INTERIOR DESIGN
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Niklos Toldi Interior Architecture Portfloio Spring 2018
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_01
pg. 4-15
MICRO ECOLOGIES
_02
RESPONSIVE COLLABORATION
pg. 16-27
_03
pg. 28-37
PARASITIC SUSTAINABILITY
_04
pg. 38-41
RECURSIVE AGGRIGATION
CONTENTS 3
MICRO ECOLOGIES
the micro school is a highly individualized classroom envrionment intended to fit the needs of those students who might not fit well in a traditional classroom. the student no longer conforms to the classroom, the classroom conforms to the student. this proposal for a microschool in knoxville, tn is intended to educate children on local ecology including water, soil and atmospheric conditions through use of decomposing moss walls and research planters and pools. this project also focuses on using tile in a non-traditional way while integrating the idea of patterning. therfore the walls seen in the drawings below have a surface tile material. this concept could be repeated in other locations in order to educate others in accordance to their local ecology.
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01 year 03 SPRING 2018 rana abudayyeh
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SU
SU
NS
MM
ET
R
E MME SSUUNRIS
ER
SITE
WIN
SUNR
TER
ISE
ER
NT WSUINSET
TRADITIONAL SCHOOL NONTRADTIONAL SCHOOL
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NAVIGATIONAL MOVEMENT local transit
SOCIAL DECOMPOSITION activity zones
ACTIVITY NODES concept diagram
STATISTICAL NEED data
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TRANVERSE SECTION VIEW
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1
2
3
4
A
-0’6”
-0’6” 0’0” +
0’8”
B
-0’6”
-0’6”
C
DN
1
2
3
4
UP
D
A
-0’6” waterpool break area reception
waterpool -0’6” 0’0” +
0’8”
B classroom
CONTEXT PLAN
-0’6” planter
N
lab area
1’=1/16th”
computer lab
-0’6” planter
C
the pattern on the floor is indicative of the intended tile layout for both the curvalinear walls and the flooring.these two elements share the same 4”x4” tile layout and same grout line spacing to create a smooth transition from floor to wall
DN break area restrooms
office #2
UP office #1 fire stair
D
PLAN
N
1’=1/8th”
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INTERIOR PERSPECTIVE//CLASSROOM area for traditional classroom learning enviornment
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PROCESS:
moss is planted and begins to grow around the truss system and up the tile wall. Because of the durable properties, the tile makes a great surface for the moss to adhear. over time, the moss countinues to spread, eventually the orignal moss will die out and the new moss will countinue to grow. as this process continues, the interior enviornment also continues to change
INTERIOR PERSPECTIVE//COMPUTER LAB
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INTERIOR PERSPECTIVE//LAB pool for ecological studies with adjacent lab areas
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longitudinal section perspective
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02 year 03 FALL
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2017 david matthews
RESPONSIVE COLLABORAtion Annapurna Pictures is a high energy, collaborative film company with big ideas and loads of creativity. Because of this, they are in need of the resources and technology that support their workflow. Attributes such as open enviornments, shoulder to shoulder workflow, spcaes for both work & community and a theatre for showcasing their work, are essential to this process. At around 30,000 sq. ft., this proposal gives them those resources. Inspired by the movement, light and organization of a bioluminescen organsim, the design is meant to not only promote creativity, but be uniquely creative itself. The fluid organic structure, translucency and lighting control, each individually contribute to creating a dynamic enviornment that is not only inspiring, but also responsive to the enviornment in it’s essence.
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SPACES (left)
The workspaces are set up identically on each floor, but have the ability to shift depending on the needs of the employees. The individual offices are extended over the atrium and are divided one on each floor. This is to break down the traditional executive style heiarchy and allow for more collaborative and relaxed interaction between employer and employee.
PROCESS DIAGRAM (right) Image of the form in 2 dimensions before taking it into rhino and creating an occupiable form
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DYNAMIC FACADE The dynamic facde responds relatie to the position of the sun in accordance with the building as well as sound levels of the employees and the adjacent train. This external stimulus will directly effect the lighting condition within the space. In addition, this feature with save energy by controlling heating, cooling and electric lighting costs.
Facade fully closed
The facade creates a distinct and unique sense of movement not only through form, but through Llight and shadows which reflect the movement of the original bioluminescent organsim.
R
E NT
WI
WI
6'
NT
_3
30
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ER
07
00
_4
0'
facade partially open
R ME
4'
_5
30
17
M SU
sun diagrams
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SU
MM
ER
07
00
_9
0'
facade fully open
transverse section perspective
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ORGANIZATION
Due to the nature of the exsisting architecture, the intervention contrasts the grid and adds visual interest to an otherwise bland space. Because the intervention dominates both the exterior and interior perspectives, it is only fitting that it should house the two most essential elements of Annapurna: the community space and large theatre. The intervention cuts through the south east side of the building creating outdoor patios . A four floor atrium has been created to allow the intervention to breathe and live on its own. It also creates an open enviornment in order to promote community.
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View into the atrium
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A
B
C
D
E
F
G
I
H
Floor Plan _01
1 UP
UP
Elevators
Fire Stair
Restrooms
Fire Stair
(right)
Restrooms
2 Entry
Ex. Office Game #1
Game #2
Game #3
Reception
3
Library
3
4
Read. #3
Read. #2 Read. #1
STUDIO SPACES
Impr. Meeting
(below) These spaces house individual and collaborative work enviornments through open concept seating and adjacent testing, prototyping and concept breakout spaces.
Read. #4
Outdoor Patio
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A
B
C
E
D
F
G
I
H
Floor Plan _02
1
Elevators
Fire Stair
Restrooms 2
Marketing Ideation
Restrooms
Decision Making Space
Ex. Office
Impr. Meeting
3 Testing & Empathy #1 Open to Library
Marketing
Open to Below 3
Testing & Empathy #2 4
5
IDEATION SPACE
(right) located on floors four through six, they are intended as a harbor for creativity and shoulder workflow
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(left)
UP
UP
Fire Stair
A
B
C
D
E
F
G
I
H
Floor Plan _03
1
(left)
UP
UP
Elevators
Fire Stair
Concept Dev. #3
Restrooms
Restrooms
Ex. Office
Theatre for 7
Fire Stair
2
3
Concept Dev. #1 Studio Space
3
Concept Dev. #2
Theatre for 40
LU
Open to Library
4
Ideation Space
Outdoor Patio
5
A
B
C
D
E
F
G
I
H
1 UP
UP
Elevator
Fire Stair
Restrooms
2
Impr. Meeting
Fire Stair
Restrooms
Ex. Office
LU
3
3
Concept Dev. #4
Open to 1st
Studio Space Concept Dev. #5 LU
Theatre for 40
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Ideation Space
Floor Plan _04 (right)
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PARASITIC SUSTAINABILITY Designed as an artist in residence, our concept pushes to introduce sustainability on an historically unsustainable site. The ecological impact this site produced through quarrying, as well as the manufactoring of marble, caused chemical and dust pollution. Because of this and residual chemical waste, the site and the surrounding area has fallen into ruin, Our goal is to not only turn the fabric of this building inside out, but to engage the surrounding community of Vestal in a participatary sustainbale enviornment that educates and promotes sustainable living. This is done through several processes implimented troughout the site which consume and destory the historical un-sustainable systems, much like a parasite consumes its host.
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03 year 02 SPRING 2017 lisa mulliken
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SLOPED TRIANGULATED STRUCTURE TO MAXIMIZE RAIN COLLECTION
ALL LIG ARE OLE FOOTPR E
MODEL OF SITE TO EDUCATE GUESTS ON SUSTAINABLE LIVING OPEN AIR-ATRIUM HOUSES PLANTERS & COLLECTS WATER FOR REUSE AND ALLOWS FOR NATURAL VENTILATION
ATRIUM
GREYWATER FILTER
KITCHEN
GREEN ROOF
WATER STORAGE
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CIRCULATION
SPACE ALLOCATION
SUSTAINABILITY
BATHROOM
WATER RECYCLING SYSTEM
SAUNA
GHT FIXTURES EDs TO REDUCE RINT AND SAVE ENERGY ROOF LINED WITH TESLA SOLAR SHINGLES TO PROVIDE RENEWABLE ENERGY TO THE ENTIRE HOME DRAIN FROM FILTER THAT PROVIDES WATER FOR SAUNA COOLING POOL GREEN ROOF CONTAINS GREY WATER RECYCLING FILTER FOR OPEN AIR ATRIUM
COMPOST GARDEN AND BIKE PATH
SAUNA POOL
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GREEN ROOF
OUTDOOR SEATING
KITCHEN/DINING
DOWN
OFFICE
OPEN-AIR ATRIUM LIVING AREA UP
A Acoustical wall made from WOODSKIN to reduce noise between residence and gallery.
SECOND FLOOR
GALLERY
B Open air atrium that acts as both a natural light source and a passive cooling system. GUEST ENTRY
FIRST FLOOR
PRE EXSISTING STRUCTURE
N
longitudinal section
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A. WaterSeer (see concept) B. Bridge to Maker Space C. Outdoor Garden D. Porch/Suana Pool E. Residency F. Front Walkway G. Bike Rental H. Guest Parking/Visitor Center I. Bike Path J. Service Road K. Maker Space L. Outdoor Seating/Ceramic Viewing M. Outdoor Ceramic Work Area
site mape
(above) this map outlines the various sustainable practices taking place within the site
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outdoor rendering
a glipse from the backporch of the resident into the site
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MAKER SPACE
the maker space is located in the back portion of the candora marble site. This space will be available for the artist in residence and other ceramic artists from the local area. Our design, which is a modular structure that can be repeated several times throughout the length of the warehouse, provides each artist with a personalized space that allows for private, semi-private or public working conditions. The system allows for reduced energy consumption and focuses on the concept of a communial work enviornment with the need for individual spaces.
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TOP LEVEL WALKWAY
PULLEY SYSTEM PLAN
TRACK SYSTEM
SECTION
MID-LEVEL WALKWAY
PANELS
interior rendering
MODULAR STRUCTURE
exploded axon
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RECURSIVE AGGREGATION Using a combination of grasshopper and python (two complex real time 3D modeling algorythmic programs, I devised a form through random repetation of pyramid structures. Beyond this, the pyramids are also programmed to randomly alternate between hollow and solid. this creates a unique truss like like system that was eventually 3D printed.
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04 year 03 FALL 2018 ARCH 221
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simple geometry
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simple aggrigate
complex recurssion
final structure
The final geometry was simplified and manually fabricated using steel sheets, steel rods and wood
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