THU 29 / FRI 30 / SAT 31 JANUARY 2026 at 7.30 pm SATURDAY MATINEE 2.30 pm | LOWTHER PAVILION
Main Sponsor:
@aksdrama / @akslythammusic Performed entirely by students A musical by ALAIN BOUBLIL and CLAUDE-MICHEL SCHÖNBERG School Edition special adaptation licensed by MUSIC THEATRE INTERNATIONAL and CAMERON MACKINTOSH (OVERSEAS) LIMITED
Connoisseurs of the AKS musical over the years will have noted the tendency for most of the cast to die at the end, albeit with a bit of razzle-dazzle along the way. The songs, at least, were cheerful.
From a bleak inspiration, where Victor Hugo witnessed a thief being escorted away by a police officer, comes this extraordinary and deep story. In spite of its downbeat title, the musical version of one of the longest novels ever written (a staggering 655,478 words in the original French), is a distillation into a remarkably uplifting and resonant tale of struggle and redemption. Indeed, as the headline of The Stage’s review of the UK premiere proclaimed, there is ‘no need to be glum’.
Les Mis has been perpetually revived and stands as the longest-running musical in the West End (not show, of course – that’s still The Mousetrap). Our own production is, as always, a dream dreamed by our brilliant Head of Drama, Martha Worthington, and the exceptional flotilla of performers from our Music Department and beyond, hosted by the Lowther Pavilion crew and countless friends and supporters across our community.
It’s more a steady stream than a passing of the baton but we will witness another generation of performers hit the stage alongside others who have, extraordinarily, become old hands even in their youth. So, once again, let us settle into our seats, and hear the people sing.
DAVID HARROW Headmaster
An WELCOME TO THE LOWTHER PAVILION THEATRE
Les Misérables
SYNOPSIS
In 19th-century France, ex-convict Jean Valjean strives to rebuild his life after years of imprisonment, seeking redemption while being relentlessly pursued by Inspector Javert, a man devoted to the law above all else. Along his journey, Valjean encounters Fantine, a young factory worker who is driven to despair after being unjustly dismissed, forced into poverty to provide for her daughter, Cosette. Honouring a promise to Fantine, Valjean rescues Cosette from the cruel innkeepers Monsieur and Madame Thénardier, raising her as his own and giving her the chance of a better life.
Years later, as Paris stands on the brink of revolution, the grown Cosette falls in love with the passionate student Marius Pontmercy, whose ideals lead him to join his brave friend Enjolras and the other young revolutionaries at the barricades. Among them is the spirited street urchin Gavroche, whose courage and cheek capture the heart of the revolution. Meanwhile, Eponine, the Thénardiers’ daughter, secretly yearns for Marius, her unrequited love adding to the tragedy of a city in turmoil.
As the lives of these characters intertwine amid conflict, sacrifice and hope, Valjean’s unwavering courage and compassion shine through, even in the face of great loss.
Featuring the unforgettable songs I Dreamed a Dream, On My Own, Bring Him Home, and Do You Hear the People Sing? this powerful production showcases the extraordinary talent and spirit of our senior students in a timeless story that reminds us that love, forgiveness and the human heart can triumph against all odds.
“Tomorrow comes!”
PRINCIPALS The
Henry Clarkson Johnnie Rae JEAN VALJEAN
Hi, my name is Henry and this is my fifth AKS school musical. From Oliver! to Les Mis every show has been the experience of a lifetime and I have loved every moment of it. I am currently in Year 11 studying Drama, Geography and PE. I take part in the first XV rugby team and captain my year group. I have played Oliver in Oliver!, Seymour in Little Shop of Horrors and Sweeney Todd in Sweeney Todd, and now I will be taking on the very challenging but exciting role of Jean Valjean in Les Misérables. Over the last months we have worked tirelessly to put this incredible showstopper on stage, so we hope you enjoy every moment, because we have enjoyed making it. Many thanks to the cast and crew for making this show what it is today. Sit back and enjoy.
Hello, my name is Johnnie and I’m in Year 11. During my time at AKS, I’ve been in 4 musicals including Oliver!, Chicago, Little Shop of Horrors, Sweeney Todd, and now Les Misérables playing the role of Inspector Javert. I’m really excited to be bringing this iconic role to life and being able to play this role means the world. His character is so complex which makes it even funnier to play. I’m very grateful to the Performing Arts Department for all their support and bringing this magnificent show to life. I hope you enjoy it.
“I
love him, I love him. But only on my own”
Eponine
Lila Newby
EPONINE
Jen Romer
Hi, I’m Lila and I’m currently in Year 11. I am so excited to be playing the role of Fantine in Les Misérables School Edition. Fantine is such a powerful and emotional character and getting to bring her story to life on stage is truly a dream for me. This is my fifth musical since joining AKS, having previously performed in Oliver!, Chicago, Little Shop of Horrors, and Sweeney Todd. Musical theatre has always been a huge passion of mine and I feel incredibly lucky to be part of the production each year, they are always a highlight of the school year for me. I am very grateful to the Performing Arts Department for all their support and hard work in bringing this fantastic show to life. Good luck to all the cast, you will all be brilliant! I hope you enjoy the show!
Hi! My name is Jen and I’m currently in Year 13 studying Drama, Sociology and English Literature. Since joining last year, being a part of the musical Sweeney Todd was the highlight of my year. So, when Les Misérables School Edition was announced, I knew I had to be involved! I have always been an actor first and I have never had the chance to sing on my own in front of an audience before. Getting the chance to play Eponine has allowed me to break out from my usual ‘type-cast’ as a deranged or crazy person like ‘Matron Fogg’. I’m so excited to bring Eponine to the stage and show you what a brave character she is; she has a place in my heart. I would recommend grabbing some tissues for this one, don’t say I didn’t warn you. Enjoy the show!
MARIUS
Finlay Law
PRINCIPALS The “A heart full of love”
Maisie McKechnie COSETTE
Hello, my name is Finlay Law and I am in Year 11. I am very excited to take on the role of Marius in this year’s production of Les Mis. I have been in the musical every year since Year 7. The ‘drama family’ at AKS is so supportive, and the musical is something I look forward to every year. Last year I performed in the principal role of Judge Turpin which has made me even more excited to perform in a much different role this year. I am so grateful to be given this opportunity and I look forward to bringing this show up to the extremely high standards that we set every year. I can’t wait to see all our hard work pay off on the stage. I hope you enjoy the show!
Marius and Cosette
Hi, I’m Maisie and I’m in my first year of Sixth Form. I am beyond excited and grateful to be playing Cosette in our version of Les Misérables School Edition and it’s truly an honour to be given this opportunity. Cosette is a character who embodies hope and love, yearning for a chance to walk outside of her father’s shadow and live her own life. This is my second musical at AKS and my first principal role so I am extremely eager to use this as a chance to build my confidence and become a better performer. I hope you enjoy the show and it’s all you dreamed it would be!
THÉNARDIER
Jacob Beverley
PRINCIPALS The
I’m Jacob, and I’m in my last year at AKS. I’m excited to take on the role of Thénardier as I’ve loved music and drama from a young age. I’ve been in every musical I can be for AKS, that being: Oliver!, The Addams Family, Chicago, Little Shop of Horrors and Sweeney Todd and now, finally, Les Misérables. I love performing in the musical each year as it allows me to connect with friends and make many glorious memories. I can’t be prouder of the whole cast working as hard to bring this musical to the same standard as previous ones. I would like to send a massive thank you to the staff for making this opportunity possible. I hope you enjoy it!
“Master of the house, doling out the charm.”
Thénardier
MADAME THÉNARDIER
Amelie Camilleri
I’m so excited to be playing Madame Thénardier in this year’s production of Les Misérables. I’m in Year 11 and this is my fifth school musical since I started doing them back in Year 7 but it’s my first principal role, which makes it extra special. I’ve loved musical theatre ever since I was a kid and have always been drawn to performing and storytelling. Being part of the school musical each year has been such an amazing experience and getting to bring such a big, bold character like Madame Thénardier to life has been so much fun. I’ve really enjoyed exploring her over-the-top personality and finding the comedy in her chaos. I’ve had the best time working on this show and hope you enjoy it as much as we’ve loved performing it!
PRINCIPALS The
Hello, my name is Jacob. I’m in Year 9 and I only joined AKS this year. I’ve performed twice before in my old school as Aladdin in Aladdin and as young Simba in The Lion King. I love performing and musical theatre as it allows me to step out of my comfort zone and express myself. Across the rehearsal process I’ve made so many good memories and great friends along the way. I’m extremely grateful to the Performing Arts Department for bringing me such an amazing opportunity and incredibly excited to show everyone what we’ve all been working so hard on. Thank you all for coming and enjoy the show!
Elena Bleakley GAVROCHE, YOUNG EPONINE
Hi, I’m Elena and I am in Year 8. I’m so excited to be involved in my second AKS musical, as Les Mis is one of my favourite musicals. Last year in Sweeney Todd, I played the role of Tobias Ragg, a cheeky young boy who Mrs Lovett takes a shine to. This year, I am elated to be sharing the roles of Gavroche and Young Eponine with Tilly. I am very grateful to have received a principal role this year and to be a part of this amazing show. I can’t wait to return to the Lowther stage and I hope to be in many more AKS musicals in the future.
Jacob Holmes ENJOLRAS
GAVROCHE, YOUNG EPONINE
“There is a castle on a cloud.”
Cosette
Matilda Meadows
YOUNG COSETTE
Maisie Fisher
Hello, my name is Matilda and I’m in Year 7. This is my first school musical and I am so excited to be performing in Les Misérables, playing the roles of Gavroche and Young Eponine. Taking part in this production has been an amazing experience and has really helped me build confidence. I’ve loved exploring two very different characters and learning how to bring them to life on stage. Even though this is my first show, I’ve enjoyed every single moment from rehearsals to working with the cast and creative team. Being part of such an iconic musical has inspired me and I’m very grateful for the opportunity. I have learned so much throughout this process and I can’t wait to hopefully continue performing in future productions. Thank you to the Performing Arts Department for all their support and encouragement. I truly hope you enjoy the performance!
Hello, my name is Maisie and I am in Year 7. I am loving my first year being a Year 7 student at AKS and am delighted to be playing the role of Young Cosette in Les Misérables School Edition. It’s my first senior school AKS musical and I watched the Sweeney Todd musical last year and that’s when I knew I wanted to be part of the next AKS musical. I have loved performing from a young age and this musical experience has made me love it even more. Through rehearsals the cast has been working incredibly hard on this epic show. I can’t wait to perform at Lowther Pavilion and show you all what we’ve achieved. This has been a wonderful experience and I hope to be in many more AKS musicals in the future.
PROLOGUE
AT THE END OF THE DAY
SONGS The ACT 1 ACT 2
I DREAMED A DREAM
LOVELY LADIES
CART CRASH
FANTINE’S DEATH
CASTLE ON A CLOUD LITTLE COSETTE
MASTER OF THE HOUSE
THE BARGAIN THE BEGGARS THE ROBBERY STARS
THE ABC CAFE/RED AND BLACK DO YOU HEAR THE PEOPLE SING?
IN MY LIFE
A HEART FULL OF LOVE
THE ATTACK ON RUE PLUMET
ONE DAY MORE
BUILDING THE BARRICADE ON MY OWN JAVERT AT THE BARRICADE LITTLE PEOPLE
A LITTLE FALL OF RAIN THE FIRST ATTACK THE NIGHT BRING HIM HOME THE SECOND ATTACK THE FINAL BATTLE THE SEWERS JAVERT’S SUICIDE
EMPTY CHAIRS AT EMPTY TABLES
MARIUS AND COSETTE THE WEDDING
EPILOGUE
FINALE
“I love him. I love him. But only on my own.”
PRINCIPAL CAST
JEAN VALJEAN Henry Clarkson
JAVERT Johnnie Rae
FANTINE Lila Newby
EPONINE Jen Romer
MARIUS Finlay Law
COSETTE Maisie McKechnie
THÉNARDIER Jacob Beverley
MADAME THÉNARDIER Amelie Camilleri
ENJOLRAS Jacob Holmes
GAVROCHE, YOUNG EPONINE
Elena Bleakley
GAVROCHE, YOUNG EPONINE
Matilda Meadows
YOUNG COSETTE Maisie Fisher
PRINCIPAL ENSEMBLE
BAMATABOIS, JOLY Sam Millard
THE FOREMAN, PROUVAIRE Eddie Otter
FEUILLY Thomas Elston
BISHOP OF DIGNE, GRANTAIRE
Edward Thomas
COURFEYRAC Georgie Woodward
LESGLES Katie Dobson
Mishal Ali Rahim
Rebecca Maya Blacoe
Olivia Boardman
Darcey Brooke
Alexander Campbell
Lila Clarke
Logan De Rome
Evangeline Doyle
Logan Hamilton
William Haworth
COMBEFERRE Lucy Parkes
CAMILLE Ava Hoyle
MADELINE Estelle Bleakley
OLD WOMAN Isabelle Campbell
MONTPARNASSE Esme Nuttall
BABET Amelia Clarkson
ENSEMBLE
Emily Holmes
Nevaeh Howland
Freddie Jarvis
Adam Jones
Ayanja Kagoli
Austin Law
Elsie-May Mather
Casey McCreadie
Mila Naftel
Anishka Navaneethan
Rhys Norman
Sophie O’Neill
Molly Oliver
Hiruni Peiris
Rayya Rawoot
Evie Robinson
Gabriella Rose
Gracie Saba
Oliver Shakespeare
Winnie Van Rijn
Charlie Woodward
THE CREATIVE TEAM
PRODUCER AND DIRECTOR
Martha Worthington
ASSISTANT DIRECTOR
AND COSTUME AND WARDROBE
Emily Hobbs
MUSICAL DIRECTOR AND CONDUCTOR
Chris Hodder
MUSICAL DIRECTORS
Adam Brown
David Hewitt
Edward Rugman
THE BAND
WOODWIND Nicola Stevens
WOODWIND Lynne Williams
WOODWIND Claire Shipway
VIOLIN Jill Jackson
VIOLA Tracey Johnson
CELLO Phil Turner
HORN Mark Harding
HORN Adam Brown
TRUMPET Nikki Greig
TROMBONE Dan Thomas
PERCUSSION Tony Harrison
BASS Brent Forbes
GUITAR Nick Powlesland
KEYBOARD Ed Rugman
KEYBOARD Dave Hewitt
New orchestrations specially adapted for the School Edition by STEPHEN METCALFE
TECHNICAL TEAM
SOUND DESIGN
Simon Miller
LIGHTING DESIGN
Dan Creasey (Congo Design)
PHOTOGRAPHY
Kelly Akers Photography
STAGE MANAGEMENT
STAGE MANAGER
Christine Felkin
Lowther Pavilion Technical assisted by AKS student volunteers
Lowther Pavilion Volunteer Team
Ian Cootes
COSTUME AND WARDROBE
Costumes By Charades Theatrical Costume Hire, St Helens www.charades-theatrical.com
Additional costume items are provided by AKS Lytham
MAKE UP
AKS staff and student volunteers
SET DESIGN AND CONSTRUCTION
UK Productions,
Lowther Pavilion Technical and AKS Estates Team
PROP HIRE
Junction 4 Productions
BEHIND THE SCENES CREW
STUDENT STAGE MANAGERS
Adam Jones
Rhys Norman
Evangeline Doyle
Anishka Navaneethan
PROP MASTER
Lily Brown
CREW
AKS students
TEAM Creative
MARTHA WORTHINGTON PRODUCER AND DIRECTOR
As a child, I was never particularly drawn to Les Misérables. In fact, when I was a student at Arnold School, I would proudly tell my peers, teachers and even my matron that I couldn’t stand the show. I longed instead to perform in more upbeat musicals like Hairspray and Mamma Mia! Productions bursting with colour, comedy and energy. Something that perhaps seems out of character now given my history of dark and brooding musicals directed here at AKS!
Even when the 2012 film adaptation starring Hugh Jackman and Anne Hathaway came out, I didn’t waver. My feelings towards Les Mis remained unchanged: admiration from afar but never affection.
That all changed last year. I had the chance to perform the Les Misérables medley as part of the Performing Arts Cabaret and something within me shifted. Singing as part of the ensemble and delivering the powerful lyrics of Herbert Kretzmer, I suddenly understood what Les Misérables truly is. It’s not just a musical; it’s a movement. It’s about unity, resilience and the unstoppable force of the human spirit. For the first time, I felt part of something bigger than myself, something bigger than theatre itself.
From that moment, I was hooked. And it quickly became clear that I wasn’t alone. Parents, students and audiences everywhere have such deep affection for this musical.
When our Performing Arts Department first discussed the possibility of staging Les Misérables, we all agreed on its beauty, its emotional depth and the incredible opportunities it offers to every performer. But we also knew one thing for certain, this show is no small feat.
This is because Les Misérables asks for everything: vocally, dramatically, emotionally and technically. The music is vast and demanding, the storytelling relentless and the emotion unflinching. It’s a production that tests the strength, focus and commitment of everyone involved, from the smallest ensemble role to the leads, from the tech team to the orchestra. It’s a challenge in every sense of the word. However, as a department, we have never been one to shy away from a challenge. In fact, we thrive on them. We believe in our students’ ability to meet those challenges head-on, to rise, to persevere and to create something remarkable. Time and again, our students prove that they are capable of achieving work that would challenge even the most experienced of performers.
And that, at its heart, is what Les Misérables is all about. This musical reminds us that even in the darkest moments, people can rise together with courage, conviction and hope. That same belief drives everything we do in the Performing Arts Department: a belief that our students can achieve the extraordinary when given the opportunity, support and trust to do so.
The rehearsal process for this production has been nothing short of inspiring.
Each student has truly given their all, approaching every scene with enthusiasm, professionalism and heart. It’s that shared commitment which has bonded performers from Year 7 through to Year 13, strengthening what our students affectionately call our ‘drama family.’ This production has once again shown how powerful that community can be. Their energy and creativity have been electric. Our students’ willingness to explore, experiment and play has kept the process alive, joyful and full of discovery. Their drive to achieve excellence, matched with their openness to take risks, has shaped a performance that is honest, detailed and deeply moving.
The ensemble, in particular, deserves special recognition. Their ability to multirole, from street workers to revolutionaries, from paupers to the Parisian elite is remarkable. Every moment they spend on stage adds texture and truth to the world we’ve created.
Our principal cast have truly excelled. Their dedication, stamina and emotional intelligence have lifted this production to another level. Each of them has approached their role with care and courage, finding vulnerability, strength and humanity in their characters. Watching them grow into these roles has been one of the greatest privileges of this process.
And, of course, none of this would be possible without our phenomenal behindthe-scenes team. These students have worked tirelessly to bring our creative visions to life through prop-making, costume ageing and hair and make-up support. Additionally, they have worked backstage to ensure every transition, cue and scene change runs seamlessly. Their commitment, precision and professionalism are truly outstanding and comparable to that of seasoned stagehands.
A special thank you must also go to our incredible music team: Chris Hodder, Adam Brown, Ed Rugman and David Hewitt, whose expertise, patience and passion have elevated every note of this production. To Emily Hobbs - whose calm, dedication and commitment have been a constant source of strength and reassurance throughout this process - thank you. Our students are incredibly fortunate to work alongside such talented and generous professionals who lead by example and nurture their love for the arts every single day.
Directing this show has been an absolute pleasure. Watching our young performers take ownership of this masterpiece, pouring their hearts into every lyric, every glance, every note, it’s been nothing short of extraordinary.
Tonight, as the barricade rises and the first chords echo through the theatre, I hope you feel what we’ve felt throughout this journey: the passion, the pride and the power of a story that continues to move hearts across generations. Because Les Misérables is more than a musical, it’s a reminder of the strength of the human spirit. And tonight, that spirit belongs to our students.
CHRIS HODDER
MUSICAL DIRECTOR AND CONDUCTOR
This production of Les Misérables marks an exciting first for me as I step onto the podium to conduct the orchestra for an AKS musical. My journey with theatre began when I was just 15, playing in my first pit band – a formative experience that sparked a lifelong passion for musical theatre.
For the past 15 years, I’ve been proud to be part of the AKS family, playing in the band for every school musical. In recent years, my role has grown beyond the orchestra pit, working closely with the creative team during rehearsals to help shape the musical direction of each show. Since taking on the role of Music Coordinator in September, it feels only fitting that I now lead the orchestra for this iconic production.
The music of Les Misérables is renowned for its complexity and beauty – sweeping melodies, intricate harmonies and emotional depth that demand precision and passion from every performer. Bringing this score to life is no small task, and I’m honoured to guide such a talented group of students and musicians through its challenges.
I want to acknowledge the incredible work of the Performing Arts Department and the dedication of all the staff and students who make productions like this possible. Collaborating with such a creative and committed team is one of the most rewarding aspects of my role. For me, these shows are more than performances - they are the result of a true family effort, where everyone plays their part in creating something unforgettable.
After countless hours of rehearsals and preparation, I’m truly looking forward to seeing all that hard work come together on stage and sharing this extraordinary experience with our audience.
ED RUGMAN CO-MUSICAL DIRECTOR
AND CONDUCTOR
Being part of this production has been an absolute joy - and occasionally a test of memory, particularly when trying to keep track of what feels like thirty principal roles, most with names I’m convinced are being pronounced differently every rehearsal. Add to that the mysterious logistics of the chain-gang ensemble and I’m fairly sure someone, somewhere is still rehearsing Act I in a corridor no one knew existed. My background includes classical training at the Royal Northern College of Music, cathedral posts, touring and recording work, and a varied portfolio of musical theatre and live performance projects across the UK and internationally. After years working in professional theatre and production, returning to an environment where young people approach music and performance with such energy, ambition and fearlessness has been an absolute privilege.
Working alongside such committed and talented performers (and a pit band deserving their own fanfare) has been a highlight of my time at AKS. Watching students grow in confidence, skill and expressive storytelling - sometimes quietly, sometimes spectacularly - has been deeply rewarding.
I hope tonight’s performance leaves you moved, inspired and reminded of the remarkable things young people can achieve when given the space to create boldly and work together. And in true Les Mis spirit, much like the barricade - built from many different parts to become something strong and unforgettablethis cast has come together to create something far greater than the sum of its pieces.
ADAM BROWN MUSICAL DIRECTOR
As a music teacher at AKS for the past seven years, I have had the privilege of working closely with both principal performers and ensemble members, guiding them through rehearsals and supporting the development of their vocal technique and dramatic interpretation. Witnessing their growth in confidence and artistry throughout this process has been immensely rewarding. The most gratifying part of my role is helping students fulfil the potential we first glimpse at auditions: watching the journey from nervous first sing-throughs to the polished, professional performances that grace opening night is a true joy.
Over the years, I have conducted many memorable productions, sharing countless fun moments in the orchestra pit with exceptional musicians. Yet, the most unforgettable part of any show remains the moment of anticipation. The charged silence just before the band begins to play. For this production of Les Misérables, I am delighted to return to the pit and perform on the horn, revisiting a skill I have missed after several years of conducting. The beautiful orchestrations by Claude-Michel Schönberg have long been on my bucket list and it is a privilege to bring them to life alongside such a talented cast and crew.
As the curtain rises, I want to wish the entire cast and crew the best of luck and to enjoy being a part of this incredible show.
DAVE HEWITT
MUSICAL DIRECTOR
It has been an absolute pleasure and a delight to have been involved with this year’s musical. Having been involved in AKS productions a number of years ago during my first tenure as a music teacher, I was aware of the very high standard and level of commitment from everyone involved in creating such amazing and memorable productions. Now, some years later and in my first year of my second innings at AKS, I can truly see why our productions are held in such high regard throughout the musical theatre community.
Les Misérables is not only hugely iconic as a musical masterpiece but an epic undertaking for any company to attempt. However, from the very first day of auditions and throughout the rigorous and lengthy rehearsals, it was clear to see how absolutely blessed we are to be able to work with such talented, dedicated and enthusiastic young people who all share the same ideal of producing excellence. In addition, the steadfast devotion and creative genius of the Performing Arts staff have been inspiring and being able to work alongside them has been a career highlight.
As a pianist, accompanying ensemble rehearsals has given me a unique insight into how the cast have developed to be able to grasp complicated harmonies, musical phrases and large-scale songs, adding colour and personality to their performances that would not be out of place on a professional stage.
Personally, away from the coaching role, I am delighted to be back performing as a member of the pit band alongside many fiercely gifted musicians and experience the production from another perspective.
I am absolutely sure that everyone who experiences the AKS production of Les Misérables will do so with as much pleasure, emotion and pride as I have.
EMILY HOBBS
ASSISTANT DIRECTOR AND COSTUME AND WARDROBE
I am absolutely thrilled to be a part of the creative team for this production of Les Misérables School Edition. Joining the Performing Arts
Department at AKS this year has been such a privilege; having the opportunity to direct alongside Martha, as well as step into the role of Costume and Wardrobe has been truly wonderful.
What an incredible cast we have! The students involved in this production are fabulously creative and talented. The time, energy and commitment they have poured into every rehearsal is remarkable and they should be immensely proud of what they have achieved. I have laughed, I’ve been blown away and nearly brought to tears in the rehearsal room and that really shows what a dynamic and skilled cast we have. There have been so many highlights throughout this process. Seeing the cast bring ‘Master of the House’ to life was definitely one of them, it’s such a fun song and it really was a moment where the whole cast came together and acted as a true ensemble. Our trip to London to see the 40th Anniversary cast of Les Misérables was such a valuable experience; it was then wonderful to see how it deepened the students’ understanding of their characters and see them demonstrate that insight in the rehearsal room.
Although I am new to the AKS team, I have loved becoming so involved in this school community; I am incredibly proud to be part of such an outstanding production. Huge congratulations to all the students and whole creative team for their dedication and passion for this show. Les Misérables is a story of resilience, compassion and hope; seeing the students embody characters and portray these messages so clearly and honestly has been truly inspiring. I can’t wait to see where their creativity and confidence take them next, both on and off the stage.
MESSAGES ‘Break-a-leg’
Jen, Sending you lots of love and good luck! Break a leg, and have a fantastic time on stage!
Love Mum and Dad xx
Good luck Lila! You’ve worked so hard for this - enjoy every moment on stage as Fantine! We are so incredibly proud of you.
Lots of love from Mum, Dad & Belle xxxx
Winnie, we’re always immensely proud of you; you’ve enjoyed all the rehearsals and now it’s showtime! Enjoy yourself, love from Mama, Papa, Oliver and William xx
Sam, we are so proud of you and can’t wait to see you shine on stage! Enjoy every moment and most importantly - have fun! All our love, Mum, Dad and Tia xxx
Lieve Win, Wat super leuk dat je meedoet aan de musical Les Misérables. Wij komen heel graag kijken. Spannend hoor! Heel veel succes, maar vooral heel veel plezier, Dikke kus van opa en oma!
Good luck Katie, enjoy being on stage playing Lesgles. Have a great time and break a leg!
Lots of love from Mum, Dad, Grandma, Grandad and James xx
Rayya we are bursting with pride! Enjoy every smile and every moment. We’re so proud of your hard work, courage and sparkle. Have fun and let your light shine! Love always Mum and Dad xx
Break-a-leg, Amelie! We cannot wait to see you bring the character of Madame Thénardier to life alongside the whole amazing cast.
Love Mum and Mark x
Fin and Austin - proud beyond words! Seeing you shine in Les Mis is a dream come true. Enjoy every moment.
Love, Mum and Dad xxx
Couldn’t be more proud of you if we tried. Break a leg Ed. Mum and Dad x
Jacob - Congratulations on making it to your last show at AKS - it’s been a fantastic 7 years and it’s time to go out in style.
Good luck for all the shows Eddie! Break a leg! Proud of you as always!
Love from Mum, Dad, Minky and Auntie Sonia xx
Rebecca - Congratulations on your debut high school performance in Les Misérables! You’re a natural star. Have fun and break a leg!
Love from all the family xx
Emily, Well done and enjoy every minute of every show doing what you love. Can’t wait to see you, the cast and the show.
Love you lots Mum, Dad and Hannah xxx
It’s showtime! Break a leg Johnnie. Can’t wait to see you play such an iconic role, we know you will give it your all. We are so proud of you.
Lots of love Mum, Dad, Naomi, Sam, Callan, Beckie and all 8 of your nieces and nephews.
Henry. Every year you make us prouder than before. From Oliver to Jean Valjean you have given these roles everything. Sing your heart out and enjoy every minute. Love you. Mum, Dad and Eve xxx
I hope every single one of you has a fabulous time. You work so hard as a group and now it’s your time to shine! Enjoy being part of the legacy of Les Misérables Fred! Bridget and Leo.
Dear Lila, We are so very proud of you and love you very much.
Lots of love, Mum, Dad and Lawrence x
To Molly, we can’t wait to see you in our favourite musical! Enjoy every moment of being on that stage, you will smash it.
Love Mum, Dad, Amber and Ted.
Have a wonderful first performance with AKS Elsie-May! We are so proud of you. We cannot wait to see it. Love all your family xx
Your first senior school musical and what a brilliant show to be part of. Enjoy every minute William, we are all very proud of you. Love Mum, Dad and Thomas xx
Casey, break a leg girl, have the best time ever! Your humour, heart and determination are going to shine in Les Mis. We’re all so proud of you. Love you more, I win, the end ;) Love from Mum, Dad, all your siblings and Leo the Lion xxx
To our superstar Matilda and the whole brilliant cast! You’ve rehearsed, you’ve worked hard, and now it’s time to OWN that stage. Have fun, be fearless, and give the audience a night they’ll never forget! Break a leg!
Mum, Dad & Holly-Mae x
Break a leg, Gabi! We‘re so excited to see you and all the cast perform. Enjoy every moment!
Love from all the family. Xx
“There is a life about to start, when tomorrow comes!”
Jacob, We’re unbelievably proud of you. You’ve shown unwavering commitment, dedication and resilience, and we cannot wait to see you shine on stage! Enjoy every moment!
Love, Mum, Dad, Seb, Ruby, Grandma Mary, Grandad Kev, Crazy Grandma and Grandad xx
Milly, In your final year at AKS we are wishing you all the luck in the world for Les Mis. We are so proud of you, enjoy every moment and go smash it. We are looking forward to watching you be part of an incredible musical.
Love you so much, Mum, Dad and Jess xxx
Ayanja, your hard work and perseverance has paid off. Happy to see you perform in this wonderful production!
Lots of love Mom, Dad and family
“Drink with me to days gone by. Sing with me the songs we knew.” Cheers Tom! We certainly will, enjoy every moment. God Bless, break a leg!
Love Mum, Dad and all the family xxxx
THANKS Special
Kelly Akers and the Drama Committee, Annie Millard, Angela Heaps, Abby Newby, Samantha Dobson, AKS PTA, Janet Dutton, Robbie Duncan and his team at AKS, Nikki Phillips, Lynn Dalgleish, Deb Aldred, Marcus and his team at Mediaprint, Tia Millard, Victoria Maling, Anya Dewin, Amy Armstrong, Amy Cusimano, Jane Wild, Sarah Shepherd, James Yates, Sarah Walton, Bethan Worthington & Cody Forrester.
DRAMA COMMITTEE
Well, we are in awe of the talent and confidence of these fabulous students! The biggest thank you possibly goes to the Drama and Music teachers who selflessly give up their own time to put this musical together and without whom our children would not be given this amazing opportunity to perform at the Lowther Pavilion in front of such an appreciative audience.
Huge thanks also to our sponsor The Skin Clinic at Fylde Private Medical for their generous support of the musical, to our advertisers and to the Performing Arts patrons James and Claire Romer and Paul and Anne Beverley whose support is hugely appreciated.
FINALLY, SIT BACK AND ENJOY THE PERFORMANCE AND
PLEASE BUY SOME RAFFLE
TICKETS!
Questa is proud to support the AKS production of Les Miserables. It's a story that celebrates determination, hope and community - values we share in the work we do every day.
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