在跨世紀的時間點上，能夠「承先」與「啟後」者，總會留下不朽足跡，德
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國作曲家貝多芬，就是個典型例子。在交響曲創作上，如果和幾位前輩比較
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國家音樂廳 National Concert Hall 400‧700‧1000‧1200‧1500
貝多芬狂潮 Beethoven Frenzy
起來，貝多芬可說是「大器晚成」，直到三十歲時，才推出個人處女作。不過， 他卻是「大雞慢啼」，而且一鳴驚人！雖然只有九部交響曲傳世，但每一首 都具有時代意義。第二號交響曲的創作期間，貝多芬因為耳疾問題而一度意 志消沉，並且留下著名的「海利根施塔特遺書」。奇妙的是，遺書寫完之後， 貝多芬原本陰霾的情緒得到了抒發，他重新振作精神，完成熱血激昂的第二 號交響曲。音樂中蘊含的「奮力搏鬥意志」，更成了他往後創作的指標。 At the precise point in time that bridges two eras, those persons who serve as a link between past and future will always become big names in history. Beethoven, the German composer, is a good example. Compared to some of his predecessors, he started late in symphony composition with his first symphony completed in 1800. However, he was a late bloomer whose accomplishments were stunning from the beginning. Beethoven only left us with nine symphonies, yet each one is monumental. Beethoven suffered from depression due to his loss of hearing during the composition of his Second Symphony, to the extent that he wrote
指揮｜鄭立彬 Cheng Li-Pin, conductor
the famous Heiligenstädter Testament. Somehow his mood was miraculously
小提琴｜林品任 Richard Lin, violin
boosted after he wrote the testament. He regained his strength, completing the
大提琴｜秦立巍 Li-Wei Qin, cello
valiant second symphony. The will to fight and overcome his struggles as revealed
鋼琴｜盧易之 Yi-Chih Lu, piano
through his music became Beethoven’s signature for all his compositions. In his
貝多芬： 第二號交響曲 名家系列 Maestro Series
三重奏協奏曲 Ludwig van Beethoven: Symphony No.2 in D major, Op.36 Triple Concerto in C major, Op.56
subsequent Triple Concerto, Beethoven separated the piano trio into soloists to converse with orchestra. The exchanges between each part bring out more grandiose responses which make the music more and more magnificent. Join us to witness this spectacular work presented at the National Concert Hall in honor of Beethoven’s 250th anniversary!
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