Ventura Lambrate | Press Report 2015

VENTURA LAMBRATE

Press Report

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“Ventura is so unique because of its young & Fresh feeling, the interesting mix of public and the effectiveness of the organisation. ”

- Jaime Hayon | Designer

Milan Mania.

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Publication: Elle Decoration Country: the Netherlands Date: 24-02-2015 Type of Publication: Magazine

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HET IS HET MEKKA VAN DESIGN. EN EIGENLIJK NOG VEEL MEER DAN DAT. VERSTOKTE DESIGNBEURSGANGERS ROEMEN DE BEURSWEEK IN MILAAN ZELFS OM EEN GEVOEL VAN MYSTIEK EN MAGIE. VOOR WIE HET MEE WIL BELEVEN: EEN KLEINE HOE-OVERLEEF-IKMILAANGIDS, MET TIPS EN TO-DO’S. tekst en productie RENSKE SCHRIEMER

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Publication: Elle Decoration Country: the Netherlands Date: 15-03-15 Type of Publication: Magazine

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Publication: Glass is more Country: The Netherlands Date: 09-12-2014 Type of Publication: Webpage

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CALL FOR ENTRIES VENTURA LAMBRATE 2015 Are you ready for Milan? ...Of course you are not fully ready yet and neither are we, but we are bursting with energy to start working on the new Ventura edition. And so it is time to invite you to apply for the next Ventura Lambrate! From 14 to 19 April 2015, this popular district of Milan’s Salone del Mobile will serve as a melting pot for those who dare… So are you ready?

Are you a designer or representative of a studio, label, institution, collective or academy, or a hippie with a mission*? Apply now to take part in Ventura Lambrate 2015. The deadline is 19 December 2014.

Apply before 19 December and take advantage of the early bird discount (no application fee). *Thanks Daan!

Ventura Lambrate 2014, Berlin Design Selection. Photo by Claudio Grassi

Posted 9 December 2014

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“Ventura Lambrate is without doubt my favourite part of Milan Design Week. It is always bursting at the seams with young enthusiastic designers, new ideas and cutting edge design, with a real festival vibe.” Jaime Hayon This international call goes out to: • designers and design studios • academies • design collectives • cultural institutions, galleries and museums • design labels and creative brands • companies with exceptionally creative projects and installations • projects with a special focus on cross-disciplinary collaborations

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The following selection criteria will apply: • newness (never shown before) • originality • innovation • aesthetic quality • impact • high quality • relevance • exhibitor professionalism Ventura Lambrate aspires to exhibit cross-disciplinary collaborations; processes and experiments that are part of the making of design projects; and fascinating conceptual ideas. In this edition, we’ll focus on the crossover between design and various areas of science and social progress. We’ll also provide a stage for the most interesting design–fashion hybrids. We are furthermore very interested in hearing which ideas and subjects you are working on, and what processes you are working with, so please share those with us.

Attention, the deadline is 19 December 2014.

Apply> See our website for details on how to apply! And if you have any questions, contact us at milano@ organisationindesign.com.

Get social with us!

Make sure you don’t miss anything! Like, follow and share us on Facebook, Twitter, Instagram & Pinterest.

Look back at Ventura Interieur 2014!

We just staged the second Ventura Interieur exhibition at Biennale Interieur in Kortrijk, Belgium.

Take a look at our presentation!

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Publication: Textile is more Country: The Netherlands Date: 09-12-2014 Type of Publication: Webpage

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CALL FOR ENTRIES VENTURA LAMBRATE 2015 Share this:

Ventura Lambrati 2014 Lensvelt & Atelier van Lieshout Furnacation WWIII Photo: Claudio Grassi

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Are you ready for Milan? ...Of course you are not fully ready yet and neither are we, but we are bursting with energy to start working on the new Ventura edition. And so it is time to invite you to apply for the next Ventura Lambrate! From 14 to 19 April 2015, this popular district of Milan’s Salone del Mobile will serve as a melting pot for those who dare… So are you ready?

Posted 9 December 2014

Are you a designer or representative of a studio, label, institution, collective or academy, or a hippie with a mission? Apply now to take part in Ventura Lambrate 2015. The deadline is 19 December 2014.

Apply before 19 December and take advantage of the early bird discount (no application fee).

This international call goes out to: • designers and design studios • academies • design collectives • cultural institutions, galleries and museums • design labels and creative brands • companies with exceptionally creative projects and installations • projects with a special focus on cross-disciplinary collaborations The following selection criteria will apply: • newness (never shown before) • originality • innovation • aesthetic quality • impact • high quality • relevance • exhibitor professionalism To participate, please click here.

Ventura Lambrate aspires to exhibit cross-disciplinary collaborations; processes and experiments that are part of the making of design projects; and fascinating conceptual ideas. In this edition, we’ll focus on the crossover between design and various areas of science and social progress. We’ll also provide a stage for the most interesting design–fashion hybrids. We are furthermore very interested in hearing which ideas and subjects you are working on, and what processes you are working with, so please share those with us.

Attention, the deadline is 19 December 2014.

See our website for details on how to apply! And if you have any questions, contact us at milano@ organisationindesign.com.

Get social with us!

Make sure you don’t miss anything! Like, follow and share us on Facebook, Twitter, Instagram & Pinterest.

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"Going to Milan, and being part of Ventura Lam b rate has been the best business decision we have made yet!”

Marcello De Simone and Bruce Wayland, Little Owl Design ‘’The most innovative new players over the past few years have been the Dutch-run Ventura Lambrate district...’’?Marcus Fairs, Dezeen (UK)

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“Ventura Lambrate felt really well, I honestly think I belong much more in this type of area than on the fair, especially because it is a place where there is much more space for research and conversation.”?Jaime Hayon “Ventura Lambrate is without doubt my favorite part of Milan Design Week. It is always bursting at the seams with young enthusiastic designers, new ideas and cutting edge design, with a real festival vibe.”?Katie Treggiden, Design Milk (USA) “Ventura Lambrate is a gritty industrial district on the city’s edge with seeded workshops, cafés, studios and new

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VENTURA LAMBRATE 2015 MILAN 14 April 2015 through 19 April 2015 Ventura Lambrate 2015 14/4/2015-19/4/2015 The sixth edition of Ventura Lambrate is coming up!

From 14 – 19 April 2015 the industrial halls and elegant galleries situated in the Lambrate area in the north east of Milan will become again one of the most popular destinations during the Salone del Mobile.

Completely curated and produced by the Dutch studio Organisation in Design, Ventura Lambrate is an established circuit characterised by a unique and professional atmosphere where designers, labels, institutions, collectives and other exhibitors can present their latest projects to an international and very interested audience.

Ventura Lambrate aspires to exhibit cross-disciplinary collaborations; processes and experiments that make up part of the making of design projects; and fascinating conceptual ideas. In the 2015 edition, we’ll focus on the crossover between design and various areas of science and social progress. We’ll also provide a stage for the most interesting design–fashion hybrids. We will keep you up-to-date about all the news, developments, themes and exhibitors on this website and through our social media channels Facebook, Twitter, Instagram & Pinterest!

Announcing the 2015 trends and themes: Technology Just two more months until you get to see it for real!

But here’s a sneak preview of Ventura Lambrate’s exciting themes for 2015. We’re proud to introduce the first: technology. Come and see furniture that takes shape without human intervention, an exploration of the creative possibilities of 3D printing, and a never-before-seen combination of two completely different glass-making techniques.

Marcus Fairs, editor-in-chief of influential design blog Dezeen¹: “Technology is intrinsically optimistic: each new development, each new device brings the promise of a new future. Each new way of arranging atoms or bits opens the door to a new solution cloaked in a new form. And since these elements are infinitely configurable, technological development is more sustainable than sustainability, since it will never run out of ideas.”

Ventura Lambrate 2015 will showcase a series of projects bearing the unmistakable signature of international design and architecture offices and temporary collectives, some produced in collaboration with prestigious institutions. In each, cutting-edge technology is expertly guided by the creators to achieve ultra-precise goals.

At the Ventura XV location, see how Self-Assembly Furniture comes into being without human intervention.

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Wood-Skin will show off a special collaborative project with the world-famous Massachusetts Institute of Subalterno1 Technology’s Self Assembly Lab, Photo: led by©Subalterno1 Skylar Tibbits, which researches the possibilities of new

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Publication: Glass is more Country: the Netherlands Date: 25-02-2015 EADERS' BENEFITS CONTACT FAQ Type of Publication: Webpage

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ss is more!

Ventura Lambrate 2015 will showcase a series of projects bearing the unmistakable signature of international design and architecture offices and temporary collectives, some produced in collaboration with prestigious institutions. In each, cutting-edge technology is expertly guided by the creators to achieve ultra-precise goals.

At the Ventura XV location, see how Self-Assembly Furniture comes into being without human I'm looking for...

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Wood-Skin will show off a special collaborative project withemail the world-famous Your address... Massachusetts Institute of Technology’s Self Assembly Lab, led by Skylar Tibbits, YES,which SIGNresearches ME UP FORthe THEpossibilities of new programmable materials. The presentation will show GLASS IS MORE! NEWSLETTER recent progress in advanced woodworking technology.

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Project EGG, a spacious, nonfunctional building made up of 4,760 individually 3Dprinted stones, each one unique, will also be on view at Ventura XV. The first stage in an extensive research project by Studio Michiel van der Kley exploring the possibilities and limitations of 3D printing and new collaborative forms of making, Project EGG disrupts traditional manufacturing MEDIA production PARTNERand probes the strengths and weaknesses of co-creating.

In the distinctive Via Conte Rosso, Subalterno1 will present Venice>>Future, curated by Stefano Maffei and realised by the Breaking the Mould collective in collaboration with the Murano glass factory Salviati.

Here, ancient Murano glassblowing techniques – rooted in the local soil and inextricable from the figure of the artisan – merge with contemporary, repeatable ceramic 3D-printing processes. This experimental mix of the analogue and the digital yields amazing results, on show for the first time at Ventura Lambrate.

Intrigued? Be sure to check out LEDLAB’s presentation demonstrating the added value of LED technology and Clique Edition’s high-tech marble objects, too. And don’t miss the first exhibition by students of theADVERTISEMENT Design Academy Eindhoven’s new Food Non Food department, which includes a project

by Mickaël Wiesengrün that recreates the historical smell of the exhibition location at Ventura Lambrate.

Through an inventive glass tube installation, a physiological reaction is activated to create awareness of the heritage of the place.

More information: Organisation in Design VENTURA PROJECTS Noorderstraat 13 NL-3512 VW Utrecht +31 30 2716311 ventura@organisationindesign.com www.venturaprojects.com ITALY MILAN LATEST SLONE NEWS DEL MOBILE Via Conte Ross0 22 I-20134 JUTTA MilanoCUNY FRANZ AWARD 2015 20-02 Thank you to all participating Share this item: | artists. This year, we...

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the best crafts and most exceptional techniques.

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During Ventura Lambrate 2015, this emerging phenomenon will be on display at the Via Cletto Arrighi location, which will be specially dedicated to a selection of double souled projects that merge fashion and design, research and craftsmanship, technique and reverie.

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Read the Manifesto text at DeZeen>

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Publication: Textile is more Country: the Netherlands Date: 25-02-2015 Type of Publication: Webpage

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EDELKOORT EXHIBITIONS, Brazil, France, Italy, Netherlands UNKNOWN YET Presents GATHERING: From Domestic Craft to Contemporary Process.

Address Via Cletto Arrighi 19, 20134 Milano, Italy This exhibition will present over 20 chairs by various acclaimed designers using trend techniques such as pleating, smocking, folding, wrapping, layering, ribboning and draping, thus connecting Contemporary creation to a long lineage of domesticated crafts. The result of such research processes and cutting-edge development is the birth of a new hybrid in production that brings together man and machine, opening up a new range of options conceived through our living memories and unbridled imagination.

Facebook https://www.facebook.com/trendtablet Twitter https://twitter.com/edelkoort

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ANNOUNCING THE 2015 TRENDS AND THEMES: MATERIAL RESEARCH & THE DESIGN–FASHION MERGE |

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14/4/2015-19/4/2015

Limber Gern Designer Pleunie Buynk Location: Menno Kroon, Cothen Photo: Pleunie Buynk

Today, materials are viewed not merely as substances that make up objects but as entities worth investigating for their undiscovered potential. Materials are getting smarter, the range is expanding, and we’re questioning the limits of use and pushing the boundaries of possibility. From using natural beetroot dye to shaping marble, designers are deepening their materials expertise.

YES, SIGN ME“UP'Our FOR future THE will be hybrid and we will see disciplines TEXTILE IS MORE!merge.

NEWSLETTER The performing arts and design will drift

together as well as fashion and design, that both are ADVERTISEMENT looking for new ways to bridge the "made by hand" with the "produced by machine". A new generation of smart production systems will allow the machine and the human to go hand in hand' Lidewij Edelkoort ”

Edelkoort Exhibitions deepens this development in several designs using pleating, smocking, folding, wrapping, layering, ribboning and draping. The results constitute a hybrid between contemporary creativity and domestic craft. The exhibition’s title, Gathering, underlines a plea for humans to overcome tendencies such as greed and lack of respect.

Craafts is a company specialising in craftsmanship for haute couture. Having worked with names like Prada, Gucci, Celine and Alexander McQueen, Craafts realized that its techniques could also be adapted for the furniture industry. Craafts will display a variety of handmade items featuring diverse techniques and materials in an iron-framework installation.

Posted 12 March 2015

This increased interest goes hand in hand with another tendency: the intermingling of the design and fashion industries. Ventura Lambrate exhibitors such as Edelkoort Exhibitions and Craafts draw on contemporary craftsmanship and traditional techniques that are applicable for both furniture and fashion, reshaping both fields.

The untapped potential of materials

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CRAAFTS, Italy ELIF MALKOCLAR, DAVIDE DELL'ACQUA

The two textile designers of Studio Gutedort have a strong interest in working with unconventional and waste materials. They acquire one of their key materials at the butcher’s, walking away with intestines they’ll use to create leather like pieces. At Ventura Lambrate they’ll also present a research project based on the potential uses of beetroot dye. ??In the Burnt Sienna project, Studio Laura Daza works with a yellow pigment that becomes reddish-brown when heated. The artisan colour technique was widely used in the Renaissance, and the contemporary design studio is reviving it.?? A collaboration between designer Paolo Ulian and Bufalini Marmi has yielded a series of furniture pieces that make use of optimised marble techniques. The exhibition also features the 40x40 collection: marble tiles, cut by a water-jet machine, that can be easily assembled into objects. The special cutting technique means no waste material is left behind.?

Address: Via Cletto Arrighi 19, 20134 Milano, Italy LIGNE This is an object like ROSET a domestic space. It's a simple metal structure, creates gaps that with an exclusively 11-03 Ligne Roset “TOGOhandcrafted to procedure become colonized with surfaces designed and do”: 40 years... finely woven, in according to Craafts know-how, which stands on that very fleeting threshold between design, art and craft.

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Dust is the main material in Lucie Libotte’s designs, which re-evaluate a substance that’s usually perceived as dirty. After collecting samples of dust from several households, she’s created a series of vessels, each telling the story of the dust’s original location and explaining its value as a material. ??

Design studio Handmade Industrials sculpts its objects by using balloons as flexible moulds and filling them with biodegradable thermoplastic granules. These Made&Mold techniques, which reclaim industrial materials and borrow processes from the plastic-moulding industry, can be seen first-hand at Ventura Lambrate.

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Dyloan Studio’s practice explores new 09-03 has launched a and technologies thatAdidas can be applied in couture the design dramatic industry. By bringing together limited edition... companies, schools and designers, they thrive to bring synergy to the two systems.

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MU will present an overview of five years of We Make Carpets’ singular products at Ventura XV. Whether it is clothes pegs, candy bars or sheets of paper, there’s no material they can’t turn into a floor covering.

Pleunie Buyink’s liquid-looking Limber Gems – pieces of jewellery for the home interior – will also be on show at Ventura #14.

Limber Gem Designer: Pleunie Buyink Cultuurbazaar, Den Bosch Photo: Pleunie Buyink PLEUNIE BUYINK, Netherlands Address: Via Ventura 14, 20134 Milano, Italy Limber Gems, interior jewels, made from a newly developed material where rubber is a component. Flexible laying on the floor or being wall mounted as an art object. Once the light touches the limber gems the interplay between the crinkly background, ruff edges and the warm colors really starts.

Website: http://www.limbergems.com Website: http://www.pleuniebuyink.com

The Design Academy Eindhoven graduate has perfected “gems” that look like solid metal but are actually made from a bendable rubber composite.

Finally, don’t miss the chance to see a designer defying the limits of his material: at Via Massimiano 23, Floris Wubben will be extruding objects using a custom-built press, in an operation that defines the final look of the product.

Thanks to Pitti Immagine Filati, e-pitti, and all our fabulous colleagues. ©Gentucca Bini

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Date & time 14 – 19 April 2015 General opening hours for Ventura Lambrate 2015 Tuesday April 14th – Saturday April 18th: 10:00 – 20:00 Sunday April 19th: 10:00 – 18:00 Open evening on Wednesday April 15th: 20:00 – 22.00

Ventura's design-fashion merge With the “implosion” of the fashion world (as trend forecaster Lidewij Edelkoort framed it) comes an increased intermingling between the fashion and design industries.

As familiar industrial conditions fall away, what remains is designers striving to bring the world the best crafts and most exceptional techniques.

During Ventura Lambrate 2015, this emerging phenomenon will be on display at the Via Cletto Arrighi location, which will be specially dedicated to a selection of double souled projects that merge fashion and design, research and craftsmanship, technique and reverie.

Read the Manifesto text at DeZeen>

LUCIE LIBOTTE, United Kingdom LUCIE LIBOTTEEN Presents Dust Matter's Address Via P. Oslavia 7, 20134 Milano, Italy Lucie Libotte is a designer who uses material as a starting point for wide-ranging explorations. She discovered the importance SUPPORTED BY of the of the fundamental origins of materials. With her multidisciplinary set of skills, she thrives in design fields as varied as fashion, interior, installation and video Website http://lucielibotte.com Facebook http://www.facebook.com/lucielibotte

Location Ventura Lambrate Via Ventura 5 20134 Milan, Italy More information: Organisation in Design?

VENTURA PROJECTS? Noorderstraat 13 NL-?3512 VW Utrecht The Netherlands? +31 30 2716311? ventura@organisationindesign.com www.venturaprojects.com follow us on facebook, twitter, instagram and pinterest

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MILAAN

DESIGN & TECHNOLOGY @ VENTURA LAMBRATE 28-02-2015 | 07:00

Je zou tijdens MilaanMania door de bomen het bos weleens niet meer zien.

Daarom hapklare highlights van Ventura Lambrate!

Aanstormend talent en gearriveerde ontwerpers verzamelen zich gedurende de Salone del Mobile (14 tot en met 19 april 2015) in de loodsen, gebouwen en winkels van de buzzing wijk Ventura Lambrate om hun nieuwste werk te showen. De grote namen komen vooral naar deze wijk om talent te spotten.

Omdat we mediapartner zijn van Ventura Lambrate, serveren we je de komende tijd highlights van wat er te zien zal zijn. De komende weken zullen we steeds een ander thema belichten. We trappen af met Technology; projecten die zich begeven op het snijvlak van design en technologie.

Doe de ELLE Decoration Tour in Venture Lambrate > 1 van 3

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Publication: Dexigner Country: USA Date: 03-11-2014 Type of Publication: Webpage

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Fresh Graphic Design Pieces That Demand A…

Ventura Lambrate 2015: Call for Entries Nov 3, 2014 9:52 am | by Levent Ozler

Ventura Lambrate is calling designers, studios, collectives, labels, brands, cultural institutions, acadmies, galleries and other initiatives from around the globe to apply for Ventura Lambrate 2015.

The 2015 edition of Ventura Lambrate, taking place April 14-19 in Milan, marks its six year anniversary.

The deadline for applications is December 19, 2014. read more: venturaprojects.com

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Publication: Dezeen Country: United Kingdom Date: 19-1-2014 Type of Publication: Webpage

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This im age: Warehous e, Ventura Lam brate 2013, photograph by Nicole Marnati – m ain im age: Poetry Happens , Ventura Lam brate 2011, photograph by Nicole Marnati

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Vollenberg and Konings are strongly encouraging design labels to apply to exhibit for the 2015 event, as well as individual designers, academic and cultural institutions, brands and collectives.

Older story

Ventura Lambrate 2015 call for entries 1 9 Nov em ber 2 01 4 | Leav e a com m ent

Galerie Valerie Traan, Ventura Lam brate 2013, photograph by Nicole Marnati

During the six-day event, a series of exhibitions and pop-up restaurants will run against an industrial backdrop of factory halls, courtyards, factory halls and galleries.

Dies el, Ventura Lam brate 2013, photograph by Nicole Marnati

Dezeen promotion: submissions are now being accepted to exhibit at contemporary design show V entura Lambrate during the Salone Internazionale del Mobile event in Milan next April.

Ventura Lambrate 2015 is set to run from April 14 to 19 in the Lambrate area of Milan, Italy, and will be curated by Margriet Vollenberg and Margo Konings of Dutch company Organisation in Design.

Next year's showcase will focus on the intersection between science, design and social progress, and will also place an emphasis on projects that intertwine design and fashion.

Lens velt and Atelier van Lies hout, Ventura Lam brate 2012, photograph by Claudio Gras s i

All applications need to be submitted before 19 December 2014. For more information on how to apply, visit: www.venturaprojects.com/apply

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Here is more information from Ventura Lambrate: Ventura Lambrate 2015: call for entries

Lens velt and Atelier van Lies hout, Ventura Lam brate 2012, photograph by Claudio Gras s i

All applications need to be submitted before 19 December 2014. For more information on how to apply, visit: www.venturaprojects.com/apply Here is more information from Ventura Lambrate:

Courtyard, Ventura Lam brate 2014, photograph by Ilco Kem m ere

Ventura Lambrate 2015: call for entries

Ventura Lambrate give special call to design labels

Dutch company Organisation in Design is calling for exhibitors to show at Ventura Lambrate 2015 during the Salone del Mobile design fair in Milan next April. This edition, a special call goes out to design labels to apply with exceptional projects and daring installations.

This edition there will be a special call going out to brands and labels. Ventura Lambrate invites labels to present a thought-provoking project at the coming edition. The spacious industrial halls and elegant galleries of Ventura Lambrate are unique locations for stunning installations and revolutionary design ideas.

Ventura Lambrate will take place from April 14 to 19, 2015 in the inspiring post-industrial Lambrate area, situated north east of the city and well connected to the other key spots of Milan Fuorisalone.

Because anything is possible at Ventura Lambrate, it functions as a stage for exceptionally creative projects and presentations of great impact.

This fully-curated district shows the newest developments in contemporary design and brings a platform for business opportunities.

Organisation in Design will again organise and curate the event. Designers, design studios, academies, collectives, cultural institutions, galleries and museums, design labels and creative brands are invited to apply.

Like Jaime Hayon framed it after exhibiting at Ventura Lambrate: "Ventura Lambrate felt really well. I honestly think I belong much more in this type of area than on the fair, especially because it is a place where there is much more space for research and conversation."

Via Privata Os lavia 1, Ventura Lam brate 2014, photograph by Claudio Gras s i

Mos a, Ventura Lam brate 2014, photograph by Claudio Gras s i

Registration for exhibitors closes on 19 December.

Ventura Lambrate 2015

For more information or to apply, visit the Ventura Lambrate website .

Ventura Lambrate aspires to exhibit cross-disciplinary collaborations, processes and experiments that are part of the making of design projects, and fascinating conceptual ideas.

Any queries can be directed to milano@organisationindesign.com. www.venturaprojects.com

In this edition, the focus will be on the crossover between design and various areas of science and social progress. Ventura Lambrate will also provide a stage for the most interesting design–fashion hybrids. But it is also interested in hearing what ideas and subjects designers are working on, and what processes they are working with.

See more stories about Ventura Lambrate: Runa Klock's triangular chopping boards evoke a mountain landscape

Get Lost collection by Tiago Volpato and Gabriel F channels frustrations of young designers

Courtyard, Ventura Lam brate 2014, photograph by Ilco Kem m ere

Studio WM aims to stimulate the senses with accessories collection

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Each April, the design world eagerly descends on Milan for the annual Salone del Mobile.

Commonly referred to as “the Olympics of design,” this weeklong fete welcomes established and emerging designers, galleries, brands, schools, and other various institutions to present their latest achievements. It’s an exciting time, to be sure. The sheer number of presenters can be daunting, but for those scouting rising-star talent, the multilayered Lambrate district has emerged as a must-see hotspot, commanding attention amid the flurry of activity.

This year marks the sixth installment of Ventura Lambrate. Situated in the eastern part of Milan, the large-scale exhibition is almost like a small design city all unto itself—a mix of presentations by educational institutions, in-the-know experts, and young designers sharing their wares for the very first time. 2015’s event will feature more schools than ever before (24 at last count), and a variety of shows focused on experimental processes, the merging of industrial and handicraft, and the ongoing intermingling of the creative disciplines, among other investigations. According to Ventura Lambrate co-founder and art director Margriet Vollenberg, “This edition resembles exactly what Ventura Lambrate stands for—we’ve again brought together a great mix of different kinds of exhibitors, and the projects that deepen the most recent developments in design are numerous.”

L'AB had the pleasure of perusing several of this year’s upcoming presenters. Here, we happily share our picks for VL 2015’s don’t-you-dare-miss-this exhibitions. Enjoy!

Fashion-Design Fusion A handful of shows promise to explore the fading boundaries between fashion and design, honing in on overlapping techniques as well as material and color investigations. Standouts on our radar? Noted trend forecaster Lidewij Edelkoort and co-curator Philip Fimmano will present Gathering: From Domestic Craft to Contemporary Process, an exhibition of 20 chairs by various designers created by “pleating, smocking, folding, wrapping, layering, ribboning, and draping.” The show will merge traditional domestic craft and contemporary practices, and consider the evolving relationship between machine- and man-made methods.

As Edelkoort predicts, “Our future will be hybrid, and we will see disciplines merge. The performing arts and design will drift together as well as fashion and design . . . both are looking for new ways to bridge the ‘made by hand’ with the ‘produced by machine.’ A new generation of smart production systems will allow the machine and the human to go hand in hand.”

Meanwhile, Studio Gutedort will make its Ventura Lambrate debut with Hidden Beauty/Inner Skin. The emerging German textile design studio acquires the key materials for this series—namely, animal innards—at a nearby slaughterhouse, which they use to create ruddy, leather-like jewelry and accessories.

The Gutedort team was originally inspired by a 2012 visit to a South American food market, during which they noted the shapes and structures of animal parts rarely seen at markets in their native Germany. Back home, they devised a plan to repurpose these oft-wasted parts. According to cofounders Eva Schlechte and Jenny Hier, “We asked ourselves if there wasn't a hidden beauty and a higher value lying in those inner skins. . . The project questions whether or not we can overcome stereotypical aesthetics and appreciate uncommon appearances of beauty. We like to invite the audience to examine the objects openmindedly, so that their unprecedented shapes and uncommon, leathery surface can reveal their hidden value [and perhaps even] contribute to a change of perspective on [a material] that, in former times, was used in many different ways.”

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people. Each piece offers an element of surprise, driven by the transformation of unwanted grey particles into colors, textures, and structures. No dust [particle] is identical to another. I invite people to realize that dust is a reflection of our daily use of an environment, whether natural or built, [and] a material projection of our passage and the traces we live behind.”

“I invite people to realize that dust is a reflection of our daily use of an environment, whether natural or built.”

Meanwhile, Colombia-born, Italy-based designer Laura Daza looked to the past for her material path forward. With Burnt Sienna, Daza revives an artisan color technique used during the Renaissance, in which a natural yellow pigment transforms into a reddish-brown color when heated. As Daza explains to L’AB, “The original pigment is a type of yellow ochre, traditionally known as raw sienna; it takes its name from the [Italian] city from where it was widely extracted. Ochre is considered to be the first-ever color used by humankind. The yellow ochre is rich in goethite minerals that, when heated, change color.”

Citing the Explorations impressive color spectrum Renaissance painters were able to achieve using just a few ingredients, Daza hopes that Material Burnt Sienna will encourage a broader appreciation for and engagement with color alchemy and natural earths. “We live in a world where industrial and synthetic processes areboasts replacing our heritage.

I wantingredient-focused to share sustainable ways of transforming Speaking of unexpected materials, this year’s fair a variety of intriguing, presentations, many of which natural materials into colored pigments in a hands-on approach.

[My hope is] to celebrate this ancient technique ask viewers to look at the familiar with fresh eyes. With Dust Matters, for example, Brussels-born designer Lucieby exploring the potential application color transitions contemporary objects.”

Libotte challenges usoftothese look beyond domesticon dust’s dirty reputation and consider its untapped creative worth. For her VL

debut, Libotte applied dust gathered from a number of households to ceramics as a glaze; the resulting, speckled vessels become Finally, the Hague-based studio Handmade Industrials will perform presentcast-off, Breaking the Mold, a project that reclaims unique artifacts that Libotte hopes will redefine our perceptions of aand generally quotidian material. industrial and everyday materials, sculpting objects by using balloons as flexible molds, then filling them with biodegradable thermoplastic granules and heating them to create objects.

As cofounder Regt “The inspiration ...

“The essence of my project is notone-off primarily the aesthetic of eachRutger object,debut thetells wayus, that object is read by As Libotte says, came from my ambition to create a ready-made production process.

I didn't want to depend on industrial standards and people. Each piece offers an element of surprise, driven by the transformation of unwanted grey particles into colors, textures, requirements a design cameis to life. [Traditionally], after apeople mold is is noispossibility to of change anything, and structures.before No dust [particle] identical to another. I invite to made, realizethere that dust a reflection our daily use ofand an I wanted to have more freedom during the process.”

The studio’s instinctive, hands-on technique achieves just this, enabling them environment, whether natural or built, [and] a material projection of our passage and the traces we live behind.” to create unique objects—each marked by the hand of the maker—from a serial technique. “We strive to contradict industrial standards by removing the digital element from the production process. The focus is on capturing and preserving human Laura Daza looked to the past for Handmade’s her material path forward.

With Burnt Meanwhile,during Colombia-born, designer interaction production.Italy-based We hope that people will re-value the human made.” flexible molding technique Sienna, Daza revives an artisan color technique used during the Renaissance, in which a natural yellow pigment transforms into performances will take place twice daily at 11am and 4pm, and the studio will welcome audience participation. a reddish-brown color when heated. As Daza explains to L’AB, “The original pigment is a type of yellow ochre, traditionally known as raw sienna; it takes its name from the [Italian] city from where it was widely extracted. Ochre is considered to be the first-ever color used by humankind. The yellow ochre is rich in goethite minerals that, when heated, change color.”

Citing the impressive color spectrum Renaissance painters were able to achieve using just a few ingredients, Daza hopes that Burnt Sienna will encourage a broader appreciation for and engagement with color alchemy and natural earths. “We live in a world where industrial and synthetic processes are replacing our heritage. I want to share sustainable ways of transforming natural materials into colored pigments in a hands-on approach. [My hope is] to celebrate this ancient technique by exploring the potential application of these color transitions on contemporary objects.”

Finally, the Hague-based studio Handmade Industrials will perform and present Breaking the Mold, a project that reclaims industrial and everyday materials, sculpting objects by using balloons as flexible molds, then filling them with biodegradable thermoplastic granules and heating them to create one-off objects. As cofounder Rutger de Regt tells us, “The inspiration . . . came from my ambition to create a ready-made production process. I didn't want to depend on industrial standards and requirements before a design came to life. [Traditionally], after a mold is made, there is no possibility to change anything, and I wanted to have more freedom during the process.” The studio’s instinctive, hands-on technique achieves just this, enabling them to create unique objects—each marked by the hand of the maker—from a serial technique. “We strive to contradict industrial standards by removing the digital element from the production process. The focus is on capturing and preserving human interaction Eat Shit during production. We hope that people will re-value the human made.” Handmade’s flexible molding technique © Design Academy Eindhoven; courtesy performances will take place twice dailyofatVentura 11am Lambrate. and 4pm, and the studio will welcome audience participation.

Food for Thought Last but certainly not least, the Design Academy Eindhoven is poised to reveal Eat Shit, the first exhibition organized by the school’s new department, Food Non Food. Through several installations by current and former DAE students as well as an onsite lab, Eat Shit will will examine “how, where, and why we eat,” presenting projects related to contemporary food culture that run the gamut from health (what goes in must come out, a la one’s waste indicates both condition and culture) to political (consider “Eat Shit” as a common protest phrase) focuses, and plenty in between.

“Food design is not about making the table look pretty; it is a fundamental approach to how we produce, distribute, and eat food.”

Eat Shit the larger motivation behind both the new department and the exhibition, Vogelzang tells L’AB: “We need a food Explaining © DesignRedesigning Academy Eindhoven; of Ventura Lambrate. revolution. a lot ofcourtesy how food is produced, distributed, and even consumed can contribute to tackling and maybe even solving many of humanity’s most immediate problems. For this to be realized, people and industry need to better Food for Thought understand that there are alternatives. They also need to be thinking more about the negative implications of the current system. And of course for any of this to work, designers themselves need to be thinking more seriously about food, which is the Last not least, the Design Eindhoven is poised revealmaking Eat Shit, first exhibition by the 28 core but goalcertainly of my department.

The biggerAcademy point is that food design is nottoabout the the table look pretty; itorganized is a fundamental school’s new department, Fooddistribute, Non Food. installations current and former students as wellagriculture, as an approach to how we produce, andThrough eat food.several . . These students by really understand that DAE food design is about

“Food design is not about making the table look pretty; it is a fundamental approach to how we produce, distribute, and eat food.”

We’re particularly curious to see 2011 grad Marloes van Bennekom’s Outdoor Pharmacy installation, which considers the relationship between nature and disease, and the potential health advantages of incorporating gardens into urban living. As van Bennekom notes, “Nowadays we see plants as mostly aesthetic, but it was just a hundred years ago that we used to go to medical gardens. I hope to make healthcare products more tangible, and to give some old knowledge back.” New department head and Eat Shit co-curator Marije Vogelzang concurs; it’s about “bringing the cure closer to the disease. . . [for instance,] Gingko trees, which improve short-term memory, closer to homes for the elderly; elderberry trees, which are packed with vitamins, to school playgrounds.”

And so Explainingclose the larger motivation behind both theon. new department and the exhibition, Vogelzang tells L’AB: “We need a food

revolution. Redesigning a lot of how food is produced, distributed, and even consumed can contribute to tackling and maybe even solving many of humanity’s most immediate problems. For this to be realized, people and industry need to better understand that there are alternatives. They also need to be thinking more about the negative implications of the current system. And of course for any of this to work, designers themselves need to be thinking more seriously about food, which is the core goal of my department. The bigger point is that food design is not about making the table look pretty; it is a fundamental approach to how we produce, distribute, and eat food. . . These students really understand that food design is about agriculture, rituals, culture, processes, and industry. I hope that the public also takes that understanding away with them.”

We’re particularly curious to see 2011 grad Marloes van Bennekom’s Outdoor Pharmacy installation, which considers the relationship between nature and disease, and the potential health advantages of incorporating gardens into urban living. As van Bennekom notes, “Nowadays we see plants as mostly aesthetic, but it was just a hundred years ago that we used to go to medical gardens. I hope to make healthcare products more tangible, and to give some old knowledge back.” New department head and Eat Shit co-curator Marije Vogelzang concurs; it’s about “bringing the cure closer to the disease. . . [for instance,] Gingko trees, which improve short-term memory, closer to homes for the elderly; elderberry trees, which are packed with vitamins, close to school playgrounds.” And so on.

In Limbo Embassy. Vogelzang notes: ‘Altering small details in the representation of asylum seekers completely changes perceptions. A blanket folded neatly around a woman's shoulders who holds her chin high looks more regal than desperate.’

Photo © Alexander Popelier; courtesy of Manon van Hoeckel and Ventura Lambrate.

On the other end of the spectrum, 2014 grad Manon van Hoeckel’s ongoing protest project, In Limbo Embassy, explores the plight of politically unrepresented Ethiopian and Somali asylum seekers—originally in Amsterdam and, on the occasion of Salone, in Italy. Interestingly, while most asylum seekers are prohibited from working, they are legally permitted to freely express themselves. As van Hoeckel explains: “Refugees whose applications for asylum have been rejected often fall through the cracks. In Limbo Embassy is a neutral meeting place that represents this group. Its ambassadors—themselves refugees—invite and involve officials, neighbors, and passers-by . . . The mobile embassy (a small building on wheels) provides the opportunity for dialogue and cultural exchange on equal footing through different projects to represent refugees in limbo: exhibiti[ons], debates, and events. I want to create an opportunity for . . . direct contact between citizens and asylum seekers. I want people to be aware of the situation refugees are in, because as citizens we should know what is going on in our country.”

It’s plenty to digest, we know. And that’s just the beginning. We’re looking forward to discovering a ton of new, diverse talent across the Ventura Lambrate exhibitions. We're also quite excited to see some of the more tech-focused presentations, like the In Limbo Embassy.

Vogelzang notes:Furniture ‘Altering small details in the representation of asylum seekers completely changes perceptions.

A blanket cross-disciplinary Self-Assembly Lab and Woodmuch-anticipated Programmable collaboration between MIT’s folded neatly around a woman's shoulders who holds her chin high looks more regal than desperate.’

Skin—a furniture collaboration intended to affirmatively answer the question: Can we make things that make themselves? Stay Photo © Alexander Popelier; courtesy of Manon van Hoeckel and Ventura Lambrate. tuned for all our coverage from Milan in the coming weeks. And good luck to all the designers and institutions gearing up for the event; can’t to see all you’ve done!

On thewe other endwait of the spectrum, 2014 grad Manon van Hoeckel’s ongoing protest project, In Limbo Embassy, explores the

plight of politically unrepresented Ethiopian and Somali asylum seekers—originally in Amsterdam and, on the occasion of Salone, in Italy. Interestingly, while most asylum seekers are prohibited from working, they are legally permitted to freely express themselves. As van Hoeckel explains: “Refugees whose applications for asylum have been rejected often fall through the th at cracks. InLambrate Limbo Embassy is a14-19 neutral meeting place that represents thisItaly. group. ambassadors—themselves refugees—invite Via Ventura 5, 20134 Milan, ForItsmore info, check out Ventura runs April and involve officials, neighbors, and passers-by . . . The mobile embassy (a small building on wheels) provides the opportunity www.venturaprojects.com for dialogue and cultural exchange on equal footing through different projects to represent refugees in limbo: exhibiti[ons], debates, and events. I want to create an opportunity for . . . direct contact between citizens and asylum seekers. I want people Text to beby aware of the situation refugees are in, because as citizens we should know what is going on in our country.”

Anna Carnick Anna is L’AB’s Editor.

Her writing We’re has appeared in forward several arts culture publications, and she's edited over It’s plenty to digest, we know.

AndManaging that’s just the beginning. looking to and discovering a ton of new, diverse talent 20 books.exhibitions.

Anna loves celebrating artists, and to seriously enjoys good picnic. across the Ventura Lambrate We're alsogreat quite excited see some of athe more tech-focused presentations, like the much-anticipated Programmable Furniture collaboration between MIT’s cross-disciplinary Self-Assembly Lab and WoodSkin—a furniture collaboration intended to affirmatively answer the question: Can we make things that make themselves? Stay tuned for all our coverage from Milan in the coming weeks. And good luck to all the designers and institutions gearing up for the event; we can’t wait to see all you’ve done!

Previous Story Ventura Lambrate runs April 14-19th at Via Ventura 5, 20134 Milan, Italy. For more info, check out www.venturaprojects.com Text by Anna Carnick

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Anna is L’AB’s Managing Editor. Her writing has appeared in several arts and culture publications, and she's edited over 20 books. Anna loves celebrating great artists, and seriously enjoys a good picnic.

cultural institutions/ galleries/ museums companies with exceptionally creative projects and installations The following selection criteria will be considered:

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new; never been shown before originality innovation aesthetic harmony impact high quality relevance professionalism of the exhibitor

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Call for entries Ventura Lambrate 2015

Ventura Lambrate wants to stimulate and show cross-disciplinary collaborations, processes and experiments that are part of the making of design projects, and conceptual ideas with fascinating content.

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From November 4th, 2014 to November 19th, 2014

Are you ready for Milan? …Of course you are not fully ready yet and neither are we, but we are bursting with energy to start working on the new Ventura edition. And so it is time to invite you to apply for the next Ventura Lambrate!

From 14 to 19 April 2015, this popular district of Milan’s Salone del Mobile will serve as a melting pot for those who dare.

projects related to fashion projects related to science & technology

APPLY for Ventura Lambrate 2015 It has its deadline on December 19, 2014.

Open to designers or representativse of a studio, label, institution, collective or academy, or a hippie with a mission*? Apply now to take part in Ventura Lambrate 2015.

Milan Salone Del Mobile, Salone del Mobile, Ventura Lambrate

The deadline is 19 December 2014.

Apply before 19 December and take advantage of the early bird discount (no application fee).

Our international call goes out to: designers / design studios design labels/ creative brands academies design collectives cultural institutions/ galleries/ museums companies with exceptionally creative projects and installations

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Dezeen promotion: submissions are now being accepted to exhibit at contemporary design show Ventura Lambrate during the Salone

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Internationale del Mobile event in Milan next April. (more‌)

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The art-directors of the Dutch Organisation in Design, Margriet Vollenberg and Margo Konings, started Ventura ® Lambrate after being introduced to the architect Mariano Pichler who has been working on the redevelopment of Lambrate for several years. Lambrate, with its broad streets, beautiful galleries and rough, abandoned factory halls was exactly what the curators of Ventura Lambrate had been looking for.

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Ventura Lambrate 2015 – Final Call for Entries Jan 21, 2015 • 6:23 PM

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The number of applications has never been so high before, and although we are in the midst of making our selection, we did already take a sneak peak at all the applications and we are very happy with the high quality that depicts from them! Now, we are ready to announce the final call for entries, which will only remain open until Thursday 5 February 2015.

In 2010, the first Ventura Project was launched in Lambrate – an industrial district in the northeastern suburbs of Milan. Ventura Lambrate 2010 was the first fully curated area of the FuoriSalone during the Milan Design Week. The Milan Design Week is the most important and renowned design event in the world; for already more than 50 years, this event announces the start of the new design year internationally. Every April, the official fair ‘Salone del Mobile’ and all associated events (with the overarching title ‘FuoriSalone’) occupy the center and reach out into the neighbourhoods of Milan. And each year, a large, influential and professional audience heads to Milan to discover the newest designs, to scout fledgling talent, to obtain fruitful inspirations and to do business.

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So if you haven’t applied yet, you still have the possibility to candidate your project for Ventura Lambrate 2015 (14 – 19 April 2015). What is new is that we have been working on a new application system to make

SUBSCRIBE things easier both for you and for us. Apply now, and check out all the additional information about Ventura Lambrate and the easiness of our new system that will guide you through the application process.

Ventura Lambrate quickly established its name as being a leading-edge design district: featuring exhibitions of internationally acclaimed creatives, design academies, creative labels, debuting talents and conceptual design experiments. The six-day event hosts its exhibitions and pop-up restaurants in and around the collective factory halls, gallery spaces and shared courtyards that are characteristic for the Lambrate area.

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The art-directors of the Dutch Organisation in Design, Margriet Vollenberg and Margo Konings, started Ventura Lambrate after being introduced to the architect Mariano Pichler who has been working on the redevelopment of Lambrate for several years. Lambrate, with its broad streets, beautiful galleries and rough, abandoned factory halls was exactly what the curators of Ventura Lambrate had been looking for.

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Sub Alterno – Photos: Sub alterno1 EGG by Studio Michiel van der Kleywhich is a large cocoon-like structure built from 4760 3D-printed stones that pushes the limits this new technology.

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The Final Countdown to Ventura Lambrate 2015 Begins.

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With the list of participating exhibitors growing everyday, Ventura Lambrate 2015 (14-19 April) is only six weeks away. Offering a professional atmosphere, the unique district transforms into a hub where designers, brands, institutions, collectives and other platforms can present their latest projects to an international and engaged audience. Among others, the theme of Technology will be implemented to highlight furniture that takes shape without human intervention – combining 3D-printing with two glass manufacturing techniques. For this occasion Ventura Lambrate 2015 will showcase a series of projects bearing the unmistakable signature of international design and architecture firms-cum-temporary collectives.

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Project Egg b y Studio Michiel van der Kley – Studio Michiel van der Kley

Here’s a little teaser of what to expect at Ventura lambrate 2015 (14 to 19 April).

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Studio Laura Daza – Photos b y Rosaline Shahnavaz

® Now take a look inside the Pleunie Buyink’s liquid-looking Limber Gems – pieces of jewellery for the home interior – which will also be on show at the new edition of Ventura Lambrate. The Design Academy Eindhoven graduate has perfected “gems” that look like solid metal but are actually made from a bendable rubber composite.

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Only in 1 month before Ventura Lambrate will take place in Milano. This fair from 14 until 19 April 2015 will highlight at its fair two others themes which is Fashion and The untapped potential of Materials. They are aware that the materials are worth investigating in their own right for their undiscovered potential. With this approach, the materials are getting smarter, the range is expanding, and people can ask themselves about the limits of use and pushing the boundaries of possibility. From using natural beetroot dye to shaping marble, designers are deepening their materials expertise. For this theme, several exhibitors such as Edelkoort Exhibitions and Craafts will appuier on contemporary and traditional craft techniques that are applicable for furniture and fashion, remodeling two fields. Here are some new exhibitors announced: Here is the Studio Laura Daza who works with a yellow pigment that becomes reddish-brown when heated. The artisan colour technique was widely used in the Renaissance, and the contemporary design studio is reviving it.

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Pleune Buyink – Photos b y Pleune Buyink Ventura Lambrate will also present during this edition the idea of Fashion because there is an increased TL magazine / Pro Materia intermingling between the fashion and design industries. As familiar industrial conditions fall away, what Like 15,096 remains is designers striving to bring the world the best crafts and most exceptional techniques. During the fair, this emerging phenomenon will be on display at the Via Cletto Arrighi location, which will be specially dedicated to a selection of projects that merge fashion and design, research and craftsmanship, technique and reverie.

For example Craafts - a company specialising in craftsmanship for haute couture & furnishings - realised after SUBSCRIBE working with names like Prada, Gucci, Céline and Alexander McQueen that its techniques could also be adapted for the furniture industry. This is the reason why this company will display a variety of handmade items featuring diverse techniques and materials in an iron-framework installation.

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Studio Laura Daza – Photos b y Rosaline Shahnavaz Now take a look inside the Pleunie Buyink’s liquid-looking Limber Gems – pieces of jewellery for the home interior – which will also be on show at the new edition of Ventura Lambrate. The Design Academy Eindhoven graduate has perfected “gems” that look like solid metal but are actually made from a bendable rubber composite.

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Pleune Buyink – Photos b y Pleune Buyink Ventura Lambrate will also present during this edition the idea of Fashion because there is an increased intermingling between the fashion and design industries. As familiar industrial conditions fall away, what remains is designers striving to bring the world the best crafts and most exceptional techniques. During the fair,

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UNIVERSITY OF THE ARTS LONDON; photo: Jorge Penadés University of the Arts London

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There are more academies at Ventura Lambrate than ever before – 24 in total. HONEY, WE NEED TO TALK! Is the presentation of Design School Kolding(Denmark) with 7 young, female designers and 7 leading Danish design companies welcome you to join the discussion. Another interesting project by an academy is by HKU Design (The Netherlands). They take you into the daily reality of designers: a flexible, multiform world in which designers develop themselves. A liminal space where they experiment, explore and discover. A presentation where questions are more important than answers. ab Mai oder nachThe Tomorrow Collective from School of Industrial Design (Lund University) is about exploring ways of enabling us to live a sustainable life in the future. Inspired by past knowledge of how to grow, make Vereinbarung einen and be, the project presents concepts for modern tools and systems that can be used within private kommunikationsstarken Client homes or to share in smaller communities.

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the Share 2015 exhibitors

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ab Mai oder nach Vereinbarung einen HANDMADE INDUSTRIALS; photo: Nikki Nooteboom kommunikationsstarken Client Consultant mit Consultant mit The new brand LABEL/BREED establishes collaborations between designers and manufacturers so Grafikkenntnissen zur From April 14 to 19, Ventura Lambrate will visitors of the M ilan Design Week what is happening in Grafikkenntnissen zur can Design share knowledge of theis latest techniquesinand develop innovative products. The processes Betreuung unserer April 14 to Lambrate willfrom visitors of the they M ilan Week what happening curated selection of 19, overVentura 176 exhibitors originating 36 contemporary design. At the 2015 edition aFrom and results of its first five collaborations, whosefrom participants deutschsprachigen Kunden different countries will be on show. Whether it’s explorations design. of new technologies andedition biological contemporary At the 2015 a curated selection of over 176 exhibitors originating 36 include Chris Kabel, Studio Wieki Betreuung unserer Somers, Demakersvan,Christien Meindertsma and Marleen Kaptein, will be on show at Ventura aus dem Fachhandel deutschsprachigen Kunden processes, prestigious installations and joint initiatives, mergings will between academies’ different countries be disciplines, on show. or Whether it’s explorations of new technologies and biological Lambrate. Kaptein for example has worked with the Netherlands’ National Aerospace Laboratory to exhibitions of research-based projects and design investigations, you can experience it at Ventura aus dem Fachhandel processes, prestigious installations and joint initiatives, mergings orhelp academies’ produce twobetween chairs anddisciplines, a lamp with the of the aviation company’s fibre-placement robot.

Lambrate 2015.

exhibitions of research-based projects and design investigations, you can experience it at Ventura Lambrate 2015. an additional sales representative for Italy w ho is ready to take on an exciting challenge.

ounces the 2015 exhibitors

Ventura Lambrate 2014,Via Ventura 5; photo: Claudio Grassi

an additional sales representative for Italy w ho is ready to take on an exciting challenge.

MU PRESENTS KNEELING, FIVE YEARS OF WE MAKE CARPETS; photo: Boudewijn Bollmann

One of Ventura Lambrate’s core values is the importance of uniting and connecting people. This becomes visible in the exhibition of Logotel, who unites different designers that present work in one collection. 'NEED' is a multi-level storytelling: prototypes, products, services representing dimensions of change, created through the reinterpretation of needs. The Zuiderzee Museum asked Studio Kranen/Gille to dig around in its depot and discover forgotten props representing bygone cultural history. Out of 10,000 objects, the designers selected nine; these will be placed within lamps displayed in a special cabinet. The props don’t have original stories of their own but trigger the imagination and connect to contemporary design in surprising ways. Ventura visitors will be invited to Ventura Lambrate 2014,Via Ventura 5; photo: Claudio Grassi draw a personal item they’d like to immortalise in a lamp.

We bring you some of the not-to-be-missed highlights! Ventura Lambrate brings you the opportunity to buy your favorite Ventura designs, together with online marketplace CROWDY HOUSE. Visitors can stop buy at Via Ventura 6, where you can grab a tablet and log in to the special section on their website to order products that you’ve encountered at the fair. Next to you are several designers working on the spot showing the making process of their products.

To the CROWDY HOUSE website

We bring you some of the not-to-be-missed highlights! Ventura Lambrate brings you the opportunity to buy your favorite Ventura designs, together with online marketplace CROWDY HOUSE. Visitors can stop buy at Via Ventura 6, where you can grab a tablet and log in to the special section on their website to order products that you’ve encountered at the fair. Next to you are several designers working on the spot showing the making process of their products.

To the CROWDY HOUSE website

STUDIO JEROEN WAND & STUDIO MIEKE MEIJERS; photo: Raw Color

This questioning of the world we live in is asked by more exhibitors. Koncern Design Studio presents Embracing Paranoia, design objects of this era, an era in which we are on the cusp between individual and collective epochs and don’t believe that this is our reality just yet. The GRIP team – a collaboration between Delft University of Technology, DeBende and Studio Knol – will unveil a dynamic multisensory space at Ventura Lambrate designed to help people regain awareness of the self. It uses lights and specially designed soundtracks to create a personal, inspirational atmosphere. GRIP has begun testing the installation with patients at a mental health institution in Eindhoven. They’ll invite Ventura Lambrate visitors to step inside the installation and comment on it, to help optimise the prototype and take the collaboration to another level.

COTTO, ANOTHER PERSPECTIVE 3; photo: Thinkk Studio

Moleskine joins forces with Ventura Lambrate to set up a Documentation Centre for design innovation.

With the Moleskine smart notebook, Creative Cloud connected in hand, a group of young design reporters roam the once-industrial warehouses and streets to sketch and document its design objects, materials and technological solutions as well as its installations, crowd and spaces.

To the Moleskine website

JORGE PENADÉS; photo: Jorge Penadés

Ventura Lambrate is located in the north-east of Milan, a former industrial area. Closely linked to Italian artisan practices and craftsmanship, several Italian exhibitors find their way to the Ventura fairground.

They bring for example a collaboration between designer Paolo Ulian and Bufalini Marmi has yielded a series of furniture pieces that make use of optimised marble techniques. The exhibition also features the 40x40 collection: marble tiles, cut by a water-jet machine that can be easily assembled into objects.

The special cutting technique means no waste material is left behind. Visitors can also experience how the wind can become a source of energy. Enessere Hercules is a wind generator that comes from the knowledge of the Italian artisans of the Vicenza area with a powerful engine and a unique design. And there is a special presentation by Scatto Italiano + Wafer Boards. The common points between Scatto Italiano bicycles and Wafer Boards skateboards are uniqueness, handmade, fashion approach, the care of details and manifacturing process (100% Made in Italy).

COTTO, ANOTHER PERSPECTIVE 3; photo: Thinkk Studio

Moleskine joins forces with Ventura Lambrate to set up a Documentation Centre for design innovation.

With the Moleskine smart notebook, Creative Cloud connected in hand, a group of young design reporters roam the once-industrial warehouses and streets to sketch and document its design objects, materials and technological solutions as well as its installations, crowd and spaces.

TALIAYSTUDIO AND SUPER SENSE; photo: Christian Krenn

Whenever you are feeling hungry, head to Via Ventura 14 where you find the restaurant Feeding Creativity by XFood and Officine Tamborrino. The dishes of Apulian tradition will be served together with drinks that make you relax from an exhausting day at the Milan Design Week. Particularly special about the place is that it stimulates social responsibility by providing people with differing abilities the opportunity to learn professional skills in a creative workspace.

To the Moleskine website

....

To the full list of exhibitors Top

UNIVERSITY OF THE ARTS LONDON; photo: Jorge Penadés University of the Arts London

There are more academies at Ventura Lambrate than ever before – 24 in total. HONEY, WE NEED TO TALK! Is the presentation of Design School Kolding(Denmark) with 7 young, female designers and 7 leading Danish design companies welcome you to join the discussion. Another interesting project by an academy is by HKU Design (The Netherlands). They take you into the daily reality of designers: a flexible, multiform world in which designers develop themselves. A liminal space where they experiment, explore and discover. A presentation where questions are more important than answers.

The Tomorrow Collective from School of Industrial Design (Lund University) is about exploring ways of enabling us to live a sustainable life in the future. Inspired by past knowledge of how to grow, make and be, the project presents concepts for modern tools and systems that can be used within private homes or to share in smaller communities.

HANDMADE INDUSTRIALS; photo: Nikki Nooteboom

The new brand LABEL/BREED establishes collaborations between designers and manufacturers so they can share knowledge of the latest techniques and develop innovative products. The processes and results of its first five collaborations, whose participants include Chris Kabel, Studio Wieki Somers, Demakersvan,Christien Meindertsma and Marleen Kaptein, will be on show at Ventura Lambrate. Kaptein for example has worked with the Netherlands’ National Aerospace Laboratory to produce two chairs and a lamp with the help of the aviation company’s fibre-placement robot.

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Publication: MD Magazine Country: Germany Date: 01-04-2015 Type of Publication: Webpage

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Installation 'Bioplastic Fantastic' für Logotel. Logotel vereint die Arbeiten unterschiedlicher Designer. Prototypen, Produkte u Dienstleistungen zeigen eine Neuinterpretation der 'NEED's. Foto: Johanna Schmeer

Ventura Lambrate

Unite & Connect 1. April 2015

Der Mailänder Stadtteil Lambrate zieht während der Möbelmesse die internationale Designszene an.

Besonders junge Designer finden hier eine Plattform.

Unite & Connect, sprich networking, ist eines der Hauptanliegen der Macher von Ventura Lambrate.

Junge kreative Designern zusammenbringen und die Zusammenarbeit sowie Co-Produktionen fördern.

Auch in diesem Jahr passiert in dieser Hinsicht viel. Über 500 Designer stellen während des Salone del Mobile vom 14. bis zum 19. April im Mailänder Stadtteil Lambrate aus und bieten ihre Arbeiten auch zum Verkauf an. Die neue Marke Label/Breed hat beispielsweise eine Kooperation aus der Taufe gehoben, bei der sich Designer und Handwerker über neue technische Entwicklungen austauschen und gemeinsam Produkte entwickeln können. Prozesse und Ergebnisse fünf weiterer Kooperationen sind in Lambrate zu sehen (unter anderem mit Chris Kabel, Studio Wieki Somers, Demakersvan, Christien Meindertsma und Marleen Kaptein). www.venturaprojects.com

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Paris, Golran, Danskina, Kasthall, Kvadrat, nanmarquina, Moret, Sahrai, Toulemonde Bochart and Stepevi. We can’t wait to see new collections by Chevalier édition.

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Nine Best Shows at Milan Design Week 2015 30 March 2015 Milan Design Week starts in two weeks. Hotly anticipated every year, Fuori Salone is one of the biggest and most important design shows in the world. Here Lucy Upward recommends nine of the best shows and displays to see during the seven-day event.

1. SUPERDESIGN SHOW at Superstudio, via Tortona 27, 14-19 April 5. Ventura Lambrate, 14-19 April COVER magazine presents Jan Kath at Superstudio’s new design event SUPERDESIGN SHOW. Celebrating Ventura Lambrate in the north east of the city centre is the place to see young, upcoming designers and some 15 years as the leader of international design in Milan the Superstudio group replaces the success of of the coolest brands plus exhibitions by the likes of trend forecaster Li Edelkoort (see below). Wandering from the Temporary Museum for New Design with the new SUPERDESIGN SHOW format. As well as Jan Kath the building to building in the Ventura area one can see an enormous array of displays. This year will include event will feature Marcel Wanders for LG Hausys, Material Connexion, SoFarSoNear, Jens Otten Produktdesign Nienke Hoogvliet’s designs including the fascinating Sea Me rug (below), which features in the latest issue of and Tipart.

COVER. Also showing textiles and carpets will be Roos Soetekouw, Mae Engelgeer and many more.

Sea Me rug, Nienke Hoogvliet

6. Spazio Rossana Orlandi, Via Matteo Bandello 14/16, 14-19 April

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It is always worth a visit to the intriguing Rossana Orlandi site, which is packed full of work by some of the best international designers around. Last year Marimekko and Bokja (below) each took over a room of the building.

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Publication: LSN Global Country: United Kingdom Date: 04-08-2015 Type of Publication: Webpage

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SALONE DEL MOBILE MILAN 2015 PREVIEW

By Hannah Robinson 08 : 04 : 2015

Salone Del Mobile 2015 : Expo Milano : Furniture Design

Regarded as the unmissable event in the global design calendar, this year the 54th edition of Salone del Mobile offers an inspiring platform for the brands, products and people to watch out for over the next year.

Housewarming, Fabrica for

Housewarming, Fabrica for

Housewarming, Fabrica for

Housewarming, Fabrica for

Airbnb

Airbnb

Airbnb

Airbnb

Last year: Salone del Mobile 2014 gave us convergent spaces and experiential exhibitions that thoughtfully integrated disciplines ranging from technology and design to food.

Must-sees: Also taking place in the city this year is Expo Milano, which has ushered in a wave of new opportunities and a fresh energy for design week. Research centre Fabrica will present two compelling interactive exhibitions, for Airbnb and for Daikin. Brand collaborations will continue to have a heavy presence: anticipated highlights include a COS and Snarkitecture collaboration, and Alfredo Häberli and Jaime Hayon’s mobilityinspiredinstallations for BMW and Mini.

Location: From 13-19 April, Milan becomes a design playground. Areas to head to include Brera, Ventura Lambrateand the main Rho showground. Here, LS:N Global unpacks the different districts and the exhibitions not to be missed.

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Publication: Carnet de Miart Country: Italy Date: 26-02-2015 Type of Publication: Webpage

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Mercato del Pesce: If you say seafood, you say Mercato del Pesce. This Milan based company has one of the oldest seafood markets in the Milan right at the spot where the old wholesale fish market was. The location is quite industrial, right underneath the train rails. But inside you find the restaurant in a blue glass cube resembling an aquarium. I can honestly say this one of the best seafood I

Ventura Projects

have ever eaten—pure, super fresh, very well prepared. Oysters, fish tartars, calamari, “fritto misto”—could you think of a better place to have your aperitivo?

Linteloo Showroom: On the well-known Via Tortona you find a permanent showroom by design label Linteloo that is a true pleasure when you are looking for luxurious furniture. Larger than life couches, beautifully crafted Italian fabrics and materials and a one-of-a-kind reception. Pure pampering for the design heart. Call first when you want to drop by, it is by appointment only.

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FEBRUARY 26, 2015

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Museo del Novocento: This is one of my favorite spots for a cultural afternoon.

Once every two weeks, Carnet de miart presents a selection of significant spots in Milan—streets, bars, restaurants, public squares, exhibition spaces, archaeological sites—as seen and narrated by artists, curators, designers, and cultural critics who work or have worked in the city. For our sixth issue, we’ve asked the people behind the Ventura Lambrate project for their Top places:

Near the Duomo you find a modern flavor between all Renaissance beauty. The Museum of Twentieth Century lives up to its name by showing the public modern Italian masterpieces such as Lucio Fontana, Umberto Boccioni, de Chirico and a good selection of contemporary names. The lay-out of the museum is a bit of a labyrinth, but the view from the museum on the almost finished Duomo is already worth a visit.

Margriet Vollenberg, founder/director of Organisation in Design & Ventura Projects Pellini: This is where it all started for me in Milan. Right after my graduation I headed to Milan to work for Pellini. This beautiful jewelry atelier was founded by Emma Caimi Pellini in the late ‘40s and taken over by her daughter Carla— hence a very typical Italian organization. I am still in good contact with them and they keep on inspiring me in my work. Pellini bijoux can be found in three shops in Milan, with my personal favorite on the Via Morigi.

Trattoria Cappelletta: Home base for us during Ventura Lambrate. Never change a winning formula seems to be the motto in this authentic Italian restaurant. Nothing pretentious, just a very pleasant spot, with lovely staff that still speaks the Lambrate dialect and makes you feel right at home. Make sure to order the gnocco fritto, a specialty from the northern Italian provinces. It tastes fantastic after a day of hard working at Ventura Lambrate—or an intense visit of course!

//////// Fulvia Ramogida, Project Manager of Ventura Lambrate Vintage shop 20134 Lambrate: A small world of the past in the heart of Via Conte Rosso. An ode to the style and ethics of conservation of what is beautiful and precious, ephemeral and eternal. At 20134 you really can find treasures that pass from hand to hand from the ’40s. A family environment, where Cecilia and

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Alessandro, brothers of blood and passion, have created a unique shop, the kind of boutique where subtle women of the last century went to look for the perfect outfit. Between rough walls, turntables and old lamps, carefully chosen by

//////// Fulvia Ramogida, Project Manager of Ventura Lambrate Vintage shop 20134 Lambrate: A small world of the past in the heart of Via Conte Rosso. An ode to the style and ethics of conservation of what is beautiful and precious, ephemeral and eternal. At 20134 you really can find treasures that pass from hand to hand from the ’40s. A family environment, where Cecilia and Alessandro, brothers of blood and passion, have created a unique shop, the kind of boutique where subtle women of the last century went to look for the perfect outfit. Between rough walls, turntables and old lamps, carefully chosen by architect Andrea, you will find yourself between lost times!

Claudio Pittan tattoo: One of the historic tattoo shop of Milan, situated just near the beautiful Basilica di San Lorenzo, where you can see the striking line of sixteen Roman columns just in front of the present church Claudio Pittan is a tattoo artist and his crew is kind, good-natured and absolutely professional!

Japanese style tattoo can become real masterpieces thanks to their hands, so if you wish to go back home with an eternal souvenir of Milan, just think about this tiny and powerful tattoo studio.

Marsèlleria permanent exhibition: It is the multi-disciplinary platform created

by Marsèll in 2009. A white box where creative languages, art creations, performances become real in complete freedom and make the location live of a special life. Going behind the schemes, interpreting style and fantasy, dancing on the edge… This is what the artists and creators that perform there can do.

Something truly unique in Milan, it deserves a visit and makes you think, dream and lift over everyday life!

Pasticceria San Gregorio: A traditional Milan pastry shop. At Christmas time you can find delicious panettoni and the shop is full or bright decorations.

Established very near to Porta Venezia since 30 years, Pasticceria San Gregorio is perfect for a quick and simple lunch or a very gourmand tea, served with freshly baked sweets, mignon pastries or tasty croissant. The service is friendly, prices are popular and quality is top! And don’t miss the Italian espresso served with cream.

Santeria: This is really a secret place hidden in the courtyard of a condominium.

Ideal for a tasty aperitivo, their Moscow Mule cocktail is superb! The atmosphere is really relaxed, the dishes with mozzarella di bufala are gorgeous and the cheese cake irresistible. Santeria offers also vegan dishes and its courtyard, even if very urban is quite romantic….

Margriet Vollenberg: lives and works in Utrecht, The Netherlands and graduated from the Design Academy Eindhoven in 2000. From 2000 to 2005 she lived and worked in Milan as designer for Pellini and Maria Christina Hamel and as project manager during the Fuori Salone. In 2005 she returned to The Netherlands where she started Studio Margriet Vollenberg and worked at Studio Jurgen Bey (now Studio Makkink & Bey). Together with Margo Konings she is the founder of Organisation in Design and Ventura Lambrate.

Fulvia Ramogida: lives and works in Milan. She is graduated with a degree in philosophy and has several years of experience in the event management field especially with publishing companies, niche perfumery, kids products and she also worked in the IT marketing field. She is especially interested in design talents and abandoned spaces. She has been part of the Ventura Lambrate adventure since the very start.

Cover image: Margriet Vollenberg, Fulvia Ramogida. Courtesy Ventura Projects Photos from top: Trattoria La Cappelleta, drawing. Courtesy Trattoria Cappelletta; Tortona 37 building, Milano. Courtesy Studio Matteo Thun & Partners; Museo del Novecento. Photo by: Giuseppe Albera; 20134 Lambrate.

Installation view; Santeria Milano. Courtesy pepitepertutti; Marsèlleria.

Claudio Pittan tattoo: One of the historic tattoo shop of Milan, situated just

Installation view “Invernomuto. Special Night – Nocturnal Performance”

near the beautiful Basilica di San Lorenzo, where you can see the striking line of sixteen Roman columns just in front of the present church Claudio Pittan is a tattoo artist and his crew is kind, good-natured and absolutely professional!



Japanese style tattoo can become real masterpieces thanks to their hands, so if you wish to go back home with an eternal souvenir of Milan, just think about this

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tiny and powerful tattoo studio.

Marsèlleria permanent exhibition: It is the multi-disciplinary platform created

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Home Projecten Producten Thema's Bedrijven Vacatures home nieuws buitenland Lambrate: onderzoek naar materialen en techniek

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Tijdens de Milan Design Week is Ventura Lambrate een van de belangrijkste plekken om jonge en nieuwe talenten te zien. Maar ook Agenda materialen en andere toepassingen van technieken. nieuwe

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Terwijl in 'design-wijken' als Brera en Tortona en uiteraard op de Salone Internazionale met name de grote ondernemingen aanwezig zijn en een beel geven van wat er op de markt gaat komen, is Ventura Lambrate al jaren de l waar de bezoeker naar toe gaat voor experimentelere, niet altijd functionele kleinschaliger ontwerpen. Het aanbod is de laatste jaren gestaag gegroeid m Organisation in Design heeft de formule ook dit jaar goed weten te bewaken

Een glimp van het design van morgen krijgt de bezoeker onder meer door de deelname van opleidingen. Dit jaar vonden maar liefst 24 internationale ople een plek in de voornamelijk oude industriële gebouwen van Lambrate. Een s en veel gewaardeerde expositie leverde de Aarhus School of Architecture ui Denemarken, met objecten die een vakkundige combinatie van beton en hou zien, een houten kokon en zelfs een elektronische geluidsinstallatie met staaldraden omvatte.

Poëtisch Een mooie, kleine expositie bood Form & Seek, een groepspresentatie van (voornamelijk) recent afgestudeerden aan de Royal College of Art in Londen de groep van veertien ontwerpers bindt, is dat ze "in reactie op de huidige tij eigen "fabriekjes" in hun studio, woning of een verlaten pakhuis zijn begonne legt Golnar Roshan uit.

22-4-2015 - 18:36

22-4-2015 - 18:36 Tijdens de Milan Design Week is Ventura Lambrate een van de Tijdens deplekken Milan om Design Week is Ventura een van belangrijkste jonge en nieuwe talenten teLambrate zien. Maar ook nieuwe materialen plekken en andere om toepassingen technieken. belangrijkste jonge envan nieuwe talenten te zien.

de Maar nieuwe materialen en andere toepassingen van technieken.

Tekst Robert Muis

De ontwerpen kenmerken zich door een onderzoek van materialen en waarn met vaak poëtisch resultaat. Een paar voorbeelden: via elektrolyse van gekle vloeistof is keramiek voorzien van 'prints' (Cindy Strobach); klokken vertonen verschillende getinte vlakken doordat het leren oppervlak deels heeft 'gezon ook onder solariumlampen (Lina Patsiou); Jule Waibel toonde zitelementen uit vouwbaar vilt en Yaarit Mechany heeft vazen gemaakt van gestoomd en gev fineer.

Tekst Robert Muisals Brera en Tortona en uiteraard op de Salone Terwijl in 'design-wijken' Onvoorspelbaar Internazionale met name de grote ondernemingen aanwezig zijn en een beeld Het experimenteren met materialen en vooral ongebruikelijke technieken was geven van wat er op de markt gaat komen, is Ventura Lambrate al jaren de locatie Terwijl in 'design-wijken' als Brera en Tortona en uiteraard op de Salone veel plaatsen in Ventura Lambrate te zien. Daarbij leek er bovendien een gro waar de bezoeker naar toe gaat voor experimentelere, niet altijd functionele en Internazionale met name de grote ondernemingen aanwezig zijn en een beeld belangstelling onder de ontwerpers te bestaan voor de onvoorspelbaarheid kleinschaliger ontwerpen. Het aanbod is de laatste jaren gestaag gegroeid maar proces.

Ze laten het materiaal en de techniek als het ware hun eigen gang g geven vanin wat er heeft op de komen, is weten Ventura Lambrate al jaren de locatie Organisation Design demarkt formulegaat ook dit jaar goed te bewaken. waar de bezoeker naar toe gaat voor experimentelere, niet altijd functionele en

rENs (Renee Mennen en Stefanie van Keijsteren) doen dat bijvoorbeeld in h Een glimp van het design van morgen krijgt de bezoeker onder meer door de kleinschaliger ontwerpen. Het aanbod is de laatste jaren gestaag gegroeidproject maarTrue Colours. In Lambrate hingen stukken textiel die het duo in water deelname van opleidingen. Dit jaar vonden maar liefst 24 internationale opleidingen Organisation in Design heeft de formule ookvan ditLambrate. jaar goed gedrenkt en had voorzien van een zwarte streep met een eenvoudige stift. D een plek in de voornamelijk oude industriële gebouwen Eenweten sterke te bewaken. is uitgelopen en vertoont de verschillende kleuren waaruit het zwart is opgeb en veel gewaardeerde expositie leverde de Aarhus School of Architecture uit (afhankelijk van het soort textiel) uiteenlopende patronen. Ook toonde rEN Denemarken, die eenvan vakkundige beton en onder hout lieten Een glimp met vanobjecten het design morgencombinatie krijgt devan bezoeker meer doorinde Meest gelezen deze keramische objecten dieweek in een badje met kleurstof stonden. Het keramiek zu zien, een houten kokon en zelfs een elektronische geluidsinstallatie met deelname van opleidingen. Dit jaar vonden maar liefst 24 internationale opleidingen gekleurde vloeistof op, waardoor als vanzelf een gradiënt in het materiaal on staaldraden omvatte.

16-4-2015 een plek in de voornamelijk oude industriële gebouwen van Lambrate. Een sterke College Rotterdam akkoord met Collectiegebouw Boeiend was ook de presentatie van het nieuwe Label/Breed. Initiators Stijn en veel gewaardeerde expositie leverde de Aarhus School of Architecture uit Poëtisch 21-4-2015 Roodnat and Stilmakroon willen een ontwerper en een Nederlandse, special Een mooie, kleine expositie bood Form & Seek, een groepspresentatie van A ​ ’DAM krijgtToon zijn nieuwe Denemarken, met objecten die een vakkundige combinatie van beton en hout lieten producent aan elkaar koppelen om van meet af aan samen nieuwe Meest gelezen deze week (voornamelijk) recent afgestudeerden aan de Royal College of Art in Londen. Wat 21-4-2015 zien, een houten kokon en zelfs een elektronische geluidsinstallatie met (interieur)producten te ontwikkelen. de groep van veertien ontwerpers bindt, is dat ze "in reactie op de huidige tijd" hun Gerenoveerde Delftse Poort open voor iedereen staaldraden eigen "fabriekjes"omvatte. in hun studio, woning of een verlaten pakhuis zijn begonnen, zo

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Daarbij moet de vruchtbaar zijn voorakkoord beide partijen en het res Amsterdam wilsamenwerking acht parkeergarages bouwen College Rotterdam met Collectieg moet geschikt zijn om daadwerkelijk op de markt te brengen. In Milaan konde Poëtisch 16-4-2015 21-4-2015 de eerste resutaten laten zien; daaronder een geglazuurd keramische bank Hilversumse Architectuurprijs voor Melkfabriek De ontwerpen kenmerken zich door een onderzoek van materialen en waarneming, Een mooie, kleine expositie bood Form & Seek, een groepspresentatie van ​A’DAM zijn uit nieuwe kroon Kabel en baksteenfabrikant St. Joris),krijgt een stoel minutieus geplaatste met vaak poëtisch resultaat. Een paar voorbeelden: via elektrolyse van gekleurde (voornamelijk) aan de Royal Wat (Marleen Kaptein carbonvezels en het Nationaal Luchtvaart Laboratorium). vloeistof is keramiekrecent voorzienafgestudeerden van 'prints' (Cindy Strobach); klokkenCollege vertonen of Art in Londen.

21-4-2015 de groep van veertien ontwerpers bindt, is datdeels ze "in reactie verschillende getinte vlakken doordat het leren oppervlak heeft 'gezond'op de huidige tijd" hun Gerenoveerde Delftse Poort open voor ied Nieuwe onder solariumlampen Patsiou); Julewoning Waibel toonde zitelementen Partnernieuws toon alles eigen "fabriekjes"(Lina in hun studio, of een verlaten uit pakhuis zijn begonnen, zomaterialen 16-4-2015 Het label Transnatural liet vorig jaar al een kleine collectie ontwerpen zien, w legt Golnar Roshan uit.

Organisation in Design heeft de formule ook dit jaar goed weten te bewaken.

Een glimp van het design van morgen krijgt de bezoeker onder meer door de deelname van opleidingen. Dit jaar vonden maar liefst 24 internationale opleidingen een plek in de voornamelijk oude industriële gebouwen van Lambrate. Een sterke en veel gewaardeerde expositie leverde de Aarhus School of Architecture uit Denemarken, met objecten die een vakkundige combinatie van beton en hout lieten zien, een houten kokon en zelfs een elektronische geluidsinstallatie met staaldraden omvatte.

Poëtisch Een mooie, kleine expositie bood Form & Seek, een groepspresentatie van (voornamelijk) recent afgestudeerden aan de Royal College of Art in Londen. Wat de groep van veertien ontwerpers bindt, is dat ze "in reactie op de huidige tijd" hun eigen "fabriekjes" in hun studio, woning of een verlaten pakhuis zijn begonnen, zo legt Golnar Roshan uit.

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De ontwerpen kenmerken zich door een onderzoek van materialen en waarneming, met vaak poëtisch resultaat. Een paar voorbeelden: via elektrolyse van gekleurde vloeistof is keramiek voorzien van 'prints' (Cindy Strobach); klokken vertonen verschillende getinte vlakken doordat het leren oppervlak deels heeft 'gezond' onder solariumlampen (Lina Patsiou); Jule Waibel toonde zitelementen uit vouwbaar vilt en Yaarit Mechany heeft vazen gemaakt van gestoomd en gevormd fineer.

Onvoorspelbaar Het experimenteren met materialen en vooral ongebruikelijke technieken was op veel plaatsen in Ventura Lambrate te zien. Daarbij leek er bovendien een grote belangstelling onder de ontwerpers te bestaan voor de onvoorspelbaarheid van het proces. Ze laten het materiaal en de techniek als het ware hun eigen gang gaan. rENs (Renee Mennen en Stefanie van Keijsteren) doen dat bijvoorbeeld in hun project True Colours. In Lambrate hingen stukken textiel die het duo in water had gedrenkt en had voorzien van een zwarte streep met een eenvoudige stift. De inkt is uitgelopen en vertoont de verschillende kleuren waaruit het zwart is opgebouwd, Meest gelezen deze week in (afhankelijk van het soort textiel) uiteenlopende patronen. Ook toonde rENs keramische objecten die in een badje met kleurstof stonden. Het keramiek zuigt de 16-4-2015 College Rotterdam akkoord met Collectiegebouw gekleurde vloeistof op, waardoor als vanzelf een gradiënt in het materiaal ontstaat.

21-4-2015

Meest gelezen deze week 16-4-2015

College Rotterdam akkoord met Collectiegebouw 21-4-2015

​A’DAM krijgt zijn nieuwe kroon 21-4-2015

Gerenoveerde Delftse Poort open voor iedereen 16-4-2015

Amsterdam wil acht parkeergarages bouwen 16-4-2015

Hilversumse Architectuurprijs voor Melkfabriek

Partnernieuws

toon alles

Gispen en Mecanoo gaan samenwerking aan

​Boon Edam opent kantoor in Manhattan

​Seminar: Bent u klaar voor de toekomst?

Argent Alu wint red dot design award

​A’DAM krijgt zijn nieuwe kroon

Boeiend was ook de presentatie van het nieuwe Label/Breed. Initiators Stijn 21-4-2015 Roodnat and Toon Stilma willen een ontwerper en een Nederlandse, specialistische Gerenoveerde Delftse Poort open voor iedereen producent aan elkaar koppelen om van meet af aan samen nieuwe 16-4-2015 (interieur)producten te ontwikkelen.

Amsterdam wil acht parkeergarages bouwen

Kingspan versterkt Europese positie

16-4-2015

Hilversumse voor Melkfabriek Daarbij moetArchitectuurprijs de samenwerking vruchtbaar zijn voor beide partijen en het resultaat moet geschikt zijn om daadwerkelijk op de markt te brengen. In Milaan konden ze de eerste resutaten laten zien; daaronder een geglazuurd keramische bank (Chris Kabel en baksteenfabrikant St. Joris), een stoel uit minutieus geplaatste Partnernieuws toon alles carbonvezels (Marleen Kaptein en het Nationaal Luchtvaart Laboratorium).

Gispen en Mecanoo

Nieuwe materialen gaan samenwerking Het label Transnatural aan liet vorig jaar al een kleine collectie ontwerpen zien, waarin technologie en natuur samenkomen. De collectie is inmiddels flink uitgebreid, met wederom fascinerende producten en projecten. Zo toonde het label de Xylinum ​Boon Edam opent Cones van de Duitse ontwerpers Stefan Schwave & Jannis Hülsen; grote kantoor in Manhattan kegelvormige objecten die bestaan uit bacterieel cellulose, een sterk en vormbaar biotechnologisch materiaal. ​Seminar: Bent u klaar Julian Melchiorri ontwikkelde een synthetisch blad, bestaande uit chloroplast in een voor de toekomst? matrix van zijdeproteïnen. Deze Silk Leaf absorbeert CO2 en water en produceert zuurstof, op vergelijkbare wijze als plantaardige bladeren. Ivorish is een synthetisch ivoor, dat onderzoeker/ontwerper Nina van den Broek heeft gecreëerd uit menselijk Argent Alu wint dot en dierlijk tandafval.

Misschien datred haar sieraden uit 'ivorish' een alternatief kunnen design award vormen voor het ivoor van de bedreigde olifanten.

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M aandag 8 juni 2015

Zoek nieuws Home / Evenementen / Hip & hot design uit de zona’s

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Milaan - Het leuke van beurzen in Milaan, is dat er in de binnenstad vele honderden kleinere exposities te zien zijn. Veel jonge (Nederlandse) ontwerpers, maar ook opleidingen en Italianen met een eigen showroom in Milaan.

Elke buurt is ten tijde van de beurs een Design Zona.

De bekendste zijn Zona Tortona en Lambrate, maar ook Brera, San Babila en Magenta schreeuwen om aandacht van de pers en vakbezoekers. Het grappige is dat je nergens anders zoveel Nederlandse ontwerpers bij elkaar vindt als in Milaan, zelfs niet tijdens de Dutch Design Week in Eindhoven. Vooral in Lambrate is het een Nederlands feestje. Een enkele keer gaat het helaas om fröbel- en prutswerk, maar er zaten ook dit jaar weer enkele juweeltjes bij. Zoals Studio WM (topper!), Mae Engelgeer, RenS, de gezamenlijke expositie van Mieke Meijer en Jeroen Wand, het nieuwe Label/Breed, Nienke Sybrandy, Michiel van der Kley, Toer, Floris Wubben en Cor Unum.

Ook de show van Moooi in Zona Tortona was weer erg indrukwekkend. Nieuw is Moooi Carpets, een collectie van (geprinte) karpetten van bekende designers zoals Marcel Wanders zelf, Studio Job, Bertjan Pot, Edward van Vliet, Front en Ross Lovegrove. Ook Linteloo liet zich in de eigen showroom weer van zijn beste kant zien, met o.a. de Butcher-collectie van Sjoerd Vroonland. Een andere hotspot is de galerie van het Italiaanse design-icoon Rosanna Orlandi. Hier zagen we twee prachtige behangcollecties van Nederlandse ontwerpers voor Amerikaanse merken: BCXSY voor Calico Wallpaper en Frank Tjepkema voor WolfGordon.

Hip & hot design uit de zona’s

Milaan - Het leuke van beurzen in Milaan, is dat er in de binnenstad vele honderden kleinere exposities te zien zijn. Veel jonge (Nederlandse) ontwerpers, maar ook opleidingen en Italianen met een eigen showroom in Milaan.

Elke buurt is ten tijde van de beurs een Design Zona.

De bekendste zijn Zona Tortona en Lambrate, maar ook Brera, San Babila en Magenta schreeuwen om aandacht van de pers en vakbezoekers. Het grappige is dat je nergens anders zoveel Nederlandse ontwerpers bij elkaar vindt als in Milaan, zelfs niet tijdens de Dutch Design Week in Eindhoven. Vooral in Lambrate is het een Nederlands feestje. Een enkele keer gaat het helaas om fröbel- en prutswerk, maar er zaten ook dit jaar weer enkele juweeltjes bij. Zoals Studio WM (topper!), Mae Engelgeer, RenS, de gezamenlijke expositie van Mieke Meijer en Jeroen Wand, het nieuwe Label/Breed, Nienke Sybrandy, Michiel van der Kley, Toer, Floris Wubben en Cor Unum.

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Ook de show van Moooi in Zona Tortona was weer erg indrukwekkend. Nieuw is Moooi Carpets, een collectie

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Publication: Woonspot Country: the Netherlands Date: 08-06-2015 Type of Publication: Webpage

Naast karpetten en behang, zijn ook spiegels en bijzettafeltjes dit jaar trends op zich. Qua materialen is marmer sterk in opkomst, naast koper en brons.

Ook materialen die vragen om vakmanschap, zoals hout en leer, zien we veel. Meubelstoffen worden weer bonter qua dessins, vooral facet-vormen en driehoekjes zijn in, en qua kleur ligt de nadruk op zwart/wit. In de vormgeving van meubels valt een tendens te bespeuren naar ‘dikkere’ meubels; hetzij met een bijna matrasachtige stoffering, hetzij met een dikke rol als rug. Opvallende eyecatchers zijn er minder en minder. Fabrikanten kiezen liever voor veiligheid in de zin van meer commerciële modellen in toch wel veiligere kleuren als zwart, blauw en beige.

Begrijpelijk, maar het maakt het beurzen wel wat saaier. Om bezoekers toch de stand op te trekken, is er echter een nieuwe tool: geuren! Die worden steeds belangrijker in ons interieur.

Monique van Empel Foto: Linteloo, Butcher-collectie van Sjoerd Vroonland.

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Publication: Design Milk Country: United Kingdom Date: 30-04-2015 Type of Publication: Webpage

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Humus was an installation by Centre D’Enseignement Professionnel de Vevey ceramics students demonstrating different throwing techniques – I

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like its utterly organic aesthetic.

Ripple wall and table organizers by Hiroy \\\ PREVIOUS

\\\ NEXT

curved paper to create structures that do a paper is sandwiched between two matc

sandwiching surfaces and extends their s

designers. “Now if the sandwiching surfac

shaped into a curved surface and creates series of solids that not only act as paper

MILAN 2015: NEW IDEAS + TALENT AT VENTURA LAMBRATE

phenomenon, being pairs of matching so

surfaces functioning as trays, vases or lit

Posted by Katie Treggiden on 04.30.15 in Home Furnishings, Main

Proof that the geometric trend is still alive and kicking, the ISO / Breakfast Set by Marta Ferrer comprises a glass, two plates, two bowls and a tray.

“Their forms take into account the purest geometry, including creating various compositions according to the position of the various elements.

Besides, a graphic application on the pieces generates a playful and decorative appearance contributing consequently to the set unity,” said the designer.

\\\ VIEW THE PHOTO GALLERY

➡

In response to what he sees as too much ingredients, Lund University student Olaf

Ventura Lambrate is my favorite design district in Milan – always packed with student and graduate work, it’s where the new ideas are. Projects are often still in concept or prototype stage, and rarely commercially available

Toothpaster – everything you need to ma “There are many toothpaste brands on th “They all try to complicate the shit out of e

(yet), but that’s what makes it exciting. This year, even the unexpected downpour on what’s largely an outdoor event, failed to dampen my spirits – although a very British cup of tea did replace the usual Italian gelato! The first thing to catch my eye was Michiel van der Kley’s Project Egg. It is

protection, more whitening, and anti-agin plastic and back them up with long lists o heard of. The sad truth is that many of th and some can even be harmful. The fact make toothpaste and that everyone could and natural ingredients. The toothpaste m started, sharing recipes with each other. I collection of containers and tools to help

constructed, to his plans, from 4,760 individual pieces 3D printed by people all over the world. “Project Egg is about 3D printing, the power of sharing and co-creating, about new ways to create and collaborate,” said the designer.

The Kaleido Screen by Japanese industrial design student Junichiro Oshima provided a welcome hit of color. Two striped circles can be twisted in opposite directions to create different patterns and make the screen more or less opaque – the screen’s height can be adjusted by moving the legs. “Kaleido is a partition to make a boundary and divide a space by creating a beautiful surface using groups of lines,” said the designer.

Humus was an installation by Centre D’Enseignement Professionnel de Vevey ceramics students demonstrating different throwing techniques – I like its utterly organic aesthetic.

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Fellow Lund student Oskar Olsson prese reusable food packaging system, designe packaging. “The Burks are part of a syste packaging industry because it is actually “With its 200 kg of waste per person and bag ingestion, the environmental impact i

yuki Ikeuchi use the strength of

Fellow Lund student Oskar Olsson presented the Burks system, a

on’t require glue or screws. “When ching surfaces, it traces the

reusable food packaging system, designed to eliminate disposable packaging. “The Burks are part of a system designed to eradicate the food

shape into the space,” said the

ces are curved, then paper is also

s a strong structure. Ripple is a r weight, but also are using this

packaging industry because it is actually pretty bad,” said the designer.

“With its 200 kg of waste per person and seagull fatalities due to plastic bag ingestion, the environmental impact is enormous. With the Burks

olids, to turn paper sheets into stiff

system, where grocery products are sold in bulk, a future without the above mentioned issues could be possible. Seagulls may be noisy, but air

ttle shelves.”

and water are pretty nice.”

h plastic and unnecessary f Janson has developed the ake your own natural toothpaste.

he market,” said the designer. each other by promising more ng. They pack these promises in of ingredients, chemicals we never hese ingredients are redundant of the matter is that it is easy to d do it for themselves with few mixing movement has already In the Toothpaster, I have made a this movement on its way.”

ented the Burks system, a ed to eliminate disposable em designed to eradicate the food pretty bad,” said the designer. seagull fatalities due to plastic is enormous. With the Burks

Martyna Barbara Golik created a design for each of the five senses – this was “sour” expressed in blanket form, the result of experimentation with liquid rubber, hand tufting and upholstery techniques.

These acoustic wall tiles are made from recycled paper pulp by Dear Human, a Canadian creative studio founded by Jasna Sokolovic and Noel O’Connell in 2011. “Other than their decorative potential, they have great sound absorbing qualities and are easy to install,” said the designers. “We use 100% post-consumer paper, collected from local businesses.”

These acoustic wall tiles are made from recycled paper pulp by Dear Human, a Canadian creative studio founded by Jasna Sokolovic and Noel O’Connell in 2011. “Other than their decorative potential, they have great sound absorbing qualities and are easy to install,” said the designers. “We use 100% post-consumer paper, collected from local businesses.”

Norwegian Presence in Milan was one of the highlights of Ventura Lambrate – a collaboration between Klubben (The Norwegian Designers’

There were some lovely pastel colors at Milan this year, epitomized by this lamp and bowls by Università IUAV di Venezia graduate Enrico Zanolla.

Union), Norwegian Crafts, and Norwegian Icons, the exhibition showcased the best of Norwegian craft. I loved Treet by Morten & Jonas, a playful side table comprising three differently-shaped and colored solid oak trays on top of a slender frame.

There were some lovely pastel colors at Milan this year, epitomized by this lamp and bowls by Università IUAV di Venezia graduate Enrico Zanolla.

And finally, a fantastic installation from Marcia Nolte, Stijn van der Vleuten and Bob Waardenburg – the three people behind Dutch collective We

In the same space, the Mikkel blankets by Kristine Five Melvær – currently prototypes by Norwegian manufacturer Røros Tweed – were inspired by the Bauhaus movement and the Norwegian wool tradition and combine Kristine’s industrial design training with her graphic design background.

They come in four colors and were particularly appealing on the coldest day of the week!

Make Carpets – who have been making carpets from simple, everyday things that you might find in your kitchen drawer for five years. From pasta to clothes pegs, from party hats to plastic cups, anything can become part of intricate patterns that they build on their hands and knees from the inside out.

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Visitors are flocking to see the Design Academy Eindhoven's Eat Shit exhibition – a so-called "protest against contemporary realities, which leave people divided and often hungry".

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L’AB: Have you noted any particular changes specifically within Dutch Design since then?

The Ventura Adventure: Margriet Vollenberg looks forward to this year’s Ventura Lambrate exhibitions in Milan Posted by Wava Carpenter

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March 31, 2015 – Conversations

VENTURA LAMBRATE i

Blog → The Ventura Adventure

MV: We of course work a lot with Dutch designers; although since the start of Ventura Lambrate we have brought together designers from all different 201 nationalities and tried to always put forward an international selection.O.iWith .D regards to Dutch Design, I can say that ever since the nineties, Dutcht Design ion has been very much linked to conceptual design, and this has only gotten stronger. ® Ed

Publication: L´Arcobaleno Country: USA / Germany Date: 30-03-2015 Type of Publication: Webpage

Muller Van Severen work exhibited with Galerie Valerie Traan at Ventura Lambrate 2014; © Nicole Marnati

L’AB: Ventura Lambrate is known for presenting many young and emerging designers. What sort of opportunities do you hope your venue will give those who are just starting out?

MV: After graduating from the Design Academy Eindhoven, I quickly noticed that so many of my fellow designers were struggling to get their work out in the public. This was one of the initial goals for Ventura Lambrate—to create a platform where young talents can show their work, even while they are still students together with their academies. Design fairs, and Salone in particular, are still the stages to get noticed by press, to meet professionals and buyers. Your work can be spectacular, but if it's not seen there is no use. Because Ventura Lambrate has set a name for itself, we are able to attract the right journalists and professional crowd. All Ventura exhibitors— young, established; solo projects and collectives—have boosted their careers by being noticed on this stage.

As March comes to a close, the inboxes of the international design community begin to fill up with announcements promoting the myriad events and exhibitions associated with the annual Salone del Mobile fair in Milan in Ventura Lambrate 2014; © Claudio Grassi April. For those scouting rising-star talent, the multilayered Lambrate district L’AB: With this year’s edition of Ventura Lambrate, what are you most has emerged as a don’t-miss hot spot, commanding attention amid the flurry looking forward to? of activity.

Dutch designer-turned-PR doyenne Margriet Vollenberg is the mastermind behind Ventura Lambrate. Six years ago, she set out with her former partner Margo Konings to launch an entirely new, large-scale exhibition platform in the eastern part of Milan. As preparations for next month’s edition heat up, we asked Vollenberg to comment on her project’s many successes.

Ventura Lambrate 2014; © Ilco Kemmere Ventura Lambrate 2014; © Claudio Grassi

L’AB: What changes have you witnessed in the design world since Ventura Lambrate launched in 2010?

MV: Every year, it is such a joy to see the works in real life finally and to observe that by putting things together a compelling story is told. This year I'm particularly excited about the great number of participating schools and academies. In total 24 international academies will show on our platform, which means that about 500 students will present their work.

Another thing that I’m proud to present this year is a location where we bring together a selection of projects that merge fashion and design, research and craftsmanship. This emerging phenomenon will be on display at the Via Cletto Arrighi.

And what I think will be a lot of fun is a special project by Moleskine. They will invite a group of young design reporters and illustrators to stroll through MV: In 2010, we were one of the first to present exhibitions that focused on the Ventura warehouses and streets to sketch and document the design design processes and not only on finished products. It was very uncommon exhibitions, the crowd, and the spaces. It will be a great new way of to show research-based projects and to show conceptual design on a fair recording the event. stage. This has really changed—there is so much more interest in the story behind the design, which I can only applaud.

Ventura Lambrate Director Margriet Vollenberg; © Ilco Kemmere

L’AB: Have you noted any particular changes specifically within Dutch Design since then?

Good luck with the final preparations, Margriet! And check back with us later this week. L’AB will present a sneak peek of this year’s Ventura Lambrate.

MV: We of course work a lot with Dutch designers; although since the start of Ventura Lambrate we have brought together designers from all different nationalities and tried to always put forward an international selection. With regards to Dutch Design, I can say that ever since the nineties, Dutch Design has been very much linked to conceptual design, and this has only gotten stronger.

Muller Van Severen work exhibited with Galerie Valerie Traan at Ventura Lambrate 2014; © Nicole Marnati

L’AB: Ventura Lambrate is known for presenting many young and emerging designers. What sort of opportunities do you hope your venue will give those who are just starting out?

MV: After graduating from the Design Academy Eindhoven, I quickly noticed that so many of my fellow designers were struggling to get their work out in the public. This was one of the initial goals for Ventura Lambrate—to create a platform where young talents can show their work, even while they are still students together with their academies. Design fairs, and Salone in particular, are still the stages to get noticed by press, to meet professionals and buyers. Your work can be spectacular, but if it's not seen there is no use. Because Ventura Lambrate has set a name for itself, we are able to attract the right journalists and professional crowd. All Ventura exhibitors— young, established; solo projects and collectives—have boosted their careers by being noticed on this stage.

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Ventura Lambrate 2014; © Claudio Grassi

Design Guide

L’AB: With this year’s edition of Ventura Lambrate, what are you most

Designers Galleries

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Publication: LYNX Contemporay Country: United Kingdom Date: 29-04-2015 Type of Publication: Webpage

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Pani Jurek, Do It Your Way. Polish Design in Pieces, curated by Ewa Solarz & TABANDA group, Fuorisalone, Milano Design Week, photo Jan Lutyk, Milan, April 2015

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Welcome to the design democracy Posted: April 29th, 2015 ˑ Filled under: Art Fairs, Design ˑ No Comments Polish designers at Fuorisalone in Milan.

‘Do It Your Way’ aimed the audience that design is created for its users, and without them it RSSto remind Facebook Twitter doesn’t exist; design can be a source of curiosity, inspiration and fun. Visitors could use their own creativity to compose new spaces and furniture and determine their final shape. For instance, Tabanda presented CollectingDYNKS PostcART Calendarshelving Shop About – a funky modular system.

This creative piece of furniture offered limitless solutions and inspired to design your own unique shelving solution. Designers gave users maximum control of the objects, which strengthened the bond between objects and their users. This approach fit with a recent report by Stylus which observed that design industry now is opening up to all-comers. In this free-for-all landscape, Sign up for our monthly newsletter everyone – including designer, manufacturer and consumer – has a contribution to make. Perhaps alarming, undoubtedly exhilarating, the new Design Democracy transforms design into an ever-more collaborative process, Your email where professional and amateur alike can hold their input. The end result, Stylus believes, will be revolutionary and transformative.

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‘Do It Your Way. Polish Design in Pieces’, 14-19 April 2015,Ventura Lambrate, Milan, photo Jan Lutyk

19 April marked the end of Milan Design Week – the biggest and most prestigious design fairs in the world.

Every year, for the duration of the fairs, the city transforms to adapt to the needs of designers and design enthusiasts. Design Week consists of several independent exhibitions and showrooms. The largest of these is the Salone del Mobile located in Rho. Nearby is the Salone Satellite – this year full of very good projects.

Another important fair is Fuorisalone located in the district of Lambrate. From the perspective of Polish design, Fuorisalone, held for the sixth time, was by far the most interesting part of Design Week. Young Polish designers presented their innovative and imaginative designs following the fair’s theme ‘Unite and Patyczaki by Jan Godlewski, Do It Your Way. Polish Design in Pieces, curated by Ewa Solarz & TABANDA group, Fuorisalone, Connect’. This edition also set the stage for crossovers between design and fields of science and social Milano Design Week, photo Maria Fiter, Milan, April 2015 progress, material research and pioneering design-fashion / couture hybrids.

Do It Your Way!

Malafor, Martyna Barbara Golik & Crea-re

The biggest showcase of Polish design was an exhibition ‘Do It Your Way. Polish Design in Pieces’, curatedFuorisalone also featured young Polish designers exhibiting their projects independently. They too allowed

by Ewa Solarz and TABANDA group (Megi Malinowska, Filip Ludka and Tomek Kempa). It was organised by visitors to touch and feel the objects, inviting the audience to try to create something new. This creative Culture.pl on behalf of the Adam Mickiewicz Institute. Since more than a decade this national institution is approach was evidenced not only in form but also by the use of interesting materials like Crea-Re studio’s effectively building Polish culture’s brand by supporting Polish participation in such prestigious events. lamps made ​from recycled materials.

Attentive observers could see how after 2005 Polish design was reborn and earned a permanent spot on the At Fuorisalone, Malafor studio showcased its newest collection of inflatable furniture – AIR that refined international map of design. continuation of Malafor’s inflatable furniture. This time the inflatable pillows are set on oak frames. The frames have a plain, nearly ascetic form, subdued in construction and function. The inflatable pillows are hidden in colourful cases (in soft grey, sharp yellow, orange and other colours) which are sewn from a very durable, flame-retardant and puncture-resistant fabric which is easy to maintain. Malafor represents the recent international trend to respond to the users’ changing needs. As noted in the Stylus report, people tend to relocate more often than ever before. This trend is particularly visible among so called generation Y. Nowadays, issues like shipping and weight are essential considerations. Products need to be easy to assemble and lightweight, easing logistics for an unsettled consumer.

‘Do It Your Way. Polish Design in Pieces’, curated by Ewa Solarz & TABANDA group, Fuorisalone, Milano Jan Lutyk, Milan, April 2015

‘Do It Your Way’ exhibition featured: My Dear – a modern form of a hunter’s trophy created by Agnieszka Bar, the Maria S.C. lamp designed by Pani Jurek, Dynks modular shelving created by Tabanda, Robert Czajka’s Paper Town, a set of cut-outs by Zupagrafika, a set of Jan Godlewski’s Patyczaki elements, the BOOMINI dollhouse, a woven carpet by Joanna Rusin, Oskar Zięta’s stillage, Beton’s playground, Bajo’s cars and Domostrada by Zuzu Toys. The organisers provided REBORN’s pillows for visitors exhausted by their DIY creative process.

Malafor, Fuorisalone, Milano Design Week, photo Maria Fiter, Milan, April 2015

Martyna Barbara Golik has presented the collection of furniture titled ‘Touch that taste!’. Her project is concerned with the translation of smell and taste of food into touch and vision to create an experimental collection of textile objects. More specifically, she took the five main tastes: umami, sweet, salty, bitter and sour as a point of departure to design a collection of five interior-related textile objects where each of the object is a translation of one taste; for example, grimace and shiver when tasting something sour inspired a grey and yellow throw made of cut stripes of material. In Golik’s projects, the combination of smell and taste in textile create a complex sensory experience.

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Malafor, Fuorisalone, Milano Design Week, photo Maria Fiter, Milan, April 2015

Martyna Barbara Golik has presented the collection of furniture titled ‘Touch that taste!’. Her project is concerned with the translation of smell and taste of food into touch and vision to create an experimental collection of textile objects. More specifically, she took the five main tastes: umami, sweet, salty, bitter and sour as a point of departure to design a collection of five interior-related textile objects where each of the object is a translation of one taste; for example, grimace and shiver when tasting something sour inspired a Patyczaki by Jan Godlewski, Do It Your Way. Polish Design in Pieces, curated by Ewa Solarz & TABANDA group, Fuorisalone, grey and yellow throw made of cut stripes of material. In Golik’s projects, the combination of smell and taste Milano Design Week, photo Maria Fiter, Milan, April 2015 in textile create a complex sensory experience.

Martyna Barbara Golik, Fuorisalone, Milano Design Week, photo Maria Fiter, Milan, April 2015

Crea-re design studio based in Valencia presented “Terra” – a paper pulp pendant lamp inspired by Jean Dubuffet‘s “Matériologies” (1959-60), a series of paintings which represents the apotheosis of soil. Just like those paintings, the surface of the lamp resembles a rugged terrain, very organic and irregular. The interior part of the lamp is in ochre colour that gives a warm and pleasant glow when the lamp is on. Crea-re gives a second life to abandoned or unloved objects and materials. This approach to design is part of a wider trend increasingly sought by consumers.

Martyna Barbara Golik, Fuorisalone, Milano Design Week, photo Maria Fiter, Milan, April 2015

Crea-re, Fuorisalone, Milano Design Week, photo Maria Fiter, Milan, April 2015

A clear trend at this year’s Milan Design Week was an attempt to erase barriers between the design and the audience, between the objects and the consumer. This process of co-creation was also evident in Polish designs. Consumers are enjoying a new degree of control over, and insight into, the design process turning everyone into an engineer, a creator, an inventor – a trend that is certain to grow in the years ahead. written by Sylwia Krason

Boomini modern dollhouses, Do It Your Way. Polish Design in Pieces, curated by Ewa Solarz & TABANDA group, Fuorisalone, Milano Design Week, photo Culture.pl, Milan, April 2015

return to homepage Crea-re, Fuorisalone, Milano Design Week, photo Promote promotedesign, Milan, April 2015

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Fuorisalone di quest’anno, organizzato come sempre a Lambrate da Ventura 2 0 1

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Nell’ambito dell’incontro tra fisico e digitale, segnaliamo il progetto Venice>>

il quartiere in cui ha sede il nostro coworking, come sapete, il Fuorisalone

Future curato da Stefano Maffei e che vede la collaborazione tra i Mastri vetrai

rappresenta un momento, anzi tanti momenti, molto molto importanti. Sei giorni

di Murano e Subalterno1, dove artigianato e stampa 3D in ceramica si

all’insegna dell’arte, del design, del melting pot, della curiosità e delle nuove

incontrano.

tendenze del futuro.

E ancora la mostra curata dalla service design company Logotel dal titolo “Need – when design empowers human potential” con i progetti di 19 designer italiani e

Ma cosa vedremo dal 14 al 19 aprile 2015?

Intanto, è doveroso dire che il quartiere si è rifatto il look e immaginare le tante persone che transiteranno nella nuova via Conte Rosso fa presagire che il Fuorisalone di quest’anno, organizzato come sempre a Lambrate da Ventura Projects, avrà una marcia in più.

Passando in rassegna, invece, le opere, ecco qualche anticipazione di quello che si troverà nella nostra zona.

internazionali che rispondono con le loro opere alla domanda “Di cosa abbiamo bisogno?” “Quali saranno i bisogni del futuro?”. Un percorso di esplorazione per capire come il design adesso e nel futuro possa essere centrale per riscrivere e riprogettare i bisogni.

Tra i progetti in esposizione, Ebola Ppe For Healthcare della Johns University e Critter Bitters di Julia Plevin e Lucy Knops. Il primo è il prototipo di una tuta per aumentare la protezioni degli operatori sanitari che hanno a che fare con il

Progetti, opere, installazioni e quant’altro seguiranno sostanzialmente queste direttrici: technology, analogico e digitale, academy e talents e design- fashion merge.

virus Ebola ed esplora la dimensione del #Care mettendo in mostra una mescolanza unica di design funzionale, bioingegneria e conoscenza di come si possano controllare le malattie infettive. Il secondo, Critters Bitters, rivoluziona il modo in cui gli americani pensano le bevande con dei ocktails sono infatti InsectBased lavorati attraverso processi di distillazione e fermentazione.

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dei genitori. Per vedere tutti gli altri progetti vi rimandiamo al sito di Ventura

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Assembly Lab del MIT di Boston che indagano le possibilità d’uso di nuovi materiali programmabili che possono essere usati a fini ludici, di servizio, professionali

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e altro ancora. Una piccola struttura, dal titolo Project EGG, realizzata con 4760 pietre, tutte differenti e realizzati con una stampante 3D farà vedere nuove potenzialità di costruzione.

Nell’ambito dell’incontro tra fisico e digitale, segnaliamo il progetto Venice>> Future curato da Stefano Maffei e che vede la collaborazione tra i Mastri vetrai di Murano e Subalterno1, dove artigianato e stampa 3D in ceramica si incontrano.

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E ancora la mostra curata dalla service design company Logotel dal titolo “Need – when design empowers human potential” con i progetti di 19 designer italiani e internazionali che rispondono con le loro opere alla domanda “Di cosa abbiamo

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bisogno?” “Quali saranno i bisogni del futuro?”. Un percorso di esplorazione per capire come il design adesso e nel futuro possa essere centrale per riscrivere e riprogettare i bisogni.

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Tra i progetti in esposizione, Ebola Ppe For Healthcare della Johns University e Critter Bitters di Julia Plevin e Lucy Knops. Il primo è il prototipo di una tuta per aumentare la protezioni degli operatori sanitari che hanno a che fare con il virus Ebola ed esplora la dimensione del #Care mettendo in mostra una mescolanza unica di design funzionale, bioingegneria e conoscenza di come si

61possano controllare le malattie infettive. Il secondo, Critters Bitters, rivoluziona il modo in cui gli americani pensano le bevande con dei ocktails sono infatti InsectBased lavorati attraverso processi di distillazione e fermentazione.

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Il distretto più internazionale del Fuorisalone, quello di Ventura Lambrate, proporrà nel corso della Design week un cartellone con 176 presenze provenienti da 36 diversi paesi.

Come di consueto, centinaia di designer, makers, studenti e semplici appassionati si ritroveranno nella periferia a Nord di Milano a caccia delle ultime tendenze in fatto di design. Nei prossimi giorni vi daremo ancora tante utili informazioni sui Fuorisalone 2015.

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Durante il Salone del Mobile di Milano, il distretto di Ventura Lambrate si trasforma in un ricco e vivace placoscenico per creativi emergenti di tutto il mondo. Da martedì 14 a sabato 18 aprile, la zona a nord est di Milano diventa una delle mete più popolari del Fuorisalone, capace di attirare ogni anno un pubblico selezionato e molto attento alle novità. Gli eventi sono ospitati in gallerie d’arte o all’interno di ex fabbriche, ora dismesse. L’edizione 2015, che annovera 176 brand provenienti da 36 paesi diversi, sarà all’insegna delle contaminazioni tra discipline diverse: design, moda, tecnologia, ambiente, riunite sotto il comune denominatore della sostenibilità.

Con il motto “Coinvolgere attraverso l’architettura”, la Scuola di Architettura di Aarhus (Danimarca) presenterà una serie di spunti per recuperare le case abbandonate e preservarle attraverso nuove tecniche conservative. Il tema dell’artigianalità, del saper fare in chiave green, senza cioè provocare ricadute sull’ambiente, è centrale anche nel lavoro dello studio olandese Ineke van der Werff (via P. Oslavia 7), i cui prodotti nascono dal riutilizzo del vetro, o di Anabella Vivas (via Ventura 6) che crea oggetti dalla sabbia, un materiale ampiamente disponibile in natura ma poco utilizzato. Da vedere anche la ricerca in ambito tessile dello Studio Gutedort che a Ventura Lambrate presenta un progetto basato sul potenziale della barbabietola usata come tintura naturale.

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Dalla collaborazione tra il designer Paolo Ulian e Bufalini Marmi nasce invece una collezione di mobili che ottimizza l’uso del marmo azzerando gli scarti di produzione. In mostra anche la collezione di piastrelle 40×40 realizzata tagliando la materia prima con una macchina a getto d’acqua in grado di ottimizzare il processo produttivo.

Analogico e digitale, individualità e serialità s’incontrano nella collaborazione fra i Mastri vetrai di Murano e Subalterno1, col progetto Venice Future, curato da Stefano Maffei: il sapere e l’anima del singolo artigiano declinata sui bit e il codice binario della stampa 3D in ceramica.

Alle contaminazioni tra design e moda, infine, sono dedicati i progetti raccolti nella sede di via Cletto Arrighi, che mescolano presente e futuro, ricerca tecnologica e alto artigianato.

Publication: Domino Casa Country: Italy Date: 01-04-2015 Type of Publication: Webpage

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Fuorisalone 2015: le iniziative di Ventura Lambrate

By Lo �ta� | 1 aprile 2015 Durante il Salone del Mobile di Milano, il distretto di Ventura Lambrate si trasforma in un ricco e vivace placoscenico per creativi emergenti di tutto il mondo. Da martedì 14 a sabato 18 aprile, la zona a nord est di Milano diventa una delle mete più popolari del Fuorisalone, capace di attirare ogni anno un pubblico selezionato e molto attento alle novità. Gli eventi sono ospitati in gallerie d’arte o all’interno di ex fabbriche, ora dismesse.

L’edizione 2015, che annovera 176 brand provenienti da 36 paesi diversi, sarà all’insegna delle contaminazioni tra discipline diverse: design, moda, tecnologia, ambiente, riunite sotto il comune denominatore della sostenibilità.

Con il motto “Coinvolgere attraverso l’architettura”, la Scuola di Architettura di Aarhus (Danimarca) presenterà una serie di spunti per recuperare le case abbandonate e preservarle attraverso nuove tecniche conservative. Il tema dell’artigianalità, del saper fare in chiave green, senza cioè provocare ricadute sull’ambiente, è centrale anche nel lavoro dello studio olandese Ineke van der Wer� (via P. Oslavia 7), i cui prodotti nascono dal riutilizzo del vetro, o di Anabella Vivas (via Ventura 6) che crea oggetti dalla sabbia, un materiale ampiamente disponibile in natura ma poco utilizzato. Da vedere anche la ricerca in ambito tessile dello Studio Gutedort che a Ventura Lambrate presenta un progetto basato sul potenziale della barbabietola usata come tintura naturale.

Dalla collaborazione tra il designer Paolo Ulian e Bufalini Marmi nasce invece una collezione di mobili che ottimizza l’uso del marmo azzerando gli scarti di produzione. In mostra anche la collezione di piastrelle 40×40 realizzata tagliando la materia prima con una macchina a getto d’acqua in grado di ottimizzare il processo produttivo.

Analogico e digitale, individualità e serialità s’incontrano nella collaborazione fra i Mastri vetrai di Murano e Subalterno1, col progetto Venice Future, curato da �tefano Ma�ei: il sapere e l’anima del singolo artigiano declinata sui bit e il codice binario della stampa 3D in ceramica.

Alle contaminazioni tra design e moda, in�ne, sono dedicati i progetti raccolti nella sede di via Cletto Arrighi, che mescolano presente e futuro, ricerca tecnologica e alto artigianato.

La mappa degli eventi Fuorisalone in programma dal 14 al 18 aprile 2015 nel distretto di Ventura Lambrate. Progetto completo e ulteriori info (in inglese) sul sito www.venturaprojects.com I vasi in vetro e sabbia, collezione 100% Sand, di Anabella Vivas saranno esposti in via Ventura 6.

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Technology, the coming together of design and materials, universities and young talents: these are the themes guiding the research conducted by the Dutch studio Organisation in Design, curator of Ventura Lambrate, for Milan Design Week 2015. And there are quite a few surprises in store this year. Though still very much under wraps, Ventura Lambrate 2015 Meets Daring Labels, will be about bold designers and firms that think out of the box, often in a provocative way. There will also be new display spaces – including a secret garden of 500 square metres with a single installation – and these will offer venues for designers, companies, collectives and institutions. 24 universities from various parts of Europe will exhibit the work done of students on housing themes, focusing in particular on the re-use of abandoned homes. Meanwhile, the talent scouting that has always characterised the activities of Ventura Lambrate has this year resulted in the presence of Studio Ineke van der Werff, Elisa Honkanen, Anabella Vivas and Fragmenture.

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migliore. Applicata al design tecnologia significa mobili che si montano senza alcun intervento umano, significa esplorare le infinite possibilità della stampa in 3D, nonché la combinazione di tecniche antichissime e decisamente innovative di produzione del vetro, come nel caso di Venice>>Future, dove il metodo di soffiatura del vetro di Murano viene contaminato con il contemporaneo e ripetibile processo di stampa in 3D per ceramica, in un 2 0 1 O.i.D esperimento del tutto inedito.

Da non perdere anche il LedLab’s una presentazione sul valore aggiunto della tion tecnologia LED e la prima mostra degli studenti della Design Academy ® Eindhoven, con il progetto di Mickaël Wiesengrün che, attraverso un’installazione di un tubo di vetro, ricrea l’odore dello spazio espositivo Ventura-Lambrate, per attivare la consapevolezza sul patrimonio dei luoghi.

Club Milano > Contenuti > Inside Outside > Le innovazioni di Ventura Lambrate

LE INNOVAZIONI DI VENTURA LAMBRATE Ventura Lambrate 2014, ph. Ilco Kemmere Altro focus del 2015 per Ventura Lambrate sono le Accademie e le Università di Design: 24 in tutto quelle ospitate. La sfida di quest’anno è costruire le abitazioni del futuro, con attenzione particolare al riutilizzo di quelle abbandonate, laddove la sostenibilità fa i conti con il consumismo.

Tanti e da tutto il mondo i designer ospiti, per il programma completo vedete qui, citiamo solo, tra gli altri, alcuni giovani collettivi chiamati a ravvivare il terreno già fertile dell’esposizione: da C.G.C.M Designers Uniti da Giappone, Taiwan, Tailandia e Usa, a COTTO-Another Perspective 3 che presenta 10 gruppi di designer e architetti da 6 paesi pronti a sorprendere i visitatori con inaspettate visioni di bellezza delle stanze da bagno, fino a Form & Seek un collettivo tanto interessato alla spunto poetico del design, quanto ai suoi aspetti più funzionali.

Da sempre caratterizzato da una forte vocazione internazionale, il distretto di Ventura Lambrate propone per la Design Week un cartellone con oltre 170 presenze provenienti da 36 diversi paesi: tra designer, makers e nuovi talenti. di Marilena Roncarà | 8 aprile 2015

Luogo per eccellenza di presentazione di nuovi trend e talenti emergenti situato alla periferia nord est della città, il distretto Ventura Lambrate, si veste a festa per i giorni del Salone del Mobile (dal 14 al 19 aprile). Gli studi già presenti in quartiere aprono le porte ai visitatori, i grandi capannoni delle exfabbriche si rivitalizzano ospitando esposizioni e installazioni, così come le corti tradizionali diventano gallerie a cielo aperto, piuttosto che zone relax e ristoro.

Organizzato e curato dallo studio olandese Organisation in Design, il distretto Ventura Lambrate che festeggia quest’anno i 10 anni di Ventura Projects, si snoda tra via dei Canzi, via Ventura, via Massimiano e via Privata Oslavia. Il motto Unite & Connect ben definisce questo distretto come un posto dove la gente e il design si incontrano e si confrontano grazie anche alla presenza di un marketplace che consente a chiunque sia interessato di acquistare i prodotti in esposizione.

Tra i vari temi scelti per il 2015, citiamo per primo la tecnologia, non foss’altro perché come sostiene Marcus Fairs, il caporedattore del prestigioso magazine online Dezeen (anche media partner di Ventura Lambrate): “La tecnologia è qualcosa di intrinsecamente ottimista, dato che ogni nuovo sviluppo, ogni nuovo device porta in sé la promessa di un futuro nuovo” e si auspica migliore. Applicata al design tecnologia significa mobili che si montano senza alcun intervento umano, significa esplorare le infinite possibilità della stampa in 3D, nonché la combinazione di tecniche antichissime e decisamente innovative di produzione del vetro, come nel caso di Venice>>Future, dove il metodo di soffiatura del vetro di Murano viene contaminato con il contemporaneo e ripetibile processo di stampa in 3D per ceramica, in un esperimento del tutto inedito.

Da non perdere anche il LedLab’s una presentazione sul valore aggiunto della tecnologia LED e la prima mostra degli studenti della Design Academy Eindhoven, con il progetto di Mickaël Wiesengrün che, attraverso un’installazione di un tubo di vetro, ricrea l’odore dello spazio espositivo Ventura-Lambrate, per attivare la consapevolezza sul patrimonio dei luoghi.

Ampio spazio è riservato anche ai brand e alle label più provocatori, in grado di sorprenderci attraverso la loro storia o i loro progetti. Inoltre grazie alla collaborazione con il marketplace online CrowdyHouses tutti i visitatori e gli espositori di Ventura Lambrate possono disporre di una piattaforma commerciale online, che va ad aggiungersi come un digital shop, al pop up shop che è invece una realtà fisica e concreta, visitabile proprio nei giorni del Fuorisalone.

Infine tra le tante novità, segnaliamo anche una delle nuove location per Ventura Lambrate: il Giardino Segreto, 500 metri quadri, nascosti nel cuore di Lambrate, che sarà teatro di una fantastica installazione. Non resta che andare a vedere!

Info: Ventura Lambrate In apertura: Ventura 2014 Living Room, ph. Claudio Grassi.

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Novara, 14 aprile 2015 – Da oggi al 19 aprile le opere di oltre 500 designer popoleranno Ventura Lambrate, nell’ambito degli eventi del Fuorisalone il percorso più grande, il più sperimentale e anche l’unico curato in ogni suo aspetto dalla compagnia olandese Organisation in Design.

Disegni, mostre, progetti, prototipi e ogni altro frutto del talento e del lavoro di ricerca e innovazione di designer, progettisti e architetti provenienti da ogni parte del mondo saranno esposti su una superficie di 13.000 mq per un afflusso di visitatori stimato in poco meno di 100.000 persone.

L’edizione 2015, anno eccezionale per Milano in vista di Expo, sarà caratterizzata da un piano di sostenibilità per una corretta gestione degli aspetti ambientali, sociali ed economici dell’evento. Proprio nell’ambito della sostenibilità si inserisce il contributo di Novamont, che applicherà il modello di “ecofesta”, messo a punto per ridurre l’impatto ambientale dei grandi eventi attraverso l’utilizzo di materiali usa e getta compostabili e la diffusione della pratica della raccolta differenziata della frazione organica e del riciclo.

All’interno del ristorante principale e in tutti i punti ristoro verranno utilizzati piatti, bicchieri e posate in Mater-Bi®, la versatile e innovativa bioplastica di Novamont con cui si realizzano soluzioni e prodotti ambientalmente sostenibili: dai sacchetti della spesa a quelli per la raccolta dell’umido, dai teli per la pacciamatura agricola alle reti della frutta, fino alle stoviglie per il consumo dei pasti. La bioplastica Mater-Bi® è biodegradabile e compostabile secondo lo standard UNI EN13432, diminuisce le emissioni di gas ad effetto serra, riduce il consumo di energia e di risorse non rinnovabili, completa un circolo virtuoso: le materie prime di origine agricola tornano alla terra attraverso processi di biodegradazione o compostaggio senza il rilascio di sostanze inquinanti.

Oltre alla fornitura di prodotti biodegradabili e compostabili, Novamont collaborerà con Ventura Lambrate nell’attività di formazione sulla raccolta dei rifiuti organici, attraverso la distribuzione di materiale di comunicazione e con un video dedicato alla città di Milano, che a gennaio 2015 ha fatto registrare il 54% di raccolta differenziata, un risultato eccellente per una grande metropoli.

“Poco meno di 100.000 persone che affolleranno in pochi giorni una zona circoscritta come Ventura possono avere un impatto impressionante in termini di rifiuti generati. Per questo motivo è fondamentale rendere la raccolta della frazione umida facile ed efficiente attraverso l’impiego di materiali biodegradabili e compostabili e con una comunicazione dedicata”, ha commentato Andrea Di Stefano, responsabile Progetti Speciali e Comunicazione di Business. “Conformemente al nostro approccio “rifiuti zero”, le soluzioni per il foodservice e i sacchetti compostabili in Mater-Bi® consentono di ridurre la produzione di rifiuti, contribuendo così a ridurre significativamente l’impatto ambientale di un evento come Ventura Lambrate”.

Novamont è leader nello sviluppo e nella produzione di materiali e biochemicals attraverso l’integrazione di chimica, ambiente e agricoltura. Con 370 addetti (circa il 20% dei quali impegnato in attività di R&S), ha chiuso il 2013 con un turnover di 136 milioni di euro ed investimenti costanti in attività ricerca e sviluppo (6,2% sul fatturato 2013); detiene un portafoglio di circa 1.000 brevetti. Ha sede a Novara, stabilimento produttivo a Terni e laboratori di ricerca a Novara, Terni e Piana di Monte Verna (CE). Opera tramite sue consociate a Porto Torres (SS), Bottrighe (RO), Terni e Patrica (FR). È presente attraverso sedi commerciali in Germania, Francia e Stati Uniti e attraverso propri distributori in Benelux, Scandinavia, Danimarca, Regno Unito, Cina, Giappone, Canada, Australia e Nuova Zelanda.

Ufficio Stampa Novamont - press@novamont.com tel. 0321.6996.11 - cell.: 340.1166.426

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Mendini. E poi per 4 o 5 anni nell'atelier di gioielli di Pellini ".

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Che cosa faceva durante il Salone?

"Prendevo un mese di ferie e mi occupavo di logistica, affitti e trasporti per amici designer olandesi che mi chiedevano una mano per esporre al Fuorisalone.

Per 201 O.i.D 6 o 7 anni ho lavorato in Tortona con Marcel Wanders, Maarten Baas, Kiki van tion Eijk e molti altri".

Come sbarca a Ventura?

"Cercavo un luogo senza idee, perché quelle le avevo già io".

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E quali erano?

"Immaginavo una piattaforma per raccontare storie più che oggetti, dall'idea al processo alla produzione ".

Cosa l'ha convinta di Ventura?

"Ho incontrato Mariano Pichler, impegnato nella riconversione dell'ex area industriale di Lambrate in art district. È scoccata la scintilla. E poi il nome mi ha conquistato: un po' avventura in italiano e un po' "venture" in inglese".

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Com'era la prima edizione?

"Un'avventura, appunto, senza né bagni, né lucchetti alle porte. Solo 24 espositori, la Design Academy di Eindhoven a fare da traino e un'identità ancora nordeuropea ".

Oggi?

"Ventura parla 36 lingue ed è un format che può replicarsi ovunque, ma siamo anche molto radicati: qui conosciamo tutti e un po' abbiamo contribuito anche al rilancio della zona".

Margriet Vollenberg, la maga di Lambrate Lo spazio del Lambretto quest'anno è dedicato ai rapporti tra design e moda, perché?

"Oggi i designer si applicano a mille discipline, dall'ingegneria alla biologia, dalle La designer olandese racconta come ha inventato la location più cool nuove tecnologie ai materiali sperimentali. E la moda non è esclusa. Un guru del Fuorisalone: "In via Ventura oggi si parlano 36 lingue e il brand come Li Edelkoort lo racconta in una mostra, mentre un'azienda italiana come viene esportato a Londra e a Berlino" di CRISTIANA CAMPANINI

Craafts svela al design le sue tecnologie, finora applicate solo alla moda".

Cose da non perdere?

"I progetti della scuola di Aaruhs e la ricerca sul colore di Rens, coppia al femminile che farà strada ".

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APPUNTAMENTO al bar di Storie di successo? quartiere, tra via Ventura e Conte "Duee anni fa lo Studio WM si faceva notare a Ventura da Hermès e ora inaugura Rosso. Fuori creativi, giornalisti, tanti giovani, un esercito chevetrine e showroom del brand. VIj5, invece, che nel 2011 presentava un legno l'anno scorso sfiorava gli 80mila. ricavato da carta di giornali, ora lo Margriet Vollenberg qui è diapplica casa. agli interni di una Olandese, 37 anni, designerPeugeot". di formazione (all'Academy di Eindhoven), maga della logistica Perché tutto questo accade a con fiuto per i talenti, sorriso dolce ma sguardo determinato. È Milano?

"Qui passano tutti, da Missoni alla l'anima di Ventura Lambrate, rivoluzione giovane e informale di gallerista Nina Yashar ai grandi un Fuorisalone da esportazione, produttori del design. Li vedi Margriet Vollenberg ora brand nomade che si trova a girare in sneaker nel weekend, Londra o a Berlino. Partita sei anni fa tra ex officine e gallerie, è ora meta di dopo una settimana in fiera in talent scout e media a caccia di un'idea di futuro (13mila i giornalisti accreditati giacca e cravatta, finalmente l'anno scorso). Ci lavorano 9 donne, con base a Utrecht, e incassano numeri da rilassati.

Milano per il design è un po' come Hollywood per il cinema. O sei qui o Biennale con 176 espositori selezionati da 500 candidati, tra designer in erba, non esisti". brand sperimentali e studenti d'accademia (24 le scuole).

Come inizia la sua avventura milanese?

Like "Nel 1999, con uno stage da Maria Cristina Hamel, braccio destro di Alessandro Mendini. E poi per 4 o 5 anni nell'atelier di gioielli di Pellini ".

48,806 people like this. Sign Up to see w hat your friends like.

Che cosa faceva durante il Salone?

"Prendevo un mese di ferie e mi occupavo di logistica, affitti e trasporti per amici interviste cronaca interviste milano designer olandesi che mi chiedevano una mano per esporre al Fuorisalone. Per 6 o 7 anni ho lavorato in Tortona con Marcel Wanders, Maarten Baas, Kiki © van Riproduzione riservata Eijk e molti altri".

Come sbarca a Ventura?

"Cercavo un luogo senza idee, perché quelle le avevo già io".

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E quali erano?

"Immaginavo una piattaforma per raccontare storie più che oggetti, dall'idea al processo alla produzione ".

Margriet Vollenberg

Ventura Lambrate, About the Brand

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DESIGN W IL DISTRE DI SAN GREGO

Ensalata con Amore Vitamine a volontà da Groente + Fruit che prepara al momento insalate di verdure e spremute di frutta fresca. Dove: Via dei

SALONE DEL MOBILE 2015

Canzi, 19 VENTURA ACADEMY Specialità pugliesi

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Cambia ogni giorno il menu del temporary restaurant pugliese Feeding Creativity by XFood e propone cose tipo focaccia barese ripiena, pasticciotto alla crema, zuppa di ceci neri delle Murge,

V E N T UR A L A M B R A T E

fior di mandorla o fricelli con salsa di zucca e Capocollo di Martina Franca.

Dove: Via Ventura 14 Officine Tamborrino CORRELATI

10 CIBI DA PROVARE TESTO MARTINA LIVERANI – FOTO LEA ANOUCHINSKY

Solo per il Fuorisalone, la zona di Ventura Lambrate diventa un distretto del cibo: tantissime le proposte da andare a cercare tra le esposizioni

Miasse Fanno tornare indietro nel tempo le piadine di farina di mais e acqua di fonte, cotte su ferri arroventati e farcite con i prodotti locali del Canavese. Si chiamano Miasse e sono cotte all’istante nel food truck Farinel on the Road. Dove: Via Ventura 4

VEntura Lambrate UNGelato PAESE Naturale DEL BELGIO

I gelati naturali di Cool sono fatti con uova, latte vaccino o di capra, panna e farina di carrube come addensante naturale tollerato anche dalle persone celiache. Dove: Via Massimiano 23

VENTURA LAMBRATE IL DESIGN DEI NUOVI BISOGNI

FUORISALONE IL SALONE DAPop BERE Corn

Dal biologico al vegano passando per le specialità pugliesi, le

California Bakery in versione street food propone, tra le altre

piadine antiche, le insalate: che siano esposizioni incentrate sul

cose, confezioni da passeggio di pop corn caramellati, ricoperti di

cibo o temporary restaurant, Ventura Lambrate, anche

cioccolato o alle mandorle. Dolci americani da bilanciare con gli

quest’anno, è zona ad alta concentrazione di sperimentazione gastronomica. Palati disinibiti si godono la Design Week mangiando per strada, seduti nei giardini all’ombra degli alberi, interagendo con le installazioni o accanto ai food truck. Ecco dieci cibi che troverete solo al Fuorisalone 2015: Infinite Sausage Il food curator Mulliè ha ideato per l’esposizione Eat Shit della

Massimiano SAN GREGORIO Mom’sUN Chili Burger CLARKS: PAIO DI Al Belgian Village si mangia SCARPE BUONE nome del catering), dunque

Just Like Your Mom (questo è il conviene provare il Mom’s Chili

Burger: fatto con fagioli, salsa piccante homemade e un’altra

Design Academy Eindhoven una speciale macchina del cibo che

ventina di ingredienti naturali. Dove: Via Ventura, 12 A Belgian

offre un menu con gustose pietanze a forma di cubo. Dove: Via

Village by Diet

Crespi/Via dei Canzi

Birra belga

Il Torrone e i soft drink È fatto a mano il torrone morbido in tre gusti di Voedsel & Vormgeving da accompagnare ai soft drink di limone e rose, caramello salato o ginger per una merenda dolce prima o dopo la visita dell’esposizione della Design Academy Eindhoven. Dove: Via Crespi/Via dei Canzi

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italianissimi chinotti e gazzose Lurisia. Dove: Via Ventura/Via

French fries Chef Piet Bergmann non fa altro che sbucciare, tagliare e friggere

La Palm hop select è una birra ambrata belga a basso tenore

FUORISALONE alcolico KDW: KIDSe dallo speciale aroma di luppolo DESIGN Hallertau Mittelfrüh. Dove: Via Ventura, 12 WEEK

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Parole chiave: fuorisalone 2015 17 Aprile 2015

dovuto alla varietà A Belgian Village by

FUORISAL LA GRA ABBUFF

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Milano Design Week/Assalto al green di Ventura-Lambrate, ma perché tutto svanisce dopo la ...

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MILANO DESIGN WEEK/ASSALTO AL GREEN DI VENTURA-LAMBRATE, MA PERCHÉ TUTTO SVANISCE DOPO LA “SBORNIA” COLLETTIVA INTORNO AL FUORI SALONE?

pubblicato lunedì 20 aprile 2015

READING ROOM

Se l’arte chiede aiuto alla poesia di Ernesto Jannini... ... segue

READING ROOM

Ieri si è chiusa la kermesse della settimana del design: è stato preso d’assalto il distretto Ventura-Lambrate (sesta edizione), che si conferma come il laboratorio per eccellenza di oggetti del futuro, interessanti per ricerca sperimentale di materiali bio-tech, più giusti che belli, all’insegna della sostenibilità e in simbiosi tra artigianalità e tecnologia.

Qui tra litri di birra, crauti & wurstel, hot dog e patatine fritte distribuiti da ambulanti disseminati ovunque, succhi naturali, moda, design e bio-food ruotano intorno alla ricerca sulle potenzialità di materiali ecologici e i protagonisti sono i giovani delle accademie internazionali.

Vincono per originalità i prototipi di design funzionale e poetico, per lo più nordico, proiettato oltre le ricercatezza di forme minimal-organic ai bisogni del futuro. Centosettanta espositori provenienti da 36 Paesi distribuiti nei capannoni intorno a via Ventura, dove per strada si sentiva parlare solo inglese, hanno stregato non solo il pubblico underground.

Spopola il vetro riciclato, il legno in versione high-tech, come ha dimostrato la mostra "SelfAssembly Furniture” che ha esposto progetti sviluppati in collaborazione con il Massachusetts Institute of Technology, unici per la lavorazione tecnologica di vegetali, con visioni azzardate ma non troppo, poiché questo si può trasformare in elemento di arredo senza l’intervento dell’uomo. La nuova tappa proposta quest’anno è stata il "Belgian Village”: un giardino incantato DIFT, dove 30 marchi belgi hanno trovato un allestimento insolito e sorprendente.

Materiali alternativi, tinture naturali ricavati da succhi di vegetali, ottimizzazione di quelli di scarto (www.ventura-projects.com).

24 le Accademie presenti e tra le altre, qui non potevano mancare la Design Academy di Eidhoven, la Saint Martins e la School of architetture di Aarhus in Danimarca, attenti alle trasformazioni del concetto di abitare e l’Institut Industrial Design FHNW di Basilea. I temi fondamentali sono stati l'autopromozione, il ritorno all’artigianato però riadattato a una possibile produzione in serie con sistemi integrati. Design, scienza e natura stabiliscono nuove sinergie tra ricerca e le aziende, l’obiettivo è migliorare la vita delle persone in armonia con l’ambiente. Singolare l’esperimento di giustapposizione tra stampa ceramica 3D e il vetro soffiato a mano, proposto da maestri vetrai della Fornace Salvati a Murano in collaborazione con un gruppo di designer.

Complimenti a Margriet Vollenberg, fondatrice di Ventura Lambrate, leader di Organisation in Design, team con base a Utrecht e composta da nove donne "toste”, grazie alle quali quest’anno si è vista più qualità che quantità, con l’obiettivo di esplorare nuovi bisogni e funzioni di un futuro già presente. (Jacqueline Ceresoli)

TROVAMOSTRE TITOLO CITTA' ARTISTA

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DESI GN, EVENTS

VEN TUR A ACADEMIES 20 APRILE 2015

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Giovani designers e talenti internazionali hanno esposto i loro lavori all’interno dello spazio Ventura Academies, in Via dei Canzi 19, in occasione del fuorisalone 2015.

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Siamo da poco tornati al nostro headquarter di Rimini e abbiamo raccolto un po' di foto (potete vederle tutte su Instagram) del nostro breve - ma intenso - tour milanese.

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Publication: Terrenova Country: Italy Date: 20-04-2015 Type of Publication: Webpage

Fuorisalone 2015, è appena terminato.

Adesso la città si trasformerà per sei mesi in una grande area di attrazione per il mondo in occasione di Expo.

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TERRANOVA AL FUORISALONE 2015: VENTURA LAMBRATE

Uno degli eventi più interessanti di Milano, il Fuorisalone 2015, è appena terminato.

Adesso la città si trasformerà per sei mesi in una grande area di attrazione per il mondo in occasione di Expo.

Siamo da poco tornati al nostro headquarter di Rimini e abbiamo raccolto un po' di foto (potete vederle tutte su Instagram) del nostro breve - ma intenso - tour milanese.

L'area più interessante di questo evento è Ventura Lambrate (senza togliere nulla all'epicentro della manifestazione, in via Tortona).

Ventura Lambrate si è distinta per la grande aggregazione di giovani designer emergenti e per il suo look & feel da grande laboratorio creativo. Lodevole l'iniziativa della UMPRUM (Academy of Arts Architecture & Design in Prague) che permetteva ai visitatori di divertirsi con cartone e perni per creare la loro opera di design (foto a sinistra). Altre opere interessanti sono i tappeti non convenzionali di WE MAKE CARPETS (cliccando sul link, potete vederli nel dettaglio).

Un po' isolati dall'intera manifestazione Palazzo Litta e la Fabbrica del Vapore (che comunque ospitano tutto l'anno esposizioni interessanti). Potete vedere le foto di questi alti due poli sempre su Instagram.

Qui sotto, invece, trovate le nostre foto di Ventura Lambrate.

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Ultime notizie sulla casa

Ventura Lambrate: il Fuorisalone all’insegna della sostenibilità

By Lo Sta� | 20 aprile 2015 All’insegna delle contaminazioni tra discipline diverse: design, moda, tecnologia, ambiente, riunite sotto il comune denominatore della sostenibilità: il distretto di Ventura Lambrate, zona a nord est di Milano, durante il Salone del Mobile diventa una delle mete più popolari del Fuorisalone, capace di attirare ogni anno un pubblico selezionato e molto attento alle novità. Gallerie d’arte o ex fabbriche dismesse hanno ospitato per l’edizione 2015 ben 176 brand provenienti da 36 paesi diversi.

Per “Coinvolgere attraverso l’architettura”, sono stati protagonisti una serie di spunti per recuperare le case abbandonate e preservarle attraverso nuove tecniche conservative. Centrale anche il tema dell’artigianalità, del saper fare in chiave green, senza cioè provocare ricadute sull’ambiente, con prodotti nati dal riutilizzo del vetro e dalla sabbia, un materiale ampiamente disponibile in natura ma poco utilizzato. In ambito tessile, a Ventura Lambrate è stato presentato anche un progetto basato sul potenziale della barbabietola usata come tintura naturale.

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Milandesignweek2015#Ventura Lambrate Part 1

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Also this year Ventura Lambrate district was of the most interesting areas, both for the exhibition spaces that for design research. With my pleasant surprise I found many Italian studies, something that had not occurred previous years where the presence of Italian designers was very low. I’m so happy about this! and then start with an amazing italian brand. Today I show you the first part of the companies I selected and I liked more, I hope you enjoy!

Giopato&Coombes is an Italy based

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Publication: Bamboo Country: Brasil Date: 09-04-2015 Type of Publication: Magazine

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Há quinze anos a holandesa Margriet Vollenberg trabalha em projetos no circuito Fuori Salone da Semana de Milão. Junto à ex-sócia Margo Konings, fez a primeira apresentação da Moooi de Marcel Wanders, e trabalhou com nomes como Piet Boon e Maarten Baas em projetos na Zona Tortona. Ao longo dos anos, no entanto, a região foi se tornando mais comercial, perdendo a atmosfera subversiva que antes a caracterizava e, ainda, deixando de responder às mudanças que a crise econômica representou na mentalidade geral. “O mundo já não queria só o design em um pedestal, iluminado por um poderoso spotlight”, lembra ela. “Designers e marcas promissoras tinham dificuldade de encontrar um lugar para mostrar seus projetos.”

Para as fundadoras do Organization in Design, estava clara a necessidade de uma nova área, com foco em criatividade e experimentação.

“Queríamos trazer de volta ao circuito a criatividade não comercial, ofuscada pelos grandes orçamentos de empresas vorazes para entrar em contato com o público do Fuori Salone.”

Em 2009, encontraram a oportunidade em Lambrate, ex-zona industrial com muitos galpões disponíveis. No ano seguinte, acontecia a primeira edição do Ventura Lambrate, ainda hoje o único distrito onde tudo é selecionado por critérios de uma curadoria. Neste ano, a sexta edição reúne cerca de 140 eventos, vindos de quase 40 países, com a participação de 24 universidades. A seguir, Vollenberg fala sobre o passado e o presente do VL. Bamboo O que faltava no Salone quando decidiram criar o Ventura Lambrate?

Margriet Vollenberg Há 10 anos, era o momento dos projetos megalomaníacos das grandes marcas. E depois veio a crise, que foi uma mudança realmente visível. Você sentia as pessoas mais conscientes do que estava acontecendo, precisando de outro tipo de informação. É quando a história por trás do produto fica muito mais interessante e valiosa.

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Campo experimental A pesquisa de materiais e cores e o intercâmbio entre o design e outras disciplinas – em especial a ciência e a moda – são as principais tendências apontadas para o Ventura Lambrate 2015, uma das áreas mais interessantes do circuito Fuori Salone da Semana de Design de Milão.

Texto Livia Debbané Fotos Anabella Vivas, Filip Beranek, Jo-l Bussard, Maria Jonsson, Mathilda Olmi e Monique Slabbers

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Mas muitos designers trabalhando nesse sentido não encontravam espaço para expor.

ou alterar as regras da geração estabelecida.

Um dia, alguns deles serão a influência.

B O VL passa inteiramente por uma curadoria. Como é feito todo o processo de seleção?

B Quais são as tendências neste ano?

MV De fato é todo um processo, bastante longo, que começa em novembro. Recebemos portfólios e projetos que, em sua maioria, com tal antecedência, ainda estão longe de serem concretos. Mas, como designer, é fácil para mim ler croquis e explicações. O maior desafio é não perder as joias escondidas dentro das inscrições. E temos a sorte de trabalhar com exposições que se inscrevem já prontas, caso daquelas que um país ou uma universidade organizam, o que significa que não temos que pinçar cada item que estará nelas (o que seria humanamente impossível).

B Quais são os critérios?

MV Tento nunca esquecer o aspecto do mobiliário, que para mim ainda é bem importante nesse contexto. De forma geral, somos um palco para experimentação. Então, se você tem uma coisa interessante para mostrar ou dizer, o VL lhe dá espaço.

B Como você avalia a importância do Ventura Lambrate no contexto do Salone?

MV O VL se distingue pela sua capacidade de adaptação rápida aos desenvolvimentos dentro e fora do campo do design, pela forma mais “ampla” de expor. Acho particularmente importante que projetos inovadores sejam apresentados em sua fase inicial, e tenham assim a oportunidade de serem escolhidos pelos profissionais certos. É essencial destacar estudantes e novos talentos em um evento emblemático como o Salone, porque eles marcam as tendências e direções para a qual nossa sociedade está caminhando. A próxima geração é ambiciosa, tenta melhorar

MV Vamos ver muita pesquisa de material e de cores. Estou feliz por a cor ser novamente uma questão, com bastante foco em métodos tradicionais de tingimento. No ano passado vimos que o mármore está de volta, e agora ele vem combinado a novas tecnologias de manufatura, como o corte a laser.

Veremos também muitos crossovers entre o design e todos os tipos de disciplinas, como em um belo projeto do estúdio italiano Wood-Skin, feito em parceria com um dos laboratórios de tecnologia do MIT, o Self-Assembly Lab. Outra coisa importante é a aproximação do design com a moda; muitos métodos que são usados na produção de roupas começam a ser empregados no mobiliário. Vamos dedicar toda uma área para o tema – Li Edelkoort vai organizar uma exposição, e a empresa fiorentina Craafts, que trabalha com grandes marcas de alta costura, vai mostrar o que pode fazer para o design.

B Como acontecem as pontes entre as ideias e os protótipos, e o que podem vir a se tornar?

MV Quando você apresenta design experimental, trabalha com embriões que ainda não foram plenamente desenvolvidos. Você não vem para o Ventura ver cadeiras de grande tiragem, e sim o começo de uma proposta que depois poderá ser absorvida pela indústria.

Isso fica claro com a quantidade de scounting acontecendo no VL – os diretores das marcas famosas do Salone tiram suas gravatas quando acabam os principais negócios na feira, em geral no fim de semana, e vão fazer suas pesquisas nas nossas exposições.

Veja mais venturaprojects.com

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Photo: Marco Ranocchio The reality, as per usual, is more complicated, however the polemic highlights the plurality of sentiment and purpose amongst both exhibitors and audiences. And, whichever side of the battlelines we may fall on, a holistic vision is that a successful, worthwhile design fair needs to marry the reality of economic viability with the whimsy of conceptual exploration.

- Main Menu -

With design fairs proliferating across the world, and events competing for points of difference, the definition of design is broadening to include creative, clever across With design fairscontent proliferating disciplines.

Ventura across the world, andLambrate, events which coincides with the competing for points of Milan Design Week, at the crest difference, the is definition of of this wave. design is broadening to include creative, clever content across disciplines. Ventura Lambrate, DESIGN AND BEYOND ATMilan which coincides with the Design Week, is at the crest of VENTURA LAMBRATE Above Photo: Marco Ranocchio this wave.

Photo: Marco Ranocchio As such Ventura Lambrate, the only curated – and largest – component of the Fuori Salone, plays a vital role in the health of the design week overall by creating a veritable carnival of audacious ideas. Whilst the guiding theme of the event changes yearly (in 2015 it was ‘Unite & Connect’), the central ethos of finding and bringing together emerging designers remains unchanged.

30 APR 2015

The general consensus among younger, more alternative visitors of the Milan Furniture Fair is that the Fiera is a corporate wasteland where creativity is cannibalised for profit, while the Fuori Salone champions young talent, fresh ideas, and Above Photo: Marco Ranocchio responsible practices.

The general consensus among younger, more alternative visitors of the Milan Furniture Fair is that the Fiera is a corporate wasteland where creativity is cannibalised for profit, while the Fuori Salone champions young talent, fresh ideas, and responsible practices.

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With design fairs proliferating across the world, and events competing for points of difference, the definition of Photo: Marco Ranocchio design is broadening to include creative, clever across The reality, as per usual, iscontent more complicated, however the polemicVentura highlights theLambrate, plurality of disciplines. sentiment and purpose amongst both exhibitors which coincides with the Milan

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DESIGNIndesign AND BEYOND AT Publication: Live Country: Australia VENTURA LAMBRATE Date: 30-04-2015 Type of Publication: Webpage 30 APR 2015

Photo: Claudio Grassi And, once again, the precinct was brimming with intriguing creations, see our favourites below: Branch’s MC Collection showcased gorgeous materiality from one of the few remaining familyowned foundries in the US.

®

Bufalini Marmi + Paolo Ulian presented extraordinary creations in marble that push the boundaries of stoneworking.

Composed of individual granules that bond together at low temperatures, the colour of Breaking the Mold’s Bronze Vessels vessels can be carefully controlled, and they can be reheated and re-cast.

The Aarhus School of Architecture in Denmark presented an exhibit exploring materiality and craftsmanship; The Augmented Timber Curtain explores relations between digital precision and material indeterminacy. The structure consists of an assembly of wood components digitally crafted through advanced production techniques.

German students from Offenbach University of Art Made from the native stone of designer Cosma and Design experimented with responsive Frascina southern Italian hometown, this materials, employing magnetism, electricity and collection combines rusticity with refinement. moisture to create fascinating effects. Florian Hundt’s transformative paper (below), plays with paper and wood’s sensitivity to humidity, creating a material who’s visual and tactile dimension responds to the air around it.

Danish students of the Design School Kolding put on an impressive show this year, with interactive, multi-sensory and neuro-responsive installation ‘The Tube’ being a definite highlight.

Whilst the above selection were favourites, there were many more worthwhile creations – we only wish we had more time to explore, meet the designers, and share their ideas with you in more depth.

Ventura Lambrate venturaprojects.com

Bufalini Marmi + Paolo Ulian presented extraordinary creations in marble that push the boundaries of stoneworking.

For more in-depth discussion of Ventura A number of designers addressed various issues Lambrate’s role in the broader context of the surrounding food, efficiency and waste, most design industry, pick up a copy of Indesign visibly, Design Academy Eindhoven’s ‘Eat Shit’ Magazine Issue #62, on sale in August series of installations. The first exhibition by the academy’s new Food Non Fooddepartment, ‘Eat Shit’ involved the entire department (18 students SHARE THIS and their teachers) travelling to Milan to explore the politics of how, where and why we eat in a part exhibition, part public laboratory format.

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let’s talk ab

our exhib

bout..

bitors

op het blad ligt en direct suggesties voor recepten geeft met

voor een beeldverslag van de Sal

dat ingrediënt. Ook gaaf: bewaarboxen die het voedsel op exact de juiste temperatuur bewaren.

Publication: Roomed Salone del Mobile 2015: de eerste hoogtepunten live the Netherlands Country: vanuit En goedMilaan nieuws voor de vega’s onder ons: die Zweedse 14-04-2015 Date: Type of Publication: 17 APRIL 2015 gehaktballetjes zijnWebpage er nu ook in een veggie-variant!

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Ventura Lambrate

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Één van mijn favoriete wijken tijde

was Ventura Lambrate, wat overig

is. De wijk heeft een industrieel ka

De Salone del Mobile 2015 in Milaan is in volle gang. De

locaties gevuld met nog veel gave

stad bruist! De straten stromen vol designliefhebbers en

IKEA temporary blijft voor 180 dagen open en zal constant een

creatieve ontwerpen. In mijn vorig

andere invulling krijgen. kun je hier ook de nog niet creatieven van over de Momenteel hele wereld.

Roomed’s Renée is daar

een aantal food & design projecte

gelanceerde collectie van Isle Crawford voor IKEA bekijken één van en zij zal haar Milaan avonturen met jullie delen.en In

spotte en dit keer focus ik me op

dit meubelcollectie artikel: de eerste hoogtepunten vanuit Milaantesten. de met oplaadstationslive voor je telefoon

PlantIt.

overal spotten we journalisten, bloggers, designers en

Volg @roomednl op Instagram en check #roomedgoesmilano voor een beeldverslag van de Salone del Mobile 2015.

D ES I G N

PlantIt Spijkerbrij bij Crowdy House – Via Ventura 6 Crowdy House is het best te omschrijven als een online platform, waarde jetoekomst bijzonderebij enIKEA creatieve producten kopen Keuken van temporary – Viakan Vigevano 18 direct bij designers van over de hele wereld. Het Nederlandse

Een geniaal idee! PlantIt is een taf

blad, waar precies een plantenpot

Christensen ontwierp de PlantIt ei

forceren meer planten in huis te b

Bij de IKEA naminikde een kijkje in onze keuken, maar dan initiatief staatpop-up in Milaan wijk Ventura Lambrate (een must

Deen komt, is eigenlijk niet zo ver

die van 2025. Yes, Ikea heeft een sprongetje in de toekomst visit tijdens de salone del mobile) en daar spotte ik ook Leonie

Scandinaviërs over het algemeen

genomen en vroeg studenten van de TU Eindhoven en Lund

zoveel mogelijk planten in huis he

University hoe ons leven (thuis en in de keuken) er over tien

laat zien hoe de PlantIt als een pa

jaar uitziet. Het resultaat is de concept kitchen 2025, waar de

zetten is.

& Lois met hun Spijkerbrij. Zij verzamelen oude jeans, knippen dit kapot, malen het, mixen het met lijm en persen de spijkerbrij tot een nieuw product. Bijvoorbeeld totwaar een lampenkap of keuken een multifunctionele ruimte is, we niet alleen Salone del Mobile 2015: de eerste hoogtepunten live strikje! koken, maar ook werken en een sociaal leven hebben. Zo staat vanuit Milaan er middenin de keuken een tafel, die herkent welk voedsel er

17 APRIL 2015

op het blad ligt en direct suggesties voor recepten geeft met dat ingrediënt. Ook gaaf: bewaarboxen die het voedsel op



11



3

exact de juiste temperatuur bewaren.

Bron: Leonie en Lois

Voor zover bekend, is de PlantIt (n

De Spijkerbrij en heel veel andere creatieve producten van

voel hier wel een heel goed idee

En goed nieuws voor de vega’s onder ons: die Zweedse De Salonezijn delonline Mobile 2015 via in Milaan in volle gang. De CrowdyisHouse. designers te koop gehaktballetjes zijn er nu ook in een veggie-variant! stad bruist! De straten stromen vol designliefhebbers en

overal spotten we journalisten, bloggers, designers en creatieven van over de hele wereld. Roomed’s Renée is daar

principe kun je de tafel namelijk g

principe van deze DIY (maar dan n plaats van een lamp).

één van en zij zal haar Milaan avonturen met jullie delen. In dit artikel: de eerste hoogtepunten live vanuit Milaan

Fotografie door Renée (tenzij and

IKEA temporary blijft voorfoto-expo 180 dagen en–zal constant Unicorns en geweldige bijopen Moooi Via Savonaeen 56 andere invulling krijgen. Momenteel kun je hier ook de nog niet

85

Volgeerste @roomednl en check #roomedgoesmilano Het wat je op zietInstagram bij binnenkomst is een enorm

gelanceerde collectie van Isle Crawford voor IKEA bekijken en

voor een beeldverslag van de Salone del Mobile 2015. hobbelpaard voor volwassenen, maar wacht.. het is geen

de meubelcollectie met oplaadstations voor je telefoon testen.



1



lone del Mobile 2015.

Volg @roomednl op Instagram en check #roomedgoesmilano voor een beeldverslag van de Salone del Mobile 2015.

ens Salone del Mobile 2015

gens een Nederlands initiatief

Bron: tomalik

arakter met gave stoere

Nieuw talent

ere designers en hun

In mijn vorige report over Salone del Mobile vertelde ik al even

ge artikel vertelde ik al over

over de industriële wijk Ventura Lambrate. Deze buurt staat vol

en, die ik in Ventura Lambrate

creatieve ontwerpen van gevestigde namen èn aanstormend

één design, namelijk de

talent. Zo hebben verschillende academies en universiteiten een ruimte, waarin studenten hun projecten tentoonstellen.

IDOL Één van die projecten is IDOL, een ontwerp van Michael Tomalik voor zijn Master Academy of Art, Architecture and Design in Praag. IDOL is het best te omschrijven als een knus

fel met een gat middenin het

hoekje om je even terug te trekken. Je eigen privé zone.

t in past. De Deense Michael

igenlijk om mensen te

brengen. Dat dit idee van een

rbazingwekkend aangezien dol zijn op de natuur en

ebben. Onderstaande video

akketje makkelijk in elkaar te

Het idee De opdracht was om een meubelstuk te ontwerpen dat deed herinneren aan je jeugd. Michael was als kind altijd op zoek naar verborgen plekjes om zich terug te trekken. Hij experimenteerde met hout, maar kwam er uiteindelijk achter dat een ijzeren constructie veel beter paste. Het resultaat is een knus ‘hokje’ waar je alles aan op kan hangen, wat je

nog) niet verkrijgbaar, maar ik

dichtbij je wilt hebben. Zo kan IDOL een leeshoekje zijn en kun

voor een DIY aan komen. In

je magazines hangen aan de ijzeren constructie, maar je kan er

gewoon maken volgens het

bijvoorbeeld ook een powernap in houden of met je laptop een

natuurlijk met een plant in

serie kijken bijvoorbeeld. Hang een leeslampje op, zet een paar planten bovenin of hang een plant aan het ijzer. Alles kan!

ders vermeld).

Bron: tomalik

1



Meer zien van Salone del Mobile? Bekijk de andere reports hier.

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Publication: Mimi Berlin Country: the Netherlands Date: 22-04-2015 Type of Publication: Webpage

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Fuorisalone 2015: Studio rENs Posted on April 22, 2015 Fuorisalone 2015: Studio rENs

rENs presented their newest work at the Ventura Lambrate Area: “True Colours” and “Fade to Stay”. Designers Renee Mennen and Stefanie van Keijsteren are more than interested in colours; they analyze, experiment and dissect the phenomenon in many different ways. We were impressed by the “True Colours” project, in which they used various black markers on different kinds of cloth and drenched that into just plain water, in order to “break the black color down” into various shades. The result of this seemingly simple experiment is a marvelous fabric collection of 81 different designs. Studio rENs started their company in 2008 and have been collaborating with partners like Desso, Cor Unum, Zuiderzeemuseum, Textielmuseum and Lynfabrikken.

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NL in Milaan: Kranen/Gille

29-4-2015 - 17:44

30-4-2015 - 15:15

Architectenweb presenteert gedurende een aantal weken een serie over Nederlands ontwerp dat tijdens de Milan Design Week 2015 is gepresenteerd. In de tweede aflevering de 'gejutte' voorwerpen van Kranen/Gille.

Architectenweb presenteert gedurende een aantal weken een serie over Nederlands ontwerp dat tijdens de Milan Design Week 2015 is gepresenteerd. In de derde aflevering de resultaten van samenwerking tussen ontwerpers en industrie, geïnitieerd door het nieuwe Label/Breed.

Vanonder een stolp kijkt een olifantje de beschouwer indringend, bijna onheilspellend aan. De stolp is feitelijk een weckpot op een keramische voet, het olifantje is gevonden in het depot van het Zuiderzeemuseum en het geheel is een ontwerp van Kranen/Gille, als onderdeel van een 'Jutterskabinet'.

Het designdistrict Ventura Lambrate was de welgekozen locatie voor de introductie van de eerste collectie van Label/Breed. Het betreft niet de collectie van een 'gewoon' nieuw merk: Label/Breed is een initiatief om samenwerking tussen designers en gespecialiseerde fabrikanten tot stand te brengen. Het label is opgezet door Stijn Roodnat en Toon Stilma.

Het olifantje is een van de persoonlijke favorieten van het duo Jos Kranen en Johannes Gille. Het Jutterskabinet, dat in Ventura Lambrate werd gepresenteerd, bestaat uit een speciaal vervaardigde vitrinekast voor negen lampen waarin een voorwerp wordt getoond. Het project is gevolgd uit een opdracht van het Zuiderzeemuseum.

Curiositeiten Het museum maakt de Zuiderzeegeschiedenis actueel door jaarlijks kunstenaars en designers te vragen hun visie te geven op de collectie van het museum. Kranen en Gille doken in het rekwisietendepot, waarin zij als 'jutters' voorwerpen bijeen zochten.

Het duo raakte gefascineerd 29-4-2015 - 17:44door de meest uiteenlopende voorwerpen zonder verhaal, zoals een pijp, een flacon, een spuit en een glazen oog in een doosje.

Tevens stuitte Kranen/Gille op een voorraad weckfklessen uit de jaren twintig van de vorige eeuw. Hier kwamen het bewaren door het museum en het bewaren van voedsel in potten bij elkaar.

Bij dergelijke samenwerking ging het in de afgelopen jaren vaak om de combinatie van een ontwerper en een traditionele techniek of een ambacht; dat is hier zeker niet het geval. Het is niet de eerste insteek van Label/Breed om aloude vaardigheden te herwaarderen, maar om de ontwikkeling van vernieuwende en functionele interieurproducten te stimuleren.

Eigen gezichtspunt Meest gelezen deze week "Nederland heeft een groot aantal talentvolle ontwerpers en een innovatieve industrie. Samen beschikken ze over een ongekend potentieel om vernieuwende 28-5-2015 producten maken", legt Stilma uit. "De ontwerpers moeten die technologieën World ofteFood Amsterdam klaar voor opening leren kennen, en de producenten moeten door de ontdekken wat er nog meer met 1-6-2015 hun domainarchitecture techniek mogelijk wint is." De industrie heeft expertises, waarmee vormgevers prijsvraag glazen hotelkamerstarten vanuit hun eigen gezichtspunt. experimenten

Architectenweb presenteert gedurende een aantal weken een serie over houdt Het Grote Leisure Congres "Zo Architectenweb beschikt het Nederlandse Luchten Ruimtevaartlaboratorium (NLR) over bijzonder innovatieve technologieën", vervolgt Stilma. "Weinig ontwerpers zijn Nederlands ontwerp dat tijdens de Milan Design Week 2015 is Nieuw bekend, gebouw aan Stationsplein daarmee terwijl ze met dieLeiden technologie tot nieuwe producten kunnen gepresenteerd. In de tweede aflevering dekomen." 'gejutte' voorwerpen van Label/Breed bracht het NLR en Marleen Kaptein bij elkaar. De designer Verguld Eerste deelgemaakt IJ-hal Amsterdam geopend heeft gebruik van eenCS robot, die zeer secuur carbon tape kan leggen in Het designersduo besloot de curiositeiten op een voetstukje te plaatsen, als kleine Kranen/Gille. elke richting. kunstvoorwerpen.

Daarvoor greep het terug op de MECK Lamp, die het in 2014 28-5-2015

28-5-2015

2-6-2015

presenteerde. De lampen bestaan uit weckflessen op een speciaal ontworpen keramische voet, voorzien van een ouderwetse metalen schakelaar voor een robuuste industriële uitstraling.

Stoel en staart

Partnernieuws

alles Het onderzoekscentrum is overwegend een waar, aldus Kaptein, Vanonder een stolp kijkt een olifantje de beschouwer indringend, bijnatoonmannenwereld, "vooral jongensdingen worden gemaakt". De designer heeft daarom naar een vrouwelijk en maakt met devoet, precieze het plaatsing van koolstofvezels Partner in beeld: De inonheilspellend het depot 'gejutte' voorwerpen zijn onder stolp annex aan.

Dedestolp is lampenkap feitelijk een weckpot opelement eengezocht keramische Triflex een stoel in platte vorm die daarna wordt omgevormd. Het patroon doet denken geplaatst. Om de uniciteit van elk gejutte voorwerp, maar ook het gevoel van aan een paardenstaart die uitwaaiert.

"Carbon lijkt nogal op haar, het gedraagt zich 'bewaren' te versterken, heeft elke lamp op de eendepot archiefnummer olifantje is gevonden invoet het vangekregen. het Zuiderzeemuseum en het geheel is een ook zo als het nat is, maar als het uithardt vloeit alles in elkaar over", aldus Kaptein.

Van elk voorwerp onder het glas is een detail verguld. ontwerp van Kranen/Gille, als onderdeel van een 'Jutterskabinet'.

Computerspel KONE

Firma Weck Voor het Jutterskabinet heeft Kranen/Gille drie verschillende weckflessen uit de jaren twintig van de vorige eeuw gebruikt. In de zoektocht naar informatie over de inmaakpotten kwam het tweetal bij de Duitse firma Weck terecht, "waar ergens in een kamertje diep in de fabriek een oude medewerker zat, die nog alles wist over de verschillende potten", vertellen de designers lachend. "Uren hebben we met hem aan de telefoon gezeten. We zijn nu weckpotspecialisten."

stimuleert veiligheid

Het olifantje is een van de persoonlijke favorieten van het duo Jos Kranen en ienerberger Johannes Gille. Het Jutterskabinet, dat in Ventura Lambrate ​W werd gepresenteerd, continueert ISOcertificering bestaat uit een speciaal vervaardigde vitrinekast voor negen lampen waarin een Het Jutterskabinet is vanaf 23 mei getoond. te zien in het binnenmuseum van het is gevolgd uit een opdracht van het voorwerp wordt Het project Partner in beeld: VBI 89 Zuiderzeemuseum in Enkhuizen.

Zuiderzeemuseum.

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NL in Milaan: Nienke Sybrandy

NL in Milaan: Jeroen Wand en Mieke Meijer

NL in Milaan: Nienke Sybrandy

1-5-2015 - 13:51

4-5-2015 - 16:07

Architectenweb presenteert gedurende een aantal weken een serie over Nederlands ontwerp dat tijdens de Milan Design Week 2015 is gepresenteerd. In de vierde aflevering de gezamenlijke, evenwichtige presentatie van Studio Jeroen Wand en Studio Mieke Meijer.

Architectenweb presenteert gedurende een aantal weken een serie over Nederlands ontwerp dat tijdens de Milan Design Week 2015 is gepresenteerd. In de vijfde aflevering de zeepbellen van Nienke Sybrandy.

Voor hun presentatie in Ventura Lambrate bundelden Studio Jeroen Wand en Studio Mieke Meijer de krachten. Spatial Fragments in Uncharted Materiality heette de gezamenlijke expositie, een titel die aangeeft waar de twee ontwerpstudio's elkaar ontmoeten.

De ontwerpen van Nienke Sybrandy (Studio Sybrandy) komen vaak voort uit haar observaties van het alledaagse en gewone. Vanzelfsprekende handelingen en voorwerpen weet ze te verbinden met grotere en universele verhalen.

Zo kan het gebeuren dat Sybrandy tijdens de afwas een zeepbel zich los ziet maken van de rest en daarin plots het symbool ziet voor kwetsbaarheid en vergankelijkheid. Het object van bijna niets dat plots uiteen spat.

Ze werken weliswaar volgens andere methodes, de ontwerpers delen wel de interesse in materiaal, constructie en techniek. Hoewel de ontwerpen dan ook sterk kunnen verschillen (in uitstraling), door ze samen te presenteren bleken de werken - zoals Mieke Meijer en Jeroen Wand ook hadden bedoeld - elkaar te verklaren en te versterken.

Het werk van Studio Mieke Meijer (Mieke Meijer en Roy Letterlé) is minimalistisch en elegant; het toont duidelijk de fascinatie voor constructie en detaillering. Het werk van Studio Jeroen Wand heeft vaker rauwe randjes en vertoont de sporen van het maakproces. Wand start geregeld vanuit het experiment met materiaal en techniek.

Grillig gelaagd Van de ongebruikelijke productiewijzen die Wand toepast, stond in Ventura Lambrate een aantal boeiende resultaten. In het oog springend was het veld van vazen: Phases is een collectie vazen, uitgevoerd in een hoogte van zeven en van vijftig centimeter, uit gips.

Tijdens de productie laat Wand twee fasen van het materiaal op elkaar in werken: de gevormde en gedroogde vaas dompelt hij deels in vloeibaar gips, dat blijft kleven. In een balans tussen controle en het materiaal zijn gang laten gaan, krijgen de vazen meer of minder grillige lagen over de onderste helft.

Rafelranden Voor de Laminated Table heeft Wand restanten fineer samengeperst tot stevige panelen, die een tafelblad vormen. Het oppervlak vertoont een boeiende afwisseling van houtsoorten en hier en daar de rafelranden van het maakproces.

De Solid Flat is een kamerscherm waarbij een aantal lagen papier vanaf beide zijden over een houten constructie is gespannen. De spanningen die ontstaan zorgen voor oncontroleerbare kreukels, kleurverschillen en doorzichtigheid van het oppervlak.

Een stuk strakker oogt de Paper Chair, die geheel is geconstrueerd uit samengeperste lagen papier (inclusief de verbindingen). In het gebruik zal de stoel echter ook rauwe randjes gaan vertonen, als het papier slijt, vlekt, delamineert en ezelsoren krijgt.

Tactiliteit Eveneens ontstaan vanuit fascinatie voor materiaal is het project Materialism van Studio Mieke Meijer. In reactie op de gestage verdwijning van tactiele materialen in onze gemaakte omgeving, aldus de studio, maakten de ontwerpers panelen van exact dezelfde afmetingen uit verschillende materialen.

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Tegelijkertijd doet de zeepbel denken aan het speelse en vrolijke bellen blazen, waarbij kinderen (en volwassenen) genieten van de lichtheid en de kleuren van de dansende bellen. Het project dat Sybrandy in Ventura Lambrate toonde is ooit gestart met het zilveren theelepeltje in de vorm van een bellenblaasstokje. De zeepbel wordt het startpunt voor tal van referenties en verhalen.

Meest gelezen Gevangen bellendeze week De eerste ontwerpen van Sybrandy met zeepbellen als uitgangspunt maakten ook deel30-4-2015 uit van haar mooie presentatie The Infinite Finitude. Naast het theelepeltje als Broekbakema ontwerpt hoofdkantoor Océ 'conversatiestuk' toonde ze er bijvoorbeeld het textielontwerp Ebullience en het 4-5-2015 serviesgoed Surfactants.

Trainingscentrum Carnival Almere gepresenteerd 1-5-2015

De Ebullience-weefsels tonen de vloeiende en luchtige vormen van de zeepbellen, Video: Koolhaas in Belgisch tv-programma maar houden ze in al hun kwetsbaarheid vast als dessin. In hun uitvergrote 30-4-2015 afbeelding de aan bellen universum op zich. Ze werkt overigens niet alleen Verslag vormen van bezoek viereen scholen in Kopenhagen met de symboliek, maar ook met het materiaal zelf, zoals bij Surfactants.

30-4-2015

Inbo ontwerpt Hefkwartier in Rotterdam-Zuid

Bij Surfactants zijn de zeepbellen gevangen als dessin voor serviesgoed, letterlijk.

Met behulp van een surfactant (van surface active agent, een hulpmiddel om de oppervlaktespanning van een vloeistof te verlagen) lost het glazuur op in de zeepbel.

De zeepbellen die tegen het keramiek spatten, bepalen het patroon van Partnernieuws toon alles het glazuur en voorzien. Dankzij een surfactant kan het serviesgoed dus op volkomen toevallige wijze worden gedecoreerd.

Partner in beeld: VBI Eames Powers of Soap is een nieuw ontwerp: een collectie katoenen theedoeken met een dessin van zeepbellen met verschillende afmetingen. De collectienaam is afgeleid en Mecanoo van Powers of Ten, deGispen documentaire waarin Charles en Ray Eames de relatieve gaan samenwerking verhoudingen van kosmisch tot microscopisch niveau tonen. Daarnaast, zo legt aan Sybrandy uit, worden bij het afdrogen van de vaat de echte zeepbelletjes als het ware geabsorbeerd in de theedoek en daarmee in het dessin.

De dunne zeepfilm van een bel vertoont een fraai kleurenpalet doordat het het licht ​Boon Edam opent van twee oppervlakkenkantoor reflecteert.

Het tafelkleed en de servetten uit katoen van de in Manhattan collectie Double Bubble imiteren de reflectie door glanzend lurex als inslagdraad van het weefsel te gebruiken.

Dekens ​Seminar: Bent u klaar voor toekomst?Deze deken, geweven met mohair, wol 90 Een ander soort bel biedt dede Bubblewrap. en katoen, is door Sybrandy bedoeld om je te kunnen afzonderen in een warme en beschermende kokon. In een tijd dat we ons bijna niet meer kunnen afsluiten, wordt

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VENTURA LAMBRATE

17 april 2015 | Nanda Rave | dutch design Als je metrostation Lambrate uitloopt dompel je langzaam onder in een wereld die Ventura Lambrate heet. Overal waar je kijkt presenteren ontwerpers, labels, merken en academies hun nieuwste ontwerpen, producten en concepten. Relaties gaan nieuwe uitdagingen aan en er ontstaan nieuwe verbindingen. Grenzen worden onderzocht, opgezocht en overschreden want de creatieve sector laat zich niet door stramienen vastleggen. Dat voel je bij Ventura Lambrate. Grenzeloze creativiteit met een hart voor design en voor elkaar.

Als je metrostation Lambrate uitloopt dompel je langzaam onder in een wereld die Ventura Lambrate heet. Overal waar je kijkt presenteren ontwerpers, labels, merken en academies hun nieuwste ontwerpen, producten en concepten. Relaties gaan nieuwe uitdagingen aan en er ontstaan nieuwe verbindingen. Grenzen worden onderzocht, opgezocht en overschreden want de creatieve sector laat zich niet door stramienen vastleggen. Dat voel je bij Ventura Lambrate. Grenzeloze creativiteit met een hart voor design en voor elkaar.

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Gimmii goes Ventura Lambrate!

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Publication: Gimmii Country: The Netherlands Date: 23-05-15,01-05-15, 06-05-15 Type of Publication:

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Around the Globe met Floris Wubben

Around the Globe met Flor

24 april 2015 | Nanda Rave | dutch design, slaapkamer, studeerkamer, woonkamer

24 april 2015 | Nanda Rave | dutch design, slaapkamer, st

Dat design op ambachtelijke, authentieke wijze kan ontstaan bewijst Studio Floris Wubben met zijn Globe Project. In Milaan konden we ‘the making of’ van een lamp aanschouwen bij Ventura Lambrate.

Onder grote belangstelling toonde Floris Wubben ons zijn werkwijze: een zelfgebouwde installatie die ervoor zorgt dat een porseleinen bol rondgedraaid kan worden. Door er vervolgens een gasbrander op te richten zet het water van de natte bol uit en springen er stukken porselein vanaf. Zo ontstaat langzamerhand een lichtdoorlatende bol met tekeningen die ontstaan door de toegepaste techniek.

Dat design op ambachtelijke, authentieke wijze kan ont

Wubben met zijn Globe Project. In Milaan konden we ‘th aanschouwen bij Ventura Lambrate.

Onder grote belangstelling toonde Floris Wubben ons z

zelfgebouwde installatie Floris Wubben en Cor Unumdie ervoor zorgt dat een porse

worden. Door er vervolgens een gasbrander op te richte

Keramisch atelier Cor Unum levert de porseleinen bol en vervolgens gaat Wubben aan de slag. De diversiteit aan tekeningen ontstaan door de bol langzaam of juist

bol uit en springen er stukken porselein vanaf. Zo ontsta

harder te draaien. De stukken die er vanaf springen maken de dichtheid en het karakter van de lamp. Iedere lamp is op deze wijze uniek en handgemaakt.

lichtdoorlatende bol met tekeningen die ontstaan door

Geïnspireerd door ons zonnestelsel zijn wij ervan overtuigd dat met deze lampen de grootsheid en onvoorspelbaarheid van ons universum prachtig wordt verbeeld…

Dank Floris, voor je tijd en uitleg.

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Count aanaan Zweitse CountZ,Z,een eeneerbetoon eerbetoon Zweitse Landsheer

Landsheer

07 mei 2015 | Nanda Rave | dutch design, studeerkamer, woonkamer

07 mei 2015 | Nanda Rave | dutch design, studeerkamer, woonkamer

» NAAR DE SHOP

» NAAR DE SHOP De Count Z tafellamp van Kranen/Gille is een van de eerste producten die gelanceerd wordt voor het ‘Zweitse Revisited’ project. Een groots en meeslepend eerbetoon aan Zweitse Landsheer (1928-2010), oprichter van keramisch atelier Cor Unum. Stukken als de Bouquet vaas, Porron of de Diabolo cup inspireren Jos Kranen en Johannes Gille tot nieuwe, hedendaagse ontwerpen met een industriële uitstraling.

Tafellamp Count Z van Kranen/Gille en Cor Unum Count Z vertelt een verhaal over de geschiedenis van de keramiek maar neemt je tegelijk mee naar het heden. Het is design met een prachtige vormentaal en functionaliteit. De lamp, gemaakt van aardewerk, is in drie varianten verkrijgbaar bij Gimmii. De lamp met een peer heeft een rustige uitstraling. Ook zijn twee of drie peren in de lamp mogelijk. De laatste geeft een bombastisch gevoel van schoonheid en lef.

De Count Z tafellamp van Kranen/Gille is een van de eerste producten die gelanceerd wordt voor het ‘Zweitse Revisited’ project. Een groots en meeslepend eerbetoon aan Zweitse Landsheer (1928-2010), oprichter van keramisch atelier Cor Unum. Stukken als de Bouquet vaas, Porron of de Diabolo cup inspireren Jos Kranen en Johannes Gille tot nieuwe, hedendaagse ontwerpen met een van industriële uitstraling.

De Count Z tafellamp van Kranen/Gille is een de eerste producten die gelanceerd

wordt voor het ‘Zweitse Revisited’ project. Een groots en meeslepend eerbetoon aan Tafellamp Count Z van Kranen/Gille en Cor Unum Zweitse Landsheer (1928-2010), oprichter van keramisch atelier Cor Unum. Stukken

Count Z vertelt een verhaal over de geschiedenis van de keramiek maar neemt je

als de Bouquet vaas, Porron of de Diabolo cup inspireren Jos Kranen en Johannes

tegelijk mee naar het heden. Het is design met een prachtige vormentaal en

Gille tot nieuwe, hedendaagse ontwerpen met een industriële uitstraling.

functionaliteit. De lamp, gemaakt van aardewerk, is in drie varianten verkrijgbaar bij Gimmii. De lamp met een peer heeft een rustige uitstraling. Ook zijn twee of drie

Tafellamp Count Z van Kranen/Gille en Cor Unum

peren in de lamp mogelijk. De laatste geeft een bombastisch gevoel van schoonheid

en lef. Z vertelt een verhaal over de geschiedenis van de keramiek maar neemt je Count

tegelijk mee naar het heden. Het is design met een prachtige vormentaal en Count Z tijdens Ventura Lambrate in Milaan

functionaliteit. De lamp, gemaakt van aardewerk, is in drie varianten verkrijgbaar bij

Wij zagen de lamp voor het eerst in het echt tijdens de presentatie van Cor Unum in

Gimmii. De lamp met een peer heeft een rustige uitstraling. Ook zijn twee of drie

het hart van Ventura Lambrate in Milaan. Tijdens de feestelijke presentatie waarbij

peren in de lamp mogelijk. De laatste geeft een bombastisch gevoel van schoonheid

veel designers aanwezig waren net als de beroemde architect, auteur en ontwerper

en lef.

Allesandro Mendini, mochten we kijken, voelen en natuurlijk beleven. Kranen/Gille lieten hun eigen vormentaal los om in het designers hart van Zweitse te kruipen. Dit resulteert in nieuw, prikkelend Dutch design met internationale allure.

“Een werkstuk draagt in zich meer Dan het zintuiglijk waarneembare De laag er onder wordt voelbaar Het onzeglijke wordt hoorbaar” Zweitse Landsheer

93

We nemen je mee naar de solo expositie van textiel designer Mae Engelgeer tijdens de Salone del Mobile in Milaan. In een karakteristieke werkplaats toonde ze haar textiel collectie. Haar collectie nam het podium in met prachtige patronen, materialen en kleurstellingen. Zo zagen we de Mod collectie: een moderne textiel collectie met grafische patronen, lijnenspel en subtiele kleurgradaties. Een hoge kwaliteit aan materialen zoals mohair en merino wol zorgen voor een museale uitstraling. Maar ook basismaterialen als katoen en polyester verweeft ze in haar producten. Het zorgt voor een typische handtekening van gedurfde combinaties wat, zoals ze zelf zegt, een ‘piece of art’ is in elk interieur.

Copper van Studio Mieke Textiel design van Mae Engelgeer CopperBalance Balance van Studio Mieke Meijer Textiel van Mae Engelgeer Mae Engelgeerdesign en haar liefde voor textiel ontplooiden zich tijdens haar opleiding aan

15 mei 2015 | Nanda Rave | dutch design, interieur, woonkamer het Fashion Institute in Amsterdam en vervolgens het Sandberg Instituut, waar ze 15 mei 2015 | Nanda Rave | dutch design, interieur, woonkamer haar Master haalde in Arts & Design. De ontwikkeling en productie van haar stoffen

Meijer

19 mei 2015 | Nanda Rave | dutch design, Milaan specials, studeerkamer, woonkamer

19 mei 2015 | Nanda Rave | dutch design, Milaan specials, studeerkamer, woonkamer

vinden vandaag de dag plaats in het TextielLab in Tilburg. We spraken met haar in Milaan over de gebruikte materialen, kleuren en composities die ze erg vanuit haar gevoel kiest.

We nemen je mee naar de solo expositie van textiel designer Mae Engelgeer tijdens WeSalone nemendel je Mobile mee naar solo expositie van textiel designer Maetoonde Engelgeer tijdens de in de Milaan.

In een karakteristieke werkplaats ze haar de Salone del Mobile Milaan. In een karakteristieke werkplaats ze haar textiel collectie.

Haarin collectie nam het podium in met prachtigetoonde patronen, textiel collectie.

Haar collectieZo nam het we podium in met prachtige materialen en kleurstellingen. zagen de Mod collectie: een patronen, moderne textiel materialen engrafische kleurstellingen.

Zo zagen we de collectie: een moderne collectie met patronen, lijnenspel enMod subtiele kleurgradaties.

Eentextiel hoge collectie aan metmaterialen grafische patronen, lijnenspel en subtiele kleurgradaties.

Een hoge kwaliteit zoals mohair en merino wol zorgen voor een museale kwaliteit aan materialen zoals mohairals enkatoen merinoen wol zorgen voor een museale uitstraling.

Maar ook basismaterialen polyester verweeft ze in haar uitstraling. Het Maarzorgt ook basismaterialen alshandtekening katoen en polyester verweeft ze in haar wat, producten. voor een typische van gedurfde combinaties producten. zorgt een handtekening zoals ze zelfHet zegt, eenvoor ‘piece oftypische art’ is in elk interieur. van gedurfde combinaties wat, zoals ze zelf zegt, een ‘piece of art’ is in elk interieur.

Mae Engelgeer en haar liefde voor textiel ontplooiden zich tijdens haar opleiding aan MaeFashion Engelgeer en haar voor textiel ontplooiden zich tijdens haar opleiding het Institute inliefde Amsterdam en vervolgens het Sandberg Instituut, waar zeaan het Fashion Institute in Amsterdam heten Sandberg Instituut, ze haar Master haalde in Arts & Design. en De vervolgens ontwikkeling productie van haarwaar stoffen haar Master haalde in Arts & Design. De ontwikkeling en productie van haar stoffen vinden vandaag de dag plaats in het TextielLab in Tilburg. We spraken met haar in vinden vandaag de dag plaats in het TextielLab in Tilburg. We spraken met haar in Milaan over de gebruikte materialen, kleuren en composities die ze erg vanuit haar Milaan over de gebruikte materialen, kleuren en composities die ze erg vanuit haar gevoel kiest. gevoel kiest.

De subtiele Copper Balance lamp van Studio Mieke Meijer is een lust voor het oog en vernuftig voor de liefhebber. De lamp is geïnspireerd op de welbekende bouwkraan en bestaat uit een staand en een liggend element.

Mae Engelgeer en Cor Unum

Door het liggende deel een klein beetje te verschuiven waardoor het koper elkaar

Voor het keramisch label Cor Unum maakte Mae Engelgeer een uitstapje naar de

raakt, treedt het circuitBalance in werking en gaat de LED aan.

Plaats je het het het oog en De subtiele Copper lamp van Studio Mieke Meijer is element een lustop voor

wereld van keramiek. Haar werk was nog warm in Milaan bij de presentatie van Cor

rubber dan gaat de lamp weer uit. De lamp zelf is de switch en jij bepaald hoe je het

Unum, zo vers kwam het uit de oven. Keramiek dat past als een jas, textuur voelbaar

licht wilt hebben! Copper Balance werd voor het eerst gepresenteerd tijdens Salone

zacht als stof maar een uitstraling zo robuust als een dikke deken. Mae Engelgeer

del Mobile in Milaan en Gimmii was erbij!

voelt zich thuis in de wereld van keramiek, daar zullen wij zeker nog meer van zien!

Door het liggende deel een klein beetje te verschuiven waardoor het koper elkaar

vernuftig voor de liefhebber. De lamp is geïnspireerd op de welbekende bouwkraan en bestaat uit een staand en een liggend element.

raakt, treedt het circuit in werking en gaat de LED aan. Plaats je het element op het rubber dan gaat de lamp weer uit. De lamp zelf is de switch en jij bepaald hoe je het licht wilt hebben! Copper Balance werd voor het eerst gepresenteerd tijdens Salone del Mobile in Milaan en Gimmii was erbij!

94

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The students were each tasked with interpreting the concept of Tomorrow, FIRST NAME resulting in an exhibition of pieces that aim to push the boundaries of modern design. Hang LAST NAME On by Erik Nystrom is a chair-shaped clothes hanger that plays with our perceptions of two EMAIL ADDRESS and three-dimensional images, Erika Emeren’s Enlightened Structure draws inspiration from how internet activism changes conservative structures, and SIGN UP Johanna K Sanden’s Frisky shelf is a playful piece of furniture covered entirely in fringe, which invites users to plunge their hands inside discover BACKtoTO BLOG its contents.

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Lucas Mullie will also take part in Eat Shit, presenting the Infinite Sausage, a foodproducing machine that will provide dinner within the courtyard.Clara Montrieul, (Above: 1. exhibition Jonas Ersland,

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Written by Calum Ross Fashion Design, Furniture, During Milan Design WeekMilan 2015, Design studentsWeek, and Product Design graduates from the VIA School of Business Technology and Creative Industries will present a joint exhibition exploring the themes of resilience and the future of design.

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sustainability is about changing both attitudes and behaviour. It is easy to buy a finished 97 product, but I would like to engage people. And Above:with 1. my Karen Jakobsen, chair,Lundmark the consumer has to work Weave to

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Above: Stine Weigelt / Solveig Stilling / Ditte April 15, 2015 Blohm / Carl Emil Jacobsen and Daniel Written by Josh Walker Kowal-Andersen / Camilla Skott / Anne Furniture, Milan Design Week Halskov / Sidsel Sogaard Spas Design School Kolding presents The Tube during Milan Design Week. Featuring eight of the finest upcoming designers, they invite ARTSTHREAD visitors toSUBSCRIBE appreciate andGET join the dialogue around a staple of design: the table.

ARTS DIRECT TO YOUR INBOX THREAD take a look at the designers who are a part of the display.

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BACK TO BLOG Stine Weigelt Working with Danish Horticulture, Stine Weigelt presents Tipping Point, a table that Above: Stine Weigelt / Solveig Stilling / Ditte can become off-balance by moving the Blohm / Carl Emil Jacobsen and Daniel illustration of a vulnerable ecosystem.

Kowal-Andersen / Camilla Skott / Anne Halskov / Sidsel Sogaard Spas

Design School Kolding presents The Tube during Milan Design Week. Featuring eight of

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April 16, 2015 Written by Josh Walker Accessories, Fashion Design, Interior Architecture, Jewellery,-Milan Design Week REGISTER CLICK HERE

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April 16, 2015 Written by Josh Walker LAST NAME Fashion Design, Interior Accessories, Architecture, Jewellery, Milan Design Week

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Above: 1. The Animal Party / 2.& 3 Malou EMAIL ADDRESS Siegfried & Gabriella Montenejo / 4. Rémi Galtier / 5. Roland Kawczynski-Pillonel / 6.

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SIGN UP MILAN15: HEAD From the 14th to the 19th April, HEAD Genève presents The Animal Party during Milan GENÈVE, THE Design Week.

An exhibition that brings BACK TO BLOG together interior architecture, communication ANIMAL PARTY and media, fashion, jewellery and accessory

students, it’s centred around and is inspired Above: 1. The Animal Party / 2.& 3 Malou by animals.

Siegfried & Gabriella Montenejo / 4. Rémi April 16, 2015 Kawczynski-Pillonel / 6.

Galtier / 5. Roland Charlyne Boulet and Virginie Taché have Written by Josh Walker Charlyne Boulet & Virginie Taché designed coral that rises to conceal water Accessories, Fashion Design, Interior filters, transforming vases into aquariums.

Architecture, Milan Design Week From the 14th toJewellery, the 19th April, HEAD Genève presents The Animal Party during Milan Malou Siegfried and Gabriella Montenejo are Design Week. An exhibition that brings studying on the interior architecture course together interior architecture, communication and have created a portable dog basket in and media, fashion, jewellery and accessory fabric that can be carried as a shoulder bag. students, it’s centred around and is inspired SUBSCRIBE GET ARTSTHREAD by animals.

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Charlyne Boulet and Virginie Taché have designed coral that rises to conceal water FIRST NAME filters, transforming vases into aquariums.

LAST NAME Malou Siegfried and Gabriella Montenejo are studying on the interior architecture course and haveADDRESS created a portable dog basket in EMAIL fabric that can be carried as a shoulder bag.

Cat Wall by Maelis Parison, Fallon Lok and SIGNMass UP explores shelving and Joséphine storage around a cat’s playful journey around the space.

Rémi Galtier has produced a large capacity BACK TO BLOG travel bag inspired by dog harnesses.

Although they play with the appearance of Newfoundland and Jack Russell terriers, they’re1. transformed hereParty into fashion Above: The Animal / 2.& 3 Malou accessories.

Siegfried Montenejo / 4.

Cat Wall& byGabriella Maelis Parison, Fallon Lok andRémi Joséphine Mass explores shelving and Galtier / 5.

Roland Kawczynski-Pillonel Roland Kawczynski-Pillonel is also exhibiting / 6. storage around a& cat’s playful journey around Charlyne Boulet Virginie Taché at The Animal Party and studies on the the space. accessories course. He has fused soft materials with metallic embellishments.

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Above: Alexandra Bicheler and Noah Matsumoto, ASA-p / Julia Schostak and Pawel Szubert, Current Alchemy / Noor F.F. Istiani and Kateřina Pražáková, Life Matter / Federica Dellisanti and Tinka Jongerius, SPF – Sugar Protection Filter / Alice Bonicelli and Lorena Rubio Toledo, Radio Killed The Electric Star / Wojciech Gawronski, Flora Code

MILAN15: PIET ZWART INSTITUTE, NEXT HABITAT

Next Habitat, the exhibition on display through Milan Design Week by the Piet Zwart 15, 2015 Institute,April reflects on a near possible future.

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Alexandra Bicheler and Noah Matsumoto, ASA-p SIGN UP Through ASA-p, Alexandra Bicheler and Noah Matsumoto question the relevance of expiry dates in pharmaceutical products. Extracting the mainBACK ingredient in medicines such as TO BLOG Aspirin, pills that are normally declared as waste can be given a new purpose by reusing them as fertiliser.

Above: Alexandra Bicheler and Noah Matsumoto, ASA-p / Julia Schostak and Pawel Szubert, Current Alchemy / Noor F.F. Istiani and Kateřina Pražáková, Life Matter / Federica Dellisanti and Tinka Jongerius, 98 SPF – Sugar Protection Filter / Alice Bonicelli

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April 16, 2015 Written by Josh Walker Ceramics, Events, Lighting, Milan Design Week, Product Design

April 14, 2015 Written by Josh Walker Accessories, Jewellery, Milan Design Week, Product Design

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MILAN15: TOMAS BATA UNIVERSITY IN BACK TO BLOG ZLIN, POPUP SHOW Above: Tomas Bata University in Zlin PopUp Show Designers Lucia Plevova / Branislav Glejtek / Karolina April 14, 2015 Fardova / Katerina Bruhova / Written Daniel Szollosi / Eva Wirthova / Veronika

by Josh Walker Zeleznikova / Tereza Cizmarova Accessories, Jewellery, Milan/ Jiri Design Week, Maxmilian Blstak / Uranbileg Altangerel Product Design Throughout Milan Design Week, Tomas Bata University in Zlin from the Czech Republic will present the PopUp Show. A collective of 13 students that cover array of disciplines, SUBSCRIBE GETanARTSTHREAD the student’s work is all designed with a focus DIRECT TO YOUR INBOX on wood. We look at all of the designs that will be on display throughout the event.

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MILAN15: CEU SIGN UP CARDENAL HERRERA UNIVERSITY, TREND MY HOME AND CUT THE LIGHT BACK TO BLOG April 16, 2015 Josh Walker Above: Written Cristinaby Hernández Rodríguez, Ceramics, Events, Lighting, Milan Design Week, Phoenix Wall light / Nuria Feliciano Navarro, Product Design Bloom Pendant light / Marta Ferrer Gallego,

Whale Pendant light / Darío Nóbrega Rubio, Candle holders collection / Marta Ferrer Gallego, Breakfast set / Verónica Cano Yubero,SUBSCRIBE Wall hangers GET ARTSTHREAD

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Throughout Milan Design Week, the CEU Cardenal Herrera FIRST NAME University from Spain presents an exhibition of everyday objects designed and made by students of the MA LAST NAME Product Design course. Split into two sections, Trend My Home and Cut The Light, we takeEMAIL a lookADDRESS at some of the students involved.

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Lucia Plevova Lucia Plevova is a jewellery and product designer who’s worked on everything from BACK TO BLOG coat hangers to recycled lamps. Rings, necklaces, brooches and bracelets of burnt coals and resin are what Bata will be showing at the PopUp Show.

Above: Tomas Bata University in Zlin PopUp Show Designers Lucia Plevova / Branislav Glejtek / Karolina Fardova / Katerina Bruhova 99 / Daniel Szollosi / Eva Wirthova / Veronika Zeleznikova / Tereza Cizmarova / Jiri

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Above: Cristina Hernández Rodríguez,

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Moleskine : #IdeasNoted Documenting design innovation Publication: 4-Traders atFrance Ventura Lambrate.

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Fuorisalone 2015 April, 14-19, 2015 Moleskine #IdeasNoted Documenting design innovation at Ventura Lambrate.

Moleskine joins forces with Ventura Lambrate to set up a Documentation Centre for design innovation at what has become one of the most prominent and innovative design districts in the world. With notebooks and pencils in hand, a group of young design reporters cruise the onceindustrial warehouses and streets of the Ventura district to sketch and document the design objects, the materials, the technological solutions, as well as the installations, the crowd and the post- industrial spaces.

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The drawings, renderings and sketches created by the reporters, drawn by hand on the pages of the new Moleskine Smart Notebook designed with Adobeâ&#x201E;˘, are then captured by devices via a specially designed app, sent directly to the Adobe Creative Cloud and thus made available in vector format at the Documentation Centre set up at Via Ventura 14.

Here, the sketches are processed via Adobe Creative Suite and displayed to the public, to be browsed in analogue and digital format in the Documentation Centre.

Designed by Milan and Florence based studio CICLICA.CC, the Documentation Centre consists of a cabinet within the former industrial pavilion of Ventura 14, which will work as a sort of wunderkammer, or a Cabinet of Curiosity, consisting of a metal frame covered with panels.

Just like a library, there will be tables for the attendees to go through the materials and take notes. A smart area is dedicated to the digital elaboration of the sketches via Adobe Suite. Elaboration happens live, visible on special large screen.

Making paper evolve.

The Moleskine Smart Notebook.

How does it work? Drawings made on the new Moleskine Smart Notebook (Creative Cloud connected) and captured using the app Moleskine, a Creative Cloud connected app (free, iPhone only) are automatically made available on the Adobe Creative Cloud, as editable vector files.

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Eat Shit by Design Academy Eindhoven at Ventura Lambrate Mar 30, 2015 • 11:53 AM

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Design Academy Eindhoven will present “Eat Shit” at Ventura Lambrate during the Milan Design Week from 14 to 19 April 2015. As the first exhibition debuting the school’s new Food Non Food department, 18 students and teachers will transfer to Milan for a series of live public-laboratory workshops. This latest educational offering delves into the politics of how, where and why we eat. Nothing deserves our attention more than food – it binds us, fuels us, and the myriad of issues concerning its production, distribution and consumption touch on some of humanity’s most fundamental problems. Food is life. So it makes sense that designer’s examine one of foods stinkiest consequences – human waste. Shit is the printout, the great reveler of a person’s health and culture.

And to shout “Eat Shit” is to hurl a protest against contemporary realities, which leave people divided and oftentimes hungry.

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DAE alumni Jason Page has discovered over 400 graduation projects focusing on food or faeces from 1976 until now, which will be revealed in a timeline. The following installations will also be on display: “Outdoor Pharmacy” by Marloes van Bennekom, the “Poederij” by Femke Mosh, and Arne Hendricks’ “Pigeon Poo Tower.”

Next to that, the DAE will exhibit recent graduation work like “Popcorn Monsoon” by Jolene Carlier, Pim van Baaren’s “Holy Crap” (a project that rethinks waste in Kathmandu) and “In Limbo Embassy,” a chilling protest project exploring the plight of rejected asylum seekers by Manon van Hoeckel.

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The Lamps by Design studio Kranen/Gille & Contact

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Preserving tion For Kranen/Gille preserving was the basic principle of the design. In 1920 households all sorts of food were preserved in jars. Kranen/Gille used preserving ® jars on an earlier occasion, when they designed the MECK lamp for Cor Unum.

Preserving, obviously, is any museum’s core task. When they visited the Museum’s depository, the duo became captivated by all kinds of curious objects Articles with Search no apparent background story. This is how they stumbled across things like a pipe, a sprayer, a flask and a glass eye, as well as the stock of historic preserving jars. Kranen/Gille ‘combed’ nine objects from the depository, giving them a new Search life by gildingArticles them and using them in the lamps. They invite visitors to provide each object with its own story.

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Unique objects The lamps are made of three types of preserving jars from the 1920s together with gilt accessories like a pipe, sprayer and flask. The jars – partly sandblasted – Unique Unique objects objects formlamps the basis for fascinating gilt of accessories, which as reflectors the The are made of three types preserving jars fromserve the 1920s togetherinwith The lamps are made of three types of preserving jars from the 1920s together with gilt accessories sprayer flask.objects The jarsthat – partly – lamps.

This is like whata pipe, makes them and unique are sandblasted not available gilt accessories like a pipe, sprayer and flask. which The jars – partly sandblasted – form the basisTheir for fascinating gilt accessories, as reflectors in the commercially. unicity is enhanced by the addition ofserve the inventory number on form the basis for fascinating gilt accessories, which serve as reflectors in the lamps. This is what makes them unique objects that are not available each lamp’s foot. On the walls of the presentation, blank silhouettes of the lamps commercially. unicity is enhanced the addition on lamps. This Their is what makes them by unique objectsof the thatinventory are notnumber available are displayed. As a visitor, you are very welcome to draw in your own fascinating each lamp’s foot.

Onunicity the walls of the presentation, blank of number the lamps commercially.

Their is enhanced by the addition of silhouettes the inventory on object. are displayed. As a visitor, you are very welcome to draw in your own fascinating each lamp’s foot. On the walls of the presentation, blank silhouettes of the lamps object. are displayed. As a visitor, you are very welcome to draw in your own fascinating object.

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The Combers Cabinet is located at Ventura XV Via Giovanni Ventura 15, 20134 Milano. The opening times of the presentation are 10.00 to 20.00 hours (14 to 18 April) and on Sunday 19 April till 18.00 hours.

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Preserving For Kranen/Gille preserving was the basic principle of the design. In 1920 households all sorts of food were preserved in jars. Kranen/Gille used preserving jars on an earlier occasion, when they designed the MECK lamp for Cor Unum.

Preserving, obviously, is any museum’s core task. When they visited the Museum’s Preservingdepository, the duo became captivated by all kinds of curious objects with no apparent background story. This is how they stumbled across things like a For Kranen/Gille preserving was the basic principle of the design. In 1920 pipe, a sprayer, a flask and a glass eye, as well as the stock of historic preserving households all sorts of foodnine wereobjects preserved jars.

Kranen/Gille used preserving jars.

Kranen/Gille ‘combed’ frominthe depository, giving them a new Preserving jarsby ongilding an earlier when designed MECK lamp for Cor Unum. life themoccasion, and using themthey in the lamps.the They invite visitors to provide For Kranen/Gille preserving was the basic principle of the design. In 1920 each object with its own is story.

Preserving, obviously, any museum’s core task. When they visited the

households all sorts of food were preserved in jars. Kranen/Gille used preserving Museum’s depository, the duo became captivated by all kinds of curious objects jars on an earlier occasion, when they designed the MECK lamp for Cor Unum. with no apparent background story. This is how they stumbled across things like a Preserving, obviously, is any museum’s core task. When they visited the pipe, a sprayer, a flask and a glass eye, as well as the stock of historic preserving Museum’s depository, the duo became captivated by all kinds of curious objects jars. Kranen/Gille ‘combed’ nine objects from the depository, giving them a new with no apparent background story. This is how they stumbled across things like a life by gilding them and using them in the lamps. They invite visitors to provide pipe, a sprayer, a flask and a glass eye, as well as the stock of historic preserving each object with its own story. jars. Kranen/Gille ‘combed’ nine objects from the depository, giving them a new life by gilding them and using them in the lamps. They invite visitors to provide each object with its own story.

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Trigg-Smith Architects

Creating Unique Timeless Residences View Our Online Portfolio

This limited edition collection of seating Kardashian Handbags elements designed

by Alexander Lotersztain Enjoy Free Shipping at Sears® on Orders Over $59.

Buy Now to Save! of multi-disciplinary design studio Derlot reflects the prismatic beauty and semiprecious qualities of quartz. The Limited concept   was born of Alexander Lotersztain’s passion for  FLORIAN GROEHN materials, technologies and craftsmanship.

The QTZ Collection serves as an experiment to study the boundaries of aesthetics and functional innovation.

Each QTZ element is available in a range of finishes and is manufactured in stainless steel using advanced technologies and craftsmanship to insure they meet the highest standards. The QTZ SEA TING COLLECTION B Y QTZ Seating Collection will be launched at 2015 A LEXA NDER LOTER SZTA IN Milan Design Week next week at Ventura Lambrate.

Trigg-Smith Architects

Creating Unique Timeless Residences View Our Online Portfolio

This limited edition collection of seating elements designed by Alexander Lotersztain of multi-disciplinary design studio Derlot reflects the prismatic beauty and semiprecious qualities of quartz. The Limited concept was born of Alexander Lotersztain’s passion for materials, technologies and craftsmanship. The QTZ Collection serves as an experiment to study the boundaries of aesthetics and functional innovation.

Each QTZ element is available in a range of finishes and is manufactured in stainless steel using advanced technologies and craftsmanship to insure they meet the highest standards. The QTZ Seating Collection will be launched at 2015 Milan Design Week next week at Ventura Lambrate.

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Curiosities within the former industrial space. Just like in a library, visitors can browse the materials encased in the metal structure and take their own notes while observing the creative process in action.

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This year Moleskine – brand that encompasses a family of tools for creativity and productivity – works on a ORDER TLMAG’S ISSUE #22 is that there will be several design Lambrate area: #ideasnoted.

What willNEW happen reporters strolling through the Lambrate area with sketchbooks, making drawings of the exhibitions and of the

TLMAG LIVING WITH in ART & DESIGN special project the Ventura

Ventura Lambrate : Sketches of Moleskine scenery. These drawings are taken back to the Documentation Centre for design innovation at Via Ventura 14 project

where they are digitalized and captured by the App “Moleskine Creative Cloud” to finally be printed and exhibited No Comments in Ventura Lambrate. With the Moleskine smart notebook, Creative Cloud connected in hand, a group of young This year Moleskine – brand that encompasses a family of tools for creativity and productivity – works on a design reporters roam the once-industrial warehouses and streets to sketch and document its design objects, special project in the Ventura Lambrate area: #ideasnoted. What will happen is that there will be several design reporters strolling through the Lambrate area with sketchbooks, making drawings of the exhibitions and of the materials and technological solutions as well as its installations, crowd and spaces. Designed by Milan and scenery. These drawings are taken back to the Documentation Centre for design innovation at Via Ventura 14 where they are digitalized and captured by the App “Moleskine Creative Cloud” to finally be printed and exhibited Florence-based studio Ciclica.cc, the Documentation Centre resembles a sort of wunderkammer or Cabinet of in Ventura Lambrate. With the Moleskine smart notebook, Creative Cloud connected in hand, a group of young design reporters roam the once-industrial warehouses and streets to sketch and document its design objects, Curiosities within the former industrial space. Just like in a library, visitors can browse the materials encased in materials and technological solutions as well as its installations, crowd and spaces. Designed by Milan and Florence-based studio Ciclica.cc, the Documentation Centre resembles a sort of wunderkammer or Cabinet of the metal structure and take their own notes while observing the creative process in action.

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Documenting design innovation at via Ventura 14

By Architonic 路 Updated on Friday

Documenting design innovation at via Ventura 14

A group of design reporters sketches in the streets of the

By Architonic 路 Updated on Friday Ventura-Lambrate district, documenting new design ideas in their Moleskine smart notebooks, during Milan Design Week.

A group of design reporters sketches in the streets of the Here is the photo gallery with sketches of the #IdeasNoted Ventura-Lambrate district, documenting new design ideas in project! their Moleskine smart notebooks, during Milan Design Week. #venturalambrate #fuorisalone2015 Here is the photo gallery with sketches of the #IdeasNoted project! #venturalambrate #fuorisalone2015

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Trend Report: Milan 2015, Part 2 Pos ted by Walter Phillips on 28.04.2015 - Tagged as : Le Vin Chin, trends

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Humus and Porcelain Project, photo: © Le Vin Chin This is the second of a three-part Trend Report from Milan 2015 by Le Vin Chin. Play ing with the design of the way we eat has launched m any experim ental restaurants with unconv entional dining experiences ov er the past few decades. This y ear’s Milan definitely sees a sea-change in how m ainstream this idea has becom e and how rigorously a designer can exam ine the subject without seem ing outré. Quite sim ply , as we feel our natural resources dim inishing, and as our own rate of hum an expansion continues to grow unabated, how we create and process food – both the m acro- and the m icro-processes – has nev er been m ore urgently in need of innov ation.

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Humus and Porcelain Project, photo: © Le Vin Chin This is the second of a three-part Trend Report from Milan 2015 by Le Vin Chin. Play ing with the design of the way we eat has launched m any experim ental restaurants with unconv entional dining experiences ov er the past few decades. This y ear’s Milan definitely sees a sea-change in how m ainstream this idea has becom e and how rigorously a designer can exam ine the subject without seem ing outré. Quite sim ply , as we feel our natural resources dim inishing, and as our own rate of hum an expansion continues to grow unabated, how we create and process food – both the m acro- and the m icro-processes – has nev er been m ore urgently in need of innov ation.

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Eat-shit, photo: © Le Vin Chin Probably the m ost prom inent tackling of the topic this y ear was by the Design Academ y Eindhov en, who had created a new design departm ent – “Food Non Food” – specifically to address the growing im portance of food design late last y ear. The departm ent’s Eat Shit ! exhibit was a powerhouse exploration of all the v arious processes of food production, distribution, preparation, presentation, consum ption, and, y es, defecation.

Eat-shit, photo: © Le Vin Chin Probably the m ost prom inent tackling of the topic this y ear was by the Design Academ y Eindhov en, who had created a new design departm ent – “Food Non Food” – specifically to address the growing im portance of food design late last y ear. The departm ent’s Eat Shit ! exhibit was a powerhouse exploration of all the v arious processes of food production, distribution, preparation, presentation, consum ption, and, y es, defecation.

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n at Ventura Lambrate myriad ways our lives d human waste.

Publication: Designindabe Country: Saudi Arabia Date: 17-04-15 Type of Publication: Webpgage

food. It is the soul of life, a single unifier,” says food designer Marije Vogelzang, head of

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Design Academy Eindhoven’s fledgling Food Non Food department. At just six months in,

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VENTURA food design programme is exhibiting this year LAMBRATE at Ventura Lambrate in Milan.

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the school’s undergraduate and first-ever

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With Vogelzang at the helm, the 16 students

Liquid Gold is a project that looks at urine as a resource rather than a discarded by-product.

and their teachers are presenting their ongoing projects and treating the exhibition space as an educational opportunity. Projects by a select group of alumni from the past four

a better world through creativity Menu

years – including Teresa Van Dongen’s bioluminescent light installation, Ambio – are also presented.

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The projects cover the full gamut of the food

Eating and shitting, Milan-style

and faecal lifecycle and all its implications, and included: Liquid Gold is a project that looks at urine as a resource rather than a discarded by-

Design Academy Eindhoven’s “Eat Shit” exhibition at Ventura Lambrate looks at the myriad ways our lives revolve around human waste.

“I can’t think of anything that touches us like

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food. It is the soul of life, a single unifier,” says food designer Marije Vogelzang, head of Design Academy Eindhoven’s fledgling Food Non Food department. At just six months in, the school’s undergraduate and first-ever

ect that looks at urine as a a discarded by-product.

With Vogelzang at the helm, the 16 students and their teachers are presenting their

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Kathmandu, Nepalshare use different coloured

Non Food department. At just

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food design programme is exh at Ventura Lambrate in Milan.

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283 bags distinguish Liquidto Gold is a projectbetween that looksrecyclables, at urine as a with With Vogelzang at the helm, th resource than credit a discarded by-product. each bagrather earning to purchase services.and their teachers are present

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ongoing projects and treating

space as an educational oppo

by a select group of alumni fro

years – including Teresa Van D

bioluminescent light installation

ongoing projects and treating the exhibition

As part of the exhibition, the academy hosted also presented.

space as an educational opportunity. Projects

a secret dinner prepared by the students,

by a select group of alumni from the past four

which included a menu of hard-boiled eggs

years – including Teresa Van Dongen’s

(chosen because the chicken is one of the

bioluminescent light installation, Ambio – are

only animals that poop, pee and lay eggs out

also presented.

of the same hole), freshly baked bread in the Liquid Gold is a project that lo shape of intestines, and a conveyer belt of a resource rather than a discar

Liquid Gold is a project that looks at urine as a resource rather than a discarded byTake Hella Jongerius: I product. as afertiliser Five Urine can be usedam design and an pastor TAKE FIVEalternative • 18 APR 15 source of nitrogen and in fertilisers to grow food.

Holy Crap by Pim van Baarsenis an incentive

scheme to promote waste separation, value 4 ways to Tastinginthe awareness and recycling. Families lk rethink food creative Kathmandu, Nepal use different coloured production process 0 MAR 15 bags to distinguish between recyclables, with FOCUS ON • 29 MAR 15 Q&A • 24 MAR 15

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shareand recycling. tweetFamilies in awareness

hierarchy of shit and urge people to see its

TALKS • which 17 APR 15is currently mined to use phosphorous,

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scheme to promote waste separation,

at Ventura Lambrate in Milan.

included:

Q&A • 21 APR 15

Holy Crap by Pim van Baarsenis an incentive

Mummy Shit Lab aims to reverse the

and faecal lifecycle and all its implications, and

#cocreateSA calls on designers again

phosphorous, which is currently mined to use food designer Marije Vogelzan Design Academy Eindhoven’s in fertilisers to grow food.

food design programme is exhibiting this year

The projects cover the full gamut of the food

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1 2be 3 used 4 5 6as fertiliser and an“I can’t think of anything that to product. Urine can food. It is the soul of life, a sing alternative source of nitrogen and

each bag earning credit to purchase services.

The projects cover the full gam

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delicious vegetarian mash-up that was shapedproduct. Urine can be used as alternative source of nitrogen a like a shit sandwich.

phosphorous, which is current in fertilisers to grow food.

Holy Crap by Pim van Baarsen

scheme to promote waste sep

awareness and recycling. Fam

Kathmandu, Nepal use differen

bags to distinguish between re

each bag earning credit to pur

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hierarchy of shit and urge peo potential and value – through mummification.

As part of the exhibition, the ac

Advertise Subscribe Shop AZ Awards 201

VENTURA LAMBRATE

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Publication: Azure Magazine Country: Canada Date: 18-04-15 Type of Publication: Webpage

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/ Curiosity / Carpet Magic at Ventura Lambrate in Milan

Carpet Magic at Ventura Lambrate in Milan Catherine Osborne 4 days ago

Tags: Installation

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The collective We Make Carpets, based in the Netherlands, creates a massive and intricate floor display that looks like a patchwork of rugs from a distance. But up close they are made of something else entirely.

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Ventura Lambrate is the largest off-site event happening during Milan Design Week, with hundreds of young designers, many of them fresh out of school, showing their novelties and experimentations. One of the most striking installations is by We Make Carpets, a group based in Eindhoven that creates temporary carpets out of the stuff that surrounds us, from macaroni and kitchen sponges to tiny cocktail umbrellas and disposable fast food forks. Not designed for walking on, these carpets show off the beauty found in everyday things.

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VENTURA LAMBRATE

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Publication: Eigen Huis & Interieur Country: The Netherlands Date: 01-09-2015 Type of Publication: Magazine

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â&#x20AC;&#x153;Ventura Lambrate is the largest off-site event happening during Milan Design Week, with hundreds of young designers, many of them fresh out of school, showing their novelties and experimentations.â&#x20AC;?

- Azure Magazine 115

facts & figures

60.000

+60.000

80.000

+80.000

100.000

22

48

91

135

170

176

Exhibitors

30.000

Visitors

2010

2011

2012

2013

2014

2015

2010

2011

2012

2013

2014

2015

9.000

13.000

10.000

13.000

13.000

500

1.000

+1.000

+1.200

+1350

+1500

Journalists

5.000

Exhibition space m²

2010

2011

2012

2013

2014

2015

2010

2011

2012

2013

2014

2015

176 exhitions 1.500 international registered journalists

13.000 sgm exhibition surface

over 100.000 visitors 36 participating countries

950 participating designers 2 nominations for the milano design awards

1 temporary shop by crowdy house

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L’ArcoBaleno :“The sheer number of presenters can be da rising-star talent, the multilayered Lambrate district has eme

“The best of Fuorisalone=Ventura Lam

De Standaard: “Wie the next big thing onder ontwerp Milaan niet om de wijk Lambrate heen.” (ENG: Who w thing among designers shouldn’t miss the Lambrate dis

“Eating & shitting, Milan-style: A must-see exhibition @Ventur

La Repubblica: “Zona Ventura Lambrate è il nuovo hu isalone. Un po’ fuori mano ma quest’anno, davvero, merit Lambrate is the new international hub of the Fuorisalone. really worth a visit)

“Great to see Tomorrow exhibition from @Be students @VenturaProjects” @artsthread

Abitare: “At Ventura Lambrate you will find a vision of the place to see pieces that obscure the difference between art

aunting, but for those scouting erged as a must-see hotspot.”

mbrate” @gucki_it

pers wil spotten, kan in wants to spot the next big strict)

raProjects” @designindaba

ub internazionale del Fuorta un visita.” (ENG: Ventura . A bit of a side road but it’s

eckmansDHS d

e future of design; this is the and design.”

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