Gill Sans Specimen Book

Page 1

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

T A B L E

F C

004

N T E N T S

THE HISTORY OF GILL SANS

005

THE STORY OF ERIC GILL

006 007

USAGE FUNCTION

008 CLASSIFICATION & ALPHABET 010

ANATOMY

012

TEXTURE

014

SCALE

016

RESOURCE

The History of Gill Sans The history of Gill Sans began from Edward Johnston’s iconic typeface- Johnston Sans, designed for the London Underground in 1913. Eric Gill, a British graphic artist and sculptor, who was in search to design the ultimate legible sans-serif text face which he had studied under Johnston at London’s Central School of Arts and Crafts, later became a friend and apprentice—and even had a small role assisting in creation of the proprietary typeface. Among a total of 11 typefaces he created his most famous font - Gill Sans, in the 1920’s which is still recognized the world over. Gill Sans was first used on Eric Gill friend’s storefront. Gill provided his friend - Douglas Cleverdon, with sketches of the entire alphabet so he would be able to update and change his signage. This rough design was published by Cleverdon and gained the attention of Stanley Morison, a typographical adviser for the Monotype Corporation, who commissioned Times New Roman as well. Morison had Eric Gill develop Gill Sans as a complete font family to compete with German fonts, including Futura, which was gaining wide popularity at the time. The font was released by the Monotype Corporation in 1928 and became almost instantly popular in 1929 when it was adopted by the London and North Eastern Railway for all of their posters and publicity materials. The typeface was designed to function as a text face as well and has been a popular choice for decades. Originally released as a single weight, many variants were added over the years, extending the versatility of the typeface. Bold 67/70pt, 20/22pt Regular 20/22pt, 12/15pt

004

The Story of Eric Gill

(February 22nd, 1882 – November17th, 1940) An English sculptor, sign painter, stonecutter, printmaker and type designer. His best known type designs were produced by the Monotype corporation, although he also designed type for private presses. His most widely used type Gill Sans, strongly influenced by the London Transport lettering of his teacher Edward Johnston, was the first successful sans type based on the humanist models of the Renaissance. Other of his designs are the intricate Perpetua and Joanna, named after his daughter. UltraBold 53/55pt Bold 20/22pt Regular 20/22pt,12/15pt

1928 005 005

ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

The Usage of Gill Sans Due to it’s legibility and its ‘Britishness’, Gill Sans has been adopted by many companies and organizations as their corporate typeface. Notable mentions are: the BBC, Royal Society of Arts, the Penguin Books, and British Railways, it’s seen by some as the quintessentially British typeface and has been described as “The English Helvetica”. Not to mention the number of brands or movies who have had typefaces designed which have been heavily influenced by Gill Sans, for examples: Tommy Hilfiger’s brand logo, and “ Ferris Bueller’s Day Off” ’s movie tittle. Bold 20/22pt Regular 20/22pt, 12/15pt

006

g g g g g g g g g g g g

Gill Sans Regular is VERSATILE Gill Sans UltraBold is POWERFUL Gill Sans Italic is EYE CATCHING Gill Sans Light is LEGIBLE

Gill Sans Bold is DISTINCTIVE Gill Sans SemiBold is PLENTIFUL

F

UNCTION of Gill Sans

The warm and friendly timeless typefaces that is full of strength but also simply to read, and with all of the elegant features that it have, which would allowed the designer to create a clean and understandably looks to their design. This typeface continues to thrive to this day, often being held to bring an artistic or cultural sensibility to an organization's corporate style. UltraBold 12/15pt Bold 12/15pt SemiBold 72pt, 30pt, 12/15pt Regular14/17pt, 12/15pt Italic 12/15pt Light 12/15pt

007

The Classification of Gill Sans Humanist and Geometric Sans

Gill Sans is an akward mix of Geometric and Humanist ideas - from the circular “o” to its dynamic, calligraphic “a.” Uppercase widths vary wildly. The long-legged “R” causes spacing issues, especially in the lighter weights. Still, there is lasting charm in this face, and it has become synonymous with British culture ever since it debuted. Bold 20/22, 13/15pt Regular 12/15pt

A a B bC cDd E e F f Gg H h I i J j K k L l M mN n O o P pQq R r S s T t U u V vWw X x Y y Z z ! ? 1 2 3 4 5 6 7 8 9 0 & $ , . 008

Gill Sans Light 12/15pt

a b c d e f g h i j k l m n o p q r s t u v w x w z ABCDEFGHIJKLMNOPQRSTUVWXYZ

Gill Sans Light Italic 12/15pt

a b c d e f g h i j k l m n o p q r s t u v w x w z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Gill Sans Regular 12/15pt

a b c d e f g h i j k l m n o p q r s t u v w x w z ABCDEFGHIJKLMNOPQRSTUVWXYZ

Gill Sans Italic 12/15pt

a b c d e f g h i j k l m n o p q r s t u v w x w z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Gill Sans SemiBold 12/15pt

a b c d e f g h i j k l m n o p q r s t u v w x w z ABCDEFGHIJKLMNOPQRSTUVWXYZ

Gill Sans SemiBold Italic 12/15pt

a b c d e f g h i j k l m n o p q r s t u v w x w z ABCDEFGHIJKLMNOPQRSTUVWXYZ

Gill Sans Bold 12/15pt

a b c d e f g h i j k l m n o p q rs t u v w x w z ABCDEFGHIJKLMNOPQRSTUVWXYZ

Gill Sans Bold Italic 12/14pt

a b c d e f g h i j k l m n o p q r s t u v w x w z ABCDEFGHIJKLMNOPQRSTUVWXYZ

Gill Sans UltraBold 12/15pt

abcdefghijklmnopqrstuvwxwz ABCDEFGHIJKLMNOPQRSTUVWXYZ

Numbers 12/15pt

1234567890

L

i Lg

009

A A EE LL

C M R W

Very wide “C”

BB

D D

Diagonal strokes meet high above baseline to form pointed apex

JJJ

PP Q Q S TT X X

Narrow apex

SemiBold 150/180pt, 55/66pt SemiBold Italic 12/15pt

010

FF

G G H H

II

K K N N

Very long leg extends far beyond upper bowl

U U V V V YY Z Z Z Flat apex

bbb ff

c

Pointed triangle bracket connecting bar and stem

hh

a e tgr

jj ll

Contrast varies considerably

Top heavy form heavy arch stroke, very light bowl stroke to keep counter from getting too small, tail flips up abruptly

dd

ii

Tail is a long, slow curve, vertical terminals of the edge

oo

Binocular form with relatively small bowls, the ear is a simple horizontal stroke

kk

m m

p

SemiBold 150/180pt, 55/66pt SemiBold Italic 12/15pt

011

vv

Flattened bowl in which curved stroke meets top of stem, without crotch

yy

nn qq ss

Very light stroke where arm meets stem

uu

w w xx zz

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sans-serif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it is remembered that, for such a purpose, an alphabet should be as near as possible ‘fool-proof ’… as the philosophers would say— nothing should be left to the imagination of the sign-writer or enamel-plate maker.”

Eric Gill, Essay on Typography, published 1931, Gill Sans Light 12/15pt

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sans-serif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it is remembered that, for such a purpose, an alphabet should be as near as possible ‘fool-proof’… as the philosophers would say—nothing should be left to the imagination of the sign-writer or enamel-plate maker.”

Eric Gill, Essay on Typography, published 1931, Gill Sans Light Italic 12 /15pt

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sans-serif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it ithat, for such a purpose, an alphabet should be as near as possible ‘foolproof’… as the philosophers would say—nothing should be left to the imagination of the sign-writer or enamel-plate maker.”

Eric Gill, Essay on Typography, published 1931, Gill Sans Regular 12 /15pt

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sans-serif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it is remembered that, for such a purpose, an alphabet should be as near as possible ‘foolproof ’… as the philosophers would say—nothing should be left to the imagination of the sign-writer or enamel-plate maker.”

Eric Gill, Essay on Typography, published 1931, Gill Sans Italic 12 /15pt

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sans-serif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it is remembered that, for such a purpose, an alphabet should be as near as possible ‘fool-proof’… as the philosophers would say—nothing should be left to the imagination of the sign-writer or enamel-plate maker.”

012

Eric Gill, Essay on Typography, published 1931, Gill Sans SemiBold 12 /15pt

Eric Gill, Essay on Typography, published 1931, Gill Sans SemiBold Italic 12/15pt

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sansserif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it is remembered that, for such a purpose, an alphabet should be as near as possible ‘fool-proof’… as the philosophers would say— nothing should be left to the imagination of the sign-writer or enamel-plate maker.”

Eric Gill, Essay on Typography, published 1931, Gill Sans Bold 12/15pt

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sans-serif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it is remembered that, for such a purpose, an alphabet should be as near as possible ‘foolproof’… as the philosophers would say—nothing should be left to the imagination of the signwriter or enamel-plate maker.”

Eric Gill, Essay on Typography, published 1931, Gill Sans Bold Italic 12/15pt

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sans-serif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it is remembered that, for such a purpose, an alphabet should be as near as possible ‘fool-proof’… as the philosophers would say—nothing should be left to the imagination of the sign-writer or enamel-plate maker.”

Eric Gill, Essay on Typography, published 1931, Gill Sans UltraBold 12/15pt

“The first notable attempt to work out the norm for plain letters was made by Mr Edward Johnston when he designed the sans-serif letter for the London Underground Railways. Some of these letters are not entirely satisfactory, especially when it is remembered that, for such a purpose, an alphabet should be as near as possible ‘fool-proof’… as the philosophers would say—nothing should be left to the imagination of the sign-writer or enamel-plate maker.”

013

a a aaa

Gill Sans has 5 Weights 130pt

Light

Regular

SemiBold

Bold

UltraBold

Gill Sans has 4 Italics 28/30pt

Gill Sans is the Helvetica of England Gill Sans is the Helvetica of England Gill Sans is the Helvetica of England Gill Sans is the Helvetica of England Numbers in 5 Weights 24/27pt

0123456789¹²³¼½¾ 0123456789¹²³¼½¾ 0123456789¹²³¼½¾ 0 1 2 3 4 5 6 7 8 9 ¹ ² ³ ¼ ½ ¾ 0 1 2 3 4 5 6 7 8 9 ¹ ² ³ ¼ ½ ¾ 014

Latin 23/28pt

ĄąĆćĘęıŁłŃńŒœŚśŠšŸŹźŻżŽžƒ¿À ÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙ ÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõö øùúûüýþÿπ

Symbols 24/28pt

^`¦§¨©®¯°´¶¸˘˙˚˛˜˝№™◊!"#%&'( ) * , - . / : ; ? @ [ \ ] _ { } ¡ « · » ¿ –— ‘’ ‚ “ ” „ † ‡ • … ‰‹›$¢£¤¥€₴+<=>|~¬±×÷⁄−∂∆∏∑ ∕∙√∞∫≈≠≤≥

Cyrillic 24/29pt

ЁЂЃЄЅІЇЈЉЊЋЌЎЏАБВГЕДЖЗИЙ КЛМНОПРСУТУФХЦЧШЩЪЫЬЭЮ Яабвгдежзийклмнопрстуфхцчшщъ ыьэюяђёѓєѕіїјљњћќўџѢѣѲѳѴѵҐґҒғ җҚқҢңҮүҰұҲҳҶҷҺһӀӏӘәӢӣӨөӮӯ 015 015

g

Resources “The Anatomy of Type” by Stephen Coles "Know your type: Gill Sans" by idsgn - A Design Blog Typotheque's " Eric Gill got it wrong; a re-evaluation of Gill Sans" by Ben Archer "Typeface of the month: Gill Sans" by Mark Boulton "Tuesday Typeface: Gill Sans" by Allison Halff

016

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

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G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

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G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G G

DGRD 1020 November 09th, 2015

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.