Mark Simon's passion for storytelling and art is evident in everything he does. Mark owns two entertainment industry businesses, authored 13 bestselling industry books, lectures around the world, regularly contributes to industry periodicals, and creates, produces and sells original contentas well as produces courses for LinkedIn Learning.
He storyboards on projects such as Stranger Things, The Walking Dead, Doom Patrol, Dynasty, Council of Dads, Creepshow, Snowfall and others. Mark's latest book is his memoir,
Mark Simon
Godfather
of Storyboarding
COVER STORY: "FROM BULLIED TO HOLLYWOOD" pg.24
Attacked!, about when he was bullied and his family was attacked in their front yard. Mark became the first person in the country to hold parents responsible for the actions of their kids in a court of law.
Mark also developed the storyboard curriculum for the Digital Animation and Visual Effects School located at Universal Studios, and previously taught storyboarding at the University of Central Florida. He lectures around the world at major conferences (ComicCon, Animex, Chinese Cultural Expos, DragonCon, etc), conventions and schools.
Cardellia Hunter
Director for the City of Atlanta Mayor's Office of Film and Entertainment
FEATURE STORY: "LIGHTS, CAMERA, ATLANTA: THE RISE OF A GLOBAL FILMMAKING HUB" p.36
The leader of the permitting process for productions of all sizes and promotes first-inclass engagement between film productions and the local community. She is certified by the Association of Film Commissioners and is an active member of Women In Film & Television Atlanta and Black Women's Film Network.
COVER
Image Courtesy Mark Simon
Brennen Dicker
Executive Director of Creative Media Industries Institute
FEATURE STORY:
"THE SUPER 8 SPARK: HOW CHILDHOOD CURIOSITY LED BRENNEN DICKER TO LEAD A REVOLUTIONARY MEDIA INSTITUTE"
p.32
A seasoned film and television professional boasting an impressive 25-year career. Currently, he serves as the Executive Director of the Creative Media Industries Institute (CMII) at Georgia State University. CMII stands out as the nation's most diverse media institute, catering to over 900 students pursuing studies in media entrepreneurship, game design, game development, and an MFA program focused on Virtual Production and VFX.
Maria Guerra-Stoll
CEO, President & Producer of PAM Studios
FEATURE STORY:
"HOME GROWN TALENT: PAM STUDIOS' VISION FOR A BRIGHTER FILM INDUSTRY"
p.42
I started PAM Studios, a studio and media company, in Rome to empower Latin filmmakers and other underrepresents — and to help grow the film industry in our corner of Georgia. As a woman owned studio and media company with Latin America Heritage, the studio provides opportunities for women and other minority groups to succeed in the film and television industry that get their stories told.
Winston Andrews Writer
OZCETERA: A COMPILATION OF RECENT NEWS AND HOT PROJECTS
p.8
My name is Winston Andrews. I am an Atlanta native, lifelong lover of film, and die-hard Falcons fan. Currently, I am a graduate student in the Accounting program at Georgia State.
East Point / Peachtree Village Film Festival
The The East Point Peachtree International Film Festival (EPIFF) made its highly anticipated debut in East Point, Georgia, this November, marking a new chapter for the event formerly known as the Peachtree Village International Film Festival.
With over two decades of history, the festival has transformed into a prestigious gathering that now attracts more than 3,500 attendees annually, and now, EPIFF is partnered with the East Point Convention & Visitors Bureau.
The inaugural four-day festival kicked off on November 7 with a press conference and brunch, setting the stage for a packed schedule of panels, workshops, and networking events. A standout moment was a panel featuring producers from Tyler
Perry Studios, drawing an enthusiastic crowd. Across the weekend, attendees were treated to an impressive slate of sixty film screenings, highlighting local, national, and international talent.
EPIFF also paid homage to Atlanta’s artistic roots, honoring Rico Wade, co-founder of the Dungeon Family Collective and a trailblazer in Atlanta's music scene. Wade’s tribute brought members of the iconic collective together, adding an authentic Atlanta flavor to the festivities. The festival further celebrated excellence by presenting the Generational Barrier Breaker Award to actress Cassi Davis, recognizing her enduring contributions to film and theater.
East Point Mayor Deana Holiday Ingraham captured the festival’s broader
significance, stating, “East Point is thrilled to welcome the East Point Peachtree International Film Festival to our city, an event that not only celebrates creativity and diversity in the arts but also drives significant economic development. The increased visitor arrivals will not only generate additional revenue for our hospitality community but also for other local businesses.”
With its successful debut, EPIFF has positioned East Point as a growing destination for filmmakers, industry professionals, and cinephiles alike, ensuring that this celebration of creativity and community will leave a lasting legacy.
Family-Run Film Quality Studios to Launch in Flowery Branch
Mother-and-son duo Debra and Cody Chesneau recently unveiled Film Quality Studios, a new entertainment production space in Flowery Branch, Georgia, in December. Situated on a sprawling 12-acre property at 4584 Cantrell Road, the facility aims to serve as a creative hub for independent filmmakers in North Georgia.
The project has been a labor of love, years in the making. After selling their previous family business, Fuel Quality Services, over a year ago, the Chesneaus saw an opportunity to repurpose the building they had retained. Now, the property will house Film Quality Studios and their additional venture, Film Quality Services.
For Debra Chesneau, the leap from logistics to entertainment was a natural evolution. “There’s a whole other show going on behind the show, if you’ve ever been behind the curtain in a theater,” she shared. “I just loved doing all that, and that really got me the bug for wanting to continue doing something in that creative world.”
The facility boasts two studios: the expansive Studio A at 4,000 square feet and the more intimate Studio B at 2,500 square feet. It’s a one-stop-shop for creators, offering resources for everything from filming and editing to production management. Additional amenities include editing suites, green rooms, production offices, and hair and makeup areas, as
well as technical essentials like backup generators and internet redundancies.
While Film Quality Studios isn’t aiming to rival major Atlanta production facilities like Trilith or Electric Owl, Cody Chesneau emphasized its unique focus. “I don’t see us making Marvel movies,” he said. “Our goal is to help independent filmmakers in North Georgia and create a home base where they can bring their projects to life.”
With its blend of professional-grade facilities and a mission to foster local creativity, Film Quality Studios is poised to become a key player in North Georgia’s growing entertainment landscape.
Holiday Magic in Georgia: Five Christmas Films Shot in the Peach State
Georgia has played host to many iconic Christmas films, thanks to its diverse locations and welcoming atmosphere. From heartwarming classics to modern favorites, here are five holiday films, shot in Georgia, that capture the festive spirit.
“THE POLAR EXPRESS" (2004)
While this heartwarming animated film isn't entirely shot in Georgia, significant portions were filmed at Georgia's famed Pinewood Atlanta Studios (now Trilith Studios) in Fayette County. The movie’s groundbreaking use of motion-capture technology helped bring the classic Christmas story to life, and Georgia’s state-of-the-art facilities were essential in creating the film's magical atmosphere.
“THE CHRISTMAS CHRONICLES" (2018)
Starring Kurt Russell as Santa Claus, “The Christmas Chronicles” was filmed in Georgia, including scenes shot in downtown
Atlanta and surrounding areas. The movie was applauded for its festive action and fun take on the Christmas mythos, featuring beautifully shot cityscapes and Christmas decor. It quickly became a holiday favorite on Netflix, thanks in part to Georgia’s winter-ready environments and vibrant film infrastructure.
"A CHRISTMAS STORY 2" (2012)
The long-awaited sequel to the holiday classic was filmed in parts of Georgia, including Atlanta. While not as widely beloved as the original, *A Christmas Story 2* brought the holiday cheer to Georgia's suburban settings, using the area’s neighborhoods to reimagine the snowy, Midwestern backdrop of the original film.
"DASHING THROUGH THE SNOW" (2023)
A more recent entry to Georgia’s holiday film roster, *Dashing Through the Snow* stars Ludacris and Lil Rel Howery. Filmed entirely in Atlanta, including locations such
as Castleberry Hill and Broad Street, the movie mixes comedy with holiday warmth, showcasing Georgia's festive charm as it stands in for a wintery, big-city backdrop.
"JINGLE ALL THE WAY 2"(2014)
The sequel to “Jingle All the Way” was filmed in Georgia, particularly around the Atlanta area. This direct-to-video holiday comedy starring Larry the Cable Guy utilized Georgia’s backdrop for both its suburban and outdoor settings, showing off the state’s ability to double for any part of the country when it comes to holiday films.
Georgia’s reputation as a filmmaking hub continues to grow, and its diverse locations allow filmmakers to capture the magic of the holiday season, no matter the setting. Whether set in a magical, snowy North Pole or the bustling heart of a city, Georgia's festive locations add something special to every holiday film.
Atlanta’s 17th Annual Buried Alive Film Festival
The 17th annual Buried Alive Film Festival, Atlanta’s top horror movie event, is scheduled for November 7-10, 2024 at the Plaza Theatre.Launched in 2008 by Gorehound Productions, the Buried Alive Film Festival has become an iconic event in the horror genre. With Blake Myers and Lucas Godfrey at the helm, the festival has invited independent filmmakers to present daring and creative feature-length and short films that celebrate the eerie and unconventional.
In 2024, the festival begins a new era with Shannon Ford Thompson in charge. As the head of the Atlanta Horror Society and founder of the indie production house Rock with Siren, Thompson is recognized for her deep connection to the horror genre.
“I plan to bring my own creative ideas and expertise in events and marketing to this festival, but it’s essential to me that we never lose sight of what has made Buried Alive so successful,” explained Thompson. “With my good friends Blake and Lucas now on the advisory board, we can ensure we stay true to the festival’s roots. I’m eager to bring our monsters to life and am excited to announce that the Scream Machine, our horror-themed arcade game, will be back at the Plaza this year, along with a few other surprises."
The activities begin on Thursday with the Sinema Challenge, where filmmakers are given 13 days to craft a film. The opening night party at The Mambo Zombie will follow that with panel discussions, Q&As, and opportunities to meet other horror lovers. To learn more, check out www.buriedalivefilmfest.com!
Savannah College of Art and Design Adds Seven New Film Degree Programs
Savannah College of Art and Design (SCAD) is set to expand its academic offerings with the addition of seven new degree programs for the 2024–25 school year. Furthermore, SCAD will introduce six established degree programs, previously only available at SCAD Savannah, to its Atlanta campus.
“For more than four decades, SCAD has been at the forefront of art and design education,” added SCAD’s VP of Curriculums, Tara Oviedo. “Through these seven new degree programs, along with our expanded offerings in Atlanta and online, we ensure SCAD graduates continue to lead and shape the creative
industries of tomorrow.” Below are SCAD's new degrees.
SCAD'S NEW FILM DEGREE PROGRAMS
• B.F.A. in Game Development (available at SCAD Atlanta and SCAD Savannah)
• B.A. in Game Development (offered at SCAD Atlanta, SCAD Savannah, and SCADnow)
• M.A. in Cinematography (offered at SCAD Atlanta and SCAD Savannah)
• M.A. in Editing (available at SCAD Atlanta and SCAD Savannah)
• M.B.I. in Creative Business Leadership (at SCAD Atlanta, SCAD Savannah, and SCADnow)
• M.B.I. in Design Management (available at SCAD Savannah and through SCADnow)
• M.B.I. in Service Design (offered at SCAD Savannah and through SCADnow)
SCAD ATLANTA'S NEW
FILM DEGREES
• M.A. in Animation
• M.A. in Interactive Design and Game Development
• M.F.A. in Interactive Design and Game Development
• M.A. in Motion Media Design
• M.A. in Visual Effects
• B.F.A. in Sound Design
Georgia State’s Dre Jones, Known as DreTL, Takes the Spotlight on Netflix's Rhythm + Flow
Dre Jones, a senior at Georgia State University and rising star in the Atlanta music scene, has made headlines by winning the second season of Netflix's hit competition series Rhythm + Flow.
“This journey has been nothing short of transformative, and I will forever cherish the friendships formed, the memories made and the invaluable lessons learned along the way,” he said. “Most importantly, I hold dear the education I received here — something that no one can ever take
away from me. As a first-generation college graduate, this moment is even more meaningful and I’m proud to be a positive example for the next generation.”
Competing for the coveted $250,000 prie, DreTL stood out among a diverse pool of contestants from across the U.S. The show, judged by industry icons like DJ Khaled, Latto, and Ludacris, sought artists with not just musical skill but the versatility and charisma needed to thrive in today’s competitive music industry.
The finale, which aired in early
December, marked a triumphant moment for the young rapper, whose journey was shaped by Georgia State's vibrant arts community. His success reflects Atlanta's continued influence as a hub for music and creative talent.
Fans and peers are eagerly anticipating what’s next for DreTL as he transitions from competition winner to a potential force in the music industry.
For local fans, DreTL’s win is a proud moment for Atlanta, solidifying the city as a breeding ground for groundbreaking talent.
Georgia Celebrates the Arts and Humanities with Governor’s Awards
Georgia's thriving arts and humanities scene received a spotlight this year as Governor Brian Kemp and First Lady Marty Kemp announced the 2024 recipients of the prestigious Governor’s Awards for the Arts and Humanities.
This accolade honors individuals and organizations for their significant contributions to the state’s cultural landscape, reinforcing Georgia's position as a hub for creativity and innovation. The ceremony, presented in collaboration with Georgia Humanities and the Georgia Council for the Arts, celebrated achievements ranging from artistic excellence to community impact.
This year's recipients of the Georgia Governor’s Awards for the Arts and
Humanities include:
• Lucinda W. Bunnen , a celebrated Atlanta-based photographer;
• Common Good Atlanta, an organization offering higher education opportunities in Georgia prisons;
• Hermina Glass-Hill , a historian and advocate for preserving African American history in Kennesaw and Midway;
• Christopher Johnson, a cultural leader in Cuthbert and Columbus;
• the Madison-Morgan Conservanc y, promoting historic preservation in Madison and Morgan County;
• the Jessye Norman School of the Arts in Augusta;
• Rick McKnight , a writer and arts
advocate in Columbus;
• Mercer University Press in Macon;
• Angelica Hairston, a harpist and social impact leader in Atlanta;
• Kathy Prescott and Grady Thrasher of Athens, recognized for their work in art, poetry, and documentary filmmaking.
The event underscores the significance of cultural investment in local economic revitalization. Governor Kemp emphasized how the arts not only fuel creativity but also create economic opportunities across the state. The awardees' achievements reflect a deep commitment to sustaining Georgia’s cultural heritage and nurturing its creative industries.
New Marvel Film Wraps Production in Georgia
The Marvel Cinematic Universe continues to strengthen its connection to Georgia with the upcoming “Captain America: Brave New World.”
This highly anticipated installment, starring Anthony Mackie as the new Captain America, Harrison Ford as General Thaddeus “Thunderbolt” Ross, and Liv Tyler reprising her role as Betty Ross, was filmed at Trilith Studios in Fayetteville, Georgia.
Filming wrapped earlier this year, with significant portions completed on Trilith’s cutting-edge soundstages and expansive backlot. The studio's versatile facilities, specifically in the CGI field, and proximity to Atlanta
have made it a go-to location for Marvel. The movie is slated for release on February 14, 2025, making it one of the most anticipated productions of the year for fans and film enthusiasts alike.
Trilith will now prepare for Marvel Studios to begin production of “Armor Wars”, a feature film starring Don Cheadle. Slated to begin filming in April 2024 and continue through August, the movie will explore what happens when Tony Stark's technology falls into the wrong hands. Cheadle reprises his role as James "Rhodey" Rhodes, also known as War Machine, in this highstakes adventure.
South Fulton Arts 2025
South Fulton Arts is gearing up for an exciting lineup of activities and programs as it heads into 2025. As part of their focus on the Fulton community and its creative talents, the institute recently launched Courageous Conversations, a platform that fosters meaningful dialogues on various social and cultural topics, and the CREATE Partner Program, which supports artists, organizations, and schools in South Fulton with resources such as funding and mentorship.
For the remainder of 2024, South Fulton Arts continues to celebrate creativity and community impact. Through its Moments of Impact series, the organization highlights the contributions of local creatives. These ongoing efforts position the institute as a vital hub for cultural expression in the region.
Looking ahead, the 2025 season will focus on strengthening local arts education and supporting emerging artists. The CREATE program offers opportunities for individual artists and nonprofits to gain financial and functional support to launch new artistic projects. The institute also showcases cultural figures like Alex Acosta, a bigtime producer known for his work in storytelling, documentary filmmaking, and freestyle rap as a tool for empowerment.
Georgia Film Academy: Training Talent at Every Stage
Founded in 2015, the Georgia Film Academy (GFA) has helped nearly 13,000 individuals pursue careers in film, television, and new media. By offering hands-on training and real-world experience, GFA ensures students are not just learning theory but are actively preparing for jobs in one of the nation's most booming sectors.
The academy partners with major production companies, studios, and other key players in the film industry to provide students with opportunities for
internships and job placements. Graduates have worked on major productions such as "Stranger Things," "Creed III," and "Wakanda Forever," helping meet the demand for skilled talent in Georgia’s film industry.
Beginning in the spring of 2025, the academy is expanding its offering to include a professional education program that will allow students to gain industryspecific skills, learn from experienced instructors, and use professionalgrade equipment.
The GFA's role in shaping Georgia’s position as a global leader in film and TV production cannot be overstated. Beyond the technical skills it provides, the academy fosters economic growth by producing talent that supports not only the production side but also related fields like digital arts and tech. For anyone interested in starting or advancing their career in entertainment, the Georgia Film Academy remains a vital resource and an essential part of Georgia’s cinematic success.
ATL Film Society: Shaping Local Talent in 2025
In 2025, the Atlanta Film Society (ATLFS) is doubling down on its mission to nurture Georgia-based filmmakers through dynamic communitydriven initiatives designed to empower emerging talent and foster a thriving indie film scene.
ATLFS's “Locals Only” screening series remains a cornerstone of its programming, highlighting short films exclusively from Georgia’s independent filmmakers. On February 13, 2025, the series kicks off with “Shorts & Giggles”, a curated selection of comedy shorts showcasing the humor and creativity of local talent.
For aspiring filmmakers looking to test their skills, ATLFS offers the “100 Feet of Film” project, a unique challenge where
participants receive 100 feet of 16mm film to shoot a short piece. This initiative combines hands-on learning with an emphasis on storytelling fundamentals and resourcefulness, serving as an entry point for emerging creators who want to experience the craftsmanship behind traditional filmmaking.
To further support local talent, ATLFS will continue its “Filmmaker-inResidence” program in 2025. This initiative pairs budding filmmakers with industry professionals for year-long mentorships. Participants receive guidance on refining their craft, navigating the business side of filmmaking, and preparing their work for festivals like the Atlanta Film Festival (ATLFF), which remains an Academy
Award-qualifying event.
These community-focused programs align with ATLFS's flagship event, the Atlanta Film Festival, which will return in Spring 2025. The festival showcases a blend of local and international talent, underscoring Atlanta's role as a cultural and creative melting pot.
Whether you're an emerging filmmaker or a cinephile eager to explore fresh perspectives, ATLFS’s programs offer an invitation to engage with the future of storytelling. Keep an eye out for upcoming events and workshops that promise to make 2025 a landmark year for Atlanta's creative community.
‘Scream 7’ Schedules Filming in Atlanta
The production of Scream 7 is officially scheduled to commence in Atlanta, Georgia, starting December 2024.Although it is not confirmed, many are speculating the film will also be set in Atlanta.
Kirby Reed, a classic character in the franchise, appeared as an FBI agent stationed in Atlanta in Scream 6. This detail
might suggest her potential comeback in Scream 7, with the possibility that the next round of Ghostface murders could occur within her jurisdiction.
Furthermore, in Scream 6, it was revealed that Jason Carvey and Greg Bruckner, the Ghostface killers in the film's opening scene, attended middle school together in Atlanta, which might suggest
A New Era of Insurance for Film Productions
The film industry, especially in Georgia, is known for its rapid growth and thriving creative scene. However, it’s also a sector filled with risks— from equipment damage to unforeseen production delays.
Onset Protect, a new insurance initiative from a collaboration between KK Insurance and Markel Insurance, is poised to provide essential coverage for production companies in Georgia and beyond.
Launched in November 2024, Onset Protect is tailored specifically for film productions, offering flexible and
comprehensive insurance solutions to address the unique risks of filmmaking. The program includes coverage for various scenarios, from property and equipment damage to liability and business interruptions.
Importantly, it also provides special protection for productions working on a tight schedule, with minimal disruption and optimal efficiency. With the Atlanta film industry booming, this is a critical service for local filmmakers navigating the challenges of high-stakes projects.
This innovative program goes beyond basic coverage, with services that help
that Atlanta could be a key location for a potential Ghostface cult in the upcoming Scream 7.
With that said, the entire plot is still entirely under wraps, and more information will become available when the movie begins filming in December 2024!
safeguard against specific production concerns. For example, it offers quick turnaround policies designed for fastmoving shoots, allowing filmmakers to obtain the right protection just when they need it.
As Georgia continues to attract major film and TV projects, services like Onset Protect play a key role in ensuring that productions remain protected and efficient. Whether you’re a seasoned filmmaker or a newcomer to the industry, Onset Protect’s tailored coverage could be the key to running a smoother, safer production.
Trilith’s Script to Screen Camp for Future Filmmakers
Through its immersive Script to Screen Summer Camp, Trilith Studio is offering young creatives the chance to explore the world of filmmaking, from script development to post-production, under the guidance of industry professionals.
Launched in 2024, the Script to Screen camp is a two-week program aimed at high school students passionate about filmmaking. The camp's structure allows participants to specialize in either Dramatic Writing and Art Production or Dramatic Writing and Tech Production, as well as a comedic version.
In 2025, the Dramatic Writing and Art Production and Dramatic Writing and Tech Production camps will run from June 16-27, 2025, and the Comedic Writing and
Tech Production camp will follow from July 7-18, 2025.
In the Dramatic Writing and Art Production camp, participants spend the first week working closely with expert screenwriters to develop original short scripts. They then transition into the art department, where they learn about production design, set building, prop fabrication, and the creative process behind bringing a script to life visually. The second week pairs them with campers from the Tech Production track to shoot the scenes they’ve worked on.
Similarly, those in the Dramatic Writing and Tech Production camp learn to use high-quality film equipment, including cameras, lighting, and sound, as they bring their scripts to life with a technical focus.
This summer camp is more than just a learning experience—it's a launchpad for young filmmakers. Participants not only gain invaluable technical skills but also become part of a creative community that fosters collaboration, innovation, and storytelling. The culmination of the camp is the Script to Screen Film Festival, where the completed short films are premiered, allowing the campers to showcase their work in front of an audience.
Whether it’s creating compelling stories or learning the nuts and bolts of production, the Script to Screen Summer Camp at Trilith Institute provides a unique opportunity to cultivate the skills needed to succeed in Georgia’s growing film landscape.
Film Industry Mourns Loss of Steve Mensch, Tyler Perry Studios President
Tragically, Steve Mensch, the president of Tyler Perry Studios, died on December 5, 2024, after a plane crash near Homosassa, Florida. Mensch, 62, was piloting the single-seat aircraft when it went down. No other fatalities were reported, and investigations into the cause of the crash are underway.
Mensch, a respected figure in Georgia's film community, had been with Tyler Perry Studios since 2016. He was a driving force behind the studio’s rapid growth and its influence on the local film industry. Under his leadership, Tyler Perry Studios expanded its operations, with the studio becoming a major hub for production in Georgia. His contributions included helping
to grow the studio’s facilities and fostering talent, all while maintaining a focus on innovation in filmmaking and production.
Tyler Perry Studios released a sttement expressing deep sorrow over Mensch's passing, describing him as “a cherished member” of the team and noting his profound impact on both the studio and the broader Atlanta community. “It is hard to imagine not seeing him smiling throughout the halls,” the statement read, underscoring his warm, approachable nature and the positive relationships he built throughout his career.
Mensch is survived by his wife and three children. His sudden loss is being felt deeply within the film community,
both locally in Atlanta and across the entertainment industry. Known for his leadership, Mensch was regarded not only for his expertise in operations and strategic planning but also for his mentorship of rising talent in the film industry.
His passing marks the end of an era for Tyler Perry Studios, but his legacy of mentorship, innovation, and leadership will undoubtedly continue to influence the studio’s work and the Atlanta film scene. As investigations into the cause of the crash continue, the community remembers Mensch as a dedicated professional who helped shape the landscape of Georgia’s film industry. His contributions will not be forgotten.
from to MARK SIMON the GODFATHER of STORYBOARDING
WRITTEN BY Mark Simon
Memories of my childhood are magical and wonderful and filled with great experiences. I was always a budding artist, to the point of drawing cartoons on sheet music during my music lessons. I was always drawing and telling stories. But even the happiest stories can have moments of horror. Luckily, my moment of horror led directly to a career I love in film and TV.
I am now known as the godfather of storyboarding and have worked on over 6,000 productions including Bad Monkey, Lincoln Lawyer, The Waterboy, Woody Woodpecker, Descendants 4: The Rise of Red and major horror franchises such as The Walking Dead universe (nine seasons across 5 shows), Stranger Things (both the series and the live experience), the Cult of Chuckie movie, Dexter (three series in the Dexter universe), Vampire Academy, the Creepshow series, You and more. So how did I get here?
IT ALL STARTED IN TEXAS
Back in 1980, while living in Houston, Texas, I was attacked by a gang who tried to kill me….and then followed me home and attacked my family in our front yard.
After months of attacks, and legal warnings to the parents of the gang’s ringleaders, I had those parents arrested. My case set the precedent across the country for holding parents responsible for failure to control the actions of their juveniles, as you may have seen in the recent Georgia and Michigan school shooter cases where parents were arrested.
At the time of the attacks, I didn’t realize how my art had been affected. As I was writing my memoir of those attacks a few years ago, Attacked! Bullied: Surviving Terror and Finding Justice, I pulled samples of my art from that time and found that it had gotten really dark. My drawings transformed from cartoons and superheroes to deformed mutants, warped reality and futuristic machines blowing people to pieces. (which would serve me well in my later career)
All the attacks on me and my family took its toll. I went from a straight-A honors student to failing advanced math.
PHOTO Storyboards by Mark Simon of the epilogue to his memoir, Attacked! This is a sequence of the last time Mark was attacked by his bullies and he was able to stop the abuse.
PHOTO Art by teenaged Mark Simon during the time his family was attacked. Mark’s art turned very dark. This was both cathartic at the time and training for work on future horror franchises.
That gave me an extra class during the school day, and I filled it with another art class. My art teacher suggested that I use that time to help the theater department with their posters and programs. I went from drawing their posters, to designing the sets to backstage managing in a couple of months. I fell in love with theater, went to a summer theater camp, and was offered a theater scholarship to college.
I FOUND MY LOVE OF FILM IN COLLEGE
In college, I ended up studying film, business and art, instead of theater (they finally caught on and cancelled my scholarship after my first year). We shot short films and I created a number of animations. I was also the school cartoonist. I was drawing and telling stories. That’s what I wanted to do with my life.
Two weeks after graduation, I was living in Hollywood. I didn’t know anybody there, but I had a background in construction (family business) and design. I figured set construction, design and art
PHOTO Mark’s first movie was Slave Girls From Beyond Infinity, shot at the famous Roger Corman studios in Venice, California. Mark was an Art Director.
Pictured is a log many characters crossed and which spanned a 1,000 foot ravine. Mark’s background in construction helped him design movies.
PHOTO Mark Simon, right, hanging out on set with Tony Curtis on Sony’s first feature film, Midnight. Mark was the art director.
PHOTO Pitch storyboards by Mark Simon for the Villain’s Sidekick project created by Stephen Brophy. Full motion animatics were also created for this, and most, productions.
PHOTO Mark Simon with then-CEO of Toon Boom, Joan Vogelesang, celebrating the first Emmy Win for the Storyboard Pro software which Mark helped in developing.
PHOTO Mark welcoming directors to his storyboarding studio in Fayetteville, GA.
direction was my way in.
I got my first Hollywood job at a setbuilding company, Serrurier and Assoc. I quickly learned how sets were built and left to become the construction coordinator on a movie at Roger Corman’s studio on the movie Slave Girls From Beyond Infinity. Within two weeks I was made art director.
I designed a number of movies from there, including Sony’s first Hollywood feature, Midnight, starring Lynn Redgrave and Tony Curtis. I loved designing, but I missed drawing. I introduced myself to a storyboarding agent, who told me my samples were terrible. So I showed up at his office every week with new, and better, samples until I was ready and he placed me on some commercials.
I HELPED OPEN NICKELODEON STUDIOS
Then I met my wife-to-be, Jeanne, while working at HBO. When the big quake his San Francisco, we decided to move to Orlando. Nickelodeon was just going national and was about to open their studios at Universal Studios Orlando. We both got jobs at Nickelodeon right away.
Jeanne and I helped open the
Nickelodeon studios and were part of the Universal Studios Orlando opening crew. Jeanne became one of Nickelodeon’s top producers and I was their second art director. I designed there for years, while also storyboarding all the live-action productions at the studio.
While in Orlando, I started to write books, created college curriculums, produced LinkedIn Learning courses and opened an animation studio.
And then Steven Spielberg came to Orlando with his futuristic NBC sci-fi submarine series, seaQuest DSV. I jumped ship from Nickelodeon and became the storyboard artist on seaQuest DSV and have been drawing storyboards full-time ever since. I even got my start directing on seaQuest DSV when I was asked to be second-unit director on an episode.
I like technology and always try to advance whatever I’m working on. For years everyone storyboarded on paper. But when I first saw the Storyboard Pro software, developed by Toon Boom, I knew it would change the industry. But the software at the time was designed just for animation. I worked with the engineers at Toon Boom to enhance Storyboard Pro so it would also work for live-action productions and help me
deliver more to my productions. The software has now won two Primetime Engineering Emmys.
After our twin boys, Luke and Reece, graduated high school we moved to Georgia. My goal was to work on The Walking Dead. I landed the storyboarding job on The Walking Dead three months before I closed on my Georgia house. Another dream come true.
I continue to storyboard major movies, commercials and TV shows around the world from my studio in Fayetteville, GA. And my art directing experience wasn’t in vain. It taught me more about how production works which makes my storyboards more valuable to production. And my art directing background led me to design and build my storyboarding studio to be a creative environment and fun to work in.
As horrible as the attacks on my family were, they led me to a career I love. And just like when I was a kid, I still get to draw and tell stories.
PHOTO This faux-brick hidden doorway adds whimsy to Mark’s studio. As a huge Deadpool fan, Mark loves the reveal when the door opens.
PHOTO More storyboards by Mark from the Villain’s Sidekick pitch, written and created by Stephen Brophy.
PHOTO Mark’s reaction on his first day showing up at The Walking Dead studios to start storyboarding.
As horrible as the attacks on my family were, they led me to a career I love. And just like when I was a kid, I still
Mark Simon has worked on over 6,000 productions in the last 38 years. He’s written 13 books, won over 200 awards for writing and directing, created industry courses on LinkedIn Learning and became a 2nd degree black belt and two-time national champion in Tae Kwon Do.
Mark Simon's books can be found at MarkSimonBooks.com and can be purchased on Amazon. com. More of his storyboards are at Storyboards-East.com.
SOCIAL MEDIA:
LinkedIn: linkedin.com/in/markasimon/
BlueSky: storyboarder.bsky.social
ONLINE COURSES:
linkedin com/learning/ instructors/mark-simon
The Super 8 Spark
HOW CHILDHOOD CURIOSITY LED BRENNEN DICKER TO LEAD A REVOLUTIONARY MEDIA INSTITUTE
BY:
Brennen Dicker
WRITTEN
Courtesy of Brennen Dicker PHOTOGRAPHS:
It all started with a Super 8 camera in Colorado. My childhood friend, Spencer, and I spent our weekends hunched over that borrowed camera, crafting makeshift monsters out of play doh, and attempting to make LEGO contraptions fly. Those early experiments with stop-motion animation might have seemed like mere childhood play, but they were my first steps in a journey that would span decades and transform me from an aspiring filmmaker into eventually leading a media institute.
When I was a child growing up in Colorado, I was fascinated by film. Getting an opportunity to go to the theater and be transported to another world was always very exciting. Like many children of my generation, I was captivated by blockbusters like Star Wars, James Bond, and Grease. But I wasn't content to simply experience the magic – I wanted to understand it.
Together with my elementary school friend Spencer Shaver, we would borrow his grandmother's Super 8 camera for weekend filming sessions. "We had no idea what we were doing," I laugh now, thinking back, "but when we would get the Super 8 film developed and watch the end result on a projector, it was magical."
BREAKING INTOTHE BUSINESS
While my teenage years were filled with typical pursuits – friends, music, and sports – my mother unknowingly fueled my passion by introducing me to art house films. Cinematic masterpieces like "Das Boot," "Raging Bull," "The Mission," and "Citizen Kane" opened my eyes to more nuanced storytelling, profoundly deepening my
love for cinema. A chance encounter with a commercial director at age 16 would prove to be a transformative moment in my early creative journey.
This unexpected meeting led to weekend stints as an unpaid Production Assistant at IMS Productions in Colorado, working between summer jobs to support my college aspirations. It was here that I discovered something far more compelling than the technical aspects of filmmaking – the people. They were some of the most fun, creative, and smart individuals I had ever encountered. The tight-knit community quickly embraced me, dubbing me "YB" (Young Brennen), a nickname that would become a cherished part of my early career narrative. During this period, I also completed an internship at the local CBS station (KKTV), which definitively confirmed that news production was not my calling.
After graduating from Cornell College with a multidisciplinary background in English and Theatre, with a concentration in Economics, my persistence ultimately secured my first full-time position as an Assistant Editor at IMS. Although I quickly realized that editorial work wasn't my true passion, this role proved instrumental in guiding me toward my professional destiny. The position evolved into an Assistant to the Producer role, where I found my true path under the mentorship of seasoned production professionals, including the invaluable guidance of Denise and Ted Ferrari, Arthur Arens, and Steve Bowlby.
THE WINDY CITY YEARS
Like many young professionals seeking bigger opportunities, I set my sights on Chicago. The transition wasn't
easy – it took over a year of catering jobs and odd work before I landed a position at Sports Channel Chicago. Starting as a studio camera operator/audio tech, I worked my way through various roles, eventually moving into production during the golden era of Chicago sports, with the Bulls' championship dynasty featuring Michael Jordan, Scottie Pippen, and Dennis Rodman.
Working on iconic shows like "Sportswriters on TV" was a prelude to the ESPN shows that would later highlight sportswriters discussing sports. This experience was formative in understanding the dynamics of sports media and storytelling.
While building my sports television career, I maintained a connection to the independent film world, working on features like "Thieves Quartet" with Joe Chappelle (who would later direct and produce acclaimed TV series like "The Wire" and "CSI: Miami"). My most significant independent film experience came as Production Manager and Producer on "Sacred Hearts," a project by Filmmaker Patrick O'Connor. The film premiered at prestigious venues including The Lincoln Center in New York City and was recognized at the Boston Film Festival and earned special honors at the Fort Lauderdale Film Festival before eventually being sold.
A NEW DIRECTION
My career took an unexpected turn when Carole Cartwright, General Manager of WYCC, one of Chicago's PBS stations, brought me on board to produce and report for shows highlighting untold stories from Chicago's urban areas. We did stories on education as well as the rough urban areas – Cabrini Green,
Robert Taylor Homes, Southside –highlighting successful youth and people that made it out of poverty. The work earned our team several Emmy awards and deepened my understanding of television's power to effect change. At the same time, this also gave me an opportunity to create my own production company, American Mongrel Productions, where I had the opportunity to produce and direct commercials/projects in Chicago.
THE SOUTHERN STRATEGY
After a decade in Chicago juggling multiple roles in sports, PBS, and commercial production, I felt ready for a change. A move to Atlanta, intended as temporary, became permanent when I met my future wife, Kelly Caudle, on my first day in Georgia.
My expertise and connections (that included Tia Powell, Bill Thompson, and Dave Warner), led to roles at Crawford Communications, where I rose from jr. acscount executive to Director of Business Development, working with major networks and hit series like "The Walking Dead" and "Vampire Diaries." Later, a meeting with Ann DeGuire (President of SIM) led me to The SIM Group, where I managed a great post-production facility team. SIM contributed to the success of numerous iconic TV series and blockbuster movies, including "Stranger Things," "Watchmen," "The Gifted," "Dynasty," "The Originals," "True Detective", and the critically acclaimed "Get Out."
THE NEXT GENERATION
In 2018, I took on my most transformative role yet as Executive Director of Georgia State University's Creative Media Industries Institute (CMII). CMII stands out as the nation's most diverse media institute, starting with 150 students when I came on board and now catering to over 800 students pursuing studies in media entrepreneurship, game design, game development, and an MFA program focused on Virtual Production and VFX.. We've attracted artist-in-residence luminaries including Chris "Ludacris" Bridges, India Arie, and Dallas Austin, while providing students hands-on experience with industry giants like Francis Ford Coppola, as well as visiting dignitaries from around the world. We have also created opportunities for our students globally through our students going to Ghana for study abroad to opportunities for our students to get
internships in England.
The idea of a team of people helping create the next generation of storytellers through emerging technology – that's what drives us. Having an amazing faculty and staff that include lecturers, PHD’s, and Prof. of Practice (Prof. that are working in their respective industries at the same time while teaching our students.). CMII recently celebrated a milestone with "Rejuvenation," a feature film written, produced, directed, and edited by GSU students, led by Tom Luse, CMII Artist in Resident and EP of The Walking Dead, now streaming on Amazon and Tubi.
Looking back on my journey from that borrowed Super 8 camera to leading a cutting-edge media institute, it's difficult to see how the beginnings of a kid doing stop-motion photography with his best friend led to a career in the film industry, but it really was just being curious and trying to figure out "how did they do that?"
That same curiosity now drives me to explore emerging technologies and generative AI, always seeking new ways to tell stories. I see that same curiosity in the students at CMII, and I hope that I'm lucky enough to be a part of that evolution. Because in the end, intuition led me to where I am today.
Through every stage of my career –from production assistant to executive director, from Chicago sports to Georgia film – I've maintained that wide-eyed wonder of the boy with the Super 8 camera, always asking, "How do they do that?" Now, I'm helping the next generation answer that question for themselves.
The Rise of a Global Filmmaking Hub
Written by Cardellia Hunter
You can’t mention Film and not include the City of Atlanta. For the past few years, Atlanta has consistently led the race for productions. Not just on a local level but globally, whether it was a television pilot or a riveting documentary, many of your favorite studios now call Atlanta their home.
Atlanta has firmly established itself as one of the most dynamic and influential cities in the U.S. when it comes to the film and entertainment industry. The transformation of the city into a global filmmaking hub has been a collaborative effort, with significant support from the local government,
the state of Georgia, and a network of industry professionals, creatives and organizations.
A key player in this transformation has been the City of Atlanta Mayor's Office of Film, Entertainment and Nightlife, which has played a crucial role in the city’s rise as a major destination for film, television, and media production. Under the leadership of Mayor Andre Dickens and Directors Cardellia Hunter and Phillana Williams, Atlanta has seen not only an influx of Hollywood blockbusters but also a thriving ecosystem for local filmmakers, emerging talent, and a growing number of studios, facilities, and production companies.
The Role
of the Mayor’s
Office of Film, Entertainment and Nightlife
The Mayor's Office of Film, Entertainment and Nightlife which was formally established in 2013, works to attract and support the growth of film and television production in the region. This includes everything from helping filmmakers navigate city permitting, zoning, and other logistical aspects to ensuring the industry’s needs are met, such as workforce development, infrastructure, and film incentives.
The office has been instrumental in fostering a robust infrastructure for filmmakers. Whether it's through direct support for production or creating policies that streamline the permitting process, the mayor’s office has ensured that Atlanta remains an attractive place for film production. This has led to an explosion of film-related jobs
in the region, from technical crews to actors, writers, and other industry professionals in the past. We hope to see a fresh influx of opportunities in the next two years as we are still recovering
from the Writer’s strike that tragically affected many people.
Moreover, the city’s film-friendly reputation has been enhanced by a strong network of creative and
Photo WIFTA Proclamation .
Photo
business-minded individuals, ranging from local artisans to global executives. This community-building approach has been essential to the success of projects that use Atlanta as a production hub.
How Atlanta Became a Filmmaking Powerhouse
While Georgia’s film tax incentives were one of the early catalysts for this boom, the City of Atlanta's leadership played a significant role in making the city itself an appealing place to work and live for those in the entertainment industry. The film tax credits, enacted in 2008, provided lucrative incentives for film and television productions that shoot in Georgia. This attracted major productions, from Marvel’s Avengers franchise to Stranger Things, all the way to projects that showcase the city’s diverse and unique culture. The mayor’s office of film, entertainment and nightlife has also supported smaller, independent filmmakers who might not have the same budget as Hollywood blockbusters. By offering support, fostering partnerships, and advocating for creative innovation, the city has become a mecca for independent films and a testing ground for new, exciting storytelling.
Set South Atlanta
Set South Atlanta is the community engagement platform that services the constituents who engage in or are impacted by Atlanta’s entertainment business. The mission of Set South Atlanta is to see the communities that we serve within the illustrious city of Atlanta collaborate with Atlanta’s entertainment community to sustain our worldwide leadership in film, television, and commercial production. Set South acts as the crucial link between the production companies and the constituents of the city of Atlanta
"The city’s film-friendly reputation has been enhanced by a strong network of creative and business-minded individuals, ranging from local artisans to global executives. This community-building approach has been essential to the success of projects that use Atlanta as a production hub."
Photo Set South movie premier
which they impact.
Initiatives through Set South Atlanta provide local filmmakers and creatives an opportunity to network, collaborate and hands-on-training while contributing to the growth of the industry. Our initiative, Film Talk, focuses on quarterly activations geared towards creatives.
Under the Set South platform, our office is also responsible for ribbon cutting ceremonies where we highlight and celebrate newly established businesses. Recently, we hosted an information session for the DGA Assistant Director Training Program. This year we presented proclamations to local organizations such as RE:Imagine and Women in Film and Television Atlanta (WIFTA) for 50 years of service and commitment to the industry.
Shows and features such as Atlanta, The Walking Dead, Ozark, Black Panther, Megalopolis and Baby Driver reflect how Atlanta has become a cultural capital where stories are being told from a diverse range of voices. These projects have all helped shine a spotlight on the city. Georgia has become a base for production houses and entertainment companies that not only work on major motion pictures but also contribute to the growing diversity of stories being told in the media today. Recent and notable productions like Fight Night, Reasonable Doubt and A Man In Full were also filmed in the great City of Atlanta and the Mayor’s Office of Film, Entertainment and Nightlife played a vital role in helping them make it to the big screen.
Looking Forward:
Future in Film and Entertainment
The future of Atlanta’s film and entertainment industry looks incredibly bright. The Mayor’s Office of Film, Entertainment and Nightlife continues to look for ways to support and grow the industry. What’s exciting is that Atlanta isn’t just benefiting from Hollywood relocating some of its operations here;
"Shows and features such as Atlanta, The Walking Dead, Ozark, Black Panther, Megalopolis and Baby Driver reflect how Atlanta has become a cultural capital where stories are being told from a diverse range of voices.
Photo ReImagine
the city is becoming a cultural hub for a new wave of filmmaking that embraces a range of genres, formats, and voices. From indie films to major network productions and streaming giants, Atlanta’s film ecosystem offers an innovative environment for storytelling.
Atlanta’s rise as a premier filmmaking destination is a testament to the city's commitment to fostering creativity and supporting its thriving film industry. From the proactive efforts of the Mayor's Office of Film Entertainment and Nightlife, to the growing success of local initiatives like Set South ATL, it’s clear that Atlanta is not just a place where films are made—it’s a city that is shaping the future of storytelling in the U.S. and around the world. The remarkable growth of film and television in Atlanta and Georgia highlights the power of collaboration, innovation, and vision in creating a community where stories can truly shine.
"Atlanta’s rise as a premier filmmaking destination is a testament to the city's commitment to fostering creativity and supporting its thriving film industry."
Photo A DGA 2024
Photo B Will Packer receiving Phoenix Award.
Photo B
Photo A
HOMEGROWN TALENT
WRITTEN BY:
Darlyn Morales-Cifuentes
LOCATED IN THE BEAUTIFUL DOWNTOWN OF ROME, GEORGIA, PAM STUDIOS EMBODIES STORIES
OF INCLUSION, CREATIVITY, AND
SUCCESS. AT THE FOREFRONT IS CEO, MARIA GUERRA-STOLL, A VENEZUELA NATIVE WHO DEFIED EXPECTATIONS BY BECOMING THE FIRST LATINA TO OWN A FILM STUDIO IN GEORGIA.
Maria Guerra-Stoll graduated from the University of Tennessee with a Bachelor’s degree in Architecture. After her studies, she founded GSB Architects + Interiors, which led her to become a key architect for Tyler Perry Studios. Working with an amazing visionary, Maria found her calling. “The experience of witnessing all that Tyler Perry accomplished was definitely my inspiration,” she reflects.
While she observed the success the Georgia film industry could bring, she quickly recognized the lack of Latino representation. During a visit to Rome, Georgia, for their film festival, Maria instantly fell in love with the community and the town’s natural beauty. There, she decided this would be PAM Studios’ first home.
In the two years since founding PAM Studios, Maria and her team have worked hard to bring inspirational stories to Rome. PAM Studios collaborated with Nappy Roots on an award-winning short film. The studio has hosted numerous
panels and screenings at the Rome International Film Festival to celebrate Latino filmmakers. Additionally, the studio has awarded scholarships to promising students aspiring to enter the industry. This year, Maria was recognized as one of Georgia Entertainment’s 200 Most Influential of Georgia’s Creative Industries. Most recently, she became the first Latina appointed to the Georgia Governor’s Film, Music and Digital Entertainment Advisory Commission. Maria refuses to stop here, she knows the fight continues to ensure that Latinos are accurately and thoroughly represented in the film industry. “Hispanics have always been represented by Hollywood incorrectly, and it circled the globe. It is time for us to make a positive impact on our culture and correct that. We are slowly getting there but we need more work and more opportunities to tell our stories through our lenses, behind and in front of the cameras,” she explained.
Maria Guerra-Stoll has now shifted
her focus to her initiative, “Home Grown in Rome.” She partners with industry professionals and brings workshops to Rome to build local talent.
Given that productions, like Stranger Things, recognize Rome’s beauty and frequently return, Maria knows the town is capable of achieving great things. She is dedicated to bringing the industry to Rome and preparing the community for future success.
“Our mission is to create change, positively, and to change stereotypes. Then, hopefully, we can see the industry spreading opportunities to everyone, embracing all the talent we have and including our stories in a positive way,” she stated. While Maria plans to expand the studio, she feels a strong calling to make a difference in this local community first, and she is dedicated to paving the way for Hispanics while inspiring and uplifting local creatives to share their stories.
PAM
"Hispanics have always been represented by Hollywood incorrectly, and it circled the globe. It is time for us to make a positive impact on our culture and correct that. We are slowly getting there, but we need more work and more opportunities to tell our stories through our lenses, behind and in front of the cameras."
"Our mission is to create change, positively, and to change stereotypes. Then, hopefully, we can see the industry spreading opportunities to everyone, embracing all the talent we have and including our stories in a positive way."
MARIA GUERRA-STOLL
MARIA GUERRA-STOLL
PAM STUDIOS EXTERIOR:PHOTO COURTESY OF PAM STUDIOS
PAM STUDIOS INTERIOR:PHOTO COURTESY OF PAM STUDIOS RIBBON CEREMOY:PHOTO COURTESY OF PAM STUDIOS
INTERIOR:PHOTO COURTESY OF PAM STUDIOS
Women in Film and Television (WIFTA)'s 50th Anniversary Gala
The Women in Film and Television Atlanta (WIFTA)
50th Anniversary Gala was successfully a memorable celebration thanks in no short part to the remarkable contributions made by women in the film and television industry over the past fifty years. The highly esteemed event took place at the Georgia Aquarium, drawing together industry professionals, enthusiasts, and supporters who share a commitment to elevating women’s voices in entertainment. The gala will go down in history as a memorable evening filled with camaraderie, entertainment, and heartfelt recognition of the boundless achievements by women in the industry.
Photo Robyn Watson - WIFTA President, Michelle Rivera - WIFTA Gala Hostess, Aeriel Coleman WIFTA VP, Special Events
Photo Turquoise Music
WIFTA Gala Featured DJ
Photo WIFTA Presidents over the years (L-R) Robyn Watson (current), Sharon Malone (1987), Melissa Randle (2008-2009), Fran Burst (1978 & 1980), Kristen McGary (co-president 2007), Suzan Satterfield (1988), Deidre McDonald (1977)
Photo Gala attendee taking photo in front of the aquarium
Photo WIFTA Past President Melissa Randle marvels the aquarium tank