Ogle Center BRAVO program booklet, March 2019

2018–2019 SEASON

MARCH

Ticket Office: (812) 941-2525 E-mail: oglemail@ius.edu Web site: oglecenter.com Facebook: facebook.com/OgleCenter TICKET OFFICE HOURS Monday through Friday | 10 a.m.–4 p.m.

Other hours by appointment. The ticket office opens 90 minutes prior to curtain time on show days and remains open until intermission.

Tickets may be purchased at the Ogle Center ticket office, the Ogle Center web site at oglecenter.com, or by phone at (812) 941-2525.

OGLE CENTER STAFF Administration Kirk Randolph, director Ken Atkins, marketing manager Amanda Egan, ticketing and guest services manager Jennifer Schulten, administrative assistant Technical Staff Jay Moore, technical director Joseph Leezer, audio technician Support Staff Ticket Office Assistants: Allison Hedge, Hayley Johnson, Rachel Lamb, Noah Mancuso, Miranda Ochoa, Kirsten Brophy, Rachel McCrorey OGLE CENTER ADVISORY COMMITTEE D. Jack Mahuron, chair · Tyler Bliss · Patricia A. Cress John Hartstern · Judy Hess · Jim Hesselman Lynn Prinz · Betty Russo · Marty Ryall Millicent Stiefler · Dana Wavle

SUPPORTERS

MARCH

Paul W. Ogle Cultural & Community Center Indiana University Southeast 4201 Grant Line Road New Albany, IN 47150

2018–2019 SEASON MARCH 

LOUISVILLE ORCHESTRA An Evening in Italy

PART OF THE LOUISVILLE ORCHESTRA OGLE NEIGHBORHOOD SERIES Saturday, March 2, 2019 | 7:30 p.m.

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Richard K. Stem Concert Hall

 THE OGLE CENTER presents

Natalie MacMaster & Donnell Leahy Visions from Cape Breton & Beyond

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Sunday, March 10, 2019 | 3 p.m.

Richard K. Stem Concert Hall

 THE IU SOUTHEAST MUSIC DEPARTMENT presents the

COMMONWEALTH BRASS BAND

Sunday, March 17, 2019 | 3 p.m.

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Richard K. Stem Concert Hall

 THE OGLE CENTER presents the

VIENNA BOYS CHOIR Tuesday, March 26, 2019 | 7:30 p.m.

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Richard K. Stem Concert Hall



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TICKET OFFICE Monday: Tuesday: Wednesday: Thursday: Friday:

Service Animals Service animals are animals that are individually trained to perform tasks for people with disabilities such as guiding people who are blind, alerting people who are deaf, pulling wheelchairs, alerting and protecting a person who is having a seizure, or performing other tasks. Service animals are working animals, not pets.

10 a.m.–4 p.m.

10 a.m.–4 p.m.

10 a.m.–4 p.m.

10 a.m.–4 p.m.

10 a.m.–4 p.m.

Other hours by appointment.

Opens 90 minutes prior to curtain time on show days and remains open until intermission.

You can order your tickets by any of the following methods:

POLICIES

All patrons must have a ticket, regardless of the patron’s age.

Patrons arriving late to performances will be seated at the discretion of management.

Cameras and recording devices are strictly prohibited unless special permission is granted from the Ogle Center and the artist.

Flash photography is prohibited at all times.

Indiana University Southeast is a tobacco– free campus. Smoking is prohibited in the Ogle Center and its theaters.

Food is prohibited in the theaters. Food is permitted in designated lobby areas.

Beverages purchased from our concessions provider are permitted in the performance halls and lobby areas.

Order by Phone: (812) 941-2525 Order online: oglecenter.com Order in Person: Our ticket office is located in the lobby of the Paul W. Ogle Cultural and Community Center directly inside the front entrance to our facility.

TICKET DONATIONS AND REFUNDS

ALL SALES ARE FINAL. No refunds or exchanges.

If you are unable to use your tickets for a performance, we will gratefully accept them as a tax-deductible contribution provided they are returned at least 24 hours prior to the show date.

Please call the Ticket Office at (812) 941-2525.

SPECIAL NEEDS

GENERAL INFORMATION

We are pleased to serve persons with special needs. Please call our Ticket Office at (812) 9412525 to detail your needs in advance to reserve special seating for wheelchair patrons, listening enhancement devices. Parking spaces for persons with disabilities are available in the lot immediately in front of the Center.

USH ER

ACCESSIBILITY

Assistive Listening Devices The Stem Concert Hall, Robinson Theater and Stiefler Recital Hall are each equipped with five assistive listening devices. These are for use by patrons without hearing aids.

The use of these devices is free. To reserve a device, simply call the Ogle Center Ticket Office at (812) 941-2525.

PAUL W. OGLE CULTURAL & COMMUNITY CENTER

Wheelchair Accessibility An elevator is conveniently located in the lobby of the Ogle Center and Knobview Hall for those patrons needing assistance to reach the terrace level or the rear parking lot. In addition, each theater provides a number of seats without steps and rollup space for patrons in wheelchairs. For your convenience, please call the Ogle Center Ticket Office at (812) 941-2525 in advance to reserve your rollup location.

Restrooms are located just off of the Ogle Center lobby in Knobview Hall, to the right as you leave the concert halls.

Parking is free from one hour prior to the start of the performance until one hour following the end of the performance in the Dogwood and Hickory lots directly in front and behind the Ogle Center. Vehicles parked in other locations and/or at other times will be subject to ticketing.

To volunteer as an usher at any of our events, please call (812) 941-2525 or visit oglecenter.com.

Advertise. To advertise in the Ogle Center’s Bravo program or on the video board in our lobby, e-mail Ken Atkins at atkins@ius.edu or call (812) 941-2523.

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Horseshoe Foundation of Floyd County has given $44 MILLION back to the community.

Thank you Horseshoe Southern Indiana for $60 MILLION in donations.

www.horseshoefoundation.org

An Evening in Italy Gabriel Lefkowitz, violin & conductor

PROGRAM Overture to The Barber of Seville

G. Rossini

“Winter” from The Four Seasons

A. Vivaldi

Violin Concerto No. 2 in B minor, Op. 7

N. Paganini

Ancient Airs and Dances, Suite No. 1

O. Respighi

II. Adagio

La Traviata, Prelude to Act I “Dance of the Hours” from La Gioconda

LOUISVILLE ORCHESTRA · March 2, 2019 | 7:30 p.m.

Ogle Neighborhood Series

G. Verdi A. Ponchielli

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LOUISVILLE ORCHESTRA MUSICIANS TEDDY ABRAMS, MUSIC DIRECTOR

MARY AND BARRY BINGHAM, SR., MUSIC DIRECTOR CHAIR

LOUISVILLE ORCHESTRA

BOB BERNHARDT, PRINCIPAL POPS CONDUCTOR

FIRST VIOLIN Gabriel Lefkowitz, Concertmaster Fanny and Charles Horner Concertmaster Chair

CELLO Nicholas Finch, Principal

Thomas Mattingly and Anita Grenough Abell Memorial Chair

Julia Noone, Assistant Concertmaster Joseph Caruso, Assistant Principal National City Bank Chair

Carole C. Birkhead Chair, Endowed by Dr. Ben M. Birkhead

General Dillman A. Rash Chair

BASSOON Matthew Karr, Principal Paul D. McDowell Chair

Katheryn S. Ohkubo Cheri Lyon Kelly

Christina Hinton

Christopher Reid§

Stephen Taylor

Allison Olsen

HORN Jon Gustely, Principal

Scott Staidle Nancy Staidle Heather Thomes Patricia Fong-Edwards Maria Semes

Deborah Caruso Julia Preston

Stephen Causey, Assistant Principal Diana Wade Morgen

BASS Bert Witzel, Principal Patricia Docs Robert Docs Karl Olsen, Acting Assistant Principal

Bruce Heim§

Mrs. John H. Clay Chair

Clayton Pusateri Chair, Endowed by Joe and Vickie Pusateri

SECOND VIOLIN Robert Simmonds, Principal Claire and Lee Lenkoff Chair

Dr. Edward Leo Callahan Chair Frances Shapiro-Weitzenhoffer Chair, Endowed by Esther & Dr. David Shapiro

Jarrett Fankhauser Chair, Endowed by the Paul Ogle Foundation

Kimberly Tichenor, Assistant Principal Michael Chmilewski Devonie Freeman FLUTE Mary Catherine Klan Violin Chair, Endowed by Chase Kathleen Karr, Principal Elaine Klein Chair Elisa Spalding Jake Chabot Andrea Daigle Donald Gottlieb Charles Brestel Patricia Ann Jenkins Endowed Chair

Philip M. Lanier Chair

James McFadden-Talbot Judy Pease Wilson Blaise Poth

PICCOLO Donald Gottlieb

VIOLA Jack Griffin, Principal

OBOE Alexandr Vvedenskiy, Principal

Evan Vicic, Assistant Principal

Trevor Johnson, Assistant Principal

Aegon Chair

Jacqueline R. and Theodore S. Rosky Chair

Alvis R. Hambrick Chair

Betty Arrasmith Chair, Endowed by the Association of the Louisville Orchestra Edgar J. Hinson III Chair

Edith S. and Barry Bingham, Jr. Chair

Gary and Sue Russell Chair

TRUMPET Open, Principal

Leon Rapier Chair, Endowed by the Musicians of the Louisville Orchestra

James Recktenwald Assistant Principal

Lynne A. Redgrave Chair

Daniel Kassteen* Stacy Simpson, Interim TROMBONE Donna Parkes, Principal

PNC Bank, Kentucky, Inc. Chair

Brett Shuster§ BASS TROMBONE J. Bryan Heath TUBA Andrew Doub, Principal TIMPANI James Rago, Principal

Mr. and Mrs. Warwick Dudley Musson Principal Timpani Chair

Clara Markham

Jennifer Potochnic§

Jennifer Shackleton Jonathan Mueller

ENGLISH HORN Trevor Johnson

PERCUSSION John Pedroja, Principal Mark Tate§

CLARINET Andrea Levine, Principal

HARP Mary Julian Rapier, Principal

Mr. and Mrs. Charles W. Hebel, Jr. Chair

Virginia Kershner Schneider Viola Chair, Endowed in Honor of Emilie Strong Smith by an Anonymous Donor

Meghan Casper

Brown-Forman Corp. Chair

Robert Walker Ernest Gross

Kate H. and Julian P. Van Winkle, Jr. Chair

INTERIM GENERAL MANAGER/ PERSONNEL MANAGER Adrienne Hinkebein

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BASS CLARINET Ernest Gross

LIBRARIAN Chris Skyles

OPERATIONS MANAGER Jake Cunningham STAGE MANAGER Bill Polk

The Humana Foundation Chair

KEYBOARD Grace Baugh-Bennett§

Margaret S. Comstock Piano Chair

§Auxiliary musician

*On leave

The entertainment world is filled with extraordinary stories. But few match the beguiling true-life tale of Natalie MacMaster and Donnell Leahy, Canada’s reigning couple of Celtic music, whose dazzling career achievements underpin an incomparable off-stage life.

Indeed, when two of the planet’s very best fiddle players married in 2002, the proverbial mantelpiece was instantly crammed with JUNO and East Coast Music Awards. Though MacMaster and Leahy followed different trajectories – she a Cape Breton native who could step-dance before she could walk; he the oldest brother of acclaimed family group Leahy – both had assuredly crested the traditional music peak.

NATALIE MacMASTER & DONNELL LEAHY · March 10, 2019 | 3 p.m.

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tarring the fierce fiddling duo, Nata lie MacMaster and Donnell Leahy command the stage with an explosive celebration of raw energy and passion that infuses their traditional heritage with their taste for the contemporary.

Wit h t he Visions show, Nata lie and Donnell share their legendary musica l traditions of t heir hometowns of Lakefield, Ontario and Cape Breton, Nova Scotia with an expanded show that highlights the unique talents, inf luences and stories of this amazing, growing clan through dancing, singing and, of course, world-class music making.

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NATALIE MacMASTER & DONNELL LEAHY

Their first recorded collaboration, 2015’s Bob Ezrin-produced album One, which was followed by 2016’s A Celtic Family Christmas (and which cemented the couple’s status as powerhouses on the seasonal circuit) confirmed MacMaster and Leahy were as dynamic working together as they were apart.

That’s no smal l fe at w hen your combined album sales exceed one million; when past collaborators include classical cellist Yo-Yo Ma, bluegrass star Alison Krauss and banjo ace Béla Fleck; and when your ecstatic fan base (which boasts Shania Twain and The Chieftains) stretches from Sydney, Nova Scotia to Sydney, Australia.

“The fiddle was definitely common ground for us when we first got together,” MacMaster, a Member of Order of Canada since 2006, recalls with a chuckle. “But I was so in awe of Donnell’s family, of 11 siblings who could play and had a family band. And here I am now doing almost exactly the same thing.

Well, kind of.”

MacMaster is referring to her and Leahy’s six musically gifted children,

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who today are the centrepiece of the MacMaster/Leahy live set though not because the couple necessarily envision showbiz careers for Mary Frances, Michael, Clare, Julia and Alec (Sadie’s only 3).

Rather, the pair realized early on that being on the road without their kids was infinitely harder than touring with them. That the children were already being home schooled (MacMaster has a teaching degree) made enacting that decision easier.

“Initially we were reluctant to let the kids perform. We worried the expectations might be too much,” Leahy says. “But then one night we put Mary Frances on stage. Soon after that Michael wanted to play. And you must reward practice.

COMMONWEALTH BRASS BAND St. Patrick’s Day Concert

J. Jerome Amend, music director · Anita Cocker Hunt, associate director Shawn Roark, concertmaster · Robert Crafton, solo euphonium Susan Reigler, compere

PROGRAM La Forza del Destino Overture . . . . . . . . . . . . . . . . . . Giuseppe Verdi

(1813–1901)

Arranged for English Brass Band by Frank Wright

COMMONWEALTH BRASS BAND · March 17, 2019 | 3 p.m.

The IU SOUTHEAST MUSIC DEPARTMENT presents the

Jenny Jones Fantasia on a Welsh Melody . . . . . . . . . William Drake Rimmer

(1862–1936)

Arranged for English Brass Band by George Hawkins

Shawn Roark, cornet soloist Anita Cocker Hunt, conductor

Edited by J. Jerome Amend

Kenilworth Suite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sir Arthur Bliss I. At the Castle Gates II. Serenade on the Lake III. March: Kenilworth Anita Cocker Hunt, conductor

(1862–1936)

The Irish Washer Woman . . . . . . . . . . . . . . . . . . . . . Traditional Irish Jig

Arranged for English Brass Band by Gordon Langford

Featuring the Trombone Section of the Commonwealth Brass Band Anita Cocker Hunt, conductor

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COMMONWEALTH BRASS BAND

INTER MISSION Gaelforce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Peter Graham Based on three Irish tunes: The Minstrel Boy, Tossing the Feathers, The Rocky Road to Dublin

(b. 1958)

Bass in the Ballroom (Tango & Valse) . . . . . . . . . . . . . . . . . Roy Newsome Russell Shartzer, tuba soloist

(1930–2011)

Londonderry Air . . . Arranged for English Brass Band by Gordon Maris Colman (1930–2017)

River Dance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bill Whalen

(b. 1950)

Arranged for English Brass Band by Ray Farr

MUSICIANS OF THE COMMONWEALTH BRASS BAND SOPRANO CORNET Jackie Amend Andrew Scott SOLO CORNETS Shawn Roark, concertmaster Nick Scoggins, assistant concertmaster Roger Dane Michael Jones REPIANO CORNET Carl Reckelhoff SECOND CORNETS Brent Dellacoletta, principal Griffin Webster John O’Neal Jaxon Stricker THIRD CORNETS Joanna Goldstein, principal Ernest Woodworth Taylor Mattingly David Campisano

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FLÜGELHORN Steven Palmquist

E b TENOR HORNS Susan Reigler, solo Erin Wilk, first Norma Ruble, second BARITONES Raymond Horton, first Reagan Schmidt, second TROMBONES Michael Raley, first Nathan J. DeLeon, second Joe Spain, bass EUPHONIUMS Robert Crafton, solo Kristi Schmidt, second E b TUBAS Steve Lasher Ferenc X. Vegh, Jr. Aaron Gaither

BB b TUBAS Russell Shartzer Emilio Viacava Tony Caudill

PERCUSSION K. Michelle Lewis, principal

John Harris Josh Napier Librarians David Campisano Taylor Mattingly

suit, then the height of boys’ fashion. The choir started to give concerts outside of the chapel in 1926, performing motets, secular works, and children’s operas. The impact was amazing.

Within a year, the choir had performed in Berlin, Prague, and Zurich. Athens and Riga (1928) followed, then Spain, France, Denmark, Norway, and Sweden (1929), the United States (1932), Australia (1934), and South America (1936). Since 1926, the choir has gone on more than 1000 tours in 100 different countries.

Today, the Vienna Boys Choir consists of 100 boys between the ages of 10 and 14, from dozens of nations, divided into four touring groups. Each group spends nine to eleven weeks of the school year on tour. Between them, the four choirs give 300 concerts and performances each year before almost half a million people. They visit virtually all European countries, and are frequent guests in Asia, Australia, and the Americas.

The Vienna Boys Choir has a close association with the Vienna Philharmonic Orchestra. Together with members of the orchestra and the men of the Vienna State Opera Chorus, the choir maintains the tradition of the imperial musicians: as Hofmusikkapelle (Chapel Imperial) they provide the music for the Sunday Mass in Vienna’s Imperial Chapel, as they have done since 1498.

VIENNA BOYS CHOIR · March 26, 2019 | 3 p.m.

Boys have been singing at the Viennese court since the 14th century, and in 1498 — more than half a millennium ago — Holy Roman Emperor Maximilian I moved his court and court musicians to Vienna. Historians have settled on 1498 as the foundation date of the Vienna Chapel Imperial (Hofmusikkapelle) and thus the Vienna Boys Choir. Until 1918, the choir sang exclusively for the imperial court, at mass, concerts, private functions, and on state occasions.

Throughout history, such noted composers as Heinrich Isaac, Heinrich Ignaz Franz Biber, Johann Joseph Fux, Wolfgang Amadeus Mozart, Antonio Salieri, Christoph Willibald Gluck, and Anton Bruckner have worked with the choir. Jacobus Gallus and Franz Schubert were themselves choristers, and brothers Franz Joseph and brother Michael Haydn were members of the choir of St. Stephen’s Cathedral, but frequently sang with the imperial boys choir as well.

In 1918, after the breakdown of the Habsburg Empire, the Austrian government took over the court opera, its orchestra and the adult singers, but not the boys’choir. Josef Schnitt, who became Dean of the Imperial Chapel in 1921, turned the Vienna Boys Choir into a private institution. The former court choir boys became the Wiener Sängerknaben (Vienna Boys Choir); the imperial uniform was replaced by the sailor

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VIENNA BOYS CHOIR

VIENNA BOYS CHOIR Wiener Sängerknaben Jimmy Chiang, conductor

Vienna Waits

for You

PROGRAM

Jubilate Deo (Rejoice in God) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Praetorius Six-part canon

(1571–1621)

Jubilemus, exultemus (Let us rejoice, let us exult) . . . . . . . . . . . . François Couperin from Veni, sponsa Christi Motet

(1668–1733) arr. Gerald Wirth

MUSIC FROM THE IMPERIAL CHAPEL Sanctus and Benedictus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jacobus de Kerle from Missa Regina coeli (c. 1562/1570) for four voices a cappella

(c. 1531–1591)

Laudate Dominum . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wolfgang Amadeus Mozart from Vesperae solennes de confessore, K. 339 (1780) Aria for soprano with choir

(1756–1791)

Laudate pueri Dominum (Praise, boys, the Lord), op. 39, 2 . . Felix Mendelssohn Bartholdy Motet for three-part choir

(1809–1847)

Text: Biblical (Psalm 113:1-2)

ON TOUR Auf Flügeln des Gesanges (On Wings of Song) . . . . Felix Mendelssohn Bartholdy from Sechs Gesänge (Six Songs), op. 34

(1809–1847)

Text: Heinrich Heine (1797–1856)

arr. Jimmy Chiang

Zigeunerleben (Gypsy Life), op. 29/3 . . . . . . . . . . . . . . . . . . . . . . . . Robert Schumann (1810–1856)

Text: Emanuel Geibel (1815–1884)

Der Guggu (The Cuckoo) . . . . . . . . . . . . . . . . . . . . . . Folk song with yodel from Styria arr. Gerald Wirth

Juchhe, Tirolerbua (Hey, Tyrolean lad) . . . . . . Cattle Driving Song from the Tyrol

arr. Gerald Wirth

Heut kommen d’Engerln auf Urlaub nach Wean . . . . . . . . . . . . . Ferry Wunsch (Today the angels come to Vienna for a holiday)

(1901–1963)

arr. Gerald Wirth

Raghupati Raghav Raj Ram . . . . . . . . . . . . . . . . . . . . Vishnu Digambar Paluskar Traditional bhajan from India

(1872–1931)

arr. Gerald Wirth

Vienna (1977) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Billy Joel

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(b. 1949)

—INTERMISSION— Avec la garde montante (With the guard on duty) . . . . . . . . . . . . . . . . . . . . Georges Bizet

(1838–1875)

March and chorus of the street urchins from Carmen

Sandmann (Sandman) . . . . . . . . . . . . . . . . . . . . . . . . . . Engelbert Humperdinck Abendsegen (Evening prayer) (1854–1921) from Hänsel und Gretel, EHWV 93 Text: Adelheid Wette (1858–1916) and Hermann Wette (1857–1919)

Solo to be announced from the stage Bunte Schlangen, zweigezüngt! . . . . . . . . . . . . . . . . Felix Mendelssohn Bartholdy

(You spotted snakes, with double tongues) (1809–1847) Elve’s Chorus Text: August Wilhelm Schlegel (1858–1916) from Ein Sommernachtstraum (A Midsummer Night’s Dream), op. 61/4 after William Shakespeare

VIENNA BOYS CHOIR

THEATRICAL EXPLOITS

Hail, Holy Queen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marc Shaiman from the film Sister Act (1992)

(b. 1959)

arr. Roger Emerson

STRAUSS FOREVER Auf Ferienreisen (On holiday) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Josef Strauss Fast polka, op. 133 (1863)

(1827–1870)

Text: Tina Breckwoldt

arr. Gerald Wirth

Banditen-Galopp (Bandits’ Galop), op. 378 . . . . . . . . . . . . . . . . . Johann Strauss II (1825–1899)

Text: Tina Breckwoldt

arr. Gerald Wirth

Geschichten aus dem Wienerwald (Tales from the Vienna Woods) . . Johann Strauss II Waltz, op. 325 (1868)

(1825–1899)

Text: Helmuth Froschauer

arr. Helmuth Froschauer

Eljen a Magyar (Hail to Hungary) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johann Strauss II Fast polka, opus 332 (1869)

(1825–1899)

Text: Rudolf Effenberger

arr. Uwe Theimer

Tritsch Tratsch (Chitchat) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johann Strauss II Fast polka, opus 214

(1825–1899)

Text: Tina Breckwoldt

arr. Gerald Wirth

Program is subject to change

Hotel Residenz Palais Coburg is the Vienna Boys Choir general sponsor.

www.wsk.at | www.viennaboyschoir.net Exclusive Tour Management: Opus 3 Artists 470 Park Avenue South, 9th Floor North New York, NY 10016 www.opus3artists.com

North American Press Representative: Kathryn King Media www.kathrynkingmedia.com

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CONTRIBUTORS

FRIENDS OF THE OGLE CENTER

Indiana University Southeast, the Ogle Center, the Music, Theatre, and Fine Arts departments, and our students and community have benefited from the generosity of our donors. Words cannot express the appreciation we have for the support you provide through these gifts.

Paula M. Robinson Bill and Betty Russo The Family of William F. Ryall Sue Sanders Patricia G. Sisloff Don and Kathy Smith Millicent and Norman Stiefler Chancellor Ray and Susan Wallace Dana and Sharon Wavle Roger and Janie Whaley

Dr. David and Bobbie Bell Maria A. Boha, M.D. Barbara A. Cannon Patricia A. Cress James A. and Cynthia Kanning James Y. McCullough, Jr., M.D. Jack and Carol Mahuron Kirk and Meghan Randolph Kyle R. Ridout and Susan K. Ridout, Ph.D.

CORPORATE AND FOUNDATION SUPPORTERS Community Foundation of Southern Indiana Duke Energy Foundation Harrison County Community Foundation

Horseshoe Foundation of Floyd County Indiana Arts Commission Sam’s Food & Spirits

CONTRIBUTORS OGLE CENTER CONTRIBUTORS Kenneth W. Atkins, Jr. Carolyn and Bernie Babione Kevin Sue Bailey Joseph and Linda Baker Gerald and Dorothy Baumeier Karen E. Boha, M.D. and Huey T. Nguyen, M.D.

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Debra and Maurice Bohrer Margaret Bursey Mark and Mariellen Cassidy Stephen Clements Eleanor L. Cox Jennifer S. Daniel Donald J. Day Carl A. deGraaf, Ph.D. and Mary Carolyn deGraaf Roger and Rhonda Embry Danny Everage Teesue Fields Anthony and Jennie Fontanetta Edwin Foote David and Carole Hammett John and Martha Hartstern Hidden Hill Nursery Alan and Candace Hilderbrand Edward and Melissa Hill

Bob and Janet Hill Robert E. Marshall David and Pamela Martin James and Benita Mason Pamela Mason Robert and Rita McCartin Carolyn Miller Glen A. Morris Stuart and Connie Newbanks Curtis H. Peters, Ph. D. and Pamela R. Peters Sharon Pfister Carolyn K. Randolph Nick and Misty Ray Donald and Mary Ann Sodrel Terry and Jane Spitznagel Frances H. Squires, Ph.D. Hon. Richard G. and Ms. Delores A. Striegel William E. Sweigart Michael M. Tate, M.D. and Patricia R. Tate, M.D. Robert P. Thurston Trinity UMC Mens Group Edward and Pamela Weber Darrell and Sally Weslander Mary G. Wilson Mark A. Zimmerman

MEMORIAL AND HONORARY GIFTS

Dr. William E. Sweigart Robert and Linda Von Kanel Dana and Sharon Wavle

Gift Given in Honor of George Karman Maria A. Boha, M.D.

Gifts Given in Memory of Don Sisloff Patricia Sisloff

Gift Given in Honor of Maria A. Boha, M.D. Karen E. Boha, M.D. and Huey T. Nguyen, M.D.

IU SOUTHEAST MUSIC DEPARTMENT CONTRIBUTORS

Gifts Given in Memory of Carolyn K. Randolph Kenneth W. Atkins, Jr. Marilyn Brewer Beth Cook Dr. J. William Denton Shawn and Ellen Faye Dan and Diana Frank Michael and Mary Beth Greene Chuck and April Hart Bob and Diana Hepler Dr. William H. Hughes, Jr. James A. and Cynthia Kanning Larry Kelley Jim and Frances Kimes Angela Koshewa and David Niehaus Jim and Sheila Koshewa Sue Lerding Robin and Wanda Lynch James and Benita Mason Steve and Sue Mikels Rick and Jennifer Miller Neighbors of Partridge Place and Grouse Court Ed, Judy and Andy Rademaker Kirk and Meghan Randolph Robert O. and Nan C. Randolph Wayne and Arlene Randolph Mark and Sheila Renn Margaret Ridge Kyle R. Ridout and Susan K. Ridout, Ph.D. Katie and Christian Rothrauff C. Sue Sanders William and Judith Shobe Julie Sloan Don and Kathy Smith Rose Stevens Monty and April Stewart

Thomas and Mary Barnard Marilyn F. Brewer Lindsey Cook Edwin Foote General Electric Foundation Edmund Goerlitz Dr. Joanna Goldstein Robert Hamilton and Janet E. Hamilton, D.M. Eli Lilly & Company Robert Klinglesmith and Donna McMahel Klinglesmith John and Dora Largent Elizabeth McMahel Kenneth and Wilma Mitchell Raleigh and Joanne Wilson

CONTRIBUTORS

Gift Given in Honor of Dr. Ray Wallace Jack and Carol Mahuron

IU SOUTHEAST THEATRE DEPARTMENT CONTRIBUTORS John and Natalie Bowman

IU SOUTHEAST FINE ARTS CONTRIBUTORS Anonymous Jean Borger Michael A. Day, Psy.D. Dan and Karen Kiel Gregory Roberts and Gregory Phipps Emily Sheehan Aaron and Amanda Stonecipher

IU SOUTHEAST ARTS INSTITUTE CONTRIBUTORS Jennifer Hershfield Catherine A. Shea, Ph.D.

DONALD E. AND ELIZABETH H. McMAHEL MUSIC SCHOLARSHIP CONTRIBUTORS Kenneth W. Atkins, Jr. Marilyn Brewer Robert Gilewski John and Dora Largent Carl R. Reckelhoff

Gifts given from July 1, 2017 through December 21, 2018. To report an error or omission, please contact Kirk Randolph at (812) 941-2266 or by e-mail at karandol@ius.edu. For information about supporting IU Southeast, please contact the IU Southeast Office of Advancement at (812) 941-2464.

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SUPPORT THE OGLE CENTER

GIVING OPPORTUNITIES It’s a common misconception that income from ticket sales is sufficient to operate a performing arts facility such as the Ogle Center. Ticket sales cover only 25% of the Ogle Center’s operating expenses. It’s also a common misconception that the Ogle Center is fully funded by Indiana University, and therefore by the state of Indiana and its taxpayers. While we do receive financial support from Indiana University — and IU Southeast in particular — we could not function on that support alone. In addition to ticket revenue and support from the university, the Ogle Center, the IU Southeast Music and Theatre Departments depend on the generosity of businesses and individuals to continue and strengthen arts programming in our community. If you have enjoyed past performances at the Ogle Center, please consider making a contribution to our annual programming fund. If you are a regular contributor to the Fund for the Arts, you can earmark your donation for the Ogle Center.

FRIENDS OF THE OGLE CENTER

The Ogle Center’s community of donors, Friends of the Ogle Center, join corporate, philanthropic, and cultural leaders in ensuring the Ogle Center continues to thrive as a presenter of world-class performing arts in southern Indiana. Your financial support is vital to the operation of this community treasure and helps foster educational opportunities for IU Southeast and community members alike.

Your gift to the Ogle Center may be designated to either our Operations Support Fund, which supports the annual operations of the Ogle Center, or to the Ogle Center Endowment Fund. A gift to the endowment is a lasting gift. The income from the endowment helps defray the costs of programs brought to the Ogle Center for presentation to the University and to the public.

In addition, income may be used to purchase art works for the IU Southeast campus, provide scholarships for students at IU Southeast in the arts, or generally enhance the role of the arts in the region served by IU Southeast.

Contributions help the Ogle Center to: • Ensure the level of excellence and variety in programming • Maintain affordable ticket prices • Provide for the ongoing restoration of the Ogle Center’s art collection • Provide future funding needs for the maintenance of the Ogle Center to ensure that it remains the premier performing arts facility in southern Indiana for future generations.

GIVING LEVELS & BENEFITS Friend $100

• Listing in BRAVO program as a contributor to the Ogle Center

Supporter $500 All of the benefits above, plus:

• Subscription purchases with seat location preferences will receive priority processing • Invitation to attend a Children and Family Series performance and reception

DIRECTOR’S CIRCLE A gift at the $1,000 level or above includes membership in the Director’s Circle. Supporters giving at this level will have access to a V.I.P. reception room during show intermissions as scheduled.

Patron $1,000 All of the benefits above, plus:

• Subscription purchases with seat location preferences will receive first priority processing • Invitation to the Director’s Circle V.I.P. reception room during show intermissions as scheduled • V.I.P. reserved parking location on the night of Ogle Center Presents and Just Jazz performances

Benefactor $2,500 All of the benefits above, plus: • Name recognition for co-sponsorship of one performance during current season • An opportunity to schedule a V.I.P. tour of the Ogle Center for friends and family

Sustainer $5,000 All of the benefits above, plus:

• Inclusion as a Season Supporter for all Ogle Center Programs • Half-page recognition in BRAVO program for the entire season

Producer $10,000 All of the benefits above, plus:

• Invitation to “meet and greet” the guest artists subject to specific artist’s contract • Inclusion in season marketing • Full-page recognition in BRAVO program for the entire season • Invitation to welcome audience from stage for a selected Ogle Center performance

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For more information on how to give, please call Kirk Randolph at (812) 941-2266 or visit oglecenter.com.

Your gift to the Ogle Center will inspire imaginations and enrich lives. Thank you for your annual support!

COMING SOON TO THE OGLE CENTER

IU Southeast Music Department

IU Southeast Music Department

CONCERT CHOIR & COMMUNITY CHORUS

CONCERT BAND

IU Southeast

April 7

The Concert Choir is the premier choral ensemble of the university, consisting primarily of music majors and students with previous singing experience. The choir performs choral literature drawn from all styles and historical periods.

The Community Chorus is mainly comprised of community members and performs a variety of literature, often combining with the Concert Choir.

IU Southeast

April 12

Regarded as one of the finest concert bands in the region, the IU Southeast Concert Band will present its annual spring concert on Sunday, April 12.

Under the direction of Philip A. Thomas, the Concert Band performs the highest quality literature from band classics to the latest international contemporary works. Versatility and variety mark the tradition of the IU Southeast Concert Band.

LOUISVILLE ORCHESTRA April 14

William Tell Teddy Abrams and the Louisville Orchestra perform a concert of great overtures, including “Overture to Die Fledermaus” by Johann Strauss, II, The Hebrides Overture (“Fingal’s Cave”) by Mendelssohn, Le Corsaire Overture by Berlioz, “Prelude to Act I” from Lohengrin by Wagner, Beethoven’s Leonore Overture No. 3, and Rossini’s William Tell Overture.

TICKETS ON SALE NOW Call (812) 941-2525 or visit

oglecenter.com

IU Southeast Music Department

IU Southeast

ORCHESTRA April 28

The Indiana University Southeast Orchestra explores a breadth of literature from the symphonic repertoire. Classical works include symphonies, concertos, operatic repertoire and major choral/orchestral works. The ensemble performs works from many styles, genres and musical periods.