WSN042214

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NYU’s Daily Student Newspaper

WASHINGTON SQUARE NEWS Vol. 42, No. 43

TUESDAY, APRIL 22, 2014

nyunews.com

Advocates equate human, labor rights

INSIDE THIS

ISSUE

By ANJANA SREEDHAR

VIA FLICKR.COM

NYU reacts to ferry tragedy Out of 476 passengers, only 174 have been rescued. More than 300 were students and teachers. STORY on PG. 3

FELIPE DE LA HOZ/WSN AVITAL GLIBICKY/WSN

How to plan the perfect picnic To celebrate National Picnic Day, be sure to look at our list of picnic essentials. STORY on PG. 4

Human Rights Watch’s Jo Becker pushes for higher labor standards.

Chelsea Clinton’s new documentary focuses on the friendship between an NYU imam and rabbi. STORY on PG. 7

RIGHTS continued on PG. 3

Play uses musical lens to examine climate change

Neon Trees disappoint with lackluster album

Polar bears and howler monkeys and charismatic megafauna galore. If this sounds a little overwhelming to you — and you have no idea what charismatic megafauna means — you are not alone. “The Great Immensity,” a new musical created by theater company The Civilians that is currently playing at the Public, is filled with long words and complicated concepts that can easily leave an audience feeling swamped with information about climate change, activism and the future of the earth. “Immensity” tells the story of a nature videographer, Karl, who is forced to face the real-

Is there a distinction between pop and rock anymore? From a strictly stylistic perspective, rock is perhaps rawer, less glossy and more abrasive. There is a degree of accessibility to rock and roll because musicians do not need a studio to create it, and instead they rely on simply a guitar, a bass, a drum set and amplifiers. Often, rock proves more memorable than pop, even when it is bad. 1979’s “My Sharona” is almost universally recognized, yet many contemporary listeners do not know Robin Scott’s “Pop Muzik,” another No.1 hit from the same year. Something

By DYLAN JARRETT

Clinton merges religion, academia

To Jo Becker, labor rights should be considered human rights and fought for with equal zeal. Becker, advocacy director of the Children’s Rights Division of Human Rights Watch, was joined by Gallatin professor Vasuki Nesiah and English doctoral student Chinnie Ding at NYU to discuss the relationship between labor and human rights on April 21 as a part of “Labor Rights as Human Rights.” Becker spoke about her organization’s current efforts to work with tobacco companies to ensure that children are not working in dangerous conditions on tobacco plantations. “She is a leader in the field,” Nesiah said. “She has been influential in terms of actually shaping international human rights law, initially through the Child Soldiers Convention and now through the Domestic Workers

ity of the changing climate when confronted by Julie and her group of teenage UN ambassadors who want to save the world. When Karl disappears, his wife Phyllis chases him from Panama to Canada in an attempt to figure out where he is and what he is doing. Along the way, the audience is presented with some smart, socially conscious musical interludes on topics such as the history of the UN Climate Summit and the process by which animals go extinct. The production, written and directed by Steven Cosson, feels neither wholly complete

IMMENSITY continued on PG. 5

By CHRIS FELDSINE

about the “My Sharona” compels listeners to return to it, making it unforgettable. If memorability is a crucial characteristic of rock music, then Neon Trees is definitely not a rock band. The group’s latest record, “Pop Psychology,” is more or less a throwaway, consisting almost entirely of filler that strives to be substantial but is not. The stellar production on the album makes “Pop Psychology” seem more substantial than it actually is. Still, the instruments all blend with each other beautifully. It is therefore difficult

NEON continued on PG. 5


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