{oh!} Orkiestra program proposals

Orkiestra

program proposals

Antonio Vivaldi

The Four Seasons Baroque music most famous

in Stravaganza way

Antonio Vivaldi

The Four Seasons

Concert maintained in holding - attention performance style - involving various members of the orchestra to play solo parts, originally intended to be performed by only one soloist. Some parts may be performed in total darkness (one of the concerts is titled “La notte” - night).

The musicians also adapt their placement to the architecture of the concert venues, e.g. the ensemble is divided into two parts, with some musicians placed in less formal, less predictable spaces of the concert hall.

The performance takes advantage of the lights and placement of the musicians.

listen to: Antonio Vivaldi | Violin concerto in A minor ‘La Stravaganza’ op. 4 no. 4, RV 357 | Martyna Pastuszka, {oh!} Orkiestra Francesco Scarlatti | Concerto Grosso no. 1 in E Major

Antonio Vivaldi

The Four Seasons

Baroque music most famous concert program: Antonio Vivaldi (1678-1741) 1.

Concerto No. 1 in E major, Op. 8, RV 269, "Spring" (La primavera) Allegro / Largo / Allegro pastorale

2.

Concerto No. 2 in G minor, Op. 8, RV 315, "Summer" (L'estate) Allegro non molto / Adagio e piano – Presto e forte / Presto

3.

Concerto No. 3 in F major, Op. 8, RV 293, "Autumn" (L'autunno) Allegro / Adagio molto / Allegro

4.

Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno) Allegro non molto / Largo / Allegro

additionally possible in the program (requires option 2 in the line-up): 5.

"La Notte", Flute Concerto in G minor, RV 439 Allegro / Largo / Allegro

6.

„Il gardellino”, Flute Concerto No 3 in D major, RV 428 Allegro / Cantabile / Allegro

Georg Philipp Telemann (1681-1767) 7.

Concerto for Recorder and Flute in E minor, TWV 52:e1 Largo / Allegro / Largo / Presto

artists: {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction

line-up: option 1: 11 musicians [6vn, 1vl, 1vc, 1db, hrd, lute] 1 manager option 2: 15 musicians [6vn, 2vl, 2vc, 1db, 1fl, 1rec, hrd, lute] 1 manager harpsichord & doublebass to be supplied

{oh!} Orkiestra

the world of

coloratura The program consists of the most impressive di bravura and coloratura arias

the world of

coloratura Written during the Baroque period - by Vivaldi, Porpora, Handel, Hasse. The vocal recital will also include an instrumental part of concerti grossi for orchestra and solo violin (Vivaldi, Handel, Scarlatti, Torelli).

listen to: Porpora - Impallidisce in campo | Julia Lezhneva & Martyna Pastuszka & {oh!} Orkiestra Porpora - Sinfonia da camera, op. 2 no. 6 | Martyna Pastuszka & {oh!} Orkiestra

the world of

coloratura concert program: Nicola Porpora (1686-1768) 1.

Angelica: Sinfonia Siroe: Torrente cresciuto

2.

Siface: Tu che d'ardir m'accendi

3.

Il trionfo di Camilla: Scuote la quercia annosa

4.

Ezio: Ouverture

5.

Siroe: Fra l'orror della tempesta

6.

Siface: Son pellegrino errante

7.

Sinfonia da camera op. 2 no. 5

8.

Issipile: Impallidisce in campo

Georg Friedrich Händel (1685-1759) 9.

Il Trionfo del Tempo: Un pensiero nemico di pace

10. Il Trionfo del Tempo: Tu del Ciel ministro eletto artists: Julia Lezhneva – soprano {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction line-up: option 1: 12 musicians [soloist, 6vn, 1vl, 1vc, 1db, hrd, lute] 1 manager option 2: 15 musicians [soloist, 6vn, 1vl, 1vc, 1db, 2ob, 1bs, hrd, lute] 1 manager harpsichord & doublebass to be supplied

{oh!} Orkiestra

the Italian Baroque Job the most beautiful cello concertos

Program includes works written by composers active in various Italian city-states.

the Italian Baroque Job

The most splendid Venetian Vivaldi and Neapolitan Leonardo Leo in cello concertos, along with the orchestral part of works by Roman Corelli, Bologna's Torelli and Domenico Scarlatti that emigrated to British Isles – thanks to its Vitality, beautiful melodies and energy typical of all these composers.

listen to: Antonio Vivaldi | Violin concerto in A minor ‘La Stravaganza’ op. 4 no. 4, RV 357 | Martyna Pastuszka, {oh!} Orkiestra Francesco Scarlatti | Concerto Grosso no. 1 in E Major

the Italian Baroque Job the most beautiful cello concertos concert program: Antonio Vivaldi (1678-1741) 1.

Cello Concerto D minor, RV 405 Allegro / Andante / Menuet

2.

Cello Concerto G Minor, RV 417 Allegro / Adagio / Allegro

Leonardo Leo (1694-1744) 3.

Cello Concerto in D major, L.10 Andantino grazioso / Con bravura / Larghetto con poco moto / Fuga / Allegro molto

Arcangello Corelli (1653-1713) 4.

Concerto grosso in D major, Op. 6, No. 4 Adagio - Allegro / Adagio / Vivace / Allegro - Allegro

Giuseppe Torelli (1658-1709) 5.

Concerto grosso A Minor, Op.8, No. 2 Allegro / Largo / Allegro

Charles Avison (1709-1770) 6.

Concerti Grossi (After Domenico Scarlatti) selection

Programme might be adjuted to Christmas time. artists: Jean-Guihen Queyras - cello solo {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction

line-up: 12 musicians [6vn, 1vl, 2vc, 1db, lute, harpsichord] 1 manager harpsichord & doublebass to be supplied

{oh!} Orkiestra

in a good, classical way

the Italian Baroque Job

Soloist literature is Lorem ipsum dolor sit amet, consectetuer unevenly divided among instruments.

in a good, classical way

Countless concertos for violin or piano, and only a few the most beautiful cello concertos concertos for solo cello and orchestra are known to today’s public. And yet it is an instrument of unique The program includes depth of sound, singing and lyrical in every register, agile, works written by composers rhythmic when needed!

Two of the most important classical cello concertos JosephItalian Haydn. The virtuactivecome in from various city-states. osity and artistry of the Italian phrases, combined with the classically stimulating motorics, ranked these compositions among the absolute canon of the literature of The furthest along arecombined Venetianwith Vivaldi Viennese classicism.

This repertoire, the and Neapolitan Leonardo in cello concertos, earliest Mozart symphonies, allowsLeo us to see the musical while inlate the18th orchestral of the we get to landscape of centurypart Europe, just repertoire before the era knowImpeccable Roman Corelli, Bologna's Torelli and music of Beethoven. classical structure, artful, of Domenico emigrated to British touching Adagio and the Scarlatti exuberantthat energy of the fast to success its vitality, movementsIsles were–athanks recipe for then beautiful and now. melody and

energy common to all these composers.

listen to: Joseph Haydn | Symphony no. 13 in D Major | {oh!} Orkiestra & Jean-Guihen Queyras Wolfgang Amadeus Mozart | Symphony No. 14 in A Major, KV 114 | {oh!} Orkiestra, Martyna Pastuszka

in a good, classical way concert program: Joseph Haydn (1732-1809) 1. Cello Concerto No.1 in C major, Hob.VIIb:1 Moderato / Adagio/ Finale. Allegro molto 1. or Cello Concerto No.2 in D major, Hob.VIIb:2 Allegro moderato / Adagio / [Rondo] Allegro Giovanni Battista Costanzi (1704-1778) 2. Cello concerto in D major attributed to Joseph Haydn, Hob.VIIb:4 Allegretto / Adagio / Allegro Wolfgang Amadeus Mozart (1756-1791) Early symphonies 3. Symphony No. 29 in A major, K. 201 Allegro moderato / Andante / Menuetto / Allegro con spirito 4. Symphony No. 5 in B-flat major K.22 Allegro / Andante / Allegro molto 5. Symphony No. 21 in A major, K.134 Allegro / Andante / Menuetto / Allegro 6. Symphony No. 15 in G major, K. 124 Allegro / Andante / Menuetto / Presto artists:

line-up: 22 musicians [9vn, 3vl, 3vc, 1or2db, 2ob, 1bs, 2cr] 1 manager

Jean-Guihen Queyras - cello solo {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction

{oh!} Orkiestra

doublebases to be supplied

the best of

Bach

concertos and suites

„Bach is Bach, just as God is God...”

- Hector Berlioz is supposed to have said.

the best of

Bach

concertos and suites

It's hard to disagree with this statement, the music of the Leipzig cantor is indeed timeless, universal and unique!

Bach cannot be mistaken with any other composer. If anyone doubts the continuing power of this „unfashionable” music, it is worth looking at the statistics of streaming services.

Last month alone, nearly 5 million listeners worldwide reached for Johann Sebastian's music on Spotify.

the best of

Bach

concertos and suites

concert program: Johann Sebastian Bach (1685-1750) 1.

Orchestral suite No.2 B minor, BWV 1067 Ouverture / Rondeau / Sarabande / Bourrée I & II / Polonaise / Menuet / Badinerie (Battinerie)

2.

Harpsichord Concerto No.4 in A major, BWV 1055 Allegro / Larghetto / Allegro ma non tanto * * * (intermission)

3. Orchestral suite No.3 in D major, BWV 1068 (first version for strings only) Ouverture / Air / Gavotte / Bouree / Gigue 4.

Brandenburg Concerto No. 5 in D major, BWV 1050 Allegro / Affettuoso / Allegro

artists: Kristian Bezouidenhout – piano Taya König-Tarasevich - flute {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction line-up: 13 musicians [soloist, 1fl, 6vn, 1vl, 1vc, 1db, hrd, lute] 1 manager harpsichord & doublebass to be supplied

{oh!} Orkiestra

Bach family cantatas and suites

And yet, this is just one of the possibilities...

Bach family concertos and suites

The wonderful thing about the music of the Bach family is that this music neither gets boring nor old, and is discovered by newer and newer generations every now and then. And weare convinced is that these compositions can be a perfect remedy for the fast-paced modern world around us. As a pure antidote to media hustle and digital overwhelm, this music can be considered just as a therapy to all of us.

Bach family cantatas and suites

concert program: Johann Sebastian Bach (1685-1750) 1.

Cantata: Ich habe genug, BWV 82

2.

Cantata: Widerstehe doch der Sünde, BWV 54

Johann Christoph Bach (1642-1703) 3.

Cantata: Ach, dass ich Wassers g´nug hätte

4. Orchestral suite No.3 in D major, BWV 1068 (first version for strings only) Ouverture / Air / Gavotte / Bouree / Gigue Johann Sebastian Bach 4.

I Violin Concerto in A minor, BWV 1041 ... / Andante/ Allegro assai

artists: Andreas Scholl – countertenor {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction line-up: 12 musicians [soloist, 6vn, 1vl, 1vc, 1db, hrd, lute] 1 manager harpsichord & doublebass to be supplied

{oh!} Orkiestra

Wolfgang Amadeus

Mozart

concertos and symphonies

Wolfgang Amadeus

Mozart

concertos and symphonies

The idea of perfoming Mozart symphonies few times every season, came from the National Frederic Chopin Institute in Warsaw, which has invited us to record the complete Symphonies..

Three symphonies have already been released and three more are awaiting release. The project, scheduled to be carried out until 2033, is woven into other numerous recordings of romantic and classical music being made by the {oh!} Orkiestra. listen to: Wolfgang Amadeus Mozart | Symphony No. 21 in A major, KV 134 | {oh!} Orkiestra, Martyna Pastuszka

Wolfgang Amadeus

Mozart

concertos and symphonies concert program: Wolfgang Amadeus Mozart (1756-1791) 1. Piano Concerto No. 9 E flat major, K 271 Jeunehomme Allegro / Andantio / Rondeau 2. Piano Concerto No. 12 in A major, K. 414 Allegro / Andante / Rondeau 3. Early symphonies selection

artists: Kristian Bezouidenhout – historical piano {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction line-up: 23 musicians [piano, 9vn, 3vl, 3vc, 1or2db, 2ob, 1bs, 2cr] 1 manager piano and doublebasses should be supplied

{oh!} Orkiestra

jazz

jazz

Mozart

Mozart

We met with Makoto Ozone in 2025 - and it was one of the extremely refreshing meetings. Our Mozart was different from all previous ones - the incredible musical understanding between the {oh!} musicians and being open to new experiences made it possible to achieve a unique creation together with the soloist.

Some of us who play jazz on a daily basis got into a brilliant musical dialogue with Makoto; others blended in musical-jazz passages written especially for the occasion. In both Mozart's Jeunehomme concerto and Mozart's Symphonies, there is room for a different perspective, specially crafted for each new occasion. Mozart and Jazz are created anew, every time! listen to: W.A. Mozart - Piano concerto Jeunehomme no. 9 K. 271 | Makoto Ozone & {oh!} Orkiestra

jazz

Mozart

concert program: Wolfgang Amadeus Mozart (1756-1791) 1.

Piano Concerto No. 9 E flat major, K.271 Jeunehomme Allegro / Andantino / Rondò, presto

2.

Symphony No. 21 A major, K.134 Allegro / Andante / Menuetto / Allegro

3.

Symphony No.15 G major, K. 124 Allegro / Andante / Menuetto / Presto

artists: Makoto Ozone – piano {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction line-up: 15 musicians [soloist, 9vn, 3vl, 3vc, 2db, 2ob, 2cr, 1bs] 1 manager piano & doublebasses to be supplied

{oh!} Orkiestra

Chopin / Mendelssohn piano concerto

symphonies

Incomparable genius whom the heavens envied the Earth - Eugene Delacroix

That's how both Chopin and Mendelssohn can be described, although the quote refers to the Polish-French piano virtuoso Frederic Chopin.

Mendelssohn and Chopin were contemporaries and passed away at similar age - two years one after another . Both composers impoverished a group of outstanding 19th century personalities.

Rich in impressive achievements, extensive acquaintances and artistic ties with all those who built the musical culture of Europe in the first half of the 19th century.

Chopin / Mendelssohn piano concerto

symphonies

Mendelssohn's contributions are unparalleled - for example, we owe to him the rediscovery of the J.S. Bach works to life!. He also composed a countless number of priceless works, marked by genius in both compositional and musical layers. The piano component of the program revolves around Chopin - an indefinable genius of his time.

The best description of the feeling Chopin's music evokes in listeners are the words of Oscar Wilde: „feel as if I had been weeping over sins that I had never committed and mourning over tragedies that were not my own”.

listen to: F. Chopin - Piano Concerto in E minor, op. 11 | Eric Guo & Vaclav Luks & {oh!} Orkiestra

Chopin / Mendelssohn piano concerto

symphonies

concert program: Fryderyk Chopin (1810-1849) 1.

Piano Concerto No. 1 in E minor, op. 11 Allegro maestoso / Romance. Larghetto / Rondo. Vivace or Piano Cocnerto No. 2 in F minor, op. 21 Maestoso / Larghetto / Allegro vivace Wolfgang Amadeus Mozart (1756-1791)

2.

Symphony No. 29 A major, K.201/186a Allegro moderato / Andante / Menuetto / Allegro con spirito

Felix Mendelssohn Bartholdy (1809-1847) 3.

Symphony No. 4 C minor (MWV N4) Grave - Allegro / Andante / Allegro vivace

artists: Alexander Markovich Melnikov – piano or Eric Guo - piano or Tomasz Ritter - piano or Magdalena Baczewska – Stern (NY) - piano Open to collaboration {oh!} Orkiestra Martyna Pastuszka – violin, artistic direction line-up: Small ensemble – Mendelssohn Early symphonies for strings.

Large Ensemble would include Italian Symphony, Egmont Ouverture Large orchestra min. 42 musicians / optimal 47 musicians 1 manager piano & doublebases to be supplied

{oh!} Orkiestra

Orkiestra

Orkiestra CONTACT US:

m.pastuszka@ohorkiestra.com

z.magiera@ohorkiestra.com mob: +48 609 677 537

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NOTICE:

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