Ebook Warhol Basquiat

WARHOL / BASQUIAT

WARHOL BASQUIAT An American Legacy

ANDY WARHOL JEAN-MICHEL BASQUIAT

An American Legacy Exhibition curated by Jordan LAHMI

AVANT-PROPOS Opera Gallery Genève vous propose une exposition avec des œuvres individuelles de deux monstres sacrés de l’art contemporain : Andy Warhol et Jean-Michel Basquiat.

Nombreuses ont été les expositions et rétrospectives montrant le travail de ces deux icônes américaines dans le monde entier, mais c’est la première fois qu’une exposition d’une telle envergure les réunissant est organisée dans un lieu privé à Genève.

Deux artistes, deux œuvres bien différentes, deux véritables stars comme seule l’Amérique sait en créer. Trente années les séparent mais Warhol et Basquiat sont devenus deux authentiques mythes de l’art contemporain, deux personnages dont les visages ont été aussi médiatisés que les œuvres.

Ils ont dominé la scène artistique new-yorkaise à des époques différentes.

Warhol est le « Pape du Pop Art » des années 60 et 70.

Il construit son œuvre dans la réappropriation des figures éclatantes de la culture populaire, contrôlée par la société de consommation, le cinéma et la télévision. L’homme est un tel personnage, à la fois dandy superficiel et visionnaire génial de la société américaine, que son aura est reconnue de tous. Sa « Factory », c’est ainsi qu’il nomme lui-même son atelier, est un lieu de rencontre, de travail et de délire pour toute la société branchée de New York.

Basquiat est une véritable légende de la scène artistique des années 80. En l’espace de seulement 5 ans, d’artiste anonyme sans abris graffant des messages sociaux cryptés sur les murs des immeubles de Soho et du East Village à New York, il devient l’un des premiers artistes afro-américains dont le talent est reconnu dans le monde entier. Sa carrière est fulgurante mais brève, il meurt à l’âge de 27 ans.

Les deux hommes s’admirent, se rencontrent en 1982 et une très forte amitié les lie jusqu’à la mort de Warhol en 1987.

Basquiat ne lui survit que d’une année.

Le jeune Basquiat recherche une figure de guide attentif et expérimenté, Warhol accepte de jouer ce rôle de mentor, avec une certaine modestie. Sous l’impulsion d’un marchand, les deux artistes tentent même de travailler ensemble : une soixantaine de toiles sont ainsi co-produites entre 1984 et 1985.

Tous deux sont des observateurs et chroniqueurs du monde dans lequel ils vivent et leurs œuvres sont le reflet de leur époque.

L’un stigmatise ou plutôt capture avec ironie la société de consommation américaine, la standardisation des produits.

L’art de Warhol reflète le mercantilisme florissant et la vitalité de l’Amérique d’après-guerre mais aussi sa superficialité et sa vanité. Il crée sur un modèle emprunté à l’industrie publicitaire dont il est issu, utilisant le procédé mécanique de la sérigraphie. Ses images sont lisses et systématiques, linéaires, répétitives et renvoient à un certain cynisme. Il y a toujours une équivoque voulue entre ce qui est imprimé et ce qui est dessiné.

L’autre glane un chaos d’images et de mots au hasard de son vagabondage urbain et dénonce les souffrances du peuple noir mais aussi de son être. Basquiat utilise toutes sortes de techniques : peinture, dessin, collage et divers supports : papier, toile, bois, objets de récupération. La lecture de ses œuvres contrairement à celle des œuvres de Warhol n’est pas simple, il s’agit de véritables rébus. Son style est fougueux, nerveux, violent et énergique. C’est un mélange de street art, d’art primitif et d’expressionnisme.

Deux artistes, deux œuvres bien différentes effectivement, mais grâce à eux, l’art contemporain a connu une dimension nouvelle. Ils ont dominé le monde de l’art dont ils sont devenus des personnages historiques. Si Warhol était roi, Basquiat était prince et les deux ont régné des années 60 jusqu’à leur mort à la fin des années 80.

Gilles DYAN Président

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FOREWORD

Jordan LAHMI Directeur

Opera Gallery Geneva is pleased to present an exhibition with individual pieces by two giants of contemporary art: Andy Warhol and Jean-Michel Basquiat.

There have been a large number of exhibitions and retrospectives around the world showing the works of these two American icons but it is the first time that such an exhibition is organised in a private venue in Geneva.

Two artists, two very different styles, two real stars like only America knows how to create. They were born thirty years apart but Warhol and Basquiat have both become two authentic myths of contemporary art whose faces are as known as their art around the world.

They both ruled the New York art scene at different times.

Warhol is the “Pope of Pop Art” of the Sixties and the Seventies. He creates his work by using figures from the American popular culture, which is controlled by the consumer society, movies and television. The man is a mix between superficial dandy and brilliant visionary of American society and his aura is recognized by everyone.

His “Factory”, that’s how he named his studio, becomes the place of work and madness for the trendy people of New York.

Basquiat is a real legend of the art scene of the Eighties. In only 5 years, he goes from homeless graffiti artist leaving cryptic messages on the walls around Soho and the East Village in New York to one of the first Afro-American artists whose talent is acknowledged worldwide. His career is short but dazzling, he dies at the young age of 27.

Both men admire each other; they meet in 1982 and a very intense friendship binds them until the death of Warhol in 1987. Basquiat survives him only by one year.

and they co-produce about sixty pieces between 1984 and 1985.

Both are observers and chroniclers of the world in which they live and their art is the reflection of their era.

One stigmatizes or rather captures with irony the American consumer society, the standardization of products. His art mirrors the flourishing consumerism and vitality of post World War II America but also its superficiality and vanity. He builds his work on a model barrowed from the advertising industry, where he started, using the mechanical process of serigraphy. His images are smooth and systematic, linear, repetitive and demonstrate a certain cynicism. There is always an intentional ambiguity between what is printed and what is hand drawn.

The other one uses a chaos of images and words picked up randomly during his roving life in the streets of New York that denounce the suffering of the Afro-American people but also depict the suffering of his being. Basquiat uses many techniques, such as paint, drawing, collage and many mediums: paper, canvas, wood and salvaged materials.

His work is not as straight forward to decipher as Warhol’s, but more like riddles. His style is original, nervous, violent and energetic. It is a mixture of street art, primitive art and expressionism.

Two artists, two very different styles indeed, but thanks to them, contemporary art entered a new dimension. They ruled the art world as true dignitaries. One can say that Warhol was king and that Basquiat was prince and together they reigned from the sixties until their deaths in the late eighties.

The young Basquiat is looking for an experienced guide, Warhol accepts this role of mentor with a certain modesty.

An art dealer even suggests that they try to work together Gilles DYAN Chairman

Jordan LAHMI Director

« Une fois qu’on est pop, on ne peut plus voir les signaux de la même façon. Et une fois qu’on a commencé à penser pop, on ne peut plus voir l’Amérique de la même façon. » “Once you ‘got’ Pop, you could never see a sign again the same way again. And once you thought Pop, you could never see America the same way again.”

ANDY WARHOL (1928-1987)

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Flowers 1964 Signed and dated “64� (on the overlap) Acrylic and silkscreen ink on canvas 61 x 61 cm - 24 x 24 in.

PROVENANCE Private collection (acquired directly from the artist in 1980) CERTIFICATE The Andy Warhol Art Authentication Board has confirmed the authenticity of this work stamped and numbered A112.107 on the overlap

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Flowers 1964 Signed and dated “64� (on the overlap) Acrylic and silkscreen ink on canvas 61 x 61 cm - 24 x 24 in.

PROVENANCE Private collection (acquired directly from the artist in 1980) CERTIFICATE The Andy Warhol Art Authentication Board has confirmed the authenticity of this work stamped and numbered A111.107 on the overlap

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Jackie 1963 Signed (on the overlap) Acrylic and silkscreen ink on canvas 56,2 x 46 cm - 22.1 x 18.1 in.

PROVENANCE Leo Castelli Gallery, New York (LC # 917) Carlo Bilotti, New York Private collection, Turin Sale Sotheby’s London, Contemporary Art Part II, June 30, 1994, lot 244 Erica Hartman, Boca Raton Andrew L. Terner, Inc., New York Stellan Holm, New York Private collection, Stockholm Sale Sotheby’s New York, Contemporary Art Part II, Nov. 20, 1997, lot 300A Private collection EXHIBITED Tokyo, Prantam Ginza Department Store, Andy Warhol, 1988-89, ill. of detail New York, Tony Shafrazi Gallery, Andy Warhol: Thirty are Better than One, 1997, p. 24, ill. in colour LITERATURE Georg Frei and Neil Printz, The Andy Warhol Catalogue raisonné. Paintings and Sculptures 1964-1969, New York, 2004, vol. 02A, p. 221, No. 1201, ill. in colour CERTIFICATE The Andy Warhol Art Authentication Board has confirmed the authenticity of this work stamped and numbered A113.969 on the overlap

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Jackie 1964 Acrylic and silkscreen ink on linen - four panels 50,8 x 40,6 cm - 20 x 16. in. each panel

PROVENANCE The Andy Warhol Foundation for the Visual Arts, New York (PA56.168, PA56.165, PA56.164, PA56.157) Private collection EXHIBITED Las Vegas, Bellagio Gallery of Fine Art, Andy Warhol Celebrities, Feb. 7 - Sept. 7, 2003 London, Yvon Lambert, The Temptation to Exist Douglas Gordon, On Kawara, Terence Koh, Andy Warhol, Nov. 22 - Dec. 20, 2008 LITERATURE The Andy Warhol Catalogue raisonné vol. 02A, Nos. 1150, 1149, 1189, 1188 (clockwise from top right), pp. 205-206, 214-215, ill., pp. 216-218, catalogued PA56.168, Catalogue raisonné No. 1150 PA56.165, Catalogue raisonné No. 1189 PA56.164, Catalogue raisonné No. 1188 PA56.157, Catalogue raisonné No. 1149 (A105.072, A106.072, A107.072, A108.072)

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Guns 1981 Silkscreen inks and acrylic on canvas 41 x 51 cm - 16.1 x 20.1 in

PROVENANCE Estate of the Artist CERTIFICATE The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts have confirmed the authenticity of this work stamped and numbered PA15.048 on the back

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Dollar sign 1981 Synthetic polymer paint and silkscreen inks on canvas 228,6 x 177,8 cm - 90 x 70 in.

PROVENANCE Leo Castelli, New York Gagosian Gallery, New York Private collection EXHIBITED Los Angeles, Gagosian Gallery, Andy Warhol: $, Nov. 1997, pl. 15, p. 30, ill. in colour New York, Van de Weghe Gallery, Andy Warhol Dollar Signs, Sept. - Nov. 2004, No. 11, p. 48, ill. in colour LITERATURE Joseph D. Ketner II, Andy Warhol: The Last Decade, Exhibition catalogue, Milwaukee Art Museum, Wisconsin, 2009, fig. 15, p. 25, ill. in colour CERTIFICATE The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts have confirmed the authenticity of this work stamped, inscribed and numbered VF.PA 30.046 on the overlap

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Campbell’s Soup 1985 Acrylic and silkscreen ink on canvas 184,5 x 153 cm - 72.6 x 60.2 in.

PROVENANCE Jablonka Galerie, Cologne Private collection (acquired in 1988)

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Mick Jagger 1975-76 Signed and dated “1975” (on the overlap) Synthetic polymer paint and silkscreen ink on canvas 101,6 x 101,6 cm - 40 x 40 in.

PROVENANCE The Andy Warhol Foundation for the Visual Arts, New York (PO 50.398) Private collection EXHIBITED Sydney, Museum of Contemporary Art and London, Anthony d’Offay Gallery, Andy Warhol Portraits of the Seventies and Eighties, 1993 and 1994, No. 16 ill.

Luzern, Kunstmuseum Luzern, Andy Warhol: Paintings 1960 - 1986, July 9 - Sept. 24, 1995, No. 55, p. 130 ill.

Helsinki, Helsinki Kunsthalle, Andy Warhol, Aug. 23 - Nov. 16, 1997 Warsaw, the National Museum, Andy Warhol, March 6 - May 3, 1998 Cracow, the National Museum, Andy Warhol, May 19 - July 12, 1998 Rio de Janeiro, Centro Cultural Banco do Brasil, Warhol, Oct. 12 - Dec. 12, 1999 Andy Warhol, Kochi, the Museum of Art, Feb. 6 - March 26, 2000; Tokyo, the Bunkamura Museum of Art, April 1 - May 21, 2000; Umeda-Osaka, Daimaru Museum, May 24 - June 11, 2000; Hiroshima City, Museum of Contemporary Art, June 17 - July 30, 2000; Tokyo, Kawamura Memorial Museum of Art, Aug. 5 - Oct. 1, 2000; Nagoya City, Art Museum, Oct. 7 - Dec. 17, 2000; Niigata City, Art Museum, Jan. 4 - Feb. 12, 2001 Las Vegas, Bellagio Gallery of Fine Art, Andy Warhol Celebrities, Feb. 7 - Sept. 7, 2003 New York, Paul Kasmin Gallery, Andy Warhol: Patrons and Friends; Paintings and Drawings 1970 - 1977, Nov. 16 - Dec. 24, 2004, ill.

LITERATURE Germano Celant, Andy Warhol: A Factory, Kunstmuseum Wolfsburg, 1998, No. 414, ill.

This work will be included in the Catalogue raisonné of the artist’s paintings and sculptures

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Portrait of an American Lady 1976 Synthetic polymer paint and silkscreen ink on canvas 101,6 x 101,6 cm - 40 x 40 in.

PROVENANCE The Andy Warhol Foundation for the Visual Arts, New York Private collection EXHIBITED Helsinki, Helsinki Kunsthalle, Andy Warhol, Aug. 23 - Nov. 16, 1997 Warsaw, the National Museum, Andy Warhol, March 6 - May 3, 1998 Cracow, the National Museum, Andy Warhol, May 19 - July 12, 1998 Rio de Janeiro, Centro Cultural Banco do Brasil, Warhol, Oct. 12 - Dec. 12, 1999 Andy Warhol, Kochi, the Museum of Art, Feb. 6 - March 26, 2000; Tokyo, the Bunkamura Museum of Art, April 1 - May 21, 2000; Umeda-Osaka, Daimaru Museum, May 24 - June 11, 2000; Hiroshima City, Museum of Contemporary Art, June 17 - July 30, 2000; Tokyo, Kawamura Memorial Museum of Art, Aug. 5 - Oct. 1, 2000; Nagoya City, Art Museum, Oct. 7 - Dec. 17, 2000; Niigata City, Art Museum, Jan. 4 - Feb. 12, 2001 LITERATURE This work will be included in the vol. IV of the Catalogue raisonné of the artist’s work

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The Prince of Wales 1982 Signed and dated “Andy Warhol 82” (on the overlap) Acrylic and silkscreen ink on linen 127 x 107 cm - 50 x 42.1 in.

PROVENANCE Private collection EXHIBITED London, Opera Gallery LITERATURE Andy Warhol The Bomb, Padova, Vecchiato New Art Galleries, Oct. 12 2006 - Feb. 17 2007 Andy Warhol Viaggio in Italia, Napoli, Maschio Angioino, July 20 1996 - Nov. 2 1996

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The Princess of Wales 1982 Signed and dated “Andy Warhol 82” (on the overlap) Acrylic and silkscreen ink on linen 127 x 107 cm - 50 x 42.1 in.

PROVENANCE Private collection EXHIBITED London, Opera Gallery LITERATURE Andy Warhol The Bomb, Padova, Vecchiato New Art Galleries, Oct. 12 2006 - Feb. 17 2007 Andy Warhol Viaggio in Italia, Napoli, Maschio Angioino, July 20 1996 - Nov. 2 1996

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« Je redessine et j’efface mais jamais au point que l’on ne puisse plus voir ce qu’il y avait avant.

C’est ma version du repentir. » “I draw again and erase but never so much that they don’t know what was there.

That is my version of repentance.”

JEAN-MICHEL BASQUIAT (1960-1988) 28

Untitled 1981 Acrylic, paper collage and oilstick on canvas 129,5 x 154,9 cm - 51 x 61 in.

PROVENANCE The Estate of Jean-Michel Basquiat (by descent from the artist) LITERATURE Galerie Enrico Navarra, Jean-Michel Basquiat, Paris, 2010, Appendix, pp. 6-7, ill.

CERTIFICATE The Authentication Committee of the Estate of Jean-Michel Basquiat has confirmed the authenticity of this work

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Untitled (Hand Anatomy) 1982 Acrylic, oil, oilstick and paper collage on canvas with tied wood supports 152,4 x 152,4 cm - 60 x 60 in.

PROVENANCE Robert Miller Gallery, New York Galerie Van de Weghe, Brussels EXHIBITED Brussels, Galerie Van de Weghe, Jean-Michel Basquiat, April - May 1992 (organized in collaboration with the Estate of Jean-Michel Basquiat and Robert Miller Gallery, New York) Jean-Michel Basquiat, New York, Whitney Museum of American Art, 1992, p. 136, ill.; Houston, the Menil Collection, March - May 1993; Des Moines, Iowa, Des Moines Art Center, May - Aug. 1993; Montgomery, Alabama, Museum of Fine Arts, Nov. 1993 - Jan. 1994 Basel, Fondation Beyeler, Basquiat, May 9 - Sept. 5, 2010, No. 71, p. 96, ill.

LITERATURE Enrico Navarra, Jean-Michel Basquiat, Paris, 1996, ill. p. 78, No. 7 Richard Marshall and Jean-Louis Prat, Jean-Michel Basquiat, vol. II, Paris, 2000, ill. p. 126, No. 7 CERTIFICATE The Authentication Committee of the Estate of Jean-Michel Basquiat has confirmed the authenticity of this work on April 14, 2000

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Untitled 1982 Signed and dated “1982“ Pastel, oilstick, coloured crayon and charcoal on paper 76,8 x 109,2 cm - 30.2 x 43 in.

PROVENANCE Annina Nosei Gallery, New York Sale: Christie’s New York, Contemporary Art, Nov. 2, 1984, lot 229 Galerie Daniel Templon, Paris Private collection (acquired circa 1985) Private collection (acquired in 2003) CERTIFICATE The Authentication Committee of the Estate of Jean-Michel Basquiat has confirmed the authenticity of this work

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Chimp 1983 Signed, titled and dated (on the reverse) Acrylic and oil stick on canvas 182 x 144 cm - 71.6 x 56.7 in.

PROVENANCE Galerie Bruno Bischofberger, Zurich Private collection, Tokyo Baron Boisante Inc., New York LITERATURE Galerie Enrico Navarra, Jean-Michel Basquiat, Paris, 1996, No. 1, p. 106 CERTIFICATE The Comité Basquiat has confirmed the authenticity of this work

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Swiss House on Fire 1983 Signed and dated “Basquiat 1983” (on the reverse) Acrylic on canvas 50 x 70 cm - 19.7 x 27.6 in.

PROVENANCE Galerie Bruno Bischofberger, Zurich Private collection, Saint-Moritz EXHIBITED Barcelona, Dau al Set, Galeria d’Art, Jean-Michel Basquiat, 1989, No. 1 Pully-Lausanne, FAE Musée d’Art Contemporain, Jean-Michel Basquiat, 1993, p. 57 LITERATURE Richard Marshall, Jean-Louis Prat, Jean-Michel Basquiat, Galerie Enrico Navarra, Paris, 1996, vol. II, p. 108, No. 4 3rd Edition, 2000, vol. II, p. 174, No. 4, ill.

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Logo 1984 Signed and titled (on the reverse) Acrylic and silkscreen 152 x 122 cm - 59.8 x 48 in.

PROVENANCE Gagosian Gallery, New York Galerie Beaubourg, Paris Collection Marciano, USA Jose Mugrabi, New York Private collection, New York Private collection, Greenwich EXHIBITED Paris, Galerie Beaubourg, Jean-Michel Basquiat, Peintures 1982-87, 1988 New York, Whitney Museum of Art, Jean-Michel Basquiat, 1992-93, catalogue, p. 191, ill.

Vienna, Kunsthaus, Jean-Michel Basquiat, 1999, catalogue, p. 72, ill.

LITERATURE Michel Enrici, Jean-Michel Basquiat, Paris, 1989, p. 109, ill. in colour Richard Marshall, Jean-Louis Prat, Jean-Michel Basquiat, vol. II, Paris, 1996, p. 122, No.7, ill. in colour Richard Marshall, Jean-Louis Prat, Jean-Michel Basquiat, vol. II, Paris, 2000, p.191, No.7, ill. in colour

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A Next 1984 Signed, titled and dated “Basquiat ‘A Next’ 1984” (on the reverse) Acrylic, coloured oilsticks, glue, coloured xerox and wood collage on panel 101,6 x 137,8 x 10,8 cm - 40 x 54.2 x 4.2 in.

PROVENANCE Sale, Christie’s New York, Nov. 3, 1994 Private collection EXHIBITED Basquiat: Paintings 1981-84, Edinburgh, Fruitmarket Gallery; London, Institute of Contemporary Art; Rotterdam, Boymans Van Beuningen Museum, Aug. 1984 - March 1985 Vom Ziechnen - Aspekte der Zeichnung 1960-85, Frankfurt, Frankfurter Kunstverein Haus; Kassel, Kasseler Kunstverein; Vienna, Museum Moderner Kunst, Nov. 1985 - April 1986, p. 41 ill.

Vienna, KunstHausWien, Jean-Michel Basquiat, Feb. 11 - May 2, 1999, ill.

Künzelsau, Museum Würth, Jean-Michel Basquiat, Oct. 6, 2001 - Jan. 2, 2002 LITERATURE Richard Marshall, Jean-Michel Basquiat, New York, Whitney Museum of American Art, 1992, p. 159 Galerie Enrico Navarra, Jean-Michel Basquiat, Paris, 1996, p. 86, No. 8, ill.

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J. D. Card 1984 Signed, titled and dated “Sept. 84” (on the reverse) Acrylic on canvas 220 x 172.5 cm - 86.6 x 67.9 in.

PROVENANCE Private collection, Paris LITERATURE Galerie Bruno Bischofberger, Jean-Michel Basquiat, Zurich, 1985, No. 5 Michel Enrici, Jean-Michel Basquiat, Éditions de la Différence/ Galerie Enrico Navarra, Paris, 1989, p. 117 Fondazione Bevilacqua La Masa, Basquiat a Venezia Venice, 1999, p. 97 Galerie Enrico Navarra, Jean-Michel Basquiat, Paris, 2000, 3rd Edition, vol. II, pp. 212-213, No. 4, ill.

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Hong Kong 1985 Signed and dated “Jean-Michel Basquiat 85” (on the reverse) Graphite, coloured pencil and xerox collage on paper 76,2 x 57,1 cm - 30 x 22.5 in.

PROVENANCE Akira Ikeda Gallery, Tokyo Private collection Anon. sale: Christie’s New York, May 18, 2001, lot 502 Private collection

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ANDY WARHOL 1928 Born in Pittsburgh, PA, USA 1945 - 1949 Studied Pictural Design at Carnegie Institute of Technology, Pittsburgh, PA, USA 1949 Moved to New York after graduation and worked as a commercial artist 1952 First individual show at the Hugo Gallery, exhibiting Fifteen Drawings Based on the Writings of Truman Capote 1956 First group show at The Museum of Modern Art, New York, NY, USA 1962 Founded the Factory, New York, NY, USA 1968 Valerie Solanis, founder and sole member of SCUM nearly kills artist, New York, NY, USA 1969 Founded Interview Magazine, New York, NY, USA 1978 Enrolled in the School of Visual Arts (SVA) in New York, NY, USA 1982 Created cable television show Andy Warhol’s TV 1986 Created cable television show Andy Warhol’s Fifteen Minutes for MTV 1987 Died in New York, NY, USA

SELECTED EXHIBITIONS 2011 Villa Schöningen, Potsdam, Germany 2009 - 2010 Deeply Superficial: Warhol’s Voyeurism, Muscarelle Museum of Art, Williamsburg, VA, USA (solo) Andy Warhol in the 1980s, Milwaukee Art Museum, Milwaukee, WI, USA (solo) Faces of Warhol, Focus Exhibition in Three Installments, Museum of Art and Archaeology, University of Missouri, Columbia, MO, USA (solo) 2009 Le grand monde d’Andy Warhol, Galeries nationales du Grand Palais, Paris, France (solo) Andy Warhol Portraits, Greenfield Sacks Gallery, Santa Monica, CA, USA (solo) Andy Warhol: Through a Glass Starkly, George Segal Gallery, Montclair State University, Montclair, NJ, USA (solo) Warhol Live, The Andy Warhol Museum, Pittsburgh, PA, USA; Fine Arts Museum of San Francisco, San Francisco, CA, USA (solo) Andy Warhol, Mr. America, Biblioteca Luis Angel Arango, Bogotá, Colombia (solo) Twisted Pair: Marcel Duchamp and Andy Warhol, The Andy Warhol Museum, Pittsburgh, PA, USA Warhol TV, La Maison Rouge, Paris, France (solo)

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Andy Warhol: Pop Politics, Neuberger Museum of Art, Purchase, NY, USA (solo) The Prints of Andy Warhol (From A to B and Back Again), San Jose Museum of Art, San Jose, CA, USA (solo) Andy Warhol: Von Marilyn Bis Mao, Horst-Janssen-Museum, Oldenberg, Germany (solo) Warhol from the Sonnabend Collection, Gagosian Gallery, New York, NY, USA (solo) Andy Warhol, The Museum Chiang Kai-Shek Memorial, Taipei, Taiwan (solo) Warhol Live, The Montreal Museum of Fine Arts, Montreal, Canada (solo) Andy Warhol: Crossroads, Domus Artium (DA2), Salamanca, Spain (solo) Art for Everyday: Andy Warhol from Object to Practice and Back Again, Museu De Arte Contemporanea Niteroi, Rio De Janeiro, Brazil (solo) Andy Warhol: Cowboys and Indians, Mint Museum of Art Charlotte, NC 9, USA (solo) Andy Warhol: 15 Weeks of Fame, Arkansas Art Center, Little Rock, AR, USA (solo) Warhol’s Jews: Ten Portraits Reconsidered, The Contemporary

Jewish Museum, San Francisco, CA, USA (solo) Andy Warhol Portfolios: Life and Legends, Mint Museum of Art , Charlotte, NC, USA (solo) Andy Warhol: Pop Politics, Currier Museum of Art, Syracuse, NY, USA (solo) Warhol Presents, Everson Museum of Art, Syracuse, NY, USA Andy Warhol: Polaroid Portraits, Galerie Clic, St. Barthelemy, French West Indies (solo) 2008 Andy Warhol, Stereo Types, Galerie Daniel Blau, Munich, Germany (solo) Warhol: 15 Min/24 FPS, University Art Museum, California State University, Long Beach, CA, USA (solo) Andy Warhol: Still-Life Polaroids, Paul Kasmin Gallery, New York, NY, USA (solo) Andy Warhol by Andy Warhol, Astrup Fearnley Museum of Modern Art, Oslo, Norway (solo) The Eternal Now: Warhol and the Factory: ‘63-68, Ikon Gallery Birmingham, UK (solo) Rapid Exposure: Warhol in Series, Grand Rapids Art Museum, Grand Rapids, MI, USA (solo) Andy Warhol’s Silver Clouds, Loyala University Museum of Art, Chicago, IL, USA (solo) Canis Major: Warhol’s Dogs and Cats (and other party animals), The Andy Warhol Museum, Pittsburgh, PA, USA (solo) Andy Warhol Retrospective, Queensland Art Gallery, Brisbane, Australia (solo) Self-Portrait exhibition, La Casa Encendida, Madrid, Spain Andy Warhol: Larger than Life, Winnipeg Art Gallery, Winnipeg, Canada (solo) Other Voices, Other Rooms, The Stedelijk Museum Amsterdam, the Netherlands Silent Spring: Warhol’s Endangered Species and Vanishing Animals, Morris Museum, Morristown, NJ, USA (solo) Andy Warhol, Centro Cultural de la Pontificia Universidad Catolica del Peru Lima, Peru (solo) Andy Warhol Exhibit, New World of Coca-Cola Museum, Atlanta, GA, USA (solo) 2007 Andy Warhol Retrospective, The Royal Scottish Academy, Edinburgh, Scotland (solo) Andy Warhol Disaster Prints, Kampa Museum, Prague, Czech Republic (solo) Pop Art 1960’s - 2000’s, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan Andy Warhol Presents, University Art Museum, Santa Barbara, CA, USA (solo) Andy Warhol’s Dream America, Museum of Art, Toledo, OH, USA(solo) Andy Warhol - Shadows and other signs of life, Galerie Chantal Crousel, Paris, France (solo) Portraits, Jablonka Galerie, Berlin, Germany Factory Work: Warhol, Wyeth, and Basquiat, Farnsworth Art Museum, Rockland, ME, USA Andy Warhol and Minimal Art, Staatsgalerie, Stuttgart, Germany (solo) Andy Warhol Retrospective, Samsung Museum of Art, Seoul, Korea (solo)

Warhola Becomes Warhol - Andy Warhol: Early Work, Williams College Museum of Art, Williamstown, MA, USA (solo) Pop Goes The West: Featuring Roy Lichtenstein: American Indian Encounters and Andy Warhol’s, Cowboys and Indians Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN, USA Andy Warhol’s Dream America, Nevada Museum of Art, Reno, NV, USA (solo) Prints of Andy Warhol (From A to B and Back again), Kampa Museum, Prague, Czech Republic (solo) Time Capsule 64, The Andy Warhol Museum, Pittsburgh, PA, USA 2006 Warhol’s World, Hauser & Wirth, London, UK Man’s Best Friend, Lococo Fine Art, St. Louis, MO, USA Andy Warhol: Vanishing Animals, Medium SARL, St. Barthelemy, French West Indies (solo) Andy Warhol-Drawings, JGM. Galerie, Paris, France 2005 Andy Warhol Self-Portraits, Scottish National Gallery of Modern Art, Edinburgh, Scotland (solo) Small Drawings of Children & Dolls, Jablonka Galerie, Cologne, Germany 2004 Andy Warhol - Selfsportraits, Sprengel Museum, Hannover, Germany (solo) Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Late Andy Warhol - The Late Work, Museum kunst palast, Dusseldorf, Germany (solo) Andy Warhol: Motion Pictures, Kunstwerke, Berlin, Germany (solo) Andy Warhol, Anton Kern Gallery, New York, NY, USA (solo) Andy Warhol - LATE PAINTINGS, Gagosian Gallery, Los Angeles, CA, USA (solo) 2003 Andy Warhol - The Time Capsules, Museum für Moderne Kunst, Frankfurt, Germany (solo) Warhol - Screen Tests, Museum of Modern Art, New York, NY, USA (solo) Ladies & Gentlemen, Sex Parts & Torsos, Jablonka Galerie, Cologne, Germany Cosmos, Colleges and Drawings, Jablonka Galerie, Cologne, Germany E. Fischl, M. Barceló, F. Clemente, A. Katz, P. Taaffe, A. Warhol, Jablonka Galerie, Cologne; TEFAF, Maastricht, Germany 2002 Portrait Drawings/Sherrie Levine: Skulls, Jablonka Galerie, Cologne, Germany 2001 Retrospective, Neue Nationalgalerie, Berlin, Germany 2000 Headschots, Jablonka Galerie, Cologne, Germany 1999 Modern Madonna, Jablonka Galerie, Cologne, Germany Photography, The Andy Warhol Museum, Pittsburgh, PA; Kunsthalle, Hamburg, Germany (solo) 1998 Reframing Andy Warhol: Constructing American Myths, Heroes and Cultural Icons,The Art Gallery, University of Maryland, MD, USA Knives, Jablonka Galerie, Cologne, Germany

1997 Egg Paintings, Jablonka Galerie, Cologne, Germany 1989 Museum of Modern Art exhibited a major retrospective of his works, New York, NY, USA 1994 Andy Warhol Museum opened in Pittsburgh, PA, USA 1993 Andy Warhol: Abstract, Kunsthalle, Basel, Switzerland; Östereichisches Museum für Angewandte Kunst, Vienna, Austria; IVAM, Valencia, Spain (solo) 1992 Andy Warhol Polaroids 1971 - 1986, Pace/MacGill Gallery, New York, NY, USA (travelled to London, Uk and Paris, France) (solo) 1991 Andy Warhol’s Video and Television, Whitney Museum of American Art, New York, NY, USA (solo)

Stedelijk van Abbemuseum, Eindhoven, the Netherlands Musée d´Art Moderne de la Ville de Paris, Paris, France Museum of Art, Pasadena, CA, USA (toured the US)

Bibliotheque Nationale de France, Paris, France

Indianapolis Museum of Art, Indianapolis, IN, USA

Cleveland Museum of Art, Cleveland, OH, USA

Kemper Museum of Contemporary Art, Kansas City, MO, USA

1969 Neue Nationalgalerie, Berlin, Germany

Columbia Museum of Art, Columbia, SC, USA

Minneapolis Institute of Arts, Minneapolis, MN, USA

1968 Stedelijk Museum, Amsterdam, the Netherlands Moderna Museet, Stockholm, Denmark

Corcoran Gallery of Art, Washington, DC, USA

Musée d’Art Contemporain, Marseilles, France

Dallas Museum of Art, Dallas, TX, USA

Museum of Contemporary Art, Chicago, IL, USA

Harvard University Art Museums, Cambridge, MA, USA

Museum of Contemporary Art, Los Angeles, CA, USA

1967 Galerie Rudolf Zwirner, Cologne, Germany Ileana Sonnabend, Paris, France 1966 Leo Castelli Gallery, New York, NY, USA Institute of Contemporary Art, Boston, MA, USA 1965 Institute of Contemporary Art, Philadelphia, PA, USA

1990 Andy Warhol: Films, IVAM, Valencia, Spain (solo) Andy Warhol: Cars-The Last Pictures, Kunstmuseum, Berne, Switzerland (solo) The Prints of Andy Warhol, Cartier Foundation for Contemporary Art, New York, NY, USA (solo)

1964 Ileana Sonnabend, Paris, France Leo Castelli Gallery, New York, NY, USA Stable Gallery, New York, NY, USA

1989 Andy Warhol: A Retrospective, Hayward Gallery, London, UK (solo) Andy Warhol: Shadow Paintings, Gagosian Gallery, New York, NY (solo)

1962 Ferus Gallery, Los Angeles, CA, USA

1976 Venice Biennale, Venice, Italy

1963 Ferus Gallery, Los Angeles, CA, USA

1952 Andy Warhol: Fifteen Drawings Based on the Writings of Truman Capote, Hugo Gallery, New York, NY, USA (solo)

1970 Museum of Contempary Art, Chicago, IL, USA

SELECTED LITERATURE 2009 Le Grand Monde d’Andy Warhol (Exh. Cat.). Paris, France: RMN 2008 Aquin Stephane, Lavigne Emma and Matt Wrbican. Warhol Live (Exh. Cat.). New York: Prestel 2006 Angell, Callie. Andy Warhol screen tests: the films of Andy Warhol: Catalogue raisonné. New York: Harry N. Abrams 2003 Koestenbaum, Wayne. Andy Warhol. New York: Penguin, Watson, Steven. Factory Made: Warhol and the Sixties. New York: Pantheon 2002 The Andy Warhol Catalogue raisonné, vol. 1: Paintings and Sculpture, 1961-1963. Edited by Georg Frei and Neil Printz.

London: Phaidon

SELECTED PUBLIC COLLECTIONS

2001 Dillenberger, Jane. The Religious Art of Andy Warhol. New York City: Continuum International Publishing Group

Andy Warhol Museum, Pittsburgh, PA, USA

Museum of Fine Arts, Boston, MA, USA

Butler Institute of American Art, Youngstown, OH, USA

Museum of Modern Art, New York, NY, USA

Fine Arts Museums of San Francisco, CA, USA

National Galleries of Scotland, Edinburgh, Scotland

1999 Schaffner, Ingrid. The Essential Andy Warhol. New York: Harry N. Abrams Schmuckli, Claudia. Andy Warhol: The Last Supper (Exh. Cat.).

New York: Solomon R. Guggenheim Foundation

Guggenheim, Bilbao, Spain

National Gallery of Art, Washington, DC, USA

1997 Bockris, Victor. Warhol: The Biography. New York: Da Capo Press

The Solomon R. Guggenheim Museum, New York, NY, USA

National Gallery of Australia, Canberra, Australia

Hirshhorn Museum and Sculpture Garden, Washington, DC, USA

National Gallery of Canada, Ottawa, Canada

1996 Stiles, Kristine; Peter Howard Selz. Warhol in His Own Words.

Theories and documents of contemporary art: a sourcebook of artists’ writings. Berkeley: University of California Press

J. Paul Getty Museum, Los Angeles, CA, USA

Norton Simon Museum, Pasadena, CA, USA

The Metropolitan Museum of Art, New York, NY, USA

Yale University Art Gallery, New Haven, CT, USA

Museum of Fine Arts, Houston, TX, USA

Astrup Fearnley Museet for Moderne Kunst, Norway

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1994 The Andy Warhol Museum. New York: Distributed Art Publishers 1990 Colacello, Bob. Holy Terror: Andy Warhol Close Up. New York: HarperCollins

1989 Guiles, Fred Lawrence. Loner at the ball: the life of Andy Warhol. London: Bantam Books Bockris, Victor. The Life and Death of Andy Warhol. New York: Bantam Books Finklestein, Nat. Andy Warhol: The Factory Years 1964-1967.

New York: St. Martins Press Mc Shine, Kynaston. Andy Warhol: A Retrospective. New York: Museum of Modern Art O’Pray, Michael. (Ed.). Andy Warhol Film Factory. London, UK: British Film Institute 1988 Kornbluth, Jesse. Pre-Pop Warhol. New York: Panache Press 1985 Warhol, Andy. America/Andy Warhol. New York: Harper & Row Feldman/Schellmann. (Eds.). Andy Warhol Prints: A Catalogue raisonné. West Germany: Schellmann 1983 Ratcliff, Carter. Andy Warhol. New York: Cross River Press, 1980 Warhol, Andy, Pat Hacket. POPism: the Warhol ‘60s. New York: Harcourt Brace Jovanovich 1975 Warhol, Andy. The Philosophy of Andy Warhol: From A to B and Back Again. Orlando, Florida: Harcourt Brace Jovanich 1970 Crone, Rainer. Andy Warhol. New York: Praeger

JEAN-MICHEL BASQUIAT

2003 Jean-Michel Basquiat, Histoire d’une œuvre, Fondation Dina Vierny, Musée Maillol, Paris, France (solo) 2002 Paintings by Jean-Michael Basquiat, Hamiltons Gallery, Londres, UK (solo) Marcel Sitcoske Gallery, San Francisco, CA, USA (solo) 2001 Jean-Michel Basquiat, Museum Würth, Künzelsau, Germany (solo) 2000 Jean-Michel Basquiat, Mitterrand + Cramer / Fine Art, Geneva, Switzerland (solo)

1960 Born in Brooklyn, NY, USA 1966 Became a Junior Member of the Brooklyn Museum, Brooklyn, NY, USA 1977 Began spray painting cryptic aphorisms on subway trains and around lower Manhattan and signing them with the name SAMO© (Same Old Shit) 1978 Left home permanently and quit school just one year before graduating form high school 1983 Befriended by Andy Warhol 1988 Died in New York, NY, USA

SELECTED EXHIBITIONS 2010 Basquiat/Warhol, Bowdoin College Museum of Art, Brunswick, ME, USA Afro Modern: Journeys through the Black Atlantic, Tate Liverpool, Liverpool, UK 2009 A Tribute To Ron Warren, Mary Boone Gallery, New York, NY, USA Your Gold Teeth III, Marianne Boesky Gallery, New York, NY, USA Sans-titre # 1 oeuvres de la Collection Lambert peintures des années 1970 - 1980, Collection Lambert, Avignon, France Looking at Music: Side 2, MoMA - Museum of Modern Art, New York, NY, USA 2008 Jean-Michel Basquiat works on paper, Van de Weghe Fine Art, New York, NY, USA (solo) Jean-Michel Basquiat. Ahuyentando fantasmas, Fundación Marcelino Botín, Santander, Spain (solo) 2007 Jean-Michel Basquiat, Galleria Davide Di Maggio, Berlin, Germany (solo) Jean-Michel Basquiat : Works on Paper, Van de Weghe Fine Art, New York, NY, USA (solo) Basquiat in Cotonou, Fondation Zinsou, Cotonou, Benin (solo)

52

2006 Basquiat heads, Van de Weghe Fine Art, New York, NY, USA (solo) Basquiat 1960-1988 - Basquiat Retrospective, Shanghai Duolun Museum of Modern Art, Shanghai, China (solo) Jean-Michel Basquiat, Museo d´Arte Moderna, Lugano, Switzerland (solo) Jean-Michel Basquiat, 1981: The Studio of the Street, Deitch Projects - 76, Grand Street, New York, NY, USA (solo) Basquiat - una antología para Puerto Rico, Museo de Arte de Puerto Rico, Santurce, Puerto Rico (solo) 2005 Jean-Michel Basquiat, Galerie Bruno Bischofberger, Zurich, Switzerland (solo) Jean-Michel Basquiat, Museum of Contemporary Art, Los Angeles, CA, USA (solo) Jean-Michel Basquiat, The Museum of Fine Art, Houston, TX, USA (solo) Jean-Michel Basquiat, Brooklyn Museum, Brooklyn, NY, USA (solo) Jean-Michel Basquiat - In Word Only, Cheim & Read, New York, NY, USA (solo) 2004 Jean-Michel Basquiat, Museo del Palacio de Bellas Artes, Mexico City, Mexico (solo) Jean-Michel Basquiat: An Intimate Portrait - Susquehanna Art Museum, Harrisburg, PA, USA (solo)

1999 Jean-Michel Basquiat, Gemälde und Zeichnungen, Stadtgalerie, Klagenfurt, Austria (solo) Marcel Sitcoske Gallery, San Francisco, CA, USA (solo) Jean-Michel Basquiat, Paintings & Works on Paper, Kunsthaus Wien, Vienna, Austria (solo) Jean-Michel Basquiat, Civico Museo Revoltella, Trieste, Italy (solo) Tony Shafrazi Gallery, New York, NY, USA (solo) Jean Michel Basquiat , Galleria Davide Di Maggio - Milano, Milan, Italy (solo) Jean-Michel Basquiat, Basquiat a Venezia, Fondazione Bevilacqua La Masa, Venice, Italy (solo) 1998 Jean-Michel Basquiat, Obras sobre Papel, Museo Nacional de Bellas Artes, Buenos Aires, Argentina (solo) Jean-Michel Basquiat, Pinturas/Obras sobre papeis, Pinacoteca, São Paulo, Brazil (solo) Jean-Michel Basquiat, Gagosian Gallery, Los Angeles, CA, USA (solo) Museu de Arte Moderna, Recife, Brazil Tony Shafrazi Gallery, New York, NY, USA (solo) Pinacoteca, São Paulo, Brazil Jean-Michel Basquiat - Temoignage 1977-1988, Galerie Jérôme de Noirmont, Paris, France (solo) 1997 Art Beatus, Vancouver, Canada Big Step, Inc. Osaka, Japan Mitsukochi Museum, Tokyo; MIMOCA, Marugame, Japan Museo Nacional de Bellas Artes, Buenos Aires, Argentina Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan; Taiwan Museum of Art, Taiwan Fondation Dina-Vierny, Musée Maillol, Paris, France Gallery Hyundai, Seoul, Korea Parco Gallery, Tokyo, Japan 1996 Robert Miller Gallery, New York, NY; Serpentine Gallery, London, UK Galerie Enrico Navarra, Paris, France Jean-Michel Basquiat, Galeria Luisa Strina, São Paulo, Brazil (solo) Jean-Michel Basquiat: The Blue Ribbon Paintings, Museum of Contemporary Art - North Miami (MOCA), Miami, FL, USA (solo) Two Cents, Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA, USA (solo) Two Cents, Castellani Art Museum, Lewiston, NY, USA (solo) Contemporary Art Series #7: Jean-Michel Basquiat - Krannert Art Museum, Champaign, IL, USA (solo)

Galeries Lucien Durand-Enrico Navarra, Paris, France Junta de Andalucia, Malaga, Spain The Bruce Museum, Greenwich, UK Tony Shafrazi Gallery, New York, NY, USA (solo) Quintana Gallery, Coral Gables, FL, USA 1995 Center Gallery, Miami-Dade Community College, Miami, FL, USA; Castellani Art Museum, Niagara Univerity, New York, NY, USA; The University of Memphis, Memphis, TN, USA; University of South Florida Art Museum, Tampa, FL, USA; Otis Gallery of Art and Design, Los Angeles, CA, USA; Austin Museum of Art, Austin, TX, USA 1994 Henry Art Gallery, University of Washington, Seattle, WA, USA Robert Miller Gallery, New York, NY, USA Mount Holyoke College of Art Museum, South Hadley, MA, USA; Wadsworth Atheneum, Hartford, CT, USA; The Andy Warhol Museum, Pittsburg, PA, USA; The studio Museum in Harlem, New York, NY, USA; Krannert Art Museum and Kinkead Pavilion, University of Illinois, Champaign, IL, USA; COCA/Museum of Contemporary Art, Miami, FL, USA 1993 Newport Harbour Art Museum, Newport Beach, CA, USA FAE, Musee d’Art Contemporain, Pully-Lausanne, France Tony Shafrazi Gallery, New York, NY, USA (solo) Musée Galerie de la Seita, Paris, France Jean-Michel Basquiat, Orange County Museum of Art, Newport Beach, CA, USA (solo) Delta Gallery, Rotterdam, the Netherlands Alpha Cubic Gallery, Tokyo, Japan Galerie Sho Contemporary Art, Tokyo, Japan Galerie Bruno Bischhofberger, Zurich, Switzerland 1992 Metropolitan Museum of Art, New York, NY, USA Whitney Museum of American Art, New York, NY, USA Menil Collection, Houston, TX, USA Des Moines Art Center, Des Moines, IA, USA Montgomery Museum of Fine Art, Montgomery, AL, USA Vrej Baghoomian Gallery, New York, NY, USA Galerie Eric van de Wegh, Brussels, Belgium Musee Cantini, Marseille, France 1991 P.S.Gallery, Tokyo, Japan Galerie de Poche, Paris, France 1990 Gallery Le Gall Peyroulet, Paris, France Galerie Fabien Boulakia, Paris, France Robert Miller Gallery, New York, NY, USA 1989 Kestner-Gesellschaft, Hanover, Germany Vrej Baghoomian Gallery, New York, NY, USA Galerie Enrico Navarra, Paris, France Dau al Set, Galeria d’Art, Barcelona, Spain Galerie Thaddaeus Ropac, Salzburg, Austria 1988 Galerie Michael Haas, Berlin, Germany Vrej Baghoomian Gallery, New York, NY, USA Galerie Thaddaeus Ropac, Salzburg, Austria

Fay Gold Gallery, Atlanta, GA, USA Gallery Schlesinger Limited, New York, NY, USA Annina Nosei Gallery, New York, NY, USA Galerie Yvon Lambert, Paris, France Galerie Beaubourg, Paris, France 1987 Galerie Daniel Templon, Paris, France (solo) Akira Ikeda Gallery, Tokyo, Japan Drawings, Tony Shafrazi Gallery, New York, NY, USA (solo) Galerie Thaddaeus Ropac, Salzburg, Austria P.S.Gallery, Tokyo, Japan 1986 Larry Gagosian, Los Angeles, CA, USA Fay Gold Gallery, Atlanta, GA, USA Galerie Bruno Bischofberger, Zurich, Switzerland Galerie Thaddaeus Ropac, Salzburg, Austria Akira Ikeda Gallery, Nagoya, Japan Centre Culturel Francais d’Abidjan, Abidjan, Ivory Coast Galerie Delta, Rotterdam, the Netherlands Kestner-Gesellschaft, Hanover, Germany Galerie Michael Werner, Cologne, Germany 1985 Mary Boone Gallery, New York, NY , USA(solo) Akira Ikeda Gallery, Tokyo, Japan Annina Nosei Gallery, New York, NY, USA Galerie Bruno Bischofberger, Zurich, Switzerland Jean-Michel Basquiat / MATRIX 80, Berkeley Art Museum, Berkley, CA, USA; Pacific Film Archive BAM/PFA, Berkeley, CA, USA (solo) 1984 Mary Boone Gallery, New York, NY, USA (solo) The Fruitmaker Gallery, Edinburgh, Scotland ICA, London, UK Museum Boymans-van Beuningen, Rotterdam, The Netherlands Carpenter + Hochman gallery, Dallas, TX, USA New Expressionists, Sidney Janis Gallery, New York, NY, USA Paintings and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN, USA American Neo-Expressionists, Aldrich Museum, Ridgefield, CT, USA New Art, Musee D’Art Contemporain, Montreal, Canada 1983 New York Now, Kestner-Gesellschaft, Hannover, Germany; Kunstverein Munich, Munich, Germany; Musée Cantonal des Beaux-Arts, Lausanne, Switzerland; Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, Germany From the Streets, Greenville County Museum of Art, Greenville, SC, USA Post Graffiti, Sidney Janis Gallery, New York, NY, USA Paintings, Mary Boone Gallery, New York, NY, USA Whitney Biennale, Whitney Museum, New York, NY, USA New Work, Sidney Janis Gallery, New York, NY, USA Intoxication, Monique Knowlton Gallery, New York, NY, USA; Mary Boone Gallery, New York, NY, USA Back to the USA, Kunstmuseum Luzern, Luzern, Switzerland; Rheinisches Landmuseum, Bonn, Germany; Wurttembergischer Kunstverein, Stuttgart, Germany; Annina Nosei Gallery, New York, NY, USA Selected Works, Ulrike Kantor Gallery, Los Angeles, CA, USA

54

Mary Boone and her Artists, Seibu Museum, Tokyo Written Imagery Unleashed in the Twentieth Century, Fine Arts Museum of Long Island, Hempstead, NY, USA Food for the Soup Kitchens, Fashion Moda, Bronx, NY, USA Contemporary Drawing, Delahunty Gallery, Dallas, TX, USA West Beach Café, Venice, CA, USA Galerie Bruno Bischofberger, Zurich, Switzerland Akira Ikeda Gallery, Tokyo, Japan

SELECTED PUBLIC COLLECTIONS The High Museum of Art, Atlanta, GA, USA The Dayton Art Institute, Dayton, OH, USA Castellani Art Museum, Lewiston, NY, USA

Berardo Museum - Collection of Modern and Contemporary Art, Lisbon, Portugal Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany Sammlung Hoffmann, Berlin, Germany

1982 Emilio Mazzoli Gallery, Modena, Italy Mario Diacono Gallery, Rome, Italy Annina Nosei Gallery, New York, NY, USA Blum/Helman Gallery, New York, NY, USA Marlborough Gallery, New York, NY, USA Galerie Bruno Bischofberger, Zurich, Switzerland Fun Gallery, New York, NY, USA Galerie Delta, Rotterdam, the Netherlands New New York, Florida State University Art Gallery, Tallahassee, FL, USA; Metropolitan Museum and Art Centre, Coral Gables, FL, USA Body Language - Current Issues in Figuration, University Art Gallery, San Diego State University, San Diego, CA, USA Avantgarde and Transavantgarde “68 to 77” Aurelian Walls, Rome, Italy Five Americans, Museu Civico, Modena, Italy Drawings/Vision: New York’, Janus Gallery, Los Angeles, CA, USA Works on Paper, Larry Gagosian Gallery, Los Angeles, CA, USA Fast, Alexander F Milliken Gallery, New York, NY, USA Documneta 7, Kassel, West Germany The Expressionist Image: From Pollock to Today, Sidney Janis Gallery, New York, NY, USA The Pressure to Paint, Marlborough Gallery, New York, NY, USA

MOCA Grand Avenue, Los Angeles, CA, USA

1981 Annina Nosei Gallery, New York, NY, USA Emilio Mazzoli Gallery, Modena, Italy New York, New Wave, Institute for Art and Urban Resources, P.S.1, Long Island City, NY, USA

2006 Dubuffet, Basquiat: personal histories. New York: PaceWildenstein, 2006 (catalogue)

MoMA - Museum of Modern Art, New York, NY, USA Whitney Museum of American Art, New York , NY, USA Broad Contemporary Art Museum, Santa Monica, CA, USA

Centre Pompidou - Musée National d´Art Moderne, Paris, France Vancouver Art Gallery, Vancouver, Canada Museum der Moderne Salzburg, Salzburg, Austria

Everson Museum of Art, Syracuse, NY, USA

Museu d´Art Contemporani de Barcelona - MACBA, Barcelone, Spain

Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao, Spain

Fukuoka Art Museum, Fukuoka, Japan

SELECTED LITERATURE 2007 Jean-Michel Basquiat 1981: the studio of the street. Milano: Charta; New York: Deitch Projects, 2007

2003 Emmerling, Leonhard. Jean-Michel Basquiat 1960-1988. Cologne; London: Taschen, 2003 2001 Jean-Michel Basquiat: paintings and works on paper: The Mugrabi Collection. Künzelsau: Museum Würth: Swiridoff Verlag, 2001 2000 Richard Marshall and Jean-Louis Prat. Jean-Michel Basquiat, Paris: Enrico Navarra, 2000 1999 Luca Marenzi. Jean-Michel Basquiat. Milano: Charta Edizioni, 1999 1993 C. Michetti-Prod’Hom and A. Affentranger-Kirchrath. Jean-Michel Basquiat. Pully/Lausanne: FAE Musée d’Art Contemporain, 1993 1992 Richard Marshall. Jean-Michel Basquiat. New York: Whitney Museum of American Art, 1992

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