the approval of Proposition A and Proposition B in the upcoming election.
Voters will decide whether to fund $191.8 million of upgrades to the Frost Bank Center, where the San Antonio Livestock Show & Rodeo is held, as well as the Freeman Coliseum through Prop A. In terms of Prop B, voters will choose to authorize public funding for the new arena through visitor-based revenue.
The Spurs have offered to pay directly for the arena with up to $500 million in support, plus another $500 million for surrounding development. Fans, Spurs officials, council members and former Mayor Ron Nirenberg were all in attendance at Saturday’s event to highlight the importance of the new arena to not only San Antonio, but to the Spurs family.
“San Antonio is so great and we are rooted in our history and foundation, but our people always look to the future,” Chairman of Spurs Sports & Entertainment Peter J. Holt said. “The importance [of these propositions] is that our city really deserves an urban core that we are really proud of that is inclusive, accessible and joyous.”
“The Spurs have always been downtown. I was kind of upset when they moved to the east side, but bringing them back in town to the heart of San Antonio makes
me,happy,” Spurs fan Tomas Zuniga Jr. said.
As more people settled into the Hall, the first speaker took to the stage, former San Antonio Spur Manu Ginóbili. “I missed you guys,” Ginóbili said as he opened up about the special bond he and his family have with the City of San Antonio. “We are excited about what is about to come, the future we are building for the next generation.” As Ginóbili exited the stage, the crowd was chanting “Go Spurs Go,” and the next speaker took the stage, former UT San Antonio quarterback Frank Harris.
“I love San Antonio until the day I die. We want to keep the Spurs here in San Antonio. We do not want them migrating to Austin, so whatever that means from us, the supporters of the city, vote ‘yes’ so we can get this thing passed,” Harris said.
As the rally came to a close and people began to mingle, a familiar face was in the crowd, a face people knew for the past eight years. Former Mayor Nirenberg showed support for the event and its cause.
“I think this is an extraordinary opportunity for San Antonio’s future. We have one of our key community partners making a historic investment in downtown San Antonio,” Nirenberg said.
Week of 9/2
By Lorinda Zaragoza Contributor
“[The Arena] has been a community wide goal for the last 20 years, and the time has come for us to see our downtown become one of the most special places in America.
“I would just hope San Antonio residents seek out the information and really dig into the facts of this when they do. I think people will see what a tremendous opportunity it is for us in November,” Nirenberg added. The vote in November will be the only direct way for people to decide on the overall funding of the arena. The Paisano will continue to follow this story and will provide updates when available.
Pro-Project Marvel rally
Spurs Stadium. The “Win Together” event took place at Idle Beer Hall & Brewery at 414 Brooklyn Avenue — the potential location for the new stadium and facilities if approved. This rally is the first to promote Project Marvel to the city and gain favor from the community.
State emergency resources activated for potential flood threats
Between Sept. 7-8, South and Souah Central Texas anticipated heavy rain. As a precaution, the Texas Division of Emergency Management released resources to
and
High-spiking Covid-19
variant in Texas
The
Diego Cisneros/The Paisano
Marisela Cruz/The Paisano
Mayor Gina Ortiz Jones has openly combatted the movement for Project Marvel, she addresses the topic at D3 town hall meeting
OPINION
Protect the press in Palestine
Media outlets are uniting to safeguard journalists in the Gaza Strip
Editorial
Hundreds of news outlets around the world have united to sign an appeal demanding protection for journalists in Palestine. This Sept. 1 appeal demands action from the international community and the United Nations Security Council. In less than two years since the war’s beginning, more than 220 journalists have been brutally murdered by the Israeli army. Organized by Reporters Without Borders and Avaaz, the appeal demands three things: the safety of Palestinian journalists in the Gaza Strip, access for foreign press and for international governments to host Palestinian journalists seeking evacuation from Gaza. According to NPR — one of the media outlets that signed the appeal — Brown University found that, “Israeli attacks in
Gaza since the war began in October 2023 have killed more journalists there than the U.S. Civil War, World Wars I and II, the Korean War, Vietnam War, the wars in Yugoslavia in the 1990s and 2000s, and the post9/11 war in Afghanistan, combined.” This is now the deadliest recorded period for journalists. It is long overdue for journalists in Palestine to be protected, and this appeal is a step in the right direction.
Journalism is crucial for keeping people informed, safe and aware. Regardless of bias, nothing justifies violence
President Trump’s unconstitutional deployment
Commentary
By Kassandra Jaime Contributor
President Donald Trump, known for his inconsistent values and irrational responses to citizenship and visa status, leaves Los Angeles with no choice but to protest against the violation of immigrant rights and the vast separation of families across the country.
Throughout June, several cities across the U.S. protested against a series of immigration sweeps across California and other states, in which border towns reside.
The U.S. Immigration and Customs Enforcement made it a mission to scout for immigrants in public facilities such as Home Depot, construction sites and small neighborhoods. This pattern against immigrants has become a common occurrence, mobilizing protestors across the country against occupations at pivotal sites in their cities.
enforcement’s excessive use of tear gas, physical aggression and rubber bullets. As the imprudent use of force against innocent protestors escalated a new conflict in Northern California District Court concluded that Trump had violated the 1878 law.
After strictly reviewing the violent threats against peaceful protestors, California Governor Gavin Newsom called Trump out on his eagerness to earn authoritarianism through the violation of the Posse Comitatus Act, an act created to protect civilian government affairs from military interference.
In response to the people’s opposition towards ICE’s heinous actions, Trump deployed an exhaustive number of National Guard and Marines to the regions with high rates of protests. The reasoning behind Trump’s commitment to the deployment was to “assist law enforcement agents endangered by peaceful protestors.” While National Guards and Marines were meant to emphasize an increase in protection
With much time granted to Trump’s administration and no order to remove remaining guards by a district judge for the Northern District of California, Judge Breyer, Trump’s attorneys concluded the deployment was legal due to the protection it was meant to cater to law enforcement agents. In addition to Judge Breyer’s decision, he asked the Pentagon not to engage in any form.
The true reasoning behind Trump’s command was to protect law enforcement, and the outcome of his actions: vigorous use of violence towards protestors. The government is meant to uplift the rights of its citizens; however, it becomes impossible to do so when the country’s president is unable to be held accountable.
The Posse Comitatus Act was unquestionably broken, as the National Guard’s fear-mongering tactics were
“The government is meant to uplift the rights of its citizens; however, it becomes impossible to do so when the country’s president is unable to be held accountable.“
towards federal buildings and police agents, National Guards shared their unease, infused by the poor treatment inflicted on citizens.
Unauthorized violence became a point of contention as the National Guard expressed their concern towards law enforcement agents exploiting their positions to physically harm peaceful protestors. “I felt that we were protecting the people from the police,” said D.C. Guardsmen Spec. Isaiah Lynch. While advocating for basic human rights, protestors soon became victims of law
toward people who seek to report the truth, yet there have been attempts. In several occurrences, the Israeli military has accused journalists of affiliations with Hamas and other militant groups to excuse these killings. After five journalists and others were killed on Aug. 25, David Mencer, Israeli government spokesman, said in a briefing, “ Of course journalism is a noble profession, but many journalists who have reported from Gaza, so-called journalists, are simply terrorists with a press vest on.”
Regardless of how the Israeli government attempts to twist the narrative, there is no question that there is genocide in Gaza. The sickening methods used to silence the press from reporting horrors that occur in plain sight are not going unnoticed, and media outlets are fighting back. Press freedom is in deep peril, as are journalists in Gaza. Journalists have the responsibility to report the truth, and if they are being silenced, one can only wonder what is being hidden from the public. Everyone has a right to information — especially regarding a genocide. These journalists deserve to practice their craft and live. This appeal is asking the international community to open its eyes and take part in the fight for their protection.
America needs answers: Release the Epstein files
Commentary
By Hallie Lott Contributor
Six years ago, notorious sex offender Jeffrey Epstein was found dead in his jail cell. This came a month after Epstein was arrested on federal sex trafficking charges. His arrest had been a long time coming, as law enforcement was aware of his crimes for nearly a decade. There had also been increased calls by the public for his arrest since 2018, as multiple women — many underage at the time of the crime — accused him of sexual abuse.
Since then, people across the country have called for the release of the “Epstein files” — classified information related to Epstein’s criminal case and a list of his trafficking clients. After several empty promises made by the Trump Administration to start releasing the files, nothing new has been published. The Trump Administration must release the Epstein files as soon as possible so that the associates of Epstein’s sex crimes can be held accountable for their actions.
According to the Rape, Abuse & Incest National Network, an estimated 423,000 people over the age of 12 experience sexual violence each year in the U.S., and 98% of their perpetrators walk free. This is a massive problem in the U.S., and the lack of accountability for these criminals harms everyone.
his associates’ abuse stood in front of Capitol Hill. The survivors advocated for a bipartisan effort by Reps. Thomas Massie and Ro Khanna to force a vote by the House of Representatives requiring the Department of Justice to release all files related to Epstein.
Speaking at the press conference, Anouska De Georgiou, one of the eight, said, “You have a choice. Stand with the truth or with the lies that have protected predators for decades.”
These brave women stood up for themselves and sought justice. They are not the only ones; in a poll conducted by the Washington Post, 67% of Americans “strongly support” releasing the Epstein files, while 19% of Americans “somewhat support” releasing the files. Not only do the survivors of Epstein’s abuse want the files to be released, but so do the majority of Americans.
imposed on protesters. When National Guards were there to assist in maintaining peace, they brought the wrath of vicious law enforcement agents onto peaceful protestors. While it is a setback to have a federal judge dismiss the heinous measures Trump used to excuse his animosity, one must acknowledge the great efforts of the peaceful protestors who took part in such a monumental protest. LA’s decision to protest enables a sense of power and dominance, giving America the confidence to fight against those reinforced by elitism.
By releasing the Epstein files and the list of Epstein’s clients, the public can bring due justice to survivors and spur more action regarding sex-related criminal cases. Holding public figures accountable sets the precedent that no one is above the law or too powerful to commit crimes with impunity. Additionally, light will be shed on unsolved and unprosecuted cases relating to sexual violence and misconduct.
In a press conference on Sept. 3, eight of the survivors of Epstein and
At the press conference, another survivor, Lisa Phillips, mentioned that the victims have plans to create their own version of “the list” of clients Epstein had if the official documents are not released. “We know the names; many of us were abused by them,” said Phillips. Faith has been lost in the Trump Administration’s handling of the files. With all the ground gained during the #MeToo movement, it is unacceptable that the federal government is hiding the details of a sexual abuse case that was closed seven years ago. By doing so, the Trump administration is shielding Epstein’s associates from receiving any retribution for their actions. For people in the U.S. and around the world, the files release is critical for the public so that these criminals can be held accountable for their crimes, motivate prosecutors to take more action towards unresolved cases and encourage people to report sex crimes against them.
Noor-E-Saher Ahmed/The Paisano
Noor-E-Saher Ahmed/The Paisano
Vincent Agquiz/The Paisano
Robots’ crisis of verbal abuse
Commentary By Audrey Villar Staff Writer
The advent of artificial intelligence and its subsequent perpetual growth have already seen their fair share of controversy. Each day, AI advances, taking over functions that humans have performed for years. While the popular tool serves some functions well, it has started to fall out of favor in the public eye.
As disapproval for AI and robotic tools rises, a slur for them has emerged — “clanker.” This term originated from the “Clone Wars” series. Its introduction represents a shift in public perception of AI towards strong disapproval.
Many have expressed concerns about AI and the impact its more recent development is currently wreaking. Criticx have raised concerns about job losses, biases and privacy, while others criticize the environmental havoc that AI usage causes. These all carry serious ramifications capable of affecting the lives of billions. In the midst of the ongoing debate on ethically using AI, the term “clanker” has ironically been used to make light of a heavy situation. The term, however, may have a deeper meaning signaling a fear of the future.
By applying a slur to robots and AI, a dimension of humanity is given to them. Slurs inherently ostracize and discriminate against people who do not fit in with the in-group. By giving one to robots, they become personified, as those using the slur recognize them as having enough consciousness to be credited with such a word. The acknowledgment that AI has developed so far that it has gained a near-human existence is bone-chilling. All across the media, users have recognized the tool as such and joined in on the “clanker” joke — but using this word suggests that people will one day, if not already, feel the need to oppress robots as the minority. It will be a new era of the fear of the other among humans, as robots will be akin to people. It does not seem like a joke when many recognize this could manifest into a larger struggle in the near future.
Let them say ‘clanker’
Commentary
By Jasmine Williams Managing Editor
A few people post anti-robot skits on social media, and all of a sudden, everybody has their wires in a tangle. It is not a crime for people to exert their frustrations with the rise of artificial intelligence and the integration of technology into every facet of their lives by making up fake, robot slurs. Being mad at something like this seems like something a gasguzzling, number-crunching, tin-skinned clanker would do.
Generative AI is all the rage, with well over 100 million people using it. Additionally, the moratorium on state regulation of AI was removed back in July, giving large companies like Google and OpenAI free rein to experiment with AI; they are looking to make a great payout from doing just that. After all, AI is expected to contribute $15.7 trillion to the global economy by 2030, with its market size expected to grow 120% year-over-year.
One TikToker posted a video imitating a bigoted father being forced to host his daughter’s new boyfriend, whom he clearly disapproves of — but in this video, the boyfriend is a robot. He uses the term “clanker” and makes puns targeted at the robot boyfriend, but it seems too real when such videos seemingly predict the future. This is one of many videos in this TikTok genre where users allude to a possible future where robots and AI act as humans, doing intrinsic human things like dating.
“Clanker” may seem like a funny joke on the surface to poke fun at robots, but its meaning goes far deeper than just that. It is indicative of the media’s awareness of how far AI has developed. A future in which AI and robots are capable of taking over much more than just jobs, but relationship and familial roles as well, places them in a hierarchical society that is reserved for humans. This technology has aided humans in small tasks and integrated itself into modern culture. The slur is a manifestation of fear and an omen of what may happen if AI is not regulated before it further advances.
To make matters worse, AI is expected to have devastating impacts on the job market. Already, 13.7% of workers in the U.S. have lost their jobs to AI-driven automation; yet, employers are still projected to cut 40% of their workforce so AI can automate tasks. By 2045, 50% of jobs could be automated. It is fair for people to personify AI as a tangible entity spreading like mold through a loaf of bread. There is no getting rid of it once it appears, and with some of the richest companies having a vested interest in its growth, its expansion is inevitable. AI critics want nothing more than to stop it dead in its tracks, but are powerless to do so. Instead of wallowing in their sorrows, those who are anti-AI have turned to comedic outlets for their frustrations. They perform skits where they use made-up slurs to berate robots with human intelligence. Copperblooded, dirty datamining, cog-sucking, sons-of-glitches cannot feel the hurt humans project onto them.
However, people take things too far when they make up robophobic slurs in the likeness of actual human beings who have been victims of systemic racism. For example, TikTok user Samuel Jacob, a white man, created skits acting as a police officer arresting robots he called “Rosa Sparks” and “George Droid.” Bigoted people who thinly veil their racism against real minorities are the worst thing to come out of this trend.
This trend and its jokes have provided people with a distraction and laughter amongst the troubling rise of technology. Laughter is known to relax muscles, release endorphins and boost the immune system by moving lymph fluids around the body; it has alleviated stress and discomfort for people around the world. Children laugh over 25 times more than adults do, but adults who are burdened with monthly bills, full-time work or school, child-rearing, homemaking and maintaining relationships are the ones who need to lighten up the most.
If people laugh at the expense of gear-grinding, malwaremunching, binary-brained rust buckets, then so be it.
In defense of literary interpretation
Commentary
By Christopher Delgado Arts & Life Editor
William Keats coined “negative capability” to describe “when man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason.” In other words, the value of writing can be found in what the author avoids mentioning rather than what the storyteller states. Many notable writers employ the negative capability to develop nuance through characters’ ambiguity. Emily Brontë remains among those great writers.
In her upcoming film adaptation of Brontë’s “Wuthering Heights,” Emerald Fennell exploits the negative capability of Brontë’s seminal work to offer a film adaptation of the Victorian novel that, while being considered controversial for some, is not inherently wrong.
Controversy particularly underscores the casting of Jacob Elordi, a white actor, in the role of Heathcliff — a character often racialized by readers. However, assuming
Heathcliff’s race proves fickle since Brontë never confirms the character’s race or ethnicity. Allusive hypotheses made by Mr. Earnshaw, Nelly and Mr. Linton place Heathcliff on society’s outskirts. However, the text never provides a definitive answer to the matter of his race or ethnicity.
Earnshaw describes the scoundrel as “a dark skinned g—psy, in aspect.” In chapter seven, Nelly comments, “A good heart will help you to a bonny face, my lad, if you were a regular Black.” Her statement alludes to the possibility of Heathcliff being mixed race, specifically Black. However, later she laments, “You’re fit for a prince in disguise. Who knows but your father was Emperor of China, and your mother an Indian queen.”
Earnshaw and Nelly do not confirm a specific race or ethnicity.
Their suspicions become slightly diminished when Mr. Lanton classifies Heathcliff as “a little Lascar, or an American or Spanish castaway” in chapter six. Castaway connotes Heathcliff’s darkness being born of the sun rather than genetics. Lanton’s comments introduce the possibility of Heathcliff’s darkness
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Sarah
Regan
and uncanny nature being linked to his status as a laborer and the working class, rather than resulting from genetics.
Heathcliff’s race remains open for interpretation. In Fennell’s case, she seems to be opting for an adaptation that homes in on Lanton’s comments rather than Earnshaw’s and Nelly’s. This decision to move away from race and into social class aligns with themes found in the earlier works of Fennell, especially class commentary of “Saltburn,” and proves a smart move for the white director, who may have missed nuance had she chosen to concentrate on race.
Provocative art must be undefined. It creates a conversation between itself and its audience. In the case of Brontë’s “Wuthering Heights,” that dialogue occurs between the text and Fennell. This film is Fennell’s interpretation.
While it may contradict the reading of some audiences, Fennell’s rendition succeeds in its creation of discourse. After all, art is not meant to offer a message, but rather generate conversation within the self, among strangers and with the past.
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ARTS & LIFE
‘I could be a performative male, read Sylvia Plath for you’
By Jasmine Williams
Books are ‘Ghoul’
By C. L. Cotter Contributor
For any students hoping to get into the sinister season with a new story, the perfect spot has just reopened its doors.
Located in Southtown, the recently relocated horror bookstore and publishing company Ghoulish Books offers readers a frightfully good selection.
Max and Lori Michelle Booth own and operate Ghoulish Books. Their experience with the horror fiction magazine “Dark Moon Digest” led the pair to establish the publishing company Perpetual Motion Machine, later rebranded as Ghoulish Books.
“There’s not a bookshop in San Antonio that only focuses on spooky stuff the way we do,” Max Booth said. “We’ve also operated as a small publishing company since 2012, so we have the experience of knowing what’s going on in the indie community.”
The publishing side stocks the store with the novels, novellas and anthologies. Ghoulish Books sell most of its published works in the store, allowing readers to discover underground horror writers.
The store feels like partying at a friend’s apartment on Halloween night. Horror soundtracks faintly play over a speaker. The store is filled with spookydecorations and lit with ominous green light. Every person who enters seems excited to see what is in stock and chats with Max Booth at the register.
There are books for all reading levels, including a small children’s section stocked with R.L. Stine’s “Goosebumps” near the front. There is a large selection of books by LGBTQ+, female and
writers of color, including queer anthologies published by Ghoulish Books.
“We have books from both mainstream presses and indie presses, also some self-published authors as well,” Booth said.
The shop sells magazines, horrorwriting advice books, comic books, a small selection of vinyl records and some store merchandise.
However, fans of well-known horror authors may not find some of their favorites, and no classic horror stories are offered here. The comics section mainly has graphic novels rather than the traditional singleissue narratives. This minimalist stock is to be expected of an alternative bookstore, and the lack of more well-known books also means opportunities to discover new writers and stories.
Roadrunners can find some spinechilling reads at Ghoulish Books. Although their selection may be small, their quality of books and eerie atmosphere make up for it. Check out the store at 628 S. St Mary’s St,Suite 102,San Antonio, TX 78205.
fray, the intensity reached a breaking point. The judges decide on a prompt for the final five to answer, and the audience’s response will decide their fate. They face off in pairs describing women in one word, as requested by the judges, until three remain, but the winner was already moment Ozell “Ozz” Sabur stepped foot into R+R Collective, it was apparent the UT San Antonio student performs gender in a manner otherwise unrealized by the average male. sports a brown striped cat beanie with silver, over-the-ear headphones; shoulder length locs adorned in jewelry lay underneath. Layered over his white buttoned shirt and tie is a dark brown, cable knit sweater vest. His dark wash, wide leg jeans beautifully pair with his black leather loafers. With the hem rolled just above the shoe, his brown striped socks are just barely visible. Ozz’s accessories include multiple rings and bracelets, a large crossbody bag adorned with pins and an acoustic guitar covered in signatures. overwhelming cheers from the audience, Ozz wins San Antonio’s first Performative Male Contest. However, the history major with a minor in anthropology claims to be different from the other men in attendance. not a performative male; this is a lifestyle for me,” Ozz says. “My favorite feminist literature book? It has to be the one I’m reading right now, ‘One Woman One Vote.’ don’t wanna take too much time today speaking because I don’t want to ruin the vibrational plane with the voice of a man, but I love you. I love my Black Queens!” Ozz is taking home a $50 grand prize, a free shirt from R+R Collective and a free matcha latte from the Performative Male Contest. was a lot bigger of a turnout than I thought, but all the work was worth it. It was really fun,” the contest’s host, Maximus Delgado, says of his not a performative male, Delgado appreciates the potential impact performative think it can be positive,” Delgado says. “I think it’s cool that guys are getting into feminism and spreading that culture.” who is in charge of planning for R+R Collective’s markets, does not plan on hosting another Performative Male Contest next year. To stay in the loop on their next market, follow R+R Collective on Instagram.
‘Runners fuel up for the fall
By Lourdes Czechowicz Contributor
UT San Antonio is two weeks into the semester, and campus is packed. Classes are ramping up, emotions are high and midterms are in the not-so-far future.
This week, the Paisano interviewed freshman music major Alicia Cubillos, junior communications major Chanelle Barbosa, senior environmental science Madison Morgan, senior politics and law major Daniela Garcia and senior digital communications major Marlene Beasley.
What is the most unnecessary major at UTSA?
With an astounding 96 undergraduate majors offered at the university, one department is bound to feel slighted here or there. When asked, ’Runners looked long and hard at a list of majors before sharing their thoughts.
“Art history and criticism,” Cubillos said. “I feel like if you’re an art major you should just be learning that history in classes.”
Morgan went with artificial intelligence.
“You’re not really gaining knowledge if you’re learning about AI giving you everything,” Morgan said.
Barbosa and Garcia agreed on Dramatic Arts as the most unnecessary major, making it the major with the most votes in “Bird on the Street’s” sample.
Do you have any pregame/postgame rituals?
While the football team recovers from the embarrassing loss to Texas State, Roadrunners reflect on pregame rituals and post game rituals that help make the game enjoyable.
“Me and the girls normally wake up with a hype song, try to dress to support the team like if it’s orange out,” said Barbosa.
“One of those frozen margaritas,” Beasley said of during-game rituals
What is your go-to drink for an all night study session?
In the second week of the semester, classes increase in rigor and caffeine levels spike throughout campus.
“The new Celsius: cherry cola,” Garcia expressed.
“Water or Redbull, just original,” Morgan commented “I don’t like the flavored ones.” Barbosa is a rarity among undergrad students. “I don’t drink caffeine,” Barbosa says. “But I’ll say Celsius because I know it helps my peers.”
What is the most scenic spot on campus?
At first glance UT San Antonio can seem a bit drab and tan, but these students know a few good spots on campus for other runners to check out for a good view.
“I like to sit on the third floor of the JPL facing UTSA Boulevard facing the arts building where you can see out, and there’s a treeline and greenery,” Beasley says
“Coming from JPL the bridge to the music building and the backwoods behind the dorms,” Morgan shares.
“There’s a little place right next to the art building at the bottom by the stairs there’s little tables,” Garcia comments.
What is your favorite place to eat near campus?
College is grueling. Tough classes, long walks and the brutal San Antonio heat plague the lifestyle of UT San Antonio students. Roadrunners have to keep their energy up. These are some spots they like to refuel at.
“I love me some freebirds,” Beasley says. “I love the freebirds on campus. I think they take a little bit longer than they need to.”
“I love Chicken Salad Chick, and it’s right down the street,,” Barbosa comments.
Garcia is partially biased as she is an employee of Einstein Bagels Bros.
Miles Jones/ The Paisano
With only five performative males left in the
UT San Antonio history major Ozz Sabur is the performative male
ARTS & LIFE
NYFA hails San Antonio’s courage
By Lourdes Czechowicz Contributor
The New York Foundation for the Arts Immigrant Artist 2024–25 Mentorship Program brings its San Antonio sector’s exhibition, “Courage, Valor, Mужество, Mужність” to the Santikos Building on UT San Antonio’s Southwest Campus. The Russell Hill Rogers Gallery opened the show on Sept. 6. The show features local artists of various immigrant backgrounds, displaying their artwork while experimenting and growing with one another through the program.
NYFA connects participants with local artists, providing social networks for developing artists. Workshops of various skills and career opportunities are highlights of the program, which is now in its 18th year. The program has reached multiple cities across the U.S. and receives support from local art institutions.
This exhibit marks the end of the 2024–25 program, with the works of 16 mentor and 15 mentee artists expressing their courage. Each artist explored the experience of immigration and the courage it requires to not only physically relocate from one country to another but adapt and thrive in a new environment.
Mentor David Anthony Garcia’s two pieces stood out, poking several feet from the wall. A 40 by 12 inch frame of faces protrude out of dirt, with two mirrors on each side of the piece. The molds of the casts in the dirt stuck out almost at face level with viewers, and barbed wires lead back to mirrors on the wall. “Reflection” and “Emerge” play on Garcia’s usual style, where he uses the casts of faces but typically never the molds. This comes from a conversation with his mentee, where Garcia expressed a wish to show something out of his comfort zone. The mentee questioned the redundancy of Garcia’s original idea.
“We talked about it and pushed it further to have it face the wall and show the reflection,” Garcia said.
In this exhibit group, even mentors can learn from their mentees. Both parties courageously faced these critical discussions, which would ultimately prepare their work for this exhibit.
Another outstanding piece is from Assistant Curator and mentee Maxim Shirkov’s display. “Nostalgia” is a large acrylic painting that looks beautifully cartoonish. Shirkov’s attention to detail may prompt viewers to double check that the piece is not actually a digital illustration or print work. The crisp lines and smooth gradients perfectly apply the basic elements of art faultlessly to a suave highway interchange scene. This work, among the rest of the beautiful pieces by the cohort, could solely lure visitors into the gallery. Shirkov blends his technical and stylistic talents, establishing himself as an artist to keep an eye on.
From Spain and Ukraine to China and Venezuela, global artists have San Antonio iconography present in many of the pieces, as they now call San Antonio their home and muse. This exhibit is for locals and foreigners alike, with themes of varying cultures and religions that many will identify with.
The Russell Hill Rogers Galleries will host this exhibit until Oct. 25. Located at UT San Antonio’s Southwest campus on 1201 Navarro St., the gallery is free to the public from Thursday to Saturday from 12-5 p.m.
Diego Cisneros/ The Paisano
Traversing time with Big Thief
By Audrey Villar Staff Writer
Folk-rock band Big Thief released their largely anticipated sixth album, “Double Infinity,” on Sept. 5 — their first in three years. It is also their first album without Max Oleartchick, their bassist, who exited the band last year.
The album has a 43-minute runtime full of narrative acoustics and poetically contemplative themes that the band masterfully conveys.
The album builds on the band’s classic indie sound and the familiarity of Adrianne Lenker’s tearjerking lyricism to build a resonating compilation of bittersweet memories, raw love and authentic worldbuilding that provides a glimpse into the mindscape of Big Thief.
“Double Infinity” begins with the single “Incomprehensible,” a pre-release from earlier this year, easing the album into a lush, whimsical tone that brings listeners to a reconciliation with aging. The ballad evokes childhood memories brimming with old trinkets and hand-written letters.
Lenker sings of aging, “My mother and my grandma, my great-grandmother too / Wrinkle like the river, sweeten like the dew.” The similes paint a lovely picture of growing old as Lenker dreams of the peace and beauty that age will bring, leaving childhood peacefully resting in the past.
The following track, “Words,” redirects the album’s theme to relationships in which they struggle to find words to communicate as the tune dissolves from upbeat folk to having a grittier, foreboding air. “Los Angeles” then takes the story to that of a relationship marred by distance before reconnection and cultivating a domestic life.
“All Night All Day” revels in the pleasure of the gentle, physical facets of a relationship, accented by rich instrumentation that mirrors the emotions of coming together as one.
The title track, “Double Infinity,” slows down the beat to an unconventional love song in which Lenker details being tested by the world’s turmoil. The thing that brings them comfort, though, is their lover who is “The eye behind the essence / Still, unmovable, unchanging.” The lover becomes an anchor in the chaos — a rock on which Lenker can lean.
“No Fear” then enters with a rhythm section composed of soft drums and a steady bassline, continuing the unhurried air of the title track and creating a dream-like ambiance that the listener can get lost in. The song details a peace that is detached from the material world and time — peace brought on by their dearly beloved. In “Grandmother,” Lenker addresses their grandmother, ruminating on the truth of their existence, before apologizing to a lover and declaring, “Gonna turn it all into rock and roll” in a sweet ballad of memory. The album ends with “How Could I Have Known,” a mellow and soulful conclusion that reflects on all that is ending and the love that will continue on through those heartfelt goodbyes, wrapping up any lingering wistfulness and looking on to the future.
‘Hamilton’
By Jake Mireles Editor-in-Chief
“Double Infinity” hits hard and true. It is a powerfully eclectic album, telling a story of growth and traveling time through relationships from Lenker’s eyes. The folk melodies combined with lyricism that can only be described as striking usher in a myriad of emotions as listeners contemplate the stories of their lives and transitions into new eras.
does not miss a shot
Just over 10 years after his first appearance at the Public Theatre in Lower Manhattan, “the 10-dollar founding father without a father” has made his silver screen debut. On Friday, Lin Manuel Miranda’s “Hamilton” made its return to the limelight with a theatrical release across the U.S.
Little can be said about “Hamilton” that has not already been said. Featuring stunning, generational performances from Tony-Award-winning actors and actresses, the musical is one of the most culturally significant stage productions of the 21st century.
“We have a chance to do what we always hoped to do, which was put this in places where people can sit in the dark and have the experience of seeing this cast 30 feet high,” Director Thomas Kail said in the release’s introduction. “This is what it might have felt like to be in the Richard Rogers Theatre in June of 2016.”
Seeing this performance in theatres is an unrivaled viewing experience. The emotion and enthusiasm of the cast are visible in incredible detail; the musical
Renée Elise Goldsberry’s performance of “Satisfied” was filled with unbridled power and elegance. Leslie Odom Jr.’s portrayal of Aaron Burr and his performance of “Wait for It” brilliantly portrays his character’s struggle with lying in wait for his moment to come as opposed to Miranda’s Hamilton, who seizes every opportunity he gets with relentless hunger and limited restraint. Christopher Jackson’s performance of George Washington in “One Last Time,” paired with a cinematic closeup of the closer, conveys his raw, unrestrained emotion — and his deep connection to the character — letting it wash over the audience.
However, the significance of this theatrical release is not the production itself, but the fresh avenue for fans — new and old — to experience “Hamilton” in one of the closest iterations to its original format. This perfect storm of a cast demands grandeur; they demand spectacle. This release delivers.
An added introduction includes interviews and testimonials from many members of the original cast and details the creation and journey of “Hamilton” as it grew from a mixtape about the late Secretary of the Treasury performed at the White House to an award-winning cultural phenomenon. It details the production’s quick rise to fame and what it was like for the performers of this star-studded lineup to perform day after day for one of the most enthusiastic fan bases in the history of American theatre.
numbers soar over the entire theater. One can find the kind of community that can only be experienced by attending a theatrical release. Wide shots, as well as close-up angles of the actors and their performances add a new layer of depth to the performance, one not obtainable by seeing it performed live.
This release gives “Hamilton” fans — one of the most loyal cult followings of a musical in recent history — a chance to see this production the way it was meant to be seen without the financial burden of attending a Broadway performance. Seeing this release in cinemas is well worth it.
(Gracias a Dios)’ with ballpoint pen and colored pencil.
Athlete of the week: Ally Tribe
By Bailey Hall Staff Writer
For sophomore Ally Tribe, volleyball is her entire life. After her first volleyball game, she was hooked. She knew this was her sport. Volleyball wasn’t the only sport she played, but encouragement from her mom to try it out sparked her passion for it; the sport quickly emerged as her favorite. She has dedicated years to it, and she doesn’t plan on stopping anytime soon. Volleyball has taught Tribe important life lessons from her first game to college as she balances life and sports.
“Volleyball has taught me to celebrate big for other people, even if it isn’t your day,” Tribe said.
“Volleyball is such a big team sport. You can’t get a kill without a set; you can’t get a set without a pass. It teaches you to work with each other and trust each other. Even when things are hard, you have to know you can trust one another.”
Tribe grew up in a competitive but loving household, where they pushed each other to be the best they can be. Tribe’s family has always been her biggest supporters, attending a majority of her games and cheering her on.
“Both my parents being athletes helped me want to be like them and want to strive for more,” Tribe said of her parents’ influence on her competitive spirit. “They have always been hard on me but more like a tough love.
“Also, having three younger brothers, they’re always pushing
Victor Wembanyama: Third season’s the charm
Logan Martinez Staff Writer
In the previous NBA season, San Antonio Spurs phenom Victor Wembanyama was on a historic pace. The center was easily the frontrunner for Defensive Player of the Year and a lock to make an All-NBA team. The team’s win total started to climb, and the season looked like one full of great achievements for both Wembanyama and the Spurs. Unfortunately, due to a blood clot in his right shoulder, Wembanyama was shut down nearly halfway into the season. The team saw a drastic decline in play and missed the playoffs, finishing with a 22-60 overall record.
Wembanyama underwent a successful procedure to remove the blood clot on July 14. Since then, the 7-foot-4 Frenchman has done nothing but prepare for his 2025 campaign. Looking to dominate a full season of play, Wembanyama and the Spurs are poised to make a profound leap in performance. The franchise star will lead his team towards the playoffs and collect a vast amount of hardware along the way. Wemby will undoubtedly reign as one of the league’s top five players and make a serious case for MVP and Defensive Player of the Year.
Headed into year three, Wembanyama has all the tools necessary to make an MVP-caliber leap. His size and brilliant offensive game give him the highest ceiling of any player in the NBA. The center can dominate the paint at will and stretch the floor by knocking down shots from beyond the three-point line. Standing
By Jordan Gibreal Contributor
over seven feet tall, Wembanyama has an offensive arsenal that simply makes him unguardable. His skill set, paired with his newfound experience and maturity, will make him one of the MVP favorites headed into the season.
Alongside the All-Star’s offensive arsenal is his imposing defensive presence.
Wembanyama has been a Defensive Player of the Year candidate every season, and next season should be no different. The center led the league in blocked shots with 176, despite being shut down in February.
Accompanying his elite shot-blocking talent is his elite perimeter defense.
Wembanyama is exceptional at holding guards at the perimeter and moving his feet quickly, a skill that most seven-footers lack in the modern NBA. Though the center may not be tasked with guarding all five positions regularly, he is capable of doing so for crucial defensive possessions. Fans should expect Wembanyama to continue his stretch of dominance on the defensive side of the floor. If he can remain healthy all season, the center will be a strong favorite for the Defensive Player of the Year award.
Entering his third season, the Spurs have placed high expectations on Wembanyama’s shoulders. The franchise star will look to exceed those expectations and have his best season yet. His statistics will improve, and he will remain a candidate for the league’s highest awards. Barring injury, Wembanyama will take a superstar leap in his third season and finally bring the Spurs back to the postseason where they belong.
me. They’re always working hard; I’m always working hard. It’s just a super competitive household. I think it always pushed me to be better, in a good way.”
Tribe had a very successful high school career, winning backto-back District Championships in 2021–22 and reaching State Semifinals. She also won a national cup as a sophomore at age 15. Tribe graduated early from high school to get a head start on her college career; she joined the Roadrunners in the spring of 2024. On Sept. 16, 2024, she was named American Athletic Conference Freshman of the Week.
For Tribe, volleyball is not just a game, it’s a family. The team and coaches are her home away from home.
“I think a team is like a family. All of us are best friends,” Tribe said. “I would say we all play like we are best friends too. You can see it on the court. We are all smiling. We want to celebrate each other. We are all as tight as we possibly can be. Not even just the players, like the coaches, we know we can reach out to them. We do emphasize the team being as one, united.”
Tribe spent this past summer in Botswana, representing UTSA in the second annual Ditsala International Cup, along with sophomore setter Megan Hawkins. The trip was more than a tournament for Tribe. It was about connecting with people from other countries over volleyball and being able to spread the sport she loves with them.
“That really hit me deep.
Whenever I was there, I would almost get emotional because seeing other people just happy to be there, want to learn and genuinely care about the sport,” Tribe said of the trip. “It was really touching to me.”
Tribe is majoring in communications with a focus on speech pathology. While Tribe has a couple more years in college, she hopes to reach the next level of volleyball and play professionally.
“Whatever God has in store for me. I feel like I love the sport of volleyball so much and want nothing more than to spread it and make it bigger,” Tribe said. “I would love to go to the next level; if that’s not God’s plan for me, then that’s not God’s plan. I don’t know if I’m ready to give it up, honestly. I feel like every day I come in with a mindset of wanting to get better and wanting to work harder everyday.
“Obviously, if [volleyball] doesn’t work out for me, I think that I will do some coaching on the side. I’m never going to let go of volleyball — it’s such a big part of my life. I’ll always have a piece of my heart towards it even if I do not play at the next level.”
Tribe is always striving to be better on and off the court, in class or with her family. Volleyball is a huge part of who she is, but it’s the people around her who helped shape her and push her to be better every day.
To see Tribe in action, catch the next home game Sept. 19 at 12 p.m. at the Convocation Center.
Roadrunners knock off cross-town rival Cardinals in United Soccer League stadium
By Rylan Renteria Sports Editor
SAN ANTONIO — With San Antonio FC being the city’s only professional soccer club, its field serves as the premier stage for the sport. UTSA soccer seized the opportunity to expand its influence in front of nearly 1,000 spectators, defeating the University of Incarnate Word 1-0 on Thursday at Toyota Field.
The defensively-inclined Roadrunners (3-2-2) know what type of team they are at this point in the season. They’re not going to blow teams out of the water, or get blown out themselves. They’re going to play good defense from the first whistle to when the clock hits the 90-minute mark — and find a way to score at least once in between. As expected, that’s exactly what they did to sneak past the Cardinals (2-3) and secure their third win of the season.
“The ability to find a way to win is a huge characteristic for us,” coach Derek Pittman said after the game. “One of the key ingredients of our team is our grit. We’re going to sell out. We’re going to battle, work hard and give everything we have to get a result. We continue to show that on the defensive end. I’m proud of our mentality and our ability to grind it out.”
The lone score of the game came in the 37th minute. Junior forward Michelle Polo drove the ball down the pitch before dishing it out to senior midfielder Zoë May. The Memphis
University transfer weaved her way through Incarnate Word defenders before finding an open lane to serve true-freshman forward Kamryn Watson the ball. Watson connected with the bottom center of the goal for her first collegiate score, and the ‘Runners’ fifth of the season.
“It was really exciting,” Watson said of the goal. “Props to Polo and Zoë for getting it there, taking the shot and having the courage to do that because ultimately the goal wouldn’t have happened if they didn’t do that.”
Winning is the end goal for every coach, across every sport. But, the opportunity to do it against a cross-town rival, in the biggest soccer venue in the city, meant so much more to Pittman and his program.
“It’s very unique. I don’t know many programs across the country that are getting this type of opportunity, to be able to play in a venue like this in our own city,” Pittman explained. “It makes it something really special for our players, our staff and our city. We hope to continue growing this to where all the youth clubs want to come out and be a part of this, both athletic clubs want to come out and participate. It’s something that’s really special and that’s not lost on me and my players. We hope it continues for years to come.”
UTSA will wrap up non-conference play against East Texas A&M University at 1 p.m. Sunday at Park West Athletics Complex.
Brennen Ledlow/The Paisano
UTSA soccer lines up for the national anthem prior to their match against Incarnate Word.
san antonio, we have a problem
Texas State dismantles UTSA in the Battle of I-35
No revenge for the Roadrunners as Bobcats hand them their first home loss in nearly two years
By Rylan Renteria Sports Editor
SAN ANTONIO — Almost exactly a year ago from Saturday, the Roadrunners were embarrassed by their rival Bobcats in San Marcos, Texas. When the muchanticipated rematch finally hit the gridiron, fans who had waited so long to see the ‘Runners enact their revenge exited the stadium disappointed. Defensively, UTSA football could not keep up and suffered a 43-36 loss at the hands of Texas State University on Saturday at the Alamodome.
can tell them in those moments. It hurts. It stings.
“Everybody did their job except for me. The crowd was here. The city was here. Marketing did a great job. Administration did a great job. Everybody did their job but the person who is supposed to win the football game. That’s the part that hurts the most.”
The Roadrunners scored twice in the first half, a pair of 1-yard scores on the ground and through the air. Sophomore running back A’Marion Peterson found paydirt early in the second quarter, pushing through the left side of the UTSA offensive line for the score. On the next Roadrunner possession, junior quarterback Owen McCown connected with junior wide receiver DJ Allen Jr. in the back of the endzone and entered halftime trailing 14-19.
“Everybody did their job but the person who is supposed to win the football game. That’s the part that hurts the most.”
Some may think 36 points should be enough to win a football game, but it wasn’t for the Roadrunners (0-2). Whether it was blown coverages, missed tackles or out-right getting beat on routes and at the line of scrimmage, UTSA had no answers for the Bobcats’ (2-0) offense. Cheers filled the stadium and celebration overtook the tunnels, but they weren’t from the Roadrunners or their fans. Texas State walked into the Alamodome and firmly planted its flag at the center. Now, the ‘Runners will have to wait, again, for a shot at the Battle of I-35 trophy.
“This one is going to hurt for a while,” coach Jeff Traylor said after the game. “We worked really hard for this game, put a lot into it. There’s nothing good you
Senior running back Robert Henry Jr. began the second half — the same way he did against Texas A&M — with a 75yard touchdown. Henry Jr. scored all three of UTSA’s touchdowns in the second half, but the ‘Runners were unable to pull out the win in the end.
“We beat ourselves today,” senior linebacker Shad Banks said. “It is what it is. We have to clean it up. Nobody can beat UTSA besides UTSA.”
The Roadrunner defense allowed 454 total yards while registering just one sack and one interception. Henry Jr. finished with 159 yards and three total touchdowns, making Saturday his third straight game with over 150-rushing yards. Junior wide receiver Devin McCuin led the team in receiving yards with 83; junior tight end Houston Thomas finished second in receiving with 36.
UTSA will remain home to face the University of Incarnate Word at 2:30 p.m. Saturday at the Alamodome.
Rowdy Reactions: UTSA stunned by Texas State,
By Aramis Santiago Staff Writer
The City of San Antonio spent the week buzzing about the I-35 rivalry, eager to erase last year’s 49-10 humiliation in San Marcos. The city delivered, packing the Alamodome with 45,778 fans, the thirdlargest crowd in UTSA football history. The team, however, did not. UTSA fell 43-36 to Texas State University, its second straight loss in the series, its first home defeat to the rival and a drop to 29-4 at the Dome under Jeff Traylor.
There were few positives worth keeping. Senior linebacker Shad Banks Jr. set an edge with disciplined tackling and a timely first-half interception. Robert Henry Jr. kept his surge rolling from College Station with another long touchdown and workhorse production that tilted the field whenever he touched it. On the perimeter, Devin McCuin separated consistently and was the only receiver to flirt with a 100-yard night, giving the passing game a much-needed outlet when drives bogged down.
Everything else pointed to why Texas State left with the trophy. The Bobcats landed haymakers through the air because UTSA’s back end kept losing leverage and vision. Too many verticals went uncontested, too many crossers ran free and the Roadrunners rarely altered quarterback Brad Jackson’s timing. One sack is not enough in a game where Texas State strung together six consecutive scoring drives. The staff knew Bobcats receiver Beau Sparks would be the featured target, yet he ripped off multiple back-breaking explosive plays.
Coaching compounded the bleed. Texas State found answers in the second quarter and never looked rushed. UTSA’s defense under defensive coordinator Jess Loepp felt caught between calls, late to adjust when tempo spiked or formations shifted. Offensively, the 36 points obscure how choppy the operation was. Offensive coordinator Justin Burke’s unit moved the ball in bursts, but the final chances told the story. UTSA had multiple late possessions to tie or take the lead and leaned into familiar calls that Texas State had already solved.
Quarterback play was also part of
again
the problem. Owen McCown had his moments as a runner and delivered a few timely throws, but the overall rhythm never settled, and some of that fell on the receivers. Outside of McCuin and the outlet work from Henry, the group struggled to separate. When UTSA’s receivers managed to shake free, drivekilling drops showed up and anyone could see the confidence drain as the fourth quarter ticked away. Special teams made a bad night worse. Texas State consistently flipped the field
UTSA defensive back Tyan Milton communicates with the defense.
Top to bottom: Robert Henry Jr. rushes for a touchdown, Owen McCown warms up pregame.