NYU’s Daily Student Newspaper
washington square news Vol. 40, No. 44
TUESDAY, April 10, 2012
nyunews.com
NYC ranked leading global city
Couture runway seeks to end AIDS
By Kristine Itliong
By Maximilíano Durón Under dimmed yet focused lighting, rows of chairs dressed with sleek trapezoid gift bags lined a raised runway in the Rosenthal Pavilion on the 10th floor of the Kimmel Center for University Life. Though New York Fashion Week ended in late February, NYU’s Fashion Business Association hosted its annual fashion show last night. “We chose the name Chaos From Couture because our theme is post-apocalyptic, considering that it’s 2012 and everyone’s always talking about how the world’s going to come to end,” said Radhika Tiwari, co-president of FBA and a Stern senior. The night’s show featured seven different designers: FIT knitwear specialist Quinn Zhu, Stern
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RACHEL KAPLAN/WSN
Over one hundred students gathered last night to enjoy Fashion Business Association’s runway show.
NYU students can continue to be assured that they live in the best city in the world. Management consultant group A.T. Kearney and the Chicago Council on Global Affairs released a joint study revealing that New York is the ranked as the number one leading global city in 2012. In light of the steady expansion of globalization, the study assessed impacts of each city’s business activity, information exchange and political engagement, among other factors. A panel of corporate executives and academic advisors determined the final rankings. The reports, the Global Cities Index and Emerging Cities Outlook, have been released every two years since 2008. Now in their third cycle, the two reports analyzed 66
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‘The Cabin in the Woods’ turns horror genre on its head By Clio McConnell
COURTESY OF LIONSGATE
“Cabin” humorously turns its characters into horror film stereotypes.
As soon as the opening credits of “The Cabin in the Woods” roll, presenting a montage of illustrated torture scenes from mythology, audiences become aware that this is not their usual horror flim. Writers Joss Whedon and Drew Goddard developed the fright flick into a truly rare film. Whedon is revered for his quirky screen projects. He is the mastermind behind cult television favorites like “Buffy the Vampire Slayer” and “Firefly” and has a notorious penchant for turning a genre completely inside out. Goddard has worked with Whedon on “Buffy” and has written for several J.J. Abrams projects including “Cloverfield” and “Lost.” This experienced writing duo has produced another cult classic with “Cabin,” a horror film that starts out predictably and quickly snowballs into something far beyond the grasp of its characters — but not of its audience. Five college friends head off for a weekend of fun in the
woods, planning to stay at an isolated cabin. The plot proceeds in a familiar fashion until it becomes clear that the kids are being watched and controlled. Richard Jenkins and Bradley Whitford sit in their office, a refreshingly low-tech set-up, pulling strings so that their charges will make the right moves. In a particularly Whedon-esque stroke of genius, part of the puppet masters’ duty is to force the vacationers into the kind of stereotypical character roles familiar in horror-thrillers. Kristen Connolly plays Dana, the seemingly doe-eyed virgin, who has in fact had sex. Chris Hemsworth is the brainy and brawny Curt, dumbed down to be the group’s athlete. Fran Kranz’s Marty is the paranoid stoner who is turned into nothing more than a fool. Rounding out the bunch are Jesse Williams as the academic Holden and Anna Hutchison as the promiscuous Jules. Of the five actors, only Kranz stands out. He, alongside Jenkins and Whitford, delivers
smart humor while Connolly is unfortunately flat when she ought to be the most sympathetic. At one point, a control-room operator remarks, “I’m actually rooting for this girl. She’s got so much heart,” but that empathy does not reach the audience. Thankfully, the writing is strong enough that Dana goes by relatively unnoticed. The titular cabin comes complete with creepy two-way mirrors and an ominous basement replete with eerie heirlooms. The exploration of the house is interspersed with clips of the control room, which Jenkins and Whitford treat as a thoroughly boring office space to hilarious effect. Whedon and Goddard expertly add doses of comedy to the scarier imagery, and the whole movie provides an indepth look at the genre. At once mocking horror movies and analyzing them, “Cabin” is a perfect combination of sarcasm, wit and scares. Clio McConnell is books and theater editor. Email her at cmcconnell@nyunews.com.