Losses
RONALD BISHOP (1934-2013) The path that delivered Ron Bishop to Oberlin began with an audition for the Cleveland Orchestra back in 1967. Already a tubist with the San Francisco Symphony, Bishop had been flown to Cleveland at the behest of the orchestra’s legendary music director, George Szell. Prior to their meeting, Bishop was ordered to fill an index card with whatever details about himself he could fit. “My audition started with him saying, ‘It says here that you began playing tuba when you were 7. Why?’” Bishop remembered years later. “I said, ‘I guess I didn’t know any better.’” No stranger to humility or dry humor, Bishop recalled the story in a 2005 interview with student Michael Roest ’06, on the occasion of Bishop’s retirement from the Cleveland Orchestra after 38 years as principal tubist and soloist. More than a sensational musician—with the orchestras of Cleveland and San Francisco, as well as the Buffalo Philharmonic and other highly regarded ensembles—Bishop was also a dynamic and inspiring educator in his roles at Oberlin, the Cleveland Institute of Music, and Baldwin-Wallace College. In one of the most exclusive fraternities among all orchestral instruments, Bishop forever stretched the bounds of tuba music and developed standout talents who went on to excel in orchestras far and wide, and who remained close to their teacher long after their formal lessons had ended. “He was amazing. I couldn’t have had a better teacher or mentor growing up,” says Roest, the conservatory’s ensemble librarian, who plays on a tuba loaned to him by Bishop. “He treated his students with a tremendous amount of respect. He was always ‘Mister Bishop,’ and all his students were…‘Mister Roest,’” he says, mimicking his mentor’s earnest, deep tone, which was a perfect match to his instrument and an endearing counterpoint to his slight stature. Devoted to tuba from the moment he first played one, Bishop as a young boy would carry his instrument to lessons on the bed of his red wagon. He went on to earn a bachelor of music degree and performer’s certificate at the Eastman School of Music in his hometown of Rochester, New York, followed by a master of music at the University of Illinois. He was also a standout athlete; a state champion diver, he served as 62
captain of the University of Rochester swim team. Bishop nearly became a schoolteacher until a successful audition with the Buffalo Philharmonic altered the course of his career. But even as his orchestral life took root, he delighted in visiting schools, where he would portray the character “Tubby the Tuba” and perform for children—on tubas, on conch shells, on vacuum cleaner hoses, and on a host of other oddball “instruments” he would bring with him. Among the numerous groups he played with were the U.S. Army Field Band and, later, Performers and Artists for Nuclear Disarmament. He toured the world with the Cleveland Orchestra, he played on two Grammy Award-winning albums made by the tongue-in-cheek classical performer P.D.Q. Bach, and he contributed to numerous brass publications as a writer and editor. Far away from the stage lights and students, Ron and Marie Bishop embraced life in a cedar cabin they crafted themselves on Ruxton Island off Canada’s west coast. Discovered by canoe in 1966, the property became their refuge a year later. Each year thereafter, they would spend a month on the island leading up to Ron’s summer season with the Cleveland Orchestra.
STEPHEN CLAPP ’61 (1939-2014) As a student at Oberlin, Stephen Clapp honed his skill under violin professor Ander Toth. Two decades later, while developing a large studio of undergraduate violinists of his own, Clapp joined forces with Toth’s son, cellist Ander Toth Jr., to form the Oberlin Trio. Together with Professor of Piano Joseph Schwartz, they performed across America for more than a decade. In addition, Clapp arranged several international performances for the trio, including two visits to Armenia. “Steve was a great colleague,” says Schwartz, now retired in Florida. “He was a very fine violinist, but he was also a really great guy. He was always cheerful, and he kept our spirits up. We traveled around the country together, and it was always a pleasure to be with him.” A violin professor at Oberlin from 1978 through 1994 and acting dean of the conservatory in 1985, Clapp served on the violin faculty at the Juilliard School from 1987 to 2007 and was Juilliard’s dean from 1994 to 2007. Before joining the Oberlin faculty, he taught at the University of Texas at Austin and Peabody College in Nashville. An exemplary performer in chamber music
and as a soloist, Clapp was a member of the Beaux Arts String Quartet, with which he won the first Walter W. Naumburg Chamber Music Award. He was also an experienced concertmaster, leading the Aspen Festival Chamber Symphony and the Nashville and Austin symphonies. He shared the stage with such luminaries as Itzhak Perlman, Pinchas Zukerman, Yo-Yo Ma, and Jacqueline DuPré. “Steve set exceptional standards for himself and encouraged his students to do the same,” says Marilyn McDonald, a professor of violin at Oberlin who began her career at the college the same year Clapp arrived. She remembers her former colleague as a gentle and thoughtful man with a subtle and perfectly timed sense of humor. Clapp was presented an honorary doctorate from Oberlin College in 2011. The Oberlin Trio he co-founded still exists today, featuring Oberlin faculty Amir Eldan (cello), Haewon Song (piano), and David Bowlin ’00 (violin). Clapp resided with his wife Linda in Greenwich, Connecticut.
EDWARD J. MILLER (1930-2013) Longtime Professor of Composition Ed Miller was a prolific composer and a versatile educator whose works were performed by orchestras around the world and by many fellow professors. Throughout his 27 years at Oberlin, Miller found inspiration in the work of his students and fellow faculty members. Miller, likewise, was an inspiration to countless others: His compositions have been performed by numerous major orchestras, including the Berlin Philharmonic and the Cleveland Orchestra, and he earned widespread acclaim for his work. “The thing that impressed me most about Ed was his ability to teach a wide variety of courses,” says Professor Warren Darcy, a longtime colleague of Miller’s at Oberlin. “Music Theory, Aural Skills, Composition—he taught it all, and he did it all very well. “In addition, he was a first-rate composer, and he wrote some of the most beautiful music that ever flowed from the pen of a late-20thcentury composer.” As a younger man, Miller was fortunate to study with some of the best. Born in Miami, he began playing music at age 10 and by 16 was performing in a professional jazz band. He earned a bachelor of music from the University of Miami,