WSN050112

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NYU’s Daily Student Newspaper

washington square news Vol. 40, No. 55

TUESDay, may 1, 2012

nyunews.com

NYU unites for annual Relay for Life at Coles

Safety a priority in new drug policies

By Wali Mbekeani NYU hosted the 10th annual Relay for Life at Coles Sports Center last Saturday to honor the fight against cancer and to raise money to fight the disease. A total of 75 residence halls, fraternities, sororities and other student groups, who began raising money several months ago, sent teams to Coles. Though fund-raising will continue until Aug. 31, NYU groups have raised over $174,000. Last year, Relay for Life raised a total of $174,274. NYU Relay for Life raised $207,907 in 2007, which is currently the school record. For its for 10-year anniversary, however, NYU Relay for Life hopes to raise $208,000. The top three fundraisers of the year are currently ZBT Gamma at $25,984, Pi Kappa Alpha at $24,928 and Colleges Against Cancer at $10,406.

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By Julie DeVito

Jonathan Tan/WSN

Day of dogs at Washington Square Park

Washington Square Park was once again overrun by the hottest dogs in town on Saturday as part of the biennial Dachshund Day event. The Dachshund Spring Fiesta is a free public event in which dachshund owners come out by the hundreds to socialize and show off their very own wiener dogs. Profits from T-shirt sales benefited dachshund rescue.

NYCFacets deemed most helpful in Big Apps competition By Tony Chau

via nyc.pediacities.com

NYCFacets facilitates navigation through NYC Open Data Catalogue. small step of having a better understanding of the datasets that the city is currently exposing.” NYCEDC spokesman Patrick Muncie praised NYCFacets as an app that will prove to be fundamental to the development of future apps. “NYCFacets was selected because it’s an app that makes our datasets more accessible, and in the long run that’s really going to pave the way for other programmers in order for them to make similarly creative applications,” Muncie said. Using semantics, statistics, algorithms and what Ontodia calls “crowdknowing,” the app amassed close to 2.4 million distinct facts from all of the data in the NYC Open

Data catalog, which will allow app developers to sift through the data more easily. Natividad noted that though the purpose of NYCFacets is to aid developers, its effects will also reach everyday New Yorkers. “Instead of spending a lot of time combing and collating the data manually, NYC app developers can quickly find out about resources available in the city’s catalog using our various search mechanisms,” he said. But Natividad said the developers did not expect to win the competition. “It really took us by surprise as NYCFacets is kind of wonky and is

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Broderick returns triumphant to the stage By Olivia George

NYCFacets, an application designed to help other app creators, won the grand prize for Best Overall Application in the NYC BigApps 3.0 competition earlier last month. The annual NYC BigApps competition, founded by the New York City Economic Development Corporation and the New York City Department of Information Technology & Telecommunications, was designed to incentivize app developers to create online and mobile applications by using public city databases. This year, the competition received a record number of 96 submissions. Joel Natividad and Sami Baig, the two app developers behind the $10,000 prize-winning app, created NYCFacets to make it easier for app makers to navigate through the convoluted NYC Open Data catalog that stores a plethora of data. “NYCFacets is but the first offering of Ontodia in its mission to facilitate the city’s vision for New York City to become the ‘Digital City of the Future,’” Natividad said. “With NYCFacets, we realized that this will necessarily have to start with the

After almost two semesters of outreach and research, the Students for Sensible Drug Policy at NYU have succeeded in changing the policy for reporting incidents involving alcohol and drug use at the university. The policy, which is called “Good Samaritan,” is easier to understand than the original version, “Health and Safety-Related Emergency Considerations.” According SSDP at NYU, students who find themselves in a situation where their health or someone else’s is at risk can ask for medical assistance without facing punishment for alcohol or drug consumption. The new policy also allows students to avoid criminal charges regardless of the number of previous drug and alcohol related offenses they have had, unlike the previous policy that only allowed first-time offenders to avoid punishment.

When you enter the Imperial Theater, home of “Nice Work If You Can Get It,” you immediately see what Tony Award-winning director and choreographer Kathleen Marshall wants her audience to focus on. The conventional theater curtain features the sheet music of the titular song. Though Joe DiPietro has written a wickedly funny book, it is essentially a skeleton meant to prop up the heart of the show, the George Gershwin score. This pastiche of a Jazz Age musical tells the story of Jimmy Winter (Matthew Broderick), a playboy who is getting married to avoid being disinherited. But the night before his wedding he meets Billie Bendix (Kelli O’Hara), his future love interest. Bendix is a bootlegger who steals Winter’s wallet and stashes 400 cases of gin in the basement of his Long Island mansion. The score features Gershwin favorites such as “Fascinating

Rhythm” and “Let’s Call the Whole Thing Off,” accompanied by the first-rate, high energy routines expected of Marshall. The cast handles the book with impeccable comic timing, with Michael McGrath shining as a bootlegger disguised as a butler and is in cahoots with Bendix. Everything about this production’s humor is satisfyingly wellconstructed. The vision of a starryeyed O’Hara singing “Someone To Watch Over Me,” in her gorgeous, honeyed voice as she cocks a shotgun and props herself up Captain Morgan-style is one of the most pristine comic images an audience will ever witness. As for Broderick, it has been over a decade since he flaunted his musical theater talents in “The Producers” alongside Nathan Lane. And while he is getting older — he is visibly winded at the end of the obligatory ballroom duet — he still radiates his defining and perfectly suited

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