David Dorfman Dance: (A)Way Out of My Body Program

NYU SKIRBALL ACADEMIC NYU SKIRBALL ADVISORY COUNCIL STAFF Sheril Antonio Senior Associate Dean, Strategic Initiatives, NYU Tisch

Jay Wegman Director

Ulrich Baer University Professor

Amy Coombs Operations Director

Mary Bitel Associate Arts Professor, Open Arts, NYU Tisch

Stephanie Armitage Administrative Coordinator

Una Chaudhuri Dean for the Humanities and Vice Dean for Interdisciplinary Initiatives, College of Arts & Sciences

J M de Leon, Ph.D. Assistant Director, Engagement

Seán Curran Chairperson; Arts Professor, Dance, NYU Tisch Anna Deavere Smith University Professor Michael Dinwiddie Associate Professor, NYU Gallatin Georgina Dopico Vice Provost for Academic Affairs, NYU Karen Finley Arts Professor, Art & Public Policy, NYU Tisch Faye Ginsburg David B. Kriser Professor, Anthropology, NYU Arts & Science Lynn Gumpert Director, NYU Grey Art Gallery Sylvaine Guyot Professor of French Literature, Thought, and Culture, NYU Arts & Science Susan Hilferty Arts Professor; Chairperson, Design for Stage & Film, NYU Tisch André Lepecki Professor; Chairperson, Performance Studies, NYU Tisch Julie Malnig Associate Professor, NYU Gallatin Judith Graves Miller Professor of French and Collegiate Professor Rubén Polendo Chairperson; Arts Professor, Drama, NYU Tisch Karen Shimakawa Associate Professor, Performance Studies; Academic Associate Dean, NYU Tisch

Clifford Billings Ticket Operation Specialist Lou DiLeo Lighting Supervisor Brian Emens Theater Technician George Faya Theater Technician Angie Golightly Theater Technician Vincent Iaropoli Assistant Director, Finance

E C N N A A D M E N F C A R AN M O F D D R D O I V D A D

F O T U O Y A W ) Y (A D O B MY

Jenny Liao Front of House Manager Ronni Mandell Director of Marketing, NYU Campus Services Andres Mendez NYU Box Office Manager Melissa Negro Senior Marketing Manager Kimberly Olstad Director of Development Don Short Audio/Rigging Supervisor Zachary Spitzer Production Manager

Ian Tabatchnick Operations Manager Helene Davis Public Relations Press Representative

Catharine Stimpson University Professor Julia Wolfe Professor of Music Composition; Artistic Director of Music Composition, NYU Steinhardt Brandon Woolf Clinical Associate Professor; Director, Program in Dramatic Literature, NYU Arts & Science Hentyle Yapp Assistant Professor, Art & Public Policy, NYU Tisch 8

DAVID DORFMAN DANCE: (A)WAY OUT OF MY BODY

WORLD PREMIERE FRIDAY, APRIL 22 — SATURDAY, APRIL 23

NYU SKIRBALL SPRING SEASON 2022

CREDITS

WHAT’S ON

Conceived and Directed by David Dorfman Choreography and Text by David Dorfman Dance Performers David Dorfman, Lily Gelfand, Kellie Ann Lynch, Nik Owens, Lisa Race, Claudia-Lynn Rightmire DDD Company Member Myssi Robinson will not be performing due to injury Music Composed by Sam Crawford, Elizabeth de Lise, Zeb Gould, Jeff Hudgins Musical Direction and Sound Mixing Sam Crawford Visual Design Andrew Schneider Associate Visual Design and Production Manager Sarah Lurie Stage Manager Morgan Grant Lighting and Video Supervisor Jacob Hughes Dramaturg Anne Davison Costume Design Oana Botez Notable Collaborators Jared Brown, Doug Gillespie, Jasmine Hearn, Jordan Demetrius Lloyd, Kendra Portier, Simon Thomas-Train We’d like to acknowledge Ashley Richard who shepherded the inception of this work as past DDD Company Manager.

Du Yun & International Contemporary Ensemble (China/USA) Zolle & A Cockroach’s Tarantella April 29 & 30 New York Premieres Pulitzer Prize-winner Du Yun joins with International Contemporary Ensemble to present a diptych from her seductive musical world. In Zolle, a staged performance, a dead woman wanders through the shadowy space on the border between memory and reality, tracing the lines of her identity through the land she once walked — an immigrant in death as in life. A Cockroach’s Tarantella explores religion and belonging as the essential quest and the existential dread that all sentient beings experience, cockroach or not. Scored for ensemble, electronics, and spoken word, with Du Yun as the narrator and featuring Satomi Matsuzaki (Deerhoof), the two works together explore humankind’s ubiquitous fascination with movement and alienation, amidst the hope of belonging.

Elevator Repair Service (USA) Seagull World Premiere July 12-31 They triumphantly tackled Faulkner, Fitzgerald, and Shakespeare with their celebrated productions of The Sound and the Fury, Gatz, and Measure for Measure. Now in their newest project, Elevator Repair Service takes on The Seagull, Anton Chekhov’s classic drama of artists in life and love. Blurring the line between the play itself and an informal chat with the audience, ERS’s venturous approach to the text twists truth into lies and fact into fiction as actors become characters who become actors who become characters. All the while, the play remains a permanently modern exploration of the conflicting pursuits of art, love, and happiness.

For tickets please visit, nyuskirball.org or scan this QR code.

The creation of this work was made possible by New York State Council on the Arts, NYC Department of Cultural Affairs, Lake Placid Center for the Arts, Dancers’ Workshop, Ohio University, NYU Tisch Summer Residency Program, The Wooden Floor, The Redfern Arts Center at Keene State College (NEFA Expeditions Tour Planning Grant) and Connecticut College. (A)Way Out of My Body is dedicated to Paul O’Neil, DDD Board Emeritus, in honor of his three decades of service.

Pan Pan Theatre (Ireland) Cascando North American Premiere June 21-July 3

2

Accompany Samuel Beckett’s curious figures into an uncertain future. Attired in dark cloaks and given headphones, audiences are guided through Greenwich Village on this rhythmic, immersive, group walk. Featuring the melodic voices of Irish actors Andrew Bennett and Daniel Reardon, Beckett’s 1963 radio play Cascando is transformed into an absorbing immersive experience in which the audience is part of the spectacle. Pan Pan Theatre brings visceral energy to Beckett’s 1963 radio play, which poetically pits words against music. With Direction

by Gavin Quinn and Sound Design and music by Jimmy Eadie, Cascando is a deeply riveting yet broken tale of a man hopelessly trying to finish a story.

SCAN TO PURCHASE TICKETS.

7

NYU SKIRBALL SPRING SEASON 2022

CREDITS

WHAT’S ON

Conceived and Directed by David Dorfman Choreography and Text by David Dorfman Dance Performers David Dorfman, Lily Gelfand, Kellie Ann Lynch, Nik Owens, Lisa Race, Claudia-Lynn Rightmire DDD Company Member Myssi Robinson will not be performing due to injury Music Composed by Sam Crawford, Elizabeth de Lise, Zeb Gould, Jeff Hudgins Musical Direction and Sound Mixing Sam Crawford Visual Design Andrew Schneider Associate Visual Design and Production Manager Sarah Lurie Stage Manager Morgan Grant Lighting and Video Supervisor Jacob Hughes Dramaturg Anne Davison Costume Design Oana Botez Notable Collaborators Jared Brown, Doug Gillespie, Jasmine Hearn, Jordan Demetrius Lloyd, Kendra Portier, Simon Thomas-Train We’d like to acknowledge Ashley Richard who shepherded the inception of this work as past DDD Company Manager.

Du Yun & International Contemporary Ensemble (China/USA) Zolle & A Cockroach’s Tarantella April 29 & 30 New York Premieres Pulitzer Prize-winner Du Yun joins with International Contemporary Ensemble to present a diptych from her seductive musical world. In Zolle, a staged performance, a dead woman wanders through the shadowy space on the border between memory and reality, tracing the lines of her identity through the land she once walked — an immigrant in death as in life. A Cockroach’s Tarantella explores religion and belonging as the essential quest and the existential dread that all sentient beings experience, cockroach or not. Scored for ensemble, electronics, and spoken word, with Du Yun as the narrator and featuring Satomi Matsuzaki (Deerhoof), the two works together explore humankind’s ubiquitous fascination with movement and alienation, amidst the hope of belonging.

Elevator Repair Service (USA) Seagull World Premiere July 12-31 They triumphantly tackled Faulkner, Fitzgerald, and Shakespeare with their celebrated productions of The Sound and the Fury, Gatz, and Measure for Measure. Now in their newest project, Elevator Repair Service takes on The Seagull, Anton Chekhov’s classic drama of artists in life and love. Blurring the line between the play itself and an informal chat with the audience, ERS’s venturous approach to the text twists truth into lies and fact into fiction as actors become characters who become actors who become characters. All the while, the play remains a permanently modern exploration of the conflicting pursuits of art, love, and happiness.

For tickets please visit, nyuskirball.org or scan this QR code.

The creation of this work was made possible by New York State Council on the Arts, NYC Department of Cultural Affairs, Lake Placid Center for the Arts, Dancers’ Workshop, Ohio University, NYU Tisch Summer Residency Program, The Wooden Floor, The Redfern Arts Center at Keene State College (NEFA Expeditions Tour Planning Grant) and Connecticut College. (A)Way Out of My Body is dedicated to Paul O’Neil, DDD Board Emeritus, in honor of his three decades of service.

Pan Pan Theatre (Ireland) Cascando North American Premiere June 21-July 3

2

Accompany Samuel Beckett’s curious figures into an uncertain future. Attired in dark cloaks and given headphones, audiences are guided through Greenwich Village on this rhythmic, immersive, group walk. Featuring the melodic voices of Irish actors Andrew Bennett and Daniel Reardon, Beckett’s 1963 radio play Cascando is transformed into an absorbing immersive experience in which the audience is part of the spectacle. Pan Pan Theatre brings visceral energy to Beckett’s 1963 radio play, which poetically pits words against music. With Direction

by Gavin Quinn and Sound Design and music by Jimmy Eadie, Cascando is a deeply riveting yet broken tale of a man hopelessly trying to finish a story.

SCAN TO PURCHASE TICKETS.

7

MEMBERS ARE FRIENDS ... ABOUT NYU SKIRBALL WITH BENEFITS As a NYU Skirball member, you gain access to innovative artists and academics, game-changers and thought-leaders, and more importantly, support programs that promote a broad range of cutting-edge performing arts and discourse.

FRIEND • $75 Benefits include: • Up to 50% off one ticket per show • Advance notice of upcoming events • Exclusive pre-sale tickets • Subscription to NYU Skirball’s e-newsletter • Personalized NYU Skirball Member card • Member offers at local Greenwich Village restaurants (Fully tax-deductible) SIDEKICK • $125 All of the benefits Friend Members receive plus: • Up to 50% off two tickets per show • Complimentary NYU Skirball tote bag • Complimentary ticket exchanges (savings of $5 per ticket) • VIP reserved seating for select NYU Skirball humanities events ($118 tax-deductible) COMRADE • $250 All of the benefits Sidekick Members receive, plus: • Up to 50% off of four tickets per show • Waived ticketing fees (savings of up to $6 per ticket) • Exclusive access and invitations to meet artists • Invitations to private dress rehearsals ($243 tax-deductible)

NYU Skirball holds close James Baldwin’s dictum that “artists are here to disturb the peace.” Our mission is to present adventuresome, transdisciplinary work that entertains yet upends, inspires yet frustrates, and confirms yet confounds. We proudly embrace artists who defamiliarize the familiar, productions that blur aesthetic boundaries, and thought-leaders who are courageous, outrageous, and mind-blowing. We are NYU’s largest classroom. We want to feed your head

NYU SKIRBALL FUNDING NYU Skirball’s programs are made possible with support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and by Howard Gilman Foundation, Collins Building Services, Consolidated Edison, Harkness Foundation for Dance, The Aaron Copland Fund for Music, New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, Mertz Gilmore Foundation, and Marta Heflin Foundation, as well as our valued donors through memberships, commissioning fund, and Stage Pass Fund support.

SOUL MATE • $2500 All of the Bosom Buddy Members benefits, plus: • Four free tickets per Skirball Presents production • Four passes to all NYU Skirball humanities event receptions • Ability to secure premium house seats ($1345 tax-deductible)

6

We are here in this intimate space together — it’s almost like a body, a vessel, a container for movement, art, healing, and ever active minds and souls searching for new realities. Our exploration of “Out of Body” experiences was the springboard for what has turned into a meditation on the frailty and power of the body, the power of our collective will, the magic of touch, our vivid hopes — and a never-ending dive into our past to understand our present and future.

I, along with DDD, wish to fervently thank Jay Wegman, Amy Coombs, Helene Davis, Vincent Iaropoli, Melissa Negro, Zachary Spitzer, and the entire staff at Skirball Center for inviting us to perform (A)Way Out of My Body. As with most live art these precarious days, this engagement has been a long time coming — for that we doubly appreciate Jay and Skirball’s trust in us and patience with the world. We are thrilled to finally complete the circle and to share this work with you here, right now.

We dedicate this performance to Beverly Race (19202022) whose 101 years of life well lived came to a peaceful end just two weeks ago. Bev was a dancer at heart, even appeared in DDD’s Familiar Movements (The Family Project) and I know is with us tonight.

Enjoy your experience!

DD

WHO’S WHO

BESTIE • $500 All of the benefits Comrade Members receive, plus: • One free ticket per Skirball Presents production • Invitations to opening night parties • Private backstage tour ($236 tax-deductible) BOSOM BUDDY • $1000 All of the Bestie Members benefits, plus: • Two free tickets per Skirball Presents production • Two complimentary drinks at the Lobby Café per Skirball Presents production • Enhanced pre-sale, prior to Member pre-sale • Dedicated patron line for personalized customer service • Invitations to patron night receptions ($335 tax-deductible)

A NOTE FROM DAVID

SCAN TO BECOME A MEMBER OR MAKE A DONATION. THANK YOU.

Founded in 1987, David Dorfman Dance (DDD) is celebrating its 35th Anniversary and has performed extensively throughout the world — North and South America, Great Britain, Europe and was invited to tour countries in Central Asia: Turkey, Tajikistan, and Armenia with DanceMotion USA, with our most recent foreign tours taking us to El Salvador and Panama.

Closer to home DDD has regularly performed in New York City at major venues, including The Brooklyn Academy of Music, The Joyce Theater, The Kitchen, Danspace Project/St. Mark’s Church, The Duke on 42nd Street, The Met Breuer, and the 92ndSt. “Y”/ Harkness Dance Festival. DDD celebrates its 16th year as Company-in-Residence at Connecticut College where David Dorfman earned his MFA in dance in 1981 and then returned as Professor of Dance in 2004. This is our 2nd Year as Commissioned Artistin-Residence of Dancers’ Workshop in Jackson Hole, WY. “To get the whole world dancing” is at the core of DDD’s mission to promote the appreciation and critical understanding of dance by bringing the company’s work to broad and diverse audiences. David and his company seek to destigmatize the notion of accessibility in post-modern dance by embracing viewers with visceral, meaningful dance, music, text and visuals. By sustaining a vision to create innovative, inclusive, movement-based performance that is

radically humanistic, DDD maintains a commitment to examine and unearth issues and ideas that enliven, incite, and excite through dialogue and debate about social change, personal growth, agency and a myriad of other topics. For this work David and the company’s dancers and collaborators have been honored with eight New York Dance and Performance (Bessie) Awards. DDD’s works include tonight’s (A) Way Out of My Body (2020), original score by DDD’s House Band: Sam Crawford, Elizabeth de Lise, Zeb Gould, and Jeff Hudgins; Aroundtown (2017), original score by DDD’s House Band; Come, and Back Again (2013), set to the music from underground 90’s Atlanta, GA band Smoke; Prophets of Funk (2011), set to the music of Sly and the Family Stone; Disavowal (2009), inspired by radical abolitionist John Brown; underground (2006), inspired by The Weather Underground; Older Testaments (2005), set to music by composer/trumpeter Frank London of The Klezmatics; Lightbulb Theory (2004), original commissioned score by Michael Wall; Impending Joy (2004), original commissioned score by Chris Peck; and See Level (2003), original commissioned score by Chris Peck and visual design by Samuel Topiary. Throughout the past thirty-five years, DDD has engaged audiences worldwide, with communitybased projects playing an important role, particularly in the 1990s. In Out of Season (The Athletes Project) and Familiar Movements (The Family Project), the members of the company rehearsed and performed with groups of volunteer athletes or family members selected in the communities to which the company toured. In No Roles Barred, DDD examined the personal roles assumed, formed, and interwoven in our modern social construct, engaging groups ranging from corporate executives and underserved youths to college administrators, doctors, carpenters, and social dance enthusiasts. These three community projects have been presented over 30 times in 18 states and two foreign countries. The company’s recent work in foreign communities have been projects such as the collaboration in El Salvador with Glasswing International and the United States Agency for International Development. Together there our company and youth volunteers, in centers dedicated to the prevention of violence, pledged to use our bodies for peace and co-created movement vocabulary celebrating the possibilities of freedom through movement. All of these efforts help DDD promote its mission of Kinetic Diplomacy: the idea that if you’re dancing, you’re not hurting another human being.

David Dorfman (Artistic Director and Founder of David Dorfman Dance, 1987) has been making movement-based dance theater since his MFA in Dance from Connecticut College in 1981. In 1987 he founded David Dorfman Dance with the intention of creating politically and socially relevant work. DDD has performed most recently in NYC at Brooklyn Academy of Music, and regularly tours the world. A life-long educator, David is a professor at Connecticut College, choreographed Broadway’s Indecent, and has received multiple awards including a 2019 USA Fellowship in Dance, a Guggenheim Fellowship, four NEA Fellowships, a Bessie, and a Lucille Lortel. He 3

MEMBERS ARE FRIENDS ... ABOUT NYU SKIRBALL WITH BENEFITS As a NYU Skirball member, you gain access to innovative artists and academics, game-changers and thought-leaders, and more importantly, support programs that promote a broad range of cutting-edge performing arts and discourse.

FRIEND • $75 Benefits include: • Up to 50% off one ticket per show • Advance notice of upcoming events • Exclusive pre-sale tickets • Subscription to NYU Skirball’s e-newsletter • Personalized NYU Skirball Member card • Member offers at local Greenwich Village restaurants (Fully tax-deductible) SIDEKICK • $125 All of the benefits Friend Members receive plus: • Up to 50% off two tickets per show • Complimentary NYU Skirball tote bag • Complimentary ticket exchanges (savings of $5 per ticket) • VIP reserved seating for select NYU Skirball humanities events ($118 tax-deductible) COMRADE • $250 All of the benefits Sidekick Members receive, plus: • Up to 50% off of four tickets per show • Waived ticketing fees (savings of up to $6 per ticket) • Exclusive access and invitations to meet artists • Invitations to private dress rehearsals ($243 tax-deductible)

NYU Skirball holds close James Baldwin’s dictum that “artists are here to disturb the peace.” Our mission is to present adventuresome, transdisciplinary work that entertains yet upends, inspires yet frustrates, and confirms yet confounds. We proudly embrace artists who defamiliarize the familiar, productions that blur aesthetic boundaries, and thought-leaders who are courageous, outrageous, and mind-blowing. We are NYU’s largest classroom. We want to feed your head

NYU SKIRBALL FUNDING NYU Skirball’s programs are made possible with support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and by Howard Gilman Foundation, Collins Building Services, Consolidated Edison, Harkness Foundation for Dance, The Aaron Copland Fund for Music, New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, Mertz Gilmore Foundation, and Marta Heflin Foundation, as well as our valued donors through memberships, commissioning fund, and Stage Pass Fund support.

SOUL MATE • $2500 All of the Bosom Buddy Members benefits, plus: • Four free tickets per Skirball Presents production • Four passes to all NYU Skirball humanities event receptions • Ability to secure premium house seats ($1345 tax-deductible)

6

We are here in this intimate space together — it’s almost like a body, a vessel, a container for movement, art, healing, and ever active minds and souls searching for new realities. Our exploration of “Out of Body” experiences was the springboard for what has turned into a meditation on the frailty and power of the body, the power of our collective will, the magic of touch, our vivid hopes — and a never-ending dive into our past to understand our present and future.

I, along with DDD, wish to fervently thank Jay Wegman, Amy Coombs, Helene Davis, Vincent Iaropoli, Melissa Negro, Zachary Spitzer, and the entire staff at Skirball Center for inviting us to perform (A)Way Out of My Body. As with most live art these precarious days, this engagement has been a long time coming — for that we doubly appreciate Jay and Skirball’s trust in us and patience with the world. We are thrilled to finally complete the circle and to share this work with you here, right now.

We dedicate this performance to Beverly Race (19202022) whose 101 years of life well lived came to a peaceful end just two weeks ago. Bev was a dancer at heart, even appeared in DDD’s Familiar Movements (The Family Project) and I know is with us tonight.

Enjoy your experience!

DD

WHO’S WHO

BESTIE • $500 All of the benefits Comrade Members receive, plus: • One free ticket per Skirball Presents production • Invitations to opening night parties • Private backstage tour ($236 tax-deductible) BOSOM BUDDY • $1000 All of the Bestie Members benefits, plus: • Two free tickets per Skirball Presents production • Two complimentary drinks at the Lobby Café per Skirball Presents production • Enhanced pre-sale, prior to Member pre-sale • Dedicated patron line for personalized customer service • Invitations to patron night receptions ($335 tax-deductible)

A NOTE FROM DAVID

SCAN TO BECOME A MEMBER OR MAKE A DONATION. THANK YOU.

Founded in 1987, David Dorfman Dance (DDD) is celebrating its 35th Anniversary and has performed extensively throughout the world — North and South America, Great Britain, Europe and was invited to tour countries in Central Asia: Turkey, Tajikistan, and Armenia with DanceMotion USA, with our most recent foreign tours taking us to El Salvador and Panama.

Closer to home DDD has regularly performed in New York City at major venues, including The Brooklyn Academy of Music, The Joyce Theater, The Kitchen, Danspace Project/St. Mark’s Church, The Duke on 42nd Street, The Met Breuer, and the 92ndSt. “Y”/ Harkness Dance Festival. DDD celebrates its 16th year as Company-in-Residence at Connecticut College where David Dorfman earned his MFA in dance in 1981 and then returned as Professor of Dance in 2004. This is our 2nd Year as Commissioned Artistin-Residence of Dancers’ Workshop in Jackson Hole, WY. “To get the whole world dancing” is at the core of DDD’s mission to promote the appreciation and critical understanding of dance by bringing the company’s work to broad and diverse audiences. David and his company seek to destigmatize the notion of accessibility in post-modern dance by embracing viewers with visceral, meaningful dance, music, text and visuals. By sustaining a vision to create innovative, inclusive, movement-based performance that is

radically humanistic, DDD maintains a commitment to examine and unearth issues and ideas that enliven, incite, and excite through dialogue and debate about social change, personal growth, agency and a myriad of other topics. For this work David and the company’s dancers and collaborators have been honored with eight New York Dance and Performance (Bessie) Awards. DDD’s works include tonight’s (A) Way Out of My Body (2020), original score by DDD’s House Band: Sam Crawford, Elizabeth de Lise, Zeb Gould, and Jeff Hudgins; Aroundtown (2017), original score by DDD’s House Band; Come, and Back Again (2013), set to the music from underground 90’s Atlanta, GA band Smoke; Prophets of Funk (2011), set to the music of Sly and the Family Stone; Disavowal (2009), inspired by radical abolitionist John Brown; underground (2006), inspired by The Weather Underground; Older Testaments (2005), set to music by composer/trumpeter Frank London of The Klezmatics; Lightbulb Theory (2004), original commissioned score by Michael Wall; Impending Joy (2004), original commissioned score by Chris Peck; and See Level (2003), original commissioned score by Chris Peck and visual design by Samuel Topiary. Throughout the past thirty-five years, DDD has engaged audiences worldwide, with communitybased projects playing an important role, particularly in the 1990s. In Out of Season (The Athletes Project) and Familiar Movements (The Family Project), the members of the company rehearsed and performed with groups of volunteer athletes or family members selected in the communities to which the company toured. In No Roles Barred, DDD examined the personal roles assumed, formed, and interwoven in our modern social construct, engaging groups ranging from corporate executives and underserved youths to college administrators, doctors, carpenters, and social dance enthusiasts. These three community projects have been presented over 30 times in 18 states and two foreign countries. The company’s recent work in foreign communities have been projects such as the collaboration in El Salvador with Glasswing International and the United States Agency for International Development. Together there our company and youth volunteers, in centers dedicated to the prevention of violence, pledged to use our bodies for peace and co-created movement vocabulary celebrating the possibilities of freedom through movement. All of these efforts help DDD promote its mission of Kinetic Diplomacy: the idea that if you’re dancing, you’re not hurting another human being.

David Dorfman (Artistic Director and Founder of David Dorfman Dance, 1987) has been making movement-based dance theater since his MFA in Dance from Connecticut College in 1981. In 1987 he founded David Dorfman Dance with the intention of creating politically and socially relevant work. DDD has performed most recently in NYC at Brooklyn Academy of Music, and regularly tours the world. A life-long educator, David is a professor at Connecticut College, choreographed Broadway’s Indecent, and has received multiple awards including a 2019 USA Fellowship in Dance, a Guggenheim Fellowship, four NEA Fellowships, a Bessie, and a Lucille Lortel. He 3

cherishes his 30 years of work with Lisa Race; and Dan Froot via Live Sax Acts.

Lily Gelfand (Performer) is a Brooklyn-based dancer, experimental cellist, composer, sound-healer, and teaching artist. Originally from Youngstown, Ohio, Lily received her Bachelor of Fine Arts in Dance Performance and Choreography from Ohio University’s Honors Tutorial College. As a dancer, Lily has had the pleasure of performing works by Kyle Abraham, Joanna Kotze, Kendra Portier, David Dorfman, Jasmine Hearn, Thryn Saxon, Serena Chang, and Ani Javian. As a cellist, Lily is currently on staff as a dance musician at The Juilliard School, and has composed and performed original collaborative works for Christina Robson, Jasmine Hearn, Dance Lab NY, Toscana Dance Hub, Venza Dance, The Wooden Floor, Douglas Gillespie, and Nik Owens.

Kellie Ann Lynch (performer) has been making, laughing and performing with David Dorfman Dance for many years. She lives in Connecticut and is a CoFounder and Co-Artistic Director of Elm City Dance Collective based in New Haven. Kellie has had the great privilege of working with many choreographers including Kate Weare, Doug Elkins and Adele Myers (for 10 years). She has received artists fellowships to support her making, and her work has been commissioned, produced and performed throughout the Northeast including at Bates Dance Festival. Kellie has a BA and MFA in Dance from Rhode Island College and Smith College. She is so thankful for her DDD family.

Nik Owens (Performer) began his movement experience as a competitive gymnast for 15 years, later training in dance and continuing at Wesleyan University, where he received a BA in Dance and a certificate in Environmental Studies. He has worked with Nicholas Leichter, Tania Isaac, and Kyle Abraham/ Abraham.In.Motion and has performed works by The Dance Exchange, Gierre Godley’s Project 44, Aaron McGloin Dance, Raja Kelly/The Feath3r Theory, Bryn Cohn and Artists, Helen Simoneau Danse, The Bang Group, Abdul Latif D2D/T, Dual Rivet, and 10 Hairy Legs. He currently collaborates and performs with Tiffany Mills Company, Kyle Marshall Choreography, David Dorfman Dance, Kayla Farrish Decent Structure Arts, and makes his own work.

Lisa Race (Performer) danced in NYC for many years before moving to Connecticut, where she is a Professor of Dance at Connecticut College. Race first began dancing with DDD in 1989, and received a Bessie in 1995 for her dancing with the company.

Her choreography has been seen at the former DTW, Danspace Project, Dancenow and MR at the Judson Church. She has been fortunate to teach at dance festivals, including Bates, ADF and Impulstanz, and has given workshops at many locations around the globe. Race has collaborated with Shawn Hove on three dance films, and is currently in the midst of a collaboration with Rachel Boggia and Sydney Bryan, centered on Race’s mother Beverly (1920-2022).

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Claudia-Lynn Rightmire (Performer) (she/her) spends her days writing stories, drawing faces, and creating dances. Claudia-Lynn holds an Honors summa cum laude BA from Roger Williams University and is a certified health coach. She has taught, created, and collaborated in Florida, Australia, and NYC. ClaudiaLynn moves with David Dorfman Dance, INSPIRIT Dance, Rosie Herrera Dance Theatre, and Kinesis Project Dance Theatre. She has worked with New York City Children’s Theater, Third Rail Projects, Moving Ethos Dance, Sarasota Contemporary Dance, and others. In 2021, she formed c|s movement projects alongside her partner, Simon Thomas-Train. She is driven by storytelling, voice, and shadow.

Myssi Robinson (Performer) is a Bessie-nominated performer and maker from Richmond, VA. She has interpreted many dances. Her own art practice currently involves creative archiving, mixed-media marking and spatial design. Intuition and empathy play with maximalist instinct to give life to the art that she makes. It whispers may we all heal. Gratitude to Carolyn Johnson and Darrin Robinson for her life and abilities to create freely within it.

Sam Crawford (Composer/Musician) completed degrees in English and Audio Engineering at Indiana University in 2003. His compositions and sound designs have included works for the Bill T. Jones/ Arnie Zane Company (Venice Biennale, 2010), A.I.M by Kyle Abraham (Untitled Love, 2022), Camille A. Brown and Dancers (BLACK GIRL: Linguistic Play, 2016), and David Dorfman Dance (Aroundtown, 2017). La Medea, a live film collaboration with director Yara Travieso for which he composed the music and wrote the libretto, premiered at P.S.122’s Coil Festival in 2017. Crawford is a lecturer in sound design at the University of Maryland’s School of Theatre, Dance, and Performance Studies.

Elizabeth de Lise (Composer/Musician) (they/them) is a Philadelphia-based artist. Their edgy-pop band, Lizdelise will be touring their sophomore album in the US and Canada this summer, releasing on Sheer Luck Records. de Lise performs in Yara Travieso’s experimental film/theater works, as a company musician with David Dorfman Dance, and is a music contributor to NPR’s Invisibilia. Their sound design work with Material Feels podcast will be on display at the Smithsonian Hirshhorn this June.

Zeb Gould (Composer/Musician) is a New York based composer and guitarist, born and bred in Indianapolis, IN where he began playing the guitar at a young age.

After graduating from Indiana University in 2003 he moved to New York City and took a position at the downtown recording studio of composer Philip Glass.

Soon after, he began creating and performing his own music as a solo artist and with his bands, Bowery Boy Blue and Swojens. In addition to performing with David Dorfman Dance, he has also worked with director/ choreographer Yara Travieso.

Jeff Hudgins (Composer/Musician) is a founding member of NYC group Bombay Rickey and has toured the US and Europe, has premiered John Zorn, Tim Berne and John Harbison, and currently performs in productions by Kamala Sankaram, Yara Travieso and

Rembert Block, in addition to David Dorfman Dance.

He writes for the NYC groups, Anti-Social Music and Opera On Tap. Tejano, Country and early 80s local punk from his first home in San Antonio and jazz, Hindustani, Yiddish, Brazilian and classical music from his studies at Berklee and New England Conservatory in Boston prove to be a continuing musical inspiration.

Jeff is currently working on Bombay Rickey’s next EP release.

Andrew Schneider (Visual Designer) is mostly interested in how humans telling stories about ourselves to each other can make us better at being humans. And how much the second law of thermodynamics and grief have in common. He is an OBIE award-winning, Drama Desk nominated performer, writer, and interactive-electronics artist creating original works for theater, dance, sound, video, and installation since 2003. Original work includes: »remains« (2020, Sasha Waltz & Guests commission); AFTER (2018, Under the Radar Festival, The Public Theater); YOUARENOWHERE (2015 OBIE award, 2016 Drama Desk nom); among others.

Upcoming: time-based immersive light/sound installation dealing with grief, loss, and presentness, N O W I S W H E N W E A R E (2023 anticipated). andrewjs.com Jacob Hughes (Lighting and Video Supervisor) is from Dallas, Texas and is thrilled to be working with David Dorfman Dance on this exciting journey with such a great team. He has spent the last three years living in D.C. while earning his MFA in Design. Jacob would like to thank his friends and family for the support network during the last few years. You can see his work at hughesjacob.com or on instagram @hues_in_lighting Sarah Lurie (Associate Designer and Production Manager) is a New York based lighting designer and manager whose work has been seen around the city.

Recent works include design at Abrons Arts Center, The Barrow Group, Bushwick Starr, Cherry Lane, La Mama, and Target Margin. Collaborators include Miguel Gutierrez, Haruna Lee, and Sibyl Kempson.

Selected credits: No More Shimmering Cowboys (Out of Line Festival, Yara Travieso), High Winds (LAX Festival), Dog Gone Day/Memory Retrograde (BAX/Ars Nova/Under the Radar), So Long Boulder City (SubCulture), American Realness at Weiner Festwochen, Mourning Becomes Electra (TMT), A Cabaret for Dark Times (ETW), The Children’s Hour (FSSA), Infernal Machine (ETW), Hasan Minhaj’s Homecoming King (Cherry Lane Theater), Colin Quinn’s The New York Story (Cherry Lane Theater) sarahelurie.com Morgan Grant (Stage Manager) is delighted to be making her debut with David Dorfman Dance. Since graduating from Connecticut College with degrees in Film Studies and Theater, Morgan has been working closely with artist Jim Watt and TEDxAsburyPark’s theatrical offshoot, 1act.1idea as a Stage Manager and Associate Production Director. Loving to keep busy, Morgan works part time at Jim Kempner Fine Art in Chelsea, NYC, and is currently planning TEDxAsburyPark’s conference for April 2022! Favorite Stage Management roles include: 1000W, ART, Fun Home, Peter & Wendy, and No Exit.

Anne Davison (Dramaturg) is a NY-based theater and dance dramaturg. She has collaborated with David Dorfman Dance since the development of Come, and Back Again (BAM Next Wave 2013). Other projects include Alex Timbers and Michael Friedman’s musical adaptation Love’s Labour’s Lost (Shakespeare in the Park) and Timbers and Friedman’s Bloody Bloody Andrew Jackson (Public Theater and Broadway), doug elkins choreography, etc.’s o, round desire, Mo(or) town/Redux, and Fräulein Maria, and Jane Comfort and Company’s 40th Anniversary Retrospective and Beauty.

She also works in film and television casting.

OANA BOTEZ (Costume Designer). LCT3: In the Green, Bull in a China Shop, Luck of the Irish. Off-Broadway: An Oresteia (CSC); Love’s Labour’s Lost (The Public); Master and Margarita (Bard Summerscape); A House in Bali, texts&beheadings/ElizabethR, Alan Smithee Directed This Play, Supernatural Wife (BAM). Regional: Macbeth (Old Globe); Angels in America (Wilma); Man in a Case (Hartford). International: Bucharest National; Old Vic Theater; Théâtre National de Chaillot, Maison des Arts Creteil (Paris); Les Subsistances (Lyon); Budapest National; International Festival of Contemporary Theater (Turkey); Le Quartz (Brest); La Filature (Mulhousse); Tanz im August Festival (Berlin); Centro Cultural Universidad del Pacífico (Lima); Edinburgh International Festival; Singapore Arts Festival. She is teaching in the Design Department at David Geffen School of Drama at Yale.

DAVID DORFMAN DANCE/ART SWEATS, INC. Board of Directors Chloe Carlson (President), David Dorfman, Ginger Gillespie, David Kyuman Kim, Julie Leff, Kellie Ann Lynch, Jeffrey Mittman (Treasurer), Rudy Nickens, Paul O’Neil (Emeritus), Karen Waltuck Artistic Director: David Dorfman Executive Director: Erin Roy Company Manager: Journee Hardaway Company Intern: Julia Ramirez Creative/Photography Intern: Cat Evans Lighting and Video Intern: Scott Leff Development Consultant: Benvenuti Arts Bookkeeping: Quant Solutions Exclusive USA Tour Representation: PENTACLE Sandy Garcia sandyg@pentacle.org www.pentacle.org Consider making a tax-deductible donation to DDD (checks payable to “Art Sweats, Inc.” at PO Box 1227 Peter Stuyvesant Station NY, NY 10009) or online at daviddorfmandance.org.

Follow DDD on Facebook @DavidDorfmanDancePage and on Instagram @dorfmandance.

Share your thoughts and experience of (A)Way Out of My Body with us by emailing them to info@ daviddorfmandance.org.

5

cherishes his 30 years of work with Lisa Race; and Dan Froot via Live Sax Acts.

Lily Gelfand (Performer) is a Brooklyn-based dancer, experimental cellist, composer, sound-healer, and teaching artist. Originally from Youngstown, Ohio, Lily received her Bachelor of Fine Arts in Dance Performance and Choreography from Ohio University’s Honors Tutorial College. As a dancer, Lily has had the pleasure of performing works by Kyle Abraham, Joanna Kotze, Kendra Portier, David Dorfman, Jasmine Hearn, Thryn Saxon, Serena Chang, and Ani Javian. As a cellist, Lily is currently on staff as a dance musician at The Juilliard School, and has composed and performed original collaborative works for Christina Robson, Jasmine Hearn, Dance Lab NY, Toscana Dance Hub, Venza Dance, The Wooden Floor, Douglas Gillespie, and Nik Owens.

Kellie Ann Lynch (performer) has been making, laughing and performing with David Dorfman Dance for many years. She lives in Connecticut and is a CoFounder and Co-Artistic Director of Elm City Dance Collective based in New Haven. Kellie has had the great privilege of working with many choreographers including Kate Weare, Doug Elkins and Adele Myers (for 10 years). She has received artists fellowships to support her making, and her work has been commissioned, produced and performed throughout the Northeast including at Bates Dance Festival. Kellie has a BA and MFA in Dance from Rhode Island College and Smith College. She is so thankful for her DDD family.

Nik Owens (Performer) began his movement experience as a competitive gymnast for 15 years, later training in dance and continuing at Wesleyan University, where he received a BA in Dance and a certificate in Environmental Studies. He has worked with Nicholas Leichter, Tania Isaac, and Kyle Abraham/ Abraham.In.Motion and has performed works by The Dance Exchange, Gierre Godley’s Project 44, Aaron McGloin Dance, Raja Kelly/The Feath3r Theory, Bryn Cohn and Artists, Helen Simoneau Danse, The Bang Group, Abdul Latif D2D/T, Dual Rivet, and 10 Hairy Legs. He currently collaborates and performs with Tiffany Mills Company, Kyle Marshall Choreography, David Dorfman Dance, Kayla Farrish Decent Structure Arts, and makes his own work.

Lisa Race (Performer) danced in NYC for many years before moving to Connecticut, where she is a Professor of Dance at Connecticut College. Race first began dancing with DDD in 1989, and received a Bessie in 1995 for her dancing with the company.

Her choreography has been seen at the former DTW, Danspace Project, Dancenow and MR at the Judson Church. She has been fortunate to teach at dance festivals, including Bates, ADF and Impulstanz, and has given workshops at many locations around the globe. Race has collaborated with Shawn Hove on three dance films, and is currently in the midst of a collaboration with Rachel Boggia and Sydney Bryan, centered on Race’s mother Beverly (1920-2022).

4

Claudia-Lynn Rightmire (Performer) (she/her) spends her days writing stories, drawing faces, and creating dances. Claudia-Lynn holds an Honors summa cum laude BA from Roger Williams University and is a certified health coach. She has taught, created, and collaborated in Florida, Australia, and NYC. ClaudiaLynn moves with David Dorfman Dance, INSPIRIT Dance, Rosie Herrera Dance Theatre, and Kinesis Project Dance Theatre. She has worked with New York City Children’s Theater, Third Rail Projects, Moving Ethos Dance, Sarasota Contemporary Dance, and others. In 2021, she formed c|s movement projects alongside her partner, Simon Thomas-Train. She is driven by storytelling, voice, and shadow.

Myssi Robinson (Performer) is a Bessie-nominated performer and maker from Richmond, VA. She has interpreted many dances. Her own art practice currently involves creative archiving, mixed-media marking and spatial design. Intuition and empathy play with maximalist instinct to give life to the art that she makes. It whispers may we all heal. Gratitude to Carolyn Johnson and Darrin Robinson for her life and abilities to create freely within it.

Sam Crawford (Composer/Musician) completed degrees in English and Audio Engineering at Indiana University in 2003. His compositions and sound designs have included works for the Bill T. Jones/ Arnie Zane Company (Venice Biennale, 2010), A.I.M by Kyle Abraham (Untitled Love, 2022), Camille A. Brown and Dancers (BLACK GIRL: Linguistic Play, 2016), and David Dorfman Dance (Aroundtown, 2017). La Medea, a live film collaboration with director Yara Travieso for which he composed the music and wrote the libretto, premiered at P.S.122’s Coil Festival in 2017. Crawford is a lecturer in sound design at the University of Maryland’s School of Theatre, Dance, and Performance Studies.

Elizabeth de Lise (Composer/Musician) (they/them) is a Philadelphia-based artist. Their edgy-pop band, Lizdelise will be touring their sophomore album in the US and Canada this summer, releasing on Sheer Luck Records. de Lise performs in Yara Travieso’s experimental film/theater works, as a company musician with David Dorfman Dance, and is a music contributor to NPR’s Invisibilia. Their sound design work with Material Feels podcast will be on display at the Smithsonian Hirshhorn this June.

Zeb Gould (Composer/Musician) is a New York based composer and guitarist, born and bred in Indianapolis, IN where he began playing the guitar at a young age.

After graduating from Indiana University in 2003 he moved to New York City and took a position at the downtown recording studio of composer Philip Glass.

Soon after, he began creating and performing his own music as a solo artist and with his bands, Bowery Boy Blue and Swojens. In addition to performing with David Dorfman Dance, he has also worked with director/ choreographer Yara Travieso.

Jeff Hudgins (Composer/Musician) is a founding member of NYC group Bombay Rickey and has toured the US and Europe, has premiered John Zorn, Tim Berne and John Harbison, and currently performs in productions by Kamala Sankaram, Yara Travieso and

Rembert Block, in addition to David Dorfman Dance.

He writes for the NYC groups, Anti-Social Music and Opera On Tap. Tejano, Country and early 80s local punk from his first home in San Antonio and jazz, Hindustani, Yiddish, Brazilian and classical music from his studies at Berklee and New England Conservatory in Boston prove to be a continuing musical inspiration.

Jeff is currently working on Bombay Rickey’s next EP release.

Andrew Schneider (Visual Designer) is mostly interested in how humans telling stories about ourselves to each other can make us better at being humans. And how much the second law of thermodynamics and grief have in common. He is an OBIE award-winning, Drama Desk nominated performer, writer, and interactive-electronics artist creating original works for theater, dance, sound, video, and installation since 2003. Original work includes: »remains« (2020, Sasha Waltz & Guests commission); AFTER (2018, Under the Radar Festival, The Public Theater); YOUARENOWHERE (2015 OBIE award, 2016 Drama Desk nom); among others.

Upcoming: time-based immersive light/sound installation dealing with grief, loss, and presentness, N O W I S W H E N W E A R E (2023 anticipated). andrewjs.com Jacob Hughes (Lighting and Video Supervisor) is from Dallas, Texas and is thrilled to be working with David Dorfman Dance on this exciting journey with such a great team. He has spent the last three years living in D.C. while earning his MFA in Design. Jacob would like to thank his friends and family for the support network during the last few years. You can see his work at hughesjacob.com or on instagram @hues_in_lighting Sarah Lurie (Associate Designer and Production Manager) is a New York based lighting designer and manager whose work has been seen around the city.

Recent works include design at Abrons Arts Center, The Barrow Group, Bushwick Starr, Cherry Lane, La Mama, and Target Margin. Collaborators include Miguel Gutierrez, Haruna Lee, and Sibyl Kempson.

Selected credits: No More Shimmering Cowboys (Out of Line Festival, Yara Travieso), High Winds (LAX Festival), Dog Gone Day/Memory Retrograde (BAX/Ars Nova/Under the Radar), So Long Boulder City (SubCulture), American Realness at Weiner Festwochen, Mourning Becomes Electra (TMT), A Cabaret for Dark Times (ETW), The Children’s Hour (FSSA), Infernal Machine (ETW), Hasan Minhaj’s Homecoming King (Cherry Lane Theater), Colin Quinn’s The New York Story (Cherry Lane Theater) sarahelurie.com Morgan Grant (Stage Manager) is delighted to be making her debut with David Dorfman Dance. Since graduating from Connecticut College with degrees in Film Studies and Theater, Morgan has been working closely with artist Jim Watt and TEDxAsburyPark’s theatrical offshoot, 1act.1idea as a Stage Manager and Associate Production Director. Loving to keep busy, Morgan works part time at Jim Kempner Fine Art in Chelsea, NYC, and is currently planning TEDxAsburyPark’s conference for April 2022! Favorite Stage Management roles include: 1000W, ART, Fun Home, Peter & Wendy, and No Exit.

Anne Davison (Dramaturg) is a NY-based theater and dance dramaturg. She has collaborated with David Dorfman Dance since the development of Come, and Back Again (BAM Next Wave 2013). Other projects include Alex Timbers and Michael Friedman’s musical adaptation Love’s Labour’s Lost (Shakespeare in the Park) and Timbers and Friedman’s Bloody Bloody Andrew Jackson (Public Theater and Broadway), doug elkins choreography, etc.’s o, round desire, Mo(or) town/Redux, and Fräulein Maria, and Jane Comfort and Company’s 40th Anniversary Retrospective and Beauty.

She also works in film and television casting.

OANA BOTEZ (Costume Designer). LCT3: In the Green, Bull in a China Shop, Luck of the Irish. Off-Broadway: An Oresteia (CSC); Love’s Labour’s Lost (The Public); Master and Margarita (Bard Summerscape); A House in Bali, texts&beheadings/ElizabethR, Alan Smithee Directed This Play, Supernatural Wife (BAM). Regional: Macbeth (Old Globe); Angels in America (Wilma); Man in a Case (Hartford). International: Bucharest National; Old Vic Theater; Théâtre National de Chaillot, Maison des Arts Creteil (Paris); Les Subsistances (Lyon); Budapest National; International Festival of Contemporary Theater (Turkey); Le Quartz (Brest); La Filature (Mulhousse); Tanz im August Festival (Berlin); Centro Cultural Universidad del Pacífico (Lima); Edinburgh International Festival; Singapore Arts Festival. She is teaching in the Design Department at David Geffen School of Drama at Yale.

DAVID DORFMAN DANCE/ART SWEATS, INC. Board of Directors Chloe Carlson (President), David Dorfman, Ginger Gillespie, David Kyuman Kim, Julie Leff, Kellie Ann Lynch, Jeffrey Mittman (Treasurer), Rudy Nickens, Paul O’Neil (Emeritus), Karen Waltuck Artistic Director: David Dorfman Executive Director: Erin Roy Company Manager: Journee Hardaway Company Intern: Julia Ramirez Creative/Photography Intern: Cat Evans Lighting and Video Intern: Scott Leff Development Consultant: Benvenuti Arts Bookkeeping: Quant Solutions Exclusive USA Tour Representation: PENTACLE Sandy Garcia sandyg@pentacle.org www.pentacle.org Consider making a tax-deductible donation to DDD (checks payable to “Art Sweats, Inc.” at PO Box 1227 Peter Stuyvesant Station NY, NY 10009) or online at daviddorfmandance.org.

Follow DDD on Facebook @DavidDorfmanDancePage and on Instagram @dorfmandance.

Share your thoughts and experience of (A)Way Out of My Body with us by emailing them to info@ daviddorfmandance.org.

5

NYU SKIRBALL ACADEMIC NYU SKIRBALL ADVISORY COUNCIL STAFF Sheril Antonio Senior Associate Dean, Strategic Initiatives, NYU Tisch

Jay Wegman Director

Ulrich Baer University Professor

Amy Coombs Operations Director

Mary Bitel Associate Arts Professor, Open Arts, NYU Tisch

Stephanie Armitage Administrative Coordinator

Una Chaudhuri Dean for the Humanities and Vice Dean for Interdisciplinary Initiatives, College of Arts & Sciences

J M de Leon, Ph.D. Assistant Director, Engagement

Seán Curran Chairperson; Arts Professor, Dance, NYU Tisch Anna Deavere Smith University Professor Michael Dinwiddie Associate Professor, NYU Gallatin Georgina Dopico Vice Provost for Academic Affairs, NYU Karen Finley Arts Professor, Art & Public Policy, NYU Tisch Faye Ginsburg David B. Kriser Professor, Anthropology, NYU Arts & Science Lynn Gumpert Director, NYU Grey Art Gallery Sylvaine Guyot Professor of French Literature, Thought, and Culture, NYU Arts & Science Susan Hilferty Arts Professor; Chairperson, Design for Stage & Film, NYU Tisch André Lepecki Professor; Chairperson, Performance Studies, NYU Tisch Julie Malnig Associate Professor, NYU Gallatin Judith Graves Miller Professor of French and Collegiate Professor Rubén Polendo Chairperson; Arts Professor, Drama, NYU Tisch Karen Shimakawa Associate Professor, Performance Studies; Academic Associate Dean, NYU Tisch

Clifford Billings Ticket Operation Specialist Lou DiLeo Lighting Supervisor Brian Emens Theater Technician George Faya Theater Technician Angie Golightly Theater Technician Vincent Iaropoli Assistant Director, Finance

E C N N A A D M E N F C A R AN M O F D D R D O I V D A D

F O T U O Y A W ) Y (A D O B MY

Jenny Liao Front of House Manager Ronni Mandell Director of Marketing, NYU Campus Services Andres Mendez NYU Box Office Manager Melissa Negro Senior Marketing Manager Kimberly Olstad Director of Development Don Short Audio/Rigging Supervisor Zachary Spitzer Production Manager

Ian Tabatchnick Operations Manager Helene Davis Public Relations Press Representative

Catharine Stimpson University Professor Julia Wolfe Professor of Music Composition; Artistic Director of Music Composition, NYU Steinhardt Brandon Woolf Clinical Associate Professor; Director, Program in Dramatic Literature, NYU Arts & Science Hentyle Yapp Assistant Professor, Art & Public Policy, NYU Tisch 8

DAVID DORFMAN DANCE: (A)WAY OUT OF MY BODY

WORLD PREMIERE FRIDAY, APRIL 22 — SATURDAY, APRIL 23