OPERA QUEENSLAND, YUMPLA NERKEP FOUNDATION AND QUEENSLAND PERFORMING ARTS CENTRE, IN ASSOCIATION WITH BRISBANE FESTIVAL PRESENT
STRAIGHT FROM THE STRAIT
Opera Queensland acknowledges and respects Aboriginal and Torres Strait Islander peoples as the Traditional Owners of the land and seas where we live and perform.
We acknowledge and respect the knowledge, cultures, languages, songs and dances they have created and shared for at least 65,000 years.
Our commitment is to listen and walk respectfully with Aboriginal and Torres Strait Islander individuals and communities, to celebrate the stories and songs of this place and its First Peoples.
YUMPLA NERKEP FOUNDATION
Maiem, Sew Ngapa, Welcome. On behalf of the Torres Strait Island (TSI) communities around Australia and around the world, Yumpla Nerkep Foundation Ltd is truly blessed and privileged to bring to the stage setting, the life, laughs, loves and stories of the men and women who sacrificed so much, being away from their island and their families to seek other job opportunities on mainland Australia due to the demise of the trochus industry.
So many of our TSI Elders have crossed over and are looking down on us at this time and their stories will be forever remembered and treasured in this musical, Straight from the Strait. However, we are honoured to have Elders present to witness their story of the historical track-laying record in Western Australia on 8 May1968, being brought to life on the stage. This musical portrays the real-life experiences of the Torres Strait Islanders and their families as they transition from the ‘Ailan’ lifestyle to new beginnings on mainland Australia.
Yumpla Nerkep Foundation Limited collaborates with a diverse range of stakeholders, including Indigenous organisations, government agencies, corporate partners, and community leaders; therefore, we would like to say ‘Au Esuao’ ‘Kaima Eso’ (a huge thank you) to Torres Strait Regional Authority who truly believed in this project and generously supported it financially.
By fostering strong partnerships, the foundation leverages collective expertise and resources to maximise its impact and reach within the wider community: therefore we would also like to express our deepest and sincere gratitude to Opera Queensland who recognised that this Australian story needs to be exposed to the public, and partnered with QPAC and Brisbane Festival in bringing this story to the Australian public and the world.
In conclusion, Yumpla Nerkep Foundation Limited stands as a testament to the resilience, creativity, and spirit of all First Nation communities.
Anthony Ghee Director / Chair Yumpla Nerkep Foundation Ltd
WELCOME
The story at the heart of Straight from the Strait speaks to the power of shared culture and a profound understanding of familial belonging. From its early creative development years ago, we recognised this as a special story that needed to be shared. A proud history cherished by the Torres Strait Islander community, it deserves to be celebrated and shared with the wider community and QPAC is delighted to partner with Opera Queensland, Yumpla Nerkep Foundation and Brisbane Festival to present this joyful retelling.
This production itself feels like a part of the QPAC family as we’ve invested in the Straight from the Strait journey since 2019. But our connection to this story goes well beyond the on-the-ground creative development, in fact it was more than two decades ago that I first heard about it. It was immediately obvious that this was a deeply important moment in history and a beautiful reflection of culture that needed to be woven into the tapestry of the Australian story for generations to come.
We recognise the brilliant work of the creative team in bringing together traditional songs, dance and language with contemporary music: a wonderful way to keep culture alive. It is our hope that Straight from the Strait becomes a living legacy to a proud, joyful and beautifully connected culture
John Kotzas AM Chief Executive, QPAC
Straight from the Strait is more than just a production; it’s a profound celebration of the resilience and cultural strength of the Torres Strait Islander community. As the Artistic Director of Brisbane Festival, I am deeply honoured to present this powerful work that resonates so strongly with our commitment to telling diverse and vital stories.
Working alongside the incredible teams at Opera Queensland, Yumpla Nerkep Foundation, and QPAC, this production represents the very essence of what Brisbane Festival strives to achieve – creating a platform for First Nations voices to be heard, celebrated, and cherished. The journey of bringing Straight from the Strait to life has been one of collaboration, respect, and deep connection with the communities whose stories are at its heart.
This show holds a special place in my heart because it reflects our shared vision of a festival that is inclusive, meaningful, and rooted in the cultural richness of our nation. I am immensely proud of the work we’ve done together, and I can’t wait for audiences to experience the power and beauty of this story.
As you watch, I hope you feel the same sense of pride and connection that we do. This is a story of strength, unity, and the enduring spirit of the Torres Strait Islander people – a story that deserves to be told and celebrated on this stage.
Louise Bezzina Artistic Director Brisbane Festival
The skill and the brawn behind this operation comes from a core of Thursday lslanders… who are fast becoming the legendary figures of the Australian railroad construction scene.
Their skill in handling the heavy rail, their fitness, their rhythmic teamwork, their spiritedness and obvious pride in and enjoyment of their work is a constant source of wonder to observers.
The above quote is from a report on the construction of the Mt Newman railroad, held in the BHP archives. The report was sent to me by playwright and producer Paul Brown, not long after I began at Opera Queensland. Paul and John Romeril, another great playwright, had been working with the descendants of these legendary Thursday Islanders on a play about the record breaking feats of 1968. As song and music were at the heart of the story, he wondered if we might be interested in developing the work as a musical.
Meetings were arranged with siblings Ruth and Tony Ghee, and Norah Bagiri, descendants of the railroad workers. It soon became apparent the ‘legendary’ factor was carried in the genes. So began the process of putting together what would become Straight from the Strait
From the start our purpose was clear, as a First Nations story, it would be led and created by a team of First Nations artists and arts workers. We also wanted to celebrate the languages of the Torres Strait, weaving them into the story in the same way they would have been heard in the conversations and songs of the people whose story we were telling.
Over the past six years numerous script, music and performance workshops have been held, each one providing us with a deeper understanding of how significant this story is in the history of Australia. Here was a new perspective on the extraordinary economic boom of the 60s, and at its centre was a group of Thursday Islander people, who play such an important role in the history of Queensland.
In many ways the courage and determination of the railroad workers and their families has been the wellspring we have drawn from to bring Straight from the Strait to the stage. Many of the performers in the production are performing in a musical for the first time. Others have had to learn new languages and dances to play their part. It is a collective effort demanding a great deal from all that has been met with an exceptional generosity and willingness to ensure its success.
Two pages in this program are dedicated to the people integral to the creation of this production. As we often say, it takes a village to raise a new work. There are a few that I would like to especially thank. Ruth, Tony and Norah for so graciously sharing their story. Rubina Kimiia, whose beautiful music deftly weaves all the different threads together. Nadine McDonald-Dowd, whose leadership of the creative team has ensured that clarity and playfulness is central to the drama.
Paul Brown, who always believed in the significance of this story and supported its development every step of the way and Gabby Gregory, whose diligence and care as the producer has been central to the production’s success.
Great thanks also to our production partners, the Yumpla Nerkep Foundation and QPAC. Without their expertise and financial investment Straight from the Strait would not have been possible. Similarly, Arts Queensland and Creative Australia have enabled the development of the production through a variety of funding streams. And to our presenting partner, Brisbane Festival, whose culturally rich and diverse program is the perfect place to launch this wonderful new Australian musical.
We launch the production in Brisbane with the hope that it will travel far and wide sharing its songs and wisdom, just like those brave Thursday Islanders whose lives the story is inspired by. If you would like to be involved in making that happen by investing in its future success, we would welcome a conversation.
Patrick Nolan CEO & Artistic Director Opera Queensland
DIRECTOR’S NOTE
I have known Ruth Ghee for many years and we have spent many hours sitting down and sharing stories. I fondly remember her smile and tears when she first told me about her father's role in breaking the world record. What world record? – was my first question, and from there began the most amazing and challenging journey. This story has taken many forms – digital project, language recordings, exhibition and community events and now a staged work – which is a testament to the importance of uncovering such significant stories of our First People.
There are so many things I would love to say but I would need an entire program to say it, not only because of the absolute love I feel for everyone involved with Straight from the Strait, but also because they have all gone above and beyond in getting this story to the stage.
Every day in the rehearsal room has been a blessing. Getting to spend this time with cast and crew who are committed, kind, generous and absolutely hilarious makes my heart glow. The sharing and care towards the importance of this story – historically and culturally – shines strong and I am forever in awe of each and every single person.
One of my biggest joys has been to see the next generation of storytellers take their place onstage. To see them step into their roles, face obstacles head on, support each other and share their natural talents is so special. I feel incredibly privileged that I have been able to spend this time with them all, and know this is the start of something big for them.
This week, we break another world record. Straight from the Strait is the very first Torres Strait Islander Musical – ever. A massive achievement for such an important moment of this country’s settled history.
To those amazing world record breakers, thank you for the sacrifices you made for a country that has done very little to formally acknowledge your contribution or teach the story. We see you, we honour you and we are committed to making sure that the whole world knows who you are and what you have done.
I hope we do you proud.
x
Nadine McDonald-Dowd Director
WRITER’S NOTE
My first musical I was a part of was when I was twelve years old. I have my mother to blame for loving musicals and passing them onto me. Always watching movies with actors breaking out in song on a Saturday or Sunday afternoon in black and white. She would sing along to Gordon MacRae, Howard Keel, Doris Day and more, and I watched in awe. I loved it then and I love it still. Movies like Calamity Jane, Seven Brides for Seven Brothers, Oklahoma!, Show Boat and much more. Watching Carmen Miranda shake her stuff, I simply engrossed in it all.
As I grew older, I auditioned for a part in a musical that the Cairns Choral Society was putting on and, lo and behold, I got the part and that was the beginning, the start of it all. Since then, I’ve been Bloody Mary in South Pacific, The Pirates of Penzance, Miss Hannigan in Annie, and much more. So when my dear friend and sister, Rubina Kimiia approached me to join her and others in developing a musical about our Torres Strait Island uncles and grandfathers who left the island and their families to look for work to support them, I jumped at the chance as I could relate, as my big brother was one of those men who flew out of Cairns to Western Australia to work on the railroad.
When I met John Romeril, who wrote the original script, we were all given a copy and to be honest, I could not read it or understand it –it sounded like a white man trying to talk like a black man. Being a Torres Strait Islander I knew then that my contribution would not only be to help with the language and translations, but to also reshape the storyline to reflect our culture and history more authentically. It took a while. As I worked, I remember thinking, “but we don’t talk like that”, “we don’t use big white man words like that”. We’re a simple people. That was the start, because I knew I could do it. Something inside me whispered, “You can do this…!” So, I grabbed it with both hands and went with it.
Many development workshops later I completed the script. Of course, I could not fit in everyone’s story, but the script represents the story of all who left the Torres Strait back in the late 1960s. A journey of love, hard work, developing skills diving for trochus shells, cutting sugar cane and laying line on the railroads. So many stories.
I am grateful to those that have helped and assisted me along my writing journey. My dear sisters, Rubina, Nadine and Ruth. Talk about Women Power. I have so enjoyed every moment I spent, every late night sitting in front of my laptop with ideas that would come to me in the middle of the night.
I truly hope that you love this story, with ALL the wonderful music that comes with it as I do. We have had so much talent that has come with the creatives in this project. I never did know why I took on the challenge of writing this story… but I do now. My ancestors.
Koeyma eso, Au esoau
Norah Bagiri Writer & Co-Librettist
COMPOSER’S NOTE
I am profoundly humbled to be entrusted with the honour of contributing to this extraordinary project. Since my days as a music educator on Thursday Island in the early 2000s, I have been deeply immersed in the rich tapestry of Torres Strait culture, history, musical traditions and have come to call many of them, family.
Serving the story and the people to whom it belongs, as well as audiences, is always at the forefront of my mind, guiding my process. This endeavour is not merely about creating art; we are using the powerful medium of musical theatre to preserve history, foster understanding and to illuminate a little-known story that has positively impacted the economy of this country and, consequently, all of us.
Besides the story and music, the best part of any project are the people I am fortunate to meet. I have been incredibly blessed to work with elders, cultural advisors, artists, and community members. Each individual has enriched every aspect of this undertaking as I have strived for authentic and respectful representation of their story through song.
What also elevates the process is the team of dedicated creatives, artists and arts workers collaborating harmoniously to bring the production to life. Not only does this enhance the final product but lasting relationships are formed, making the journey rewarding and memorable.
This is a pioneering work, celebrating a culture often underrepresented in mainstream arts. If audiences leave the theatre educated, humming melodies, singing phrases, and carrying this story and a greater appreciation of the Torres Strait people with them, then, mission accomplished. This production has blessed my life. I hope it blesses yours in some way. Most especially, I hope it leaves a legacy for the wonderful people of the Torres Strait.
Rubina Kimiia Composer, Co-Librettist, Music Director, Arranger
OUR RAILWAY HEROES
On 8 May 1968 the Torres Strait Island workers on the Mt Newman railway construction project broke the world record in track-laying. In one day they laid, spiked and anchored 4.35m (almost 7km) of track, smashing the previous record, held by the United States of 2.88m (4.6km).
Their record has never been broken.
We honour and pay our deepest respects to these men and their families for their extraordinary contribution to the development of Australian industry and its impact on our history as a nation.
Alan Ankin
Arthur Pitt+
Azore Sailor+
Ben Nona
Bill Stephen
Billow Bourne+
Bill (Gobe) Tapim+
Bill Stephen
Bobby Levi
Cassie Zitha
Cedric Kewait
Charlie Agail
Charlie Azzau Saylor+
Charlie Bush+
Charlie Coleman+
Charlie Collipie
Charlie Hudson
Danny Blanket
Danny Lewin
Dick Pilot
Frankie Sabatino
Gehamat Loban
George Kennell
George Sedan
Gibson Hudson+
Gibu Wishu
Gushang Santo
Guyi Newie
Harvie Quackawoot
Henry Morrison
+ Pamle who are no longer with us
Henry Pitt+
Horace Seden+
Jeffrey Allou+
Jeffrey Abaia+
Joey Sedan +
John Kennell
Johnny Morrison
Linnoy Sabatino
Malcolm Tamwoy
Maxie Nona
Mica Levi
Michel Sabatino
Miseron Levi+
Michael Sabatino+
Miseron Levi +
Morris Agail+
Mosies Abednego
Murray Lui
Nolie Fagan+
Patau Bani
Patrick Levi+
Patrick Whap
Paul Lowatta +
Paul Manaway+
Pedro Abednego
Percy Mallie+
Peter Manaway
Philemon Pearson
Phillip Sabatino
Ray Manaway
Ray Thaiday
Raymond Calliope
Reggie Saylor+
Richard Manaway
Richard Newie
Rodney Sagigi
Ronald Saveka+
Roy Manaway+
Stephen Namok
Teddy Ware
Thomas Loban
Tino Sabatino+
Towa Frank
Walter Bush+
Wiluum Pedro
Yulla Bowie+
Sid Hill (Australian Site Manager)+
BEFORE TIME
THE ORIGIN STORY OF A TORRES STRAIT ISLAND MUSICAL
Straight from the Strait draws on stories forever belonging to Torres Strait railway families whose men ‘worked the line’ in Australia’s top end during the 1960s. Creative development based on this history began in the mid 1990s. In 1998–2000, fifty railway men and other family members contributed to an oral history archive – the Torres Strait Railway Family Histories project. With community and Elders’ support, several production concepts were explored including ideas for a documentary film, concerts, song recordings, and theatre.
From 2006, the Dancing the Line project produced new research, community storytelling, and songwriting workshops – leading to a musical theatre script as a work-in-progress by esteemed writer John Romeril. As John stepped away from the project, he left a message on the title page for those who would carry on the work:
The usual c in a circle copyright sign, typical of title pages, doesn’t appear here. How can one, two or even fifteen or more ‘authors’ OWN the story of a people, the experience of a community, the trials and tribulations a generation lived through?
It’s been decided the real owners of this story are the men who were there, in the Pilbara, May 8, 1968 when, as track layers, they created on that day a “World Record for Heavy-Haul Tracklaying”. This script seeks to ensure their efforts that day are not lost sight of. Indeed, that they become a small chapter in post-WW2 Australian social, economic –and even ‘theatrical’ – history.
John Romeril, 22 February 2012
Yumpla Nerkep Foundation, together with the Ghee and Bagiri families, continued to champion the project with the support and guidance of their Elders. They have also ensured that community permissions were secured, traditional protocols were implemented, and cultural wisdom informed every step of the creative process.
As a libretto, Straight from the Strait adapts music and dialogue from John Romeril’s earlier work, focusing the storyline through fictional characters based in real life. This has also seen much of the spoken and sung text translated into creole and traditional languages, as well as writing, arranging, and recording several new songs.
The involvement of Queensland Performing Arts Centre (since 2015), Opera Queensland (since 2018) and Brisbane Festival (since 2019) have empowered the final phase for this world premiere.
IT TAKES A VILLAGE TO CREATE NEW WORK
Straight from the Strait acknowledges the many Elders, Cultural Advisors, community members, artists and arts workers who have been part of an extensive creative journey starting long before this production took its current form. We have done our very best to meticulously examine the archives to find every name, credit every person, and list every contribution. We also acknowledge that, in the course of this work being carried forward over the decades, some names may have been missed or unrecorded. If you are one of these people please reach out to straightfromthestrait@gmail.com so that we can ensure you are acknowledged in future presentations.
Amos Namok
Andrée Edwards
Anthony Ghee
Railway Worker, Songwriter
Recording Vocalist
Railway Worker, Cultural Advisor (Eastern Islands), Community Liason, Producer, Musician, Chair – Yumpla Nerkep Foundation
Antony (Tnee) Dyer Filmmaker
Arthur Pitt
Benjin Maza
Benny Mabo
Berniece Peeauakeau
Bill (Gobe) Tapim
Railway Man, Community Contributor
Creative Development Participant
Cultural & Language Consultant, Recording Vocalist
Creative Development Participant
Railway Worker, Songwriter
Brett Charles Filmmaker
Charles Passi
Clinton Bagiri
Daniel Dow
David Dow
Davis Tapim
Dimple Bani
Dixie Stephen
Dmitri Ahwang
Don Masaio Fugi
Edith Levi
Elimo Tapim
Railway Worker, Songwriter
Creative Development Participant
Creative Development Participant, Songwriter, Administrator, Chair – Ailan Traks
Creative Development Participant, Musician, Songwriter
Community Contributor
Recording Vocalist, Musician
Railway Worker, Community Contributor
Creative Development Participant
Creative Development Participant
Community Contributor
Railway Worker, Community Contributor
Ephraim Bani Sr Songwriter
Evelyn Lowah
Freddie Ware
Gabriel Bani
George Bagiri
George Dewis
George Waqairagata
Georgia Corowa
Getano Belford Lui
Grace Fischer
Hannah Scanlon
Irene Feuz
Isobel Stephen
Jack Bani
Jacynthia Ghee
Jalen Sutcliffe
Jeanette Fabila
Jeffery Timor
Jeffrey Doolah
Jessiah Mabo
Jessica Johnson
Jimi Bani
Community Contributor
Songwriter
Creative Development Participant
Cultural & Language Advisor (Western Islands), Cultural Dance Coach, Creative Development Participant, Recording Vocalist, Musician
Songwriter
Creative Development Participant, Musician, Recording Vocalist
Creative Development Participant, Recording Vocalist
Recording Vocalist
Community Contributor
First Nations Producer (QPAC)
Researcher & Coordinator (Torres Strait Railway Family Histories), Writer & Producer (Dancing the Line)
Community Contributor
Creative Development Participant, Recording Vocalist
Community Contributor
Creative Development Participant
Creative Development Choreographer (Dancing the Line, Straight from the Strait)
Railway Worker, Community Contributor
Community Contributor
Creative Development Participant
Creative Development Participant
Creative Development Participant
Joanne Pratt
John Kris
John Romeril
Joseph Tapau
Kareen Ghee
Kesia Peters
Kristal West
Lelani Binjuda
Linda McIntyre
Liz Ware
Luke Captain
Margaret Harvey
Mark Shepphard
Maryanne James
Matopeh 'Tito' Ghee
Miseron Levi
Nadine McDonald-Dowd
Nathaniel Andrew
Nayama Gabey
Nigel Pegrum
Norah Bagiri
Norah Saylor
Patrick Vandenbroek
Paul Brown
Peter Matheson
Pierotta Bagiri
Pip Boyce
Rebecca Solomon
Ricardo Idagi
Rubina Kimiia
Ruth Ghee
Sah Ghee
Simeon Fairburn
Smilar Sinak
Sonny Kady
Sonya Stephen
Stephen Geesu
Tamara Whyte
Tiina Alinen
Trevor Tims
Will Kepa
William Ghee
William Misi
Willie Wigness
Zeek Power
Producer (BEMAC), Consultant, Ailan Traks Committee
Recording Musician and Vocalist
Playwright (Dancing the Line)
Creative Development Participant, Recording Vocalist, Performer
Creative Development Coordinator
Creative Development Participant
Creative Development Participant
Community Contributor
Music Mentor (Dancing the Line)
Recording Vocalist
Dramaturg, Writer, Language and Cultural Advisor, Songwriter, Musician
Dramaturg
Creative Showcase Director
Community Contributor
Creative Development Participant, Recording Vocalist, Performer
Songwriter
Dramaturg, Creative Showcase Director, Creative Development Participant
Recording Vocalist, Musician
Cultural & Language Consultant, Recording Vocalist
Sound Engineer
Cultural & Language Advisor (Western & Central Islands), Creative Development Participant, Performer, Recording Vocalist, Tour Coordinator
Community Contributor
Creative Development Partcipant, Musician, Recording Vocalist
Producer
Dramaturg (Dancing the Line)
Recording Vocalist
Producer
Recording Musician and Vocalist
Creative Development Participant, Songwriter
Creative Development Participant, Musical Director, Recording Vocalist, Performer
Cultural Advisor (Eastern Islands), Project Leader, Script Consultant, Community Liason, Songwriter, Musical Director, Recording Vocalist, Performer
Railway Worker, Project Administrator, Creative Development Participant
Creative Development Participant
Creative Development Participant (Dancing the Line)
Songwriter
Community Contributor
Language Translator (Eastern Islands), Community Contributor
Dramaturg (Dancing the Line)
Movement Consultant
Publicity
Recording Vocalist, Musician
Songwriter
Recording Musician and Vocalist
Community Contributor
Creative Development Participant
ACT 2 ACT 1 SYNOPSIS
The Samusah brothers leave their island home for the mainland to pursue a better life for themselves and their family.
Middle brother Pinau, our narrator, has the gift of sight just like his Mama. He can sense big change coming.
Eldest brother Kusa, headstrong and mighty in build, must say goodbye to wife Serai, not knowing when they will be together again.
Youngest brother Boyor, full of energy and humour, looks up to his brothers, though his principles sometimes clash.
Work is good at the cane fields in Cairns, but the brothers find themselves in Mount Isa where they learn the ropes on the railway.
The brothers receive worrying news from home.
Boyor and Isobel’s romance blossoms, just as the gang are called to an exciting prospect in Western Australia.
The MKMO construction company hires men from all over the world, and their team is made even stronger with new recruits from the Torres Strait.
The Samusah brothers discover comradeship with the other men on the railway.
The big bosses take notice and reckon the gang can break the record. So, they go for it and history is made – but at what cost?
CREATIVE TEAM & CAST
CREATIVE TEAM
Writer & Co-Librettist
Norah Bagiri
Composer, Co-Librettist, Music Director, Arranger
Rubina Kimiia
Director
Nadine McDonald-Dowd
Co-Choreographer
Cleopatra Pryce
Co-Choreographer
Rita Pryce
Set Designer
Kevin O’Brien
Costume Designer & Assistant Set Designer
Zoë Rouse
Lighting Designer
Jason Glenwright
Sound Designer
Wil Hughes
Dramaturg
Paul Brown
Dramaturg & Script Editor
Luke Captain
Music Dramaturg & Music Copyist
Luke Volker
Vocal Coach
John Peek
CULTURAL ADVISORS
Ruth Ghee, Tony Ghee (Eastern Islands)
George Bagiri, Norah Bagiri (Western & Central Islands)
CAST
Boyor
Paul Isakara Williams
Kusa
Harold Pascoe
Pinau
Vaughan Wapau
Serai
Gertrude Benjamin
Isobel
Georgia Corowa
Mama
Ghenoa Gela
Man Mountain
Jalen Sutcliffe
Protector Man, Bradco Bala & John Richardson
Ezekiel “Zeek” Power
Levi
Joey Tapau
Bobby B
Edward Lampton
Jimmy
Marcus Corowa
Sid Zane Lemusu
Uncle Reuben &
Simeon
Maurice Sailor
H&S Officer & Joe
Kani Puru
Reporter
Cleopatra Pryce
THE BAND Guitar*
Nathaniel Andrew
Bass, Traditional Percussion*
Will Kepa Keys*
Michael Manikus
Keys*
Richard Saifoloi
Drumkit
Sisa Koroi
Guitar, Traditional Percussion
Dimple Bani
* Additional Instrumental Arrangers
Straight from the Strait is adapted from stories from the Torres Strait written in English by John Romeril under the title Dancing the Line
WRITER, CO-LIBRETTIST
Norah Bagiri
A proud Torres Strait Islander from Moa Island’s St. Paul Village, Norah is a versatile performer and cultural ambassador with a rich background in music, theatre, and screen acting. Growing up immersed in the vibrant cultural tapestry of the Torres Strait, Norah’s creative journey began with singing in church choirs, where her powerful voice and stage presence quickly gained recognition.
Joining the Cairns Choral Society, Norah showcased her versatility as a performer. Her theatrical debut as Bloody Mary in Rodgers and Hammerstein’s South Pacific marked the start of a distinguished career.
As an accomplished singer, songwriter, playwright, comedian, and entertainer, Norah has captivated audiences with her authentic storytelling. From Pirates of Penzance to Annie and Seven Brides for Seven Brothers, she has brought characters to life with depth and authenticity.
Norah’s talents extend to the screen, where she has portrayed memorable characters in television miniseries such as RAN: Remote Area Nurse (SBS) and The Straits (ABC).
Beyond her artistic achievements, Norah is deeply committed to preserving and promoting Torres Strait Islander culture. As a cultural ambassador, she amplifies the voices and stories of her community through her work.
COMPOSER, CO-LIBRETTIST, MUSIC DIRECTOR, ARRANGER
Rubina Kimiia
Rubina is a proud Cook Island/Samoan woman raised in Aotearoa (New Zealand). She brings a unique blend of cultural heritage and artistic vision to the Australian music scene. With a passion for Indigenous storytelling through music, Rubina’s journey is marked by her unwavering commitment to artistic excellence, new works, and cultural celebration.
For Straight from the Strait, Rubina draws inspiration from her time as a music educator on Thursday Island, where a deep connection to the region’s rich cultural tapestry was cultivated. This experience profoundly influenced her creative practice, fusing soulful melodies and harmonies with traditional instrumentation to celebrate the essence of Torres Strait Islander music.
Among her standout works are Beginnings for Cairns Regional Council, Commonwealth Games, Woven as Creative Producer for AustraNesia and Cairns Performing Arts Centre, and La Bella Figura for JUTE Theatre Company. Rubina has collaborated with Opera Queensland’s Homegrown, Women in Voice, Women of the World, Queensland Music Festival, Queensland Performing Arts Centre’s Spirit of Christmas. A career highlight was a performance of her work by the Queensland Symphony Orchestra and Queensland Youth Symphony Orchestra with her own group, AustraNesia.
Rubina’s creative brilliance extends beyond the stage, as she continually aspires to uplift and inspire through her music. Her collaborative spirit and dedication to amplifying diverse voices make her a true luminary in the Australian music scene. She says, “To be entrusted with others’ stories and language, to create compositions that resonate deeply with audiences, that transcend cultural boundaries, is truly a privilege.”
DIRECTOR
Nadine McDonald-Dowd
Nadine is a Yuwi woman from Mackay, Queensland with a deep-rooted passion for First Nations storytelling. She brings a wealth of experience and creativity to this groundbreaking musical production.
Nadine’s journey in the arts began in the 1990’s working with newly established Kooemba Jdarra Indigenous Performing Arts. She became Artistic Director from 2001 and since then, she has undertaken creative roles in cultural institutions such as Brisbane Festival, La Boite Theatre, kuril dhagun at the State Library of Queensland, and Queensland Performing Arts Centre while also producing key First Nations events such as Clancestry, Out of the Box and Festival 2018 – Commonwealth Games
As Director of Straight from the Strait, Nadine’s leadership and commitment to authenticity shine through every aspect of the production. With her extensive background in blak dramaturgy and theatre making, she ensures that the storytelling is rich, vibrant, and true to the cultural heritage of the Torres Strait while showcasing the richness of First Nations artists both on and off stage.
Beyond directorial duties, Nadine is deeply involved in First Nations Arts advocacy, serving on a number of boards and committees dedicated to advancing representation in the arts. Close to her heart is working with artists, learning from artists, and collaborating with artists to enable their voices to stand front and centre. Nothing about us without us. She is continuously inspired by the wealth of talent and commitment of our First Nations artists and creatives.
CO-CHOREOGRAPHER
Cleopatra Pryce
Cleopatra Pryce is an emerging arts leader and choreographer. She has grown up alongside the Indigenous dance greats of Australia and has been performing since she was a small child. Cleopatra has performed Nationally within Australia and also toured overseas, including China.
In 2018, Cleopatra made her US performance debut in Los Angeles at the International Association of Blacks in Dance (IABD) as part of Baiwa Kazil, the youth based performing legacy of Baiwa Dance Company and the Pryce Centre.
She has since embarked upon a bespoke professional development program, supported by the Young, Black and Deadly Scholarship, to enable her to travel to the USA in January and April 2019. This included dance classes at Alvin Ailey Dance Theater (New York), Philadanco! (Philadelphia), Debbie Allen School of Dance (Los Angeles), Millennium Dance (Studio City), Playground (North Hollywood) and undertake training in arts management.
CO-CHOREOGRAPHER
Patricia (Rita) Pryce
Rita Pryce is a Kulkalgal and Kawrareg woman, born and raised in Zenadth Kes, Torres Strait Islands, and currently based in Gimuy/Cairns.
She is deeply respected as a leading senior practitioner in the performing arts. Her Cultural upbringing in her remote homelands, strong bloodlines and unbreakable connection with her Peoples continue to inspire her as an enduring creative leader, advocate and Cultural ambassador in the arts and in her Community.
Rita is Artistic Director and CEO of Pryce Centre for Culture and Arts in Gimuy, where she offers life-changing opportunities through dance. Her trusted Cultural guides and professional networks enable her to inspire, develop and promote young First Nations people through the Pryce Centre’s innovative programs and Cultural School of Arts.
Rita is also the Cultural Guide for Ausdance QLD, the peak body for dance in Queensland. She provides counsel and general guidance on Cultural dance and Cultural safety whilst creating meaningful relationships between the organisation and the relevant Community membersimbuing a First Nations first approach to Ausdance QLD's work in the sector.
SET DESIGNER
Kevin O’Brien
Kevin is a designer, trained as an architect, practising in Brisbane who frequently collaborates with performing and visual artists as part of his cross-disciplinary design practice.
Kevin has completed set designs for The Button Event by Todd McDonald at the Queensland Theatre Company in 2014, A Streetcar Named Desire at La Boite Theatre in 2016, and The Weekend by Henrietta Baird and Moogahlin Performing Arts for the Sydney Festival in 2019.
In 2018 he was commissioned by Urban Theatre Projects to design Blak Box, a travelling pavilion for an immersive deep listening experience, that has been installed at Barangaroo, Sydney in 2019 and 2020, and the Royal Botanic Gardens, Melbourne in 2020 through to 2021.
In 2019 and 2021 he designed further sets at La Boite for From Darkness and Bigger and Blacker respectively. Both works were by Steven Oliver and directed by Isaac Drandic.
In 2022, Kevin was commissioned by writer and director John Harvey for Design Production for his short film Katele (Mudskipper). The work was awarded the 2023 Winner Best Australian Short Film at the Flickerfest International Short Film Festival.
Kevin has directed and designed exhibitions at the Venice Architecture Biennale in 2012 and 2016, and contributed exhibition and installation design to other cultural agencies including the Gallery of Modern Art (GOMA), Institute of Modern Art (IMA), The National Museum of Australia (NMA), The National Gallery of Australia (NGA) and the Queensland Museum (QM).
Kevin recently completed the exhibition design for Kith and Kin by artist Archie Moore and curator Ellie Buttrose for the Australian Pavilion at the 2024 Venice Arts Biennale. This exhibition received a Golden Lion, the first ever for Australia.
COSTUME DESIGNER & ASSISTANT SET DESIGNER
Zoë Rouse
Zoë is a freelance artist with an expansive practice and her work as an independent set and costume designer, maker and stylist has included theatre, film and photography. Based in Melbourne, Zoë is a VCA Production School alumni and an RMIT Textile Design and Development graduate.
A lover of plants, art and everything fashion, she is a thrifting enthusiast and an avid collector of cute things. Zoë has worked with some amazing theatre makers and companies where some of her most recent design credits include Hour of the Wolf (Malthouse Theatre), June (Fabricated Rooms), Tiddas (La Boite Theatre), The Return (Malthouse Theatre), Technique (Elbow Room), As You Like It (Essential Theatre), The Retreat (Western Edge Youth Arts), The Sky is Well Designed (Fabricated Rooms), Ground Control (Double Water Sign), The Seizure (The Hayloft Project), Motion of Light in Water (Elbow Room), normal.suburban.planetary.meltdown (Malthouse Theatre), We Get It (MTC, Elbow Room), Company by Stephen Sondheim (Watch This), Menagerie (MTC, The Daniel Schlusser Ensemble), Limbo (Strut and Fret), Grief and the Lullaby (Fabricated Rooms), Now More Than Ever (Elbow Room) and many more.
LIGHTING DESIGNER
Jason Glenwright
Jason Glenwright is an award-winning Lighting Designer with experience in lighting for plays, musical theatre, opera, concerts, cabaret, circus, dance, broadcast and puppetry with more than 300 production credits to his name. Jason’s work has been seen both nationally and internationally including at New York’s Lincoln Center, the Edinburgh Fringe Festival, and London’s Soho Theatre.
Jason has had his work presented at most of Australia’s leading companies including Sydney Theatre Company, Belvoir Street Theatre, Bell Shakespeare, Griffin Theatre Company, Queensland Theatre, Opera Queensland, La Boite, and Shake & Stir.
Recent highlights as Lighting Designer with Opera Queensland include A Flowering Tree and Kiss Me, Kate. Other recent credits include James and The Giant Peach (Shake & Stir), Tiddas (Belvoir Street Theatre), Taming of The Shrew (Queensland Theatre); A Christmas Carol, The Twits (Shake & Stir), Fantastic Mr Fox (Sydney Theatre Company, Shake & Stir); Rumour Has It, Lord Mayor’s Christmas Carols 20212023, Your Song (Little Red).
Jason has won four Matilda Awards for Best Lighting Design most recently in 2021 and 2022 as well as the Gold Matilda for outstanding contribution to the industry.
Jason is currently the course coordinator of lighting at the Western Australian Academy of Performing Arts (WAAPA).
SOUND DESIGNER
Wil Hughes
Wil’s credits as a composer, songwriter and sound designer for theatre have ranged from contemporary ballet to musicals, and include Is That You Ruthie? (Queensland Performing Arts Centre); 37 (as associate), Rice, The Scene Project 2018 (Queensland Theatre); Closer, IRL, Capricorn, Tiddas, Single Asian Female, The Dead Devils of Cockle Creek, The Village, A Midsummer Night's Dream, The Wind in the Willows (La Boite Theatre Company); Blue (Belvoir St); Face to Face (Playlab); Lucie In The Sky, Arc, Still Life (Australasian Dance Collective); Cinderella, Mind Your Head, From Within, Sonder, B-Sides (Queensland Ballet); Every Brilliant Thing and Kill Climate Deniers (That Production Company). Wil is also an internationally acclaimed composer for film, television and other media, awarded Composer of the Year in 2018 by the California Independent Film Festival and Best Music for a Short Film at the 2022 Australian Screen Music Awards.
DRAMATURG
Paul Brown
Paul is a creative producer, also an author and scriptwriter, researcher, filmmaker and community arts worker. Based in Sydney, he cofounded a leading communitybased company, now Urban Theatre Projects (UTP), and wrote and developed several major community theatre works, including Kahkwa Kakawati for UTP; and Murray River Story for Hothouse Theatre. With Newcastle Workers Action Committee, he co-wrote Aftershocks – verbatim theatre about the Newcastle earthquake; and he authored the documentary plays Room 207 Nikola Tesla, and Half a Life. Paul was creative producer for the Nuclear Futures arts program – working in South Australia and internationally with atomic survivor communities. He contributed to the development of Straight from the Strait as a co-producer in 2017–2021.
DRAMATURG & SCRIPT EDITOR
Luke Captain
Luke Captain is a Brisbane based Meriam Le from Murray Island which is the Eastern Group of the islands in the Torres Strait.
Luke Studied music at Eora Centre in Sydney and later theatre studies at Deakin University.
Luke is a cultural and creative advisor on a number of projects (Straight from the Strait, Maryann Sam’s Coconut Women) He is a singer, songwriter, filmmaker and actor. Assistant Director for a few different projects such as Voices of the Light Chorale, a collaboration of Brisbane community members and Queensland performance arts choir members. Producer of Dancing the Line showcase in conjunction with Cairns Festival and Taba Naba an Island Odyssey at Brisbane Powerhouse. Former organiser and Artistic Director for Brisbane Mabo Day Celebrations 2012. One of his key roles was The Evangelist for Ailan Kores which was a rendition of Bach's masterpiece St John Passion – where Classical meets traditional sounds. On this project he also interpreted Bach’s Evangelist liturgy to Torres Strait Creole.
Luke has also conducted the Ailan Kores Choir together with the Queensland Symphony Orchestra at the International Society for Music Education in Brisbane. As a screenwriter his Short Film ‘On Stage’ debuted at Melbourne Film Festival and went on to Sydney Film Festival. Luke is a strong advocate for Torres Strait inclusion and passionate about Indigenous arts. As a theatre practitioner he endeavours to be inclusive, current and a global thinker. Luke wants to share his culture to the world.
MUSIC DRAMATURG & MUSIC COPYIST
Luke Volker
Luke is a Brisbane-based music director, dramaturg, composer, arranger and accompanist. With a particular love of developing new work, he has contributed to cabarets, concerts, musical theatre and opera, across Australia and internationally.
Credits as music director include the Hogwarts™ Frog Choir and Universal Monsters Live Rock & Roll Show® for Universal Studios Japan; Lady Sings The Maroons for Opera Queensland; Tick, Tick… Boom! for THAT Production Company; and national tours of The Owl & The Pussycat, Lesbian Love Stories, #FirstWorldWhiteGirls, and Babushka’s Happily Ever After (for which he won a Matilda Award); as well as developmental productions for QPAC, Metro Arts, Dead Puppets Society, and many others.
Luke’s arrangements have been performed at Brisbane Festival, Adelaide Fringe Festival, Melbourne Cabaret Festival, Sydney WorldPride, State Opera South Australia, New York’s Green Room 42, and on P&O, Princess, and Carnival cruise lines. He is the composer of There Once Was A Puffin (an online mini-opera for children commissioned during 2020’s lockdown period), and regularly writes and arranges for Opera Queensland’s Learning, Regional & Community program.
Luke has played keyboards on various touring musicals, performs regularly with the Queensland Symphony Orchestra, was resident accompanist for both SingEasy’s and Underground Broadway’s musical theatre industry nights, and has worked with such celebrated artists as Caroline O’Connor, Lea Salonga, Faith Prince, Rhonda Burchmore, and Philip Quast.
B0YOR
Paul Isakara Williams
Paul Isakara Williams, from the Yadhaykenu community on Cape York’s eastern shores, embodies a rich blend of culture and talent, rooted in Saibai, Erub, Murray Island, Badu, and Rotuman heritage. Mastering Saibai Island dancing, he’s a key member of the acclaimed Guba Markai Dance troupe, victorious at Dance Rites in 2020. Pursuing his passion at the Aboriginal Centre for The Performing Arts in Brisbane, he’s earned his Certificate IV and is now pursuing his Diploma. Through traditional performances and original compositions across Brisbane’s stages, collaborations like Walk Around Wednesday with Spotty Kites on ABC Kids, and roles in screen productions such as Boy Swallows Universe on Netflix, Williams showcases his burgeoning talent and love for storytelling.
SERAI
Gertrude Benjamin
Gertrude Benjamin, a proud Meriam descendant with roots in Iama, Erub, Mer, and Hammond Islands, spent her formative years on the Atherton Tablelands before embarking on a journey to Brisbane in search of opportunities. In the vibrant performing arts scene of the city, she has flourished, lending her talents to singing, writing, workshops, and stage performances. Currently pursuing a Bachelor of Contemporary Australian Indigenous Art (CAIA) at Griffith University, Gertrude continually expands her artistic horizons, participating in numerous exhibitions. Her role in Opera Queensland’s Straight from the Strait marks her third theatrical endeavor, underscoring her versatility as an actor. Despite reaching her 50s, Gertrude remains fearless in the face of challenges, embodying a spirit of lifelong learning and aiming to inspire fellow elders to embrace new experiences through her own remarkable journey.
KUSA
Harold Pascoe
Harold Pascoe, a proud Torres Strait Islander from Bamaga, Queensland, is currently immersed in his pursuit of artistic excellence at the Aboriginal Centre for the Performing Arts (ACPA), where he is studying for his Diploma of Performing Arts. With a diverse skill set encompassing guitar, bass, drums, piano, singing, and cultural dancing, Harold embodies the richness of his cultural heritage in every performance. In 2023, he achieved proficiency in Performing Arts studies, marking a significant milestone in his artistic journey. Notably, Harold has graced the stage alongside the acclaimed Dance Company Bangarra for various events, including the Indigenous round of the NRL and Sorry Day, captivating audiences with his soul-stirring performances.
ISOBEL
Georgia Corowa
Georgia Corowa, a South Sea Islander and Bundjalung woman based on Minjerribah (North Stradbroke Island), Australia, was raised with love, music, and the saltwater. Her musical style is relaxed, soulful, and heartfelt, reflecting her upbringing of playing guitar and piano by ear and singing with family. Georgia has performed nationally and internationally alongside artists like Xavier Rudd, Emma Donovan, and Katie Noonan. Graduating from Performing Arts College, Brisbane in 2008, she has pursued a career in dancing, acting, and singing. In 2020, Georgia released an EP titled Black Salt with a fellow musician. Her music, deeply rooted in her cultural connection to country, guides her journey through life as a proud mother on Minjerribah.
PINAU
Vaughan Wapau
Vaughan Stefan Wapau, a proud Moegi Buway tribe member from Saibai Island, embraces his cultural heritage deeply. His family’s roots trace back to Torres Strait Islands, with ties to St. Paul’s Mission and Senpol. Maternally, his lineage extends to Badu Island and Moa Island. Vaughan’s passion for preserving Torres Strait Islander culture shines through his involvement in traditional dances, performances at festivals, and advocacy for dementia awareness with Queensland Health. Inspired by family and elders, Vaughan actively passes down his knowledge, recognizing the importance of oral tradition in preserving Torres Strait Islander customs.
MAMA
Ghenoa Gela
Ghenoa Gela, a proud Koedal – Aubaith Clan Wagadagam, Mualgal Poid and Aragan, Samsep and Peidu Woman, originates from Darumbal Country, Central Queensland. Her heritage is deeply rooted in Torres Strait Islander traditions, shaping her journey as a highly-awarded, multidisciplinary storyteller. With a diploma in Careers in Dance, Ghenoa has become an accomplished independent artist, excelling in dance, comedy, and directing. In 2017, she clinched the National Deadly Funny Championships at the Melbourne International Comedy Festival. Beyond her performances, Ghenoa serves as a director, writer, comedian, choreographer, host, workshop facilitator, and mentor, engaging communities across urban, regional, and remote areas. Through her diverse talents, she shares her culture and aspires to inspire others, embodying her fierce cultural values and aspirations for greater cultural understanding.
MAN MOUNTAIN
Jalen Sutcliffe
Jalen Sutcliffe, originally from North Queensland with Darumbul, Kalkadoon, and Papua New Guinean heritage, is a unique blend of comedian and musician. While he currently resides in Townsville, he completed his Bachelor of Music at University of Tasmania in 2023 and honed his singing and guitar skills during his time studying in Brisbane and Hobart. In 2016, Jalen clinched victory in the Melbourne International Comedy Festival’s Deadly Funny competition. His humour often revolves around his rare condition, BBL – big, brown, and lovely. Notable roles include acting in Black Comedy, Bay of Fires, and contributing as Music Director/Performer in Caboriginal at the Melbourne International Comedy Festival. He’s also showcased his talents in TV series like Rosehaven, Paper Dolls and various stage productions.
BOBBY B
Edward Lampton
Edward Lampton, originating from Bundjalung, Juru, Tanna Island, Vanuatu (South Sea Islands) and currently based in North Queensland, embarked on his musical journey in the church. Transitioning from a toddler improvising a tambourine with a coat hanger to mastering instruments like the saxophone, bass, keyboard, and guitar, Edward’s talent flourished. Throughout his career, he has shared stages with esteemed artists such as George “Fiji” Veicorso and Archie Roach, while also collaborating with musical director Chong Lim AM. Edward’s versatility shines through his backing vocals for various artists, from 2023 Australian Idol Winner Royston Sagigi-Baira to Rochelle “Soul Mama” Pitt-Watson. His performances have spanned continents, captivating audiences worldwide, and beyond performing, Edward passionately nurtures young talent as the director of Kingdom Voices, his youth choir, leaving an indelible mark on the music scene through his mentorship and dedication.
PROTECTOR MAN, BRADCO BALA & JOHN RICHARDSON
Ezekiel “Zeek” Power
Zeek Power, hailing from Bowen in the Whitsundays, is a talented multiinstrumentalist and storyteller of proud Australian Indigenous and South Sea Islander heritage. Releasing music under the moniker cooolthekid, Zeek blends R&B, Pop melodies, and rap hooks, creates an atmosphere that pays homage to tradition while reflecting his upbringing. As a finalist on The Voice Australia 2019, he was mentored by Destiny’s Child’s Kelly Rowland, further enhancing his musical journey. Additionally, Zeek is a regular performer around Australia, showcasing his talent and sharing his culture with audiences nationwide.
JIMMY
Marcus Corowa
Marcus Corowa, a singer/songwriter from Bowen, Queensland, blends blues, soul, and jazz in his performances. Based in Sydney, he’s a sought-after talent with a decade-long career spanning performance, mentoring, and advocacy. Marcus has charmed audiences nationwide with his soulful voice, highlighted in acclaimed productions like Beautiful: The Carole King Musical and The Secret River. As a mentor and advocate, he champions diversity in the creative industries, drawing on his Aboriginal (Bundjalung) and South Sea Islander heritage. With a passion for mentorship and leadership, Marcus utilizes his voice and platform to inspire the next generation of Australian artists. For Opera Queensland, Marcus performed in Are You Lonesome Tonight, Lady Sings the Maroons, Festival of Outback Opera, and wrote three new songs with and for students as part of Opera Queensland’s project Composed in Queensland.
LEVI
Joey Tapau
Joseph Wagel Tapau, known as Joey, is a proud Torres Strait Islander born in Townsville, North Queensland. Immersed in gospel music from a young age, Joey’s passion for singing blossomed early on. In November 2015, he unveiled his debut album, Peace, Love, and Respect, a testament to his journey of resilience. Joey’s music, influenced by his Meriam heritage, seamlessly blends neo soul, R&B, and roots from Murray Island (Mer). Noteworthy highlights include receiving an Australia Day Award and gracing the stage at the Australasian World Music Expo. He has shared performances with esteemed artists like Sammy Johnson and Naughty By Nature, while also directing the Meriba Watai Traditional Choir and supporting churches. Joey’s journey exemplifies talent, resilience, and a commitment to spreading positivity through music. In 2021, he performed at the NRL Indigenous All Stars game, further showcasing his cultural pride and musical prowess.
SID
Zane Lemusu
Zane, a Sydney-born Samoan bassbaritone from the southeast of Brisbane, has been immersed in music and dance since the age of 4, influenced by his family’s deep connection to church and culture, hailing from Solosolo and Eva in Anoamaa, as well as Neiafu and Sataua in Savaii. He began his performing arts journey at age 7 at Monica’s Dance Studio, showcasing his talents at various events. Zane joined the ‘All in Choir’, a group of young LDS Christian adults spreading joy through music and testimony across Brisbane, Melbourne, and Cairns. When not performing, Zane enjoys recording music covers and spending time with his family. His debut performance, Straight from the Strait, marks an exciting milestone in his career, dedicated to his beloved family.
UNCLE REUBEN & SIMEON
Maurice Sailor
Maurice Sailor, hails proudly from Thursday Island’s Rosehill, where the cultural tapestry of Yam Island and Darnley Island weaves through his upbringing. At the age of 16, Maurice made his stage debut at the Pryce Centre for Culture and Arts, tackling the issue of domestic violence before embarking on an enlightening tour across the United States, guided by the esteemed Aunty Rita Pryce. In 2023, Maurice’s journey continued with the JUTE Theatre Company, where he lent his talents to transformative tours such as I Gut This Feeling and Back On Track, bringing essential messages to communities far and wide. Inspired by the immersive world of cinema, Maurice infuses each performance with a deepseated passion for storytelling, ensuring that every portrayal leaves a lasting impact. Beyond his artistic pursuits, Maurice holds his cultural heritage dear, finding solace and connection through the symbolic totems that bridge his ancestral roots, from Kadal (Crocodile), Umaig (Dog) and Waumer (Frigatebird).
H&S OFFICER & JOE
Kani Puru
Kani Puru, an artist and performer, strives to evoke joy and inspire positive change through his artistry, drawing from his Maori (Aotearoa/New Zealand) heritage. Born into a rich cultural lineage, Kani’s ancestry traces back to both his parents’ roots, with his mother belonging to the Iwi of Ngati Maniapoto and the Hapu of Ngati Waiora, while his father’s side connects him to the Iwi of Waikato.
With a deep connection to his heritage, Kani incorporates elements of Maori tradition and storytelling into his performances. His experiences as a backing vocalist for Tones and I (2022–2023) and as a dance teacher/ choreographer across Australia, New Zealand, and the Pacific since 2012 have allowed him to fuse cultural narratives with dynamic expression.
Kani has showcased his talents on various platforms, including Vocal Fusion TV Show, Australia’s Got Talent, and the World Hip Hop Championships. He is also passionate about contributing to community events and projects, such as New Year’s Eve celebrations and Tones and I’s I’m Free music video, where he continues to share his culture and inspire audiences worldwide.
REPORTER
Cleopatra Pryce
Cleopatra, a proud Kuku Yalanji, Kawrareg, and Kulkalgal woman from North Queensland, is based in Sydney, NSW. As the lead choreographer of Pryce Centre for Culture and Arts’ youth ensemble Baiwa Kazil, she started performing at age 4 with Baiwa Dance Company.
Cleopatra has showcased her talent internationally and earned prestigious scholarships for her outstanding leadership. With a passion for creative expression and cultural knowledge, she shares her expertise with young people globally and collaborates with esteemed First Nations artists. Currently serving on the Management Committee of Ausdance Queensland, Cleopatra advocates for young regional artists.
GUITAR
Nathaniel Andrew
Yorta Yorta/Wurundjeri/Ngarrindjeri/ Wadi Wadi/Wiradjuri tribes/South Sea Islander.
Nathaniel is an internationally recognised musician, performer, and music educator. A seasoned professional in the music industry with 20 plus years' experience, he currently holds the position of Senior Manager of the National Aboriginal and Torres Strait Islander Music Office (NATSIMO) within APRA AMCOS.
Nathaniel has concurrently served as an instrumental sessional lecturer at the University of Tasmania Conservatorium of Music, Griffith University and the Central Queensland Conservatorium of Music. Noteworthy past roles include First Nations Engagement Lead at Flying Arts Alliance, Grant Assessor for the Regional Arts Fund and Arts Queensland and, former Head of Music at the Aboriginal Centre for the Performing Arts, where he founded the ACPA Gospel choir and directed various productions from 2014–2018.
Nathaniel has performed at events including Macy's Jazz Festival in Cincinnati, USA, Festival of Voices in Hobart, and openings for notable artists such as Chrissette Michelle, Frankie Beverly, and Al Jarreau and continually contributing to the music scene.
As a Yamaha endorsed artist, Nathaniel continues to maintain a career as a freelance bassist, guitarist and vocalist with a diverse range of Australian musical groups.
BASS, TRADITIONAL PERCUSSION
Will Kepa
Torres Strait Islander, Will Kepa is a Multi-instrumentalist, Audio Engineer and Music Producer based in Canberra, ACT. He has worked with artists such as Seaman Dan, David Hudson, Tribe of Jubal, Kamerunga, The Briscoe Sisters, Zennith Boyz, Rochelle Watson-Pitt, David Bridie, George Telek, Christine Anu and James Morrison to name but a few.
Wil has performed at major festivals and expos throughout Australia and has toured abroad to American Samoa, Hawaii, Papua New Guinea, Malaysia, New Caledonia, Germany, Holland and France. He was Co-Founder of the group – The Sounds of AustraNesia, producing 2 albums. He has produced music for countless amounts of radio jingles, TV commercials, short films including a short for the Fifa World Cup Soccer 2016, scores and sound design for documentaries such as Ailan Custom, Carry The Flag, Blue Water Empire, Elements; Water and Wind and Strait to the Plate
Will completed a Bachelor of Music –Composition for Film and Video Games at the Australian National University (ANU) in Canberra and is now manager and operator of the ‘Yil Lull’ First Nations Recording Studios at the ANU, School of Music.
KEYS
Michael Manikus
Sought after performer, Michael ‘Flash’ Manikus has been studying piano and keyboards since he was eight years old. He also acts, sings, dances, plays percussion, guitar, bass, drums and clarinet, but not usually at the same time.
Graduating from the Queensland Conservatorium of Music with a Bachelor of Music Performance in 2000, Michael majored in classical and jazz piano. At the Con, Michael was the recipient of the esteemed Margaret Nickson Accompanying Prize (1995) and was also a member of the Golden Key Academic Honour Society.
Not only a brilliant performer, Michael pivoted to musical consulting, education and mentoring, and has been a part of many creative development teams in generating countless new works nationally and internationally.
In 2003 Michael joined the international touring act The Ten Tenors on keyboards and piano, guitar and percussion. In his almost 20 years of service with the group, Michael was the Musical Director, Orchestra Arranger, Creative Team member, Vocal Arranger, Pianist Keyboardist, and a valuable touring asset for the group. The Ten Tenors has given Michael vast experiences touring over 50 countries in some of the most prestigious venues in the world but as a father of three and devoted husband, Michael now likes to call Brisbane, Australia home.
Michael has vast experience in the live music scene, working in many different genres, playing anything from classical to jazz, Latin, RnB, soul, funk, hip hop, rock, and improvised music. Michael has performed alongside well-known artists such as Hot Chocolate, Lionel Richie and Katie Melua to name a few.
KEYS
Richard Saifoloi
Richard Lloyd Saifoloi is a classically trained pianist with an A.T.C.L. Diploma from London's Trinity College, obtained in 1981. With a career spanning over 45 years, he is an accomplished musician, arranger, music producer, and multiinstrumentalist, excelling in genres such as R&B, soul, funk, smooth jazz, corporate music, and pop.
Richard's early career saw him touring and performing in New Zealand with renowned artists like Ardijah, Midge Marsden, and Mississippi Willie Foster. In 1993, he relocated to Australia to serve as the Show Musical Director on Hamilton Island, Whitsundays. Since then, he has been the musical director for various tribute shows across the country.
Although he is now 'retired', Richard remains active in the music scene, participating in projects that pique his interest. He currently plays keyboards for Louie Shelton, the legendary session guitarist and member of the illustrious Wrecking Crew.
Richard continues to contribute as a music producer, arranger, and creator with his own production company Dragon Lion Records.
DRUMKIT
Sisa Koroi
Originally from Sydney , Australia with proud cultural connections to the islands of Fiji, Sisa graduated from AIM (Australian Institute of Music) in 2012 with his Bachelor of contemporary performance.
Now based in Brisbane, Sisa's career as a Session Musician/Music Director has allowed him to work across Australia and around the world. He has worked with the likes of Samantha Jade, Ruel, Simply Red, WiLLiaM and many more contributing to his experience & knowledge in and around the music scene and music director role.
Sisa is fresh coming off tour in Sydney with TINA – The Tina Turner Musical which also included one of his biggest career highlights playing at the 2023 NRL Grand Final in front of a sold out stadium of 85,000 people. He is excited and honoured to be apart of celebrating this amazing moment in our history in Straight from the Strait and is excited to do it with family & friends.
GUITAR, TRADITIONAL PERCUSSION
Dimple Bani
Dimple Bani Jr is a direct descendant of Athe Bari, kuyku garka (Head Man) of the major tribe of Wagadagam, a sovereign nation of people. Dimple's tribal totem is Koedal (crocodile), his tribal wind is Kuki (the northwest wind), his tribal constellation is Baydham (shark), and his language is Kala Lagaw Ya, which is from the western cluster of the Torres Strait.
Dimple is a natural born multiinstrumentalist, singer/songwriter and producer, born and raised on Thursday Island in the Torres Strait. He is a talented all-rounder musician living in Cairns. He has been travelling around the country performing with various artists.
Dimple graduated in 2014 with an advanced diploma in music and performing arts at the Aboriginal Centre for the Performing Arts, and then continued his studies at the Central Queensland University majoring in music. In 2012 and 2014, he was a part of the ensemble for two stage productions at The Queensland Performing Arts Centre, including shows such as Roger Bennett's Up The Ladder, directed by Wesley Enoch, and Blak Electric, directed by Stephen Helper. He then travelled to the USA in 2020, as a mentor in the Stages to Success program mentoring and performing in New York, Los Angeles and Philadelphia. Dimple's goal through music and culture is to build the next generation.
VOCAL COACH
John Peek
Johnny has been working as a performer, producer, director, and educator for 26 years. Having worked with many of the best performers and creatives our industry offers, his professional performance and directing history has encompassed over 80 productions of theatre, musical theatre, opera, and oratorio, as well as vast commercial and concert engagements.
Johnny is one of the leading singing and musical theatre performance teachers in the country. He has just returned from three years setting up a new global MT university degree in the UAE, before which he was a founding teacher for ten years in Griffith University’s Queensland Conservatorium MT course. Johnny’s passion about young artists’ holistic development has led many clients into fruitful professional performance careers. Traditionally, Johnny has one or more clients in almost every Australian professional MT tour, such as Les Miserables, Book of Mormon, Phantom of the Opera, West Side Story, Frozen and many more, and recently his clients have held roles in everything from Wicked to Chicago to Six to Mamma Mia. Johnny and his family have now set up their home and lives in Cleveland, and he looks forward to working with all the local artists amongst his international endeavours. Working with new culturally significant works, such as Straight From The Strait, is a continuing inspiring dream.
QUEENSLAND PERFORMING ARTS CENTRE
PO Box 3567, South Bank, Queensland 4101
T: (07) 3840 7444 W: qpac.com.au
Chair
Professor Peter Coaldrake AO
Deputy Chair
Leigh Tabrett PSM
Trust Members
Leanne Coddington
Julian Myers
Georgina Richters
Susan Rix AM
Murray Saylor
Chief Executive
John Kotzas AM
ACKNOWLEDGMENT
The Queensland Performing Arts Trust is a statutory body of the State of Queensland and is partially funded by the Queensland Government
The Honourable Leeanne Enoch MP: Minister for Treaty, Minister for Aboriginal and Torres Strait Islander Partnerships, Minister for Communities and Minister for the Arts
Director-General, Department of Treaty, Aboriginal and Torres Strait Islander Partnerships, Communities and the Arts: Ms Clare O’Connor
We pay our respects to the Aboriginal and Torres Strait Islander ancestors of this land, their spirits and their legacy. The foundations laid by these ancestors – our First Nations Peoples – gives strength, inspiration and courage to current and future generations, both Indigenous and nonIndigenous, towards creating a better Queensland.
QPAC WARMLY THANKS OUR KEY DONORS WHO HELP US ENGAGE BROADLY ACROSS THE STATE AND CONTINUE ENRICHING LIVES THROUGH PERFORMING ARTS.
Tim Fairfax AC and Gina Fairfax AC, Dr Lee and Professor Peter Coaldrake AO, Leigh Tabrett PSM, Susan Rix AM, Julian Myers, Dr Sally Pitkin AO, Dare Power, Dr Cathryn Mittelheuser AM, Sandi Hoskins, Lance and Suzanne Hockridge, Leigh Wheeler, Queensland Community Foundation, de Groots Charitable Fund, Joachim and Paula Erpf, Dr Colin and Mrs Noela Kratzing, Barbara Snelling, Frank and Karen Alpert, Dr Ailbhe and Dr Frank Cunningham, Jenny Morton, Klaus Beckmann and several donors who wish to remain anonymous.
Patrons are advised that the Performing Arts Centre has EMERGENCY EVACUATION PROCEDURES, a FIRE ALARM system and EXIT passageways. In case of an alert, patrons should remain calm, look for the closest EXIT sign in GREEN, listen to and comply with directions given by the inhouse trained attendants and move in an orderly fashion to the open spaces outside the Centre.
OPERA QUEENSLAND
PATRONS
Her Excellency the Honourable Dr Jeannette Young AC PSM, Governor of Queensland and Professor Graeme Nimmo RFD
OPERA QUEENSLAND BOARD
Chair Linda Apelt
Deputy Chair Katie McNamara
Treasurer Will Fellowes
Director Judy Mather
Director Jody Currie
Director James Walker
Director Mark Fenton
Director Jane Keating
HONORARY LIFE MEMBERS
Emeritus Professor Christa Critchley
Anne Cross AM
Lady Jane Edwards AM
Sir Leo Hielscher AC
Martin Kriewaldt
David Macfarlane OAM
Marilyn Richardson
Emeritus Professor David Siddle
Dr Nancy Underhil
Opera Queensland Ltd ABN 83 010 258 750
Registered Office
Queensland Conservatorium 140 Grey Street, South Bank, Qld 4101
Postal Address
PO Box 5792, West End, QLD 4101
Telephone 07 3735 3030
Email info@oq.com.au
OPERA QUEENSLAND
CEO & Artistic Director Patrick Nolan
Executive Director Adam Tucker
Chief Financial Officer Christine McEwan
Head of Music and Chorus Director Narelle French
Director of Technical Production Alex Loh
Director of Marketing & Sales Lucy Childs
Director of Learning, Regional & Community Laura Hansford
Director of Development Donnita Maher (acting)
Executive Assistant Karen Griffin
Managing Producer Alicia Cush
Senior Producer Gabby Gregory
Project Coordinator Dylan Rettke
Graphic Designer Murray Summerville
Digital Marketing Campaign Specialist Jesse Sobey
CRM & Ticketing Coordinator Alexandra Donald
Partnerships Manager Warrick McDonald
Development Officer – Administration & Events Zoé Noble Fox
Producer – Learning, Regional and Community Simone Doczkal
Associate Producer – Learning, Regional and Community
Justine Hansberry
Head of Wardrobe Karen Cochet
Principal Cutter Bianca Bulley
Production Administrator Annette Kerwitz
Production Coordinator Rhi Booth
Finance Business Partner Sangeeta Khosla
Assistant Accountant Verkha Perkash
OPERA CLUB
2024 OPERA CLUB MEMBERS
Mr Damian Bartholomew, Mr David & Mrs Davi Bennion, Ms Georgina Blomfield, Mr Nick Breakspere, Dr Janne Coman, Dr Uzo Dibia, Mr Greg & Mrs Janice Ellis, Ms Kathleen Gallagher, Mrs Peta Ganner, Dr Ulrich Hartig, Dr Michael Hurley, Dr Robert Kearney, Prof Christina Lee, Ms June Lloyd, Mr Gregory Molloy, Mrs Brenda Ramsay, Mr Allen & Mrs Mitzi Smith, Mr Antony Tabrett, Mr Harry Thompson
PRODUCTION CREDITS
PRODUCTION CREDITS
Senior Producer Gabby Gregory
First Nations Producer (QPAC) Hannah Scanlon
Stage Manager Mak Purdy
Deputy Stage Manager Carli Griffin
Assistant Stage Manager Lachlan Paterson
Assistant Stage Manager Skye Heales
Props Josiene James, Skye Heales, Hasen Degebrodt
Head of Wardrobe Karen Cochet
Wardrobe Assistant Em Hain
Traditional Weaver Eric Babial
Principal Pattern Maker & Cutter Bianca Bulley
Pattern Maker & Cutter Amelia Klingseisen, Kate Stevenson, Jacinta Vella Campbell
Art Finisher Hannah Moroney
Costume Maker Josephine Clark-Liebke, Marie Dupuy, Danni Grantford, Mitchel King, Amelia Klingseisen , Charlotte Parker, Kate Stevenson, Joash Teo, Jacinta Vella Campbell
Wig Preparation Lydia Strover
Project Coordinator Dylan Rettke
Wardrobe Volunteer Elodie Cooper
TECHNICAL CREDITS
Technical Director Alex Loh
Production Manager (QPAC) Kylie Mitchell
Production Coordinator Rhi Booth
Production Administrator Annette Kerwitz
Head of Staging Dan Villiers
Deputy Head of Staging Hasen Degebrodt
Head of Lighting Wesley Bluff
Deputy Head of Lighting Luke Allan
Lighting Desk Operator Tim Gawne
Titles Technician Stephen Brodie, Jacob Taylor, Tammy Weller
Sound Engineer & Operator Geoff McGahan
English Titles Luke Captain & Nadine McDonald-Dowd
Makeup Artist Rachael Appleyard
Wig & Hair Stylist Lydia Strover
Dresser Em Hain, Emma Richards
Lighting Supplier Krank’d Audio Visual Productions
Audio Supplier NW Group Norwest Productions
Set Construction A Noble Event
Transport Roadpro Event Services
Special Thanks Buck Outdoor, Queensland Conservatorium Griffith University
Image credits
Archival railway photos supplied with permission by Yumpla Nerkep Foundation. P1, 5, 13, 24, 26, 29, 35, 36 Murray Summerville P 6, 26 (bottom right) Jade Ferguson, Visual Poets Society.
ARTISTIC DIRECTOR’S CIRCLE
SUPPORTING OUR AMBITION TO TAKE GREAT PERFORMANCES TO AUDIENCES AROUND AUSTRALIA.
Members of the Circle understand the value of producing powerful contemporary work in both intimate and large spaces. Philanthropic investment from our donors to join the Circle will support innovative projects and initiatives whilst giving members unparalleled access to the artform and Artistic Director’s vision.
We continue to invite our donor community to join us on this important journey and thank our existing members for their continued support.
HOW TO JOIN
To join the Artistic Director’s Circle, donors make an additional contribution above their existing annual gift, pledging their commitment for the next three years. In doing so, members help secure the financial future of the Company and opera in Queensland.
CURRENT MEMBERS
We would like to take this opportunity to thank our current members for their commitment, loyalty, and generosity in supporting this campaign. Opera Queensland welcomes you to the Artistic Director’s Circle and are delighted to have you join us over the coming years, which we plan to be some of the most exciting in the Company’s history.
For more information scan or visit: oq.com.au/artistic-directors-circle/
OUR DONORS, OUR FUTURE
LEGACY DONORS
The Estate of Lois Schultz & June Wheeler, the Estate of Marie Jameson
ARTISTIC DIRECTOR’S CIRCLE
Mr Philip Bacon AO, Prof Ian Frazer AC & Mrs Caroline Frazer, Dr Colin Furnival† & Dr Isobel Furnival†, Prof Frank Gannon & Mrs Mary Gannon, Mr David Gow & Dr Kirsten Gow, Mr Hien Le, Emeritus Prof Andrew Lister & Ms Kate Lister, Emeritus Prof David Siddle & Emeritus Prof Christa Critchley, Dr Susan Urquhart† & Dr Philip Aitken†
FOUNDATION DONORS $15,000 AND ABOVE
Dr Philip Aitken† & Dr Susan Urquhart†, Mr Philip Bacon AO, Mr Tim Fairfax AC & Mrs Gina Fairfax AC, Tim Fairfax Family Foundation, Frazer Family Foundation, Hall-Brown Family Foundation, Mather Foundation, Emeritus Prof David Siddle & Emeritus Prof Christa Critchley, Wagner Corporation
PLATINUM DONORS $10,000 – $14,999
Emeritus Prof Peter Coaldrake AO, Dr Damien Foong & Mrs Xiaohong Foong, Mr Douglas Murphy KC & Mrs Geri Murphy
GOLD DONORS $5,000 – $9,999
The Hon Justice Thomas Bradley & Dr Matthew Yoong, Miss Adele Dickman, Dr John Gough & Ms Ann Page, Mr Lee Nevison§ & Mrs Mary Louise North, Mr Louis Peterson & Mrs Diana Peterson, Dr Ken Piaggio, Dr Jonathan Ramsay, Dr Mark Walker
SILVER DONORS $1,000 – $4,999
Ms Linda Apelt, Dr Richard Baer, Mr Damian Bartholomew, Mr John Bashford, Dame Quentin Bryce CVO AD, Emeritus Prof Catherin Bull AM & Emeritus Prof Dennis Gibson AO, Ms Anne Cross AM, Mr Robert Cumming§, Mr Gordon Cumming-Harris, Mr Will Fellowes & Dr Michael McLaughlin, Mr Russell Fortescue, Dr Ruth Gough & Prof Ian Gough AM, F & C Hill, Dr Pamela Greet, Ms Valmay Hill & Mr Russell Mitchell, Dr Annette Kortlucke† & Dr Peter Kortlucke†, Mrs Andrea Kriewaldt & Mr Martin Kriewaldt, Prof Andrew Lister & Ms Kate Lister, Mrs Gay Lohse, Ms Katie McNamara, Mr Patrick Nolan & MS Mathilde de Hauteclocque, Ms Lyn Parsons, Dr John Quinn† & Mrs Deborah Quinn, Mr William Rivers, Geoff Ross Endowment – Australian Philanthropic Service Foundation, Mr Philip & Mrs Jackie Rouse, Mr Robert Sanderson, Mr Allen Smith & Mrs Mitzi Smith, Mr Adam Tucker, Dr Phillip & Ms Marisa Vecchio AM, Anonymous 4
BRONZE DONORS $500 – $999
Mr Roger Bagley, Mr Geoffrey Beames, Mrs Loretta Bertoldo Hyne, Mrs Judith Cush, Mr Terence Daubney, Emeritus Prof Robert Gilbert, Ms Jane Keating, Mr Ross Lamont & Ms Sophie Lamont, Mr Dan Law, Ms June Lloyd, Dr Ranjeny Loneragan, The Hon Justice Margaret McMurdo AC§, Ms Marion Pender, Mr Douglas Ritchie & Mrs Janine Ritchie, Ms Sheila Ryan, Mr Henry Smerdon AM, Mr Robert Wilson & Mrs Patricia Wilson, Anonymous 2
PIANO KEY CAMPAIGN DONORS
Dr Philip Aitken, Ms Linda Apelt, Emeritus Prof Peter Coaldrake AO, Ms Anne Cross AM , Mr Robert Cumming, Ms Patricia Dempsey, Mr David Gow & Dr Kirsten Gow, Dr Damien Foong, Prof Ian Frazer AC & Mrs Caroline Frazer, Dr Colin Furnival & Dr Isobel Furnival, Prof Frank Gannon & Mrs Mary Gannon, Mr Hien Le, Ms Judy Mather, Ms Katie McNamara, Mr Douglas Murphy QC & Mrs Gerry Murphy, Mr Patrick Nolan, Mr Iain Saul, Emeritus Prof David Siddle & Emeritus Prof Christa Critchley, Dr Susan Urquhart, Ms Janine Walker AM, Dr Mark Walker, Ms Natasha Woodward, Brisbane Racing Club, Cisco Systems Australia, Data#3, Diamond Experiences, Hanworth House, Wagner Corporation
†The Medical Chapter
§ The Legal Chapter
ANDREAS SCHOLL IN CONCERT
“Andreas Scholl has the world’s most cultured counter-tenor voice” - The Times “one of the great voices of our times.” - Limelight
Big Name, No Blankets
BY
This project is supported through the Giving Program by Tim Fairfax AC & Gina Fairfax AC.
There’s more to this fare beyond its flair, with Executive Chef, Matthew Arnold, leading our kitchens’ sustainable practices to benefit our wider communities and the planet, while delighting delegates.
OUR CITY, YOUR CANVAS.
LET’S TALK.
MADE BY KAWAI, PLAYED BY
Support Opera Queensland's Piano Key Campaign by donating $1,800 for one of the 88 keys of the Shigeru Kawai SK-EX Concert Grand Piano, a renowned instrument as virtuosic as the singers it accompanies. Your contribution symbolises your role in presenting opera of unparalleled quality in Opera Queensland’s Studio.
As a token of our gratitude, donors will be gifted with a bespoke illustration inscribed with a name of your choosing.
For more information scan or visit: oq.com.au/piano-key-campaign
PARTNERING TO INSPIRE
Opera Queensland is proud to partner with leading organisations who are committed to enriching lives through this wonderful artform. Each of our partnerships is unique and meaningful. We deliver a tailored suite of exclusive benefits with the intention to exceed expectations.
If you would like to join us, please phone 07 3735 3030 or email development@oq.com.au
GOVERNMENT PARTNERS
PHILANTHROPY PARTNERS
MAJOR PARTNERS
PRINCIPALPARTNER
SUPPORTING PARTNERS
PERFORMANCE PARTNERS
ORCHESTRA PARTNER
MEDIA PARTNERS
