July has some pretty important events to commemorate, such as Canada Day (July 1), U.S. Independence Day (July 4), Bastille Day (July 14), and the anniversary of the Apollo 11 lunar landing (July 20). But there are two other important days for me in the month of July.
July 16 is International Drag Day. It began on social media in 2009 with the objective to give Drag artists a space to share their creativity and culture and to support the larger drag community.
Adam Stewart, International Drag Day founder, said of the special day that it “is a day where all around the world on every gay scene we take this opportunity to celebrate and thank the drag artists that add so much to gay life and culture.”
At a time when drag artists and gender expansive people are targeted, harassed, demoralized, and sometimes placed in danger, a day to celebrate drag performers seems particularly important.
The other day I want to highlight is July 18, Nelson Mandela Day. Mandela Day is an annual global celebration that honors the memory of the postApartheid South African president and also calls individuals, communities, and organizations to reflect on his values and principles and put them into practice in their local areas.
July seems to be calling us to continue doing the work of justice-love. Let’s answer the call.
Bishop Durrell Watkins, D.Min., is the Senior Minister of Fort Lauderdale’s Sunshine Cathedral.
SunshineCathedral.org
Leadership Team
Col.1 Steven O. Evans, PhD2 (Publisher and Editor in Chief)
Connie Evans
(Chief Copy Editor / Mother of the Publisher)
Sach Advertising Group
(Senior Director of Graphic Design & Information Technology)
Megan Fitzgerald, PhD
(Associate Editor, Senior Writer; Associate Professor, Nova Southeastern University, Halmos College of Arts and Sciences)
Chandler Scott (Director of Social Media)
Nicole Ackerman, MA (Client Liaison)
Writers
Charles Baran
John M. Hayden (Senior South Florida News Journalist)
Denny Patterson (Senior Lifestyle Writer)
Savannah Whaley, Tony Adams, Rev. Aaron Lauer, Rev. Dr. Bishop Durrell Watkins
Brand Ambassadors
Joe Akin, Doug Ames, Charles Baran, Arnie Cuarenta, Clayton de Oliveira, Luka Gotsiridze, Rafi Maldonado, Jorge Perez, Richard Rodríguez-Pérez
Distribution
Jason Eakin
Photography & Editorial Consultant
Stephen Lang
Legal Oversight & Consultation
Richter Trademarks, T.L. Trantalis & Associates
Bishop Rev. Robert Griffin, DMin (Senior Associate Pastor, SunShine Cathedral)
Lois Margaret Nora, JD, MD, MBA (Medical School Advisory Group, former Senior Associate Dean, University of Kentucky College of Medicine)
Drs. John & Towanna Roller (Asbury University)
Valerie Weber, MD, MS (Dean Emerita, Boonshoft School of Medicine, Wright State University/President, Great Road Leadership)
Xendoo Accounting
National Advertising
Rivendell Media
Attorney
Law, P.L.
Photo Courtesy of Bishop Durrell Watkins, D.Min.
Count on Us Your Questions Answered
Latinos Salud’s healthcare providers answer some of the community’s most pressing concerns. This month, Kensy Chavez, ARNP, shares what you need to know about coping with an HIV diagnosis, what it means to be “undetectable,” and the emotional impacts of HIV.
What Changes with an HIV Diagnosis?
OutClique: All of us in the gay community know how much HIV treatment has improved over the decades. Still, people even now say, “I just tested positive. What’s next? Am I going to die?” What do you say to a patient at their first medical visit at Latinos Salud?
Kensy Chavez, ARNP: I start by saying: HIV is no longer a death sentence. With proper care, people with HIV can live in good health for decades—basically just as long as someone who is HIV-negative. But the fear and shock are real. That moment of diagnosis is a major emotional event, and it’s okay to feel overwhelmed. My job is to help patients move from fear to empowerment.
The first step is confirmatory testing, usually with a follow-up lab test. When a rapid test shows a “preliminary positive,” we confirm the result immediately. Once confirmed, we assess: 1. Your overall health, including CD4 count and viral load.
www.LatinosSalud.org
2. Co-infections, such as Hepatitis B or C, STIs, or tuberculosis.
3. Readiness to start treatment. We recommend starting antiretroviral therapy (ART) as soon as possible— ideally, on the same day as diagnosis.
Early ART brings the virus under control quickly, preserves the immune system, and gives patients a sense of control. It helps reduce long-term complications and mental health burdens.
We also screen for mental health, substance use, and social support. HIV doesn’t happen in isolation. If someone is dealing with depression, addiction, or homelessness, we help with those challenges too.
As for medication: most people expect it to be intense, but today’s HIV meds are easier than ever. In most cases, it’s just one pill, once a day—with minimal side effects.
We personalize your regimen based on your needs and medical history.
Bottom line: HIV is 100% manageable. You can live, work, travel, have sex, have kids—all of it. The key is to stay connected to care, take your meds, and attend your checkups. HIV doesn’t define you, but how you manage it shapes your life—and I’m here to help you build a life that’s full, long, and healthy.
What Does “Undetectable” Mean?
OutClique: What does “undetectable” mean? Are you cured?
Chavez: Great question—and one of the most important concepts to understand.
When we say someone is undetectable, we mean their viral load—the amount of HIV in their blood—is so low that standard lab tests can’t detect it. This is the goal of consistent antiretroviral therapy.
But undetectable is not the same as cured. The virus is still in the body, just under control. Think of it like turning down a fire: the flames disappear, but the coals are still hot. Stop taking medication, and the flames come back.
The life-changing news is: Undetectable = Untransmittable (“U=U”)
If your viral load is undetectable, you cannot transmit
HIV sexually. This fact is backed by major studies (like PARTNER and HPTN 052) and endorsed by the CDC.
To stay undetectable, you must take your meds daily. Skipping doses or stopping treatment can lead to viral rebound or resistance.
So no, undetectable doesn’t mean you’re cured—but it’s a major milestone in managing HIV. With adherence and regular care, people with HIV can live a full, healthy, and normal lifespan.
The Emotional Impact of HIV
OutClique: Any final advice for those newly diagnosed— or long-term survivors feeling discouraged?
Chavez: Yes. Don’t do this alone. HIV thrives in silence and shame. But the moment you speak up, start treatment, and get connected to care—you take your power back.
Whether it’s peer navigators, online communities, or providers like me—we’re here to support you, not judge you.
If you’ve been living with HIV for years and feel tired or burned out, that’s valid. Long-term survivorship can feel heavy. But you’re not failing. Every day you stay in care and take your meds is a win.
If you're struggling, reach out—even just to say, “I’m tired.” Latinos Salud is here for you.
World-class health care for the LGBTQ+ Community.
At Holy Cross Health, we’re proud to foster an open and inclusive environment where everyone can enjoy world-class medical care filled with compassion and kindness. From our diverse health care team to our far-reaching community health and well-being initiatives, we hope to become your trusted health care partner for life. Please call 954-565-7789 for an appointment.
Photos Courtesy
Stay Cool and Healthy: Summer Tips for South Florida
Summer in South Florida means sunshine, beach days, and outdoor fun. But with rising temperatures and intense sun exposure, it’s important to take steps to protect your health. Here’s how you can stay safe, beat the heat, and keep your skin healthy all season long.
Stay Hydrated
The South Florida heat can be relentless, and dehydration can sneak up fast. Make it a habit to drink water throughout the day, before you even feel thirsty. Avoid sugary or alcoholic drinks, as they can contribute to dehydration. If you’re spending time outdoors, bring a reusable water bottle and sip regularly.
Protect Your Skin
Sunburn isn’t just uncomfortable; it can increase your risk of skin damage and long-term health concerns.
Apply a broad-spectrum sunscreen with at least SPF 30 before heading outside and reapply every two hours.
Wear lightweight, loose-fitting clothing, sunglasses, and a wide-brimmed hat to shield yourself from harmful UV rays.
Plan Outdoor Activities Wisely
The hottest part of the day is typically between 10 a.m. and 4 p.m.
If possible, schedule outdoor activities for the early morning or late afternoon when temperatures are lower.
If you must be outside, take frequent breaks in the shade and listen to your body—if you feel dizzy or overheated, find a cool place to rest.
Keep
Your Home Cool
A cool indoor space can make all the difference.
Use fans or air conditioning to maintain a comfortable temperature.
If you don’t have air conditioning, consider visiting public spaces like libraries or shopping centers to escape the heat.
Close curtains or blinds during peak sunlight hours to keep your home cooler.
Schedule a Summer Health Check-Up or visit our Nutritionist
Summer is a great time to focus on feeling your best, and Care Resource offers nutritionist support to help you meet your wellness goals.
Whether you want to improve your diet, manage food sensitivities, or find ways to stay energized in the heat, our nutritionist can provide personalized guidance.
During the summer, staying hydrated and fueling your body with a balanced diet is essential for enjoying outdoor activities safely. Water helps regulate body temperature and prevent dehydration, while nutritious foods provide the energy and nutrients needed to keep you feeling your best. Prioritizing hydration and proper nutrition ensure you can make the most of the season while keeping your health in check. – Gloria Cabral, RD, LDN Registered Dietitian
Summer should be enjoyable, not uncomfortable. If you have questions or need a check-up, Care Resource is here for you—pre-register and schedule an appointment today!
CAN Community Health Debuts Bold Cover of
“Brave” to Uplift and Empower LGBTQ+ Community
A simple song can make a statement—especially for communities who may feel voiceless.
CAN Community Health is striking a powerful chord this Pride Month. The national nonprofit healthcare agency has released a moving music videoof Sara Bareilles’ “Brave,” performed by Miami-based singer and actor Alexander Zenoz.
Enjoy the full music videohere: https://www.youtube.com/watch?v=4bO4Zf44qzc
With powerful affirmations like “You CAN love who you love” and “You CAN create change” appearing on screen, the cover rekindles the spirit of CAN’s successful “Be Brave” campaign launched in 2021. The campaign encouraged people to stand united in their truth to accomplish great things.
“I’ve always believed that music can move people to heal and love,” said Alexander Zenoz, a Miami, Florida based singer and performer. “That’s what this project was all about—honoring our community with hope and strength.”
Founded in 1991, CAN Community Health operates more than 40 clinics nationwide, offering inclusive HIV prevention and care, PrEP access, Hepatitis treatment and more.
“Community is our middle name,” said Dr. Kal Gajraj, Chief Marketing Officer at CAN. “We want every person who walks through our doors, regardless of who they are or who they love, to feel safe and respected.”
Whether through event sponsorships, artistic collaborations or health services, CAN Community Health continues to meet the moment with courage—this time with a powerful statement through song.
New Clinic in Hollywood
Get The Best With Package ReGenesis
An interview with Dimitri Bakoulis of Genesis Health Institute
Baxter Martin: Dimitri, let’s get right to it. “Package ReGenesis” sounds bold. What exactly is it?
Dimitri Bakoulis: It is bold — and proudly so. Package ReGenesis is our exclusive three-in-one enhancement suite for men who want to look and feel their absolute best. It includes Scrotox, BoCox, and PenisSculpt — a combination of non-surgical treatments designed to elevate comfort, performance, and aesthetic confidence.
Baxter: That’s a serious upgrade. Who is this for?
Dimitri: It’s for men who take pride in their whole self. Maybe you’ve tried other things, maybe you haven’t — but you want results. Whether it’s about aesthetics, function, or simply feeling like your best self in and out of the bedroom, this package delivers.
Baxter: Can you break down what each treatment does?
Dimitri: Sure.
Scrotox uses wrinkle reducers to smooth out the scrotum, reduce sweat, and ease tightness. It’s quick, effective, and improves comfort — not to mention confidence.
BoCox is all about performance. It relaxes key pelvic muscles, boosts blood flow, and helps with sensitivity and stamina — a great option for men dealing with erectile function issues or performance anxiety. And PenisSculpt uses hyaluronic acid dermal fillers to add volume, definition, and hydration. It’s minimally invasive and customizable — whether someone wants a subtle enhancement or more noticeable change.
Baxter: Some men might hesitate. What would you say to them?
Dimitri: That hesitation is normal. But our approach is professional, respectful, and backed by years of experience in men’s health and aesthetics. These are in-office treatments with no surgery, no hospital time, and no need to explain anything to anyone unless you want to.
Baxter: So, what’s next?
Dimitri: Call us or scan the QR code below to book a private, complimentary consultation. Package ReGenesis isn’t about vanity — it’s about investing in yourself. You don’t settle in other areas of your life… why settle here?
Scrotox BoCox PenisSculpt
The
Package ReGenesis. the
Scrotox
Smooth out wrinkles, reduce sweating, and ease tightness.
A more youthful, relaxed look with zero downtime.
BoCox
Improve sexual performance, sensitivity, and confidence.
Relax pelvic muscles, enhance blood flow, support erectile function, and delay ejaculation.
PenisSculpt
Add volume, smoothness, and hydration. Achieve subtle or noticeable enhancement with natural-feeling results
Why Am I Not Gaining Muscle?
We asked a fitness expert to break down the most common mistakes and what to do instead.
By Dr. Steven O. Evans
If you’ve ever felt like you’re doing everything right at the gym but still not seeing muscle gains, you’re not alone. It turns out, a lot of us are missing key elements that make or break results—and it’s not just about working harder.
To get to the bottom of it, I spoke with a certified fitness professional who shared the most common reasons people struggle to build muscle—and what can help turn things around.
Q: A lot of people put in the time and effort at the gym but still don’t see results. Why is that?
A: It’s incredibly frustrating, but unfortunately very common. Most people think just showing up to lift weights is enough— but muscle growth depends on several other factors too. If one or more are off, it can seriously limit your progress, even if you're training consistently.
Q: Let’s start with nutrition. How big of a role does it play?
A: It’s huge. I’d go as far as saying it’s the number-one reason people don’t build muscle. To grow muscle, your body needs extra fuel—in the form of calories—and especially protein. A rough rule of thumb? Aim for about half your bodyweight in grams of protein daily. So, if you weigh 180 pounds, try to get at least 90 grams of protein, spaced out over your meals and snacks. Most people are under-eating without realizing it, and that alone can stall muscle development.
Q: What about the way people train—are there common mistakes there too?
A: Absolutely. Two big areas are load and volume. Load is how much weight you're using; volume is how many sets and reps. For building muscle, the sweet spot is typically 6–12 reps per set, for 3–6 sets, using a weight that really challenges you. If you're lifting too light—where you could easily do 15 or 20 reps—you’re not pushing your muscles enough to stimulate growth. Once someone has good
form, they need to lift heavy enough to feel real fatigue by the last few reps.
Q: Are certain exercises more effective for muscle gain?
A: Yes—and this is another area where people go wrong. A lot of folks focus on isolation exercises like bicep curls or triceps extensions, which only work one muscle at a time. There’s nothing wrong with them, but they’re not efficient if you’re trying to build mass. Instead, focus on compound movements like squats, deadlifts, chest presses, and rows. These engage multiple muscle groups at once and lead to more overall growth.
Q: Can poor sleep or lack of rest impact results too?
A: Definitely. Your muscles don’t grow while you’re lifting—they grow while you’re recovering. And that recovery happens mostly during sleep. Ideally, you want 7–9 hours per night. Not enough sleep disrupts hormone production and slows down muscle repair. It can also lead to fatigue, which affects the quality of your workouts.
So yes—sleep is a non-negotiable part of the process.
Q: If someone is doing most things “right” but not seeing results, what’s your advice?
A: Do a quick audit.
● Are you eating enough—especially protein?
● Are your workouts focused on challenging weights and full-body, compound movements?
● Are you getting quality rest?
Start with those basics. You don’t need fancy supplements or extreme programs—just consistency in those key areas. When those line up, the results tend to follow.
Q: Final thoughts?
A: Don’t give up if you’re not seeing results right away. Muscle building is a long game, but small adjustments in the right places can completely change your outcome. Trust the process, keep showing up, and give your body the tools it needs to grow.
Photos Courtesy of Dreamstime.com
The Price Center June Founders Circle Reception at PF Chang’s
Photos
October 28 - November 9, 2025
June 23 - 30, 2026
Resurrection Cup: A Local Blend of Coffee and Connection
By Sara Menco Arenas
In Broward County’s oldest city, there is a modern sense of community brewing inside Resurrection Cup, a cozy coffee shop in Dania Beach, founded by a Christian husband-and-wife duo with a mission bigger than just serving coffee.
Community is the heart of Resurrection Cup. More than just a place to grab coffee, the shop aims to be a true neighborhood spot—where building relationships with customers takes priority over the quick morning transactions. Resurrection Cup aims to create a space where guests feel like friends at the counter—comfortable enough to ask questions and engage.
“We visited coffee shops in lots of states, and what we noticed was that most places when you walk in it’s a little snobby. You feel a little intimidated to ask,” said owner, Alice Valdes. “We just didn’t want that. We wanted people to walk in and feel like their friends at the counter, find out what they like, not tell them what to get.”
Just five minutes away from the Fort Lauderdale-Hollywood Airport, Israel and Alice Valdes opened the doors to Resurrection Cup in October 2021, after a lengthy building project that took place during the Covid-19 pandemic.
Inside, a small bookshelf welcomes guests, along with hand-drawn art that lines the walls. Behind the counter, a mural of hands holding cacao beans adds to the shop’s cozy atmosphere. To the side, the illustrated menu features each drink with its ingredients and ratios, making it easy for customers to choose—even if they’re unfamiliar with the options.
That intentional effort to spark conversation is part of a larger goal, to make each customer feel seen and valued.
“People, when we remember their order, it’s amazing how it touches them,” said Alice Valdes. “People spend a lot of money on campaigns and how it looks online, but I think if you could remember somebody’s name, they would never forget you.”
Alice hopes to continue serving each customer with the same kindness and reflection of God that inspired Resurrection Cup from the beginning.
“It’s really cool to, hopefully, be a part of people’s lives, bring them joy every day,” she said. “I was a missionary for a long time, and sometimes God sends you to where the people are.”
Photo Courtesy of Sara Menco Arenas
Menco Arenas
Paul Murray Leads With Pride at Island House and the Key West Business Guild
By Tony Adams
You may not know his name, but Paul Murray is the welcoming smile behind the front desk when you check into Island House Key West. You may simply know him as the person who assists with anything you need during your stay. You may also know him as the kind and helpful man who’s got your back if you misbehave or get messy. In short, Murray is how Island House cares for you— and because he does his job so discreetly as assistant general manager, you might never have known his name. But now you do. Beyond that front desk, Murray plays a much larger role in Key West tourism: He is president of the Key West Business Guild.
Paul Murray remembers stepping off the plane that brought him to Key West on Nov. 1, 1992.
“The instant I breathed in that intoxicating air, I knew I
was home,” he says. “I was surprised that the island was flat. I thought it would be mountainous like Cuba. I had planned a weekend vacation, but the island embraced me from that first moment, and I knew I had to live here. The kindness, acceptance and generosity were overwhelming. The weekend turned into six weeks. I had to go back to Pennsylvania to tie up loose ends and to get my car, which I had left at the airport! I was happy to find it still there, and it started! I thought about what my father always said, ‘Never leave an airport unless you know where you are going to land.’ I had no doubt that the next time I flew, I’d be returning to Key West for good.”
Back in Key West, good things happened for Murray.
Shortly after arriving, Paul Murray connected with
Michael Stewart, owner of the popular Square One restaurant, and soon found himself entertaining guests there as a pianist and singer. He also ran a sundries store, which he purchased using his retirement savings. When a large drugstore chain arrived, he sold the store and launched a home electronics business specializing in TV and audio installations. Although Hurricane Wilma disrupted that venture, Murray rebuilt and operated it for several more years.
His electronics work led to a key opportunity with Island House, when the hotel needed help relocating its office electronics. Recognizing his skills, owners Jon Allen and Steve Silva brought Murray onto their team. He started at the front desk and was promoted to manager within weeks, selling his electronics business to focus on hospitality.
As Murray puts it, “That project was the beginning of a whole new chapter.”
Murray also had previous experience in the gay hospitality business. In 1979, he met his first love, Marc Bowman, who had purchased the Grand Hotel in Johnstown, Pennsylvania. Together, they transformed it into “The Marc 1,” the largest and most fabulous gay disco in central Pennsylvania. They made it dazzle, selling it in the mid-’80s. Eventually, in his next career managing a posh and conservative country club, rumors about his lifestyle as a gay man became destructive. Even though everything he managed had become profitable, he was not comfortable in Johnstown.
In Key West, Murray found love with Steve Smith.
“I met Steve within a couple of years of moving here,” he says. “I knew he was the love of my life, and as he got into the tourism industry, so did I. Steve was brilliant at what he did for Key West gay tourism.”
They bought their home in 1996. In 2022, Steve passed away—a loss Murray describes as losing “a titan” of tourism. Since then, he has felt driven to continue
Steve’s legacy by becoming more involved. Two years ago, Murray was elected vice president of the Key West Business Guild and now serves as its president.
He acknowledges the challenges ahead.
“Gay travel is changing. It’s more than just little gay flags in hotel lobbies—I call it ‘political tourism,’” Murray says.
He emphasizes that while the gay dollar is coveted worldwide, Key West remains unique as a safe haven where the community stands firm for its rights, supported by iconic gay establishments.
“The future of gay tourism is in our hands, and we are up to the challenges,”he says.
Murray is optimistic about that future but recognizes shifting attitudes among international visitors. He notes many are puzzled by recent political decisions in the U.S., and Key West could feel the impact if foreign tourists decide to stay away in protest. Still, Island House maintains a strong international clientele.
“They joke with us about politics, but beneath the surface, there is some tension,” Murray says. “Once they are here, they find the same fabulous and welcoming island they hoped for. We will keep it that way.”
Murray says Island House is his soul.
“I love spending my days with genuinely fun people. I could have retired, but when you’re doing something you’re passionate about, you keep on doing it,” he says.
Recently, Murray watched the SS United States sail past his home in Key West—a poignant reminder of his own journey aboard the ship in 1967, when, at age 13, he left England with his parents for a new life in the U.S. Like many who call Key West home, Murray celebrates the island’s unique magic and welcoming spirit. He remains committed to making everyone feel at home here— whether they stay for a weekend, six weeks, or a lifetime.
Photo
Courtesy of Mike Signor
A Fabulous Key West Getaway
By Charles Baran
An interesting thing happens to me every April in Florida, when the afternoons grow longer and the early evening Atlantic trade winds blow warmer. I get a hankering to hop in my Mustang and drive US1 from my Palm Aire home down the Florida Keys to Key West. To me, there is nothing as peaceful or as viscerally satisfying as strolling the bougainvillea-covered streets of Old Town with my husband under a balmy Key West sky after having had a delicious gourmet dinner at one of the many fine restaurants along the action-packed thoroughfare, Duval Street. Once a year, if only for a weekend, I need to get my fix.
The drive, just under 200 miles from the Wilton Manors / Fort Lauderdale area, is not as tedious as one might expect. If you are a fan of nautical scenery, as I am, it’s quite beautiful, breathtaking actually, especially if you make the drive while the sun is setting over the turquoise sailboat-dotted water shimmering off the 7-mile bridge (mile marker 153). When you reach Big Coppitt Key (mile marker 188), you’re almost there.
This year’s excursion to Key West was a bit extra for me as we were staying at the Bishop on Fleming Street.
Formerly named the Equator, the newly christened Bishop is a lovely property that retains the guesthouse feel while offering the amenities of a 4-star hotel. Two pools, a hot tub, daily happy hour at the poolside bar, and an extremely friendly and helpful staff make staying there a pleasure. No longer an exclusively all-male clothing optional resort, the Bishop remains LGBTQ friendly and the mixed crowd we met during our stay was low-key and pleasant. Our room, toward the rear of the property, was quiet and spacious, two factors we appreciated as we tend to enjoy hanging out in our room with a good book. From the moment we arrived we felt relaxed and pampered. We’d definitely stay there again.
While in Key West, I also planned on visiting a few of the establishments that I had known back in the early 80’s when I lived and worked on the island. Dinner on our first night in town was at Antonia’s. Known for its exquisite dining room bathed in rich wood tones and comfy, teal-cushioned banquettes, and equally wellknown for its spectacular homemade pasta dishes, Antonia’s has been a Key West landmark since 1979 when it opened its doors at the current, and still original, Duval Street location. The Chilean Sea Bass Piccata
Photo Courtesy of the Bishop Hotel in Key West
Photo Courtesy of Charles Baran
was exemplary, as were the Goat Cheese Souffle appetizer and my husband’s Fettuccine Prosciutto di Parma. Make a reservation. Antonia’s continues to be a popular destination.
The next evening was a really special one for me. In the early half of 1981, I was a busboy at La Terraza de Marti, today known officially as La Te Da; a guesthouse, restaurant, and nightclub located towards the southern end of Duval Street, a few short blocks from the famous “Southernmost Point Buoy.” La Te Da, I was happy to find out, was still home to the famous Sunday afternoon Tea Dance, where, back in ’81, after my busboy shift, I’d boogie with the likes of Holly Woodlawn and Vogue makeup artist Way Bandy, while Tennessee Williams sipped cocktails with Leonard Bernstein on the upper balcony overlooking the dancefloor. For my April 2025 return, I requested a table for two alongside the pool, a must if you are planning to dine there as the pristine tropical landscaping and romantically-lit water add to the vibe. Our server, while a bit younger than myself, had worked at La Te Da for many years and was most enthusiastic about being a part of our wonderful Key West experience. He steered us in the right direction for a delicious al fresco feast; Grilled Asparagus au Gratin, Spaghettini di Pomodoro and a wonderful Shrimp Scampi. After dinner, we headed upstairs to catch the Randy Roberts Show. Randy has held court in the cabaret room since 1998, performing as Cher, Bette Midler and Liza Minnelli. He ends each show with a half hour of just “Randy.” Flawlessly made-up and wearing a glamourous gown, he treated the audience to pop tunes and show tunes in his own marvelous voice. Unlike many drag performers, Randy sings every song, whether as one
of the three divas or himself. His musical arrangements and projections are superlative. You will definitely need a reservation. Every seat in the house was taken.
If it's art you are interested in, make sure to visit The Studios of Key West on Eaton Street. The bright and airy first-floor gallery always features a top-notch artist and smaller exhibits line the hallways of the upper floors. The weekend we were there, I fell in love with the mixedmedia work of abstract expressionist Gerson Fogaca. After viewing the exhibit, and before heading back home, we had lunch with local Key West artist Pam Hobbs. Pam has been a mainstay of the Duval Street art gallery scene practically since I met her in 1981. Her colorful paintings delight viewers with whimsical depictions of Key West architecture and star-filled skies. Many, if not all, of her paintings feature a rooster or two. Roosters are to Key West what pigeons are to Boston, they’re everywhere, even the trees. Pam took us to a charming laid-back spot called The Café on Southard Street for an easy and delicious lunch. Plenty of unique Vegan, Vegetarian, and Pescatarian options are offered in an atmosphere reminiscent of the Key West I knew in 1981. Being an advocate of healthy eating, I found each item we ordered perfectly prepared with the freshest ingredients and seasoned to perfection. The Café is a hangout for locals, so if you want to feel like you live in Key West, make sure you check it out.
Alas, when it was time to say goodbye to the staff at the Bishop, my friend Pam, all the roosters, and the purple bougainvillea, I had a lump in my throat. I always hate to leave Key West, but know, come next April, I’ll be back.
Photo Courtesy of Antonia's
At Mangia Mangia Tradition Meets Island Quirk in the Heart of Key West
By Isabelle Moreno
If you’ve been to restaurants that all look and feel the same, you start to appreciate a place that leans into its own identity. That’s what makes Mangia Mangia in Key West different. It’s proudly eclectic, retro, a little quirky, and very much rooted in the island.
“We’re not authentic Italian,” co-owner Heather Barnes told me right away. “And we’re not trying to be.”
The building dates to the 1920s, and the interior hasn’t changed much since the ‘80s. “I want it to match the place, you know?” co-owner Michael Barnes said. “I don’t want someone to walk into a restaurant in Key West and feel like they’re in South Beach.”
At Mangia Mangia, food is taken seriously. Ingredients are locally and ethically sourced. The fish, including fresh mahi, is local. The chicken is hormone-free, and they use high-quality flours including gluten-free rice flour and semolina.
“We grind it ourselves,” Heather Barnes explained. “It’s not the easy way, but you can taste the difference.”
All pastas are made in-house, with six or seven types in rotation. “We usually make six or seven types,” Michael Barnes said, “depending on what we’re running low on.”
There’s flexibility, too. Customers can swap pasta, go vegan, or gluten-free. Heather’s current favorite is the Mahi Piccata with Fusilli.
“Without staff, we couldn't do what we're doing,” Michael Barnes said. “You've got to have good people.”
Every Christmas, they fire up snow machines on the balcony. “So we brought it here,” Heather said. “There’s no snow in Key West.”
It’s nostalgic, colorful, and a little magical—especially when it snows.
Wilton Manor's Stonewall Pride
Photos Courtesy of Oliver Chen
Wilton Manor's Stonewall Pride
Photos
Wilton Manor's Stonewall Pride
Photos
Photos Courtesy
The Our Fund Foundation Increases Annual Distribution to Support LGBTQ Agencies Amid Growing Government Cutbacks
WILTON MANORS, FL, (June 17, 2025) - In response to increasing political attacks on LGBTQ rights and growing funding restrictions targeting LGBTQ-serving agencies, The Our Fund Foundation announced today that it will raise its annual endowed asset distribution from the traditional 5% to 6% for the current fiscal year.
The decision—amounting to an additional $92,000 in available grant dollars—is intended to provide immediate relief to frontline agencies whose work is being threatened at a time of intensifying need across South Florida’s LGBTQ community.
“This is a moment that demands leadership, courage, and
an abundance mindset,” said David Jobin, President and CEO of The Our Fund Foundation. “While the difference between 5% and 6% may seem marginal on paper, that additional 1% can mean the difference between survival and closure for the agencies we support. These are not just nonprofits—they are lifelines.”
The Foundation, which stewards nearly $25 million in assets, has built a reputation as one of the nation's most stable and impactful LGBTQ-specific funders.
“This Foundation was built for moments like this,” Jobin added. “Our careful stewardship is a given, but we must be known for not only how carefully we protect our assets – but also how boldly we use them to shape a healthier,
safer and more vibrant future for South Florida’s LGBTQ community. This move affirms what we stand for: that philanthropy should not only be safe—it should be brave.”
This marks only the second time in Our Fund’s 15-year history that the organization has increased its payout rate above the national standard. The first occurred during the height of the COVID-19 pandemic to support agencies responding to urgent community needs.
Scott Bennett, Chair of the Board of Directors, expressed strong support for the decision: “Our role as a community foundation is to rise to the occasion when others cannot. We’ve seen the writing on the wall—public dollars are drying up for LGBTQ organizations, and that’s unacceptable. We believe in meeting the moment with action.”
Grants stemming from the increased distribution will be awarded to agencies across the Foundation’s network that are directly impacted by recent funding reductions and political targeting.
As the only LGBTQ-specific community foundation in the Southeastern United States, The Our Fund Foundation continues to lead the way in advancing equality through philanthropy, strategic investment, and unwavering community support.
About The Our Fund Foundation
Established in 2011, The Our Fund Foundation has grown into the third largest LGBTQ+ foundation in the nation. As South Florida’s only LGBTQ+ community foundation, The Our Fund Foundation promotes philanthropy, manages enduring investments and conducts meaningful grantmaking to improve the lives of LGBTQ+ people in South Florida. For more information or to make a donation of any size, please contact The Our Fund Foundation at theourfund.org or call 954-565-1090.
Leading with Love at UCC Fort Lauderdale
By Megan Fitzgerald
At United Church of Christ Fort Lauderdale, Sunday mornings feel more like a family reunion than a formal service—and that’s exactly how Pastor Aaron likes it. With a theology rooted in justice, creativity, and welcomeness, the Nebraska-born pastor is guiding this LGBTQ+affirming congregation with authenticity and joy. In this conversation with OutClique, he shares the role music plays in his faith, what “open and affirming” really means, and why he believes God is still speaking.
Megan Fitzgerald: Can you share a little bit about your personal journey—what led you to ministry, and specifically how you ended up at the United Church of Christ, Fort Lauderdale?
Pastor Aaron: Of course. I was born and raised in rural Nebraska in a pretty conservative evangelical Christian home. Faith was very important to us. I loved the church— the Bible, the music. I've often said that music is my first faith language. We were very active, and I felt a call to leadership early. I was a leader in my youth group and sang on the praise and worship team.
As I got into middle school, I realized I was gay. Like many LGBTQ+ people of faith, I prayed for God to change me. But the older I got, the clearer it became that this wasn't going to change. I decided to leave the church and find a life in the secular world. But I went to a progressive Presbyterian college in Nebraska, where I took a New Testament class that changed everything. The professor emphasized service and justice, and I saw for the first time that I could be gay and Christian.
Eventually, I went to United Theological Seminary in St. Paul and got my master’s degree. I thought I'd work in LGBTQ+ advocacy, but I took a job as a youth minister at a UCC church and fell in love with it. I later moved to Coral Gables Congregational Church, and after seven years, I felt called again—this time to UCC Fort Lauderdale. I had always admired their Ruth Ministry, which serves people
experiencing homelessness. I started here in September 2023.
Fitzgerald: I know UCC Fort Lauderdale describes itself as an open and affirming congregation. What does that mean to you personally?
Pastor Aaron: That's a great question. We hear a lot of churches say, "All are welcome," but when you get inside, if you're gay or trans, they might let you worship but not lead. An open and affirming church not only welcomes LGBTQ+ people, we celebrate and empower them. I believe being queer is a gift from God. It's transformed how I see the world, understand God, and serve others. I don't want people to compartmentalize their queerness. I want it to be front and center, if that feels right for them.
Fitzgerald: How do you respond to LGBTQ+ individuals who’ve been hurt or excluded by a church in the past?
Pastor Aaron: I empathize deeply because I’ve experienced that too. The church I grew up in wouldn’t let me be a pastor or even a member. But I want people to know that the church is diverse. Just because one church told you God doesn’t love you doesn’t mean that’s true. I believe God welcomes and affirms all people. Our church exists to be that kind of place.
Fitzgerald: How do you see the role of the church in today’s climate where everything feels so divided?
Pastor Aaron: I go back to my denomination's name— the United Church of Christ. All three words matter. We believe we are called to unite despite differences, and to do the work of justice and love. Unfortunately, many churches in the U.S. have been seduced by power and control. They're using faith to imprison rather than liberate. I want churches like mine to speak out—to show people there's another way to be Christian: one rooted in love, welcome and justice.
Fitzgerald: Describe a typical Sunday morning. What
can someone expect the first time they walk through your doors?
Pastor Aaron: We call it one big family reunion. It’s warm, welcoming, and loving. Worship starts at 10:30, but people show up by 9:45 just to catch up. The service is largely led by the congregation. I preach and lead communion, but members do the call to worship, prayers, and ushering. We have a choir, soloists, and musicians. After the service, we gather for coffee and refreshments. It's my favorite part because I get to connect personally— check in on people, hear their stories. Visitors always tell us how kind and welcoming everyone is.
Fitzgerald: What role do the arts play in the church? Why is that important to your community?
Pastor Aaron: The arts are vital. Historically, the Congregational Church was a community hub for education, civic engagement and the arts. We carry that forward. My master of divinity is actually in theology and the arts. Whether it's visual art, music, or theater, I believe God speaks through creativity. In a time when arts funding is under attack, we want to be a space where artistic expression is celebrated. Our denomination says, "God is still speaking"—and sometimes God speaks through a song, a painting, or a play.
Photo courtesy of JR Davis
Fitzgerald: What kind of legacy are you hoping to leave at UCC Fort Lauderdale?
Pastor Aaron: I tell people I could retire here and be fully happy. I want us to be seen as a church deeply invested in our city, county and state—caring for people and for creation. We have strong ministries like Ruth Ministry and pastoral care. My role isn’t to dictate, but to shepherd and empower. I hope people say I helped guide them through hard times and sent them out into the community to love and serve.
Fitzgerald: The phrase "God is still speaking" really struck me. What does that mean to you?
Pastor Aaron: I believe God is with us in all of creation— in nature, science, psychology, our prayers. God didn’t stop speaking when Revelation ended. God reveals new things all the time. We can learn from other faiths, from
science, from history. Our job is to be open, seek that out, and respond.
Fitzgerald: Is there anything else you’d like our readers to know about you or the church?
Pastor Aaron: For the past five years, I’ve sung with the Gay Men’s Chorus of South Florida. That’s a big part of my life. We’re also part of Bold Justice, a local organization focused on criminal justice reform and affordable housing. I know OutClique is an LGBTQ+ magazine, but everything is intersectional—race, economics, faith, queerness. Our church doesn't call itself a gay church, but we are a church made up mostly of LGBTQ+ people who care about all people. Every day I ask: Who will I meet today? What's their story? How can I meet them with love, not judgment? That’s my mission—and our mission as a church.
Author: Megan Fitzgerald, PhD, Associate Professor
Photos courtesy of JR Davis
FAB Celebrates Largest-Ever Grant Cycle with $405,000 Distributed to Broward Arts Groups
By Diana Hanford, Pierson Grant PR
Funding Arts Broward (FAB) proudly announced the distribution of a record-breaking $405,000 in grants during its 2026 Grant Awards Ceremony & Cocktail Reception presented by JP Morgan. The event held May 8, 2025 at the picturesque Bonnet House Museum and Gardens, celebrated FAB’s most impactful funding cycle to date.
Fifty-six arts and cultural organizations from across Broward County were awarded grants, underscoring FAB’s ongoing dedication to strengthening the region’s creative community. Attendees enjoyed an evening of cocktails, lite bites, and captivating live mini performances and artistic vignettes from several 2026 grantees, including Hued Songs, Florida Children’s Theatre, Volta Music Foundation, Island City Stage, Brazilian Voices, and Japan Arts. The historic venue provided an inspiring backdrop to highlight the rich diversity and talent FAB supports.
“Thanks to the unwavering commitment of our FAB members, SPARK campaign donors, and generous
corporate sponsors, we were delighted to award our largest grant pool ever,” said Mary Riedel, President of Funding Arts Broward. “This achievement underscores FAB’s steadfast mission to enrich the local arts community and sustain a vibrant creative ecosystem.”
Earlier this spring, FAB’s 2026 Grants Committee evaluated $625,750 in funding requests from new applicants. Following a rigorous and highly competitive review process, 65% of the total requested funds were awarded—demonstrating both the exceptional quality of applications and the increasing need for arts funding in Broward County.
2026 FAB Grant Recipients by Discipline:
Theatre – $92,800 (10 Programs): Art Prevails Project, Developing Dreams Foundation, Fantasy Theatre Factory, Florida Children’s Theatre, Inside Out Theatre Company, Island City Stage, New City Players, Plays of Wilton, Slow Burn Theatre Company, Thinking Cap Theatre
Dance – $34,600 (4 Programs):
Arts Ballet Theatre of Florida, Dance NOW! Miami, Fort Lauderdale Children’s Ballet Theatre, Miami City Ballet
Music – $134,600 (18 Programs):
Brazilian Voices, Broward Center for the Performing Arts, Chopin Foundation, Embrace Music Foundation, Florida Grand Opera, Florida Singing Sons, Florida Youth Orchestra, Gay Men’s Chorus of South Florida, Gold Coast Jazz Society, Hued Songs, Japan Arts/Fushu Daiko, Master Chorale of South Florida, Seraphic Fire, South Florida Chamber Ensemble, South Florida Pride Bands, South Florida Symphony Orchestra, Symphony of the Americas, The Girl Choir of South Florida
Visual and Film – $38,000 (5 Programs):
Art and Culture Center/Hollywood, ArtServe, Coral Springs Museum of Art, Fort Lauderdale International Film Festival, NSU Museum of Art
Arts Education – $105,000 (19 Programs):
Art and Culture Center/Hollywood, Broward Center for the Performing Arts, Coral Springs Museum of Art, Evolutionary Arts Life Foundation, Fantasy Theatre Factory, Florida Children’s Theatre, Florida Grand Opera, Florida Youth Orchestra, Florida Singing Sons, Girl Choir of South Florida, Gold Coast Jazz Society, Lovewell Institute for the Creative Arts, Master Chorale
of South Florida, Miami City Ballet, NSU Art Museum Fort Lauderdale, Seraphic Fire, South Florida Pride Bands, Symphony of the Americas, Volta Music Foundation
Funding Arts Broward’s 2026 Reception Sponsors included:
● Presenting Sponsor: JP Morgan Private Bank and Scott & Renee Johnson
● Entertainment Sponsor: Berger Singerman
● Catering Sponsor: Silverman Schermer
● Grantee Sponsors: Community Foundation of Broward, David Jobin and Angel Burgos
About Funding Arts Broward (FAB)
Funding Arts Broward (FAB) is a dynamic, privately funded non-profit organization dedicated to enhancing the arts in Broward County. Established in 2003 by local artist and philanthropist Francie Bishop Good, along with 74 other committed arts supporters, FAB aims to sustain and enrich the arts through strategic grant-making and program development including; impactful performing arts programs, visual arts initiatives, public art projects, and arts education efforts. Since its inception, FAB has awarded over $5.4 million in grants, championing arts advocacy and supporting a vibrant cultural landscape in the community. Through its ongoing efforts, FAB continues to play a pivotal role in fostering creativity and access to the arts for all residents of Broward County.
Stonewall Pride Party
at the Home of Don D’Arminio and Marc Martorana
Photos
Photos Courtesy
The Bonnet House Museum and Gardens: A Place to Breathe
By Jazmira Guzman, Nova Southeastern University
When visiting Fort Lauderdale, there are plenty of tourist spots. But if you’re looking for something beyond the expected, Bonnet House Museum and Gardens may be what you’re seeking. With its historic and whimsical architecture, tropical grounds, and deeply personal stories, the Bonnet House is more than a museum—it’s a living portrait of South Florida's artistic and environmental heritage.
For Patrick Shavloske, CEO of the Bonnet House, the property is “a place where you get a sense of the past, the sense of the people who lived here, and the way that they lived.”
Originally built in 1920 by Chicago artist Frederic Clay Bartlett as a winter home, the Bonnet House is a canvas where art and nature meet.
“Everything that you see on this property was a decision made by someone who had an artistic eye,” says Shavloske.
Bartlett’s artistic spirit is evident in every corner, from hand painted ceilings to playful sculptures to gardens, making the house a living representation of Bartlett and his wife Evelyn, who was also an artist.
“The Bartletts used this as a vacation home, and they infused it with their personality,” Shavloske added.
That personality remains the central part of the experience today, guided towards offering glimpses into the couple’s eclectic lifestyle and creative passions.
But the Bonnet House isn’t just a time capsule of family
history—it is also a critical piece of environmental conservation. Spanning 35 acres along North Fort Lauderdale Beach Blvd, it also represents some of the last undeveloped coastal lands in South Florida.
“We’re preserving not only the art and architecture but the environment itself,” says Shavloske.
The museum’s mission goes beyond storytelling; it’s about safeguarding the legacy of the land.
“It’s an example of what Fort Lauderdale looked like before all of the development,” says Shavloske.
Community engagement is another pillar of Bonnet House’s mission. The museum hosts a variety of events throughout the year – from garden concerts and orchid festivals to weddings and banquets, all designed to infuse history and culture into each event.
“We see the Bonnet house as a place where people can connect, learn, and be inspired,” Shavloske said.
As South Florida continues to evolve, the Bonnet House stands as a reminder of what once was—and what can still be cherished. Its fusion of history, art, and nature makes it one of a kind in a region often known for its fast pace and modernity.
“When people come here, they slow down. They breathe. They leave with something they didn’t have before,” says Shavloske.
Jazmira Guzman is a student reporter in NSU’s feature writing course taught by Dr. Megan Fitzgerald in the Department of Communication, Media, and the Arts.
THE TITANS QUINTETS BY BACH & DVOŘÁK
Thursday, July 24
Coral Gables Museum
Friday, July 25
Center for Spiritual Living Fort Lauderdale
Two titans of music converge as the relentless rhythmic energy of Bach’s dramatic Keyboard Concerto in D minor meets the brilliance of Dvořák’s folkinspired String Quintet No. 2, creating an unforgettable night of chamber music. Included with ticket, enjoy bubbly with the musicians after the concert.
YOU CAN BE BOLD, LIKE PHILANTHROPIST MONA PITTENGER
“Partnering with the Community Foundation of Broward empowers me to make a BOLD impact for the community I love. As a longtime philanthropist and LGBTQ activist, my new endowed charitable funds at the Community Foundation are broadening the scope and amplifying the impact of my giving. Grants in my name develop future leaders, break down barriers to success and shape a community where everyone is treated with equity. I love that my endowed support is the gift that keeps on giving, long after I’m gone. With the Community Foundation as a partner, my BOLD impact never ends.”
our
Breaking the Frame: MAD Arts Museum’s Immersive Experience
By Kayla McGee, Nova Southeastern University
At the intersection of tradition and innovation, the MAD Arts Museum is redefining how we experience art. Known for its cutting-edge approach, the museum has embraced immersive art—transforming pieces into dynamic experiences that invite visitors to engage with and shape the artwork. By merging technology and creativity, MAD Arts is opening new doors for artists and audiences alike.
“I think, like what MAD Arts is doing, not only with their technology, but with their care and intention, when it comes to theVERSEverse, it is honestly something that just really blows me away and humbles me so dramatically,” said Elisabeth Sweet, communications lead for theVERSEverse, a women-led collective of poets, writers, artists, editors, curators, and creative technologists who are part of a movement to shape the future of literature.
One exhibit, Lit Encounters, is a long-term collaboration between MAD Arts and theVERSEverse. It brings together writers, visual artists, and code poets to transform poetry into multimedia experiences, showcasing how technological innovation can amplify its preservation.
Sweet believes the exhibit helps elevate poetry to the realm of fine art.
“Part of being an artist in the more traditional artist space is that collectors have your work on their walls or in their studios, and in places that are very public and very, very pronounced,” she said. “Poem equals work of art does position poetry in that same space and in the space of fine art, something that should be collected and valued, inherited, passed down, really highly valued at the end of the day as the art. It might not have had the same sort of connotation, or the same sort of assumptions throughout history.”
Artist and co-founder Ana María Caballero sees technology as a tool to deepen expression.
“I think there's something that the digital wields, that the page cannot, which is voice, which is sound,” said Caballero. “And that's a really important aspect of my work personally.”
That sense of emotional depth resonates across other exhibits as well. Kristin McGuire, co-founder of Studio McGuire, said immersive art can go far beyond visual spectacle.
“Evoking emotions in our audiences is our raison d’être as artists,” she said. “We want to make the types of immersive artworks that prompt introspection and empathy.”
Photo Courtest of Together & Sunspell
Photo Courtest of Andrew Pattenden
Photo Courtest of Davy & Kristin McGuire
The Official Victory Party for Mr. & Miss Stonewall 2025
Photos
New City Players Presents Confederates , a Bold Story of Identity and History
By Ryan Davis, Nova Southeastern University
For theater lovers looking for a show that’s more than just entertainment, New City Players has something moving in store this summer. From July 12 to 27, the Fort Lauderdale-based company will present Confederates at Island City Stage—a bold production that blends humor, history, and heart.
Led by Producing Artistic Director Tim Davis, New City Players is known for staging intimate, thoughtprovoking works, and Confederates is no exception. Written by acclaimed playwright Dominique Morisseau, the play moves between two time periods—the 1860s and 2022—to explore the parallel struggles of two Black women fighting for freedom, identity, and respect.
“What drew me to this play was the way it connects two completely different worlds but shows how some of the same battles still exist today,” Davis explains. “It really forces the audience to reflect on what progress actually looks like.”
For Davis, theater has always been about connection. He believes stories like Confederates are what people need in a world that often feels divided.
“Theater gives us this rare opportunity to step into someone else’s experience,” he says. “It slows us down and lets us view life through a different lens—even if just for an hour or two.”
New City Players has been creating that kind of space for ten years. What started as a small group performing in Fort Lauderdale has grown into a respected company with an ensemble of over 20 artists committed to sharing meaningful stories. Their mission is to nurture local talent and stage productions that explore human complexity and diversity.
Bringing a play like Confederates to life hasn’t been
without challenges. Davis admits that attracting audiences to lesser-known plays—especially ones centered around Black female voices—can sometimes be difficult.
“There’s always a risk when you step outside of what’s comfortable or familiar for your audience,” Davis says. “But I believe that’s where real growth happens—for the audience and for us as artists.”
What excites Davis most about this production is the talented team behind it. Directed by Bahá McCain, a theater professor at the University of Miami, and starring powerhouse performers like Rita Cole and Nye Fairweather, Davis feels confident the story will leave a lasting impact.
“I’m thrilled to see how this cast brings the story to life,” Davis says. “Their passion, talent, and perspective make this production incredibly special.”
If Davis had to sum up what he hopes people take away from Confederates in just one word, it would be “transformative.”
“I want people to leave the theater feeling different from when they walked in,” Davis shares. “Whether it challenges their thinking, makes them feel something new, or simply helps them see someone else’s story a little clearer—that’s the power of theater.”
Looking beyond this production, Davis hopes New City Players continues to serve as a creative force that brings South Florida’s community together.
“At the end of the day, we want to create more than just great theater,” Davis says. “We want to build understanding, create empathy, and start conversations that matter.”
July 12-27, 2025
Island City Stage | NewCityPlayers.org
6 Tips
For Keeping that Workout Going
1
2
3 4 5 6
Wear the work out clothes - put the clothes on. Find some fun work out clothes
Grab a workout / accountability partner
Find some workouts that are fun / playful
Make a plan / plan your workouts at the top of the week, put them in your schedule, respect the plan
Find the right work out / location
Put on some high energy music, splash water on your face, look in the mirror and say, I can get this done
Author: OutClique Staff
CommuniTEA Dance 2025
at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County
Photos
Photos Courtesy
Save the Date! Hannah Benitez Talks Island City Stage’s ‘At the Wedding’
By Denny Patterson
Weddings are supposed to be a celebration of love, but what happens when you're stuck on the guest list of your ex’s big day?
That’s the emotional tightrope walked in Bryna Turner’s hilariously poignant production At the Wedding, playing at Island City Stage August 21-September 14, 2025. Audiences will find themselves laughing through the heartbreak right alongside its flawed but fiercely relatable protagonist, Carlo, played by actor and playwright Hannah Benitez.
Delivering a performance that speaks to anyone who's ever loved and lost - especially within the queer community - Benitez brings Carlo to life with nuance, vulnerability, and sharp wit as she navigates the chaos of heartbreak, wine-fueled honesty, and the universal sting of watching someone move on.
OutClique recently sat down with Benitez to talk more about At the Wedding, her approach to storytelling, and why this production is the perfect cathartic escape for anyone who’s ever been the guest at someone else’s happily-ever-after.
Denny Patterson: Thank you for taking some time to chat with me, Hannah! How excited are you to perform At the Wedding at Island City Stage?
Hannah Benitez: Extremely! I saw the original production of the play at Lincoln Center and have been after it ever since.
Denny Patterson: Can you tell us more about your character and what aspects of their journey resonate with you personally?
Hannah Benitez: Carlo crashes her ex-girlfriend's wedding. Oh, and she's marrying a man. Just like Carlo, I am my most sardonic at weddings. Just for very different reasons.
Denny Patterson: You have made significant strides as a playwright with works like GringoLandia and For Closure! How does stepping into the role of performer in At the Wedding influence your perspective on storytelling?
Hannah Benitez: It was doing dozens of shows over the course of my career, from new plays to the ‘great classics,’ affronted with the banal one-dimensional female tracks - these women written by men who never really understood the experience of anyone other than themselves. I mean, how many times can you sing a song about the man you love not loving you back or talk about the man you love not loving you back before it starts to erode your psyche? That really pushed me further into writing, to make up for the lack of fully, realistically, or even fantastically constructed characters and stories, even within the ‘great plays and musicals’ of the canon. A lot of which aren't as great as we've been told they are when we look back at them now.
Denny Patterson: Given your experience both writing and acting, how do you navigate the transition between
creating a character on the page and embodying one on stage?
Hannah Benitez: There is no transition, only a difference of instrument.
Denny Patterson: Your previous works often highlight LGBTQ+ themes. How does At the Wedding contribute to the representation of queer stories in contemporary theater?
Hannah Benitez: It's one of the few incredible new plays out there that is also in touch. So many new plays, including queer ones, are out of touch because of the classism of theater-making. It’s easier to be a playwright if you don't have to worry about food scarcity and can pay to produce your own work on Broadway with your father's investment firm friend. But not this play. I think it's a triumph.
Denny Patterson: This isn't your first collaboration with Island City Stage, considering your upcoming commissioned play Pegged . How has your relationship with the company evolved, and what makes this partnership meaningful to you?
Hannah Benitez: Being listened to, and I mean actually listened to as a young female writer is very rare when it comes to producing collaborators, but it's something that the entire Island City Stage team has always done with me. This will only ever yield better work from all parties.
Denny Patterson: Can you give us a little synopsis on what Pegged is about?
Hannah Benitez: After an attempt at pegging goes wrong, a hetero couple's life collapses to chaos. A
local political scandal may have more to do with their pasts than they realize, testing the boundaries of their newly fissured relationship. Pegged is an exploration of masculinity in a world where we're losing so many men, so many of the ‘good ones’ to the far-right. A jet black dramedy.
Denny Patterson: What do you ultimately hope audiences will take away from At the Wedding , especially in terms of its commentary on love and relationships?
Hannah Benitez: That all traditions should be questioned.
Denny Patterson: Is there a certain scene or moment within the show you are most excited to perform?
Hannah Benitez: I can't play favorites. I have to separate actor pleasure/catharsis from the circumstances I'm experiencing as the character, Carlo.
Denny Patterson: Have you always had a passion to pursue a theater career?
Hannah Benitez: No. Bets were always on me being a biologist, but I am crap at math (laughs).
Denny Patterson: Before we wrap up, are there any other upcoming projects or anything else you'd like to mention or plug?
Hannah Benitez: Yes! My five-character comedy, Adaptive Radiation , is going to print with Broadway Play Publishing. You can snag a copy later this summer at BroadwayPublishing.com, and my period piece, Gray Mare , is currently being developed with Broadway's Hannah Ryan and Indecent's co-composer Lisa Gutkin, up in NYC.
Stay up-to-date and connect with Benitez by following her on Instagram @hannahbenitezzz, or visit HannahBenitezWriter.com.
For more information about At the Wedding and to purchase tickets, visit IslandCityStage.org.
August 21-September 14, 2025
Island City Stage | IslandCityStage.org
Photos Courtesy of Michael Eady
Symphony Of The Americas (SOTA) 2025 / 2026
Brings Thrills And More To Broward County
By Charles Baran
To say SOTA’s upcoming 2025 / 2026 season will be a thrilling one, is a bit of an understatement for sure. SOTA’s newly installed Artistic and Music Director Luke Frazier, wasted no time leaving his mark on his new home. In fact, there’s so much greatness being offered, it’s hard to decide where to start. Here goes.
For openers, the September 28 and 30 concerts at the Broward Center for the Performing Arts, titled Getting to Know You, promises to do just that. For Frazier’s initial program at the helm of the 38-year-old symphony, the Maestro has selected pieces he considers his favorites, pieces “that have shaped my musical journey.” SPHINX award winning clarinetist Juan Esteban Martinez joins the program for Weber’s magnificent Concertino for Clarinet. Also on the program are Metropolitan Opera Mezzo Soprano Tesia Kwarteng singing Roger Quilter’s exquisite art songs and Violinist Regino Madrid of the National Symphony Orchestra performing Vaughn Williams’ Serenade to Music. It’s a splendid season opener not to be missed.
The November 9 and 11 concerts bring an evening of Bach, Beethoven and Brahms focusing on the lesserheard works from these musical masters. Frazier will take to the harpsichord alongside the orchestra for Mahler’s iconic Bach Suite, including the Air on the G String, one of the most famous pieces in music history, Steinway Artist Mary Anne Huntsman will be featured on Beethoven’s invigorating and rarely performed Rondo for Piano and Orchestra and the concert will finish with the full-orchestra version of Brahms’ Piano Quartet.
Another fabulous Metropolitan Opera vocalist, Soprano Maureen McKay, joins the SOTA orchestra for the March 22 and 24 performances of Haydn’s The Creation . This musical masterpiece will also feature Italian American award-winning Tenor, Jordan Costa, celebrated BassBaritone, Peter Barber and a full chorus. To add to the already high level of excitement, AI-generated projections will accompany the entire performance creating an unbelievable visual experience, transporting
you to a magical world as the music and voices soar.
A season planned by Luke Frazier is bound to include some wonderful Broadway music and on May 10 and 12, Frazier serves up the best. Two of the brightest stars on Broadway, Lindsay Mendez and Jesse Mueller join the SOTA orchestra for an evening titled It Takes Two. An extra-special evening where Lindsay and Jesse will share personal milestones of their remarkable careers through song and story, this is a chance to experience these amazing performers, reunited after their success in the Broadway revival of Carousel, in an intimate and exciting way.
If it’s something different you are looking for and are willing to “step out of the box,” Maestro Frazier has partnered with the NSU Art Museum in Fort Lauderdale for a series of concerts at the museum’s Horvitz Auditorium called Up Close. The October 9 and 10 concerts bring the legendary Carole King album Tapestry to life in an exciting new way featuring Billboard chart-topping singer and songwriter MORGXN on vocals and Luke Frazier on piano. Returning to the Horvitz Auditorium on February 12 and 13, the Up Close series will celebrate female composers throughout the history of classical music, from the 18th century to today. Titled She Did it Her Way, the concert will feature American Traditions Vocal Competition Winner Liz Baldwin.
And for a completely unique one-of-a-kind experience, Frazier will team up with renowned yoga instructor Dan Carter on Wednesday evening, October 8, at the stunning Rooftop Pool Deck of the Flow Hotel in Fort Lauderdale for an hour of yoga with live musical accompaniment. Being an advocate of exercise and healthy living, this exceptional event immediately went on my fall schedule.
These are just some of the highlights of SOTA’s amazing season. There’s so much more. It’s a season packed full of spectacular music and performances. For a complete program schedule, visit the SOTA website at www.sota.org.
Dazzling Divas at The Parker
Photos
Photos Courtesy
Hookups Happen. Be One Step Ahead.
PrEP lets you enjoy without the worry. Daily pill or shot - your choice, your protection
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As your partner in health, we’re proud to o er:
• Comprehensive Primary Care
• Free STI, HIV, and HCV Testing (Walk-ins welcome)
• PrEP, nPEP, and DoxyPEP Services
• Onsite Laboratory and Pharmacy Services
CAN Community Health – Care With Pride. Care With Purpose. We're ready when you are - book your visit and experience care done right - the CAN way!
