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NYU’s Daily Student Newspaper

WASHINGTON SQUARE NEWS Vol. 42, No. 2

WEDNESDAY, JANUARY 29, 2014

nyunews.com

Bronfman legacy honored at memorial

INSIDE THIS ISSUE

Shapewear puts wearers in bad shape High heels bend your feet out of shape. Spanx can crush your organs. To what end? Is the perfect look for your exterior worth the pain of a damaged interior? PG. 4 FELIPE DE LA HOZ/WSN

Kenyatta delays justice in international court

By: LARSON BINZER

Our opinion editor argues that two key witnesses have dropped out of the trial of the Kenyan president Uhuru Kenyatta in the ICC due to intimidation from the president. In response, the court has put the trial on hold on his behalf. PG. 7 ON NYUNEWS.COM

Seahawks and Broncos face off in Super Bowl

VIA FLICR.COM

Two great teams of different skillsets are set against each other in this year’s big game. Can Seattle’s Richard Sherman hold off the Bronco’s offense? Denver’s Peyton Manning crack the Hawk’s defensive line?

“Gimme Shelter” falters as a star vehicle Vanessa Hudgens of “High School Musical” fame is hoping to get her post-teen diva career started. Unfortunately, it’s not starting any time soon with the bland and forgettable “Gimme Shelter.”

FELIPE DE LA HOZ/WSN

Bloomberg’s e-cigarette ban gets mixed reviews from NYU community Michael Bloomberg signed a law that bans e-cigarettes in various places throughout the city, citing longterm health implications. But students and professors have differing opinions on the ban.

A memorial service to honor Edgar M. Bronfman was held on Jan. 28 in Avery Fisher Hall at Lincoln Center. Bronfman was president of the Samuel Bronfman Foundation and a supporter of many Jewish foundations including Hillel, Bronfman Youth Fellowships and MyJewishLearning, Inc. He also expanded the Seagram Company, of which he was chairman, into the World Jewish Congress. He hoped to foster Jewish educational and social programs to promote a “Jewish Renaissance,” according to the New York Times obituary. The memorial service included musical performances, an invocation, a closing by several Rabbis and a celebration speech by former Secretary of State Hillary Clinton. Clinton had worked with Bronfman over the last several decades and was present

MEMORIAL continued on PG. 3

STORY ON PAGE 3

Dum Dum Girls showcase sleeker sound on latest album By MATTHEW MAHONEY

Dum Dum Girls are Dee Dee Penny’s band. Though there are several members of the group — Jules, Sandy and Malia are the three backing members — it is essentially Penny’s solo project. She writes the material and is the only band member on the cover of their latest album, “Too True.” Produced by Richard Gottehrer and the Raveonette’s Sune Rose Wagner, the album plucks sonic elements from the ’60s and ’80s. Compared to previous releases, “Too True” is cooler and sleeker. Upon first listening to the album, many of the tracks may seem quite similar due to the unchanging and ever-present drumming. But a second listen reveals the subtleties of the lyrics and melodies. Penny’s voice is more polished than on previous releases, and the hooks on “Too True” are just as catchy. “Rimbaud Eyes” and “Lost Boys and Girls Club,” the two songs that were released in advance of “Too True’s” Jan. 28 release on Sub

Pop Records, are infectious. “Too True” starts with the confidently smooth trio “Cult of Love,” “Evil Blooms” and “Rimbaud Eyes.” Then the album calms a bit for three plaintive, slower tracks. The Girls later regain their strength and speed through “Lost Boys and Girls Club.” The album closes on a high note with “Trouble Is My Name,” which seems much lighter than the rest of the album because the percussion only comes in part way through the song. The standout songs from this latest album are darker than in the band’s previous work, such as 2011’s warmer “Only In Dreams.” Anyone who has been following the band’s releases should not be surprised by this evolution — the first Dum Dum Girls release, a self-titled EP put out in 2008 by Zoo Records, featured gritty guitars and hazy vocals. In the song “Longhair” (from the debut EP), it is quite difficult to even discern what words Penny is singing. Six years later, the sound is much more refined, but there is still some of that hazy grit Dum Dum Girls debuted with.

Essentially, as the band matured, they gained access to better recording equipment, which is partly the cause of their sound’s evolution. The sound has evolved thanks to the band’s maturity. In 2008, Dum Dum Girls were Penny’s bedroom project, and she managed most of the work on her

own. Now there are several members of the band, which also has caused the shift. Dum Dum Girls are playing three dates in New York over the next few months, including a sold-out show at Mercury Lounge on Jan. 30. They return in late March to play the Bowery Ballroom (March 25) and Music

Hall of Williamsburg (March 26). Matthew Mahoney is a contributing writer. Email him at music@nyunews.com.

VIA FACEBOOK.COM COURTESY OF SUBPOP RECORDS

Dum Dum Girls show off more mature vocals in new album.

Penny belts out songs known for their hazy vibe.


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