Opera Gala 歌劇薈萃 (2023) | House Programme 場刊

OPERA HONG KONG 2OTH ANNIVERSARY

香港歌劇院成立20週年

OPERA GALA 歌劇薈萃 由優秀的內地和本地歌唱家傾力演出 特 別 呈 獻 選 自二 十 三 部 經 典 著 名 歌 劇 的 詠 嘆 調 及 合 唱 曲 目

Featuring famous arias and ensembles from 23 classic operas by established Mainland and Hong Kong artists

25 - 26.8.2023 FRI & SAT 7:30PM

Supported by 資助

香港歌劇院為藝發局「優秀藝團計劃」資助團體 Opera Hong Kong is financially supported by the HKADC’s “Eminent Arts Group Scheme”

Concert Hall, Hong Kong City Hall

香港大會堂音樂廳

Promoting the development and exchange of the art of opera Nurturing outstanding young musical talents

推廣歌劇藝術發展交流 培育年輕優秀音樂人才

MESSAGE FROM THE CHAIRMAN 主席獻辭

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MESSAGE FROM THE ARTISTIC DIRECTOR 藝術總監的話

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OPERA HONG KONG 香港歌劇院

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PROGRAMME 節目表

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PROGRAMME NOTE 曲目介紹

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PERFORMERS 表演者

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OPERA HONG KONG ORCHESTRA 香港歌劇院樂團

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OPERA HONG KONG CHORUS 香港歌劇院合唱團

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OPERA HONG KONG CHILDREN CHORUS 香港歌劇院兒童合唱團

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PRODUCTION AND MANAGEMENT TEAM 製作及行政人員

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HIGHLIGHTS OF THE 20 YEARS 20 週年回顧

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EDUCATION AND OUTREACH 教育及外展

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YOUNG ARTIST PROGRAMME 青年演唱家計劃

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SUPPORT OPERA HONG KONG 支持香港歌劇院

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BOARD OF DIRECTORS AND MEMBERS 董事局成員及會員

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MESSAGE FROM THE CHAIRMAN 主席獻辭

我謹代表香港歌劇院，歡迎各位蒞臨欣賞 《歌劇薈萃》。 香 港 歌 劇 院 致 力 籌 辦 高 質 素 歌 劇 製 作， 二十年來積極培植本地的歌劇文化。 除了 製作歌劇之外，香港歌劇院亦投放大量資 源培育不同社群對歌劇藝術與優秀合唱音 樂的興趣。2004 年及 2008 年成立香港歌 劇院合唱團及香港歌劇院兒童合唱團，成 功為本地合唱界注入新的動力。而香港歌 劇院樂團的成立，亦標誌著本地歌劇發展 一個里程碑。為答謝歌劇愛好者和贊助者 的信任及支持，我們將繼續籌辦歌劇節目 和活動，把歌劇藝術進一步推廣至普羅大 眾。 我們的藝術總監兼世界著名男高音莫華倫 將 聯 同 世 界 著 名 女 高 音 王 冰 冰、 阮 妙 芬 及 國 內 著 名 男 中 音 孫 礫， 與 十 位 香 港 優 秀 的 歌 劇 演 唱 家 ( 包 括 女 高 音 : 馮 曉 楓、 鄺 勵 齡、 葉 葆 菁 及 張 瀞 丹 ; 女 中 音 : 連 皓 忻 ; 男高音 : 陳晨、黃加恩及譚天樂 ; 男中 音 : 林俊和男低中音 : 黃日珩 ) 以及十六位 「賽馬會香港歌劇院青年演唱家發展及教 育計劃」的年輕歌唱家共同演唱一系列著 名的詠歎調和合唱。香港歌劇院合唱團及 香 港 歌 劇 院 兒 童 合 唱 團 亦 一 同 參 與 演 出。 我們有幸邀請到世界著名指揮家奧利維亞 里．蒙羅帶領香港歌劇院樂團為音樂會伴 奏。 香港歌劇院謹在此衷心感謝各贊助商的慷 慨 支 持 令 是 次《 歌 劇 薈 萃 》 能 順 利 舉 行。 尤其感謝《歌劇薈萃》金嗓贊助美思堂文 教基金、酒店贊助許晉義伉儷以及馬健基 醫生及馬蔡三妮女士的支持。 此外，我們衷心感謝香港歌劇院發展贊助 許晉義伉儷、兩年白金贊助其士集團、年 度及學生票白金贊助德健金融集團、年度 及學生票金嗓贊助呂趙錦屏女士、億京慈 善基金、上海商業銀行及關善明博士，鋼 琴贊助通利琴行，以及 Loke Foundation 的 捐助。同時，亦衷心向文化體育及旅遊局、 康樂及文化事務署和香港藝術發展局的長 期支持深表謝意。 請細心欣賞今晚《歌劇薈萃》的精彩演出。 香港歌劇院 主席 郭永聰

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On behalf of Opera Hong Kong, I would like to welcome you to this Opera Gala in celebration of the 20th anniversary of Opera Hong Kong.

With the aim of promoting opera and broadening its popular appeal, Opera Hong Kong has worked tirelessly over the years to bring quality opera productions to Hong Kong.

Opera Hong Kong is committed to promoting both opera and high-quality choral music for all walks of life, especially the younger generation. Opera Hong Kong Chorus and Opera Hong Kong Children Chorus were established in 2004 and 2008 respectively, and are becoming recognised contributors to the local choral scene. The establishment of Opera Hong Kong Orchestra has also marked a major milestone in the development of operatic art in Hong Kong. With the support of sponsors and opera lovers, we will continue to bring opera programmes and activities with a view to widen our audience base.

Tonight, our Artistic Director Warren Mok, a world-renowned tenor; Bing Bing Wang and Nancy Yuen, world-renowned sopranos; Sun Li, a renowned baritone from the Mainland; 10 outstanding opera singers from Hong Kong (sopranos: Etta Fung, Louise Kwong, Yuki Ip and Dani Zhang; mezzosoprano: Carol Lin; tenors: Chen Chen, Samuel Huang and Alex Tam; baritone: Albert Lim; and bass-baritone: Apollo Wong); and 16 young artists who graduated from the Jockey Club Opera Hong Kong Young Artist Development and Education Programme will sing an array of well-known arias and ensembles. We also proudly present the singing performances by Opera Hong Kong Chorus and Opera Hong Kong Children Chorus at this Opera Gala. Last but not least, we are honoured to have world-famous conductor Charles Olivieri-Munroe to conduct the Opera Hong Kong Orchestra.

Opera Hong Kong would like to sincerely thank all the sponsors who made this Opera Gala possible. In particular, we would like to thank Muses Foundation for Culture & Education, Gold Patron of Opera Gala, Mr. & Mrs. Richard Hui, Hotel Sponsor of Opera Gala and Dr. and Mrs. Michael Ma’s support.

We would also like to thank Mr. & Mrs. Richard Hui, Opera Development Patron; Chevalier Group, Two-year Platinum Sponsor; Dakin Financial Group, One-year Platinum Sponsor & Student Ticket Fund; Mrs. Lui Chiu Kam Ping, Billion Charity Fund Ltd., Shanghai Commercial Bank and Dr. Simon Kwan, One-year Gold Sponsor & Student Ticket Fund, Tom Lee Music, the Piano Sponsor and Loke Foundation’s donation support. We would also like to express our sincere gratitude to the Culture, Sports and Tourism Bureau, the Leisure and Cultural Services Department and the Hong Kong Arts Development Council for their continuous support over the years.

Please sit back, relax and enjoy the show tonight!

Ronald Kwok Chairman Opera Hong Kong

MESSAGE FROM THE ARTISTIC DIRECTOR 藝術總監的話

承接慶祝香港歌劇院成立 20 週年，歡迎各 位蒞臨欣賞香港歌劇院聯同香港歌劇院樂 團、 香 港 歌 劇 院 合 唱 團 以 及 香 港 歌 劇 院 兒 童合唱團誠意獻上《歌劇薈萃》的演出。 香港歌劇院於過去 20 年來，一直致力與不 同的本地及國際級專業製作和演出團隊協 力 製 作 多 元 化 並 高 質 素 的 歌 劇 作 品， 獻 演 共 五 十 部 製 作， 當 中 包 括 三 十 六 部 享 負 盛 名 的 經 典 歌 劇 劇 目， 如：《 茶 花 女 》、《 杜 蘭 朵 》、 《 卡 門 》、《 費 加 羅 的 婚 禮 》、《 羅 密 歐 與 茱 麗 葉 》、《 阿 伊 達 》、《 維 特 》、 《 卡 洛 王 子 》、《 魔 笛 》、《 曼 儂 》、《 波 希 米 亞 生 涯 》、《 詩 人 李 白 》、《 中 山． 逸 仙 》、 《 趙 氏 孤 兒 》、《 荷 夫 曼 的 故 事 》、《 漂 泊 的 荷 蘭 人 》、《 浮 士 德 》、《 莎 樂 美 》、《 微 笑 之 國 》、《 托 斯 卡 》、《 奧 賽 羅 》、《 塞 維 爾 理 髮 師 》、《 唐． 喬 望 尼 》、《 弄 臣 》 及《 遊 唱 詩人》；十四部半舞台式歌劇，包括：《女人 皆 如 此 》、《 蝴 蝶 夫 人 》、《 修 女 安 潔 莉 卡 及 賈 尼． 斯 基 基 》、《 魔 笛 》、《 鄉 村 騎 士 及 丑 角 》、《 費 加 羅 的 婚 禮 》、《 卡 普 里 特 與 蒙 塔 古家族》、《唐．帕斯夸雷》及《奇蹟醫生》 等，當中《中山．逸仙 》更是香港歌劇院 的 原 創 歌 劇； 十 八 次 音 樂 會 及 十 次 香 港 歌 劇 院 籌 款 音 樂 會； 同 時， 香 港 歌 劇 院 亦 為 積 極 培 養 本 地 優 秀 年 輕 新 一 代， 舉 辦 各 項 教育及外展活動，為推動香港歌劇藝術發展 不遺餘力，當中包括舉辦了 245 個學校小型 歌劇音樂會，以及 140 個香港歌劇院兒童合 唱團演出和外展活動及教育活動等。 香港歌劇院亦拓展更多不同類型的人才培 訓 及 發 展 計 劃 的 機 會， 啟 迪 年 輕 人 才 和 建 立 高 效 可 持 續 的 聲 樂 及 團 隊， 以 實 踐 香 港 歌 劇 院 其 使 命 及 願 景， 香 港 歌 劇 院 得 以 持 續發展成長並繼續邁向下一個 20 年及更多 個 20 年。

Following the celebration of the 20th anniversary of Opera Hong Kong, welcome to Opera Gala – a Gala sincerely presented by Opera Hong Kong, Opera Hong Kong Orchestra, Opera Hong Kong Chorus and Opera Hong Kong Children Chorus.

Over the past 20 years, Opera Hong Kong has been presenting a wide range of high-quality opera productions in collaboration with a diverse range of local and international professional production and casting teams. We have staged 50 successful productions including 36 prestigious full-scale classical opera productions such as La Traviata, Turandot, Carmen, The Marriage of Figaro, Roméo et Juliette, Aïda, Don Carlo, The Magic Flute, Manon, La bohème, Poet Li Bai, Dr Sun Yat-sen, The Chinese Orphan, The Tales of Hoffmann, The Flying Dutchman, Faust, Salome, The Land of Smiles, Tosca, Werther, Otello, The Barber of Seville, Don Giovanni, Rigoletto and Il Trovatore, 14 semi-staged opera productions including Così fan tutte, Madama Butterfly, Suor Angelica & Gianni Schicchi, The Magic Flute, The Magic Flute in Fuzhou, Cavalleria Rusticana and Pagliacci, The Marriage of Figaro, I Capuleti e i Montecchi, Don Pasquale and Le docteur Miracle, etc. Dr Sun Yat-sen is even the original work of Opera Hong Kong. And 18 concerts and 10 fundraising concerts.

Opera Hong Kong also organizes various educational and outreach activities to actively nurture the new generation of outstanding youth in Hong Kong, sparing no effort to promote the development of opera arts in Hong Kong. There were 245 school tours, over 140 Opera Hong Kong Children Chorus performances and other outreach programmes.

We will continue to explore opportunities to discover and produce various opera works and original opera works of diversified genres and forms; and to expand the opportunities for different types of talent training and development programmes for inspiring young talents and build an efficient, effective and sustainable vocal and artistic team to fulfill Opera Hong Kong's mission and vision, in order to enable Opera Hong Kong to grow continuously and move towards the next 20 years and beyond.

今晚的《歌劇薈萃》演出由眾多項經典歌劇 劇目中摘匯並呈獻上超過二十套歌劇曲目。 我們有幸邀請到世界著名指揮家奧利維亞里． 蒙羅，他將會與多位知名歌唱家、本地歌唱 家及多位「賽馬會香港歌劇院青年演唱家發 展及教育計劃」中培養出來的年輕歌唱家共 同演出。

We have included and will present to you more than 20 opera excerpts from those main prestigious full-scale classical opera productions. It is our great pleasure to have world-renowned conductor Charles Olivieri-Munroe, who features a group of well-renowned opera singers and Opera Hong Kong’s young artists who mostly were nurtured under the Jockey Club Opera Hong Kong Young Artist Development and Education Programme launched by Opera Hong Kong, performing at this gala.

請大家細心欣賞今晚的精彩演出。

Please enjoy the wonderful performance tonight.

香港歌劇院 藝術總監 莫華倫 , BBS, MH

Warren Mok, BBS, MH Artistic Director Opera Hong Kong

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Founded in 2003 Opera Hong Kong (OHK) is Hong Kong’s first professional opera company. Over the years, the company has gone from strength to strength under the artistic direction of Warren Mok, the internationally acclaimed Hong Kong tenor. OHK has elevated opera in Asia’s world city, with many world-class productions covering all major works in the operatic canon and has collaborated with opera houses and festivals including Teatro dell’Opera di Roma, Taormina Opera Festival, Theater Erfurt, Opéra de Nice, National Centre for the Performing Arts and Shanghai Opera House.

In 2019, OHK was selected by the Hong Kong Arts Development Council as one of the three recipients of the coveted “Eminent Arts Group Scheme”. The Scheme’s consecutive 5-year funding has become a boost to further the company’s development.

OHK is committed to promoting the city’s brightest, young opera singers. In 2015, OHK launched the Jockey Club Opera Hong Kong Young Artist Development and Education Programme (the Programme), a three-year opera training programme designed to nurture ten young local artists.

The success of the Programme led to its renewal by The Hong Kong Jockey Club Charities Trust for another three years from 2019 to 2022, providing intensive training to 12 local artists. The Programme has been completed successfully in March 2022.

OHK also places a strong emphasis on its education and community activities. Opera school tours, summer schools and master classes are held regularly to reach young audiences. The music centre in Wanchai provides a wide range of courses for early age children to adult in addition to Children Chorus classes. The OHK Chorus and the OHK Children Chorus were established in 2004 and 2008 respectively and are becoming recognised contributors on the local choral scene.

The recent development of the Greater Bay Area has created an environment for OHK to initiate more collaborations and bring the art of opera to a wider audience.

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OPERA HONG KONG 香港歌劇院

香港歌劇院成立於 2003 年，是本地首個專業歌劇藝團。在世界知名的香港男高音莫華倫帶領 下，歌劇藝術在這個亞洲大都會得以發揚光大。歌劇院多年來致力製作世界級的歌劇節目， 劇目已涵蓋所有主要歌劇作品，曾合作過的歌劇院及音樂節包括羅馬歌劇院、意大利陶爾米 納歌劇藝術節、德國艾褔特劇院、法國尼斯歌劇院、中國國家大劇院及上海歌劇院。 2019 年，香港歌劇院榮獲香港藝術發展局甄選為「優秀藝團計劃」中三個受資助藝團之一， 以表揚歌劇院多年在藝術推廣上的努力。這項持續五年的資助讓香港歌劇院有更大的發展。 香港歌劇院積極培養本地優秀年青的歌唱家。劇院於 2015 年推出為期三年的「賽馬會香港歌 劇院青年演唱家發展及教育計劃」非常成功，得到各界認同。香港賽馬會慈善信託基金遂繼 續全力贊助，推出新一輪由 2019 年至 2022 年的三年培訓計劃，向十二位本地青年演唱家提 供密集訓練。計劃經已在 2022 年 3 月完滿結束。 香港歌劇院亦定期為年青一代舉辦各項教育及外展活動，包括學校歌劇巡演、夏令營及大師 班。灣仔音樂中心除籌辦兒童合唱團的恆常班外，更提供由幼兒至成人不同類型的課程，範 圍廣闊。香港歌劇院於 2004 年及 2008 年成立香港歌劇院合唱團及香港歌劇院兒童合唱團， 為本地合唱界注入新的動力。 近年大灣區發展亦營造了發展藝術的環境，香港歌劇院將把握機遇與內地合作，向區內推廣 歌劇藝術。

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CELEBRATING OPERA HONG KONGʼS 20TH ANNIVERSARY 慶 祝 香 港 歌 劇 院 成 立 20 週 年

Following the 20th anniversary of Opera Hong Kong, we will continue to explore opportunities to discover and produce various opera works of diversified genres and forms; and to expand the opportunities for different types of talent training and development programmes for inspiring young talents and build an efficient, effective and sustainable vocal and artistic team to fulfill Opera Hong Kong's mission and vision with promoting the development of opera arts, in order to enable Opera Hong Kong to grow continuously and move towards the next 20 years and beyond. 承接香港歌劇院成立20週年，我們將繼續探索開拓與製作更多不同類型、形式的歌劇作品的 機遇；以及拓展更多不同類型的人才培訓及發展計劃的機會，啟迪年輕人才和建立高效可持 續的聲樂及藝術團隊，香港歌劇院以推動香港歌劇藝術發展為使命及願景，令香港歌劇院得 以持續發展成長並繼續邁向下一個20年及更多個20年。

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PRODUCTION 歌劇演出 To promote the exchange of opera, Opera Hong Kong has been presenting a wide range of high-quality opera productions in Hong Kong and cities in the Mainland, in collaboration with a diverse range of local, Mainland and international professionals, production team, conductors and creative team. 香港歌劇院致力與本地、內地及國際級專業製作以及指揮 家及演出團隊共同製作多元化高質素的歌劇作品於香港及 國內城市演出，推動與各地的歌劇交流。

EDUCATION & OUTREACH 教育及外展 To actively nurture the new generation of outstanding youth in Hong Kong, Opera Hong Kong is sparing no effort to promote the development of opera arts in Hong Kong. 香港歌劇院推動香港歌劇藝術發展不遺餘力，積極培養本 地優秀年輕新一代。

JOCKEY CLUB OPERA HONG KONG YOUNG ARTIST DEVELOPMENT AND EDUCATION PROGRAMME 賽馬會香港歌劇院青年演唱家發展及教育計劃 Opera Hong Kong has successfully input new energy into the local singing scene by nurturing young artists through the Programme. 計劃成功為本地演唱界注入新的動力並培養年輕藝術家。

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PROGRAMME 節目表 Conductor 指揮：Charles Olivieri-Munroe 奧利維亞里．蒙羅 Opera Hong Kong Orchestra 香港歌劇院樂團

25 August 2023 1.

Overture from The Magic Flute by W.A. Mozart 莫扎特：序曲選自《魔笛》

2. Dies Bildnis ist bezaubernd schön from The Magic Flute by W.A. Mozart 莫扎特：《這畫像如此迷人》選自《魔笛》 Chen Chen 陳晨 Samuel Huang 黃加恩 Henry Ngan 顏嘉樂 Alex Tam 譚天樂

Wesley Lam 林俊傑

3. Der Hölle Rache from The Magic Flute by W.A. Mozart 莫扎特：《我的心沸騰著地獄般的復仇》選自《魔笛》 Etta Fung 馮曉楓

Valentina Tao 陶依靜

4. Der Vogelfänger bin ich ja from The Magic Flute by W.A. Mozart 莫扎特：《我是個快樂的捕鳥人》選自《魔笛》 Albert Lim 林俊 5. Voi che sapete from The Marriage of Figaro by W.A. Mozart 莫扎特：《你們可知道》選自《費加羅的婚禮》 Ashley Chui 徐曉晴

Christy Li 李詩蓓

6. Porgi amor from The Marriage of Figaro by W.A. Mozart 莫扎特：《求神給我安慰》選自《費加羅的婚禮》 Yuki Ip 葉葆菁

Li Yang 李洋

7. Final scene from The Marriage of Figaro by W.A. Mozart 莫扎特：尾幕選自《費加羅的婚禮》 Figaro 費加羅 : Albert Lim 林俊 Susanna 蘇姍娜 : Yanna Chen 陳妙燕 Count Almaviva 艾馬非凡伯爵 : Alexander Chen 陳俊堯 The Countess 伯爵夫人 : Candice Chung 鍾嘉欣 Cherubino 凱魯比諾 : Christy Li 李詩蓓 Dr. Bartolo 巴托羅醫生 : Lam Kwok Ho 林國浩 Marcellina 瑪賽蓮娜 : Ashley Chui 徐曉晴 Don Basilio 巴西里奧老師 : Wesley Lam 林俊傑 Don Curzio 古齊奧審判官 : Henry Ngan 顏嘉樂 Antonio 安東尼奧 : Alex Kwok 郭俊立 Barbarina 巴巴蓮娜 : Rachel Kwok 郭岍

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8. Quel guardo il cavaliere from Don Pasquale by G. Donizetti 唐尼釆蒂：《姑娘的秋波》選自《唐．帕斯夸雷》 Rachel Kwok 郭岍

Dani Zhang 張

丹

9. Mi volete fiera from Don Pasquale by G. Donizetti 唐尼釆蒂：《你要我傲慢嗎？》選自《唐．帕斯夸雷》 Dani Zhang 張

丹

Alexander Chen 陳俊堯

10. O Don Fatale from Don Carlo by G. Verdi 威爾第：《噢！致命的禮物》選自《卡洛王子》 Carol Lin 連皓忻

Bobbie Zhang 張倩

11. La donna è mobile from Rigoletto by G. Verdi 威爾第：《女人善變》選自《弄臣》 Chen Chen 陳晨 Samuel Huang 黃加恩 Henry Ngan 顏嘉樂 Alex Tam 譚天樂

Wesley Lam 林俊傑

12. Bella figlia dell'amore from Rigoletto by G. Verdi 威爾第：《愛神的美麗女兒》選自《弄臣》 Rigoletto 弄臣 : Sun Li 孫礫 Gilda 吉爾達 : Etta Fung 馮曉楓 Duke of Mantua 曼圖亞公爵 : Chen Yong 陳永 Maddalena 瑪德蓮娜 : Dominique Chan 陳皓琬 13. Tacea la notte placida from Il Trovatore by G. Verdi 威爾第：《一個寧靜的夜晚》 選自 《遊唱詩人》 Bing Bing Wang 王冰冰 14. Anvil chorus from Il Trovatore by G. Verdi 威爾第：《鐵砧之歌》 選自 《遊唱詩人》 Opera Hong Kong Chorus 香港歌劇院合唱團

Intermission of 15 minutes 15 分鐘中埸休息

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25 August 2023 15. Overture from La Traviata by G. Verdi 威爾第：序曲選自《茶花女》 16. É strano...Ah, fors'é lui...Sempre libera from La Traviata by G. Verdi 威爾第：《及時行樂》選自《茶花女》 Candice Chung 鍾嘉欣

Colette Lam 林穎穎

17. Di Provenza il mar, il suol from La Traviata by G. Verdi 威爾第：《普羅旺斯的大地與海洋》選自《茶花女》 Sun Li 孫礫 18. Triumphal March from Aïda by G. Verdi 威爾第：《凱旋進行曲》選自《阿伊達》 Opera Hong Kong Chorus 香港歌劇院合唱團 19. Evening Prayer from Hansel and Gretel by E. Humperdinck 洪佩爾丁克：《晚禱》選自《糖果屋》 Opera Hong Kong Children Chorus 香港歌劇院兒童合唱團 20. Si, mi chiamano Mimì from La bohème by G. Puccini 浦契尼：《我的名字叫咪咪》選自《波希米亞生涯》 Louise Kwong 鄺勵齡 21. O soave fanciulla from La bohème by G. Puccini 浦契尼：《哦，可愛的姑娘》選自《波希米亞生涯》 Li Yang 李洋

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Wesley Lam 林俊傑

22. Vissi d’arte from Tosca by G. Puccini 浦契尼：《為了藝術為了愛》選自《托斯卡》 Nancy Yuen 阮妙芬 23. E lucevan le stelle from Tosca by G. Puccini 浦契尼：《星光燦爛》選自《托斯卡》 Warren Mok 莫華倫 24. Nessun dorma from Turandot by G. Puccini 浦契尼：《今夜無人入睡》選自《杜蘭朵》 Warren Mok 莫華倫 Chen Chen 陳晨 Chen Yong 陳永 Samuel Huang 黃加恩 Wesley Lam 林俊傑 Henry Ngan 顏嘉樂 Alex Tam 譚天樂 Opera Hong Kong Chorus 香港歌劇院合唱團

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26 August 2023 1.

Intermezzo from The Tales of Hoffmann by J. Offenbach 奧芬巴赫：間奏曲選自《荷夫曼的故事》

2. Barcarolle from The Tales of Hoffmann by J. Offenbach 奧芬巴赫：《船歌》選自《荷夫曼的故事》 Yuki Ip 葉葆菁

Carol Lin 連皓忻

3. Va pour Kleinzach! from The Tales of Hoffmann by J. Offenbach 奧芬巴赫：《克列扎可》選自《荷夫曼的故事》 Chen Yong 陳永 Henry Ngan 顏嘉樂 Alex Tam 譚天樂 Opera Hong Kong Chorus 香港歌劇院合唱團 4. Doll Song from The Tales of Hoffmann by J. Offenbach 奧芬巴赫：《木偶之歌》選自《荷夫曼的故事》 Etta Fung 馮曉楓

Valentina Tao 陶依靜

5. Mon coeur s'ouvre a ta voix from Samson and Delilah by C. Saint-Saëns 聖桑：《我心花怒放》選自《森遜與黛麗拉》 Carol Lin 連皓忻

Bobbie Zhang 張倩

6. Je veux vivre from Roméo et Juliette by C. Gounod 古諾：《我願活在夢中》 選自《羅密歐與茱麗葉》 Yuki Ip 葉葆菁

Colette Lam 林穎穎

7. Pourquoi me réveiller from Werther by J. Massenet 馬斯奈：《為我喚醒我》 選自《維特》 Chen Yong 陳永

Samuel Huang 黃加恩

8. Je marche sur tous les chemins from Manon by J. Massenet 馬斯奈：《我走在所有路上》 選自《曼儂》 Candice Chung 鍾嘉欣

Dani Zhang 張

丹

9. Soldiers Chorus from Faust by C. Gounod 古諾：《軍士合唱》選自《浮士德》 Opera Hong Kong Chorus 香港歌劇院合唱團

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10. Vous qui faites l’endormie from Faust by C. Gounod 古諾：《你假裝睡著了》選自《浮士德》 Apollo Wong 黃日珩 11. Jewel Song from Faust by C. Gounod 古諾：《珠寶之歌》選自《浮士德》 Bing Bing Wang 王冰冰 12. Street Boys March from Carmen by G. Bizet 比才：《跟著上哨的士兵》選自《卡門》 Opera Hong Kong Children Chorus 香港歌劇院兒童合唱團 13. Habanera from Carmen by G. Bizet 比才：《哈巴奈拉》選自《卡門》 Dominique Chan 陳皓琬 Christy Li 李詩蓓 Opera Hong Kong Chorus 香港歌劇院合唱團 14. Toreador Song from Carmen by G. Bizet 比才：《鬥牛士之歌》選自《卡門》 Alexander Chen 陳俊堯 Alex Kwok 郭俊立 Lam Kwok Ho 林國浩 Albert Lim 林俊 Opera Hong Kong Chorus 香港歌劇院合唱團 15. Les voici from Carmen by G. Bizet 比才：《來了，鬥牛勇士來了》選自《卡門》 Opera Hong Kong Chorus 香港歌劇院合唱團 Opera Hong Kong Children Chorus 香港歌劇院兒童合唱團

Intermission of 15 minutes 15 分鐘中埸休息

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26 August 2023 16. Intermezzo from Cavalleria Rusticana by P. Mascagni 馬斯卡尼：間奏曲選自《鄉村騎士》 17. Voi lo sapete, o mamma from Cavalleria Rusticana by P. Mascagni 馬斯卡尼：《媽媽啊，你知道》選自《鄉村騎士》 Dominique Chan 陳皓琬

Ashley Chui 徐曉晴

18. Mamma, quel vino e generoso from Cavalleria Rusticana by P. Mascagni 馬斯卡尼：《媽媽，那些烈酒》選自《鄉村騎士》 Chen Chen 陳晨

Wesley Lam 林俊傑

Henry Ngan 顏嘉樂

19. Si puo? from Pagliacci by R. Leoncavallo 雷翁卡伐洛：《原諒》選自《丑角》 Sun Li 孫礫 20. Bell Chorus: Din don, suona vesper from Pagliacci by R. Leoncavallo 雷翁卡伐洛：《鐘聲合唱》選自《丑角》 Opera Hong Kong Chorus 香港歌劇院合唱團 21. Qual fiamma avea nel guardo... Stridono Lassù from Pagliacci by R. Leoncavallo 雷翁卡伐洛：《他眼裡有著怒火…小鳥在空中唱歌》選自《丑角》 Rachel Kwok 郭岍

Li Yang 李洋

22. Vesti la giubba from Pagliacci by R. Leoncavallo 雷翁卡伐洛：《穿上戲裝》選自《丑角》 Chen Chen 陳晨

Samuel Huang 黃加恩

Wesley Lam 林俊傑

23. O mio babbino caro from Gianni Schicchi by G. Puccini. 浦契尼：《親愛的爸爸》選自《賈尼・斯基基》 Yanna Chen 陳妙燕

Dani Zhang 張

丹

24. Signore ascolta from Turandot by G. Puccini 浦契尼：《先生，請聽我說》選自《杜蘭朵》 Louise Kwong 鄺勵齡 25. Là, sui monti dell'Est from Turandot by G. Puccini 浦契尼：《茉莉花》選自《杜蘭朵》 Opera Hong Kong Children Chorus 香港歌劇院兒童合唱團

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26. Un bel dì vedremo from Madama Butterfly by G. Puccini 浦契尼：《美好的一天》選自《蝴蝶夫人》 Nancy Yuen 阮妙芬 27. Coro a bocca chiusa (Humming Chorus) from Madama Butterfly by G. Puccini 浦契尼：《遠處傳來的聲音》選自《蝴蝶夫人》 Opera Hong Kong Chorus 香港歌劇院合唱團 28. Vogliatemi bene (Love duet) from Madama Butterfly by G. Puccini 浦契尼：《心愛的寶貝》選自《蝴蝶夫人》 Bing Bing Wang 王冰冰

Warren Mok 莫華倫

29. Nessun dorma from Turandot by G. Puccini 浦契尼：《今夜無人入睡》選自《杜蘭朵》 Warren Mok 莫華倫 Chen Chen 陳晨 Chen Yong 陳永 Samuel Huang 黃加恩 Wesley Lam 林俊傑 Henry Ngan 顏嘉樂 Alex Tam 譚天樂 Opera Hong Kong Chorus 香港歌劇院合唱團

House Rules 場地規則 To avoid undue disturbance to the performers and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. We also forbid eating and drinking, as well as unauthorized photography, audio and video recordings in the auditorium. Thank you for your co-operation. 為求令表演者及觀眾不致受到騷擾，請關掉手提電話、其他響鬧及發光裝置。同時請勿在場地飲食或擅 自攝影、錄音或錄影。多謝合作。 Hong Kong Arts Development Council fully supports freedom of artistic expression.

The views and opinions expressed in this project do not represent the stand of the Council. 香港藝術發展局全力支持藝術表達自由，本計劃內容並不反映本局意見。 The presenter reserves the right to change the programme and substitute artists. 主辦機構有權更改節目及更換表演者。

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PROGRAMME NOTE 曲目介紹

Peter Gordon 高博德

25 Aug 2023 The Magic Flute by Wolfgang Amadeus Mozart 莫扎特《魔笛》 Mozart’s The Magic Flute (or Die Zauberflöte) is a singspiel — an opera that includes both music and dialogue — from 1791 and was first performed just two months before the composer’s premature death. Its magical, fantastical fairy-tale story shows considerable influence from Mozart’s interest in Freemasonry. Hugely successful in its day, the opera has remained one of Mozart’s most popular works down to the present. 莫扎特於 1791 年創作的《魔笛》是一部歌唱劇（有音樂和對白的歌劇），在作曲家英年早逝前兩個月 首演。此神奇、夢幻的童話故事突顯出莫扎特對共濟會的深厚興趣。這齣歌劇於其時大獲成功，至今仍 為莫扎特眾多極受欣賞名劇中的一齣戲寶。

1. Overture 序曲 The overtures to Mozart’s operas stand-alone as some of the most engaging examples of his music and that of The Magic Flute is no exception, hinting at the excitement, drama and lyricism. Three is an important number in Freemasonry and this is reflected in the emphasis on the number three in the overture, for example, the opening three chords. 莫扎特歌劇的序曲是他音樂中扣人心弦的其一典範，《魔笛》亦然， 透出激情與抒情。在共濟會中「三」是一重要的數字，序曲中對「三」 的強調也反映此點，例如開首的三個和絃。

2. “Dies Bildnis ist bezaubernd schön” 《這畫像如此迷人》 “This image is enchantingly lovely" sings Tamino in the opera’s first act. The Three Ladies present him with an image of the Princess Pamina, daughter of the Queen of the Night, and he falls instantly in love with her. 在歌劇的第一幕中，塔米諾王子唱道：「這畫像如此迷人」。三位侍 女向他展示了夜后的女兒帕美娜公主的畫象，他即愛上了她。

3. “Der Hölle Rache”《我的心沸騰著地獄般的復仇》 One of the most famous of all opera arias for coloratura soprano, “Der Hölle Rache kocht in meinem Herzen” (“Hell’s vengeance boils in my heart”) or “Queen of the Night aria” from Act II depicts a fit of vengeful rage in which the Queen of the Night gives a knife to her daughter Pamina and exhorts her to assassinate her rival Sarastro ... if she doesn’t, the Queen will disown her. 第二幕中的「我的心沸騰著地獄般的復仇」或「夜后詠歎調」乃最享 負盛名花腔女高音歌劇詠歎調之一，描述復仇的憤怒，其中夜后交予她女兒帕美娜一把刀，且勸說她刺 殺其情敵薩拉斯托⋯⋯若她不從，女王將與她斷絕關係。

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4. “Der Vogelfänger bin ich ja” 《我是個快樂的捕鳥人》 An aria for baritone in which the bird-catcher Papageno introduces himself at the start of the opera. He’s very good at catching birds, he says, but what he really wants is a net to catch girls instead. 此為一段男中音詠歎調，捕鳥人巴巴基諾在歌劇開始時介紹自己。他 說自己很擅長捕鳥，但他其實想要的是一張能捕女孩的網。

The Marriage of Figaro by Wolfgang Amadeus Mozart 莫扎特《費加羅的婚禮》 Le nozze di Figaro (The Marriage of Figaro), Mozart’s comedic triumph, debuted in 1786, just two years after the hit play by Pierre de Beaumarchais on which Lorenzo Da Ponte based his libretto. The marriage in question is to be between Figaro and Susanna, two servants in Count Almaviva’s household. The Count, however, has tired of his wife Rosina (whom he swept off her feet in Beaumarchais’s previous play The Barber of Seville) and now has his eye on Susanna. Courage and trickery in equal parts save a total of four different relationships. 《費加羅的婚禮》是莫扎特的喜歌劇之代表作，於 1786 年首演，僅距龐蒂的唱本改編自博馬舍的名劇 後兩年。故事圍繞著艾馬非凡伯爵家的兩名僕人— 費加羅和蘇珊娜之間的一樁談論中婚事。雖則伯爵 已厭倦其妻羅西娜（在博馬舍的前一部劇作《塞維爾理髮師》中，他被她迷倒了），而現在他卻看上了 蘇珊娜，四段不同的感情在勇氣與詭計之中終被挽回。

5. “Voi che sapete” 《你們可知道》 “You ladies who know of love,” sings the young page Cherubino. Both perky and lilting, this is one of opera’s best-known arias for mezzo-soprano, for Cherubino is also one of opera’s best-known “pants part” in which a woman sings or plays a man or, here, a boy. Cherubino is asking Susanna and the Countess Rosina for advice in ways of the heart. 「你們這些懂得愛的女士們」頌揚童僕凱魯比諾。這段輕快活潑的曲 目為最著名的女中音詠歎調之一，凱魯比諾亦為歌劇中享有名望的「女 扮男裝」角色。劇中的凱魯比諾向蘇珊娜和羅西娜伯爵夫人請教心事。

6. “Porgi amor” 《求神給我安慰》 Act II of the opera opens with the Countess lying in bed lamenting her husband’s infidelities. The entire aria consists of just four lines: “O Love, give me some remedy / For my sorrow, for my sighs! / Either give me back my darling / Or at least let me die.” with all the meaning — sadness, hope, resignation, yearning expressed in the music. 歌劇第二幕以伯爵夫人躺卧在床上哀歎丈夫的不忠展開，整首詠歎調 只有四句：「哦，愛神，請給我一些妙藥靈丹」 / 「為我所哀，為我所 歎！」 / 「又或還我親愛的」 / 「要不至少讓我死。」，而樂韻中傳達了悲傷、希望、無奈與祈盼的含義。

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7. Final scene 尾幕 The opera comes to a head when the Count realises that the chambermaid he thought he was wooing in the garden is none other than his wife in disguise. Asking her forgiveness, the group of nobles and commoners alike resolve to let bygones be bygones, and, in a joyous finale, to allow happiness and true love to reign from this point on. 正當伯爵悟到他以為他在花園裡追求的女僕實為他喬裝打扮的妻子時， 全劇達至高潮。一眾貴族和平民決意讓過去成過去，請求她的原諒， 並讓他倆從歡樂的終場一直永享幸福與真愛。

Don Pasquale by Gaetano Donizetti 唐尼釆蒂《唐．帕斯夸雷》 In this, the last of Gaetano Donizetti’s great trio of comic operas, the elderly Don Pasquale—with the aim of teaching his lay-about nephew Ernesto a lesson—resolves to get married and disinherit him. Once decided, Pasquale becomes enamoured with the idea; his friend Dr Malatesta offers to find him the perfect bride, his demure sister Sofronia. But Malatesta is in fact an ally of Ernesto’s and chooses as bride-to-be Ernesto’s headstrong girlfriend Norina. Don Pasquale, tricked by the trio and buffeted by Norina, is the one who learns a lesson. 這是唐尼釆蒂創作的三大喜歌劇的最後一部作品，講述年邁的唐．帕斯夸雷為了教訓他那懶散的侄子埃 爾尼斯托，決定以結婚來剝奪他的繼承權。當下定決心，帕斯夸雷便對這想法著了迷；其友人馬拉特斯 塔醫生為他找到了完美的新娘 — 他端莊的妹子索夫羅尼婭。但其實馬拉特斯塔是助埃爾尼斯托的同 謀，他選了埃爾尼斯托任性的女友諾麗娜（偽裝為他的妹妹）作準新娘。唐．帕斯夸雷被三人耍得團團 轉，又被諾麗娜弄得頭暈腦脹，並得了教訓。

8. “Quel guardo il cavaliere ...”《姑娘的秋波》 9. “Mi volete fiera” 《你要我傲慢嗎？》 T h e s e t wo s e l e c t i o n s e s s e n t i a l l y comprise the entirety of Act I, scene 2. Norina is reading a romantic novel about a knight (il cavalier) and his lady, and laughingly comments that she needs no lessons from books in how to control men’s affections. In the second selection, she discusses with Malatesta how they will trick Don Pasquale: “How should I act?”, she asks. “Proud?

Melancholy? Weeping?” “None of those,” he answers, “pretend to be innocent and naive.” 這兩個選段基本上構成了第一幕第二場的全部內容。諾麗娜正閱讀一本有關騎士和他的夫人的浪漫小 說，並笑著說她不需要從書本中學習如何操弄男人的感情。在第二個選段中，她與馬拉特斯塔討論他們 將如何欺騙唐．帕斯夸雷，她問道：「我應該如何表現？」「驕傲？憂鬱？哭泣？」，他回答說：「都 不是」，「裝作天真與幼稚」。

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Don Carlo by Giuseppe Verdi 威爾第《卡洛王子》 Premiered originally in 1867 in French as Don Carlos, the opera tells the (somewhat fictionalised) history of Carlos, son of the King Philip II of Spain (he of the Spanish Armada). Carlos has been betrothed to Princess Elisabeth of France who is instead forced to marry Philip as part of a peace treaty. Carlos is devastated and never gives up pursuing Elisabeth who is now, quite literally, his mother. His friend Rodrigo tries to protect Carlos from himself, as well as from the misplaced affections of the very jealous Princess Eboli. 歌劇《卡洛王子》於 1867 年以法語首演，講述西班牙國王菲利普二世（西班牙無敵艦隊的統帥）之子 卡洛（有點虛構）的歷史。卡洛已與法國伊莉莎白公主訂婚，但伊莉莎白公主因和平條約被迫嫁給卡洛 父親菲利普。卡洛悲痛欲絕，因為公主將會成為他的母親，但他卻從未放棄追求伊莉莎白。他的朋友羅 狄高試圖保護卡洛不受傷害，也避免被嫉妒心極強的伊波莉公主的錯愛而影響。

10. “O Don Fatale” 《噢！致命的禮物》 In “O don fatale”, Princess Eboli (mezzo-soprano) sings of the “fateful gift” of her beauty which has caused her and everyone so much trouble.

She repents of her machinations against the Queen and erstwhile friend Elisabeth, while swearing to save Carlos from the fate which awaits him and which she played no small part. 在「噢！致命的禮物」中，伊波莉公主（女中音）唱出她的美貌為「命 中註定的禮物」，給她和所有人帶來很多的麻煩。她懺悔自己對王后 和昔日好友伊莉莎白的陰謀，同時發誓要將卡洛從將降臨到他身上的命運中拯救出來，而她在其中扮演 要角。

Rigoletto by Giuseppe Verdi 威爾第《弄臣》 Rigoletto is a jester at the court of the Duke of Mantua, a libertine who chases anything in a skirt. Rigoletto, a nasty piece of work, is cursed by a nobleman whose daughter has been seduced by the Duke and whom Rigoletto has mocked. The curse takes immediate effect as the Duke proceeds to seduce Rigoletto’s only daughter Gilda whom he has hidden away. The Duke drops Gilda once he’s had her; Rigoletto lures him to the house of an assassin, Sparafucile, who uses his voluptuous sister Maddalena as bait. 弄臣是曼圖亞公爵的佞臣，是一位愛玩弄穿著裙子之女士的放蕩人。弄臣絕對是個惹人討厭的人，他曾 嘲笑過一位貴族的女兒被公爵誘拐而遭貴族詛咒。當公爵開始勾引弄臣藏起來的獨生女兒吉爾達，詛咒 隨即觸發。公爵得到吉爾達後便將其拋棄；弄臣將公爵引誘到殺手史柏拉夫契勒的家中，史柏拉夫契勒 則以其妖艷嫵媚的妹妹瑪德蓮娜為誘餌。

11. “La donna è mobile” 《女人善變》 On arrival at Sparafucile’s house, the Duke sings — in one of opera’s bestknown arias — of his philosophy of love and women, who, he claims, “are fickle as a feather in the wind”. 到史柏拉夫契勒家後，公爵便高歌，這是一首最著名的歌劇詠歎調之 一，講及他對愛情和女人的哲學，他稱女人「就像風中的羽毛一樣善 變」。

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12. “Bella figlia dell'amore” 《愛神的美麗女兒》 Rigoletto brings Gilda, still besotted with the Duke, to observe. In this famous quartet, the Duke seduces Maddalena, or attempts to (she’s much too streetwise to believe his blandishments), while Rigoletto tells Gilda “you see?” Gilda finally comes to know the character of the man she has fallen for ... not that it makes any difference. 弄臣帶著仍然迷戀公爵的吉爾達前來觀摩。在這著名的四重奏中，公 爵試圖引誘瑪德蓮娜（她洞悉人心，不相信他的誘惑），而弄臣告訴吉爾達：「你看到了嗎？」，吉爾 達終於瞭解她所愛之人的性格，但她卻沒有改變。

Il Trovatore by Giuseppe Verdi 威爾第《遊唱詩人》 Close on the heels of Rigoletto, in 1853 Verdi wrote his most melodramatic work, Il Trovatore, a story set in medieval Spain that tells of a mysterious rebel troubadour of gypsy lineage and his illicit love for the Queen’s lady-in-waiting Leonora. Leonora is also being wooed by the ambitious and ruthless Conte di Luna who is Manrico’s sworn enemy. Beneath this story of love and jealousy is another tale of two babies swapped soon after birth, one of whom was burned alive and another who survived. 緊隨《弄臣》之後，威爾第於 1853 年創作出其最煽情的作品《遊唱詩人》。故事發生在中世紀的西班牙， 講述一位神秘並來自貧窮的吉普賽家庭的叛軍遊唱詩人與王后的女侍臣蕾奧諾拉至死不渝的愛。蕾奧諾 拉同時也被野心勃勃又冷酷無情的魯納伯爵所追求，他是遊唱詩人曼里柯不共戴天的敵人。在這愛與嫉 妒的故事背後，也另有一故事：兩名剛出生不久的嬰兒被掉包，一個被活活燒死，另一個倖免於難。

13. “Tacea la notte placida”《一個寧靜的夜晚》 Leonora sings of her “troubadour”, a knight victorious at tournament, who disappeared, only to reappear one night under her balcony with a serenade. 蕾奧諾拉唱起了她的「遊唱詩人」，他是一個在比武中獲勝但消失了 的騎士，直到一個晚上，他在蕾奧諾拉的陽臺下出現並向她唱起了小 夜曲。

14. “Anvil chorus”《鐵砧之歌》 In one of opera’s most famous choruses, sung to the rhythm of hammers striking the blacksmiths’ anvils, the gypsies sing of what brings light to their otherwise difficult days: gypsy girls! 歌劇中最著名的大合唱之一，吉普賽人隨著鐵錘敲擊鐵匠鐵砧的節奏， 唱出為他們艱難的日子帶來的光明：吉普賽女郎！

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La Traviata by Giuseppe Verdi 威爾第《茶花女》 La Traviata, the third of Verdi’s great trio of tragedies, dates from 1853. Violetta, a well-compensated courtesan, is La Traviata, the “fallen woman”. But she meets Alfredo, a young bourgeois from the countryside, falls in love, and casts aside her previous life. Alfredo’s father, unfortunately, objects to the liaison and drives them apart, with fatal consequences. 歌劇《茶花女》是威爾第悲劇三幕劇的第三部，於 1853 年創作。薇奧列達是名收入豐厚的名妓，被視 作「墮落的女人」。但她遇到來自鄉村的年青資產階級阿菲度，且墜入愛河，並放棄了之前的生活。遺 憾的是，阿菲度的父親反對這段戀情，並拆散他們，隨後玉殞香消。

15. Overture 序曲 The immediately recognizable overture to La Traviata sets the bittersweet tone for the opera. It is filled with longing, hope, passion and sadness. 《茶花女》的序曲聞之即感悟劇中苦樂參半的基調，滿載憧憬、祈盼、 激情與憂傷。

16. “É strano ... Ah, fors'é lui ... Sempre libera” 《及時行樂》 At the end of Act I, Violetta muses about the young man she has just met at her party. Can he be the one who finally tugs at her heart enough to settle down? Ah, no, she sings: I must be always free, always happy, flitting from joy to joy. 在第一幕的結尾，薇奧列達深思她剛在派對上遇到的年青人。他終能 托負芳心，與她廝守終生嗎？啊，不，她唱道：「我必須永遠自由， 永遠快樂，從歡愉躍飛到歡愉。」

17. “Di Provenza il mar, il suol” 《普羅旺斯的大地與海洋》 Alfredo’s father Giorgio tracks the couple down at their countryside hideaway. After asking Violetta to leave Alfredo so as to save the marriage of Alfredo’s sister and, when she refuses, finally dispatching her by noting that she won’t always have her looks (and then what?), he implores Alfredo to come back to his home in Provence where his family loves and knows what’s good for him. 阿菲度的父親喬治傑蒙在他們的鄉間隱居住處找到這對鴛侶，他要求薇奧列達離開阿菲度，以挽救阿菲 度妹妹的婚姻。在遭她拒絕後，喬治傑蒙指出薇奧列達不能永遠擁有美貌（那之後又如何呢？），他懇 求阿菲度回到他在普羅旺斯的家，因他的家人愛他，且會為他著想。

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Aïda by Giuseppe Verdi 威爾第《阿伊達》 Commissioned by Cairo's Khedivial Opera House and premiered there in 1871, Aïda is set in Ancient Egypt. War hero Radames is a prince who has fallen in love with the Ethiopia slave girl Aïda, much to the disgust of her mistress Amneris who has her heart set on Radames herself. Radames’s last victory captured Aïda’s father, the Ethiopia King. Aïda puts duty above love and manipulates Radames into letting her father go. Radames is captured and executed for treason; Aïda joins him and they die together. 《阿伊達》由開羅總督歌劇院委託創作，並於 1871 年在該劇院首演。故事發生在古埃及，戰爭英雄拉 達梅斯是一位王子，他愛上了埃塞俄比亞女奴阿伊達，這讓她的情敵安奈莉絲非常反感，因為她一心想 要得到拉達梅斯。拉達梅斯在最後的勝利俘虜了阿伊達的父親— 埃塞俄比亞國王。阿伊達將責任置於 愛情之上，逼使拉達梅斯放走了她的父親。拉達梅斯因叛國罪被俘並被處決；阿伊達加入了他，兩人共 赴黃泉。

18. “Triumphal March”《凱旋進行曲》 The Act I Triumphal March is played for Radames’s victorious homecoming.

Opening with a brass fanfare, the march soon becomes a vehicle for the chorus. On stage, it is often accompanied by much fanfare, a multitude of extras, dancers and, on occasion, elephants. 第一幕的《凱旋進行曲》是為拉達梅斯的勝利回歸響起的。進行曲以 亮響銅管喇叭開場形成了合唱團的隊列。在舞臺上，常伴隨著大張旗 鼓的演奏、眾多臨時演員與舞者，偶以亦伴有數頭大象。

Humperdinck “Evening Prayer” from Hansel and Gretel 洪佩爾丁克《晚禱》選自《糖果屋》 Humperdinck’s “Evening Prayer” is taken from Act II Scene 2 of the opera Hansel and Gretel. It is one of the most famous songs that implemented folk-inspired tunes in the opera. A duet sung in German by Hänsel and Gretel before they fell asleep on the forest floor after searching for strawberries. The song adopts a slow tempo throughout, with warm and angelic colours floating in the music to express their faithfulness in the 14 angels who watch over them as they sleep. 洪佩爾丁克的《晚禱》取自歌劇《糖果屋》的第二幕第二場景，由韓賽爾及葛麗特以德文演唱，當中採 用了民族音樂風格的著名二重唱。劇情講述他們在森林中尋找草莓後，於地上入睡前演唱。歌曲以慢板 的速度，飄盪著溫暖而天使般的色彩，祈求十四位天使在他們入睡時從旁守護。

19. Evening Prayer《晚禱》 Hansel and Gretel stands out for its folk music-inspired themes; the bestknown of these is probably the “Abendsegen” or “Evening prayer”, a duet from Act II: “When at night I go to sleep, / Fourteen angels watch do keep ...” 《糖果屋》突出之處在於其受民間音樂啟發的主題；其中最著名的可 能是第二幕中的二重唱 《晚禱》：「當夜晚我入睡時， / 十四位天使 守望伴侍⋯⋯」

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La bohème by Giacomo Puccini 浦契尼《波希米亞生涯》 Undoubtedly the most beloved of Giacomo Puccini’s operas, La bohème tells the story of Mimì, a young Parisian seamstress who falls in love with the poet Rodolfo and who becomes part of their group of talented, vibrant if impecunious bohemians — including the painter Marcello, his flirty lover Musetta, philosopher Colline and musician Shaunard — who together reign over Paris’s Latin Quarter with their wit and joie de vivre. Love and happiness cannot protect Mimì from the illness that their joint poverty exacerbates. 《波希米亞生涯》無疑是浦契尼最受愛戴的歌劇，講述年輕的巴黎繡花女咪咪愛上詩人羅多夫，並成為 了一群才華橫溢、充滿活力但卻窮困潦倒的波希米亞人的一份子，其中包括畫家馬切洛、他的撩人愛侶 慕瑟塔、哲學家柯林尼和音樂家蕭納— 他們的智慧和生活樂趣瀰漫於巴黎的拉丁區。但愛情和幸福無 法令咪咪免受疾病的折磨，而他們的貧困亦使之每況愈下。

20. “Si, mi chiamano Mimì”《我的名字叫咪咪》 Mimì has arrived unbidden on Rodolfo’s doorstep. Her candle has blown out. In the confusion, she dropped her key, which Rodolfo finds and quietly pockets. He introduces himself as a poet, building “castles in the air”, content until Mimì’s two eyes robbed him of his tranquility. “I’m called Mimì,” she replies, “but I don’t know why: my name is Lucia.” She makes artificial flowers, but loves all things of beauty, and everything poetic. 咪咪來到羅多夫家門前，蠟燭吹滅了，羅多夫撿起咪咪在混亂中掉了的鑰匙，並悄悄地放進了口袋。他 介紹自己是個詩人，正在建造「空中樓閣」，他滿足於現狀，直到咪咪的雙眼奪去他內心的寧靜。「人 們叫我咪咪，」她回答道，「但我不知為何：我的名字是露西亞。」她製作仿真花，卻熱愛一切美麗和 富詩意的事物。

21. “O soave fanciulla”《哦，可愛的姑娘》 Rodolfo is smitten. “You are the dream I want to dream forever,” he says.

He moves to kiss her, but she says his friends are waiting for him at the restaurant. Rodolfo counters that it’s very cold outside. “I’ll be warm next to you,” she says. “And when we get back?”, he asks. “You’ll just have to wait and see.” They go out arm-in-arm singing of love. 羅多夫被迷倒了，他說：「你是我永遠夢想要作的夢。」他想吻她， 但她說朋友們正在餐廳等他。羅多夫回應，外面很冷。她說：「我在你身邊會很溫暖。」他問：「那當 我們回去後呢？」「你就等著瞧吧。」他們手挽手唱著愛歌出門去了。

Tosca by Giacomo Puccini 浦契尼《托斯卡》 Set over a single day in the febrile atmosphere of revolutionary Rome of 1800, Tosca, the city’s leading diva, is in love with painter Mario Cavaradossi, whose revolutionary tendencies cause him to aid in the escape of a political prisoner. He is arrested by Baron Scarpia, the vile chief of police, who sees in Cavaradossi not just a way to further the aims of the reactionary regime he works for but, more importantly perhaps, a human bargaining chip to get Tosca into his bed. What will Tosca trade to save him? 故事發生在 1800 年羅馬大革命時期的一天，羅馬首席歌后托斯卡愛上了畫家卡瓦拉多西，他的革命派 別導致他幫助一名政治犯越獄。他被卑鄙的警局局長史卡皮亞男爵逮捕，史卡皮亞看到卡瓦拉多西不僅 是進一步推進他服務的反動政權的目標之方式，甚或是一個讓托斯卡上床的籌碼。托斯卡將用什麼交易 來拯救他？

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22. “Vissi d’arte”《為了藝術為了愛》 “I have always lived for art and for love,” sings Tosca once the terms of the deal become clear. “God, why do you punish me like this?” 「我一直為藝術和愛情而生，」托斯卡在交易條件明朗後唱道，「上主， 為何祢要這般懲罰我？」

23.“E lucevan le stelle”《星光燦爛》 Cavaradossi languishes in the prison of the Castel Sant’Angelo awaiting his execution, not knowing that Tosca managed to assassinate Scarpia. He sings of their time together (“the stars came out...”) and how because of her, he wishes to continue living. 卡 瓦 拉 多 西 在 聖 天 使 城 堡 的 監 獄 中 飽 受 煎 熬， 等 待 處 決， 他 未 悉 托 斯 卡 已 成 功 行 刺 史 卡 皮 亞。 他 唱 起 他 們 共 處 的 時 光（「 星 辰 已 現 ⋯⋯」），以及因為她，他渴望能活下去。

Turandot by Giacomo Puccini 浦契尼《杜蘭朵》 The eponymous Turandot is a Chinese princess who requires all her many suitors to answer three riddles: failure means, as it has numerous times to date, execution for the unfortunate seeking her hand in marriage.

Calaf, a foreign prince, saw her and was at once struck by her beauty. Oblivious to pleading from his father, loyal retainer Liu and Turandot’s own father and his ministers, he proceeds to put his name forward and to everyone’s surprise, manages to answer all three riddles. 杜蘭朵是位中國公主，她要求她眾多的追求者回答三個謎語，對於那些不幸的求婚者而言，失敗意味著 遭處決，迄今為止已多次發生。外國王子卡拉富見到她後，即被她的美貌所吸引。他不顧父親、忠心待 女柳兒、杜蘭朵的父親和大臣們的懇求，毅然報上自己的名字，令所有人意料之外的是，他答對了所有 謎語。

24. “Nessun dorma”《今夜無人入睡》 Turandot is horrified. Calaf, wishing her to marry him by choice, gives her one chance. No one yet knows who he is. If she can discover his name by dawn, he says, she can renounce and execute him. The entire city is in a frenzy: “No one can sleep,” he sings, “but they’ll never find my name. I’ll tell myself when I kiss her. At dawn, victory will be mine!” 杜蘭朵驚恐萬分，卡拉富希望她是自願嫁給他，就給了她一個謎語， 但還沒有人知他是誰。他說若她能在黎明前知道他的名字，她就可放 棄並處死他。全城陷入瘋狂，「沒有人能入睡，」他唱道：「但他們永遠找不出我的名字。當我親吻她 時，我會告訴她。黎明時份，勝利將屬我！」

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26 Aug 2023 The Tales of Hoffmann by Jacques Offenbach 奧芬巴赫《荷夫曼的故事》 Jacques Offenbach was best-known during his lifetime as a master of French operetta, works like La vie parisienne and Orphée aux enfers. Les contes d’Hoffmann (The Tales of Hoffmann), which premiered posthumously four months after his death in 1880, was Offenbach’s only real attempt at grand opera. It is an “opéra fantastique”, based on three short stories by ETA Hoffmann, who is also the protagonist of the opera. 奧芬巴赫生前有輕歌劇大師之稱，其著作包括《巴黎人的生活》和《天堂與地獄》等。 1880 年，即是 在他去世後的四個月，《荷夫曼的故事》終於獲得首演，它亦是奧芬巴赫創作的唯一一部大歌劇。這部 「幻想歌劇」改編自荷夫曼的三篇短篇小說，而荷夫曼亦是歌劇中的主角。

1. Intermezzo 間奏曲 2. “Barcarolle”《船歌》 Act III, the third of the three stories and set in Venice, opens with an intermezzo or entr'acte which foreshadows the socalled “Barcarolle” which immediately follows it. “Barcarola” was a term for what was originally a Venetian gondolier's song evoking the rocking of the boat, much in evidence here."Belle nuit, ô nuit d'amour" ("Beautiful night, oh night of love") is a sensuous love duet, sung by latest love interest Giulietta, a Venetian courtesan, and Nicklausse, Hoffmann's poetic muse, in disguise as his faithful male companion. 第三幕是歌劇中的第三段故事，以威尼斯作為背景；開場奏起的一段間奏曲，為之後的《船歌》作鋪墊。 正如在這一幕所演奏的一樣，《船歌》原本為船夫撐著貢多拉船唱的歌，而這首感性的二重唱 《美麗 的夜晚》，則由威尼斯交際花茱麗葉塔和裝扮成的男伴、荷夫曼的繆斯妮克露斯合唱。

3. “Va pour Kleinzach!”《克列扎可》 In the prologue, which introduces the male protagonists, a group of students awaits Hoffmann in a tavern in Nuremberg. When he arrives, he entertains them with the frivolous tale of Kleinzach the dwarf. 在介紹男主角的序幕中，一群學生在紐倫堡的一間小酒館裏等待著荷 夫曼。荷夫曼到達後，為大家輕鬆愉快地說起侏儒克列扎可的故事。

4. “Doll Song”《木偶之歌》 In Act I, Hoffmann falls in love with an automaton called Olympia, whom (in a story seemingly snatched from today's headlines and fears about AI) he doesn’t realise that she is not a real girl. Before he comes, the inventor Spalanzani shows her off to the onlookers. She sings "Les oiseaux dans la charmille" (“The birds in the bower”, nicknamed "The Doll Song"), during which she runs down and needs to be wound-up again. 在第一幕中，荷夫曼已經愛上了奧林比亞，但他卻沒有意識到她並不是真實 的女孩，而是一台機械人，這個故事剛好呼應了現今的焦點話題，亦投射了 我們對人工智能的恐懼。在他來到之前，發明家斯帕朗薩尼向眾人展示著奧林比亞，她唱起了 《小鳥 之歌》（又叫《木偶之歌》），唱著唱著，她就慢慢開始跑調，需要重新扭上發條。

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Samson and Delilah by Camille Saint-Saëns 聖桑《森遜與黛麗拉》 The best-known opera by French composer Camille Saint-Saëns, Samson et Dalila tells the story of the Biblical hero Samson and the Philistine temptress Delilah; it ends, as does the Bible story, with Samson pushing down the pillars of the temple, crushing himself and his enemies. 法國作曲家聖桑最著名的歌劇《森遜與黛麗拉》，講述聖經英雄森遜和非利士妓女黛麗拉的故事；正如 聖經一樣，故事結尾是森遜推倒聖殿的柱子，與敵人同歸於盡。

5. “Mon coeur s’ouvre a ta voix” 《我心花怒放》 Delilah is intent on seducing Samson so she can negate his great strength. When he finally admits that he loves her, she sings “My heart opens to your voice”, the opera’s most famous aria and a staple of the mezzo-soprano repertoire. 黛麗拉一心想勾引森遜，讓他喪失力大無窮的本領。當森遜最終承認愛上了她時， 她唱出《我心花怒放》，是歌劇中最著名的詠嘆調，亦是女中音常唱的曲目。

Roméo et Juliette by Charles Gounod 古諾《羅密歐與茱麗葉》 Gounod’s best-known opera premiered in 1867 and closely follows the story in the Shakespeare play, a staple of theatre, stage and film for centuries. 古諾最知名的歌劇於 1867 年首演，是一部緊扣著莎士比亞原著內容的戲劇，幾個世紀以來一直在戲劇、 舞台和電影中見其蹤影。

6. “Je veux vivre”《我願活在夢中》 Juliette has just met and danced with Count Paris. Her maid, Gertrude, is encouraging her to marry him. Juliette responds in this aria for coloratura soprano that “I want to live”, to stay in this intoxicating dream of youth instead of being carried off into the world of adults by getting married. 茱麗葉剛與巴禮斯伯爵邂逅並共舞，女僕葛楚特正遊說她與伯爵結緣。 茱麗葉在這首女高音詠嘆調中回應道：「我希望一直活下來」，留在 這醉人的青春夢境中，而不是因為結婚而進入成年人的世界。

Werther by Jules Massenet 馬斯奈《維特》 Werther, which premiered in 1892, is loosely based on Johann Wolfgang Goethe’s hugely popular epistolary novel The Sorrows of Young Werther. Werther, a poet, is in love with Charlotte who, on the death of her mother, consented to marry the reliable but very dull Albert. Werther can’t let go, leading to tragedy for them both.

1892 年首演的《維特》改編自歌德名著、書信體小說《少年維特的煩惱》。詩人維特愛上了夏洛特，而 夏洛特在母親去世後亦同意嫁給可靠但非常無趣的艾伯特。這件事讓維特無法釋懷，最終導致了二人的 悲劇。

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7. “Pourquoi me réveiller”《為我喚醒我》 Charlotte has sent Werther packing but has said he can return at Christmas.

When he does indeed show up on Christmas Eve, he reads to her some poetry of Ossian (“Why should I awake?”), as they were wont before her marriage to Albert, and he realizes that Charlotte does indeed return his love. 夏洛特把維特打發走了，但說他可以在聖誕節回來。當他真的在聖誕 夜出現時，他就像她之前嫁給艾伯特般，為她朗讀了幾首莪相的詩歌 （《我為何要醒來？》），而他亦意識到夏洛特也愛著他。

Manon by Jules Massenet 馬斯奈《曼儂》 Manon and Werther are Massenet’s best known operas. Like Werther, Manon is also based on a well-known and extremely popular (and somewhat risqué) novel, this time the eponymous 1731 work by Abbé Prévost. Manon is a young girl destined for a convent. When she is on the point of being abducted at a carriage stop by a wealthy but disreputable old man, Guillot de Morfontaine, the young student Des Grieux instead steals her away from under Guillot’s nose. 《曼儂》和《維特》是馬斯奈最著名的歌劇。與《維特》一樣，《曼儂》亦是改編自一部家傳戶曉、廣 受歡迎（也有些淫穢）的小說 — 普列沃斯 1731 年的同名作品。故事中，少女曼儂正在前往修道院的路 上，當她在馬車站差點被富有但聲名狼藉的老頭子財政大臣季歐拐走時，年輕學生德格魯卻從季歐的眼 皮底下把她拯救走了。

8. “Je marche sur tous les chemins”《我走在所有路上》 Manon has traded love with Des Grieux for money and an easy living with Guillot. “Wherever I go,” she sings, “I’m like a queen.” She goes on to tell her companions to take advantage of their youth and beauty while they still have it. “We are but twenty years old!” 曼儂利用與德格魯的愛情換來金錢及與季歐的安逸生活。她唱道：「無 論我走到哪裡」、「我都像個女王。」她還告訴她的同伴趁著年輕貌美， 好好把握機會，「我們只有二十歲！」

Faust by Charles Gounod 古諾《浮士德》 Faust is yet another famous French novel based on a novel by Johann Wolfgang Goethe. Faust is an old man in such despair that he is about to commit suicide when the Devil (here Méphistophélès) entices him to sell his soul for youth and a chance with the beautiful Marguerite, the original “Faustian bargain”. 《浮士德》，另一部改編自歌德的小說的法國名著。浮士德是個老人家，絕望得想自殺時，魔鬼（此處 為梅菲斯特）引誘他出賣靈魂以換取和青春美麗的瑪格麗特在一起的機會，亦是「浮士德的交易」的起 源。

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9. “Soldiers Chorus”《軍士合唱》 At the beginning of Act IV, Marguerite’s brother Valentin returns from the war to a military march: “Déposons les armes” (“Let’s lay down our arms”) and “Gloire immortelle de nos aïeux” (“Immortal glory of our ancestors”). 第四幕開首，瑪格麗特的哥哥梵倫坦從戰場歸來，軍樂隊奏響進行曲： 《讓我們放下武器》和《我們祖先的不朽光榮》。

10. “Vous qui faites l’endormie”《你假裝睡著了》 Marguerite has been left pregnant by Faust. Valentin, who suspects something, rushes to her cottage. Faust and Méphistophélès appear, and Méphistophélès sings a mockery of a lover's serenade under her window: “Vous qui faites l'endormie” (“you who pretend to sleep”). 浮士德留下懷上了身孕的瑪格麗離去，梵倫坦有所懷疑，急忙趕到她的小屋。浮士 德和梅菲斯特出現了，梅菲斯特在她的窗下唱起了滑稽的戀人小夜曲：《你假裝睡 著了》 。

11. “Jewel Song”《珠寶之歌》 In Act III, Faust has — to initiate his seduction — secretly left a box of jewels for Marguerite to find. The heretofore demure young woman is entranced and sings “Oh dieu! Que de bijoux” (“My goodness, such jewels”) and tries them on: “Ah! je ris de me voir si belle en ce miroir” (“How I laugh to see myself this beautiful in the mirror”). 在第三幕中，浮士德為了引誘瑪格麗特，偷偷留下了一盒珠寶，把一 向嫻靜的瑪格麗特迷住了，並唱起道：「我的天，如此精緻的珠寶」，又試戴起來：「在鏡子裏看到如 此美麗的自己，我笑得多麼燦爛。」

Carmen by Georges Bizet 比才《卡門》 The ever-popular Carmen, the story of a gypsy girl who fatally seduces soldier Don José, scandalized Paris society when it opened in 1875. Bizet died shortly after, never knowing the success his opera was to become. 深受喜愛的《卡門》講述了吉卜賽姑娘迷倒士兵唐荷西的故事，此劇於 1875 年首演，同時引起了巴黎 社會的震驚和輿論。比才不久後去世，未能見證這部歌劇取得的成功。

12. “Street Boys March”《跟著上哨的士兵》 Don José’s entrance in Act I is accompanied by a bunch of street kids pretending to be soldiers. “Nous marchons la tête haute” (“We march with heads held high”) they sing, like little soldiers: “comme de petits soldats”. 唐荷西在第一幕出場時，一群街頭兒童扮作士兵，並唱著：「我們昂首前進」，像 個小士兵。

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13. “Habanera”《哈巴奈拉》 When Carmen finally exits the cigar factory at break, crowds of male workers wait, asking “Carmen, when you love us?” In the famous “Habanera”, she tells them not to bother.

“L’amour est un oiseau rebelle" (“Love is a rebel bird”) she sings, “that knows no law.”

She goes on: “If you love me, I won’t love you. And if I do love you, you’d better watch out.” 休息時間，卡門終於走出雪茄工廠時，成群的男工守候，問：「卡門，你什麼時候 把愛情賜給我們？」在著名的《哈巴奈拉》中，她告訴他們不用費心，唱道：「愛 情是一隻叛逆的鳥兒」、「無法馴服」。她接著說「如果你愛我，我偏不愛你。如 果我愛上你，你可要當心！」。

14. “Toreador Song”《鬥牛士之歌》 Don José’s been packed off to jail for letting Carmen escape justice at the end of Act I. Carmen herself is back to singing and dancing (and helping the smugglers) at the tavern when the famous bullfighter Escamillo shows up with his entourage. He sings that it’s not the bulls he needs to worry about, but (looking at Carmen) the two black eyes watching him. 第一幕結尾，唐荷西讓卡門逃脫了法律制裁，自己卻被關進了監獄。當卡門回到酒 館載歌載舞（又幫忙走私），此時，著名的鬥牛士埃斯卡米洛亦帶著他的隨從出現。 他望向卡門，唱著表示他需要擔心的不是公牛，而是一雙注視著他的黑眼睛。

15. “Les voici”《來了，鬥牛勇士來了》 Carmen has grown tired of Don José and now she’s on the arm of Escamillo who is due to fight the bulls that very day in Seville’s bullring. They are greeted by a chorus of townspeople, who cheer each member of the entourage: the banderilleros, the picadors and, of course, the toreadors. 卡門已經厭倦了唐荷西，她挽著埃斯卡米洛的手臂，陪著他到西維爾 的鬥牛場。此時，市民正透過大合唱來迎接他們，歡呼著歡迎隊伍中 的札槍手、刺牛士，當然還有鬥牛士。

Cavalleria Rusticana by Pietro Mascagni 馬斯卡尼《鄉村騎士》 Masacgni’s one-act opera from 1890 is generally considered the first opera in classic verismo (or “true to life”) style. The winner of a competition, Cavalleria Rusticana is a heady mix of adultery, religion and death that plays out in a small town in the Sicilian countryside. 這是一部馬斯卡尼創作於 1890 年的獨幕歌劇《鄉村騎士》，它獲公認為第一部以「真實生活」風格作 背景的經典歌劇。此劇為獨幕歌劇大賽得獎作品，故事背景設於西西里村的一個小鎮上，以通姦、宗教 和死亡為主題，看得人目眩神迷。

16. Intermezzo 間奏曲 Contrary to the brooding malevolence that pervades most of the opera, the intermezzo, an orchestral interlude, is lyrical and filled with beauty and yearning. The tune is based on a hymn heard earlier from within the village church. 這首管弦樂間奏曲抒情，且充滿著優美和嚮往之情，與眾多歌劇中瀰漫著 的陰鬱氣氛大相逕庭。曲調取材於在村莊教堂聽到的一首讚美詩。

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17. “Voi lo sapete, o mamma”《媽媽啊，你知道》 Turiddu had been in love with the flirtatious Lola before he went off to war; when he returned, Lola had married Alfio. Turiddu started an affair with Santuzza on the rebound, but has gone back to lurking around Lola. In the confessional aria “Voi lo sapete, o mamma”, Turiddu tells all to his longsuffering mother. 圖列度出征前，愛上了風情萬種的露娜；當他回來時，露娜已經嫁給了艾 菲奧。圖列度在回國後與桑桃莎開始了一段情，但又繼續與露娜糾纏不清。在詠嘆調《媽媽啊，你知道》 的懺悔中，圖列度試圖向長期受苦難折磨的母親傾訴了這一切。

18. “Mamma, quel vino e generoso”《媽媽，那些烈酒》 The truth has come out. Santuzza has told Alfio about Turiddu and Lola. Alfio has challenged Turiddu to a duel. He’s had too much wine, and doesn’t think he’ll survive. He tells his mother that he is going out, and that should he not return, to take care of Santuzza. 東窗事發後，桑桃莎把圖列度和露娜的事告訴了艾菲奧。艾菲奧因此向圖 列度下戰書，希望進行一場決鬥。但他喝了太多的酒，覺得自己也無法在 決戰中活過來。他告訴母親，他要出去一趟，如果回不來了，請幫忙照顧好桑桃莎。

Pagliacci by Ruggero Leoncavallo 雷翁卡伐洛《丑角》 This one-act opera about jealousy and murder in a group of traveling players is almost contemporaneous with Cavalleria Rusticana, with which it is commonly paired on stage as “Cav & Pag”. Canio found Nedda as a stray waif, took her in and married her. Her gratitude has worn off and now she is in love with Silvio, who lives in the town the troupe has just arrived in. Tonio — who suffers from both a handicap and unrequited love for Nedda — informs Canio of her tryst, with devastating consequences. 這部獨幕歌劇的背景來自一群藝人，在旅途上的嫉妒和殺戮。因為與《鄉村騎士》差不多是同一時期的 作品，經常在舞台上配搭為「Cav & Pag」。卡尼奧收留了無家可歸的妮達，並把她娶為妻子。然而， 妮達的感激之情慢慢消退，現在她所愛的是西爾維奧，他就住在她們劇團剛剛抵達的小鎮上。東尼奧雖 然身患殘疾，卻單戀著妮達，他把妮達幽會的一切告訴了卡尼奧，後果一發不可收拾。

19. “Si può?”《原諒》 In a reference to the classical theatre which audiences of the time would have known well, the opera opens with a “prologue” in which Tonio begs the audience’s permission (“Si può” — “May I”) to remind them that the players on stage are people too, with pains and passions. 歌劇開首的「序幕」呼應了當其時觀眾非常熟悉且產生共鳴的古典戲劇，東尼奧在 「序幕」中懇求觀眾的答允，（意大利語：Si può — 「我可以嗎」）提醒觀眾舞台 上的演員也是人，也有痛苦和激情。

20. Bell Chorus: “Din don, suona vesper”《鐘聲合唱》 After the troupe arrives in town and is greeted with much fanfare, the villagers gather together and go off to church, for “the bells are ringing”; they sing of life and love, youth and maturity. 劇團抵達小鎮後，受到熱烈的歡迎。當「鐘聲敲響」時，村民們聚集在一 起前往教堂；他們歌唱著生命與愛情、青春與歷練。

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21. “Qual fiamma avea nel guardo... Stridono lassù”《他眼裡有著怒火…小鳥在空中唱歌》 A townsperson had jokingly flirted with Nedda and Canio viciously warned him off.

Nedda, now alone, reflects on how fierce Canio had looked (“Qual fiamma avea”) and then comments on the birds screeching in the sky above her: how free they are, she muses, just to follow their dreams. 鎮上有一人與妮達開著玩笑調情，因而遭到卡尼奧凶狠的警告。妮達獨自一人時， 回想卡尼奧凶狠的模樣，抬頭看到天空中鳴叫的鳥兒，喃喃自語道：「追尋自己的 夢想，是多麼的自由。」

22. “Vesti la giubba”《穿上戲裝》 In this, the opera’s most recognizable aria, Canio — who has just seen evidence of his wife’s infidelity — gets ready for the evening’s performance. “Vesti la giubba” — “put on your costume,” he sings. Although my heart is shattered, he says, don’t mistake me for a man. I am just the clown in the play. 在這首耳熟能詳的詠嘆調中，卡尼奧正為當晚的演出作好準備，而他不久 前才看到妻子不忠的證據。他唱道：「穿上你的戲裝。」又說，雖然我的 心碎了，但不必把我當成男人，我只是劇中的小丑。

Gianni Schicchi by Giacomo Puccini 浦契尼《賈尼．斯基基》 Set in the time of Dante’s Florence, this one-act opera is Puccini’s only comedy. It debuted at the Metropolitan Opera in 1918, right after the First World War, as the last of three one-acts performed together as Il Trittico (the Triptych). The patriarch of the Donati family has died leaving all of his money to (horror!) the monks. The desperate family (who had already been counting their inheritance) engages Gianni Schicchi, a well-known conman, to re-do the will, to which he agrees only because his daughter Lauretta is in love with the young Rinuccio Donati and they need the money to get married. 這部獨幕歌劇以但丁筆下的佛羅倫斯作為背景，是浦契尼唯一的喜劇作品。1918 年，第一次世界大戰剛結束， 正值是這部歌劇在大都會歌劇院的首演，是被稱為三部曲「Il Trittico」的三部獨幕劇中的最後一部。多納蒂 家族的一家之主去世後，把所有財產都留給了僧侶。本身早已在盤算自己會分得多少遺產的家人得悉這個噩 耗後，聘請了惡名遠播的騙子賈尼．斯基基重新訂立了一份遺囑，而因為他的女兒羅列達愛上了年輕的列諾 喬而需要一筆應急錢來籌備婚禮，於是他答允了。

23. “O mio babbino caro”《親愛的爸爸》 In the work’s best-known aria, and one now a staple of both the recital and TV adverts, Lauretta, says she’s in love with Rinuccio and wants to go to the Ponte Vecchio to buy the ring. She begs her father to help; if he refuses, she says, batting her eyelids at him, she will instead throw herself in the river. 這部作品最著名的詠嘆調，經常在獨奏音樂會和電視廣告中聽到。羅列達 說她愛上了列諾喬，並看上了威克橋那處的一枚戒指，於是懇求父親幫忙； 她說，如果父親拒絕，她就跳河自盡。

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Turandot by Giacomo Puccini 浦契尼《杜蘭朵》 Puccini’s last opera (in fact completed posthumously), Turandot tells the tale of a Chinese princess who sets her suitors three riddles; failure to answer them all correctly means death. Calaf, a Prince from far away, is smitten and announces his intention to try to answer. 《杜蘭朵》是普契尼的最後一部歌劇，生前未能完成的作品，死後由其他人完成。故事講述中國公主向 她的求婚者提出三個謎語，如果猜錯了就得死。異國王子卡拉富拜倒在她石榴裙下，說要一試。

24. “Signore ascolta”《先生，請聽我說》 Calaf has been accompanied on his trip by his father, the deposed king of Tartary, now blind, and a faithful slave girl, Liù, who is in love with him, an affection he is oblivious to.

In “Signore ascolta” (“Please listen”), she begs him not to undertake the trial; failure will devastate both her and his father. 卡拉富的父親是一名被廢黜的韃靼國王，現已雙目失明，然而忠心的女奴柳兒愛著 卡拉富但他卻不知情，她跟卡拉富的父親一直陪伴在側，與他同行。在 《先生，請 聽我說》中，她懇求卡拉富不要接受杜蘭朵的考驗，因為失敗了的話，她和他的父 親都會受到嚴重的打擊。

25. “Là, sui monti dell'Est”《茉莉花》 Puccini set several operas in what were, for Italians, exotic locations: Japan, China and the American West. In each he incorporated local melodies to provide atmosphere. The children’s chorus from Turandot (“There, in the mountains of the East”) will be immediately recognizable to Chinese audiences as “Mò Li H a ( 茉莉花 )” (“Jasmine Flower”). 浦契尼的數部歌劇中皆以日本、中國和美國西部作為背景，然而在意大利 人眼中，這些都是充滿異國情調的地方，而每部歌劇都融入當地的旋律來營造氣氛。《杜蘭朵》中的童 聲合唱（「在那東方的群山中」），中國觀眾一聽就知道是《茉莉花》。

Madama Butterfly by Giacomo Puccini 《蝴蝶夫人》 A visiting American naval officer, Benjamin Franklin Pinkerton, on a layover in Nagasaki in 1904, “buys” himself a house and a wife, both contracts renewable monthly. The girl, Cio-Cio-san (or Butterfly), believes he means it and falls in love.

1904 年，美國海軍軍官平克頓到訪長崎，短暫逗留一段時間，並為自己 「買」了一棟房子和妻子，兩 份合同均可按月續約。秋秋桑 （即蝴蝶）相信他是真心迎娶她的，因此動了真情墜入愛河。

26. “Un bel dì vedremo”《美好的一天》 Three years have passed since Pinkerton sailed away, promising to return, unaware that Cio-Cio-san was pregnant with his son. She watches for ships entering the harbour. “Un bel dì ... One fine day ...” she sings to her skeptical maid Suzuki, “we’ll see a white ship,” and it’ll be him, come to reclaim her.

Pinkerton does return, that very day, in fact, but he isn’t, alas, alone. 平克頓離開已有三年，在走的那天，他承諾會回來，卻不知道秋秋桑懷了 他的骨肉。她凝望著駛入港口的船隻，對態度懷疑的女僕鈴木唱道：「總有一天 ......」、「我們會看到 一艘白色的船」，那就是他，來接她了。就在那天，平克頓真的回來了，但他並不是獨自一人。

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27. “Coro a bocca chiusa” (Humming Chorus)《遠處傳來的聲音》 After seeing his ship in the harbour through her telescope, Butterfly has waited up all night for his return, accompanied by the “Humming chorus” which evokes (falsely, as it turns out) calm and peace. 蝴蝶透過望遠鏡看到他的船停在港口後，整夜守候著他回來，伴隨著她的 曲目《遠處傳來的聲音》喚起了平靜和安寧，縱使一切都是假象。

28. “Vogliatemi bene” (Love duet)《心愛的寶貝》 In Act I, with the marriage complete and the guests sent away, Butterfly and Pinkerton are finally alone. “Love me well,” she sings, “but in a small way, for we are a people accustomed to small things.” Pinkerton beckons her to the marriage bed. 第一幕，婚禮結束，賓客散去，終於只剩下蝴蝶跟平克頓獨處。 她唱道： 「好好愛我」，「但要細水長流的愛，因為我們是甘於平淡的人。」平克 頓把她喚到婚床上。

Turandot by Giacomo Puccini 浦契尼《杜蘭朵》 The eponymous Turandot is a Chinese princess who requires all her many suitors to answer three riddles: failure means, as it has numerous times to date, execution for the unfortunate seeking her hand in marriage.

Calaf, a foreign prince, saw her and was at once struck by her beauty. Oblivious to pleading from his father, loyal retainer Liu and Turandot’s own father and his ministers, he proceeds to put his name forward and to everyone’s surprise, manages to answer all three riddles. 杜蘭朵是位中國公主，她要求她眾多的追求者回答三個謎語，對於那些不幸的求婚者而言，失敗意味著 遭處決，迄今為止已多次發生。外國王子卡拉富見到她後，即被她的美貌所吸引。他不顧父親、忠心待 女柳兒、杜蘭朵的父親和大臣們的懇求，毅然報上自己的名字，令所有人意料之外的是，他答對了所有 謎語。

29. “Nessun dorma”《今夜無人入睡》 Turandot is horrified. Calaf, wishing her to marry him by choice, gives her one chance. No one yet knows who he is. If she can discover his name by dawn, he says, she can renounce and execute him. The entire city is in a frenzy: “No one can sleep,” he sings, “but they’ll never find my name. I’ll tell myself when I kiss her. At dawn, victory will be mine!” 杜蘭朵驚恐萬分，卡拉富希望她是自願嫁給他，就給了她一個謎語， 但還沒有人知他是誰。他說若她能在黎明前知道他的名字，她就可放 棄並處死他。全城陷入瘋狂，「沒有人能入睡，」他唱道：「但他們永遠找不出我的名字。當我親吻她 時，我會告訴她。黎明時份，勝利將屬我！」

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With the Compliments of

Ms. Olivia Lo Chevalier de l'Ordre National du Mérite

THANK YOU In sincere appreciation of

As an ardent corporate patron of art in Hong Kong, K. Wah International Holdings Ltd has been supporting Opera Hong Kong since 2013.

ACKNOWLEDGEMENT 鳴謝

Presenter 主辦機構

Opera Hong Kong would like to express its deepest appreciation to its sponsors and supporters for their generous sponsorship and support which have made Opera Gala possible. 香港歌劇院衷心感謝下列機構及人士的贊助及支持，使《歌劇薈萃》得以順利演出。

Supported by 資助

Gold Patron 金嗓贊助

Hotel sponsor of Opera Gala and Opera Development Patron of Opera Hong Kong 《歌劇薈萃》酒店贊助及香港歌劇院發展贊助

Mr. & Mrs. Richard Hui

許晉義伉儷

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Two-Year Platinum Sponsor 兩年白金贊助

One-Year Platinum Sponsor & Student Ticket Fund 年度及學生票白金贊助

One-Year Gold Sponsor & Student Ticket Fund 年度及學生票金嗓贊助

Mrs. Lui Chiu Kam Ping

呂趙錦屏女士

Dr Simon Kwan

關善明博士

Piano Sponsor 鋼琴贊助

General Donation 捐助

Loke Foundation

Special Thanks 特別鳴謝

Mr. Peter Gordon

高博德先生

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With the Compliments of

With the Compliments of

Mrs. Annie Ma &

Dr. Michael Ma

With the Compliments of

Mr. & Mrs. Richard Hui

A world-renowned Chinese tenor from Hong Kong, Warren Mok has made frequent guest appearances in many leading opera houses throughout the world.

His operatic repertoire exceeds 60 roles including Cavaradossi in Tosca, Calaf in Turandot, Rodolfo in La bohème, Radamès in Aïda and many others. In recent years, Mok has been very active in promoting opera and classical music in Hong Kong, Macao and the Mainland. He is currently the Artistic Director of Opera Hong Kong, Fujian Grand Theatre and Zhuhai Huafa Grand Theatre, and was also the Artistic Director of the Macao International Music Festival.

Warren Mok, BBS, MH 莫華倫 Producer and Artistic Director 監製及藝術總監

Mok is currently a member of the National Committee of the Chinese People’s Political Consultative Conference. He was awarded the Bronze Bauhinia Star by the Government of Hong Kong Special Administrative Region (HKSAR) and conferred an Honorary Doctorate by The Hong Kong Academy for Performing Arts in 2021, Honorary University Fellowship by Hong Kong Baptist University in 2019, Officer of the Order of the Star of Italy by the Government of Italy in 2018, Medal of Honour by the HKSAR Government in 2011, World Outstanding Chinese Award in 2010, and both Cavaliere dell’Ordine della Stella della Solidarietà Italiana (Knight of the Star of Solidarity of Italy) by the Government of Italy and Chevalier dans I’Ordre des Arts et des Lettres (Knight of the Order of Art and Letter) by the Government of France in 2008. In 2012, China’s Three Tenors — Warren Mok, Dai Yuqiang and Wei Song toured the world to promote Chinese culture. In 2015, Mok was appointed as a member of Beijing Committee of Chinese People’s Political Consultative Conference, fostering the bridge and development between the two cities. He was also a former member of Zhuhai Committee of Chinese People’s Political Consultative Conference. 莫華倫是來自中國香港的世界知名男高音。他的演唱足跡遍及世界各大著名 歌劇院。他演唱的歌劇角色超過六十個，其中包括《托斯卡》的卡瓦拉多西、 《杜蘭朵》的卡拉夫、《波希米亞生涯》的羅多夫、《阿伊達》的拉達梅斯等。 莫氏在港澳及內地積極推廣歌劇與古典音樂，他現正擔任香港歌劇院、福建 大劇院及珠海華發大劇院的藝術總監，亦曾為澳門國際音樂節的藝術總監。 莫氏現任中國人民政治協商會議全國委員會委員，並於 2021 年分別獲香港 特區政府頒授銅紫荊星章及香港演藝學院頒授榮譽博士學位， 2019 年獲香 港浸會大學頒授榮譽大學院士銜， 2018 年獲意大利政府頒發「意大利之星 軍官勳章」， 2011 年獲香港特區政府頒授榮譽勳章及 2010 年榮獲世界傑出 華人獎。此外，莫氏於 2008 年獲意大利政府頒發「意大利團結之星騎士勳 章」及法國政府頒發「法國藝術騎士勳章」。 2012 年，莫氏與戴玉強、魏 松所組成的中國三大男高音展開世界巡迴演出，積極推動中國文化走向世 界。他自 2015 年起獲委任為北京市政協委員，促進兩地交流發展。他也是 前珠海市政協委員。

Charles Olivieri-Munroe 奧利維亞里．蒙羅 Conductor指揮

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Charles Olivieri-Munroe is currently Artistic Director of the Cracow Philharmonic Orchestra, honorary conductor with the North Czech Philharmonic Teplice and principal guest conductor of the Thürringen Philharmonie in Germany.

The Maltese / Canadian conductor’s hold on public imagination stems from a ‘combination of talent and charisma’ (New York Times) and a ‘passion for purity of orchestral sound’ (Toronto Star) supported by a proven ability for connecting with a strikingly diverse audience. In the opera house, he has appeared in Berlin, Milan, Venice and Warsaw. He recently drew international acclaim for conducting the Czech premiere of Robert Schumann’s opera Genoveva at the Czech National Theatre for which he has been commissioned to construct a suite from the opera. Charles Olivieri-Munroe is First Prize winner of the 2000 ‘Prague Spring International Music Festival’ Conducting Competition. 奧利維亞里．蒙羅是現任波蘭克拉科夫管弦樂團的藝術總監、北捷克愛樂 樂團的榮譽指揮及德國圖林根愛樂樂團的首席客席指揮。生於馬爾他並在 加拿大成長，他的感染力非凡並能讓各個觀眾層為所奏之曲產生共鳴，《紐 約時報》更形容他為「天資與魅力的結合」，而《多倫多星報》並讚賞他對 「管弦樂音的根本性追求」。他踏遍柏林、米蘭、威尼斯及華沙的舞台獻藝， 近期於布拉格國家劇院為舒曼的歌劇《蓋諾維凡》 擔任指揮，此乃捷克首 演而他更為歌劇裡編寫一段組曲而備受矚目。他於 2000 年布拉格之春國際 音樂節指揮大賽勇奪第一名。

Residing in Italy, Bing Bing Wang is the first Chinese to have graduated with a Master’s degree from the Giuseppe Verdi Conservatory of Music in Milan. She was awarded as one of the top ten sopranos in China by CCTV. Her roles include Nedda in Pagliacci, Micaëla in Carmen, Mimì in La Bohème, Violetta in La Traviata, Adina in L’Elisir d’Amore in opera houses of Italy, France, Australia, the United States, Israel, Slovenia, Romania and Latvia. Recently she was invited by Puccini Festival in Torre del Lago and Taormina Opera Festival for the roles of Liù in Turandot and Musetta in La Bohème. She was also Cio-Cio-san in Madama Butterfly at Serbian National Opera. In 2019, Sony Classic Label signed her to produce her first Italian arias album, being the first Chinese soprano to have a CD released by Sony.

Bing Bing Wang 王冰冰 Soprano女高音

Nancy Yuen 阮妙芬 Soprano 女高音

旅意華人女高音王冰冰是首位華人以碩士資歷畢業於意大利米蘭威爾第國 立音樂學院，並獲中國中央電視台頒發「中國十大女高音」 之一。世界歌 劇舞台上都閃耀著她的身影，包括意大利、法國、澳洲、美國、以色列、 斯洛文尼亞、羅馬尼亞及拉脫維亞等，擅長飾演《丑角》的妮達、《卡門》 的米凱拉、《波希米亞生涯》的咪咪、《茶花女》的薇奧列達及《愛情靈藥》 的阿蒂娜等。近期她獲托瑞德拉古浦契尼歌劇節及陶爾米納歌劇藝術節邀 請，飾演《杜蘭朵》的柳兒及《波希米亞生涯》的慕瑟塔；及塞爾維亞歌 劇院《蝴蝶夫人》的秋秋桑。 2019 年，國際著名品牌 Sony 為她發行首張歌 劇詠歎調專輯，這也是 Sony 首度為華人女高音灌錄唱片。

A top graduate from London’s Royal Academy of Music, Nancy Yuen has made Ciocio-san (Madama Butterfly) her signature role, winning great critical acclaim since her debut with the Welsh National Opera. Yuen has since repeated the role with English National Opera, West Australia Opera, Opera Queensland, Singapore Lyric Opera, New Zealand International Festival of Arts, and at the Royal Albert Hall in 1998, 2000 and 2003. Other operatic roles include Violetta, Gilda, Tosca, Aïda, Liù, Desdemona, Mimì and Soong Chingling. The operas she has directed include: Così fan tutte, The Merry Widow, Prima la Musica, Carmen and The Marriage of Figaro. Yuen has been the Head of Vocal Studies with The Hong Kong Academy for Performing Arts (HKAPA) since 2010 and Honorary Artistic Director of Singapore Lyric Opera since 2015. Yuen was elected Associate of the Royal Academy of Music in 2014 and was appointed as Professor by the HKAPA in 2018. 阮妙芬是倫敦皇家音樂學院的高材畢業生，首次與威爾斯國家歌劇團合演 《蝴蝶夫人》一舉成名後，又載譽與英國國家歌劇團、西澳洲歌劇團、昆 士蘭歌劇院、新加坡歌劇團、紐西蘭國際藝術節及皇家阿爾伯特音樂廳等 分別於 1998、2000 及 2003 年重演這齣歌劇。她曾飾演的角色包括薇奧列達、 吉爾達、托斯卡、阿伊達、柳兒、蒂斯蒂夢娜、咪咪及宋慶齡等，並曾為《女 人皆如此》、《風流寡婦》、《音樂至上》、《卡門》及《費加羅的婚禮》 執導。阮氏自 2010 年起出任香港演藝學院聲樂系系主任及 2015 年起任新加 坡歌劇團榮譽藝術總監。她更於 2014 年及 2018 年先後獲頒皇家音樂學院院 士及香港演藝學院教授榮銜。

A renowned baritone in China, Sun Li is the President of Fujian Opera Dance and Drama Theatre, Director of Fujian Folk Music and Symphony Exchange Centre, Deputy Secretary-General of the China Opera Research Society and member of the Chinese Musicians Association. He performed Ping in Turandot for cultural exchange in Egypt. In 2008, the opera Farewell My Concubine starring Sun toured six cities in the United States. He also won Wenhua Performance Award in 2010 by virtue of this play. In 2010, Nucci acclaimed his skill being ‘so perfect that amazes him!’ at Leo Nucci masterclass.

Sun Li 孫礫

孫礫為中國著名男中音歌唱家，並出任福建省歌舞劇院院長、福建民樂交響 樂交流中心主任、中國歌劇研究會副秘書長及中國音樂家協會會員。他遠 赴埃及演唱《杜蘭朵》的平作交流演出。2008 年，他主演的歌劇《霸王別姬》 在美國六個州巡演，孫氏更藉此劇摘得「文華表演獎」。2010 年，孫氏參 與里奧努奇的大師班，獲努奇盛贊他的技術「非常完美，令他驚訝！」。

Baritone 男中音

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Soprano 女高音

Yanna Chen 陳妙燕

Candice Chung 鍾嘉欣

Yuki Ip 葉葆菁

Etta Fung 馮曉楓

Rachel Kwok 郭岍

Louise Kwong 鄺勵齡

Colette Lam 林穎穎

Li Yang 李洋

Valentina Tao 陶依靜

Dani Zhang 張瀞丹

Carol Lin 連皓忻

Bobbie Zhang 張倩

Mezzo-soprano 女中音

Dominique Chan 陳皓琬

Biography of the performers 表演者簡介

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Ashley Chui 徐曉晴

Christy Li 李詩蓓

Tenor 男高音

Chen Chen 陳晨

Chen Yong 陳永

Samuel Huang 黃加恩

Henry Ngan 顏嘉樂

Alex Tam 譚天樂

Wesley Lam 林俊傑

Baritone 男中音

Alexander Chen 陳俊堯

Alex Kwok 郭俊立

Lam Kwok Ho 林國浩

Albert Lim 林俊

Bass-baritone 男低中音

Apollo Wong 黄日珩 45

OPERA HONG KONG ORCHESTRA 香港歌劇院樂團

The Opera Hong Kong Orchestra is composed of nearly 60 outstanding experienced musicians, most of whom are soloists. All the world’s major opera houses have their own orchestras. In view of the significant increase of opera audience and the various programmes developed by Opera Hong Kong in recent years, the company decided to establish its own orchestra to further that growth. Opera Hong Kong Orchestra marks a major milestone in the development of operatic art in Hong Kong.

© Kurtachio

Currently the Second Associate Concertmaster of the Hong Kong Philharmonic Orchestra, Anders Hui first joined the orchestra in 2010. In 2018, he toured with the Hong Kong Philharmonic Quartet to Shanghai and Beijing, highlighting a highly acclaimed performance in the Beijing Music Festival collaborating with Andreas Ottensamer and the Shanghai Quartet, as well as giving Masterclasses in the Shanghai Orchestra Academy. He was invited by Christoph Eschenbach to be the Assistant Concertmaster for the Schleswig Holstein Music Festival Orchestra, performing with soloist Lang Lang in a month-long 23-concert tour across North America. Hui is currently an adjunct faculty member at Hong Kong Baptist University and Hong Kong University of Science and Technology.

Anders Hui 許致雨 Orchestra Executive 樂團統籌

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香港歌劇院樂團由本地近六十位優秀樂 手 組 成， 他 們 經 驗 豐 富， 本 身 多 是 獨 奏 家， 堪 稱 樂 壇 精 英。 宏 觀 世 界 各 地 主 要 歌 劇 院 皆 有 專 屬 樂 隊， 而 歌 劇 藝 術 近 年 在 本 港 有 長 足 的 發 展， 實 需 要 有 專 門 的 歌 劇 院 樂 團 來 配 合。 香 港 歌 劇 院 樂 團 的 成 立 標 誌 本 地 歌 劇 發 展 一 個 里 程 碑， 推 動歌劇藝術更上一層樓。

許致雨自 2010 年起加入香港管弦樂團，現任香港管弦樂團的樂團第二副 首席。2018 年曾代表港樂四重奏於北京國際音樂節與奧登薩默合作五重 奏演出以及與上海四重奏合作八重奏演出獲得廣泛好評，並於上海樂隊 學院開展大師班課程以及四重奏演出獲得圓滿成功。許氏曾獲艾森巴赫 委任為席勒斯威格．霍爾斯坦節慶管弦樂團的樂團副首席，與鋼琴家郎 朗一起在北美進行為期一個月的 23 場巡迴演出。許氏也是一位富熱誠的 音樂教育家，最初在讀書時期被任命為印第安納大學少數的小提琴教員 之一。現於香港浸會大學擔任客席教授，並於香港科技大學擔任重奏及 室內樂課程客席教授。

First Violins

第一小提琴

Flutes

長笛

Hui, Anders Choi Kwan Yeung, Brian Wei Ningyi Yeung Sin Hang, Andy Sit, John Lee, William Chan, Kurt Li Chun Lam, James Fung Cheuk Yin, Jason Yeung Ho-Yin, Victoria Kathleen Ho Wing Lok, Enoch

許致雨 蔡君楊 魏寧一 楊善衡 薜子豪 李威霖 陳子康 李俊霖 馮卓賢 楊浩然 何永樂

Sterling Megan Leung Hoi Kei, Chloe

史德琳 梁凱淇

Oboes

雙簧管

Wilson Michael Chan Nim Yee, Carol

韋爾遜 陳念怡

Clarinets

單簧管

Iosca Lorenzo Fung Chi Chuen, Frederick

艾爾高 馮智銓

Second Violins

第二小提琴

Bassoons

巴松管

Zhao Yingna Shen Ting Chia, Vivian Yang Qian Chen Ning Li Jun Jun, Cecilia Wong Tak Kin Cheng, Calvin Yu See Wai Tsang Hin Hei, Arthur Ng Chi Yiu

趙瀅娜 沈庭嘉 陽 芊 陳 宁 李珺君 黃德健 鄭皓宗 俞思瑋 曾憲希 吳智耀

Moermond Ben Leung Tak Wing

莫班文 梁德頴

Horns

圓號

Chiu Chin Pong, Harry Chan Kar Man, Cheryl Cheung Sun Ming, Sunny Chau, Wilson

趙展邦 陳珈文 張新名 周肇軒

Trumpets

小號

Violas

中提琴

Wilson Kaori Chan Wai Bun Yung Pok Yin Wong Ming Yeung, Melvin Chan Wai Kei, Vikki Fong Hei Tung, Ingri Cheng Man Ho Yeung, Vincent

熊谷佳織 陳煒彬 容博賢 王銘揚 陳慧琦 方希桐 鄭民浩 楊博賢

Moyse, Chris Mak, Jerry Wong, Edwin

莫思卓 麥敬謙 王仲楊

Trombones

長號

Lo, John Chiu Hon Kuen Lo, Terence

盧國軒 趙漢權 盧天恒

大號

Cellos

Tuba

大提琴

Kwan Long

關

Tarros Antonio Roig Heath Shelagh Lam, Kevin Lee Ka Long, Kelvin Chan, Trevor

洪東尼 洪偉嘉儀 林心宇 李嘉朗 陳騁懷

Timpani

定音鼓

Vong Wai Man

王偉文

Percussion

敲擊樂器

Double Basses

低音大提琴

Ng Chin To, Kelvin Chiu, Evette Ho Hei Kan

吳展滔 趙逸穎 何熙勤

Lo Tsin Man Chan, Samuel

勞善雯 陳梓浩

Harp

豎琴

Tse, Yany

謝欣燕

朗

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OPERA HONG KONG CHORUS 香港歌劇院合唱團

The Opera Hong Kong Chorus was established in 2004.

The Chorus was directed and developed by Mr. Jimmy Chan who established it as one of the leading choirs in Hong Kong. Mr. Chan retired from the position of Chorus Director in 2013 and was succeeded by Mr. Alex Tam who is well-known locally for his operatic performing skills as well as being an accomplished choirmaster. Under his direction, the Chorus has attained new heights of artistic excellence.

Unlike their full-time counterparts in professional choruses in other major world cities, members of the Opera Hong Kong Chorus are all part-time singers from all walks of life. Whilst there are currently more than 60 active members, the Chorus size and composition varies according to the requirement of each production.

This pool of gifted singers includes current music students, highly qualified graduates, music teachers and experienced performers, all of whom have been selected through competitive public auditions.

Since making its debut in December 2004 in La Traviata, the Chorus has participated in over 36 fully staged operas including the Opera Hong Kong productions of The Magic Flute at The National Centre for the Performing Arts of China in 2009 and the world premiere of Dr. Sun Yat-Sen in Hong Kong in 2011. In addition to major productions, the Chorus gives public recitals of works such as Verdi’s Requiem and Operatic Excerpts, including choral and solo performances, with the aim of promoting opera and high quality choral music in Hong Kong.

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香港歌劇院合唱團於 2004 年創立， 在指揮家陳晃相先生的率領及推動 之下，香港歌劇院合唱團已成為香 港優秀的合唱團之一。2013 年，陳 先生卸任合唱團總監一職，由歌劇 演唱家及屢任合唱團團長的譚天樂 先生接任，帶領合唱團向更高的藝 術水平邁進。 有別於世界各地主要城市的全職合 唱團，香港歌劇院合唱團由兼職成 員 組 成。 他 們 來 自 各 行 各 業， 有 音樂學生、老師及經驗豐富的表演 者， 至 今 已 有 約 60 名 活 躍 團 員 的 合 唱 團， 全 都 通 過 嚴 格 的 公 開 篩 選。每次演出人數會因應製作規模 而調整。 香 港 歌 劇 院 合 唱 團 自 從 2004 年 於 大型歌劇《茶花女》首演以後，已 參 與 超 過 36 部 歌 劇 演 出， 包 括 於 2009 年 在 中 國 國 家 大 劇 院 上 演、 由香港歌劇院製作的《魔笛》，以 及 於 2011 年 香 港 首 演、 由 香 港 歌 劇院委約及製作的《中山．逸仙》。 除了大型歌劇以外，合唱團亦參與 音樂會如威爾第的《安魂曲》及歌 劇選段的合唱及獨唱演出，把歌劇 藝術與優秀的合唱音樂推廣至普羅 大眾。

Chorus Director 合唱團總監 Alex Tam 譚天樂

Rehearsal Pianists 排練伴奏 Candy Chik 戚芷君 Alexander Wong 黃歷琛 Soprano

女高音

Tenor

男高音

Chan Man Fan, Fanny Chik, Candy Han, Serein Hung Yan Yee, Bertha Kwong Suk Yee, Katherine Lai, Amy Leung Po Pui, Noel Ma Hang Yi, Michelle Man Che On, Angel Ng Yen Yen Tsang Yu Yan, Michelle Tsang, Polly Wong, Kate Wong Lok Yi, Cherrie Wong Sze Wing, Kathy Wong Wai Wah, Pancy Yeung, Eve

陳文芬 戚芷君 韓 瑤 洪恩怡 鄺淑儀 黎嘉雯 梁寶培 馬杏兒 文賜安 吳彥彥 曾如恩 曾麗佩 黃凱琪 黃樂兒 黃詩詠 黃偉樺 楊淑嫻

Butt Hiu Tung Chan Chun Fung, Jeff ^ Chan Chun Wa, Simon Chan Chun Yeung, Alan Chan Shun Kit, Keith Ching Chun Ho, Terry Chung Chi Wing, Andrew Hung Sze Hang, Edison Keung Hung Kwan, Matthew Kong Chi Kwan, Clement Lo Tat Chi, Arthur Osborne Robin Hugh Wong Chi Lok Yau Kai Chung Yeung Tat Ming, David Yeung Ka Sing, Ken

畢曉東 陳駿鋒 ^ 陳駿華 陳振揚 陳迅傑 程鎮濠 鍾志榮 洪思行 姜鴻均 江志群 盧達智 區思博 黃志樂 邱啟忠 楊達明 楊家聲

Alto

女低音

Bass

男低音

Au Hoi Ki, Candy Chan, Carla Ching Lok Chee, Sarah Choy, Juliet Chung Yin Ling, Athena Ho Yuen Man, Flavia Hui Sin Yee, Lovina Ip Suk Tak, Eleanor Lai Wan Ling, Pierra Leung Shuk Han, Rita Leung Wing Sze, Susanna Li, Nancy Melissa Sorohan Ng Yu Tim, Edith Wong, Anita Yip Ching Yee, Mabel

區凱淇 陳雅儀 程樂慈 蔡雯璐 鍾燕玲 何婉雯 許羨儀 葉淑德 賴韻鈴 梁淑嫻 梁頴思 李黃楚蘭 蘇美詩 吳于恬 王卓研 葉靜儀

Chan Hing Sang, Hamsun Chan Kam Yan, Eddie Chan Kwok Kin, Patrick Cheng Yeung Cheuk King Yau Chung Ying Yin, Desmond Kwan Cheuk Shing, Aaron ^ Lee Ka Hing, Rodney Li Yat Sing Ma, Anshel Sing Yiu Wah Sze Tsz Yan, Alfred To Kin Tak, Keith Tsang Kwong Chiu, Charles

陳慶生 陳錦恩 陳國堅 鄭 颺 卓敬又 鍾英賢 關卓城 ^ 李嘉興 李日昇 馬肇麟 成耀華 施子仁 陶健德 曾廣釗

Chorus Working Committee

合唱團工作小組

Treasurer Tsang Kwong Chiu, Charles Membership Secretary Hui Sin Yee, Lovina

財政 曾廣釗 會員幹事 許羨儀

Secretary Wong, Kate Social Secretary Lo Tat Chi, Arthur

秘書 黃凱琪 社交幹事 盧達智

Part Leaders

聲部長

Ng Yen Yen Hung Sze Hang, Edison

吳彥彥 洪思行

Leung Shuk Han, Rita Chan Kwok Kin, Patrick

梁淑嫻 陳國堅

^ By kind permission of the School of Music of The Hong Kong Academy for Performing Arts 承蒙香港演藝學院批准參與是次演出

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OPERA HONG KONG CHILDREN CHORUS 香港歌劇院兒童合唱團 Established in January 2008, Opera Hong Kong Children Chorus (OHKCC) has grown to become a leading children’s chorus in Hong Kong. The mission of OHKCC is to educate, develop and inspire children to enjoy the beauty of opera and develop a commitment to excellence through singing and stage performances. In addition to staging its own concerts, OHKCC collaborates with renowned singers in grand-scale productions by Opera Hong Kong.

香 港 歌 劇 院 兒 童 合 唱 團 於 2008 年 1 月成立，至今已發展成為香港最優秀 的兒童合唱團之一。香港歌劇院兒童 合唱團致力培育兒童的音樂修養，啟 發他們的音樂潛能，讓他們感受和欣 賞歌劇之美，以及當中的豐富藝術和 文化內涵。此外，香港歌劇院積極讓 合唱團參與其大型製作，及與蜚聲中 外的歌唱家同台演出。

Members of OHKCC have ample opportunities to learn vocal techniques through master classes and perform a variety of music genres, from opera to musical and choral works, in both solo and ensemble settings.

They also learn to sing in the original language. The operas including English, German, Italian, and French.

Members can discover and nurture their musical gift through these activities while expanding their intellectual capacity and cultural horizon.

此外，香港歌劇院亦為合唱團成員提 供參與大師班的機會，提升他們的聲 樂技巧。成員經常參與獨唱和合唱表 演，並以英文、德文、意大利文和法 文等語言演出歌劇、音樂劇及合唱作 品等。香港歌劇院希望透過不同層面 的培訓和演出，啟發兒童合唱團成員 的才能，擴闊他們的文化視野。

Anna Chan 陳珮珊 Coach 導師

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Hong Kong-born mezzo-soprano, Anna Chan received training at the Royal Birmingham Conservatoire and Royal Welsh College of Music and Drama, and holds a Master’s degree in voice from The Hong Kong Academy for Performing Arts. While studying at HKAPA, she received the Hong Kong Jockey Club scholarship and studied with Professor Nancy Yuen. Chan was an invited artist at the Mdina Cathedral Contemporary Art Biennale in 2015 and presented a solo recital at the Church of St Peter in Chains in Malta. Chan sang the role of Mrs. Herring in Britten’s Albert Herring at the Royal Welsh College of Music and Drama, which gained a fine review from Glyn Pursglove. Chan also covered Vera Boronel in Menotti’s The Consul at the Welsh National Opera. Other operatic engagements in Hong Kong include Idamante in Idomeneo, Lucia in Cavalleria rusticana, Mercédès in Carmen, and Cornelia in Giulio Cesare. Chan’s oratorio credits include the alto solos in Mozart’s Requiem and Verdi’s Requiem with Hong Kong Oratorio Society. 陳珮珊是於香港土生土長的女中音，曾於英國皇家伯明翰音樂學院、英 國皇家威爾士音樂戲劇學院接受訓練，並於香港演藝學院修畢碩士學位。 她於香港演藝學院時獲香港賽馬會頒發獎學金，並師隨著名女高音阮妙 芬教授主修聲樂。她於 2015 年曾受邀參加馬爾他姆迪納大教堂當代藝術 雙年展；並曾於馬爾他聖彼得鎖鏈教堂舉行獨唱會。在英國皇家威爾士 音樂戲劇學院修業期間，於布烈頓《亞伯特赫林》演出擔任海林夫人一 角並獲得格林．珀斯格洛夫的好評。她亦曾獲威爾士國家歌劇院選中擔 任梅洛蒂歌劇《領事》維拉．博羅內爾的替補演出。陳氏在香港的其他 歌劇演出包括《伊多美尼奧》的伊達曼特、《鄉村騎士》的露茜亞、《卡 門》的梅賽黛斯和《凱撒大帝》的歌妮莉亞。聖樂作品的演出包括與香 港聖樂團合作於莫扎特《安魂曲》和威爾第《安魂曲》中擔任女低音獨 唱。

Coach 導師 Anna Chan 陳珮珊

Rehearsal Pianists 排練伴奏 Katherine Chung 鍾嘉盈 Karl Hui 許仲謀 Ang Siu Yat Chan Hiu Huen Chan Wing Yee Abby Chan Yik Yin Isaac Chan Yvone Chau Hou Chun Curtis Chau Man Choi Sophie Cheng Hei Yin Hayley Cheng Tsz Yu Isla Cheung Man Ki Mika Cheng Shine Pak Hei Cheng Sunny Tin Ching Chim Yuen Yuen Amber Chong Yung Deng Jianyi Jenny Fung Hin Ching Kristy Ho Kendrick Alexis Hu King Wa Hui Sum Yue Kacey Kuehl Melisa Kuruppu Arachchige Don Precia Tsz Kei Lam Yu Tung Hanna Lau Yu Ching Valerie Lee Cameron Lee Hang Yu Hannah Lee Ka Yee Pearl Lee Pui Lam Helen Leung Ho Yin Tobiah Leung Hoi Kiu Bernice

王咲日 陳曉萱 陳穎怡 陳奕言 陳穎橋 周昊駿 周旻彩 鄭曦言 鄭芷妤 張汶琪 鄭栢熹 鄭天晴 詹圓圓 莊 融 鄧簡宜 馮顯晴 何洛軒 胡景華 許芯瑜 — 黃梓淇 林渝童 劉羽澄 李光輝 李幸瑜 李家宜 李沛霖 梁澔彥 梁皚翹

Liman Arielle Grace Liman Rochelle Charis Loo Anneka Loo Charisse Mak Janelle Edel Ng Thea Paige Ngai Ka Yan Grace Philippeau Lilwen Eglantine Poon Sum Yuet Summer Santulli Kari See Lok Yu Rain Signorotti Noemi Sweeney Aurora Elaine Saludo Tang Tin Suet Shyra Trieb Charlotte Helga Wan Kwan Yuet Manuela Wang Hannah Ying Zhi Wong Hui Ching Priscilla Wu Bui Sen Alice Wu Gwyneth On Man Xu Haoyuan James Yau For Ki Hilaire Yim Jessie Yiu Quentin Yiu Trissie Zheng Huanran Zhou Zhuo Han Hannah

林穎怡 林慧雅 盧天行 盧天元 麥靜初 吳琛瑈 魏嘉恩 易莉汶 潘芯玥 黃海喬 施樂如 沈瑞苓 — 鄧天雪 史媛珍 尹君悅 王盈之 黃栩澄 胡貝晨 胡安文 許皓源 邱科棋 嚴臻晞 姚敬潼 姚可嵐 鄭煥然 周琢涵

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PRODUCTION TEAM 製作人員

MANAGEMENT 行政人員

Lighting Designer 燈光設計 Adonic Derek Lo 羅兆鏵 Stage Manager 舞台監督 Yellow Wong 黃可童 Deputy Stage Manager 執行舞台監督 Yatho Jonathan Lee 李恩浩 Stage Technicians 舞台技師 Chan Ping Hang 陳炳衡 Wong Chun Lung 黃俊龍 Make-up Artists 化妝師 Betty Wan 溫筱敏 June Chan 陳美華 Carrie Leung 梁靜雯 Euthy Wong 黃彥程 Project Assistants 項目助理 Li Wing Yan Joyce 李穎欣 Wong Hilary 黃心悅 Wu Chun Yeung 胡俊陽 Yuen Man Yiu Nicole 袁敏瑤

Acting General Manager 署理總經理 Stephane Lun 倫世豪 Deputy General Manager (Development) 副總經理（拓展） Cynthia Chan 陳頌恩 Manager (Corporate Affairs) 經理（企業事務） Mandy Yeung 楊子敏 Manager (Accounting & HR) 經理（會計及人事） Oscar Go 吳東婉 Assistant Manager (Education & Outreach) 副經理（教育及外展） Anthony Hau 侯宇建 Assistant Manager (Marketing & Event Management) 副經理（市場策劃推廣） Dory Lui 呂佩盈 Assistant Manager (Production) 副經理（製作） Niki Lau 劉雅如 Officer (Education & Outreach) 主任 ( 教育及外展 ) Eunice Lai 黎靖林

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Years Highlights 年回顧

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香港歌劇院過往演出

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OPHK-I Capuleti Montecchi poster 11-OP.pdf 1 13/7/2021 下午1:19

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*

Conductor

Francesc Bonnin

Deluxe Package $5,000

Orchestra

2234 0338

International Orchestra of Italy

(Concert + Cocktail Receptions)

starting at $5,000 per person, with guaranteed best seats to the concert Please call 2234 0338 for details

Soloists

Lea Woods Friedman

Soprano

Meagan Miller

Soprano

Alexandra Sapan Warren Mok

Details of the talk and masterclasses please refer to promotional leaflet

Soprano

Elizabeth Batton

18.10.2003

Mezzo-Soprano

Sat

Tenor

Mark Thomsen Peter Edelmann Brian Jauhiainen Victor Von Halem

Lyric Theatre, Hong Kong Academy for Performing Arts

Baritone Baritone

Tickets : $3,000, $1,200, $680, $480 & $280

Bass Bass

Booking Hotline 31 288 288 www.hkticketing.com Programme Enquiries 2234 0303

Chorus

Opera Society of Hong Kong Chorus Master

Opera Hong Kong

Raymond Fu

9 12 Tickets are available at HK Ticketing starting from 12 Sept

Inauguration Fundraising Gala Concert

w w w. o p e r a h o n g k o n g . o r g Title Sponsor

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| 8:00pm

Tenor

Paul Armin Edelmann

Please refer to the promotional leaflet for details

Platinum Sponsor

Gold Sponsor

OPHK-The Sound of Music-Leaflet_05OP.pdf 1 9/10/18 下午5:34

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Salute to Our Sponsors for S upporting Opera Hong Kong Over the Years

Ms. Ho Kwong Ling Alice Mrs. May Holdsworth Ms. Hon Hing Kie Agnes Ms. Joanna Hsiung Mrs. Anna Hui Ms. Hui Lam Yin Ming Erika Mr. Rafael Hui, GBM, GBS, JP Mr. Antony Hung Ms. Katherine Hung Ms. Mimi Ho Mr. Ho Wai Chi Mr. Ho William DTZ Debenham Tie Leung Mr. Ho Yu Cheung Dynamic Network Alliances Limited Mrs. Mary Tong Ho Mrs. Olivia Davies Ms. Alice Ho Mr. Wildrik De Blank Ms. Marian Ho Ms. Christina Gaw Donohugh Mr. Chester Hoang E & R Foundation Ltd. Ms. Shirley Hu elle.com.hk Mr. Samuel Huang Emilia Romagna Concerti Mr & Mrs Richard Hui Emperor Watch and Jewellery In Yam Development Limited ESCADA Hong Kong Limited Incitadv Consultants Limited Estee Lauder (Hong Kong) InterContinental Grand Stanford Hong Kong Evangel College InterContinental Hong Kong Executive Access Ltd. Italian Cultural Institute Mr. Philip Eisenbeiss Mr. Ip Chi Shing, Tony Mr. Richard Elman Mr. Ip Tak Chuen Farrington Interiors Mr. Ip Kwan Fine Health Limited Mr. Gordon Jones Fok Ying Tung Foundation Jonathan KS Choi Foundation Frey Wille Hong Kong Ltd K. Wah International Holdings Limited Friends of Asia Holdings Ltd. Kam Wah Investment Co. Ltd. Fujipoly Hong Kong Ltd. KEF Funful Sear Roger International School & Funful Kindergarten Kenwil Medical Limited Fung Yiu King Charitable Foundation Ltd. Kerry Holdings Ltd Dr. David Fang, SBS, JP Kiehl’s Since 1851 Mrs. Jennifer Wang Fang Kingston Financial Group Mr. & Mrs. Canning and Eliza Fok Kosmopolito Hotels International Ms. Cecilia Fok Kowloon Motor Bus Company Mr. Fong Keter Kowloon Shangri-la Mrs. Irene Fong Mr. Kan Ka Hon Ms. Janie Fong Mr. Richard Kan Mrs. Lina Fong Mr. David Kao Mrs. Jill Friedman Mr. Kao Kam Charles Mrs. Deirdre Fu Tcheng Mr. and Mrs. John Kao Dr. Fung Chiu Fai Peter Mr. & Mrs. Johannes and Lisa Kaps Dr. Fung Hong Ms. Coco Kau Mr. Fung Hing Hon Mr. Keung Kenneth Mr. Fung Hing Wai Mrs. Angela Keung Mr. Fung Hing Wang Ms. Khoo Li Lian Mr. Fung Michael Mr. & Mrs. Chilly and John Khuu Mr. & Mrs. Fung Yee Wang Mr. Peter Kilgour Fung Hing Wang Mr. William King Mr. Patrick Fung Mrs. Lumen Kinoshita and Mr. Andrew Kinoshita Gaily Jewellery Mr. Ko Yuk Bing Gelardini & Romani Dr. Ko Wing Man Global Beauty International Dr. Koo Goldman Sachs (Asia) L.L.C. Ms. Koo Helena Goldman Sachs Gives Mr. & Mrs. Alan Koon Goodall Ms. Gretchen Goodall Mr. & Mrs. Purina and Victor Koong Grand Hyatt Hong Kong Ms. Cynthia Kracht Grand Stanford Hotel Ms. Ku Ka Yee Monique Great Eagle Holdings Limited Dr. Simon Kwan GUCCI Dr. Synthia Kwan Ms. Renee Gao Mr. Kwan Tin Wing Bonnie Mr. Martin Ganz Mr. Patrick Kwan Ms. Christina Gaw Ms. Kwan Shui Ling Hang Seng Bank Ms. Lucy Kwan Harbour City Estates Ltd Mr. Kwan Sek Yiu Harilela Foundation Limited Ms. Kwang Kam Shing Harilela Hotels Ltd Mr. Kwok Chin Lai Josiah Hengli Commercial Properties (Group) Limited Mr. Ronald Kwok & Mrs. Reggie Kwok Hengli Investments Holdings (Group) Limited Mrs. Sylvia Kwok Headragon Limited Ms. Clara Kwok Henderson Land Group Mrs. Amanda Kwong Hilton Lee Hysan Foundation H.K.I. Company Limited Lee Kum Kee Company HNA Group Company Ltd Leeds Electronic Engineering Limited Hong Kong Airlines Limited Légion d’honneur Club Hong Kong Arts Development Council Leisure and Cultural Services Department Hong Kong Cultural Centre LGT Bank in Liechtenstein AG Hong Kong Culture Association Loke Foundation Hong Kong Economic and Trade Office in Wuhan of the HKSAR Government Lifestyle International Holdings Limited Hong Kong Orchestra Limited Lily Chiang Charitable Foundation Hong Kong Philharmonic Orchestra Lines Consulting Limited Hopewell Holdings Ltd Liu Shih Kun Piano & Arts Centre Hotel Miramar Hong Kong Luen Thai Holdings Limited Houlder Insurance Broker LVMH HS Chau Foundation Mr. Lai Raymond HSBC Mr. Lai Siu Mun Simon HSBC Asset Management (HK) Mr. Lai Yim Shik Daniel HSBC Private Banking Mr. Charlie Lam 香港天津工商專業婦女委員會 Dr. Colin Lam Ms. Rumiko Hasegawa Dr. Kin Lam Mr. Hee Hwan-Seng Mr. Sam Lam Mr. Heung Shu Fai Dr. Lam Tai Yuen David Dr. Ho Sai Kwan, Vincent Mr. Kit Lam Ms. Harita Ho Mrs. Jean Lam Mr. Edward S. T. Ho, OBE, SBS, JP Mrs. Nina Lam Mr. Ho Dennis Ms. Daisy Lam Mr. Ho Tin Ching Ms. Lam Alexa Mr. Paul Ho Ms. Lam Oi Kin Ms. Ho Chung Wai Ting Rita Dr. Lilian Lau Lai-lin Ms. Ho M. Y. Irene Mr. Andy Lau Ms. Ho Tsz Sze Mr. Lau Chor Lok Ms. Meredith-Megan Ho Mr. Lau Sai Yung Ms. Yvette Ho Mr. Thomas Lau

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Mr. Tony Chan Ms. Vivien Chan, SBS, BBS, JP Miss Yvone Chan Mrs. Chan Fang Anson Mrs. Viola Chan Ms. Barbara Chan Ms. Chan Ka Lin Ms. Chan Kit Wah Eva Ms. Chan Wing Yi Elaine Ms. Eva Chan Ms. Stephanie, Elizabeth & Mr. Andrew Chan Mr. Albert Chang Mrs. Jacinta Chang Mr & Mrs Ronald and Juliana Chao Mr. Chao Kee Tung Ms. Chau Nga Lai Ms. Yvonne Chua Mr. Cheah Cheng Hye Mr. Chen Chin Yu James Mrs. Judith Crosbie-Chen Ms. Chen Ching Ching Ms. Corina Chen of the Grand Regalia Ms. Helen Chen Ms. Joanne Chen Mrs. Mary Chen Dr. Christopher Cheng Dr. The Honorable Moses Cheng, GBM, GBS, OBE, JP Miss Jessica Cheng Mr. & Mrs. David & Anita Cheng Mr. Cheng Jose Mr. Simon Cheng Mr. Wilson Cheng Mrs. Ada Cheng Mrs. Ada Wang Cheng Mrs. Cheng Mary Catherine Mrs. Eva Cheng Mrs. Mary Catherine Cheng Ms. Cheng Regina Wai Ling Ms. Cheng Siu Wan Ms. Cheng Siu Yin Shirley Ms. Michelle Cheng Ms. Vena Cheng Mrs. & Mrs. Carolyn and Alexander Cheuk Ms. Carolyn Cheuk Dr. and Mrs. Marvin Cheung Dr. Tony Cheung Mrs. Augusta Cheung Ms. Beatrice Cheung Ms. Cherry Cheung Ms. Cheung Hing Ling, Fay Ms. Karina Cheung Ms. Linda Cheung Mr. Chew Fook Aun Dr. Margaret Chia Dr. Stanley Chiang Dr. Eric Chin Dr. C.B. Chiu Mr. Chiu Hin Kwong & Mrs. Chiu Leung Bik Min Mr. Chiu Koon Yu Kevin Mr. Chiu Yue Seng Dr. Jonathan Choi Mrs. Janice Choi Ms. Choi Lau Yuet Wan Yvonne Ms. Choi Sui Ha Ms. Janice Choi Ms. Venus Choi Mr. Chong Eric Mr. Iggy Chong Mr. & Mrs. Denise and William Chow Mr. Anthony Chow, SBS, JP Mr. Gerald Chow Ms. Chow Tse Bee Yvonne Ms. Chow Yuet Kam Ms. Diana Chow Ms. Michelle Chow Ms. Choy Siu Yin Annie Dr. Chu Shu Ho Mr. Dominic Chu Mr. Clement Chung & Mrs. Joy Chung Mr. Chung Po Yang & Mrs. Helen Chung Mr. Sam Chung Mrs Helen Chung Ms. Y.Y. Chung Mr. Chung Wai Tong Teddy Mr. Andrew Cohen Ms. Cecile Crochu Dah Sing Bank Dakin Financial Group DBS Bank (Hong Kong) DBS Private Bank DBS Treasures Private Client Deutsche Bank Domohorn Wrinkle Dragages et Travaux Publics (HK) Dragonair Ltd.

Ms. Lau E Ling Ella Mrs. Ivy Lau and Mr. Johnny Lau H.W. Mr. Law Kwun Pan Mrs. Yvonne Law Mr. Joseph Law Dr. Rudy Law Ms. Edith Law Ms. Elizabeth Law Ms. Victoria Law Dr. Albert Lee Mr. & Mrs. Peter & Annie Lee Mr. John Lee Mr. Lee Chin Leung Ivan Mr. Lee Chung Hing Mr. Lee Ming Kwai Dick Mr. Lee Pui Hang Julian Mr. Lee Tze Hau Michael Mr. Peter C H Lee Mr. Simon W.Y. Lee Mrs. Jennifer Lee Mrs. Wendy Lee Ms. Cynthia Lee Ms. Gisa Lee Ms. Lee Lai Kuen, Shelley Dr. Lee Yuk Lun, JP Mr. Joseph Lee Mr. Lee Man Tat Mr. William Wai Lim Lee Mr. Lee Ching Ming Adrian Mr. Lee Luke Mr. Peter Lee Mrs. Doris Lee Mr. Lincoln Leong Mr. Cecil Leong Mr. Leung Hoi Kwok Edward Mr. Leung Siu Cheung Mr. Leung Wai Yin Douglas Mr. Leung Ying Wai Charles Mrs. Justina Leung Mrs. Leung Yiu Lai Ping Ms. Catherine Leung & Mr. Ivan Leung Ms. Leung Pui Yi Porcia Ms. Leung Sze Man Eliza Ms. Elsie Leung Mr. Michael K. H. Leung Dr. Leung Chung Chuen, Roland Ms. Catherine Leung Ms. Leung Man Yu Vivian Dr. Tom Li Mr. Li Wai Lum Mr. Li Yin Quan Mrs. Li Kam Fun Eva Ms. Levina Li Dr. Li Ka Cheung Eric Mr. Li Ning Dr. Amanda Lim Ms. Lim Hoi Ying Heidi Mr. Frank Lin & Mrs. Teresa Lin Mr. Ken Lin Mr. Lin Sean Ms. Judy Lin Mrs. Teresa Lin Ms. Susan Lin Mr. Liu Hon Por Francis Mr. Liu Sing Cheong Ms. Candy Liu Ms. Peggy Liu Mr. Lo Chi Chung William Mr. Lo Chung Hing Mr. Lo Siu Fat Ms. Lo Kit Mui Agnes Ms. Olivia Lo, Chevalier de l’Ordre National du Mérite Mr. Lo Peter Mr. Lo Shiu Wing Mrs. Maria Loh Dr. and Mrs. Ronald Lu Dr. The Honorable Lui Chi-woo, GBM, MBE, JP Mrs. Lui Chiu Kam Ping Ms. Lui Wai Yu, Paddy, BBS, JP Mr. Lui Dennis Mr. Lui Pao Lock Paul Mrs. Millie Lui Ms. Sonia Lui Mrs. Mabel Lui Dr. Luk Wang Kwong John Mrs. Davina Sin Luk Dr. Luk Kwok Fai Mr. & Mrs. Moira & Joseph Luk Mr. Max Lummis & Mrs. Emma Lummis Mr. Lung Shun Heng Danny 呂楊小娟女士 M.Int Academy Limited MacroValue Investors Limited MaMa Charitable Foundation Limited Man Sang Credit Limited Mayfair Fine Wines (HK) Company Limited Manulife (Int’l) Ltd. Master King Holdings Maurice Lacroix Metro Broadcast Corporation Ltd. MGM Macau Mission Hills Group Montblanc Morgan Stanley MSIG Insurance (Hong Kong) Limited MTR Corporation Ltd Muses Foundation for Culture & Education Ltd

Mrs. Annie Ma & Dr. Michael Ma Mr. Fred Ma Mr. Ma Gerald Mr. Ma Yu Hung, Samuel Prof. & Mrs. Ronald Ma Mr. Mak Ming Ying Charles Mr. Mak Yip Shing Andrew Mrs. Audy Mak Ms. Mak Wai Man Mr. Stephen Marzo Mr. Ma Max Mr. Thierry Mequillet Dr. & Mrs. Mok Hing Yee Dr. Warren Mok, BBS, MH Mr. Mok Chi Ming Mrs. Eleanor Mok New World First Bus Services New World Millennium Hong Kong Hotel Ng Teng Fong Charitable Foundation Limited Nomura Novotel Century Harbourview Mr. Neo Que Yau Dr. Ng Lai Chun Mr. Alan Ng & Mrs. Cecile Crochu Mr. Ng Daryl Mr. Ng Ming Tak Mr. Ng T. H. Stephen Mr. Ng Wai Kong Philip Mr. Patrick Ng Mrs. Ng Wong Wai Wah Ms. Cecilia Ng Ms. Connie Ng Ms. Ng Hoi Ying Ellen Ms. Ng Yi Kum Estella Mrs. Katherine Ngan and Mr. Ngan Pui Ying Ms. Pauline Ngan Mrs. Tina Niem Orient Overseas Container Line Limited OCBC Bank (Hong Kong) Limited Onwel Group of Companies Orion Corporate Management Services Limited Ms. Ooi Yen Khim Ms. Lisa Opoku Pacific Coffee Paris-Berlin Maquillage Professionnel Parsons Music PCCW Piaget Pictet & Cie (Europe) S.A. Po & Helen Chung Foundation Ports 1961 Precision Watch Prenetics Limited and Circle DNA Prince Jewellery & Watch Company Limited Mr. Peter Pang Ms. Doreen Pao Mr. Jackie Penhirin Mr. Pong Chong Edward Mr. Wilson Pong Ms. Pong Yeng Dr Patrick Poon, SBS Mr. & Mrs. Carol and Peter Poon Mr. Poon John Mrs. Carol Poon Mrs. Linda Poon Mr. Philip Zhai Pu Mr. Pui Kwan Kay Redwood Peak Ronald Lu & Partners (Hong Kong) Limited Rosa & Daniel Photography Mr. Anthony Rogers Sa Sa International Holdings Ltd SEA Group Sec Development Co. Ltd. SG Private Bank Shanghai Commercial Bank Shanghai Industrial Investment (Holdings) CO., Ltd Shih Wing Ching Foundation Shinhint Group Shui On Construction And Materials Ltd. Shun Hing Group Siemens Limited Simandian Beauty Care Limited Simatelex Manufactory Co., Ltd Sino Group Sogo Hong Kong Company Limited Sotheby’s Hong Kong Ltd South East Real Estate Company Limited Squina Standford Hotels Portfolio - Hilton Stanford Hillview Hotel Stanford Hotel Sun Hung Kai Financial Foundation Sun Hung Kai Properties Sun Hung Kai Real Estate Agency Ltd Sun Life Hong Kong Limited SY Insurance and Financial Consultancy Limited Symphony Management Limited SYW & Associates Ltd. Mr. Siddique Salleh Mr. Laurence Scofield Ms. Pinky Seung Ms. Edith Shih Mr. Brian Shiu Ms. Miriam Shum Ms. Davina Sin Dr. Sinn Lai Hong, Dominic

Mrs. Wendy Wai Mr. Sit Wai Ho Elbert Mr. Wan Kwan Cheung Thomas Mr. & Mrs. Billy & Alice Siu Mr. Wan Yim Keung Daniel Mrs. Julie Siu Ms. Tammy Wan Ms. Alice Siu Mr. John Frank Wang Ms. Virginia Siu Mr. Wang Wai Yi Mr. So Shui Chuen, Steve Ms. Agassi Wang Mrs. Cynthia So Ms. Antonia Wang Mrs. So Chau Yim Ping Ms. Jennifer Wang Ms. Chlorophyll So Mrs. Vivien Webb Mr. Robert Stewart Mr. Wen Tsz Kit, Bondy Ms. Alicia F S Stuart Mrs. Beatrice Wen Mr. Kevin Su & Mrs. Shirley Su Ms. Wen Li Mr. Stephen Suen & Mrs. Anna Suen Mr. Eric Winkler Mr. Sun Kai Yit Patrick Dr. Jimmy C.H.Wong of Tung Chun Group Mrs. Helen Lin Sun Dr. Kennedy Wong Techtronic Industries Dr. Wong Yick Ming Rosanna Teeming Management Ltd Mr K.L. Wong Tencent Holdings Limited Mr. & Mrs. David S Y Wong TFA Technology Hong Kong Limited Mr. Addy Wong, MH, JP The American Chamber of Commerce in Hong Kong Mr. K. L. Wong & Friends The Bank of East Asia Mr. Kan Wong The Fleming Hong Kong Mr. Michael Wong The Government of HKSAR Mr. Philip K.H. Wong The Grand Regalia Mr. Victor Wong The Great Hill Mr. Walter Wong The Hong Kong and China Gas Co. Ltd. Mr. Wong Frankie The Hong Kong Arts Development Council Mr. Wong Hing Yee The Hong Kong Jockey Club Charities Trust Mr. Wong Kwan Yiu The Hongkong Bank Foundation Mr. Wong Wai Tung The Joseph Lau Luen Hung Charitable Trust Mr. Wong Yick Kam The Langham Hong Kong Mrs. Ivy Wong The Légion d’honneur Club Hong Kong Chapter Mrs. Lina Wong & Mrs. Lilian Yeung The Luxe Manor The Office of the Government of the Hong Kong SpecialMrs. Winnie Wong Mrs. Wong Lai Wah Administrative Region in Beijing Ms. Connie Wong, SBS, JP The Peninsula Ms. Senta Wong The Ritz-Carlton Ms. Vincy Wong The Tung Foundation Ms. W. S. Wong The Verdant Foundation Limited Ms. Wong Lai Wah, Louise Tiffany Co. Ms. Wong Roberta Tom Lee Music Prof. Wong Leung Kit Wah Annie Toyo Mall Limited Prof. Wong Yue Chim Richard Treasure Auctioneer Ltd Ms. Woo Jennifer Treasure Jewellery (Hong Kong) Limited Dr. Annie S C Wu Mr. Tai Kee Man Ms. Wu Ka Yu Jennie Mr. Alex Tam Mr. Wu Michael Mr. Billy Tam Mr. Wu Yung Wei Patrick Mr. Tam Wing Oi Ms. Wu Wai Sum Nancy Ms. Jenny Tam Yuk Ching Yangtze River Mrs. Judy Tam YMCA Mrs. May Tam Yue Hwa Chinese Products Emporium Ms. Petrina Tam Ms. Denise Yam Ms. Teresa Tam Mr. Arthur Elliott Yama Mr. Stephen Tan Dr. Serena H.C. Yang Mr. Tan Lim Heng Mr. Yang Kai Mrs. Joise Tan Ms. Heidi Yang Mrs. Lily Tan Ms. Margaret Yao Mr. & Mrs. Joseph Tang Dr. Katherine Yau Mr. & Mrs. Renee and Simon Tang Mr. Yau Sai Kit Ricky Ms. Anita Tang Ms. Pong Yeng Mr. Simon Tang Professor Alan Yeung Mr. Tang Wai Kong Leslie Mr. & Mrs. Chris Yeung Ms. Joyce Tang Mr. Francis Yeung Mrs. Deirdre Fu Tcheng Mr. KS Yeung Mrs. Winnie Teoh Mr. Patrick Yeung Mr. James Thompson Mr. PS Yeung Mr. Marcus & Mrs. Su-mei Thompson Mr. Yeung Chui Yuk Mr. Peter Thompson Mr. Yeung Kai Yin Mr. Edmond Tin Mr. Yeung Pak Sing Dr. Ting Hok Shou Dennis, OBE, JP Mr. Yeung Wai Tin, Danny Mr. & Mrs. Ivan Ting Mrs. Jean Yeung Mr. & Mrs. Kenneth Ting Ms. Belinda Yeung Mrs. Emily Ting Ms. Felicity Yeung Mrs. Lynette Tiong Ms. Fori Yeung Ms. To Pui Fung Ms. Yeung Bik Yiu, Belinda Mr. Alec Tsang Dr. Yih Shou Yun Robin & Mrs. Yih Lee Yee Le Linda Mr. and Mrs. Peter Tsang Mr. Thomas Yip Ms. Ellen Tsang Ms. Evoone Yiu Ms. Tsang Fung Kwan Dr. Tsao Yen Chow Mr. Raymond Young Ms. Mowana Tse Ms. April Young Ms. Nelly Tse Dr. Donald Yu Sr. Christine Tse Dr. James Yu & Mrs. Selina Yu Ms. Annette Tso Dr. Yu Hon Chiu & Mrs. Selina Yu Dr. Michelle Tsui Mr. Gregory Yu Tak Wong Ms. Vivian Tsung Mr. Yue Wai Leung Stan Mr. CC Tung & Mrs. Harriet Tung Mrs. Infanta Yue Ms. Renee Tung Mr. & Mrs. Francis Yuen UBS AG Prof. Nancy Yuen United Asia Finance Limited Mrs. Yuen Lolita Union Bank of Switzerland AG 楊僖宏女士 United Overseas Bank Ltd. 楊敏初先生 Value Partners Group Limited ZA Van Cleef & Arpels Dr. Allan Zeman Vannina Vesperini Paris Mr. Zhi Zhong Victorsure Limited Mr. Philip Zhai Pu Mr. Vaughn Simpson Justin Anonymous Donors Wai Kee Jewellers Limited Wealthy Yield Limited Wecon Limited We sincerely apologise for any error or omission.

Wing Tai Asia Wing Tai Corporation Limited WOM Guide Wong Sun Hing Limited 永芳堂 Dr. Wai Kee Neng Mr. & Mrs. Wendy and Bernard Wai

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OPERA HONG KONG UPCOMING PROGRAMMES 香港歌劇院節目概覽 SEPTEMBER – NOVEMBER 2023

“Under the Lion Rock ” Concert - Performance Tour 「獅子山下」音樂會 - 巡迴演出 Venue 地點 : Xinjiang 新疆 , Harbin 哈爾濱 , Inner Mongolia 內蒙 , Ningxia 寧夏

11 - 15 OCTOBER 2023 Opera Tosca 歌劇《托斯卡》

18 - 19 NOVEMBER 2023

Opera Hong Kong Children Chorus Annual Concert Peter Pan JR. 香港歌劇院兒童合唱團週年音樂會《小飛俠》

10 - 12 MAY 2024

Opera Roméo et Juliette 歌劇《羅密歐與茱麗葉》

17 - 18 AUGUST 2024

Semi-staged Opera Die Entführung aus dem Serail 歌劇《後宮誘逃》

9 - 13 OCTOBER 2024 Opera Turandot 歌劇《杜蘭朵》

OCTOBER 2024

Opera Hong Kong Children Chorus Annual Concert 香港歌劇院兒童合唱團週年音樂會

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Education and Outreach 教育及外展

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Children Chorus Annual Concert 兒童合唱團週年音樂會 Established in January 2008, Opera Hong Kong Children Chorus has grown to become one of the leading children choruses in Hong Kong. The Annual Concert features the members taking the centre stage with professional design of stage set, props, costumes and lighting and to sing thoughtfully chosen repertoires with different music genres in ensemble and solo settings. It is a performance opportunity highly valued by the members, often regarded as a life’s memorable experience. 香港歌劇院兒童合唱團於2008年1月成立，至今已發展成為香港最優秀的兒童合唱團之 一。在週年音樂會中，各成員穿上戲服，在精美的佈景及燈光等專業舞台配套下擔綱演 出，演唱精心揀選的曲目，透過合唱或獨唱形式演出不同類型的音樂。這絕對為合唱團成 員帶來畢生難忘的演出經驗之一。

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University Concert and Mini Opera 大學音樂會及小型歌劇 University Concerts and Mini Opera School Tours inspire youngsters to explore the art form through staging of trimmed opera performances at local schools. The University Concert focuses on the introduction of the opera history and development with live demonstrations of songs in different periods while the Mini Opera School Tours features a 30-minute light-hearted performance followed by a Q&A session to introduce to students the many interesting aspects and elements of opera, from behind the scene to stage setting, composer’s history, terminology and other music knowledge.

Since 2008, Opera Hong Kong has organized the tours for a total of 64,843 students from 235 schools and 10 university visits. 香港歌劇院透過大學音樂會及小型歌劇校園巡迴演出，讓年輕人擴闊他們的藝術視野。大 學音樂會主要講解歌劇的歷史及發展，並由歌唱家演繹不同時期的代表曲目；而小型歌劇 的演出長約30分鐘，演出後設問答環節讓同學了解歌劇的各種元素，包括台前幕後的細 節、歷史、術語、音樂等知識。 自2008年起，香港歌劇院安排了235次學校及10次大學演出，合共64,843名學生受惠。

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Summer Camp 夏令營 Inaugurated in 2009, summer camp aims to promote singing to the wider community. The 3-week intensive vocal and performance training programme is directed by renowned directors of children’s productions, and taught by professional music, drama and dance instructors. Participants are highly excited about the graduating performance of summer camp. It is a rare opportunity where they can take the stage of a professional venue to perform like professional singers and actors. They enjoy the summer camp, making new friends and broadening their social horizons.

夏令營自2009年創辦以來，每年暑 假均向年輕人提供獨特的學習與演 出機會，並希望將歌唱藝術進一步 推而廣之。學員在為期三週的密集 訓練中接受由專業的兒童音樂劇導 演、聲樂導師及編舞指導，進行聲 樂、演技及舞蹈訓練，並在畢業演 出中展現訓練成果。學員能夠在舞 台上像專業的歌唱家及演員般演 出，享受當中的過程，建立友誼及 擴闊視野，實屬難能可貴的機會。

Scholarship 獎學金 Scholarships support talented local young artists to participate in music training through financing their full-time undergraduate and postgraduate vocal studies at local and overseas tertiary institutions.

Recipients are provided with singing and teaching opportunities at Education and Outreach programmes.

In addition, scholarships are also offered to secondary school students with financial aid for their participation in regular children chorus classes and summer camp, providing the underprivileged youngsters an invaluable opportunity to stage performance. We hope the recipients can eventually embark on a professional opera career.

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獎學金資助具潛質的年輕人修讀本 地及海外學院的本科生及研究生聲 樂課程，其後並讓他們在教育及外 展活動中享有演唱及教學機會。香 港歌劇院亦同時為有經濟困難的學 生提供獎學金，讓他們亦有機會接 受兒童合唱團恆常課程及參與夏令 營，提供寶貴的學習與踏上舞台演 出的機會。我們冀望各獎學金受助 者能夠在歌劇界發展事業，協助推 廣香港的文化及藝術發展。

‘Bel Canto’ Inclusive Virtual Opera Project 「 美 聲 共 融 」網 上 歌 劇 訓 練 計 劃 With the generous support of The Hong Kong Jockey Club Charities Trust, the 9-month programme starting at the end of 2020 provides vocal training to over 80 visually impaired participants with the aim of empowering them to face adversity through artistic achievement. The programme culminated with a final performance which was filmed and produced as a short concert video.

承蒙香港賽馬會慈善信託基金的慷 概捐助，這項於2020年底開始為期 九個月的計劃為80多位視障人士提 供歌唱的訓練，幫助他們達至藝術 上的成果，增強他們面對逆境的能 力。整個訓練計劃以一個音樂會作 結，並錄製成音樂會短片。

School Culture Day 學校文化日 A tailor-made abridged version of opera buffa supplemented with Cantonese dialogue provides both primary and secondary students an opportunity to enjoy the opera at full theatrical setting, accompanied by a chamber orchestra.

在專業舞台的配套及室內樂團的伴 奏下，演出特別為中小學生呈獻喜 歌劇的精要版，並輔以粵語對白， 讓學生們享受欣賞歌劇的樂趣。

Other performances by Children Chorus 兒童合唱團其他演出

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青年演唱家計劃 Young Artist Programme Opera Hong Kong is committed to promoting the city’s brightest, young opera singers. In 2015, OHK launched the Jockey Club Opera Hong Kong Young Artist Development and Education Programme (the Programme), a three-year opera training programme funded by The Hong Kong Jockey Club Charities Trust (The Trust). The success of the Programme led to its renewal by The Trust for another three years, providing intensive training to 12 local artists. The Programme has been completed successfully in March 2022.

The programme has benefited 22 local talents, nearly 156 primary and secondary schools and more than 35,000 students. Encouragingly, it has showcased a number of timeless masterworks for 38,000-plus online and offline audiences. 香港歌劇院積極培養本地優秀年青的歌唱家，歌劇院於 2015 年推出由賽馬會慈善信 託基金捐助為期三年的「賽馬會香港歌劇院青年演唱家發展及教育計劃」非常成功， 得到各界認同。香港賽馬會慈善信託基金遂繼續全力贊助，推出新一輪的三年培訓計 劃，向十二位本地青年演唱家提供密集訓練。計劃經已在 2022 年 3 月完滿結束。 計劃已培訓 22 位本地歌唱家，累計惠及接近 156 間中小學、超過 35,000 名學生， 並為 38,000 多名觀眾線上線下呈獻多齣曠世鉅作，令人鼓舞。

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Support Opera Hong Kong 支持香港歌劇院

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Opera Hong Kong’s Major Income Sources in the 2021-22 Fiscal Year* 香 港 歌 劇 院 2021-22 財 政 年 度 主 要 收 入 來 源 *

Government Funding 政府資助

47%

Programme Income 演出收入

19.8%

Sponsorship & Donation 捐款收入

31.7%

Other Income 其他收入 * Audited figures 經審計數據

1.5%

Accumulated no. of audience of Opera Hong Kong’s programmes in the past 20 years 香港歌劇院製作累計觀賞人數

399,207

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SUPPORT

OPERA HONG KONG

支持香港歌劇藝術發展

Annual Sponsorship & Student Ticket Fund 年度及學生票贊助 To support OHK to continue its dedicated work in enhancing the appreciation of the art of opera in Hong Kong. And the broad spectrum of education & outreach programmes also cultivates an interest in opera among young people, the long-established Student Tickets Fund offers a 50% discount on tickets to full-time students. 支持香港歌劇院持續推廣歌劇藝術文化的 發展，並透過不同的教育及外展活動，把 歌劇藝術進一步推廣至社會各階層，尤其 是年青一代，加強他們對這門藝術的認識 及興趣，提升文化生活水平。學生門票基 金，更讓全日制學生享有半價門票優惠。

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Opera Production Fund 歌劇製作贊助 To treat your business associates to a special evening of opera art and entertainment, promote brand awareness amongst a sophisticated and affluent audience, and enhance your company’s brand image as an ardent supporter of arts & culture in Hong Kong. 與您的的生意伙伴一起歡渡一個既富藝術 性亦具娛樂性的晚上；並透過協助推動藝 術文化發展，提升並建立品牌形象。

Donation 捐款 Registered under Section 88 of the Inland Revenue Ordinance, Opera Hong Kong (OHK) relies on government funding as well as corporate and individual sponsorships for financial support.

We sincerely thank the HKSAR Government and our sponsors for their tremendous support, which enables us to continue our dedicated work in promoting the art of opera to a wider audience, fostering the art and cultural development in Hong Kong and nurturing local opera talent. Your sponsorship support is crucial, we look forward to receiving your generous consideration to support OHK to enrich the cultural life in Hong Kong and strengthen its reputation as a dynamic cosmopolitan city.

Young Artist Development Fund 年青歌唱家贊助 To nurture young artists and develop their artistic standards and horizons. Expand a pool of competent young artists in performing arts development and the continuous growth of opera talents in the industry. 持續培育本地年青歌唱家，提升他們的歌 唱及舞台演出的水平；為香港歌劇藝術文 化持續注入新動力。

香港歌劇院是根據《稅務條例》第88 條註冊成立的非牟利慈善團體，承蒙 香港特別行政區政府的資助、企業及 個人的贊助，讓香港歌劇院的工作得 以持續發展，我們表示衷心的感謝。 我們希望各界能繼續支持香港歌劇 院，以使我們能為本地觀眾製作高質 素及專業的歌劇製作，豐富本港歌劇 文化藝術發展，以及培訓本地年青歌 唱家及透過不同的教育和外展活動， 推動歌劇本地化。

Artist Sponsorship Fund 藝術家贊助 To support and enable the world-acclaimed opera divas & divos to devote their superb performances in Hong Kong, and foster artistic exchange with the local artists, chorus and orchestra, to promote and strengthen Hong Kong as a world-class cultural hub. 支持頂尖的國際級歌唱家來港演出，為香 港觀眾呈獻精湛的歌劇表演之餘，更促進 與本地歌唱家、合唱團及管弦樂團的藝術 交流，推廣及鞏固香港為國際文化大都會 的地位。

We will be pleased to meet you and/or your representative in person for further discussion.

Please feel free to contact Ms. Cynthia Chan. 我們很高興與你們見面並進一步商討贊助詳情，歡迎聯繫陳頌恩小姐。 By phone 電話: 2234-0303 By email 電郵: cynthiachan@operahongkong.org Opera Hong Kong being a charitable organization registered under Section 88 of the Inland Revenue Ordinance will issue receipts for sponsorship and donations (after deducting the costs of the entitlements, if any). 根據《稅務條例》第88條香港歌劇院乃一註冊非牟利慈善團體，扣除有關的開支(如適用)，香港歌劇院會就贊助/捐款寄發扣稅收據。

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enhancing the appreciation of the art of opera in Hong Kong and promoting local music talents. In addition to staging operas and concerts, educational programmes are also held regularly to reach the young population.

Opera Hong Kong Chorus and Opera Hong Kong Children Chorus were established in 2004 and 2008 respectively and are becoming recognized forces in the local choral scene. 香港歌劇院於2003年7月以非牟利團體註冊，致力製作高質素及專業的歌劇，將歌劇藝術帶給香港觀眾，並培養 本地具潛質的音樂家。香港歌劇院亦定期為年青一代舉辦各項教育及外展活動，把歌劇藝術進一步推廣至社會各階 層。香港歌劇院亦於2004年及2008年成立香港歌劇院合唱團及香港歌劇院兒童合唱團，為本地合唱界注入新動力。

Donation Form 捐贈表格 I wish to support Opera Hong Kong by making a donation of HK$ 本人願支持香港歌劇院，並捐款 HK$

Personal Particulars 個人資料 Name 姓名

(Mr/ Ms/ Mrs/ Dr)* (Eng)

(中文)

Address 地址

Email 電郵 Telephone 電話

Fax 傳真

Name of Receipt 收據上姓名 Cheque Donation 支票捐款 Bank 銀行名稱

Number 支票號碼

Please make cheque payable to Opera Hong Kong Limited 支票台頭 :「香港歌劇協會有限公司」 Please delete where inappropriate 請删去不適用者(*)

填妥的贊助表格請交回: 香港歌劇院 - 香港德輔道西410號太平洋廣場1907室 Tel電話: 2234 0303 Fax傳真: 2234 0505 Email電郵: enquiry@operahongkong.org Remarks: - The personal data you provide by means of this form will be used solely by Opera Hong Kong and will not be disclosed to any third party.

- Enquiries concerning the personal data collected by means of this form including the request for access and correction; please contact Opera Hong Kong at 2234 0303 for assistance.

- Opera Hong Kong being a charitable organization registered under Section 88 of the Inland Revenue Ordinance will issue receipts for sponsorship and donations (after deducting the costs of the entitlements, if any).

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FOUNDING CHAIRMAN Dr The Honourable Moses Cheng, GBM, GBS, OBE, JP

創院主席 鄭慕智博士

EDUCATION & OUTREACH COMMITTEE Chairman Mr Francis Liu

教育及外展委員會 主席 廖漢波先生

BOARD OF DIRECTORS Chairman Mr Ronald Kwok

董事局成員 主席 郭永聰先生

會員 陳蕙婷女士 管浩鳴法政牧師

Honorary Treasurer Ms Barbara Chan

榮譽司庫 陳蕙婷女士

Members Ms Barbara Chan Revd Canon Hon Peter Douglas Koon Ho-ming, BBS, JP Mr Yeung Tien Yuen, Christopher

Honorary Secretary Mr Gordon Jones, BBS

榮譽秘書 鍾悟思先生

Honorary Legal Advisor P. C. Woo & Co.

榮譽法律顧問 胡百全律師事務所

Co-opted Members Ms Jean Lau Miss Felicity Yeung

增選會員 劉祉延女士 楊婉華小姐

Honorary Auditor Patrick Wong C. P. A. Ltd

榮譽核數師 黃龍德會計師事務所

PR & AUDIENCE BUILDING COMMITTEE Chairman Ms Vena Cheng

公共關係及觀眾拓展委員會 主席 鄭慧恩女士

Directors Ms Vena Cheng Ms Chung Yan Yan Revd Canon Hon Peter Douglas Koon Ho-ming, BBS, JP Mr Vivian Lines Mr Francis Liu Ms Olivia Lo, Chevalier de I’Ordre national du Mérite Mrs Mabel M. Lui, JP Ms Paddy Lui, BBS, JP Mr Tony Mok Ms Tsang Wing Hin, Emily Mr Yeung Tien Yuen, Christopher

董事 鄭慧恩女士 鍾恩恩女士 管浩鳴法政牧師

Members Mr Gordon Jones, BBS Mr Ronald Kwok Mr Vivian Lines Ms Olivia Lo, Chevalier de I’Ordre national du Mérite

會員 鍾悟思先生 郭永聰先生 Mr Vivian Lines 盧大川女士

Co-opted Members Ms Sheryl Lee Ms Karen Lin Mr Leighton Mok Mrs Helen Lin Sun

增選會員 李明哲小姐 林嘉琦女士 莫禮剛先生 孫林宣雅女士

EXECUTIVE / FINANCE COMMITTEE Chairman Mr Ronald Kwok

行政及財務委員會 主席 郭永聰先生

YOUNG ARTIST DEVELOPMENT COMMITTEE Chairman Mr Yeung Tien Yuen, Christopher

青年演唱家發展委員會 主席 楊天源先生

Members Ms Barbara Chan Ms Vena Cheng Mr Gordon Jones, BBS Mr Francis Liu Mrs Mabel M. Lui, JP Mr Yeung Tien Yuen, Christopher

會員 陳蕙婷女士 鄭慧恩女士 鍾悟思先生 廖漢波先生 呂馮美儀女士 楊天源先生

Members Mr Ronald Kwok Ms Olivia Lo, Chevalier de I’Ordre national du Mérite Ms Paddy Lui, BBS, JP

會員 郭永聰先生 盧大川女士

ARTISTIC DIRECTOR Dr Warren Mok, BBS, MH

藝術總監 莫華倫博士

ARTISTIC COMMITTEE Chairman Mr Gordon Jones, BBS

藝術委員會 主席 鍾悟思先生

Members Mr Ronald Kwok Mr Vivian Lines Ms Olivia Lo, Chevalier de I’Ordre national du Mérite Mr Yeung Tien Yuen, Christopher

會員 郭永聰先生 Mr Vivian Lines 盧大川女士

HONORARY ADVISORS Mr Fok Tsun Ting, Timothy, GBS, SBS, JP Mrs Alice King Mr Peter Thompson, OBE, ILD, JP Sir Gordon Wu, GBS, KCMG, FICE

榮譽顧問 霍震霆先生 金董建平女士 Mr Peter Thompson, OBE, ILD, JP 胡應湘爵士

Co-opted Members Ms Sheryl Lee Mrs Helen Lin Sun Mr Alex Tam Ms Nancy Yuen

增選會員 李明哲小姐 孫林宣雅女士 譚天樂先生 阮妙芬女士

DEVELOPMENT COMMITTEE Chairman Mrs Mabel M. Lui, JP

拓展委員會 主席 呂馮美儀女士

Members Ms Chung Yan Yan Revd Canon Hon Peter Douglas Koon Ho-ming, BBS, JP Mr Ronald Kwok Ms Olivia Lo, Chevalier de I’Ordre national du Mérite Ms Tsang Wing Hin, Emily Mr Yeung Tien Yuen, Christopher

會員 鍾恩恩女士 管浩鳴法政牧師

ARTISTIC ADVISORS Mr Henry Akina Mr Chen Xie Yang Mr Raymond Fu Ms Ella Kiang Dr Joanna C Lee Mr Liu Shih Kun Mr Tyrone Paterson Mr Lorne Richstone Mr Sergio Segalini Mr Tan Dun Mr Samuel Wong Ms Yao Jue Ms Yip Wing Sie Mr Zhang Guo Yong

藝術顧問 Mr Henry Akina 陳燮陽先生 符潤光先生 江樺女士 李正欣博士 劉詩昆先生 Mr Tyrone Paterson Mr Lorne Richstone Mr Sergio Segalini 譚盾先生 黃大德先生 姚珏女士 葉詠詩女士 張國勇先生

Co-opted Members Ms Cheung Hing Ling Mrs Lisa Yeung

增選會員 張馨玲女士 楊陳麗霞女士

Mr Vivian Lines 廖漢波先生 盧大川女士 呂馮美儀女士 呂慧瑜女士 莫華彤先生 曾詠軒女士 楊天源先生

楊天源先生

郭永聰先生 盧大川女士 曾詠軒女士 楊天源先生

楊天源先生

呂慧瑜女士

MEMBERS Mr But Mau Sum * Ms Barbara Chan Dr Chan Ka Ho, Johnny * Ms Chan Kit Wah, Eva * Mrs Mimi Chan Mr Robert Chan Dr Chang So Min, John * Dr Margaret Chia Mrs Mary Chen Dr Edgar Cheng Miss Jessica Cheng Mrs Mariana Cheng, BBS, JP * Dr The Honourable Moses Cheng, GBM, GBS, OBE, JP * Ms Vena Cheng Mrs Cheong So Ka Wai, Patsy * Ms Cheung Hing Ling Dr Cheung Kit Ying, Andy * Dr Tony Cheung Prof Alice Chiu, BBS, JP * Ms Chiu Wen Ling * Mrs Janice Choi, BBS, MH, JP * Dr Choi Koon Shum, Jonathan, GBS, BBS, JP * Miss Jolene Chow Mr Anthony W. K. Chow, SBS, JP Ms Michelle Chow Mrs Joy Chung Mr & Mrs Chung Po Yang * Miss Chung Wai Mun * Ms Chung Yan Yan Mr Philip Eisenbeiss Dr David Fang, SBS, JP * Ms Janie Fong Dr Fung Carl Pui * Mr Fung Hing Cheung, Kenneth * Mr Fung Hing Wang, SBS, JP Dr Patrick Fung, JP Mr Chester Hoang Mrs Rachel Hui Dr Goh King Man, Victor * Mr Goh Soon Khian, David Dr Aron Harilela Ms Rumiko Hasegawa Ms Ho Chiu King, Pansy Catilina * Mr Edward S. T. Ho, OBE, SBS, JP Ms Ho Wai Yu Ms Hu Xiao Bing, Shirley Mr Huo Wai Chiu, Rex * Mr Gordon Jones, BBS Dr Kan Fook Yee, GBS, SBS * Mrs Alice King * Revd Canon Hon Peter Douglas Koon Ho-ming, BBS, JP Mr David Kung Ms Angelina Agnes Kwan * Ms Kwan Man San, Lucy Mr Ronald Kwok Ms Kwon Young Ah, Marie Mr Joseph Lai * Mr Lai Yim Shik, Daniel Mrs Ivy Lau * Ms Lee Choi Chun, Joyce * Ms Loretta Lee Mr Cecil Leong * Ms Catherine Leung Mr Leung Chi Tien, Steve Dr Leung Chung Chuen, Roland Mrs Teresa Lin Mr Vivian Lines Mr Francis Liu Dr Lo Kwong Yin, Richard * Ms Olivia Lo, Chevalier de I’Ordre national du Mérite Mr James Louey Dr The Honourable Lui Che Woo, GBM, MBE, JP * Mrs Lui Chiu Kam Ping *

會員 畢茂森先生 * 陳蕙婷女士 陳嘉何醫生 * 陳潔華女士 * 陳葉蘇虹女士 陳子亮先生 張叔銘醫生 * 賈士秋醫生 陳王靈誼女士 鄭維健博士 程珍小姐 鄭曹志安女士 * 鄭慕智博士 * 鄭慧恩女士 張蘇嘉惠女士 * 張馨玲女士 張潔影醫生 * 張振雄博士 趙曾學韞教授 * 邱文伶女士 * 蔡關穎琴女士 * 蔡冠深博士 * 周瑋雯小姐 周永健先生 周恩惠女士 鍾瑞華女士 鍾普洋伉儷 * 鍾蔚文小姐 * 鍾恩恩女士 艾飛立先生 方津生醫生 * 方文靜女士 馮培邦醫生 * 馮慶鏘先生 * 馮興宏先生 馮鈺斌博士 黃智成先生 許申屠麗華女士 吳敬文醫生 * 吳順強先生 夏雅朗博士 長谷川留美子女士 何超瓊女士 * 何承天先生 何慧瑜女士 胡小冰女士 霍偉釗先生 * 鍾悟思先生 簡福飴博士 * 金董建平女士 * 管浩鳴法政牧師 龔鈁先生 關蕙女士 * 關文珊女士 郭永聰先生 權英雅女士 黎明先生 * 黎炎錫先生 劉麥念慈女士 * 李彩珍女士 * 李碧慶女士 梁紹禎先生 * 梁嘉彰女士 梁志天先生 梁宗存醫生 林劉淑英女士 Mr Vivian Lines 廖漢波先生 羅光彥醫生 * 盧大川女士 雷兆光先生 呂志和博士 * 呂趙錦屏女士 *

Mrs Mabel M. Lui, JP Ms Paddy Lui, BBS, JP * Mr Roger S. W. Lui Ms Sonia Lui Dr John Luk * Mrs Emma Lummis Dr Michael Ma * Dr Ma Ching Wan, Ronald * Dr Mok Hing Yee * Mr Johnny Mok Mrs Mok Koo Mei Chee * Mr Tony Mok * Dr Warren Mok, BBS, MH * Mr Robert Nield Ms Doreen Pao Mr Douglas Pon Ms Teresa Pong Ms Vanessa Poon Mr Anthony Rogers, GBS, KC, JP Mr Laurence Scofield Mr Ralph Raymond Shea Mr Shum Kai Kee, Robert Ms Edith Shih * Ms Teresa Tam Mr Stephen Tan * Mr Tang Chung Ping, Joseph * Mr Peter Thompson, OBE, ILD, JP * Mrs Su-mei Thompson Dr Ting Hok Shou, Dennis, OBE, JP * Mrs Angie Ho Ting Mrs Lynette Tiong Dr Tong Pak Chuen, Patrick * Mrs Tong Wang Pei Chi, Peggy Ms Tsang Wing Hin, Emily * Ms Tsang Wing May, Corina Dr Tsao Yen Chow * Ms Tammy Wan * Ms Beatrice Wen Mr KL Wong Dr Kennedy Wong, BBS, JP Prof Wong Leung Kit Wah, Annie Mrs Wong Ng Mei Ha Mr David Yam Dr Yang Kai Dr Yang Hsueh Chi, Serena * Mrs Anna Yeung Dr Anthony Yeung Ms Yeung Bik Yiu, Belinda Miss Felicity Yeung Mrs Lisa Yeung Mr Patrick Yeung * Mr Yeung Tien Yuen, Christopher Mrs Selina Yu Dr Yu Hon Chiu Mr Zhang Wang Yi, Vernon

呂馮美儀女士 * 呂慧瑜女士 * 雷永業先生 呂元珠女士 陸宏廣博士 * Mrs Emma Lummis 馬健基醫生 * 馬青雲醫生 * 莫慶義醫生 * 莫樹聯先生 莫古美慈女士 * 莫華彤先生 * 莫華倫博士 * 廖樂柏先生 包陪慧女士 盤德先生 龐裳女士 Ms Vanessa Poon Mr Anthony Rogers, GBS, KC, JP 史葛．羅蘭士先生 佘頌平先生 岑啟基先生 施熙德女士 * Ms Teresa Tam 陳智文先生 * 鄧頌平先生 * Mr Peter Thompson, OBE, ILD, JP * 周素媚女士 丁鶴壽博士 * 丁何穎雯女士 張何麗梅女士 唐柏泉醫生 * 童王佩琪女士 曾詠軒女士 * 曾詠美女士 曹延州醫生 * 溫德美女士 聞張麗儀女士 黃桂林先生 黃英豪博士 王梁潔華教授 王吳美霞女士 任懿君先生 楊凱博士 楊雪姬博士 * 楊劉詠霜女士 楊俊偉博士 楊碧瑤女士 楊婉華小姐 楊陳麗霞女士 楊偉添先生 * 楊天源先生 余胡家寶女士 余漢超醫生 張王禕先生

*Founding Member

* 創院成員

SUPPORTERS Mr Nick Burns Mrs Viola Chan Mrs Ina Chou Mr Stanley Chu Mr Serge Dumont Ms Louise Hannam Mr Helmut Hennig Mrs Rosy Yih Hui Mr William King Mrs Cynthia Kracht Mr Stefan & Mrs Caroline Kracht Mr Lee Wai Yip, Simon Ms Peggy Liu Mr Dennis Philipse Mr Vincent Qian Mrs Helen Lin Sun Mr Dieter Turowski Mrs Priscilla Wong Ms Yau Yuk Sum

支持者 Mr Nick Burns 陳胡家鳳女士 周嚴雲震女士 Mr Stanley Chu 杜孟先生 Ms Louise Hannam 海寧先生 許葉靜儀女士 金維明先生 Mrs Cynthia Kracht Mr Stefan & Mrs Caroline Kracht 李偉業先生 Ms Peggy Liu Mr Dennis Philipse 錢文超先生 孫林宣雅女士 Mr Dieter Turowski Mrs Priscilla Wong 丘玉芯女士 77

An Opera in Three Acts 三幕歌劇

Libretto by Giuseppe Giacosa and Luigi Illica 編劇及作詞：依力卡及佐高沙

11 - 15 OCT 2023 Wed-Sat 7:45pm│Sun 3pm Grand Theatre, Hong Kong Cultural Centre 香港文化中心大劇院

Oksana Dyka 迪卡

$1080, $920, $720, $620, $420, $220

Director 導演

Warren Mok 莫華倫

Yves Abel 阿貝爾

Vincent Boussard 布薩特

Anna Nechaeva 尼查爾娃

Hong Kong Philharmonic Orchestra 香港管弦樂團

Tickets available at URBTIX outlets from 30 Aug 2023 門票於2023年8月30日起在城市售票網發售 Internet Booking 網上購票 www.urbtix.hk Credit Card Telephone Booking 信用卡電話購票 2111 5999

Supported by 資助

Conductor 指揮

Floria Tosca 托斯卡

意大利文演唱, 中英文字幕 Performed in Italian with Chinese and English Surtitles

Financial Support 資助

Producer 監製

Mario Cavaradossi 卡瓦拉多西

Roberto Aronica 阿羅尼卡

Rame Lahaj 拉赫

Scarpia 史卡皮亞

Claudio Sgura 斯古拉

Opera Hong Kong Chorus 香港歌劇院合唱團 Chorus Director 合唱團總監 Alex Tam 譚天樂

Opera Hong Kong Children Chorus 香港歌劇院兒童合唱團

Ticket Enquiries 票務查詢 3761 6661 Programme Enquiries 節目查詢 2234 0303

Hotel Sponor 酒店贊助

Gabriele Viviani 維維安尼

In collaboration with 合作

Hong Kong Arts Development Council fully supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council. 香港藝術發展局全力支持藝術表達自由，本計劃內容並不反映本局意見。 The presenter reserves the right to change the programme and substitute artists. 主辦機構有權更改節目及更換表演者。 The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region. 節目內容並不反映香港特別行政區政府的意見。