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Oluwatamilore Ayoade B. Arch NJIT 2028

TABLE OF CONTENTS Lighten Space.............................................................................................................2-9 Bathhouse................................................................................................................10-15 Open Tunnel.............................................................................................................16-21 Ordering Systems..................................................................................................22-27 Ring Cycle................................................................................................................28-36

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Lighten Space My project examines how solids interact with focused light. Using descriptive words, we create models in a cube for testing. I explore two rituals: working and dining while looking up, and resting and bathing while looking down. These rituals are represented by different spaces connected by stairs.

Ayoade Miguel, Oluwatamilore | AAID101 Design fundamentals 1 | FA22 | Carlos J. Balza Gerardino

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Carlos J. Balza Gerardino | AAID101 Design fundamentals 1 | FA22 | Ayoade Miguel, Oluwatamilore

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Ayoade Miguel, Oluwatamilore | AAID101 Design fundamentals 1 | FA22 | Carlos J. Balza Gerardino

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69’ 1”

A

C

B

D

E

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G

H

I

J

K

L

M

O

N

P

Q

S

R

T

A

1

2

41’ 3”

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1

5

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Y

X

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V

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HORIZON RITUAL FLOOR PLAN Scale : 1’ -0” = 1/6” 2’

8’

16’

Carlos J. Balza Gerardino | AAID101 Design fundamentals 1 | FA22 | Ayoade Miguel, Oluwatamilore

15’ 8”

10

1 2 3 4 5 6

A

B

C

7 8 9

42’ 1”

HORIZON RITUAL SECTION B Scale : 1’ -0” = 1/6” 2’

8’

5

16’

Ayoade Miguel, Oluwatamilore | AAID101 Design fundamentals 1 | FA22 | Carlos J. Balza Gerardino

Work-dine break down

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58’ 4” A B C D

42’ 11”

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1

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SKY RITUAL FLOOR PLAN Scale : 1’ -0” = 1/6” 2’

8’

16’

Carlos J. Balza Gerardino | AAID101 Design fundamentals 1 | FA22 | Ayoade Miguel, Oluwatamilore

9’ 11”

28’ 11”

SKY RITUAL SECTION A

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Scale : 1’ -0” = 1/6” 2’

8’

16’

Ayoade Miguel, Oluwatamilore | AAID101 Design fundamentals 1 | FA22 | Carlos J. Balza Gerardino

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5

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7 1 3 1 3

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2 8

5 4

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5 4

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COLLAPSED HORIZON PLAN + VIEW LOCATIONS COLLAPSED HORIZON PLAN + VIEW LOCATIONS

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7 1 4 3

2

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1 4

5 3

2 6 5

COLLAPSED SKY PLAN + VIEW LOCATIONS

COLLAPSED SKY PLAN + VIEW LOCATIONS

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2

4

1 4

3

2 3

COLLAPSED PASSAGE PLAN + VIEW LOCATIONS COLLAPSED PASSAGE PLAN + VIEW LOCATIONS

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Bath House

I first identified the kitchen items in the painting. There is a pot in the background, multiple bottles, a steamer,and a measuring cup. In the very back of painting are two separate backgrounds, blue and cream color.

This implied a division between two elements,which are internal (blue) and external (cream). The external side is dynamic with less complex shapes while the internal side is stationary with complex shapes that create voids within.

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I first identifi the painting. background, and a measu painting are blue and cre division betw which are in (cream). The with less com internal side complex sha within.

Still Life Filled With Space By Le Corbusier

Cut Axonometric

Axonometric

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Interior render of cool bath

Path circulation 1 Path circulation 2 Path circulation 3 Water

Site Plan

Path circul

Path circul

Path circul Water

Floor Plan

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Open Tunnel The design provides shade for Appalachian trail hikers via an open tunnel directly on the path, split into two areas. The first offers intermittent shade along the trail with hexagonal frames, while the second is a spacious resting spot encouraging interaction and providing ample shade. Hikers ideally spend 15 to 30 minutes recuperating here before continuing their journey.

Curve

Curve

PolysurfacePolysurface

Extrusion Extrusion

DuplicationDuplication + Rearrangement + Rearrangement

Resting Space Resting Space

Traveling Space Traveling Space

nel

N

N

Forest Shelter Yoann Saehr Architect + Studiolada

g the Appalachian trail. The Open tunnel he traveling area in which height ames due to its less effective nature g area in which hikers and observe.

Scale: 1’0 Scale: = can 1/14” 1’0 sit = 1/14” ge communication with other hikers hiker would spend 15 to 30 minutes

any of us were mmer day continues to a tunnel of some sort. the space. on e most shade accustomed with king down at the path we came

A

Boolean split Boolean + Rotation split + Rotation

+

+

Youth Shelter Wolverhampton Sjölander da Cruz Architects

N

Concrete Shelter

N

Ron Shenkin

Scale: 1’0 Scale: = 1/14” 1’0 = 1/14”

A

B

A

B

A

Scale: 1’0 Scale: = 1/64” 1’0 = 1/64”

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9 A.M.

12 P.M.

9 A.M.

9 A.M.

12 P.M.

3 P.M.

3 P.M.

12 P.M.

12pm

9am

3pm

Extrusion

Duplication + Rearrangement

Boolean split + Rotation Resting Space

Traveling Space

N N

Scale: 1’0 = 1/14”

Site Plan

3 P.M.

A

B

Scale: 1’0 = 1/14” Scale: 1’0 = 1/14”

A Scale: 1’0 = 1/64”

A Scale: 1’0 = 1/64”

Travel circulation Travel circulation

Thresholds

Thresholds

R

Resting Area

Circulation Diagram

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Scale: 1’0 = 1/14”

A

B

A Scale: 1’0 = 1/64”

Travel circulation

Thresholds

Resting Area

B Scale: 1’0 = 1/64”

9 A.M.

12 P.M.

3 P.M.

N N

Scale: 1’0 = 1/14” Scale: 1’0 = 1/14”

A

B

A Scale: 1’0 = 1/64”

Travel circulation

Thresholds

Resting Area

B Scale: 1’0 = 1/64”

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2.90”

17’ 1”

12’ 4”

1’ 4”

6’0” 5’ 9” Axonometric | Measurement

10’ 1”

Elevation Scale: 1' = Exploded Axonometric

Vegetation area Pavillion area Pavement area

Ordering Systems Movement

Pavement design | Circulation

In continuing the exploration from excerise 1, excerise 2 develops iterations from the more simplified or midied material. Thus reodering, shifting, and adjusting modules to create a structure or pavillion best suit the area (Liberty State Park at the edge of Flag Plaza).

Section

Scale: 1' = 1/6"

20’0”

Floor plan Scale: 1' = 1/12"

1/5"

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ial

17’ 1”

12’ 4”

2.90”

Modified module Joint

ation was performed d of patterns in one

exploration, I nd mirror to see ould have on the

ploration, I ginal iteration g a joint nnects the er,

1’ 4”

5’ 9” Axonometric | Measurement

Module Axonometric measurement

10’ 1”

Exploded Axonometric

EX 2 | Ordering Systems Oluwatamilore Ayoade Arch 196 | Spring 2024 Prof. Deen Modified Material

Material

In continuing the exploration from excerise 1, excerise 2 develops iterations from the more simplified or midied material. Thus reodering, shifting, and adjusting module to create a structure orSite pavillion best suit the area (Liber plan 1' = 1/16" State Park at the edge of Flag Plaza).

Modified module Joint

EX 2 | Ordering Systems EX 2 | Ordering Systems 2.90”

12’ 4”

Oluwatamilore Ayoade In continuing the exploration from excerise 1, excerise 2 Oluwatamilore Ayoade In continuing the exploration from excerise 1, excerise 2 develops iterations from the more simplified or midied Arch 196 | Spring 2024 develops iterations from the more simplified or midied shifting, and adjusting modules Arch 196 | Springmaterial.

2024Thus reodering, material. shifting, and adjusting modules to create a structure or pavillionThus bestreodering, suit the area (Liberty Prof. Deen a structure or pavillion best suit the area (Liberty State Park at the edgetoofcreate Flag Plaza).

Prof. Deen 17’ 1”

The initial exploration was performed using the method of patterns in one direction.

1

20’0”

Modified Material

Material

Modified module Joint

1’ 4”

State Park at the edge of Flag Plaza).

6’0”

10’ 1”

EX 2 | Ordering Systems Oluwatamilore Ayoade Arch 196 | Spring 2024 Prof. Deen

3

Elevation Scale: 1' = 1/5"

The initial exploration was performed using the method of patterns in one direction.

Exploded Axonometric

1

In continuing the exploration from excerise 1, excerise 2 Modified module Joint develops iterations from the more simplified or midied Modified Material Modified module Joint material. Thus reodering, shifting, and adjusting modules On the second exploration, I to create a structure or pavillion best suit the area (Liberty 2 tested angles and mirror to see State Park at the edge of Flag Plaza). what effect it would have on the

Modified Material

Material

On the third exploration, I return to the original iteration after discovering a joint system that connects the modules together,

1

17’ 1”

Axonometric | Measurement

On the second exploration, I tested angles and mirror to see what effect it would have on the environment.

12’ 4”

2

2.90”

5’ 9”

Material

5’ 9” Axonometric | Measurement

10’ 1”

Vegetation area Pavillion area

Site plan 1' = 1/16"

Movement

2

On the second exploration, I tested angles and mirror to see Pavement design | Circulation what effect it would have on the environment.

3 On the third exploration, I return to the original iteration after discovering a joint system that connects the modules together, The initial exploration was performed using the method of patterns in one direction.

20’0” 1

4

2

6’0”

On the second exploration, I tested angles and mirror to see what effect it would have on the environment.

On the third exploration, I return to the original iteration after discovering a joint system that connects the modules together,

17’ 1”

2.90”

1’ 4” Site plan 1' = 1/16"

Axonometric | Measurement Modified module Joint

2

4 On the second exploration, I tested angles and mirror to see what effect it would have on the Scale: 1' = 1/6" environment.

Section

5’ 9”

10’ 1”

Based on the three exploraAxonometric | Measurement tions, I’d impliment elemst of angles, mirroring, and patterns to create the forth exploration.

3

10’ 1”

Ele Sc

20’0”

Exploded Axonometric

Vegetation area Exploded Axonometric

Pavillion area

On the third exploration, I return to the original iteration after discovering a joint system that connects the modules together,

I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the replicate pattern next to eachother.

Pavement area

Movement

Pavement area

6’0”

Elevation Scale: 1' = 1/5" Vegetation area Pavillion area

Movement

I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the replicate pattern next to eachother.

Pavement design | Circulation

1’ 4”

Based on the three explorations, I’d impliment elemst of 5’ 9” angles, mirroring, and patterns to create the forth exploration.

Based on the three exploraAxonometric4 | Measurement tions, I’d impliment elemst of10’ 1” angles, mirroring, and Vegetation area patterns to create the forth exploration.

Pavillion area I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the replicate pattern next to eachother.

3

1’ 4”

2.90”

Modified Material

On the third exploration, I return to the original iteration after discovering a joint system that connects the modules together,

5’ 9”

Pavement area

I’d take a pattern from the 4th iteration, duplicate it, and Material adjust the position of the replicate pattern next to eachother.

17’ 1”

The initial exploration was performed using the method of patterns in one direction.

1 The initial exploration was performed 3 using the method of patterns in one direction.

1

17’ 1”

Based on the three explorations, I’d impliment elemst of angles, mirroring, and patterns to create the forth exploration.

12’ 4”

4

12’ 4”

12’ 4”

2.90”

environment.

Exploded Axonometric

Pavement design | Circulation Pavement area

Section

Movement

1' = 1/6" Pavement design | Scale: Circulation

Floor plan Scale: 1' = 1/12" Section Scale: 1' = 1/6"

4

Elevation Scale: 1' = 1/5"

Based on the three explorations, I’d impliment elemst of angles, mirroring, and patterns to create the forth exploration.

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Site Plan

Site plan 1' = 1/16"

20’0”

what effect it would have on the environment.

Exploded Axonometric

On the third exploration, I return to the original iteration after discovering a joint system that connects the modules together,

3

4

Based on the three explorations, I’d impliment elemst of angles, mirroring, and patterns to create the forth exploration.

Vegetation area Pavillion area I’d take a pattern from the 4th iteration, duplicate it, and adjust the position of the replicate pattern next to eachother.

Pavement area

Movement

Pavement design | Circulation

Section

Scale: 1' = 1/6"

Floor Plan

Floor plan Scale: 1' = 1/12"

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Ring Cycle In Branch Brook Park, Newark, NJ, a 96-foot tree stands at the heart of *Ring Cycle*, an artist residence designed for painter Paris Souffrant. Located between Christopher Columbus Dr. and Branch Brook Park Dr., the tree’s serene canopy contrasts with the bustling surroundings.

The building’s circular design mirrors the tree’s organic flow, with staggered floors offering dynamic views and embodying the artistic process. Materials transition upward, creating cozier, private spaces at the top, where the artist ends her day.

This residence merges art and nature, wrapping the tree in a harmonious blend of design and creativity.

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General forest view

General tree view

way

u mb

us D r

Drive

Chris

ophe

r Col

General park view

General park view

General tree view Di

rtr oa

d

B h nc

Bra Cherry trees

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General park view

- Client has private staircase leading to residents

B Cherry trees

UP

General park view

1st Floor UP

4 pm

MATERIAL DIAGRAM

OFFSET CIRCLE DIAGRAM & POPULATION

UP

OFFSET CIRCLE DIAGRAM & POPULATION

KEY

MATERIAL DIAGRAM

= Tree = Circle foundation and offset circle = Walls

KEY

= Main entrance = Staircase

= Tree = Circle foundation and offset circle

1ST FLOOR 3 GATHERING SPACES

= Walls = Main entrance

= INDOOR HIGH POPULATION

= Staircase

= INDOOR MEDIUM POPULATION

9 am

= OUTDOOR MEDIUM POPULATION

1ST FLOOR

= BATHROOM

3 GATHERING SPACES = INDOOR HIGH POPULATION = INDOOR MEDIUM POPULATION = OUTDOOR MEDIUM POPULATION = BATHROOM

2ND FLOOR 2 WORK SPACES = ACCESSIBLE WITH PERMISSION,

VARYING POPULATION = INDOOR LOW POPULATION

2ND FLOOR 2 WORK SPACES = ACCESSIBLE WITH PERMISSION,

VARYING POPULATION = INDOOR LOW POPULATION

4 LIVING SPACES

12 pm

= OUTDOOR LOW POPULATION

= INDOOR HIGH POPULATION = INDOOR MEDIUM POPULATION = BATHROOM

4 LIVING SPACES = OUTDOOR LOW POPULATION

= INDOOR HIGH POPULATION = INDOOR MEDIUM POPULATION = BATHROOM

r D rk

o o r B

a P k

EXTERIOR & INTERIOR VIEWS

EXTERIOR & INTERIOR VIEWS 3RD FLOOR 2 LIVING SPACES = INDOOR LOW POPULATION

= BATHROOM

3RD FLOOR 2 LIVING SPACES = INDOOR LOW POPULATION

= BATHROOM

4 pm

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ELEVATION DIAGRAM 96’-00”

12'3-1/4"

3‘6-00” 11 ‘-00”

11’-00” 6’-00”

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34’0-3/4”

11’-00”

11’-00”

ELEVATION DIAGRAM 96’-00”

12'3-1/4"

3‘6-00” 11 ‘-00”

34’0-3/4”

11’-00”

12’11-3/4” 11’-00” 6’-00”

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D

- DRIVEWAY

LAKE 32

FIRST FLOOR PLAN

Section A

SCALE : 1/8” = 1’ - 0” 0 2

4

8

16 UP

-0” 25’

1" 2

-10 15'

4.

1"

14 '-1

52'-4"

23

25'-5 41 "

2.

7'-0 14"

1.

3.

32'-3 12"

Section B

1 32'-3 2"

LEGEND

Section A

1. GIFT STORE 2. GALLERY 3. BATHROOM 4. OUTDOOR GALLERY

SECOND FLOOR PLAN

D

SCALE : 1/8” = 1’ - 0” 0 2

34

4

8

Section A

16

36

'-1

1 4"

35'-4" DN

SECOND FLOOR PLAN

SCALE : 1/8” = 1’ - 0” 0 2

4

8

Section A

16

36

'-1

1 4"

35'-4" DN

Section B

11.

7'-0 14"

12.

12'-6"

10.

27’-

5”

DN

9.

13'-0 14"

14'-4 14"

DN

7.

1. Living Room 2. Dinning Room 3. Kitchen

8.

6.

41

’-4

”

UP

38'-3 43 "

5.

LEGEND 4.

Bathroom 5. KITCHEN 6. DINNING ROOM 7. BATHROOM 8. LIVING ROOM 9. BALCONY (PRIVATE ENTRANCE) 10. OFFICE 11. STUDIO 12. STUDIO CLOSET

Section A

THIRD FLOOR PLAN SCALE : 1/8” = 1’ - 0” 0 2

4

8

16

35

41 ’-4 ”

7. BATHROOM 8. LIVING ROOM 9. BALCONY (PRIVATE ENTRANCE) 10. OFFICE 11. STUDIO 12. STUDIO CLOSET

38'-3 43 "

5.

Section A

THIRD FLOOR PLAN SCALE : 1/8” = 1’ - 0” 0 2

4

8

16

16.

Section A

6”

23'

DN

15.

20'-0 12"

DN

14.

13.

29'-9 12"

Section A

SOUTHEAST SECTION A

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SCALE : 1/8” = 1’ - 0” 0 2

4

8

16

1. oom 2. Closet 3. Bathroom 4. Green Roof 5. Bedroom 6. Closet 7. Bathroom 8. Green Roof 9. Bedroom 10. Closet 11. Bathroom LEGEND 12. Green Roof 13. BATHROOM 14. CLOSET 15. BEDROOM 16. GREEN ROOF

Thank you!

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