WSN091614

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NYU’s Daily Student Newspaper

washington square news Vol. 42, No. 61

TUESDAY, SEPTEMBER 16, 2014

nyunews.com

transportation

World politics

Peace scholar speaks at NYU

All-female taxi service launches today By Sonja Popovic Contributing Writer

By Marita Vlachou Deputy News Editor

The new livery service SheTaxis launched today, and will offer women in New York City, Westchester County and Long Island an all-female taxi service, similar to Uber and Lyft. SheTaxis, known as SheRides in New York City, was founded by Stella Mateo with the goal of providing a safe means of transportation for women who feel uncomfortable riding in cars with unknown men. Mateo told The New York Times in an article from Sept. 7 that the company employs 50 female drivers between the ages of 21 and 70, and that she hopes to expand the service to the District of Columbia, Miami and Chicago in 2015. GLS freshman Andrina Voegele said SheTaxis appeals to her because of the security it provides women. “This service is a good idea because it’ll make me feel safer than riding with a strange man in the middle of

TAXI continued on PG. 3

Staff photo by shawn Paik

Yair Hirschfeld, architect of the 1993 Oslo Peace Accords, offered opinions on the Israel-Palestine situation at the NYU Taub Center on Sept. 15.

ARTS

Esso plays sold-out show at Bowery By Matthew Mahoney Contributing Writer

The indie electropop duo Sylvan Esso gleefully pranced onto the Bowery Ballroom stage on Sept. 12 — the second sold-out show of a two-night stop in New York City. Sylvan Esso, which has a home base in Durham, North Carolina, is an American duo comprising singer Amelia Meath, a member of folktrio Mountain Man, and Nick Sanborn, the bassist in the experimental rock group Megafaun. The two met and formed Sylvan Esso when Sanburn was opening for Mountain Man in 2013 and Meath asked him to remix one of her songs, “Play it Right.”

Yair Hirschfeld, a University of Haifa professor and key architect of the 1993 Oslo Peace Accords, spoke at the NYU Taub Center for Israel Studies last night about the current peace negotiations in the Middle East and his recent book, “TrackTwo Diplomacy toward an IsraeliPalestinian Solution, 1978-2014.” During the lecture, Hirschfeld argued that negotiations between Israel and Palestine have been ineffective and an effort should be made to find common ground for the governments. “So far negotiations have been based on the logic [that] nothing is agreed upon until everything is agreed upon and, if you want a recipe of failure, this is a recipe for failure,” Hirschfeld said. Instead of focusing on their grievances, Hirschfeld suggested that Israel and Palestine should

Meath, described by one concertgoer as an “acid bunny,” was outfitted in a neon, skintight onesie that featured a cigarette-smoking face, along with a pair of massive white Buffalo shoes. Dressed in a black T-shirt, Sanburn took his place behind a computer and control panel. They were flanked at the rear by four vertical lights that pulsed to the beat of the music and were controlled by Sanburn’s dramatic hand movements. The show opened with the seductive “Hey Mami,” during which Meath’s dance moves built anticipation for the shuddering bass line that enters halfway through the song.

esso continued on PG. 5

PALESTINE continued on PG. 3

arts

Exhibit challenges object perception By Leah Gross Contributing Writer

Andy Coolquitt’s “somebody place,” which opened at Lisa Cooley on Sept. 7, is an experience of displacement. One of the most notable pieces in the exhibit is “Neo-Deo: Open Market, Open Vitrine, & DeoLiberal Potentialities,” which features about 50 plastic figures shelved on blue glass with orange glass behind them. The plastic figures, about the size of a fist, vary in shape and color, although they are all domed on top. The most striking thing about the assortment is how familiar all the objects seem — they were recognizable yet somehow unidentifiable. A little research reveals that they were

Courtesy of andy coolquitt and Lisa Cooley Gallery

“somebody place” opened at Lisa Cooley on Sept. 7. once containers for deodorant. This motif of out-of-place objects continues throughout the exhibition in pieces such as “pure/gold/plum/splendor/subtle/

sage” and “build/cut/rear/seam/ black/slut/suck/step,” in which Coolquitt places a carpet and the

COOLQUITT continued on PG. 5


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