NOVEMBER 2024 by OutSmart Magazine

For over 40 years, we have provided exceptional health care services with a warm welcome to our entire community. And that will never change. WE'VE NEVER SHIED AWAY FROM WHAT IS RIGHT.

FEATURES

31 TUNED IN TO THE COMMUNITY

Radio personality Jay Michaels thrives on making a connection with listeners

41 EXPLORING TRANS NARRATIVES

Composer Laura Kaminsky’s opera celebrates the life of a trans artist on a journey of self-discovery

50 IMMERSIVE ART COMES TO THE FIFTH WARD

Meow Wolf is showcasing a work by Royal Sumikat that explores their Filipino heritage

FASHIONABLY INCLUSIVE

Donald Simon’s King Underwear brand aims to serve a diverse clientele

GENDER-BENDING DETECTIVES

Sherlock Holmes’ time-traveling wife takes center stage this month

FORBIDDEN FRUIT

A new photography exhibit showcases images of hidden same-sex desire in cultures that outlaw gay relationships

38 COVER STORY JOHN WATERS BRINGS ‘HAIRSPRAY ’ TO TOWN

The self-proclaimed “Pope of Trash” will shock and delight audiences this month at the Hobby Center

47 PIONEERING HEROINES OF THE STAGE

Playhouse Creatures celebrates the first women who were allowed onstage in 17th-century England

WIGGING OUT

Dolly Parton comes to life when drag artist Vancie Vega hits the stage

DO IT

ANYWHERE, ANYTIME

Plus, learn which HIV prevention and treatment options work for you.

PRIMARY CARE QUALITY CARE FOR EVERY STAGE OF LIFE

The Greater Houston LGBTQ+ Chamber Foundation hosts its annual

Young people who start a regular savings program at an early age can harness the incredible power of compounding interest

The Mankind Project invites queer men to its New Warrior Training—a chance to explore issues of identity, purpose, and connection;

Allies in Hope welcomes Ritchie T. Martin Jr., who brings a wealth of experience to his healthcare advocacy work ( pg. 26)

Publisher/Editor-in-Chief Greg Jeu

Creative Director Alex Rosa

Copy Editors Howard Maple, Janice Stensrude

Copy Editor Howard Maple, Janice Stensrude

Contributing Writers

Olivia Flores Alvarez, Rich Arenschieldt, Bill Arning, Susan Bankston, Connor Behrens, Jenny Block, Sam Byrd, David Clarke, Dick Dace, Blase DiStefano, Andrew Edmonson, Ste7en Foster, Alys Garcia Carrera, Martin Giron, Lillian Hoang, DL Groover, Marene Gustin, Kim Hogstrom, James Hurst, Lisa Keen, Ryan M. Leach, Zachary McKenzie, David Odyssey, Joanna O’Leary, Lilly Roddy, Terri Schlichenmeyer, Gregg Shapiro, Janice Stensrude, Sheryl Taylor, Terrance Turner, Grace S. Yung

Photographers/Illustrators

Edgardo Aguilar, John-Paul Arreaga, Victor Contreras, Dalton DeHart, Yvonne Feece, Frank Hernandez, Ashkan Roayaee, Alex Rosa

Operations Manager Michael Gurnas

Sales and Marketing Dept.

Local Advertising Reps 713.520.7237

Tom Fricke, Chris Lew, Gene Mikulenka

National Advertising Representative Rivendell Media -

National Advertising Representative Rivendell Media - 212.242.6863

Subscriptions: $36/12 Issues, $58/24 Issues Publishers of OutSmart Magazine 3406 Audubon Place • Houston, TX 77006 713.520.7237 • 713.522.3275 Fax

E-mail: editor@outsmartmagazine.com Website: OutSmartMagazine.com

O ut S

Winner

Finalist

Inside this November issue, you’ll find several stories that showcase Houston’s resilient LGBTQ community. Writer David Clarke explores how the ManKind Project’s New Warrior Training invites queer men to deepen their understanding of identity, purpose, and connection. Writer Ian L. Haddock highlights the advocacy work of Ritchie T. Martin Jr., a new addition to the Allies in Hope organization. Martin shares some of the insights he gained from working with marginalized communities in Milwaukee.

The Montrose Center is observing the annual International Transgender Day of Remembrance on November 20 by hosting HOPERA’s production of As One, composer Laura Kaminsky’s poignant opera that explores a trans artist’s journey of self-discovery. Arts writer Rich Arenschieldt fills us in on the opera’s 10-year evolution following its 2014 New York premiere.

This October issue features the winners and finalists in our 27th annual Gayest & Greatest Readers’ Choice Awards. After tallying thousands of votes cast by our loyal readers, we are proud to profile 12 of these winning individuals and businesses from the LGBTQ community, starting on page 33. This year’s lineup includes not only a few of Houston’s well-known leaders in politics and business, but also an impressive sampling of young artists and activists who are making a difference. Thanks to OutSmart writers David Clarke and Connor Behrens for highlighting these Gayest & Greatest winners. We hope to see you at this year’s Gayest & Greatest Awards party at South Beach on October 23, from 6:30 to 8:30 p.m. You’ll be able to enjoy drink specials and entertainment with emcee Derrick Shore as you mingle with many of this year’s winners and finalists. Thanks to our event sponsors Bayou City Smiles, Legacy Community Health, Premier Wireless, Silver Eagle Houston, Senior Medicare Patrol, and South Beach Houston for making this year’s celebration a success.

curator of the Gulf Coast Archive and Museum of Gay, Lesbian, Bisexual and Transgender History (GCAM). That local institution is in the midst of reorganizing and expanding their mission to preserve the archives and memorabilia of Houston’s leather community.

Personality and Best Local LGBTQ Social Media Presence, shares his journey to success on Mix 96.5. Donald Simon III, who won Best Men’s Clothing Store, describes how he built King Underwear into a successful brand that celebrates its diverse clientele.

journalism alive and well in Houston. Please consider becoming a sustaining member of the Foundation with a gift of just $6 a month. This type of recurring donation will help fund a thriving LGBTQ community newsroom that can make an impact in our great city.

Our October entertainment feature spotlights Cyndi Lauper ahead of her farewell tour that includes a stop in Houston next month. Writer Gregg Shapiro spoke with Lauper about her fond memories from four decades of recording and touring. She also revealed her passion for political activism that has inspired many of her LGBTQ fans to become informed voters.

In our Arts & Entertainment coverage, writer Michael Robinson interviews “The Pope of Trash,” John Waters—the iconic filmmaker who comes to town with a livecommentary screening of his movie Hairspray on November 14.

“I call Hairspray a ‘Trojan horse of joy.’ People come for the laughs and the music, and leave with a little subversive message on the side,” Waters once said. This legendary director and infamous provocateur also graces our November cover.

in 17th-century England. Clarke also previews Filipino artist Royal Sumikat’s stunning mural The Queens of the Tarot, which is part of an interactive new art installation at Meow Wolf in the Fifth Ward. And finally, writer Olivia Flores Alvarez chats with Houston Center for Photography director Anne Leighton Massoni about her provocative new exhibition featuring images of hidden same-sex desire in repressive cultures.

Writer Zachary McKenzie takes us behind the scenes at Stages, where Rose Morrigan stars in a clever, gender-bending comedy sure to please fans of Sherlock Holmes.

October is also LGBTQ History Month, so we asked veteran writer and historian Brandon Wolf to catch up with Judy Reeves, longtime

Writers Connor Behrens and David Clarke highlight two more winners from our 2024 Gayest & Greatest Readers’ Choice Awards. Jay Michaels, who won Favorite Male Radio

I would like to thank the Montrose Center for honoring me this month with their 2024 LGBTQIA+ Community Vision Award. For 31 years now, my vision for empowering Houston’s LGBTQ community through a monthly magazine has guided OutSmart ’s entire editorial staff. As we now face a social-media environment that threatens the very existence of local journalism, we are asking for your support to help us thrive in the digital age.

A tax-deductible gift to the OutSmart Foundation for LGBTQ News and Media is a great way to keep independent local LGBTQ

David Clarke also spoke with producer Michelle Britton ahead of her Texas premiere of Playhouse Creatures, which pays tribute to the first women who were allowed onstage

Why are we asking you to donate to the OutSmar t Foundation?

Your suppor t empowers the LGBTQ communit y through essential journalism, helping OutSmar t Media thrive in a rapidly evolving media landscape. Your tax- deductible contribution expands our newsroom, compensates dedicated journalists , and invests in the latest media technology. It also funds internships for future writers commit ted to social justice.

Don’t miss the glitz and glam of our annual awards party at South Beach, where you can mingle with winners and finalists while enjoying performances and drink specials.

As the holiday season approaches, we encourage you to consider supporting the OutSmart Foundation for LGBTQ News and Media. Your tax-deductible year-end gift will strengthen OutSmart’s independent local journalism which is vital to Houston’s thriving LGBTQ community. We need your support!

Oct. 23, 2024

South Beach

For more info and to RSVP, scan here!

By suppor ting the OutSmar t Foundation, you invest in a plat form that amplifies underrepresented voices and promotes equalit y through stor y telling . You help produce journalism that confronts prejudice and embraces diversit y.

Thank you for suppor ting independent LGBTQ media in Houston. Your contribution helps our plat form thrive, amplif ying diverse voices and stories .

Greg Jeu Publisher

THINGS to DO QUEER

STAGE

November 16

You better watch out, you better not cry, because Jinkx Monsoon and BenDeLaCreme have a brand-new edition of their internationally acclaimed Jinkx & DeLa Holiday Show! tinyurl.com/2p9yxx5w FOR A

Cyndi Lauper in Concert

Singer-songwriter Cyndi Lauper brings her farewell tour, Girls Just Wanna Have Fun, to Houston. The Grammy, Emmy, and Tony-winning artist celebrates 40 years of advocacy and artistry with special Houston guests Aly & AJ. tinyurl.com/ystebc74

STAGE

November 18

The Jinkx & DeLa Holiday Show

STAGE

November 14

‘Hairspray’ with Live Commentary by John Waters

The “Pope of Trash,” John Waters, comes to Houston for his firstever live (in-person) director’s commentary on his original film Hairspray tinyurl.com/ywxe5zcf

COMMUNITY

November 2

Hope for Houston Ball

Join Allies in Hope for an elegant night of celebration and community, all in support of a great cause. The evening’s emcee is Carmen Contreras from 93.7FM’s The Beat. tinyurl.com/y3kwpx7j

COMMUNITY

November 16

Trans Legal Aid Clinic

Volunteer clinic attorneys will assist in updating your name and/or gender marker on your identifying documents. tinyurl.com/29jczurh

COMMUNITY

November 3

Diana Country Dinner

The Diana Foundation presents the 61st annual Country Dinner. Proceeds from the event will help support Out for Education through the Diana Foundation Charitable Fund. tinyurl.com/5pbnjxjs

COMMUNITY

November 8

Voices for Hope Benefit

Join event co-chairs Alicia Smith and Brigitte Kalai for a memorable evening celebrating and raising crucial funds for Avenue 360’s Omega House hospice program. tinyurl.com/bdffz6dt

STAGE

November 14

Pride Night for Playhouse

Creatures

Lionwoman Productions TX hosts a Pride Night pre-show mixer with lite bites and bar before the November 14 show. tinyurl.com/yc47t6rw

ART

November 14

Artist Talk: Wardell Milan

Wardell Milan delivers an Artist Talk in conjunction with the Menil Drawing Institute’s display of his work in their Fragments of Memory exhibition. tinyurl.com/4t3ebntx

COMMUNITY

November 14–17

Houston Ballet’s Nutcracker Market

The scents and sounds of the holiday season fill a shopper’s paradise featuring larger-thanlife nutcrackers and decorated trees at this annual market. tinyurl.com/bdhn6vxh

COMMUNITY

November 23

Houston Gaymers

November Meetup

The Houston Gaymers host their monthly meetup where you can make new friends while playing some of your favorite games. Every major system is represented with the latest titles. tinyurl.com/4ekx93h7

STAGE

November 18

HOPERA Presents As One Local presenter HOPERA, in conjunction with the Montrose Center, presents the groundbreaking opera As One, a work that chronicles a trans woman’s journey to acceptance and belonging. tinyurl.com/53nw34dc

COMMUNITY

November 15

Black Trans Empowerment Week – Opening Ceremony

The Mahogany Project and Save Our Sisters United kick off Black Trans Empowerment Week with a joyful community celebration. bit.ly/openbtew24

COMMUNITY

November 21

Chamber Holiday Food Drive

The Greater Houston LGBTQ+ Chamber Foundation hosts its annual Holiday Food & Supply Drive to benefit Tony’s Place, a vital resource for LGBTQ homeless youth.

tinyurl.com/9fkseb2c

STAGE Nov. 29–Dec. 29

Houston Ballet presents The Nutcracker The Houston Ballet performs Artistic Director Stanton Welch’s lavish production of the beloved holiday classic, sure to mesmerize young and old alike. tinyurl.com/2jfy2vd2

STAGE

December 5

ActOut for A Christmas Carol and TheNightShift Before Christmas Ticket holders for either Alley Theatre production can enjoy this pre-performance mixer with music, socializing, light bites, and drinks. tinyurl.com/mv2ht7z2

STAGE

December 13

Out at the Ballet for The Nutcracker Houston Ballet and OutSmart magazine host a special reception for LGBTQ ballet lovers and friends. Get 25% off select seats, a complimentary drink voucher, and access to the reception area before the show and during intermission. tinyurl.com/yeywzbw4

COMMUNITY

December 7

2024 Haus of Gingerbread

Haus of Gingerbread, benefitting the youth of Grace Place, is even bigger and better this year! Watch as teams serve holiday realness and compete to build THEE most extra af gingerbread house. tinyurl.com/yc3j7xwp

Submit your events at calendar@outsmartmagazine.com

Pol. Adv. paid for by Jerry for Judge Campaign, Jerry Simoneaux, Treasurer, P.O. Box 942, Seabrook, TX 77586. In voluntary compliance with the Judicial Campaign Fairness Act.

The Montrose Center hosted its OUT for GOOD Gala at the Marriott Marquis on October 5, 2024. Pictured are Ian Haddock , former Mayor Annise Parker, Greg Jeu , and Gary Wood .

On Oct. 17, 2024, the Greater Houston LGBTQ+ Chamber held its 3rd Thursday Breakfast: Communities & Connections. Pictured are Roberto Ochoa, R obert Gallegos , Tammi Wallace, Chief Noe Diaz , Chief Thomas Muñoz , and Officer Jo Jones

OutSmart magazine held its 2024 Gayest & Greatest Community Awards Celebration on Oct. 23, 2024. Pictured are Derrick Shore, Anthony May, and T.J. Parker

On October 26, 2024, the 43rd annual Halloween Fantasy Ball was held at South Beach. Pictured are the Spelling Bees: Kent Kalogera, Melissa Travers, Ben Travers, Jimmy Purdon, Edgar Artiga, Dax Garner, Brandon Salenga, and Sebastian Buc.

SCENE OUT

Photos by DALTON DEHART AND CREW

On Oct. 11, 2024, Hewlett Packard Enterprises presented a check to Tony’s Place. Pictured are Phillip Cutrone, John Robinson, Winfield Mac, Sarah Paciurea, Aisha Washington, Gianna Ramirez, Stephanie Haechten, Daniel Ortiz, and Oliver Ayala.

The second annual Katy Pride Festival was held at First Christian Church Katy on Oct. 19, 2024. Pictured are Rev. Heather Patriacca Tolleson and Amanda Rose

On Oct. 25, 2024, the Haunt for Hope Halloween Party benefiting OUT for Education, hosted by Colby Wulf and Anthony Ramanoski, was held at Rockefellers. Pictured are David Wittkower, Colby Wulf, Brian Moran, David Garcia, and Anthony Romanoski

The Houston Bar Association LGBTQ+ Committee held its annual Halloween Party at Norton Rose Fulbright on Oct. 30, 2024.

are members of the Houston Bar Association LGBTQ+ Committee.

Curve Foundation

On Oct. 19, 2024, Pride Chorus Houston presented its concert “Home” at Unity Houston. Pictured are John Piermarini , Mary Lynn Leslie, and Matt Leslie

Families with Pride, hosted by Council Member Abbie Kamin, the Greater Houston LGBTQ+ Chamber, and Discovery Green, was held on October 26, 2024. Pictured are several families in attendance.

On Oct. 31, 2024, AIDS

are

The

hosted Collect & Connect: Curve Magazine Archive Celebration at Pearl Bar on Oct. 13, 2024. Pictured are: Laura Spanjian, Sonya Cuellar, State Rep. Ann Johnson, Kathy Hubbard, former Mayor Annise Parker, and State Senator Molly Cook.

Pictured

Healthcare Foundation BLACC presented Halloqueens at OUT of the Closet thrift store. Pictured

Lila DeBois, Shania Rogers, Lyric Moreno, Robert Williams, Clemon Sheppard, Ashley Barnes, and Nakia Lee-Williams

IMPORTANT FACTS FOR BIKTARVY®

This is only a brief summary of important information about BIKTARVY® and does not replace talking to your healthcare provider about your condition and your treatment.

MOST IMPORTANT INFORMATION ABOUT BIKTARVY

BIKTARVY may cause serious side e ects, including:

 Worsening of hepatitis B (HBV) infection. Your healthcare provider will test you for HBV. If you have both HIV-1 and HBV, your HBV may suddenly get worse if you stop taking BIKTARVY. Do not stop taking BIKTARVY without ﬁ rst talking to your healthcare provider, as they will need to check your health regularly for several months, and may give you HBV medicine.

ABOUT BIKTARVY

BIKTARVY is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in adults and children who weigh at least 55 pounds. It can either be used in people who have never taken HIV-1 medicines before, or people who are replacing their current HIV-1 medicines and whose healthcare provider determines they meet certain requirements.

BIKTARVY does not cure HIV-1 or AIDS. HIV-1 is the virus that causes AIDS.

Do NOT take BIKTARVY if you also take a medicine that contains:

 dofetilide

 rifampin

 any other medicines to treat HIV-1

BEFORE TAKING BIKTARVY

Tell your healthcare provider if you:

 Have or have had any kidney or liver problems, including hepatitis infection.

 Have any other health problems.

 Are pregnant or plan to become pregnant. Tell your healthcare provider if you become pregnant while taking BIKTARVY.

 Are breastfeeding (nursing) or plan to breastfeed. Talk to your healthcare provider about the risks of breastfeeding during treatment with BIKTARVY. Tell your healthcare provider about all the medicines you take:

 Keep a list that includes all prescription and over-thecounter medicines, antacids, laxatives, vitamins, and herbal supplements, and show it to your healthcare provider and pharmacist.

 BIKTARVY and other medicines may a ect each other. Ask your healthcare provider and pharmacist about medicines that interact with BIKTARVY, and ask if it is safe to take BIKTARVY with all your other medicines.

POSSIBLE SIDE EFFECTS OF BIKTARVY

BIKTARVY may cause serious side e ects, including:

 Those in the “Most Important Information About BIKTARVY” section.

 Changes in your immune system. Your immune system may get stronger and begin to ﬁght infections that may have been hidden in your body. Tell your healthcare provider if you have any new symptoms after you start taking BIKTARVY.

 Kidney problems, including kidney failure. Your healthcare provider should do blood and urine tests to check your kidneys. If you develop new or worse kidney problems, they may tell you to stop taking BIKTARVY.

 Too much lactic acid in your blood (lactic acidosis), which is a serious but rare medical emergency that can lead to death. Tell your healthcare provider right away if you get these symptoms: weakness or being more tired than usual, unusual muscle pain, being short of breath or fast breathing, stomach pain with nausea and vomiting, cold or blue hands and feet, feel dizzy or lightheaded, or a fast or abnormal heartbeat.

 Severe liver problems, which in rare cases can lead to death. Tell your healthcare provider right away if you get these symptoms: skin or the white part of your eyes turns yellow, dark “tea-colored” urine, light-colored stools, loss of appetite for several days or longer, nausea, or stomach-area pain.

 The most common side e ects of BIKTARVY in clinical studies were diarrhea (6%), nausea (6%), and headache (5%).

These are not all the possible side e ects of BIKTARVY. Tell your healthcare provider right away if you have any new symptoms while taking BIKTARVY.

You are encouraged to report negative side e ects of prescription drugs to the FDA. Visit www.FDA.gov/medwatch or call 1-800-FDA-1088.

Your healthcare provider will need to do tests to monitor your health before and during treatment with BIKTARVY.

HOW TO TAKE BIKTARVY

Take BIKTARVY 1 time each day with or without food.

GET MORE INFORMATION

 This is only a brief summary of important information about BIKTARVY. Talk to your healthcare provider or pharmacist to learn more.

 Go to BIKTARVY.com or call 1-800-GILEAD-5.

 If you need help paying for your medicine, visit BIKTARVY.com for program information.

Stopping HIV Can Start Here

By GRACE YUNG,

The Power of Compounded Interest

Why young people should start saving early in a Roth IRA account.

Starting a Roth IRA at a young age offers significant financial advantages, especially when it comes to harnessing the power of compounding and benefiting from taxfree growth. By contributing early, young individuals can set themselves up for a much more secure financial future.

The Power of Compounding

Compounding is one of the most powerful forces in investing, especially when contributions are made early. This concept refers to earning interest not just on your initial contributions, but also on the interest that has been accumulated over time. The earlier someone starts investing, the more they can benefit from decades of compound growth.

For example, if a 15-year-old who has earned income from a summer job or part-time work contributes the maximum amount of $7,000 (the 2024 limit for Roth IRAs) annually, and the investments grow at a conservative 5.5% each year, they would have over $1.5 million, tax-free by the time they turn 65. This dramatic growth happens because each year’s earnings increase the account balance, leading to even more earnings in the following years.

Tax-Free vs. Tax-Deferred Accounts

The primary advantage of a Roth IRA is that it allows for tax-free growth. While contributions are made with after-tax income, meaning there’s no immediate tax deduction, the major benefit comes later. All future withdrawals, including both the contributions and the earnings, can be taken out tax-free as long as the account has been held for at least five years and the individual is over 59½. This differs from tax-deferred ac-

counts like traditional IRAs and 401(k)s, where you receive an immediate tax deduction when making contributions. However, with these accounts, you’re taxed on all withdrawals (assuming all contributions were deductible / pre-tax) in retirement, potentially at a higher rate than when you made the initial contributions. With a Roth IRA, since the taxes are paid upfront, the young investor avoids future tax liabilities on the gains, which can be significant over several decades of growth.

2024 Contribution Limits

The contribution limit for Roth IRAs in 2024 is $7,000 for individuals under the age of 50, and $8,000 for those aged 50 and older who are eligible for catch-up contributions . This means that the earlier young people start contributing, the longer their money can grow tax-free. It’s important to note that young individuals can only contribute up to their earned income for the year, meaning they need to have some form of employment to open and contribute to a Roth IRA.

Why Start a Roth IRA Early?

Starting a Roth IRA early offers numerous long-term benefits:

• Tax-Free Withdrawals: By making after-tax contributions, young people avoid taxes on future withdrawals, including the growth, which can provide immense savings later in life.

• No Required Minimum Distributions: Unlike traditional IRAs, Roth IRAs do not require withdrawals at any age, allowing the funds to continue growing tax-free for as long as the account holder wishes.

• Flexibility in Withdrawals: While it’s generally advised to leave the contributions untouched to maximize growth, Roth IRAs offer the flexibility to withdraw contributions (but not earnings) at any time, tax- and penalty-free, which can be helpful in emergencies.

• Building Good Financial Habits: For young people, contributing to a Roth IRA instills the discipline of saving and investing for the future. This financial head start can be transformative, especially as retirement needs increase with time. ➝

“After 50

years of consistent contributions, at the conservative growth rate of 5.5%, the Roth IRA can grow to over $1.5 million. This is largely due to the compounding effect and the fact that the growth is tax-free.”

Compounding in Action

To illustrate the power of starting early, let’s consider the following example referenced earlier:

• Starting Age: 15

• Annual Contribution: $7,000

• Growth Rate: 5.5%

• Contribution Period: 50 years

After 50 years of consistent contributions, at the conservative growth rate of 5.5%, the Roth IRA can grow to over $1.5 million. This is largely due to the compounding effect and the fact that the growth is tax-free. Starting later, even at age 30, would reduce this growth substantially.

Conclusion

Opening a Roth IRA as early as possible provides young people with a tremendous advantage in building wealth. By taking full advantage of compound growth and the taxfree nature of Roth IRAs, young investors can create a solid financial foundation for their future. The earlier they start, the more they will benefit, and consistent contributions—even small ones—can grow into a substantial nest egg by the time they retire. If you are a parent, grandparent, or aunt/uncle, it would be a good idea to encourage the youngsters in your family to start saving early. Additionally, it would be beneficial to connect with a financial planning professional so he or she can work with you and your loved ones on investment strategies customized to your needs.

Grace S. Yung, CFP ®, is a Certified finanCial P lanner practitioner with experience in helping LGBTQ individuals, domestic partners, and families plan and manage their finances since 1994. She is the managing director at Midtown Financial Group, LLC, in Houston. Yung can be reached at grace.yung@lpl.com. Visit letsmake aplan.org or midtownfg.com/ lgbtqplus.10.htm. The opinions voiced in this article are for general information only and are not intended to provide specific advice or recommendations for any individual.

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Redefining Masculinity in Community

The ManKind Project invites queer men to its New Warrior Training— a chance to explore questions about identity, purpose, and connection.

By DAVID CLARKE

MKP volunteer Randy Mitchmore

For men seeking deeper connections, growth, and purpose, the ManKind Project (MKP) offers a powerful answer through its New Warrior Training Adventure (NWTA). Randy Mitchmore, a longtime MKP volunteer, explains that the organization’s mission is simple but profound: “The ManKind Project seeks to make the world a better place, one man at a time. We’re here for men feeling stuck, looking for meaning, or just needing true friendships.” This sense of purpose is central to MKP’s weekend training program, a 48-hour intensive retreat. It’s an effective introduction to the organization’s work in fostering genuine male connections, leadership, and personal growth.

Since its inception in the 1980s, MKP has been a haven for men of all backgrounds. The organization was founded by men from different professional backgrounds—a military officer, a union psychologist, and a businessman—all united in a desire to redefine masculinity. For MKP, creating lasting positive change isn’t about having all the answers; instead, it’s about prompting men to ask the right questions. “We ask men to examine their lives—what’s working, what’s not—and develop a mission and purpose,” explains Mitchmore. “We see men as individuals with different experiences, backgrounds, and struggles.”

A significant component of the NWTA is the emphasis on vulnerability and openness, particularly for those struggling with loneliness. The format brings men together in an environment where they can disconnect from everyday distractions by providing a space to share their truths and confront obstacles, often for the first time. “Men, in general, have trouble expressing their feelings,” Mitchmore notes, adding that the culture has left many men isolated despite having lots of friends on social media. This loneliness is something MKP hopes to address by offering men a structured space where they can shed societal expectations and be honest with themselves and each other.

The GBTQ+ Men Gateway New

Warrior Training taking place December 6–8 specifically welcomes queer-identifying participants. Although the regular NWTA is open to all men, including heterosexual, gay, bisexual, and transgender men, this special weekend is dedicated to GBTQ+ individuals, recognizing that some men may feel more at ease and able to express themselves authentically when surrounded by those who share their identities. The GBTQ+ NWTA will feature a majority of GBTQ+ staff, with support from allies, fostering a safe and inclusive environment. Mitchmore believes that, for many queer men, “being among their own tribe helps to build trust and safety,” which allows them to get the most out of the experience.

The training itself is an amalgamation of introspective exercises, group discussions, journaling, and time alone to reflect. Men are given space to explore their inner landscapes, wrestling with emotions and experiences they may have suppressed. “We’re not there to provide answers,” Mitchmore adds. “We’re there

“THE MANKIND PROJECT SEEKS TO MAKE THE WORLD A BETTER PLACE, ONE MAN AT A TIME. WE’RE HERE FOR MEN FEELING STUCK, LOOKING FOR MEANING, OR JUST NEEDING TRUE FRIENDSHIPS.”

—

Randy Mitchmore, MKP volunteer

to help men ask themselves questions and connect to what they truly value.” The sessions also introduce men to the concept of the ‘new warrior’ as a framework for modern masculinity, drawing inspiration from ancient cultural rites of passage that helped young men transition into adulthood with purpose and clarity.

For men interested in attending, preparation is simple but critical. Prior to the retreat, MKP sends out materials and conducts interviews with participants to ensure they’re prepared for the experience. “We want to prepare

them enough that they’re ready to dive in—but leave enough mystery so they can have a true experience,” explains Mitchmore.

One unique element of the NWTA is its strong confidentiality policy. Every participant must agree to keep the weekend’s events private to ensure a safe and respectful environment. “That respect for privacy is essential,” Mitchmore adds. “Men need to feel free to express thoughts that may not be ‘social-media ready’ without fear of judgment or exposure.”

While the weekend itself is a transformational experience, MKP also offers followup programs to support ongoing growth. One of the primary post-NWTA resources is the Primary Integration Training, where participants revisit NWTA’s teachings and explore ways to apply them to daily life. “It’s like drinking from a fire hose at first,” Mitchmore says, “so we offer this integration process, either as a second intensive weekend or as an eight-week program.” Beyond the training, MKP members can join small ‘I-Groups’—integration groups that meet regularly to support each other in staying aligned with their values and goals. MKP’s journey hasn’t always been smooth. A high-profile controversy in 2007 raised questions about the organization’s methods and approach. “The negative press was painful,” admits Mitchmore. “But we embraced it as a learning opportunity, doubling down on our commitment to mental health and safety.” Since then, MKP has added a mental-health team and updated its approach to focus on inclusivity, confidentiality, and psychological safety. “It’s all about making the experience safe for every participant.”

As MKP continues to evolve, it remains dedicated to helping men discover and live their own authentic masculinity. The GBTQ+ weekend training is an essential part of that mission to help men can get the support they need to turn inward and seek answers to questions about identity, purpose, and connection. For queer men in particular, Mitchmore sees the upcoming December NWTA as an invitation to “define what being a man means to them, in a safe, supportive, and affirming environment.”

WHAT: The Mankind Project’s South Central New Warrior Training Adventure WHEN: December 6–8 WHERE: Houston INFO: ManKindProject.org

A Meaningful Calling

Ritchie T. Martin Jr. is bringing a wealth of experience to his advocacy work at Allies in Hope.

By IAN L. HADDOCK

Photo by PISCES310 PHOTOGRAPHY

Ritchie T. Martin Jr. arrived in Houston just as AIDS Foundation Houston—the oldest HIV/AIDS service organization in Texas—was changing its name to Allies in Hope. At that time, Jeffrey Campbell had become the first Black gay leader in the organization’s 43-year history. Ritchie came to Houston to take on Campbell’s former role as chief public health officer. With two decades of experience, Ritchie had never worked in a metropolitan area the size of Houston, and the organization was at a critical juncture as they were expanding to make Allies in Hope a space that could handle a wider range of client needs under one roof.

“My job is as clear today as it was when I moved here: to ensure everyone has equitable access to comprehensive care focusing on social justice and racial equality,” declares Martin.

His journey to the public health field started with volunteering at Black Pride in Milwaukee, his home town. At the same time, he was deeply involved with his church in multiple positions at the local and national levels. He would often leave the Pride parties he had curated to head to his church and preach. This work in two seemingly different communities had a very real similarity: both needed advocacy to fix their issues. Black Pride had allowed him to add queer advocacy to his work in the church.

After working with leaders across the Midwest, Martin found that every community he engaged with—no matter the other disparities they faced—had a high burden of HIV. “I knew it wouldn’t be easy,” he says, “but advocacy, both in

the church and in Black Pride organizations, is in the DNA of ending this epidemic.”

So in 2007, when staggering rates of HIV transmission began to show up among Black and Latino men who engaged in same-sex interactions, he officially joined the cause. With his vast network of pioneers in the movement and his innovations, Martin was instrumental in developing a bold community in the Midwest. He now brings this experience to his incredible work in Houston.

“MY JOB IS AS CLEAR TODAY AS IT WAS WHEN I MOVED HERE: TO ENSURE EVERYONE HAS EQUITABLE ACCESS TO COMPREHENSIVE CARE FOCUSING ON SOCIAL JUSTICE AND RACIAL EQUALITY.”

—Ritchie T. Martin Jr.

His new position at Allies in Hope requires him to lead both the Health and Wellness team and the Housing and Supportive Services team. Because he moved here specifically for the job, he also brings an outsider’s perspective on the possibilities for success. This has been an asset to Allies in Hope, which is expanding and enhancing its services and programs in an effort to redefine health care and public

health in the Greater Houston area by helping patients and clients navigate persistent barriers while addressing the needs of the whole person.

“We still have a lot of work to do,” he says. Though rates of HIV transmission have stabilized in many key communities, the uptake of PrEP medication for prevention, housing insecurity, and other key drivers of health outcomes are still showing disproportionate negative impacts on marginalized communities. It will take visionary leadership and a willingness to learn and be flexible to end the epidemic of HIV. “The reality is that the broader healthcare system can learn from those who are at the front lines, and the next generation is watching. It is time for a blueprint that works.”

On December 11, The Normal Anomaly Initiative, Inc. will honor Martin with an Engaged Excellence Award during their A Night with The Normal Anomaly Gala, in celebration of World AIDS Day. This celebration will bring together Black LGBTQ+ leaders, advocates, and allies to celebrate the future of a healthcare infrastructure that goes beyond doctor’s visits and care.

Considering the profound impact Martin has made in the short time he’s been a Houston resident, it is no surprise that he is already receiving awards. “I’ve only been here a year, and people are recognizing me. I had to ask myself, ‘Do I deserve it? Am I really making an impact?’ The answer is, I am only successful because I have pioneers and social activists that came before me to trailblaze the way,” he says. “So I am honored to be recognized for work that is such a meaningful calling.”

What: A Night with The Normal Anomaly When: December 11, 7:00 p.m.

Where: The Bell Tower on 34th, 901 W. 34th Street

Info: tinyurl.com/bddfhycf

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Finding His Frequency

From childhood dreams to Mix 96.5, Jay Michaels shares his journey to becoming a top radio personality.

By CONNOR BEHRENS

Jay Michaels, a beloved voice on KHMX Mix 96.5, has spent nearly 25 years in the radio industry. But his passion for media began long before his first on-air gig at 16.

“I knew I wanted to be in radio since I was a child,” Michaels says, recalling how he would parade around with a Fisher-Price radio and microphone, fascinated by the sound of his own voice.

Michaels’ career has taken him from his roots in Louisville, Kentucky, to the airwaves of Indianapolis, and then to Shreveport, Louisiana, where he served as an operations manager for several radio stations. Then in 2022, an unexpected opportunity brought him to Houston.

“Houston was never on my radar,” he says. “After meeting the team at Mix 96.5 and exploring the city, I knew this was where I was supposed to be.”

As the assistant brand manager and midday personality at Mix 96.5, Michaels plays a pivotal role in shaping the station’s programming.

“I work closely with our vice president of programming to plan and execute our day-to-day programming,” he says, emphasizing his commitment to curating a playlist that resonates with the diverse Houston audience.

Michaels, who recently won two OutSmart Gayest & Greatest 2024 Readers’ Choice Awards (Favorite Male Radio Personality and Best Local LGBTQ Social Media Presence), says his approach to broadcasting is grounded in authenticity. He strives to be more than just a voice on the radio; he aims to be a “work bestie” to his listeners.

“Any personality can share entertainment gossip,” he says, “but I really want to connect on a personal level.” He often shares personal stories, from family dramas to heart-wrenching moments such as the passing of his beloved

Phoebe, and the tragic loss of his grandfather to suicide. These candid conversations have fostered a deep connection with his audience, offering solace and understanding to those who have experienced similar struggles.

Living and working in Houston, one of the most diverse cities in the country, has enriched Michaels’ perspective on the media.

“I’m lucky to work for a company that empowers local programming,” he says. “Mix 96.5 is tailored to reflect the diverse strengths of Houston.” This adaptability is crucial in a city where cultures and communities intertwine, making radio a vital platform for connection.

In discussing the lasting power of radio, Michaels believes its unique ability to accompany listeners through various aspects of their lives is why it still prevails and is a huge part of entertainment.

“Radio is the medium that can travel with you,” he says. Whether during a power outage or a long commute, the connection between a listener and their favorite station remains strong. “People crave that personal connection,” he adds, which is something that streaming platforms simply can’t replicate.

As a gay man in the industry, Michaels has witnessed great progress over the years.

“I KNEW I WANTED TO BE IN RADIO SINCE I WAS A CHILD, AND HOUSTON IS WHERE I WAS SUPPOSED TO BE.”

—Jay Michaels

“I’ve been fortunate to work with supportive people who encouraged me to be myself,” he explains. His openness has inspired many listeners, including a young man who reached out to express how Michaels’ on-air presence helped him come out. “It’s moments like these that remind me of the impact we can have,” he says, underscoring the importance of representation in media.

Looking ahead, Michaels is focused on living in the moment and continuing to grow within the Houston community.

“Every time I make a five-year plan, something happens to change it,” he says, acknowledging the unpredictable nature of the industry. For now, he’s excited about the milestones achieved at Mix 96.5 and the connections he continues to build with his listeners.

In a world that often feels disconnected, Michaels embodies the essence of a popular radio host: a trusted friend who shares the journey, joys, and challenges of life, one broadcast at a time.

Keep up with Jay Michaels on Instagram @JayMichaels123.

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King Underwear Takes the

Crown

Founder Donald Simon III transforms the underwear industry by celebrating inclusivity and representation.

By DAVID CLARKE

Photo by CLOSE YOUR EYES PHOTO

King Underwear models with Donald Simon (r)

Last month, the Houstonbased brand King Underwear was awarded OutSmart magazine’s 2024 Gayest & Greatest Award for Best Men’s Clothing Store. As the world stood still during the COVID-19 pandemic, Donald Simon III founded King Underwear with a mission rooted in inclusivity and a desire to provide representation across all body types and skin tones.

“There were a couple of years where we weren’t acknowledged,” reflects Simon. “This year, to get that award and be seen, it felt good.” Simon’s win underscores the unique appeal that King Underwear has in making their customers feel empowered, seen, and comfortable in their skin.

The COVID-19 pandemic gave us all time to ponder and explore many things, and Simon spent some time recalling how he used to enjoy browsing underwear aisles as a young gay man. Yet, he also found himself disheartened by the lack of diversity in mainstream brands.

“I saw what they typically posted, who they posted, and the body type they posted,” states Simon. As a muscular Black man, he found that other underwear brands would reshare some of the photos he posted of himself, but there appeared to be a catch. “I felt I was featured after every 100 white guys. They must have figured that’s a safe spot to post a Black guy.”

Those observations were the impetus for King Underwear. At the time, he told himself, “I’m going to start an underwear brand where everyone who wants to can post or send their photos, and I will repost them. They can be seen, and they can feel sexy and feel like a king. Because everyone who wants to be seen should feel seen.”

This commitment to inclusivity resonates in each of King Underwear’s products, which now extend beyond men’s undergarments. Listening to customer feedback is essential to Simon’s approach. “People throw things at me— what I should be doing or where I should go. I take it into consideration because I create the brand for everybody,” he emphasizes.

King Underwear continues to grow its offerings, including swimwear and

larger sizing, in response to requests from its LGBTQ and BIPOC fan base. Currently, Simon is testing new designs and plans to launch additional swimwear lines that will expand options for all identities, embodying his mission to represent both the queer and BIPOC communities authentically.

Simon’s openness to feedback also shines in how he engages directly with his supporters. Through Instagram, where followers can reach out to him personally, he welcomes suggestions for improving the brand. “Just message me. I’m pretty good at responding back,” he says. “Also,

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a lot of people just come up to me when I’m out at the bars.” Because he values community input, Simon maintains a friendly and approachable demeanor when out in public.

Looking to the future, Simon is focused on ensuring King Underwear remains a space where everyone sees aspects of their own selves reflected in the brand’s imagery and identity. He also hopes that this award will amplify the brand’s mission of inclusivity and inspire others to celebrate diversity in their businesses. “If you have a niche and a voice, use it,” he encourages. “It does help, and it affects other people.”

Simon’s brand stands as a beacon of inclusivity in the fashion industry, and his Gayest & Greatest Award marks not just a win for King Underwear, but a milestone for representation in Houston and beyond.

Keep up with King Underwear on Instagram @kingunderwearofficial.

King Underwear’s expanded line includes a new women’s sports bra

John Waters Brings ‘Hairspray’ to Life in Houston

Catch “The Pope of Trash” sharing stories and laughs on November 14.

By MICHAEL ROBINSON | Photo by GREG GORMAN

John Waters returns to Houston with a live commentary for his movie Hairspray on November 14 at the Hobby Center. Arthouse Houston and Houston Cinema Arts Festival are bringing the director to town for a cinematic experience titled Their Hair Was Perfect, But the World Was a Mess, which includes both a pre-show reel of trailers and a Q&A with the audience.

Houston audiences may have previously seen him at the Heights Theater for A John Waters Christmas or at Jones Hall for his monologue Devil’s Advocate. But this screening and commentary will be something quite different from what Houstonians might expect from the self-proclaimed “Pope of Trash.”

Hairspray takes place in 1962 Baltimore, where The Corny Collins Show —an afterschool dance special featuring the best dance moves from local white teens—is in every home. Tracy Turnbld (Ricki Lake) and Penny Pingleton (Leslie Ann Powers) watch every day, much to the chagrin of their parents. After attending an open call, Tracy gets cast on the show and brings unexpected energy as the show’s first “bigger” girl, and the one most vocal in her calls for racial integration.

The film draws inspiration from Waters’ own experience growing up in Baltimore with The Buddy Deane Show during the push to end segregation. While Hairspray has an important message about inclusion and prejudice, it never loses sight of the comedy and avoids narrative ploys to convince viewers. “That’s maybe the power of Hairspray,” says director and writer Waters. “Even racists like it because they were too stupid to know that it was making fun of them.”

Divine’s portrayal of Edna Turnblad adds another dimension to the humor. Some audiences understand that Divine is a drag queen, but it’s never made explicit; it’s simply a wink to the audience. This is part of the subversive power of Waters’ work: he knows exactly what he’s doing and enjoys letting everyone else figure it out for themselves. The title of his Houston program, Their Hair Was Perfect, But the World Was a Mess, comes from Waters’

original tagline for the film. “It was the tagline I wanted!” Waters exclaims. “But they didn’t use it at first.” Its reuse for this program is a reclamation of Waters’ vision for the film.

These sometimes overlooked and multilayered histories are exactly the sorts of things audiences can expect to hear at this live event, like Debby Harry and Tab Hunter singing onscreen together—a sort of “Old Wave Meets New Wave,” as Waters puts it. Even Sonny Bono’s casting hearkens to some little-known history.

“When Bono started out, he was the A&R man for Specialty Records, a record company that did almost 100 percent Black rhythm and blues. It was Little Richard’s label. When people think of Sonny and Cher, they don’t think anything about his rhythm and blues roots, but that’s one of the reasons he made the movie. And if you think about it, he was

running for mayor of Palm Springs at the time and played a racist in Hairspray That’s pretty brave.”

The film celebrated its 35th anniversary last year and was inducted into the National Film Registry. Surprisingly, it was preceded in the registry by John Waters’ infamous Pink Flamingos

“I’m trying to think of the National Registry screening when they’re watching the singing asshole in Pink Flamingos and say, ‘Yes, this really should go into the National Registry,’” Waters jokes.

While Hairspray may not have any similar shocking moments, it’s just as surprising that the film has now entered the canon. The PG rating makes it more approachable, as proven by its box office success of $6.7 million at the time, but Waters’ subversive voice is clear

John Waters and Divine share a laugh during the world-premiere screening of Hairspray

“IF YOU MAKE SOMEBODY LAUGH ABOUT THEIR FEARS, THEY’LL RECONSIDER HOW THEY THINK. MAKE THEM LAUGH, MAYBE HAVE SEX WITH THEM, AND THEN YOU TRY TO CHANGE THEIR OPINION!”

—John Waters

throughout. It’s a testament to the timeless nature of his films.

Hairspray and Pink Flamingos are now sources of inspiration—cultural touchpoints that were long relegated to mere shock or comedy titles. Hairspray ’s musical adaptation, movie-musical iteration, and potential return to Broadway are all obvious examples of how the film continues to inspire new generations. Similarly, Waters’ current stint as a touring performer allows audiences to experience the film through a historical lens, but also as a contemporary performance.

Those who have been longtime Waters fans—as well as those who have just recently seen the newest Criterion Collection restorations of Pink Flamingos and Multiple Maniacs —won’t want to miss Waters taking live questions from the audience after the Houston screening. “You can ask anything! That becomes very freewheeling about what we can talk about.” Waters says. “One time a girl said, ‘My father told me he almost went home with you in a bar one night.’ I said, ‘Well, tell him Hi!”

For Waters, comedy itself is political. It’s an invitation for audiences to look at themselves and others in a whole new light. “My films are able to make you look at everybody in a different way. If you make somebody laugh about their fears, they’ll reconsider how they think. And that’s what we should even do in this election. Don’t make your enemies feel stupid. You make them laugh, maybe have sex with them, and then you try to change their opinion!”

Waters mentions that he needs to end our interview and run off to another Buddy Deaners Dinner Party, an annual gathering of the former Baltimore teens who danced on The Buddy Deane Show. Those 80-year-old dinner guests will be doing The Roach (“without irony!” Waters notes). Hopefullly, Houston audiences bring that same level of enthusiasm to the Hobby Center to welcome Waters back to Houston.

What: John Waters’ live commentary during a screening of Hairspray

When: November 14 at 7:30 p.m.

Where: The Hobby Center Info: cinemahtx.org

Exploring Trans Narratives Through Opera

HOPERA presents a poignant story of identity and acceptance in As One.

Local presenter HOPERA, in conjunction with Houston’s Montrose Center, presents composer Laura Kaminsky’s groundbreaking opera As One on November 18 at the Eureka Heights Brewing Company, and November 20 at the Montrose Center.

Since its creation, this chamber opera, scored for two singers and strings, has been praised for its warmth and admirable universality. Mezzo-soprano Meghan Berti, HOPERA’s founding artistic director, brings the piece to Houston in celebration of the 10th anniversary of its 2014 New York premiere.

“The work tells the story of Hannah, a trans woman, and chronicles her journey to acceptance, belonging, and eventual self-realization in the face of adversity,” Bertie says.

As One traces the experiences of its transgender protagonist through their formative years. Berti performs the role of Hannah Older, and baritone Wesley Landry (featured in OutSmart ’s July issue) sings the role of Hannah Younger. Both singers are accompanied by an onstage string quartet that is fully incorporated into the drama.

The work’s creator, Laura Kaminsky, a celebrated contemporary composer, often addresses social and political issues through her music. She reflects on As One, which at its premiere was considered revelatory. A decade later, it is now one of the most-performed contemporary operas in the repertoire—in spite of its modest musical forces—with more than 60 performances.

“As One celebrates the life of a trans artist,” Kaminsky says. “From the work’s conception—and in collaboration with Kimberly Reed and librettist Mark Campbell—I wanted to tell the story of someone finding their true self, through the lens of a trans person coming to authenticity.”

“This work was created in ‘pieces,’ originally written for two dear friends of mine, a cisgender married couple. At that time, the idea that there might be a trans singer who would perform this role wasn’t even within the realm of possibility, as it is now. In fact, the word ‘cisgender’ had just become part of the repertoire. While it was written for friends

By RICH ARENSCHIELDT

I love and trust, we’ve now had trans casts singing it and I’m open to anybody performing this music.

“Since its premiere, there’s been dramatic progress [regarding trans issues],” Kaminsky says. “The conversation now, 13 years since the work’s conception, has evolved. Historically, traditional opera has been very starkly gendered. There have always been cross-dressing

‘pants’ parts, but they never portrayed actual people in those roles.”

During its formative period , As One assumed its own unique creative trajectory as the composer and librettist both grappled with issues relevant to trans individuals. “When we originated the work, we had no name for the protagonist,” Kaminsky says. “We had to come up

Composer Laura Kaminsky

with one in order to create a press release for its Brooklyn Academy of Music premiere. We settled on Hannah, a palindrome whose etymological origin meant ‘grace.’ During the process, we gave her two names: Hannah Before and Hannah After. We then eventually realized that she had, in fact, always been Hannah, so we called her Hannah Younger and Hannah Older.”

“The work is powerful, but it’s not a biography,” Kaminsky explains. “We do utilize Hannah’s experiences in order to discover universal truths—specifically those related to being a trans kid growing up in a small town. But these issues are associated with every person discovering their true selves; the piece is not necessarily a universal study of the trans experience.”

Viewed through a decade-long historical lens (and with numerous performances worldwide) certain aspects of the work’s impact have remained constant. “No matter where it is performed or who is doing it, someone from the audience always comes up and says ‘Thank you for telling my story,’” Kaminsky says. “Interestingly, this comment often originates from someone who may not be trans, but rather is talking about having to overcome obstacles in order to be true to themselves. Also, some individuals may have a trans person in their life with whom they needed to develop a deeper understanding, or someone who has motivated them to see things differently.”

“The underlying story is universal, but the specifics around trans storytelling have changed. This is the beauty of the evolution of the issue. We’ve become more attuned, sensitive, and open as the years go by. As a result, there are more ways to portray this character. This progression has enabled performers to depict Hannah as more complex, with greater depth.”

As expected, several incarnations of As One have been presented by different directors in numerous cities. “I’ve seen over 30 productions,” Kaminsky states, “each of them done within the constraints of a specific budget, space, performers, how LGBTQ+ individuals are reached, and even how conservative their locale is. The character of Hannah is so beautiful; she’s such a strong personality. As a result, irrespective of a director’s choices, she shines. Some directors view her as two people, some as one. A German production featured the accompanying string quartet as living with Hannah together as roommates— different from anything I had imagined, but still effective.”

HOPERA faces challenges that often confront other small presenters. “Since we are a new company with a small budget, our focus is very character-driven,” artistic director Bertie says. “Hannah drives the story forward and we focus on her perspective. The stage set is minimal in order to accomplish that. Additionally, we’ve engaged a creative team that will ensure accuracy of characterization and sensitivity to the opera’s overall themes. Our stage manager, who also works with Houston Grand Opera, is trans and has joined the team to help us with various aspects of the performance. This will ensure that everything is clear and makes sense.”

“THE UNDERLYING STORY IS UNIVERSAL, BUT THE SPECIFICS AROUND TRANS STORYTELLING HAVE CHANGED. THIS IS THE BEAUTY OF THE EVOLUTION OF THE ISSUE. WE’VE BECOME MORE SENSITIVE AS THE YEARS GO BY.”

—composer

Laura Kaminsky

That clarity is amplified in the score, originally written for baritone and soprano. “There are a few places where the voices unite for specific emphasis to reinforce the unity of Hannah,” Kaminsky explains. Unlike many composers, she entertains a certain amount of flexibility regarding As One, especially in light of its unique “trans-possible” casting options “ One singer originally performed the role as a mezzo soprano and now performs it as a baritone following their transition. If a trans singer has concerns about a specific musical passage, I will say to them, ‘Lets figure this out.’ I ask, ‘What’s more important? This measure of music or the character singing it?’ Some things are open to discussion and some are not. As long as I’m alive, I can be part of that conversation. When I’m dead, people will do what they want.”

“I have so much respect for singers,” Kaminsky adds. “They learn the notes, the rhythm, and have to hear them in the context of what’s happening onstage, moving around, communicating deeply and being believable in

the process. Singers make this all happen; they bring these characters to life, creating threedimensional beings that audiences care about.”

Given that the work spans several years in Hannah’s life, the non-musical dramatic elements are crucial. “In the first production, we were fortunate that the director understood that this was a young person on a quest,” Kaminsky states. Movement was integral to the piece. “If you are a 12-year-old kid embarking on a journey, you don’t just stand there. That doesn’t make sense.” As a result, the action is intensely choreographed. Various directors, whatever their vision for the piece, have incorporated an abundance of stage action. “There is also a fair amount of humor in this piece,” says Kaminsky. “It’s one of the things that makes Hannah so loveable—and doofy—and sometimes a bit of a jerk.”

The accompanying string quartet also plays a significant role—especially the viola, which emulates and represents Hannah. “When it was determined that this was going to be a piece for two singers telling one story, I knew I needed to have a unifying sound for the ensemble,” Kaminsky points out. “Within a string quartet, the viola is the middle voice and also the one that is often hidden, the one that everyone forgets about. I gave the viola the opening solo, representing Hannah’s internal, soulful voice.”

As One is an atypical opera, and HOPERA presents it in two unusual venues: a brewery and a nonprofit conference room. Both present unique, but not insurmountable, challenges. “We are collaborating with the Montrose Center,” Bertie says. “The November 20 performance will take place there. I love the intimacy of being in a room with just a few singers. With that type of ensemble, the drama and music go deeper; it’s not spectacle. Also, when we cast performers for the piece, we wanted to work with members of the LGBTQ+ community.”

“The storytelling in As One is complete,” Bertie adds. “Traditional opera has a lot of stereotypical tropes that aren’t very effective today. Pieces like As One are much more relevant and the action is more focused and defined. The medium of a small ensemble is a vehicle that is understood by modern audiences. It’s not just about tapping your toes to a melody.”

Composer Kaminsky’s concise summation of the importance of this music personifies the thoughts of many: “Things have changed so much. We have been able to fully participate in that evolution. The world’s a mess, but At One is an endeavor where something good is happening.”

WHAT: HOPERA presents As One WHEN/WHERE: November 18 at the Eureka Heights Brewing Company, and November 20 (International Transgender Day of Remembrance) at the Montrose Center INFO: tinyurl.com/y8nt2ar2

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Gender-bending Detectives

Rose

Morrigan plays

Ms.

Sherlock Holmes in a new comedy at Stages.

By ZACHARY M c KENZIE

Photo by MELISSA TAYLOR

Rose Morrigan in her role as Ms. Sherlock Holmes

The beloved literary sleuth, originally brought to life by British author Sir Arthur Conan Doyle, gets a darkly comic and contemporary twist at Stages with Ms. Holmes and Ms. Watson - Apt. 2B. In this murder mystery filled with hijinks, intrigue, and plenty of laughs, Ms. Holmes and her oddball roommate, Dr. Joan Watson, find themselves emerging from the COVID-19 pandemic and entangled with a villain.

Local artist Rose Morrigan is stepping into the role of Ms. Sherlock Holmes. “I think it’s a really lovely balance,” Morrigan, who studied acting and directing at Sam Houston State University, says in regard to what fans of the famous fictional detective may expect to see. “Our director, Hannah Meade, made it clear that we’re not necessarily pulling from any of the old stories. This is very much Sherlock in the 21st century.”

The actress is making her Houston theater stage debut in this production, and has found joy in bringing her character into the present. “The fun conceit of the play is taking someone like Sherlock Holmes and placing them in 2024. How would someone in our everyday life react to that person—someone who is at that level of almost machine-like functioning and who completely rejects any kind of technology?”

Perhaps the most obvious difference from previous interpretations of Holmes and Watson is the characters’ gender swap. “This show really doesn’t focus explicitly on gender. Holmes and Watson meet, bond, and solve mysteries together,” Morrigan explains. “Male characters [in the show] uplift Holmes’ genius, while simultaneously constantly undermining and underestimating her. I think it’s a lovely detail of how often things are called into question when you’re a woman.”

Being interpreted as different or outside

the norm is an experience Morrigan shares with her character. “There’s this beautiful detail with Sherlock being antisocial and so different from everybody else. With my experiences as a trans woman, I know that there’s this otherness people feel when they meet you—they’ve already got you in this neat little box,” she explains. “I think that’s something I can relate to with Sherlock. She enjoys showing people that those boxes are not what they expected.”

Physical comedy is utilized throughout the play, and is a familiar muscle that Morrigan flexes with precision. “I’ve mostly performed in physical comedies. I think a lesson I’ve learned as an actor over the years is that while everything on stage looks chaotic and crazy, the best way [to execute these scenes] is with detail and safety,” she says. “There are multiple fight scenes in this show, and we do

something called ‘fight call’ before every single show. We run through scenes at different speeds, constantly checking in with our fellow performers. That way, if the scene’s super-neat, you can throw on this cloak of chaos instead of doing something messy and unreadable. There’s a lot of time, precision, and teamwork that goes into physical comedy.”

Comedy may be a cornerstone of this production, but Morrigan explains that there is also a fair share of tenderness that makes it particularly special. “My heart of the show is Heather Hall—my

Miss Watson. Having someone onstage that is so grounding like her removes any need of having to think about what my character needs” she says. “The heart of the show is different people meeting each other where they’re at—whether it’s a very quiet, reserved and contemplative space, or in a wild ragingagainst-the-world space. Two people recognizing the parts that they see in each other, accepting them, and finding love for people that are different from themselves is a very big part of this show.”

Ms. Holmes and Ms. Watson takes place in the round at Stages, a format that offers the

performers room to play and subtly engage with theatergoers. “We’re inviting audiences to recognize that they’re watching a play. There’s quite literally a moment where we reference that it’s a small cash show with a postpandemic budget,” Morrigan declares. “We’re kind of looking over our shoulder, winking, and asking them to play with us.”

Morrigan invites Houston audiences to step into the whimsical world she and the creative team have dreamed up. “There’s this great moment near the end of all mysteries where you feel like you’re in that dark room with the characters, planning and making connections. Playwright Kate Hamill has constructed a wonderfully complex Rube Goldberg machine,” she says. “I want people to come along for the ride and feel like they got to be a part of solving a mystery. And if we have anyone that attends for a second time, I think they’ll get so much joy in seeing all of the hints that have been laid out throughout the show that they didn’t identify the first time.”

WHAT: Ms. Holmes and Ms. Watson - Apt. 2B WHEN: October 25–November 17 WHERE: Stages, 800 Rosine St. INFO: tinyurl.com/yvw3psme

Actors Heather Hall and Rose Morrigan

England’s Pioneering Heroines of the Stage

Lion Woman Productions presents the Texas premiere of Playhouse Creatures.

By DAVID CLARKE

This month, Houston audiences have the opportunity to be treated to the Texas regional premiere of Playhouse Creatures, a celebrated work by British playwright April De Angelis. First performed in the UK, where it quickly gained a dedicated following, Playhouse Creatures explores the lives of the first women who were allowed on the English stage in the 17th century—a privilege hard-won and marked by a long list of hardships. Directed by Marshall Mays, the production will grant audiences a window into a revolutionary period in theater, showcasing how these trailblazing actresses navigated a world that was often reluctant to see them succeed.

For Michelle Britton, producing Playhouse Creatures through her company, Lion Woman Productions, is a journey inspired by the rich characters and the social-justice themes woven throughout the script. “Theater is always about the human condition,” Britton notes. “It can erase whatever divides you, whether it’s class, race, or any other barrier.”

In Playhouse Creatures, De Angelis doesn’t sugarcoat the challenges these resilient women faced, but instead uses humor to keep the narrative engaging and powerful. “Because you get to walk in their shoes, you have an opportunity to come out with a lot more understanding of what women go through,” Britton says. This, and the wider themes of selfadvocacy, equity, and freedom, will leave audiences with a renewed understanding of what women had to endure to carve out space for themselves in the arts—a struggle that mirrors many current conversations about equity.

Mays agrees, calling Playhouse Creatures “a love letter to the theater”

Playhouse Creatures actors Tyne Jeanae (l) and Cat Thomas

and to the women who braved the stage despite significant societal and personal obstacles. Most of us understand that women were often seen as decorations or curiosities in the 1660s. Yet, Playhouse Creatures gives these historic women their due. “It’s not just about the sacrifices; it’s about the triumphs and the sheer grit these actresses displayed,” Mays emphasizes. “They wanted to perform, to create, and to express themselves on stage.”

The challenges faced by Playhouse Creatures ’ characters are universal, making the decades-old play surprisingly contemporary. “The limited choices these women faced, the restrictions imposed on them—they echo the experiences of marginalized groups even today,” Mays explains. For Britton, who also plays a character in the production, the story speaks to themes of self-advocacy, resilience, and “the freedom for all of us to be who we are.”

Adding to the excitement of the run, this production of Playhouse Creatures will include a special Pride Night performance on Thursday, November 14, intended to further celebrate and build community around Lion Woman Production’s inclusive mission. “It felt right,” says Britton. “The mission is about social justice and widening perspectives. We’ve come a long way, but it’s clear there’s still a lot of work to be done.” Pride Night promises to be a celebration of shared experiences and stories, as well as an acknowledgment of the ongoing struggle for acceptance and equality.

Mays sees the Pride Night event as an opportunity for queer audiences to connect deeply with the play’s themes. “It’s fascinating to see how far we’ve come,” he says.

Mays recalls how acceptance wasn’t even part of the conversation for many LGBTQ individuals. “In the late ’70s and early ’80s, Houston’s LGBT groups were hesitant to even reveal their identities.”

Playhouse Creatures taps into this long history of resilience, embodying the spirit of fighting for identity, rights, and visibility—an experience Houston’s queer audiences may find particularly resonant.

From its themes to its theatrical approach, Playhouse Creatures gives Houston audiences the rare treat of seeing a blend of old and new: the characters interact with each other and, occasion-

Actors Tyne Jeanae, Jennifer Doctorovich, and Jeana Magallón

ally, the audience. “There’s humor and grit,” Mays adds. “And while there’s some audience interaction, it’s all about bringing people into the story without crossing any boundaries.”

Playhouse Creatures also challenges its cast to move fluidly between the modern and the historical. The actors use techniques from the Restoration period to capture a bygone

theatrical style while navigating complex characters and themes. “It’s challenging for the actors,” Mays explains, “especially moving between highly stylized Restoration moments to more grounded, raw backstage scenes. It adds an element of variety and keeps the show engaging.” The play’s authentic 17th-century costuming, fencing sequences, and period music round out the experience, promising Houston audiences a truly unique night at the theater.

With its exploration of women in theater, Playhouse Creatures will bring something unique to Houston’s vibrant and robust theater scene. Mays and Britton hope audiences leave inspired, having experienced both the humor and the heartbreak that come with breaking boundaries. This Texas premiere honors not only the theater, but the women who gave it life, courageously stepping onto the stage against all odds.

“Theater has the power to unite us, to help us see each other as we are,” Britton emphasizes. With Playhouse Creatures, Houston audiences will witness an unforgettable story inspired by real women who remain as relevant now as they were centuries ago.

WHAT: Playhouse Creatures

WHEN: November 7–23

WHERE: MATCH, 3400 Main Street

INFO: tinyurl.com/2s35u2az

Director Marshall Mays

Bridging Cultures Through Art

Royal Sumikat ’s mural in a new Fifth Ward exhibit space explores indigenous Filipino heritage.

By DAVID CLARKE

Houston’s thriving visual-art scene is welcoming Meow Wolf this month, a fresh and notable artists’ collective known for creating surreal, immersive environments. Meow Wolf transforms spaces into interactive wonderlands where each exhibit invites visitors to journey into alternate realities to explore hidden pathways, solve mysteries, and unlock stories within stories. Their fifth permanent location opened on October 31 in Houston’s historic Fifth Ward, and currently centers around an installation entitled Radio Tave, a surreal radio station that brings together over 100 artists—50 of whom are Texans—for a truly unique, sound-driven experience.

One of the standout contributions to that exhibit is The Queens of the Tarot, an intricate mural by Royal Sumikat (they/ them), a talented muralist and painter originally from the Philippines. Now residing in Houston, Sumikat draws from their rich cultural heritage and experiences as a migrant, community organizer, and spiritual leader to create immersive, narrative-driven works. Their mural invites audiences into a world that celebrates indigenous Filipino heritage, grounding Meow Wolf Houston’s fantastical atmosphere with layers of cultural homage and advocacy.

Despite high school classes being their only formal training, Sumikat’s journey as an artist began in early childhood. “I’ve been painting or drawing since I was a kid, and I actively started doing murals in 2012,” Sumikat shares. Their work is heavily influenced by mythology, storytelling, and Filipino heritage. As a result, the art often juxtaposes vibrant symbols and complex imagery, blending whimsy with layers of deeper meanings.

Artist Royal Sumikat

Sumikat’s installation at Houston’s Meow Wolf is no exception. The Queens of the Tarot explores the lives of four powerful female characters—each inspired by the four suits of Tarot—depicted as queens from different indigenous Filipino groups. These queens are seen enjoying a silent disco, a concept that blends joy with deeper layers of cultural homage. “It’s in an alternate universe where everybody’s hierarchy of needs is met, so the four Queens of the Tarot can take a break and go to a silent disco to enjoy the company of each other,” Sumikat explains

The city of Houston plays a pivotal role in Sumikat’s artistic process by providing space to express both their heritage and the collective stories that resonate across communities. “A lot of my work revolves around my identity,” they say. Reflecting on their evolution, they acknowledge that the more authentically they center their art around personal experiences, the more it resonates with audiences from Houston’s incredibly diverse population.

“For example, while Meow Wolf was being constructed, there was an electrician that kept visiting my space. He told me that my work was his favorite because

it reminded him of his people,” recalls Sumikat. “He said, ‘I’m Navajo.’ The fact that he can see indigenous motifs and that I was representing indigenous people spoke to him.”

The Radio Tave installation revolves around the concept of sound and radio waves, and Sumikat’s piece complements this narrative. In the mural, each queen from the Tarot is represented by a unique Filipino indigenous group, honoring their contributions to craftsmanship and culture. “The Queen of Swords is inspired by the Subanon people who specialize in forging swords and knives. The Queen of Cups represents the Ibanag people, and they specialize in pottery,” Sumikat explains. “The Bajau people are represented in the Queen of Pentacles because they specialize in making jewelry. Then, the Queen of Wands represents the Tagalog people, and they have a warrior class that fought and defended the land.”

Sumikat’s work is also rooted in advocacy for indigenous voices. “Indigenous people are our key to a survivable future,” Sumikat declares. Indigenous knowledge is crucial to a sustainable future—a theme reflected in Sumikat’s broader body of art, and their mural at Meow Wolf serves as a celebration and an invocation for audiences to listen to and respect these voices .

The Queens of the Tarot mural is not Sumikat’s only contribution at Meow Wolf Houston.

The furniture within the mural space was designed in collaboration with designer Jessie Haskins, who repurposed outdated tech into a functional art piece. Together, they created a bench that reflects the broader themes of recycling and renewal, mirroring Sumikat’s vision of a future rooted in harmony with the planet

“A lot of the indigenous Filipinos in the Philippines are endangered by climate change. They are in the forefront of it, and they’re also on the front lines of defending their lands and making sure that we live on a habitable planet in the future,” states Sumikat. Therefore, the bench made from epoxied old technology speaks to that and Meow Wolf’s larger themes of recycling. “I feel like that’s part of the theme of protecting the planet—listening to indigenous people, and recycling,” they add.

Through their mural at Meow Wolf Houston, Sumikat offers more than just visual delight. Their work is an invitation to explore stories of identity, culture, and connection, encouraging viewers to embrace their shared humanity. With Houston serving as home for Sumikat’s evolving artistic journey, they remain a vital voice in highlighting the intersections of art, advocacy, and authentic representation.

Keep up with Royal Sumikat on Instagram @royalshines.

Royal Sumikat’s mural, The Queens of the Tarot

Here is what one client has to say:

“As a professional forecaster myself, I can attest to L.A. Brown’s remarkable ability to “see” the future. She’s as insightful as she is delightful, whether she’s amazing my party guests or giving me a personal reading, L.A. is spot-on with her predictions...and she goes out a lot farther than my 10-day forecast!”

—FrankBillingsley

Unseen Bonds and Imagined Histories

A new exhibit explores hidden same-sex desire at Houston Center for Photography.

By OLIVIA FLORES ALVAREZ

The 2020 COVID pandemic partly inspired the two exhibits currently at the Houston Center for Photography (HCP).

Anne Leighton Massoni, executive director of HCP, is a cultural and medical anthropologist by training. While considering possible exhibition topics recently, she began to ponder the long-term social effects of COVID-19.

“For me, the idea of another generation being affected by an illness that was significantly impacted by proximity or touch was very similar to what I had experienced as a child with the HIV epidemic,” she explains. “I was thinking about the history of illness and the history of touch, and this came out of that.”

The exhibits are spread over three spaces. In the largest space is one titled Marc OhremLeclef: Zameen Aasman Ka Farq–As far apart as the Earth is from the Sky.

Brooklyn-based Ohrem-Leclef has spent seven years documenting relationships between men in India. Male friends there, both heterosexual and homosexual, openly hold hands and hug. At the same time, the country is decidedly anti-gay. Sex acts between consenting adult men were only recently decriminalized there, and same-sex marriage has yet to be legalized.

“I was captivated by his work in India for a lot of reasons,” Massoni says, “especially the idea that it is commonplace for same-sex friends to be in close proximity to one another, to hold each other by their pinkies, to lean in and embrace.”

Ohrem-Leclef’s images show young men embracing and taking selfies, sitting on each other’s laps, hugging in parks, and working side-by-side on construction projects. The

photos beautifully reveal the intricacies of male relationships in India, from friendship to love, and from sexuality to queerness.

Without knowing the background of the men in the photographs, it’s impossible to say “this is a gay couple” or “these are two friends.” The expression of regard and warm feelings, with or without the element of sexuality, looks precisely the same to a viewer.

The men Ohrem-Leclef worked with are hiding in plain sight, says Massoni. They express their feelings and acknowledge their relationships without risk of rejection or condemnation by the public.

Ohrem-Leclef, who was born in Germany, is openly queer. He’s seen as an outsider by the men he photographs in India. It’s that shared sense of otherness that helps him to bond with the men and allows them to discuss their feelings of love and how they cope with being gay in an often repressive culture. He’s spent hundreds of hours talking with his subjects,

learning about their lives and how they navigate the complicated journey of selfexpression.

He calls the men he photographs “collaborators” rather than subjects. Hundreds of statements from his collaborators are included in the exhibit along with the images. Printed and posted around the gallery, the statements discuss what it means to love another man as a friend and sexual partner. OhremLeclef asked them what they thought about, what their heart wanted, and how they experienced touch and love.

He’s recorded hundreds of those statements in 20 languages, resulting in some 4,000 pages of transcripts. The exhibit’s evocative title derives from one of those statements: an anonymous collaborator in Punjab used the Urdu/ Hindi saying “As far apart as the Earth is from the sky” to allude to the endless

Artwork by photographer Andrés Pérez

possibilities of life while simultaneously recognizing the impossibility of many relationships.

“One of his collaborators says it’s the most extraordinary thing in the world to be intimate with someone and also be hiding in plain sight,” says Massoni. “Their physicality and touch with one another is not construed as homosexuality in a country that’s still very discriminatory toward the homosexual population.”

The other exhibit, TOUCH / do we exist without photography, features the work of Kris Sanford, Andrés Pérez, and Matthew Finley. Each of those three photographers has created a fictional record of LGBTQ life.

“With Kris Sanford’s work, what she was after was to find a photographic history where she felt represented,” explains Massoni.

For her work entitled Through the Lens of Desire, Sanford used found photographs from the 1920s through the 1950s that showed groups of men or women. She reframed the images, hiding parts of the people’s faces,

essentially making them unidentifiable—a device that creates an overtone of implied sexuality. Are those people who are hugging in one image siblings or lovers? The viewer decides.

In An Impossibly Normal Life, Matthew Finely creates a world where queer love is wholly accepted.

“Matthew talks about when he came out to his parents and his mother told him that his Uncle Ken was likely gay. Matthew said if he had known his uncle was gay, his own coming out would have been entirely different—perhaps less fearful, perhaps with less shame,” says Massoni. “In response, Matthew built this photographic album for his Uncle Ken with this extremely positive photographic language surrounding him.”

Andrés Pérez contributes Dead Family, an examination of family portraits that attempt to give often-ignored, diverse identities visibility.

WHEN: Through November 24 WHERE: Houston Center for Photography, 1441 W. Alabama St. INFO: hcponline.org

A work by photographer Marc Ohrem-Leclef featured in the Houston Center for Photography exhibit

Rocky Hollub

Victor Lopez

OUTSMART GAYEST & GREATEST 2024 READERS’ CHOICE AWARDS CELEBRATION

OCTOBER 23, 2023

On October 23, 2024, South Beach Houston was buzzing with excitement as the 27th annual Gayest & Greatest Readers’ Choice Awards Celebration brought Houston’s LGBTQ community together for a night of recognition, entertainment, and celebration. Hosted by KPRC 2’s Derrick Shore, the event honored the city’s favorite people, places, and businesses, as a fundraiser for the OutSmart Foundation for LGBTQ News and Media.

The crowd enjoyed dazzling performances from Adriana LaRue, voted this year’s Favorite Drag Queen, and Kofi, named Favorite Veteran Drag Queen, both delivering

standout moments. DJ Atreyu Frausto, crowned Favorite Male DJ for 2024, kept the energy high with her upbeat track selection, creating a lively vibe throughout the night. Guests indulged in delicious bites from Churrascos and sipped signature cocktails crafted by South Beach’s Brian Duhon, the G&G Favorite Male Bartender. Adding to the night’s excitement, attendees scored giveaways from brands like King Underwear, Pride Threads, and Red Bull. Swag bags filled with treats from Sour Strips, MyDrinkBomb, and other surprises were a hit, while floral arrangements from The Golden Leaf lent an elegant touch to the space. Pride Chorus Houston opened the event with a moving performance,

setting the perfect tone for the celebration.

The celebration’s success wouldn’t have been possible without the generous support of sponsors, including Bayou City Smiles, Legacy Community Health, Premier Wireless, Texas Senior Medicare Patrol, Silver Eagle Houston and Bud Light, and South Beach Houston. Their contributions ensured the event brought the community together in a meaningful way, celebrating local achievements and reinforcing the importance of LGBTQ news and culture in Houston.

Photos

DALTON DE HART and CREW

OUTSMART GAYEST & GREATEST 2024

READERS’ CHOICE AWARDS CELEBRATION

OCTOBER 23, 2023

On October 23, 2024, South Beach Houston hosted the 27th Annual Gayest & Greatest Readers’ Choice Awards, celebrating Houston’s LGBTQ community with a night of pride, entertainment, and philanthropy. Hosted by KPRC 2’s Derrick Shore, the event honored local favorites and raised funds for the OutSmart Foundation for LGBTQ News and Media. With vibrant performances, delicious bites, and unique giveaways, it was a night to remember!

Photos by

DALTON DE HART and CREW

Out ▼ There

OUT FOR GOOD GALA 2024: A NIGHT TO CELEBRATE LGBTQ EXCELLENCE

OCTOBER 5, 2024

The Montrose Center’s 11th annual Out for Good Gala celebrated LGBTQ pride and resilience with performances, awards, and inspiring speeches. Hosted by Ernie Manouse, the evening featured music from members of Pride Chorus Houston. Highlights included Ian L. Haddock’s LGBTQ+

Innovator Award, presented by Jordan J. Edwards, and Greg Jeu’s LGBTQ+ Visionary Award, introduced by Annise Parker. Montrose Center CEO Avery Belyeu gave a heartfelt call for ongoing support of the Center’s vital mission.

THIRD COAST PRIDE 2024 IN GALVESTON OCTOBER 20, 2024

Third Coast PrideFest hosted its second annual Third Coast PrideFest Parade in the Strand District in Galveston. The theme for this year’s PrideFest was “Galveston Is a Safe Space.” The parade was led by Grand Marshal Chachie Pedraza Van Wales, and included entries from local area businesses and faith-based organizations.

Photos by LUCIO NIETO

Out ▼ There

26, 2024

On Saturday, October 26, 2024, South Beach Houston came alive with the 43rd Annual Halloween Fantasy Ball. DJ Chad Guidry set an electrifying vibe as over 900 fabulous guests arrived in elaborate costumes that elevated the night. Costumes here aren’t just encouraged—they’re a must, ensuring a dazzling, queer extravaganza.

HART

CREW

Photos by

DALTON DE HART and CREW

WEDDING GUIDE

A Magic Carpet Romance

Ben Chavez and Walker G. Chancey can thank Disney’s Aladdin for bringing them together.

By DAVID CLARKE | Photos by MANUEL AYALA PHOTOGRAPHY

Houston love stories take flight in the most unexpected ways.

Ben Chavez, 31, originally from Rutherford, New Jersey, and a musical artist, and Walker G. Chancey, 35, originally from Waynesboro, Mississippi, and a floral designer, met under the stars at Eagle Houston in Montrose in 2019. They now share a home in Houston’s Rice Military neighborhood.

Their serendipitous meeting hinged on the word “Disney.” Ben, who was in town with the touring cast of Disney’s Aladdin, had joined a friend for a night out, while Walker happened to be nearby and was drawn in when he overheard their conversation about Disney.

“My ears just perked up,” Walker recalls. “I looked over, and there he was.” Walker admits that he made the first move, though it didn’t go quite as planned: “I suggested we keep the night going at my place, but Ben shut me down. He was dedicated to resting up for the next show.”

Their love story began with laughter and long-distance hurdles, but through the years, Ben and Walker found a rhythm in their partnership that felt as natural as it was marvelous. After countless phone calls and weekend meetups, they both knew they had found something rare.

“One weekend, he flew to DC to visit me while I was on tour,” Ben remembers. “That was when I knew he was the one.”

Walker’s heart swelled on his 30th birthday, a weekend he had written off as just another day. But Ben made sure it was anything but ordinary, surprising him with his favorite things—Trolli gummy worms, carrot cake, champagne, and even a custom song Ben had written.

“There was a QR code to listen to the song right then and there,” Walker remembers. “I’d never had someone go that far for me.”

Years later, their love story took a defining turn on a cruise that led to a double proposal. Both Ben and Walker had secretly planned to

pop the question. However, Ben took the lead at a magical dinner on the ship, running back to their cabin mid-meal to grab the ring.

“I thought the universe was telling me to propose right then and there,” Ben recalls. Walker, caught off guard, was deeply touched.

The next day, on a Grand Cayman beach with the ocean as a backdrop, Walker knelt down, delivering his own proposal. The laughter, the surprises, and even a cheering beach crowd added the final touch to their enchanting double engagement story. “At that moment, surrounded by strangers celebrating with us, I knew it was perfect,” Walker says.

In April 2024, Ben and Walker’s family and friends gathered in Houston to celebrate their union. They selected two places close to their hearts for their big day: Buffalo Bayou Park’s Waterworks Lawn for the ceremony, overlooking the very bayou

Ben Chavez (l) and Walker G. Chancey

they had cherished during many moments together, and Brenner’s on the Bayou for a reception that promised as much warmth and beauty as the bond they shared.

“We went all out,” says Walker, who is the floral director at The Events Company. The couple collaborated with Walker’s friends and colleagues Richard Flowers and Lee Capetillo. Lee also happened to be the friend who had first introduced Ben and Walker. Walker beams, “It was spectacular—an entire bayou theme for the night.”

From the ceremony’s intimate touches to the reception’s personalized ambiance, the wedding was imbued with memories and meaning. “I wrote a song for Walker, ‘I Wouldn’t Know Love,’ and hearing it played by the string quartet as I walked down the aisle was a dream come true,” Ben shares.

The two also had their mothers walk them down the aisle and their fathers act as ring bearers. “Having our parents involved so deeply was important,” Walker says.

The reception resembled an outdoor living room, with family photos nestled within the decor, evoking a feeling of home and love. “It felt like they were with

us, celebrating,” Walker says of the family members who couldn’t attend but were represented in the displayed photographs.

The couple also created a way to honor those who paved the way for LGBTQ marriage rights, distributing tribute cards to guests as a reminder of this legacy. “We wanted to acknowledge those who came before us,” Ben explains. “Every guest had a card thanking all the trailblazers who fought for us to be able to celebrate our love openly.”

Each vendor was handpicked to support this vision, blending professionalism with a supportive staff. Photographer Manuel Ayala, known for his work within the LGBTQ community, captured every moment with an understanding of what the day meant to Ben and Walker. Their officiant, Frank Billingsley, a local television icon, brought depth and warmth to the ceremony. The cake, created by The Chocolate Llama’s Kellie Herrod, became a memorable focal point with a hexagonal middle tier symbolizing their engagement rings. “It was even decorated with hidden symbols from our story—tiny images like Mickey Mouse and Aladdin’s lamp,” Ben explains. “And the cake topper was a grand piano, with

my song for Walker represented on a sheet of edible music.”

Blush & Company styled the couple for their big day, and Deutsch Fine Jewelry provided the rings that sealed their commitment. “Everyone went above and beyond,” Ben says. “They made our vision come to life, and that kind of support made all the difference.”

“We sought out vendors who were LGBTQ+ friendly, and everyone was fantastic,” Walker adds. “It felt great knowing our wedding wasn’t just beautiful, but that it supported businesses that support us, too.”

As the wedding night drew to a close, Ben surprised Walker by jumping on stage to sing with the band. “I knew I had to get up there one more time for Walker,” Ben says with a smile. It was more than a wedding; it was a testament to love, patience, and shared dreams. Reflecting on the day, Walker says, “It was an out-of-body experience. I got to call him my husband for the first time—that moment I’ll never forget.”

WANT TO TELL YOUR STORY? Email us at editor@outsmartmagazine.com

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By LILLY RODDY

ARIES (Mar. 21–Apr. 19)

The month opens with you reviewing your long-term investments, partnerships, and friendships. You are looking for a closer connection with others so that you can develop more trustworthy people around you. Family needs will continue to be strong through next year. You could be making changes to your living situation, your parents may retire or downsize, and you may have to take on a leadership role, even if you are not happy with that! Personal boundaries are going to be more important after the end of the month, so you will be better able to tell others no! In the later part of the month, you are looking to relax and step away from the demands of your routines. This is a better time for travel or taking classes to expand your awareness.

TAURUS (Apr. 20–May 20)

Relationships, both business and personal, are the main topics as the month begins. For some, this can be a time of commitment, recommitment ceremonies, or putting yourself out there if you are single. With business and personal, you are just making sure that both are headed in the same direction. There are some rumblings around your career path. This will continue to get stronger over the next eight months. You may feel that you need to start something on your own or take a leadership role where you are. If you are older, you may be cutting back and looking to other areas of your life to explore. Family matters may take a lot of your time and attention over the next couple of months. You will certainly have to step in and take on a leadership role in the family. In the latter part of the month, you are paying more attention at work on how people are responding to you. With some, you will move closer to them; with others you may suspect their agenda. Trust your intuition!

GEMINI (May 21–June 21)

We are very work- and routine-oriented as the month

LILLY RODDY

November’s Celestial Shifts

Scorpio’s intensity brings new focus and opportunities.

The beginning of the month is a good time to get your projects started before Mercury officially goes retrograde on the 25th, though we will be feeling it by the 20th. We will also be feeling Mars, our planet of action, officially going retrograde December 7, though not impacting us much until the end of the month. Mercury will be retrograde until December 15. Mars will be retrograde until the end of March 2025. So get your

begins. Career has been a big issue this whole year, with you looking to do something on your own or take on more responsibility. Co-workers could be grumpier and harder to get along with. You are looking to make your work routines run more smoothly. In the latter part of the month, relationships take the stage. If you are involved, this is a great time for renewals or going out for some fun. If you are single, this is a better time to meet new people. Difficult relationships will be harder to ignore, especially in the new year. You will definitely need your space and more options! This is a very good time to connect with friends and enjoy more social time!

CANCER (June 22–July 22)

We are more ready to enjoy ourselves as the month begins. This can be a great time to dig into your hobbies, spend time with your children, and explore ways to make your hobbies profitable. Mars has been in Cancer, which has made you address things you have been avoiding, telling people what you really think, and focusing on your needs. With Mars going retrograde, he will be back in your sign in early January until mid-April. All this activity is great for getting in shape, setting some new goals, and dealing with your fears. In the latter part of this month, you are getting back into your routines, improving your work environment, and updating your internet and communication devices. At the very end of the month, relationships become more important in your life. Spending time with your partner or your close friends can really be healthy for you.

LEO (July 23–Aug. 22)

Mars, planet of action, self-defense, taking a risk, and anger enters your sign on November 3. You will be taking life more personally, standing up for yourself, and maybe not sleeping as soundly. For difficult relationships, this can be a time of challenge and testing. If you are single, this can be a good time to meet new folks. Family is very important as the month begins. You may

project started!

Pluto, our planet of death and rebirth, finally moves out of Capricorn on November 19, giving the cardinal signs—Cancer, Capricorn, Aries, and Libra—a chance to breathe a sigh of relief. The fixed signs of Taurus, Leo, Scorpio, and Aquarius will be the next signs impacted by Pluto. This month there is a mix of good and difficult days. It will be an especially tense time around the election. Midmonth can make us want to step back. The end of the month flows more easily.

be making your home a more comfortable place or doing some remodeling. You are continuing to manage your resources and getting rid of your debt. You continue to be more cautious about spending money on big-ticket items. In the latter part of the month, you are looking to step back and enjoy some fun times! This can be a good time for short trips or connecting with your friends overseas.

VIRGO (Aug. 23–Sept.22)

You are getting your message out and you are not letting anything block your path. In the beginning of the month, this is a better time to improve communications, take a class, and expand your education. Relationships need love, care, and upkeep. This is a great time to set new goals in your existing partnerships, business or person. This can also be a time of renewing old vows. In difficult partnerships, resolution must occur, or you will go your separate ways. In the latter part of the month, home and family take your focus. This can be a time to relocate, do some remodeling, or just make your nest more comfortable. You may be spending more time with your family, even prior to the holidays. Career opportunities continue to be positive!

LIBRA (Sept. 23–Oct. 23)

Finances are in the main spotlight as the month opens. You may be looking at new investments and limiting your debt. You can easily feel trapped by debt, and you have been working hard to free yourself from this. In the latter part of the month, you are more clear in your communications. You will be busy taking care of correspondence and putting some order into your daily schedule. This is a very good time to reconnect with old friends! You are continuing to improve your work schedule by improving your boundaries and not overworking. Health matters may have made you slow down

and take better care of yourself. Social groups and friends are more important to your agenda this month. Take some time to get out and enjoy the fall weather!

SCORPIO (Oct. 24–Nov. 21)

Happy birthday to all the Scorpios! This is your personal yearly renewal cycle. This is a good time to consider what you accomplished last year and what goals you are planning to set this year. Career is a big thing this year. You may be stepping back, taking on your own project, or taking a leadership role within your industry. You may have felt stuck over the last few years, but you are ready to move past that this year, especially after November 19! In the last half of the month, you are paying more attention to your finances. This can be an easier time to get a loan or to find ways to consolidate your debt. Shifts in the family continue to occur. Parents could be retiring or downsizing, and you may be stepping into a leadership role there. Foundations are shifting!

SAGITTARIUS (Nov.22–Dec.21)

As the month begins, you are ready for some R&R. You are more sensitive to your environment, and it is harder to ignore people and things. This is a great time to connect to your spirituality or to open up to your psychic powers. You may be reluctant to make long-term decisions at the present, but that will clear up by midmonth. Home and family energies continue to be active. You may be doing some

repair or remodeling or even doing some conscious downsizing. After midmonth, you are more active and ready to get back into the gene pool! Relationships continue to be positive. If you are single, this is a good time to meet new folks. With your work, you are looking to make it easier and to give yourself more time to enjoy life!

CAPRICORN (Dec. 22–Jan. 19)

There are big shifts as Pluto, planet of death and rebirth, recycling, and detoxification, finally leaves Capricorn on November 19. Pluto has been traveling through Capricorn since September 2008, and making life difficult. Changes occur, ready or not. This has made you rethink your entire views and plans about the future. Friends and business groups can be very supportive this month. You are looking for a new direction entirely! Relationships have been testy this last month and that improves after the 4th. In the later part of the month, you will need some time to yourself to rest and retreat. You are paying more attention to your boundaries and taking better care of yourself. Stability slowly reenters your life. Take your time before you decide on your new plan!

AQUARIUS (Jan. 20–Feb. 18)

Pluto, the planet of power, personal transformation, release of fear and negativity, and death and rebirth, enters Aquarius for the next 20 years! Currently, Pluto is impacting those of you born in the earliest days of the sign. Pluto can alter your relationships, your career, your connections to your family, and how you define

power in your own life. Pluto is the cosmic enema, and she will want to clean out the undesirable energies in your life. As the month starts, you are paying more attention to your career or your daily duties. You are evaluating what you may continue doing and what you will stop doing, including how you handle your partnerships. At work, you may take a leadership role or do something on your own. In the latter part of the month, you are more social and ready to connect with friends and family.

PISCES (Feb. 19–Mar. 20)

Career and long-term decisions are your focus as the month begins. You may looking to start something on your own or, if you are older, stepping back. There could be many options and it could be hard to make some choices. You may overthink your choices and find yourself taking no action. This will begin to clear after midmonth. As the month begins, you are looking to move away from your routines and reflect on your life. This is a better time to get away for the weekend. After midmonth, you are ready to move forward on your plans. You need to start your projects or new plans before November 21, or there could be retrograde delays in December. This is also a good month to renew your exercise and eating programs. You are more motivated to take good care of yourself. In the last part of this year, you are really taking a deep dive into your ideals of faith and spirituality. Some time for reflection will be necessary. For

Channeling Dolly

Vancie Vega combines fierce theatrics and maternal love as Dolly Parton.

By SAM BYRD | Photoby DAVIDE LAFFE

There are drag entertainers, and then there is Vancie Vega! This stage veteran is known across the country as the Dolly Parton impersonator, and just like Dolly, Vancie is someone audiences cannot take their eyes off of once she steps into the spotlight. Her talent has earned her numerous pageant titles, yet the performer always maintains a motherly care for her castmates and friends. After all, they don’t call her Aunt Vancie for nothing. Read on for more about this consummate performer.

Pronouns? She/Her

Inner Avatar?

Sat Nam (“I am truth” or “Truth is my essence”)

Hometown? LaMarque, Texas

Drag birthday? August 1986

November includes Transgender Awareness Week. What would you like to say to the transgender community?

I love that transgender awareness week is also in my birthday month, and I get to celebrate all month long. The one thing I’d love to say to my community is, “Keep your head up. Major change in the fabric of the world takes a lot of effort and patience.”

What got you interested in drag?

I was a theater rat in school, so I already had the call to the stage. I snuck into a bar with a friend and saw my first drag show. I was hooked. The next day, that friend did my makeup. I wore her dress and her hair. Before we went out, I walked her dog while dressed and her neighbor tried to pick me up. I was hooked.

Describe your performing persona. Elegant and fluid, with an ability to act in my performance. I think a performance without the ability to act is lacking. There must be a foundation on which to expand.

Any titles or pageants under your belt?

Miss Houston USofA, Miss Austin USofA, Miss Dallas USofA, and a few other state titles. Miss Southwest EOY, Miss Texas USofA, Miss Texas USofA Classic, Miss Texas Continental, and Miss Continental Elite. I may be missing a few.

What’s on your bucket list?

I don’t really have a bucket list, per se. If there’s something I want to do, I simply do it. Life is too short to have lists. What’s the commercial say? Just do it.

Most memorable moment as a performer?

I have two, actually. Meeting Dolly Parton dressed as Dolly Parton after working for the Grammy Museum as her, and performing in Las Vegas (as Madonna) for Whitney Houston while she screamed, “You’re better than Madonna!”

Most embarrassing moment on stage? I don’t get embarrassed. Things happen. We all fall, zippers bust, boobs fall out, wigs come off. It happens. If I keep this outlook, it’s easier for me to navigate life’s ups and downs.

Thoughts about legislation restricting drag performances?

There has always been legislation in one form or another against various minority groups. This is no different. We are in the mainstream now. There’s always going to be someone who doesn’t like what we’re doing. We need to remain vigilant.

What’s your guilty pleasure?

I don’t have guilt with pleasure. I only have pleasure. I don’t see the need to be guilty when indulging in things that make me happy. What makes me happiest are family vacations with my sisters, and good food— and most importantly, a shit ton of laughter.

Who are your favorite artists to perform?

The obvious answer is Dolly Parton. I can feel like death warmed over, but when I perform as Dolly, there is a Christ consciousness which takes over and I become a spiritual, fulfilled person. There’s something about emulating a woman who is full of said Christ consciousness which brings forth the feeling. Once I have the feeling, it emanates outward and touches everyone in my vicinity. It’s a miraculous thing, and I am humbled and honored to share the experience.

Follow Vancie Vega on Instagram and TikTok at @thenotdollyshow