Northwest Film Center Sept/Oct 2018 schedule

SEPTEMBER/ OCTOBER 2018 Not Sorry: Feminist Experimental Film from the 1970s to Today Genrified! Cult & Other Curiosities Northwest Tracking PLUS...

WEEKEND ENGAGEMENTS CASE OF THE MONDAYS SPECIAL SCREENINGS

details at nwfilm.org

Anna and the Apocalypse

FALL 2018 CLASSES & WORKSHOPS

Hands-On Learning for Creatives & Community Members

Analog Film and the Body

Digital Moveimaking for 4th-6th Grade

Screenwriting Fundamentals

October 13 (half day)

Starts December 17 (five days)

Starts September 27 (ten weeks)

Winter Break camp in live action filmmaking

Basics of dramatic scriptwriting

Art of Filmmaking I

Digital Moviemaking for 6th-8th Grade

Screenwriting Intensive

Starts September 26 (12 weeks)

Starts December 17 (five days)

Starts September 21 (three days)

The 101 of digital filmmaking

Winter Break camp in live action filmmaking

Deep dive into character development

Art of Filmmaking II

Directing Intensive

Sound Design

Starts September 25 (12 weeks)

Starts September 19 (five days)

October 20 (one day)

The 201 of digital filmmaking

Working with actors and leading a crew

Creating acoustic landscapes for your film

Camera Operation: Arri Alexa

Documentary Production

Super8mm Camera Operation

October 27 (half day)

Starts September 26 (nine weeks)

September 22 (half day)

Primer on our primo rental camera

Create a short film about an interesting person

Shoot in the analog home movie format

Camera Operation: Bolex

iFilmmaking Basics

Super8mm Hand Processing

October 27 (one day)

October 20 (half day)

September 29 (half day)

16mm loading, metering, and film stocks

Shoot and edit a short project on your iDevice

Digital Cinematography

Meet the Producers Series

Starts September 25 (ten weeks)

Starts October 2 (four weeks)

In-depth camera techniques

Clips and conversations about art & commerce

Digital Filmmaking for K-12 Teachers

Northwest Filmmakers Summit

October 12 (one day)

November 3 (all day) FREE!

How filmmaking can enhance the curriculum

How to process and handle S8 negative

Panels, workshops, and vendor displays

REGISTER NOW NWFILM.ORG

1219 SW PARK AVE. PORTLAND, OR 97205

Feminist and physical approaches to 16mm

PORTLAND, OR PERMIT NO. 664

PAID NON-PROFIT ORG U.S. POSTAGE

Northwest Tracking (NWT)

The Film Center’s Northwest Tracking program showcases the work of independent filmmakers living and working in the Northwest—Alaska, British Columbia, Idaho, Montana, Oregon, and Washington—whose work reflects the vibrant cinematic culture of the region. Whether presenting single artist retrospectives, new features, documentaries, or inspired collections of short works, Northwest Tracking offers testimony to the creativity and talent in our flourishing media arts community.

The Reluctant Radical

All screenings will feature a visiting artist MOMA Dred

Wednesday, September 5, 7 pm Women in Film Portland: Members Screening, Tuesday, October 2, 7 pm Oregon, 2017–18 Sex Weather, Oregon, 2018 dir. Various (65 mins., narrative/documentary, Digital)

The Women in Film Portland is a meet-up group that supports the work of women filmmakers in the Portland area. Reception at 6 pm.

The Last Man on Earth

Genrified! Cult & Other Curiosities (G!) Saturday, September 8, 9:30 pm Sweet Sweetback's Baadasssss Song, US, 1971

Friday, October 19, 9:30 pm Horror of Dracula, United Kingdom, 1958

Director Melvin Van Peebles stars as a gigolo on the run in this 1973 proto-blaxploitation classic. Mature audiences only.

Peter Cushing stars as Doctor Van Helsing and Christopher Lee as Count Dracula in this towering achievement of gothic horror that solidified the Hammer Studios aesthetic.

dir. Melvin Van Peebles (97 mins., crime/drama/thriller, DCP)

Saturday, September 22, 9:30 pm The Atomic Café, US, 1982

dir. Jayne Loader, Kevin Rafferty, Pierce Rafferty (86 mins., documentary/dark comedy, DCP)

A darkly humorous leap into the abyss of cold war–era hubris, stitching together PSAs, educational films, newsreels, and other propaganda-based ephemera related to the nuclear scare of the 1950s.

Saturday, October 6, 9:30 pm The Bird with the Crystal Plumage, Italy, 1970

dir. Terence Fisher (82 mins., horror, 35mm)

Saturday, October 20, 9:30 pm Fright Night, US, 1985

dir. Tom Holland (106 mins., horror/thriller, 35mm)

When a teenaged horror film obsessive comes to believe that a vampire has moved next door to him, what can he do but turn to his favorite late-night horror show host for help?

Wednesday, September 12, 7 pm The Reluctant Radical, Oregon, 2018

dir. Lindsey Grayzel (77 mins., documentary, DCP)

A documentary chronicling climate change activist Ken Ward and his direct actions, including the coordinated plan that shut down the tar sands pipelines in the U.S.

Thursday, September 20, 7 pm MOMA Dred, Oregon, 2018

dir. Jefferson Kincaid (90 mins., animation/ experimental, Digital)

A feature-length experimental animation exploring concepts of abstract expressionism.

Saturday, September 1, 12 pm Sunday, September 2, 12 pm Eight Hours Don’t Make a Day, West Germany, 1972 dir. Rainer Werner Fassbinder (495 mins., drama, DCP)

dir. Dario Argento (96 mins., giallo, DCP)

Friday, October 12, 9:30 pm The Last Man on Earth, US /Italy, 1964

Anna and the Apocalypse is the high school musical set during a zombie outbreak at Christmastime that you've been yearning for all your life.

Friday, September 7, 7 pm Saturday, September 8, 7 pm Sunday, September 9, 4:30 & 7 pm Crime + Punishment, US, 2018

dir. Ubaldo Ragona, Sidney Salkow (86 mins., horror/ sci-fi, 35mm)

A major influence on Night of the Living Dead and the most faithful adaptation of Richard Matheson's I Am Legend stars Vincent Price as a survivor of a disease that's transformed the population into zombies.

Saturday, October 13, 9:30 pm Burnt Offerings, US/Italy, 1976

dir. Dan Curtis (116 mins., horror/haunted house, 35mm) Karen Black and Oliver Reed star as a couple who, along with their young son, move into a dilapidated summer home that has devious plans for its occupants.

US, 2017 dir. John McPhail (92 mins., comedy/horror/musical, DCP)

Saturday, October 27, 9:30 pm Sisters, US, 1972

dir. Brian De Palma (93 mins., horror/mystery/thriller, 35mm)

Sisters stars a pre-fame Margot Kidder as a woman suffering from separation anxiety and Jennifer Salt (Play It Again, Sam) as the reporter who sees a murder play out through a window in the building across from her apartment.

FILM DESCRIPTIONS AND TRAILERS AT NWFILM.ORG

As Portland’s independent maker community grows and diversifies, so too does the city’s commercial film industry, the two often intersecting as art and commerce do. Join us for this series of lively and informal conversations with Portland producers whose work crosses boundaries, be they creative, collaborative or geographic, or from the big screen to the one in your pocket. Whether your interest is feature films, advertising, producing for broadcast, cable, or web content, emerging technology, or gaining general perspective on the film business, come for a glimpse of their work, the fast changing worlds in which they get it done, and the opportunity to ask the best in the business. Find more detailed information at nwfilm.org.

Tuesday, October 9, 7 pm Pictures Big and Small

From television (Portlandia), to documentary (Brett Morgen’s Kurt Cobain Montage of Heck), to features (Gus Van Sant’s Paranoid Park), to a myriad of music videos and commercials and new web based projects, award-winning producer David Cress has worked in all aspects of the Portland film business. What does a “producer” do? He can tell you.

Wednesday, October 17, 7 pm Adventures in Animation and Advertising: House Special

Born from Will Vinton Studios and then part of LAIKA, the now independent House Special continues to be one of the country’s premier animation studios. Known for both their creativity and technological mastery of CG, stop-motion and 2D, their work for local and national clients—from Travel Portland to Coca-Cola and M&Ms—dazzle, not to mention their regular output of eye-popping shorts.

Fassbinder’s eight-hour, intimate epic follows toolmaker Jochen (Gottfried John) and his working-class family as they navigate everyday life, from love to melodrama to organized struggle on the factory floor. For ticket details, see nwfilm.org.

dir. Stephen Maing (112 mins., documentary, DCP)

Tuesday, October 23, 7 pm Augmented Images: Bent Image Lab

Over the last 15 years Bent Image Lab has garnered a national reputation and numerous awards for their multi-faceted production capabilities—everything from stop motion, computer animation, visual effects and content development for television (Hallmark, Netflix) and advertising (Honda, AT&T), to music videos (Modest Mouse), short films, interactive media and development of augmented reality technology.

Tuesday, October 30, 7 pm TV or Not TV

Working independently, and sometimes with and for television networks, opens new opportunities for independent documentary producers. Tonight’s guests bring extensive experience with and without distribution and funding from network partners. Come learn from Irene Taylor Brodsky (Hear and Now, Beware the Slenderman/HBO) and Beth Harrington (The Winding Stream, Women of Rockabilly) about how they work in the world of television.

Thursday, October 18, 7 pm Best of the 44th Northwest Filmmakers’ Festival dirs. Various (75 mins., narrative, documentary, animation, experimental, DCP)

The touring program from last year’s 44th Northwest Filmmakers’ Festival, a showcase of outstanding new films from regional filmmakers.

Saturday, October 6, 4:30 & 7 pm Sunday, October 7, 4:30 pm Monday, October 8, 7 pm Wanda, US, 1970

dir. Barbara Loden (102 mins., drama, DCP)

Barbara Loden wrote, directed, and starred in this long unavailable feminist masterpiece, a piercing look into the life of an average woman on the margins of society.

Friday, October 12, 7 pm Saturday, October 13, 5 & 7 pm Sunday, October 14, 5 pm Hale County This Morning, This Evening, US, 2018 dir. RaMell Ross (76 mins., documentary, DCP)

Maing’s thrilling, incisive documentary provides an inside look RaMell Ross’s directorial debut is a lyrical portrait of two at the NYPD’s unofficial summons quota practices, focusing young African-American men in Hale County, Alabama, shot on several officers of color who choose to stand up to the over the course of five crucial years in their lives. system, threatening their livelihoods in search of justice.

Friday, September 14, 7:30 pm Saturday, September 15, 7 pm Sunday, September 16, 4:30 & 7 pm Worlds of Ursula K. Le Guin, US, 2018

dir. Arwen Curry (65 mins., documentary, DCP)

Meet the Producers: The View From Here (MP)

Following the premiere of his film, director Daniel wakes up to find himself in bed with crew member and friend Sydney, and the beginning of a conversation about how their relationship might have evolved, had either taken a chance. This is the inaugural film for the Portland Circuit, an exhibition collaboration between Oregon Made Creative Foundation and Portland independent theaters.

Reception at 6 pm.

Weekend Engagements (WE)

Friday, October 26, 9:30 pm Anna and the Apocalypse, United Kingdom/

Argento's debut feature focuses on an American novelist whose witnessing of a crime puts him square in the crosshairs of a mysterious killer.

dir. Jon Garcia (87 mins., narrative, DCP)

Curry’s loving, grounded portrait of legendary writer Le Guin probes deep into her life and work, offering a primer for the uninitiated and new avenues of interpretation and moments of nostalgic joy for longtime fans.

Friday, September 21, 7 pm Saturday, September 22, 4 pm Sunday, September 23, 4 & 7 pm Scarred Hearts, Romania/Germany/Belgium/France, 2016 dir. Radu Jude (141 mins., historical comedy/drama, DCP)

Jude’s (Aferim!) free adaptation of the writings of Romanian dissident Max Blecher follows young Jewish intellectual Emmanuel as he undergoes treatment for bone tuberculosis as the rise of fascism in Europe (circa 1937) rages steadily on.

Thursday, September 27, 7 pm Saturday, September 29, 4:30 pm Sunday, September 30, 7 pm En El Séptimo Dia, US, 2018

Friday, October 19, 6:45 pm Saturday, October 20, 4 & 6:45 pm Sunday, October 21, 4 pm Bisbee ’17, US, 2018

dir. Robert Greene (124 mins., documentary, DCP)

Greene’s (Actress, Kate Plays Christine) latest film documents, upends, and problematizes the 100th anniversary of the Bisbee (Arizona) Deportation, a violent, racist anti-immigrant and anti-union action that continues to resonate with the townsfolk today.

Friday, October 26, 7:30 pm Saturday, October 27, 7 pm Sunday, October 28, 4:30 pm Monday, October 29, 7 pm Matangi/Maya/M.I.A., US/UK, 2018

dir. Stephen Loveridge (96 mins., documentary, DCP)

A loving, disheveled portrait of the Sri Lankan rapper Mathangi "Maya" Arulpragasam (aka M.I.A.) that provides an illuminating glimpse into the birth of a global pop icon from her humble beginnings.

Matangi/Maya/M.I.A.

dir. Jim McKay (92 mins., drama, DCP)

Following Brooklyn restaurant bike delivery worker José (Fernando Cardona) through a frustrating workweek in which he faces many tough choices, McKay fashions a touching depiction of modern-day immigrant life. “A gem.”—The Hollywood Reporter.

Friday, September 28, 7 pm Saturday, September 29, 7 pm Dark Money, US, 2018

dir. Kimberly Reed (99 mins., documentary, DCP)

Going deep inside Montana state politics but taking a wider view of the effects of untraceable corporate money on both elections and policy, Reed’s trenchant film dissects the cross section of capital, politics, and the free press.

En El Séptimo Dia

Not Sorry #3: Home—Now Eat My Script

Not Sorry: Feminist Experimental Film from the 1970s to Today (NS)

What is feminist experimental film? How is it feminist, and what makes it experimental? Through this four-program series, we explore these questions, inspired by the new text Film Feminisms: A Global Introduction co-written by PSU film professor Dr. Kristin Lené Hole and Dr. Dijana Jelača. Taking place each Sunday evening in October, Not Sorry presents a survey of short works spanning from the 1970s to today with an explicit intent on questioning the largely white male canon of experimental film while positioning different modes of experimentation within both international and contemporary terms. The program will include more well-known works like Peggy Ahwesh’s She Puppet (2001) that repurposes footage of video game character Lara Croft; under recognized landmarks like Black feminist work from LA Rebellion filmmaker Barbara McCullough, Water Ritual #1: An Urban Rite of Purification (1979); and contemporary pieces like the hand-manipulated 16mm confessional films Solitary Acts #5 (2015) and Her Silent Seaming (2014) from Turkish-American filmmaker Nazli Dinçel, who will be in attendance October 14. Portland-based artists Ariella Tai, Vanessa Renwick, Julie Perini, and Hannah Piper Burns will also be represented in the series, bringing a local perspective to the film selections and discussions.

Co-sponsored by Portland State University School of Film.

Sunday, October 7, 7 pm Not Sorry #1: Heritage

Sunday, October 21, 7 pm Not Sorry #3: Home

Coffee Coloured Children, Nigeria/UK, 1988 dir. Ngozi Onwurah (15 mins., 16mm); Personal Cuts, Yugoslavia, 1982 dir. Sanja Iveković (3.5 mins., digital); Suffragette Slasher, US, 2008 dir. Julie Perini (3 mins., digital); Art Herstory, US, 1974 dir. Hermine Freed (22 mins., digital); Athyrium filix-femina, Canada, 2016 dir. Kelly Egan (4 mins., 35mm); Arctic Hysteria, Greenland/Denmark, 1999 dir. Pia Arke (6 mins., digital); We Need New Names, UK, 2015 dir. Onyeka Igwe (14 mins., digital); Popsicles, Chile, 1984 dir. Gloria Camiruaga (4.5 mins., digital)

Home Movies Gaza, France/Palestine, 2013 dir. Basma Alsharif (24 mins., digital); Water Ritual #1: An Urban Rite of Purification, US, 1979 dir. Barbara McCullough (5 mins., digital); Now Eat My Script, Lebanon, 2014 dir. Mounira al Solh (25 mins., blu-ray); Ciudad, Mujer, Ciudad, Mexico, 1985 dir. Pola Weiss Álvarez (15 mins., digital); Video Letters 1-3, China, 1993 dir. Yau Ching (11 mins., digital)

One’s ability to interpret legacy or history can depend on class, access, nationality, and race. Equally, how women filmmakers experiment with media to examine either their own ancestral origins or highlight larger historical omissions is varied and framed by those lenses as well as by individual experience.

Sunday, October 14, 7 pm Not Sorry #2: Vessels

How does the body tell a story, and whose story is it? Is it meant to please itself or give pleasure to others? Who or what controls the body, and what must it endure?

She Puppet, US, 2001 dir. Peggy Ahwesh (17 mins., digital); Her Silent Seaming, Turkey/US, 2014 dir. Nazli Dinçel (10 mins., 16mm); Why I Never Became a Dancer, UK, 1995 dir. Tracey Emin (6.5 mins., digital); Solitary Acts #5, Turkey/US, 2015 dir. Nazli Dinçel (5.5 mins., 16mm); Like Rats Leaving a Sinking Ship, Germany, 2012 dir. Vika Kirchenbauer (25 mins., digital); Removed, US, 1999 dir. Naomi Uman (6 mins., 16mm); Mermaid Blues, US, 2013 dir. Hannah Piper Burns (18 mins., digital)

Not Sorry #4: Consumer—Me Broni Ba (My White Baby)

Stories of political and social upheaval are often accompanied by typical media images of suffering or violence. But the resulting displacement, whether physical or psychological, while an experience of the individual and their daily reality, is also one of a people who carry tradition and ritual across borders and time.

Sunday, October 28, 7 pm Not Sorry #4: Consumer

Exploring the general theme of consumerism (as consumers of media, ideas, and products) is another set of international filmmakers who engage directly with media or their false representations of women and their desires.

Apologies, US, 1986 dir. Anne Charlotte Robertson (17 mins., S8 to digital); She's Not Gonna Get More Dead, US, 2018, dir. Ariella Tai (6 mins., digital); Take Off, US/ Sweden, 1972 dir. Gunvor Nelson (10 mins., 16mm); Intermittent Delight, Ghana/US, 2007, dir. Akosua Adoma Owusu (5 mins., digital); Unsubscribe #1: Special Offer Inside, UK/US, 2010 dir. Jodie Mack (4.5 mins., 16mm); Boyfriend, Canada, 2014 dir. Jennifer Chan (6.5 mins., digital); Me Broni Ba, Ghana/US, 2009 dir. Akosua Adoma Owusu (22 min., 16mm to digital); Toxic Shock, US, 1983 dir. Vanessa Renwick (3 mins., 16mm)

Special Screenings (SS)

Taste of Cement

Wednesday, October 3, 7 pm The Circus, US, 2018 dir. Sharon Grimberg

The Grapes of Wrath

Friday, August 31, 7 pm The Grapes of Wrath, US, 1940

dir. John Ford (129 mins., drama, 35mm)

Ford’s classic humanist masterpiece, an adaptation of the John Steinbeck novel, stars Henry Fonda in one of his most memorable roles as the laborer Tom Joad, who undergoes an ideological awakening during the Great Depression of the 1930s.

Saturday, September 22, 7:30 pm Constructing Albert, Spain, 2017

dir. Laura Collado & Jim Loomis (82 mins., documentary, DCP)

A behind-the-scenes look at the creation of several of the world’s best restaurants as star chef Albert Adrià ambitiously steps out from behind his brother Ferran’s long shadow at the helm of the legendary elBulli. At 6 pm, Toro Bravo and guest chefs will serve tapas in the Portland Art Museum’s Marion L. Miller Gallery. Separate tickets required; please see nwfilm.org for more information.

Saturday, September 22, 2 pm Sunday, September 23, 2 pm Looney Tunes: Warner Bros. Cartoon Classics

Welcome Portland cartoon maven Ivan Gold for a celebration of classic Warner Brothers Looney Tunes cartoons featuring Bugs Bunny, Daffy Duck, Elmer Fudd, Sylvester, Porky Pig and more favorites from the Golden Age of cartoon shorts.

Case of the Mondays (M)

This ongoing series of classic films and cutting-edge new work will get you moving into the week.

Join us for a preview and Q&A with producer and director Sharon Grimberg of the The Circus, a four-hour American Experience mini-series that will air on OPB October 8 & 9.

Grimberg’s film explores the colorful history of this popular, influential, and distinctly American form of entertainment, from the first one-ring show at the end of the 18th century to 1956, when the Ringling Bros. and Barnum & Bailey big top was pulled down for the last time.

Monday, September 10, 7 pm Punishment Park, UK/US, 1971

Monday, October 1, 7 pm You and Me, US, 1938

A radical, chilling mockumentary that imagines an alternate—yet highly plausible—near future circa 1970, in which anti-war activists are rounded up and sent to a desert-set cat-and-mouse “game” with the police.

Lang’s third American film is a Brechtian comedy dropping us into department-store life, and following two ex-convicts (George Raft and Silvia Sidney) trying to make good—and falling deeply in love.

Friday, October 5, 7 pm Criminal Queers, US, 2015 (63 mins., narrative, digital)

Monday, September 17, 7 pm The Smallest Show on Earth, UK, 1957

Homotopia, US, 2007 (26 mins., narrative, digital)

A young couple inherit a decrepit cinema and its three aging workers, only to be faced with actually running the place when a pushy competitor offers to buy them out. “A delightfully eccentric comedy!”—Time Out.

with

dirs. Chris E. Vargas and Eric A. Stanley

In conjunction with the Portland Art Museum exhibition We.Construct.Marvels.Between.Monuments, highlighting artists working within the queer and trans diaspora, this program includes a panel discussion and two collaboratively made films from artist-scholar-filmmakers Chris E. Vargas and Eric A. Stanley. Their Criminal Queers “visualizes a radical trans/queer struggle against the prison industrial complex.”

On the surface a queer and campy romp disguised as a madcap prison escape narrative, cultural references abound along with literal education from Angela Davis, who plays a Professor Davis who teaches the course “Prison Industrial Complex 101.” The filmmakers’ earlier Homotopia, shot on digital video and Super 8mm, weaves within its narrative a “critique of the crushing violence of homonormativity and its deadly perpetuation of US patriotism, conservative kinship structures and affective accumulation.” As the narrator declares, “our tactics are as varied as our genders, our activism as hot as our sex, and our resistance as untethered as our desires.” The program begins with a panel discussion with Vargas and Stanley followed by the two films. Admission includes access to the museum exhibition. Attendees are encouraged to visit We.Construct.Marvels.Between.

Monuments., on view in the Jubitz Center for Modern and Contemporary Art, ahead of the discussion and films.

dir. Peter Watkins (91 mins., mockumentary, Blu-Ray)

dir. Basil Dearden (80 mins., comedy, 35mm)

Monday, September 24, 7 pm Taste of Cement, Lebanon/Germany/Syria/

Qatar/United Arab Emirates, 2017 dir. Ziad Kalthoum (85 mins., documentary, DCP)

This poetic portrait of exiled Syrian workers in Beirut tracks the simultaneous construction of a luxury condo tower and the brutal demolition of Aleppo in one of the year’s most heart-stopping, eye-opening documentaries.

dir. Fritz Lang (94 mins., comedy/drama, 35mm)

Monday, October 15, 7 pm 24 Frames, Iran/France, 2017

dir. Abbas Kiarostami (114 mins., experimental documentary, DCP)

Legendary Iranian auteur Kiarostami’s (1940–2016) final, meditative swansong to cinema is an entrancing series of 24 animated still frames that reveal surprising connections and profoundly illuminate life as we know it.

Monday, October 22, 7 pm The Red Soul, Russia, 2018

dir. Jessica Gorter (90 mins., documentary, DCP)

Gorter’s surprising film illustrates political divisions in modern-day Russia, where the spirit of Stalin still lives on with many people, creating deep rifts in a country at a crossroads.

MISSION. The Northwest Film Center is a regional media arts resource and service organization founded to encourage the study, appreciation and utilization of the moving image arts; to foster their artistic and professional excellence; and to help build a climate in which they flourish.

WATCH. Through year-round LEARN. Individuals find and cultivate MAKE. Regional filmmakers are exhibition programs surveying cinema past their personal voices as storytellers through supported as artists, educators, mentors, and present, audiences and filmmakers education programs and innovative connectors, and leaders, strengthening come together to explore our region and the collaborations which advance media literacy cinema's place in the creative, social and world through the moving image arts. and engage the next generation. economic sectors of the community.

The Northwest Film Center is funded in part by the James F. and Marion L. Miller Foundation, Henry H. Hillman Jr. Foundation, Regional Arts & Culture Council, Oregon Arts Commission, The Ted R. Gamble Film Fund, the Citizens of Portland through the Arts and Education Access Fund, and the support of numerous sponsors, members, and friends.

NWFILM.ORG

watch film all year round . join the silver screen club .

SEPTEMBER/OCTOBER 2018 SUNDAY

MONDAY

TUESDAY

WEDNESDAY

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$10 General Admission

$8 PAM Members, Students, Seniors

THURSDAY

$5 Silver Screen Club Friends, New Wave & Children

subtitles visiting artist

FRIDAY

SATURDAY

AUGUST 31

SEPTEMBER 1

7 pm The Grapes of Wrath 12 pm Eight Hours Don't (SS) Make a Day (WE)

Unless otherwise noted, all films screen at the Northwest Film Center—Whitsell Auditorium located inside the Portland Art Museum, 1219 SW Park Avenue

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Sisters—October 27

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7 pm Women in Film Portland: Members Screening (NWT)

12 pm Eight Hours Don't Make a Day (WE)

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4:30 & 7 pm Crime + Punishment (WE)

7 pm Punishment Park (M)

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4:30 & 7 pm Worlds of Ursula K. Le Guin (WE)

7 pm The Smallest Show on Earth (M)

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Best of the 44th Northwest19 Filmmakers' Festival—October 18

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7 pm Crime + Punishment 7 pm Crime + Punishment (WE) (WE) 9:30 pm Sweet Sweetback's Baadasssss Song (G!)

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7:30 pm Worlds of Ursula K. Le Guin (WE)

7 pm Worlds of Ursula K. Le Guin (WE)

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7 pm MOMA Dred (NWT)

7 pm Scarred Hearts (WE) 2 pm Looney Tunes: Warner Bros. Cartoon Classics (SS) 4 pm Scarred Hearts (WE)

7 pm The Reluctant Radical (NWT)

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7:30 pm Constructing Albert (SS) 9:30 pm The Atomic Café (G!)

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2 pm Looney Tunes: Warner Bros. Cartoon Classics (SS) 4 & 7 pm Scarred Hearts (WE)

7 pm Taste of Cement (M)

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OCTOBER 1

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7 pm En El Séptimo Dia (WE)

7 pm You and Me (M)

7 pm Sex Weather (NWT)

7 pm The Circus (SS)

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4:30 pm Wanda (WE) 7 pm Not Sorry #1: Heritage (NS)

7 pm Wanda (WE)

7 pm Pictures Big and Small (MP)

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7 pm En El Séptimo Dia (WE)

7 pm Dark Money (WE)

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29 4:30 pm En El Séptimo Dia (WE) 7 pm Dark Money (WE)

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7 pm Criminal Queers with 4:30 & 7 pm Wanda (WE) Homotopia (SS) 9:30 pm The Bird with the Crystal Plumage (G!)

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7 pm Hale County This Morning, This Evening (WE) 9:30 pm The Last Man on Earth (G!)

5 & 7 pm Hale County This Morning, This Evening (WE) 9:30 pm Burnt Offerings (G!)

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Eight Hours Don't Make a Day—September 1 & 2

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5 pm Hale County This Morning, This Evening (WE) 7 pm Not Sorry #2: Vessels (NS)

7 pm 24 Frames (M)

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4 pm Bisbee '17 (WE) 7 pm The Red Soul (M) 7 pm Not Sorry #3: Home (NS)

7 pm Augmented Images: Bent Image Lab (MP)

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7 pm Matangi/Maya/ M.I.A. (WE)

7 pm TV or Not TV (MP)

4:30 pm Matangi/Maya/ M.I.A. (WE) 7 pm Not Sorry #4: Consumer (NS)

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7 pm Adventures 7 pm Best of the 44th in Animation and Northwest Filmmakers' Advertising: House Special Festival (NWT) (MP)

6:45 pm Bisbee '17 (WE) 4 & 6:45 pm Bisbee '17 9:30 pm Horror of Dracula (WE) (G!) 9:30 pm Fright Night (G!)

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7:30 pm Matangi/Maya/ M.I.A. (WE) 9:30 pm Anna and the Apocalypse (G!)

7 pm Matangi/Maya/ M.I.A. (WE) 9:30 pm Sisters (G!)

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24 Frames—October 15

503 -2 2 1 -1 1 5 6 • Vis i t nw f i l m.org f or t h e s cre e ni ng s ch e dule, descriptio ns, and trailers.