ABOUT ME
a self-taught and freelance graphic designer, specialized in books designing, and a Translator, with a keen interest in art criticism, art History and contemporary art.
QUALIFICATIONS
- SUDANESE SECONDARY SCHOOL CERTIFICATE
2006 - ADVANCED ACADEMIC ENGLISH LANGUAGE
KBU College, Kuala Lumpur, Malasyia
2015 - IELTS CERTIFICATE
Score 6.6, British Council, Muscat
2016 - Arabic (Mother tongue)
LANGUAGES
- English
WORK EXPERIENCE
- ALYASREEN PRINTING AND DESIGN
Algubrah - Muscat / JAN 2016 - OCT 2016
- SHINE MARK MULTIMIDIA AND PRINTING SOLUOTIONS
Maibila, Muscat / DEC 2016 - JAN 2017
- AL BATNA PRINTING PRESS FOR THECNOLOGICAL PRINTING
Al Wadi Alkabir - Muscat / DEC 2017 - MAR 2022
- ARAB INSTITUTE FOR LEGAL STUDIES
Uzaiba - Muscat / MAR 2022 - till now
- FREELANCE TRANSLATOR
Not less than 5 Years Experience as a Freelance Translater, doing personal Translations Including but not limited to Literature Essays, art criticism etc ...
And as a Cooperating translator with translation ofiices and specialised organizations such as Electronic magazines freelancing
websites, and individuals, Translating various subjects such as Medical reports, Legal Documents, etc...
2019 - till now
SKILLS
- Fluent English language: writing, speaking, listening, reading, and translating various Kinds of Written Texts From English to Arabic and vice versa.
- Designing Print and Degital Media Such as (Flyers, Company Profiles, Social Media Posts, Rollup Banners, Magazines, Books ..etc).
- Familiar with both PC and MAC Systems.
- Use of the following Adobe Designing Softwares :
SAMPLES
Companies Profiles
Social Media Posts
Roll up Banners
What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is. [Warhol’s Brillo boxes] could not have been art fifty years ago. The world has to be ready for certain things, the artworld no less than the real one. It is the role of artistic theories, these days as always, to make the artworld, and art, possible.
Essentially, Warhol’s Brillo boxes are art because the work has an audience which understands it via a certain theory (to use Danto’s term) of what art can be. The artworld (comprised of critics, curators, collectors, dealers, etc.) plays a part in which theories are embraced or snubbed. As Danto surmises, “To see something as art requires something the eye cannot descry — an atmosphere of artistic theory, a knowledge of the history of art: an artworld.”
Translation
