South Asian Feminism(s) Alliance Spring 2023 Zine

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TheGriefIsNever-Ending butSoIstheLove
ColumbiaSouthAsian Feminism(s)Alliance Spring2023Zine
SAFA

editor's note

Inthemidstofseeminglyrelentlessgriefandviolenceinour worldtoday,it’shardtofindsolaceandpeaceofmind.Howdo wechallengeorovercomesystemsofviolence?Howisviolence exacerbatedbytheintricaciesofmarginalizationand intersectionality?Howcanweenactresistancetobrutalities anddiscrimination,atboththemicroandmacrolevels?How canweengageinradicaljoyandloveinthewakeofsomuch pain?

SAFA's2023zine"TheGriefIsNever-EndingbutSoIsthe Love"aimstoprovideaspaceforwritersandartistsacross BarnardandColumbiatochanneltheirfeelingsonthetragedy andinequitypervadingourworldintocreation.Tofindkernels ofagency,joy,andresistanceinthefaceofgriefthroughart andwriting.

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-Armaan,Fatima,Mahdia,Menal,Naira&Nyah (SAFABoard22-23)
Theimagethatinspiredourzinecourtesyof@escuerzoresucitado Tumblr,13Dec2022,https://wwwtumblrcom/escuerzoresucitado/703567740291661824

table of contents

page2 editor'snote

page5 multimediacollage,FatimaMinhas'23

page6 dasrupayforManto'sSarita., Armaan Bamzai'25

page7—watercoloronpaper,NairaJ.Mirza'23

page8—alias,NairaJ.Mirza'23

page9—inkstampsonpaper,ChlöeBerlin'24

page10—mymotherhoped,NyahAhmad'24

page11 CreationMyth,gloss

page12 MangroveForest/ThePlaceIWantto

Escapeto,KetakiUmaKrishnan'23

page13 ReturntomebyHabbaKhatoon,trans. ArmaanBamzai'25

page15 watercoloronpaper,NairaJ.Mirza'23

page16 landofthepure,FatimaMinhas'23

page18—acryliconcanvas,NairaJ.Mirza'23

page19—ihopethehoneybeesmakeithometonight, MenalSiddiqui'24

page21—multimediacollage,MenalSiddiqui'24

page22—TheWrongThing,JaneMcBride'23

page23 BittersweetFlowers,NishatAkhtar'23

page24 TheGreatWar,gloss

page28 oilpastelonpaper,gloss

page29 multimediacollege,SunayaMueller'26

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page30 TheYearFellowshipComesOut,Jane McBride'23

page31 multimediacollage,ArmaanBamzai'25

page32 thegriefisneverendingbutsoisthe

loveeeeee:aseriesofpseudopublicdiaryentries,Nyah Ahmad'24

page36—somewherebetweenhereandthere, photography,AllisonAzuaraSalas'24

page38 watercoloronpaper,NairaJ.Mirza'23

page39 acknowledgements

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table of contents
FatimaMinhas [multimediacollage] 5

dasrupay forManto'sSarita.

azipperpurredopen

twochestlidsclanged twinly.themotheremptied, andintoit,adeck,athumbprint akiss,ahalf,ascratch,aplea.

Sarita,thebowlofherbottomjaw

astiffintention

astranger’shandreviving herbatteredhem

inthegarden,Mayunspooling andbedsbedsbedsbeds

bathroomsbrickwalls

thedrippingcarwindow

awhitemoonfacebehindit theexhaustmurmurs

asyllableasong.

themotherhandledthewheel, andthedaughter:cargo

hergirl’supturnedbodyshaken andtumbling herransackedremains.

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NairaJ.Mirza [watercoloronpaper] 7

whenistareattheblankpage iamreminded ofstandingontheverandah,the airpungentwithwhiterose butthisisalie

rather,iamweavingstories likecherrystemswithmytongue thesaccharinepulpburstingforth andstainingmered,only stemshavenoflesh

pleaseforgivethisfiction itisonlythedutyofthepoet

ithinkmyselfScheherazade

andtheniremember thecolonialharem, theanguishofthephotographer facingadarkcloud–asubject whoseeswithoutbeingseen andithink

thispageismyveil andfrombehindthegossamer, youcannotseemyexpressionfalter asiplacateyou

alias
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ChlöeBerlin [inkstampsonpaper] 9
NyahAhmad mymotherhoped [multimediacollage] 10

CreationMyth gloss

ioftenforgetwe’renotthefirst/thatcreationexistedbefore us/beforeourhandsmetforthefirsttime/therewasanother us/picturethem/sittingbytheravi/picturethem/carefully braidingoneanother’shair/perhapstheytoo/thoughtthey werethefirst/perhapstheytoo/trembledintrepidation/in exhilaration/looknow/shepeelsbacktheskinofanorange/ andplacesasliceinhermouth/dowenot/dothesame?/are wenotall/justrepeatinghistory/watchhowshetakesher hand/watchthekissshepressestoherknuckles/watchasshe turnscarmine/bloodrushingtohercheeks/theylooklikeus/ andiremember/wearenotthefirst/andwewillnotbethe last

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KetakiUmaKrishnan MangroveForest/ThePlaceIWanttoEscapeto [inkpenonpaper] 12

ArmaanBamzai

Enraged,enraged,goneaway.

Comeback,floweredlover,you’vegoneaway.

“Come,let’sreapdandelionleaves.”

Noonecanundodestiny.

Peoplenowspeakillofme, Returntome,floweredlover. “Come,let’shuntfortulsileaves.”

Youraxeslitmyheartininjury.

Youdidn’tcarewhatbecameofme, Returntome,floweredlover.

“Come,let’splucksweet-scentedblooms.”

Deadmenneverreturnfromtheirtombs, Iwonderwhatyou’llbringhomewithyou. Returntome,floweredlover.

“Come,let’sstopbytheriver.”

Whilethedreamycosmosslumbers, Iwaitforyoutoanswer.

Returntome,floweredlover.

“Returntome"byHabbaKhatoon (originalversionastoldbymygrandmother,inKashmiri)
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“Come,let’sroamtheheavywoods.”

Yourearsarespoiledwiththeirfalsehoods; Youbelievethem,likeanyfoolwould.

Returntome,floweredlover.

Comehome,shedyourupsettemper, YouaretheonlyoneIdesire.

Afterall,theworldisnotforever.

Returntome,floweredlover.

Themorningsuncourtsthefleetingmoon, Destinycastsafoggygloom.

WeareguidedbythesesignsfromHabbaKhatoon.

Returntome,floweredlover.

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NairaJ.Mirza [watercoloronpaper] 15

wheniintroducemyselftothem,icannothelpbutannouncemyself asanAhmadiMuslim,justtoseeiftheywillshudderatthethought ofthosetwowords,AhmadiandMuslim,beingputtogetherina sentence.itisalitmustest,isuppose,formetofindoutwhetheror nottheyseemeasanapostate.

letmeexplain.iamconsideredahereticinthecountryofmy origin.thoughiamaMuslim,theIslamicRepublicofPakistan refusestoseemeassuch.since1974,Ahmadishavebeenconsidered non-MuslimsbythegovernmentofPakistan,aswrittenintothe secondamendmentofitsconstitution.

allofthefalseallegations,thedeliberatemisunderstandings–they aretoomuch.it’salltoomuch.i’mtiredofhavingtoprovemy sincereloveandrespectfortheProphetMuhammad(peacebe uponhim).i’mtiredofexplainingit.whattrulymattersisthis:i knowwhatiam.iamMuslimandiamAhmadi.iamanAhmadi Muslim. butthat’snotwhattheycallus.tothem,weareQadianis,or Mirzais.thesearetheslurstheyuseforusinplaceofourchosen name,whichisanodetoourbelovedHolyProphetMuhammad (peacebeuponhim)andhisalternatename,Ahmad.instead,they spewoutthesederogatoryterms,whichrefertoourdearfounder, HazratMirzaGhulamAhmad(mayAllahbepleasedwithhim)and hishometownofQadian,India.theseslursarenotonlyusedby radicalMullahs,butalsoordinaryPakistaniswhosimplydon’t knowanybetter.

landofthepure
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FatimaMinhas

isn’titbizarre?ifeelilljustthinkingaboutit,butthat’sthething

ionlyhavetothinkaboutit.idon’thavetolivewithit,likemy fatherdid,likemymotherdid,likemygrandparents,cousins,aunts andunclesstilldo.myparentscametotheUnitedStatesbeforei wasborn,seekingrefugefromreligiouspersecutionintheirhome country.

myparentssavedmefromthattorment,andso,icannotimagine whatitwaslike.

icannotimaginewhatitwasliketobefloggedbyateacherinthe thirdgrade,simplyforthecrimeofbeingAhmadi.icannotimagine whatisliketobebarredfromvotinginmyhomecountry.icannot imaginewhatitisliketowakeuptonewsofanotherarrest,another murder,anotherdestructionofanAhmadimasjid.icannotimagine whatitwasliketohavemychildhoodhomedesecrated,theKalima beinghackedoffofit.icannotimaginewhatitisliketohaveknown peoplewhowereshotandkilledforhavingthe‘wrong’beliefs.

icannotimaginegoingthroughallthatandnotbecoming disillusioned.

thelandofthepuredoesnotincludemypeopleinitsvision.yet somehow,despiteallofthispain,theyremainhopeful.

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NairaJ.Mirza [acryliconcanvas] 18

ihopethehoneybeesmakeithometonight MenalSiddiqui

IlostmyNano’sringseveralweeksago Afterwearingitforseven straightyears,Ilostit.Itis(correctionwas)mymostprizedpossession. Duetothelossofit,Ihavebeenthinkingaboutmygrandmaalmost daily,butitdidn’tstartthere.Forwhateverreason,IfeellikeIhavereenteredtheprocessofgrievingher Ifeelherwithmeconstantly,andfor whateverreason,sheiswhatoccupiesmostofmythoughts.Sheisforever thepersonIthinkIwillmissthemost.Mylifeessentiallycompletely tiltedonitsaxisafterherdeath,plummetingmeintoprobablytheworst fiveyearsofmylife.ButwhenIcameouttheotherside,IrealizedIwas solostinmyselfforsomanyyearsthatIcouldn’trevelinthejoyfulpart ofgrief.It’snodoubtthatIhurt,butIdidnotletmyselfsitwiththe memoryofher.Ididnotmullthroughyearsofmemories.Ithinknow thatIamolder,Icanfinallybegratefulforeverythingthatshegaveme. Thememoriesusedtohurt,morethananything,thatIalmostdidn’t wantthem.Butnow,IcanfinallyfeelsuchareliefthatIgottohaveher foraslongasIdid.WhenIlookinthemirror,IpickmyselfapartuntilI canfindher.AndIsmile.

It’sbeenalmostayearsinceoneofmybestfriendslosthermother,and wheneverIprayIalwaysthinkofthetwoofthem.Ionlymethermother inpersononce,andverybriefly,butshealwaysheldatenderplaceinmy heart.Icannotimaginelosingasoullikethatasamother,asIcould hardlybearitasafriend.Mybestfriend,thus,hasbecomeoneofthe strongestpeopleIknow.Sheistheexactimageofhermother.Inher grief,Ifoundmyselfquestioningwhatdoesonedowhentheyaretheone leftbehind?Theysaydeathdoesnothappentoyou,buttothoseleft standingatyourfuneral.Intheabsenceoftheoneswelove,wheredoesall thelovewehaveforthemgo?Wheredoweputit?Howdowelearnto putitdown?Griefisasymptomofthehumancondition.Toliveisto lose.Wemustallexperienceloss,andhowdoanyofusdealwithit?

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Nomatterhowmuchwelovethepeoplearoundus,itwillneverbe enough.Thisisn’tmebeingnihilisticandsayingthatthereisnopointin love,orthatloveisuseless Instead,Isaythatnomatterhowmuchwe lovethepeoplearounduswewillstillneverbeabletogivethemallthe lovewehaveforthem.Somelovejustcan’tbegiven.Somelovejustsits withusforourwholelives,instead.AndIdon’tthinkthat’sabadthing!I don’tthinkthat’sabadthingatallandinfact,Ithinkit’skindofsortof beautiful.Wecannevergivethepeoplearoundusallthelovewehavefor thembecauseonedaytheywillbegone,buttheloveforthemneverwill be.IwillneverbeabletotellmynanohowmuchIloveher,rightnow,at twentyyearsold.Shewillneverbeabletotellmehowmuchshelovesme, asIam,attwentyyearsold.Butthatisn’tabadthing,itis,asAndrew Garfieldsays,justthenatureoflove.

Toanyonewhoisgrievingorhasevergrievedbefore(astheprocessis neverreallytrulyover),Iamsendingyousomuchlove.Yourlovemaybe never-ending,butyourpainisnot.Oneday,eventually,thewaveofgrief youfeelinthemorningwillnolongerdrownyou Eventually,youwill feeltheslighttouchofdewdrops.Thestormwillpass,andwhenit’s done,youcansitwithyourghosts.Theywillholdyourhandandkissyour forehead.Theymissyoujustasmuchasyoumissthem.Ithinkthisgrief willstaywithmefortherestofmylife,andIusedtobesoterrifiedof that.ItusedtoterrifymethatIwouldhavetocarrythisforever.But that’slove,isn’tit?Toloveistoopenoneselfuptopain,toacceptthatthe personholdingyourheartcanhurtyou.Thehurtwillalwayscome becausesomeonewillalwayshavetoleavefirst.

Death,however,isalwaysthemostpainfuldepartureofall.Butthen again,“Whatisgrief,ifnotlovepersevering?”

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MenalSiddiqui [multimediacollage] 21

TheWrongThing

Inthebadyear,Igotsick

Ofthesoundofyourknockatmydoor.

Yourhesitationonthethreshold, Sosureyourwordswereworthless, Butdeterminedtobewithmeanyway.

Iwouldthink,Justgiveup.

Spareusboththestrainand

Leavemetolickmywoundsinprivate.

Succumbtothecursethatmakes

Applesunrecognizabletotrees

Andchickensstrangerstoeggs.

Thenagain,Ispentalongtimetalking

ToaFatherwhorepliedsorarely, Andthenonlyindouble-knottedriddles. Henevermadeamistakewithme.

Neverinterruptedormisunderstood Orsaltedacuthemeanttosoothe.

Theperfectparent,Ihavelearned, Istheonewhoisn’tthere.

Pleaseknockonmydooronemoretime. Pleasesaythewrongthingagain. Don’tleavemealoneinthesilence.

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BittersweetFlowers [acrylicpaintoncanvas]

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NishatAkhtar

TheGreatWar gloss

Myhistorystartswithawar.Asallthingsdo,itstartswithawar.It’snotsafe anymore,soweleave.It’ssimple,isn’tit?Topackupawholehistory,awhole life,intoonesuitcase,onesack,onebag,andleave?Myhistorystartswithawar, anditwillprobablyendwithonetoo.It’smyfather’swar,though.Oratleast,his mother’s.Mymother’swarisn’tevenherownwar.It’shermother’smother’s war.It’sawarthatIcannotputintowords.It’sawarthatisstillhere,threequartersofacenturylater.It’sawarIwasborninto,andawarIwilldiewith.It’s awarthatwedon’tspeakabout,awarthatIfeelsofarawayfrom Sometimes,I don’tevenknowifIcancallitmine Idon’tcaresomuchaboutownership anymore

Myfather’swaristhisone.SirCyrilRadcliffe’shandsshakeashesplitsa countryintotwo.HindustanisnowIndiaandPakistan.Hewipesthesweatfrom hisbrowasheripsthemapapart,carefullyandcarelessly Hiseyeshadnevermet thislandbefore.Unbiased,theBritishcalledhim.No,notunbiased,but uneducated.Unknowing.Unaware.Howcanyousplitthatwhichyoudonot know?Butitgoeslikethis:wecannotstayononesideofaborderdrawnbya whitemananymore,sowecrosstotheotherside Thetrainsarehotand cramped,fulloffearandtrembling.Weholdontotherailings.Wecan’trisk falling.ThedescendantsofAbuBakrR.A.wereforcedintoatoo-fulltraintogo toalandwehadneverseenbefore Totrytocallithome Myfather’swaristhis one.Howdoyoulearntocallaplaceyouhaveneverseenbeforehome?

Everyfamilyhastheirpartitionstory.Everysingleone.

Butmyfatherisnotstreakedwithtragedy.Hedoesnotgetangry.Hedoesnot raisehisvoice.Hehassofthands,andhealwayskissesmeontheforehead.Heis soft,ineverysense,despitethehorrors Hepraysfivetimesadayandis constantlyonhiskneesforGod.Hepraysforhisfather,andwhenheisgone,I willprayforhim.Iwoulddoanythingformyfather.IturntoGodbecauseofmy father.Formyfather.MyfatheriseverythingIwishIcouldbe.Unwavering. Unshakable Hestandstall,likeatree,andIwonderwhatitmustbeliketonever beunsureofyourself.Myfatherknowshisnamewell.Ihavetowhispermyname undermybreathtentimesadaysoIdon’tforgetit.

It’smineenough
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Mymother’swaristhis.Well,mymother’swarismany.

Mymother’swaristhis ItistheeveningofApril3rd,1979 Herfatherdrives herthroughacityasitburns,andshesmilesinglee.Shedoesnotknowthat,in themorning,theformerprimeministerwillbehung.Hesitsinhisjailcell, writingtohisdaughter.Mygrandfatherswitchesoutthelicenseplate.Hefears whatthepeoplewilldotohim,andtohisgirls,knowingthatheisagovernment worker.Theyaretheonlythingthathecaresaboutrightnow nothisposition, hisjob,orthemanwhousedtocallhimselfprimeminister.No,noneofthat matters,becausetheyarenothisgirls Mymotherwatchesthepeopleburnthe townstotheground,watchestheskyfillwithfire.Thedriver'shandsgripthe wheelsohardthathisknucklesturnwhite.

Mymother’swaristhis Oneland,threepeople It’sawarthathasplayedout timeandtimeagain.Youdon’tneedmetotellyouaboutthiswar.You’re readingthispaper,holdingitinyourhands,soyoushouldknowitalready.It’sa warIcan’tseebehindmyeyeswhenIclosethem It’sawarI’mnotsureIcanlay myhandson,soIonlywhisperittomyselfinthedark.Icheckunderthebed beforeIsayit,makingsurenomonsterhidestheretohearmyconfessions.Then Iwhispertomyselfaboutthewar.Threecountries.Oneland.Octoberof1946. NotIndia NotPakistan Notyours Notmine Definitelynotmine Butnot yourseither.

Ifeellikeafraudthesedays Ifeellikeafraudmostdays Ifeelstupidtelling thisstory.Idon’tknowthisstorywellenough.Let’stellanotherone.Letmetry again.Letmestartover.

Mywaristhis Itakeaclassonthepartitionandtrytolearnwhathasbeen stolenawayfromme.Idon’tunderstandwhyI’vealwaysfeltsocheated.Idon’t knowifI’mevensupposedtofeelcheated.ItakeaseminaronKashmirandtalk aboutmygrandmother Everyoneinmyclasswhisperstoeachotherintoofast PunjabiandUrdu,whichIcannotunderstand.Ismileatthem,bearingtheawful teethmymothergaveme.Ithinkaboutthewaymyprofessormustgrimace whenheseesmynameontherosterlikehemustknow,somehow,thatI’mnot liketherest Ithinkaboutthewayeveryoneinthatclass,mustknow,thatdeep down,Idon’tbelongthere.Ifeellikeafraud.Idropoutoftheclassandenrollin ShakespeareIIinstead.Ibreatheeasieratnight,evenifIamafraud.

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Mywaristhis.IbookaflighttoSrinagar.Myfathercannotgothere,my grandfathercannotgothere,mymothercannotgothere,andmygrandmother cannotgothere Iftheycannot,thenIwill TheMughalking,Jehangir,usedto spendsummerdayshere.Oncehesaid,“IfthereisJannahontheearth,thisisit, thisisit,thisisit.”Itakepicturesofthetulipgardensandsendthemtomy grandfather,whohasonlyseentulipsintheNetherlands.IwalkintheMughal gardens,breathinginthesweetscentofjasmineandorangeblossoms Ibooka shikaraonDalLake,andthedriverdoesnotunderstandalickofwhatIsay.We makedoanyways,andwhenIstartcryingatthesightofthesnow-capped mountains,hedoesnotsayanything Backinthehotel,Icallmymother,andshe pretendstonotcryontheothersideofthephone.Shewillneverstepfoothere, soIdomybesttoshowherwithmywords.IdescribeeverylastinchofHazratbal Masjiduntilmymothertellsmeitislate,andIshouldgotobed.Ismile,andtell herokay,beforegoingtobed

Mywaristhis.Idon’ttakeanymoreMESAASclasses.ItakeNewMillenial Fiction,TheArtoftheEssay,WomenofColorinSpeculativeFiction, PsychologyStatistics,WorldLiteratureRevisited,andeveryotherstupidclassI cangetmyhandson.Idon’ttakeclassesonPakistanorIndiaorwhateverthe fuckthey’recalled.WhenIdreamatnight,IseeMuhammadAliJinnah,abottle inhishand,sittingbythefire Anewcountryhasjustbeenborn,andhedoesn’t knowwhattodowithit.Hetakesaswigofthebottlebeforeburyinghisfacein hishands.Hedoesnotknowwhathehasdone.Heisscared,andwhenIwakeup, coveredinsweatandgaspingforair,IunderstandthatfearbetterthanI understandanything.

Mywaristhis.Myroommateasksmewhat’sbeenbotheringmesomuchandI justshrug Idon’tknow Ireallydon’tknow ItellherIthinkI’mbeingpossessed bytheghostofalong-deadalcoholicfounderofPakistan.Shelaughs,awkwardly. HerlastnameisSmith.SheisfromConnecticut.Herancestralhomeisthe outletmalloffofI-95

Mywaristhis.Icallmymother,andshedoesn’tpickup.Shesaysshe’stiredof answeringmystupidquestionsaboutPakistan.Iswallowthelumpinmythroat.I sitinmyadvisor’sofficeandshelooksatmydegreeauditwithaconcernedface

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“Thisdoesn’tlookgood.Ithinkyouknowthat,”shesays,allnervous politeness

“IthinkIshouldgohome,”Isay,pickingatmycuticles.Idon’tlookdirectlyat herandstaremoreattheposterbehindheronthewall.VisitMaine!Itsaysin

boldletters It’svintage

“Right.Delaware,right?”sheasks,andIhalf-smileather.Iwanttosayno, that’snottherightone.Thereisnorightone,actually,butthat’stoolongofa storytotryandtellher Ihatethatstory,soIjustnod

“Idon’tthinkthisplaceisforme,”Isay,andfeelthelumpriseinmythroat.“I just,Idon’treallyfeellikeIfitin”

“That’sperfectlyunderstandable,”myadvisorsays,notwantingtomeetmy eyes.She’sneverbeengoodwiththecounselingpartofthejob.Iclosemyeyes andfeellikeI’msixteenagain,recitingthesuicidehotlinenumberbacktothe shittyguidancecounselorfrommyhighschool.Ireciteit,quietly,undermy breath.Sheushersmeoutoftheofficeafterthesetthirtyminutesshe’dputaside forme,sendingmeoffwiththenumbertothecounselingcenter Ithrowitout onthewayoutofthebuilding.Insteadofgoinghome,IwalktoRiversideand smokeahandfulofcigarettes.Iwatchthecouplesandthebabiesandthedogs walkpastmeandwonderwhatitwouldbeliketobethem.Iwonderwhatitwould beliketocarrytheirwarinstead Iwonderifitwouldhurtanyless

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gloss [oilpastelonpaper] 28
SunayaMueller [multimediacollage] 29

TheYearFellowshipComesOut

TheyearFellowshipcomesout, sodoI.Wetandpinkandfive hourslate,alreadyunimpressed withthepaceofthings.Mydad takesmetoseeitintheaters andIsleeptheentiretime.Nineteenyearsfromnow,Iwillwatch thesemoviesagain,freshoffa secondembryonicjourney,thisone asunexpectedasthefirst.Then, Iwilldespisethegoodfolkofthe Shire:theirlackofgratitude,their happyignorance.Hatefully,Iwill think,howcouldyoueverreturn?

Worse,youshouldhaveletthem burn.Twoyearsafterthat,Iwill bebackintheShiremyself,loadingthedishwasherlikeallpeaceful peopledo.Whatisthedifference betweenforgivingandforgetting?

Iwon’tknowforawhileyet.For now,Iamasleeponmydad’schest, ridingtheriseandfallofhisbreath asarmiesclashbeforehim.In and out.In—andout.

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ArmaanBamzai [multimediacollage] 31

thegriefisneverendingbutsoistheloveeeeee:

aseriesofpseudopublicdiaryentries

preface:

iamnotawriternorwillieverbeone.thisisnotanactivityiwishto pursueprofessionally.ilackknowledgeofthewesterncanonto perfectlyarticulatemyselfinacademicsettings.iusedsparknotesin highschool.iamnotaswellreadasishouldbe.iamnoteven studyinganyformofliteratureincollege.however,idoreadand writefrequently.whatimeanbythatiswheneverican’tunderstand myownthoughts,ichallengemyselftowritethemdownand articulatethehappeningsofmymindinthebestwayiknowhow.i feltineededaplacetodumpallmywritingsratherthankeeping themstoredinadisorganizedfolderonmyipadnotesapp.i physicallyshivereverytimeithinkofthechaoswithinthatfolder.

pseudopublicdiaryentry#1i'mcalling“flowerlike”:

formy20thbirthday,iwasgiftedapinkyringbymyparents.ithad mynamewritteninurdu(ﮧﯾﺎﻧ)andlookedsoelegantasmyname huggedthechunkybaseofmyleftpinkyfinger.iaskedbabahowhe knewmyringsizesinceiusuallyhaveahardtimefindingringsthat fitmyoddlyshapedfingers.hesaid“youhavemymother’sfingers. soijustknew”.whilethatwasnotthefirsttimeihadthatrealization, ithoughtinthatmomenthowmuchiremindedmyfamilyofmy dadi(paternalgrandmother).andhowmuchtheysawherinme.and howiamanextensionofnotonlyherappearance,butherthoughts, herfaults,herdreams,hersolitude.ifindcomfortknowingthati’m notcrazybecauseiamlikemydadi.iamofherverynaturethat madeherlovedbysomany.ititledthispiece“flowerlike”.dado’s namewasgulrukh.itmeans“rosefaced”infarsibutinpakistan,it'sa

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NyahAhmad

nametodescribeonewhoseappearanceisthatofaflower,hencethe nameofthispiece:flowerlike.imightchangeitlater.ihaveafeeling “flowerlike”isgoingtoannoymesoon.humdekhenge.

iamdedicatingthistogulrukh.iwishicouldwriteforhersoshe couldreaditrightinfrontofme.shelovedtoread.shelovedtogoto thepubliclibraryandpickoutenglishromancenovelstoreadat homewhenshevisitedfromlahore.inlahore,shelivedalone.here, shelivedwithme.shecontinuestorestwithinme.itendtodwellon thisfeelingbylisteningtosongsthatmakemethinkofher.theyalso makemethinkoftheloveiholdforothers.justlikehowshedid.and howthepainwearebornwithmimicstheloveandcareweholdfor others…whichiswhysooftenwearehurtbytheonesweloveand carefor.

pseudopublicdiaryentry#2i’mcalling“comfortprivately exchanged”:

iwroteapoeminhighschoolwheniwas15.itistothisdayoneof myfavoritepoemsihaveeverwritten.lookingback,somelines soundforcedandsilly,butitmeantalottomeatthetimeiwroteit. itwaswrittenforanassignmentthatitooktooseriouslyformy sophomoreenglishclass.ilatersubmittedthepoemtobepublished inmyschool’sliterarymagazinetwoyearsinarow.itwasrejected bothtimes.theydidn’tunderstandwhatiwasgoingthroughand whatiwasfeelingwheniwrotethatpoem.ihadbeenreckoningwith religiously-fueledguiltforyears.questioningeveryoneand everythingabove,around,andbelowme.somanypeoplewriteabout theirreligioustrauma.butihadnodesiretowriteaboutmytrauma andletothersknowhowiwasfeeling.rather,iwantedthemtoknow whatidesiredtofeel.afterall,icalledthepoem…

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tobeatonce. leapinglightly, sayingthings aprizetoamusemost. helpmewithlaughter toamusetheLordforlight, onetimetodieinthisworld onthatdayatthehighestseat, therewaslaughter comfortprivatelyexchanged andeveryonelistens. joyhadagentlersound; itwouldgowithoutstopping. ittookhisownway andtakesholdandleads andthanksthegreatfavorbestowed. inhonoringandgracingspirit whileilive,ishallbebetter.

pseudopublicdiaryentry#3i’mcalling“instagrammemesdictate mylife”:

iam20yearsold.iamtryingtobebetter.thisyeariwanttobethat girlattheclublookingforgoodconversationandunderstanding(see below)…continuingtomakeconnectionswithpeople.ihavesomuch lovetogiveandmostofthetimeidon’tknowwhereitallgoes. wheretoputit.whogetsit.itdoesnotallbelonginmyheart.my heartistootenderandfatiguedforthat.plusheartdiseaserunsin myfamily.ilivemylifewithcautionbutnotenoughcare.my parentsbredmeassuch.

“dyingforjoy”
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@xanaxbaria.Twitter,23Jan.2023, https://twitter.com/xanaxbaria/status/1617443172896108550.

thereissomuchmoreiyearntosayandshare.butithoughtiwould startsmall,short,andsimple.thankyouforreadingmywords.i knowitalldoesn’tmakesense.andsomeofitisself-explanatory. sendingyouallloveandaprayerthatyoucanexperiencecomfort privatelyexchanged.nowileaveyouwiththis,ahardlessonthati wasforcedtoswallowafterwatching“everythingeverywhereallat once ”.icontinuetolivemylifethisway.oratleasttryto.

from“misconceptionsofus”ontumblr(may28,2022)

iwanttochallengethatfinalphraseof“chasingafterlove”.ireally don’tthinkthatprocessneedstobeongoingandeverlasting.it’s okaytostop.andjustbe.ifindthatsimplyexistingtodayisanactof love.nolongerexistingisaformoflovetoo.it’sjustdifficultfor mostpeopletoseeitthatwayasgrieftakesholdandbecomesan overpoweringforce.afterexperiencingripplesoflossandgriefover thelastyear,irealizedthat“dukhsekhushbuaatihai”…withgrief comesfragrance…justlikegrief,thesweetnessofloveisnever ending.

withloveandgrief…ﮧﯾﺎﻧ 35
36
AllisonAzuaraSalas
somewherebetweenhereandthere" [photography] 37
"
NairaJ.Mirza [watercoloronpaper] 38

acknowledgments

Thankyoutoallthecreatorswhosubmittedtheirart, withoutwhomthisZinewouldnothavebeenpossible.

AndaspecialthankyouaswelltoJennaandClaudiafrom theBarnardZineLibraryforalltheirsupportinthe creationprocess.

frontcoverbyNairaJ.Mirza'23

backcoverbyMahdiaBegum'23

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