Moodboard (Pattern, Art, Design and Architecture)

2022 ISSUE 1

DV2011: Pattern, Art, Design & Architecture

P ROJEC T P RO P O SAL SUP ER NATURAL NATURALI S T

Nature VS Nurture

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Co ntents TIMEL I N E

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PROJEC T I N T E RP RE TAT IO N ( VISIO N)

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INITIA L CO N C E P T & T E XT URE MO O D B OARD 6 IMAG E RE F E RE N C E S

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CON C E P T ART I S T RE S EARC H (INSP IRAT IO N)

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YANG YONG LIANG............................. 10 KOSHA AHMADI................................. 12 JAMES ALAN SMITH.......................... 14

S K ETC H E S

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P5JS & PROCESSING........................... 16 SLIME MAKING................................... 17 PHOTO MANIPULATION.................. 18

S ECO N DARY RE S E ARC H (O IL SP ILL)

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COLO U R PAL E T T E

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COLO U R G RA D I E N T

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S K ETC H E S ( F RAC TAL S )

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CON T E XT ( D I S P L AY )

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Project Title

VQ GAN + CLIP..................................... 20

Nature VS Nurture

EXPERIMENT W MEDIUM

01

T IME LINE

By experimenting with medium, I could understand how I could better create my idea ARTIST RESEARCH

02 COLLECTING TEXTURES & MOTIF IDEAS

03

Initially I wanted to do more oriental ideas, emulating the works of Yang Yong Liang but apply oil slick textures

COLOUR PALETTE

04 PRACTICE W COLOUR

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By researching artists' artistry, it was easier for me to dive into surface design which I wasn't sure of.

As oil spills are often rainbow, I decided to research on more types of oil spill for variation

Using Fractal Creation programmes, I could test out patterns with my colour palette CONTEXT (DISPLAY)

06

I thought of different places my work could be displayed on, including both soft and hard mediums

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SUPERNATURAL

The Supernaturalist believes God controls creation and that nothing is arbitrary or by chance.

NATURALIST

The Naturalist in religion denies that God rules everything and governs creation through providence. They believe that God created everything and then let everything run by natural laws. This is the major point of Deism and hardcore free will proponents.

Supernatural Naturalist to me refers to the combination between the known and the unknown.

How can the beauty of nature be so beautiful yet so coincidental? Surely this beauty is created by a force that is beyond the understanding of humans.

In this project, my intention is to explore the juxtaposition between beauty shown in nature (fractal patterns) and the destruction of nature by people (pollution & environmental degredation).

Project Title

The collusion of formation and destruction is also mirrored in the opposition of human made and naturally occurring.

Nature VS Nurture

O RI E N TAL MO O D B OARD

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p. 7 Project Title

T E XT U R AL MO O D B OARD

Nature VS Nurture

REFE RE NC E S

https://www.domusweb.it/it/notizie/2017/01/02/cohesion_ eric_wong.html https://ar.pinterest.com/aialive/pins/ http://www.ericwong.co.uk/ http://pr2015.aaschool.ac.uk/INTER-07/Kosha.ahmadi Inspirational Moodboard materials (secondary research) 30 sketches (primary research) Start rough doodles and sketches based on your collected reference source images.

Finals will be due in Week 4, Monday 31 Jan Colour Palette Collect resources/image (s) for your colour choice that you think might inspire you.

Artist Reference At least one pattern design artist and/or fine artist/designer reference.

Artists who inspire you can be part of your concept theme, as can various styles and techniques, as well as items or objects that you would like to draw (refer to Pinterest Pattern classification such as decorative, geometric, organic, etc) Link to book shared in class https://drive.google.com/file/d/13cjh8Uh7tsRmPRlMNLksK0snr8BkYs0C/view?usp=sharing Context ( where do you see your pattern? club, child’s room etc) https://cdn.shopify.com/s/files/1/0825/7265/products/envyoil-slick-pegs_1024x1024.jpg?v=1487366230

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https://gizmodo.com/incredible-photographs-of-fractals-found-in-the-natural-480626285

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CO NC E P T RE SE ARC H

YA N G YO N G L I A N G Contemporary New Media Learning points: Using new media techniques to create traditional “Mountain Painting” . Using visual hierarchy, Yang is able to convey soci0political and environmental messages. �is can be translated to motifs and textures.

KO S H A A H M A D I Architectural landscape design Learning points: Using 3D architectural so�tware to create drawings of environments. �is would be di�ferent to photoshop and adobe illustrator, where the focus is on visual e�fects for the former and vector illustrations for the latter

JA M E S A L A N S M I T H

Project Title

Learning points: Smith's use of coding of fractal patterns re�lects his skills in both programming and understanding of fractals at its core. By combining di�ferent variations of patterns together, Smith manages to create complex infinity patterns from nothing

Nature VS Nurture

YANG YO NG LIANG

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3 2 1

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1. Cigarette Ash Landscape, 2007 2. Deja Vu, 2013 3. Moonlight 2012

5. Artificial Wonderland II- Taigu Decendents 6. Glow in the Night, 2019 7. Artificial Wonderland II- From the New World 8. Cement Dragon 9. Five Dragons, 2020

Yang Yong Liang’s work explores the juxtaposition between the old and the new. Infusing ancient oriental aesthetics and literati beliefs with modern language and digital techniques, Yang’s works explores themes of industrialisation in China, environmental degredation and modern cultural perceptions of nature.

Yang creates photographic collages and videos of cityscapes that resemble traditional Chinese ink paintings. Often shot in black and white, these intricate scenes take shape via 3D modeling, animation, and CGI technology, which Yang uses to blend multiple photographs of manmade structures and the natural world. (medium & execution: photography, photo manipulation, video animation)

Project Title

4. Journey to the Dark, 2017

Nature VS Nurture

KO SHA AHMAD I

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3 2

6

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7

1. No City 2. The Gardens of The Projects of The City 3. From Generic To Specific (Architectural

4.z9 5. The Gardens of The Projects of The City 6. The Map of Museue Allee 7. --

Kosha Ahmadi is an architect who’s work features architectural drawings and interior floor plans.

Her work focuses on detailed analysis of space and how people are able to function within structured spheres.

Her work reflect a position of deep understanding of what architecture is and its potential. Through design, technological learning, historical contexts and theory, Ahmadi works with world-class academics and practitioners.

By learning from architectural drawings, technical skills such as perspective drawing and architectural rendering, more details can be created.

Project Title

Index)

Nature VS Nurture

1

JAME S ALAN SMIT H

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3

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1. Unusual Mandala Series #011622 2. Infinite Meditation on Transcendental Expression

4. Guardian at the Gateway of Possibility 5. Fragment of Creation 6. Guardian at the Gateway of Eternal Sunrise 7. HappyBrot Mandala 8. Unusual Mandala Series #010522

Artist and musician James Alan Smith has been building and programming computers since the age of 7, and as well as creating award-winning software packages, he also uses his own custom code - along with standard graphic art packages - to create fractal and geometric artwork.

James has refined his ability to see computer code in his head. Meaning that while many artists can see a "finished picture" in his mind, James sees all the source code needed to program, execute and render his digital art and music creations.

Project Title

3. Hall of Mirrors Mandala

Nature VS Nurture

S K E TC HE S ( P 5 J S & P RO C E SSING )

PARTICLES

RECURSIVE TREE (1,2,4,...)

“PENROSE TILE”

SNOWFLAKES

RANDOM ONE LINE SKETCH

CRAIG RENOLDS’ “Flocking”

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p. 17 Project Title

SK E TC HE S ( SLIME MAK ING)

Nature VS Nurture

S K E TC H E S ( B&W P HOTO MANIP ULAT IO N)

Height Map

Pixel Interpolate

Pixel Sort

Torus 3d

Circular Halftone

Polar Mirrored

Inverted Fractal

Triangles

Julia Fractal

Spiral

Kaleidoscope

Frosted Glass

Unwind

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Photo Manipulation Used to Test Out Suitable Medium: Using Mirrorlab to test out photo editing variations, I'm able to visualise different ways a photograph could be edited to look dynamic. Fractal patterns are my personal favourite as they are naturally, geometrically and algebrically occuring. Other than fractal patterns, I tested out a few photo manipulation techniques such as 3D height maps, mirroring, kaleidoscopes, and textural filters.

Flower

Inverted Fractal

Flash

Mirror

Fractal Pinch

Kaleidoscope

Marbling

Pointilism

F RACTALS : Negative

Are never-ending patterns. Fractals are infinitely complex patterns that are selfsimilar across different scales. They are

Dotted Halftone

created by repeating a simple process over and over in an ongoing feedback loop.

Driven by recursion, fractals are images of dynamic systems – the pictures of Chaos.

Geometrically, they exist in between our familiar dimensions. Fractal patterns are extremely familiar, since nature is full of fractals. For instance: trees, rivers, coastlines, mountains, clouds, seashells, hurricanes, etc. Abstract fractals – such as the Mandelbrot Set – can be generated by a computer calculating a simple equation over and over.

Project Title

Polar Mirrored

Nature VS Nurture

S K E TC H E S ( VQ GAN + C LIP )

VQ GAN + CLIP: "Supernatural Naturalist" in style: Behance

VQ GAN + CLIP: "Supernatural Naturalist" in style: Hyperrealism Iridescent

S KE TC H E S (CO H E RE NT C LIP-GUID E D D IFFUSIO N)

Coherent (CLIP-Guided Diffusion): "Supernatural Naturalist" in style: Geometric

Coherent (CLIP-Guided Diffusion): "Supernatural Naturalist" in style: digital illustration 3D

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O I L S P I L L RE S EARC H

TYPES OF OIL SPILLS

CHARACTERISTICS

Group 1: Gasoline Products

- Very volatile and highly flammable - Highly acute toxicity to organisms

Group 2: Diesel-Like Products/ Light Crude Oils

- Diesel fuel, home heating oil, jet fuels, kerosene - Spread rapidly into thin slicks - Moderate to high acute toxicity to organisms

Group 3: Medium Crude Oils/ Intermediate Products

- Moderately volatile - For crude oils, up to one-third will evaporate in the first 24 hours - Stranded oil tends to smother organisms - gloved hands holding jar of thick and sludge-like oil - An oil sample was taken by a NPS Law Enforcement Ranger on Alcatraz.

Group 4: Heavy Crude Oils/ Residual Products

- Very little product loss by evaporation - Can be very sticky - Stranded oil tends to smother organisms

Group 5: Non-floating Oils

- Very heavy fuel oils - Oftentimes will initially float, then be more likely to submerge

Project Title

Note: The type of oil spill affectst the way in which the pollution travels and sit in the ocean. Thick, heavy crude oils are red and dark. They sink to the bottom of the ocean and thus do not leave an iridescent reflective layer on the ocean waters.

Nature VS Nurture

CO LO U R PA L E T T E (G RAD IE NTS)

01

Oil Slick

02

The colour of an oil spill: is dependent on the surface it is on. On concrete surfaces, due to the dark and light absorbant surface, the colour will look darker and more saturated. When oil spill is thin and on water, the colour is light and unsaturated.

03

04 56, 36, 45, 5

50, 47, 91, 28

45, 67, 80, 52

86, 92, 38, 36

23, 41, 98, 3

05

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p. 23 56, 36, 45, 5

50, 47, 91, 28

45, 67, 80, 52

86, 92, 38, 36

23, 41, 98, 3

Colour Names

Gradient Combination Rainbow Gradient (Bright)

Colour Names Xanadu Antique Bronze Van Dyke Brown Russian Violet Satin Sheen Gold

Gradient Combination Rusty gradient combination

Colour Names Xiketic Prussian Blue Tyrian Purple Saddle Brown Indian Yellow

Gradient Combination Thick oil

Colour Names Medium Purple Old Rose Straw French Sky Blue Purple Plum

Gradient Combination Pastel Rainbow Gradient

Colour Names Oxford Blue Midnight Blue Roufous China Pink Misty Moss

Gradient Combination

Project Title

Gold Crayola Orchird Medium Slate Blue Cornflower Blue Dark Turquoise

Nature VS Nurture

EX P E RI M E N TAT I O N PART II

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CO N T E XT ( D I S P L AY )

Fractal Patterns, in its abstract form, can be shown everywhere. Since Fractal art is are often complex, they can be expressed in both flat mediums (Textile, Cups, Rugs) and New Media mediums (Videos, AR, VR)

02

03

Rugs & Carpet

Textile

Projection & Installation

+ + + + + + + +

+ + + + + + + +

+ + + + + + + +

Project Title

01

Nature VS Nurture

MISSION

MISSION RATEM FACIUR AS DOLUPIET AUDIS ET LAM ACCAECULPA.

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DI VOLUPTAT FUGIA RE DOLUPTA NOBIS RE DITAE

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VISIO N

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p. 27

VA LU E S

MISSION RATEM FACIUR AS DOLUPIET AUDIS ET LAM ACCAECULPA.

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1

Exceribus elis ea quodignatem resto officit velit pa sapel.

2

Eicatque dolorer natestiam vellupt aquamus anisimet.

3

Nemporerum inis endigenis quae conserum oluptate eos.

4

Aritatis impernam, veni nobit quisIm volore elicabo.

5

5

RULE S

Project Title

MissionRatem faciur as audis et lam accaeculpa cum.

Nature VS Nurture

CO N T E XT

TO Your Business 000 Street Name City/State/Zip

FROM

DATE

Your Business 000 Street Name City/State/Zip

00-00-20XX

DESCRIPTION

HOURS

AMOUNT (USD)

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12.5

$10,000.00

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20.0

$10,000.00

Conseque eum quuntotae corporibus invendis repratia quamus undaecus, assitaes expelic to cusae nonsequunt.

35.0

$10,000.00

Officius ea core moloreptur alitat. Oditatiatatia explique odiamet.

6.0

$10,000.00

TAXES

-

$10,000.00

TOTAL

100.0

$10,000.00

p. 28

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P ROJEC T B RIE F

CLIENT

CONTACT

DATE

Company Name

Name Here

Day, Month, 20XX

UNTOTATIBUS NONECAE Offici nisquat atempores autatecta ad elit as denimil itatusd aeperferibus , magnate pre, ommod moluptatis dolorae

NEM DOLOR ARCHIC TE Offici nisquat atempores autatecta ad elit as denimil itatusd aeperferibus , magnate pre, ommod moluptatis dolorae

NIMUS MAXIMAIOS AC

SEDIT PARCIUS EST, TE

NUM ID ULPA COREP

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Between 24 to 48

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40K

Culpa culloresed experorae

Avereo dium diur quon dend

2

Hrs

Edis dolorro mint modigenita

Project Title

87 %

Nature VS Nurture

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Q U OT E S IG N-O FF

DESCRIPTION

HOURS

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12.5

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20.0

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AMOUNT (USD) $10,00.00

$10,00.00

$10,00.00

At ommo ius. Tem sedUgitaque con non core essitati doloria tem qui res magnatur re plibus num hitibus reste poratum volor magnihic tem dunt exeria del illabor eiuscia volores sum in eates.

Project Title

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Nature VS Nurture

I N VO I C E

TO Your Business 000 Street Name City/State/Zip

FROM

DATE

Your Business 000 Street Name City/State/Zip

00-00-20XX

DESCRIPTION

HOURS

At ommo ius. Tem sed ugitaque con non core essitati doloria. Tem qui res magnatur re plibus num hitibus reste poratum volor.

12.5

Magnihic tem dunt exeria del illabor eiuscia volores sum in eates. Del ide simincid et eum ni cus am fugias aut liquunt inimi.

20.0

Conseque eum quuntotae corporibus invendis repratia quamus undaecus, assitaes expelic to cusae nonsequunt.

35.0

Officius ea core moloreptur alitat. Oditatiatatia explique odiamet.

6.0

AMOUNT (USD) $10,000.00

$10,000.00

$10,000.00

$10,000.00

TAXES

-

$10,000.00

TOTAL

100.0

$10,000.00

p. 32

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Project Title

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Nature VS Nurture

FAQs

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Project Title

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Nature VS Nurture

01

NAME HERE

02

NAME HERE

03

NAME HERE

CEO & Founder

Art Director

Head Designer

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04

NAME HERE

05

NAME HERE

06

NAME HERE

Editorial Manager

Marketing Manager

Web Design Manager

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ANDUNDAE SSIMAXIM RE NOSSIM

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Nature VS Nurture

PAC K AG E S

PACKAGE ONE

01

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USD1,000.00$

PACKAGE TWO

02

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Vitati rati aped moloratibus qui rerovitin pra doluptae. Ovid quaspie ndignat as doluptur.

USD1,000.00$

PACKAGE THREE

03

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USD1,000.00$

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