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NYU’s Daily Student Newspaper

WASHINGTON SQUARE NEWS Vol. 41, No. 15

TUESDAY, FEBRUARY 26, 2013

nyunews.com

MTA to increase fare, lower waste By VERONICA CARCHEDI

Questlove explores meaning, musical ingenuity of classic artists A new class taught by The Roots drummer and Henry Weinger brings classic music back into the classroom.

STORY ON PAGE 3 JON PACKLES FOR WSN

WSN ON THE WEB: REFLECTING ON PROFESSOR VÁZQUEZ: Great mentors can have an indelible impact on our lives. In the wake of the passing of LSP professor José Vázquez, one of his former students, alumnus Eli Epstein, reflects on the intimate connection he shared with the late professor.

OSCAR-NOMINATED FOREIGN FILM IS A TRAGIC STORY: Capturing a sense of tragedy and longing, “War Witch” is a magical film that can be difficult to watch. COURTESY OF ITEM 7

Starting March 3, subway users may think twice about tossing their old MetroCards. The Metropolitan Transit Authority has announced several new policies for the price and purchase of MetroCards. In addition to a 25-cent fare hike, which will make single rides cost $2.50, the MTA will charge $1 for each new MetroCard purchased. Despite being called a financial nuisance to users who do not normally save MetroCards, the policy may have some environmental benefits, according to the MTA. “We produce almost 160 million MetroCards each year at an annual cost of nearly $10 million,” MTA Interim Executive Director Thomas F. Prendergast said in a press release. “Many of the cards often end up as litter ... so by refilling your MetroCard, you’ll reduce expenses and help the environment.” The new policy is part of a budget proposal to respond to

MTA continued on PG. 3

Radiohead and Flea bring unique styles together on ‘AMOK’ By PATRICK JAOJOCO

It has been said that Radiohead frontman Thom Yorke can do no wrong, which makes it unsurprising that his side project Atoms for Peace’s new album, “AMOK,” is transcendent. The project has been labeled a supergroup, and with good reason — Atoms for Peace consists of bassist Flea (Red Hot Chili Peppers), producer Nigel Godrich (Radiohead), drummer Joey Waronker (R.E.M.) and Brazilian percussionist Mauro Refosco. The band has done its best to remain somewhat mysterious — they played as a surprise guest performer at Coachella 2010 — but finally ardent followers have something tangible to hold and love. That something happens to be an impressive feat. “AMOK” takes the sounds from Yorke’s solo effort “The Eraser” and recent Radiohead releases like “Super-

collider” and “The Butcher” to a more frenzied level, unabashedly drawing from each member’s myriad of influences. The mesh of full-bodied synthesizers, busy drums, funk-inspired bass riffs and Yorke’s meandering vocals form something unlike anything in music today. But the album is still an easy listen thanks to each track’s danceability. “Default” begins with a synth melody that wouldn’t be out of place on a Kanye West track, and “Dropped” holds a throbbing pop beat throughout, with energetic synths and Flea’s rock bassline backing Yorke’s vocals. A grooving bassline introduces “Judge, Jury, Executioner,” and “Ingenue” moves with a funk beat that chugs along with a multitude of melodies and sounds. Herein lies the album’s genius — the supergroup manages to take classic pop songwriting basics to an entirely new level, experimenting with percussion,

synthesized melodies and odd time signatures. These are all elements of Yorke’s previous musical ventures, but with Atoms for Peace, the presence of prominent musicians allows for masterful experimentation. The band has been able to lend each track meticulous attention to detail, not only layering instrumentation, but also tweaking and adjusting several sounds to fit together perfectly. Every second of “Ingenue” seems precisely placed and monitored, with synthetic sounds traveling from high to low to otherworldly. In “Dropped,” we hear produced beats mix and blend with Waronker’s live drumming, and bumbling synths subtly giveaway into Flea’s funk rock bassline, backing precisely placed shakers and güiros. Yorke’s ethereal vocal melodies and an overall chaotic feel balance out the beats and synths. These elements

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combine to provide the entire album with an expertly crafted dynamic. Patrick Jaojoco is a staff writer. Email him at music@nyunews.com.


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