Northwestern State University School of Creative and Performing Arts Presents The NSU Cane River Singers
Shane Thomas, Director and The Natchitoches-Northwestern Symphony Douglas Bakenhus, Director In a Performance of:
George Frideric Handel’s
“Messiah” Parts 2 & 3
Tuesday, April 28, 2026
7:30pm | Magale Recital Hall
7:00pm - Pre-Concert Talk with Music Director, Douglas Bakenhus
The NSU Cane River Singers and The Natchitoches-Northwestern Symphony present
George Frideric Handel’s “Messiah” Parts 2 & 3
Tuesday, April 28, 2026 • 7:30pm • Magale Recital Hall
Program
Part II
Sinfonia (Brocke’s Passion)
Chorus: Behold the Lamb of God
Aria: He Was Despised
Kat Wilkinson, mezzo-soprano
Chorus: Sure He hath borne our griefs
Chorus: And with His stripes we are healed
Chorus: All we like sheep have gone astray
Recitative: All they that see Him, laugh Him to scorn
Dr.. Shane Thomas, tenor
Chorus: He trusted in God
Recitative: Thy rebuke hath broken His heart
Aria: Behold, and see if there be any sorrow
Dr.. Shane Thomas, tenor
Recitative: He was cut off out of the land of the living
Aria: But Thou didst not leave His soul in hell
Juan Campos, tenor
Aria: How beautiful are the feet
Malaina Aultman, soprano
Aria: Why do the nations so furiously rage together?
Dr.. Shane Thomas, tenor
Recitative: He that dwelleth in heaven
Aria: Thou shalt break them with a rod of iron
Phillip Voorhees, tenor
Chorus: Hallelujah
Part III
Aria: I know that my Redeemer liveth
Dr.. Terrie Sanders, soprano
Chorus: Since by man came death
Recitative: Behold, I tell you a mystery
Aria: The trumpet shall sound
Dr.. Robert Cardwell, baritone
Chorus: Worthy is the Lamb that was slain
Music Director
Dr. Douglas Bakenhus has been music director and conductor of the Natchitoches-Northwestern Symphony at Northwestern State University of Louisiana since 2004, where he also teaches bassoon, aural skills, and advanced conducting. In addition, Bakenhus also serves as music director of the Northeast Texas Symphony since 2003 and was the director of the Austin Philharmonic from 2001-2004. His music degrees are from the University of Texas at Austin (D.M.A., B.M.Ed), Texas A&M University-Commerce (M.M.), and has completed additional graduate courses in conducting and bassoon-performance at the University of Michigan. His conducting teachers include Larry Rachleff, Gustav Meier, Carl St. Clair, Gary W. Hill, and Elizabeth Green. In addition, Dr. Bakenhus studied conducting and baroque/ classical performance practice with Ivars Taurin at the Tafelmusik Baroque Summer Institute (2010 and 2015). Throughout his teaching career, Dr. Bakenhus has remained active as a guest conductor and clinician with honor orchestras throughout Texas, Louisiana, and Arkansas, Furthermore, he has made international conducting appearances with the Comfenalco School Orchestra in Cartegna, Colombia, the Sinfonietta Bratislava in Slovakia, and the San Pedro Sula City Chamber Orchestra in Honduras. He also performed abroad as a bassoonist with the NSU Faculty Woodwind Trio in Canada, Slovakia, England, and the Czech Republic. He remains active on the bassoon, playing in several local orchestras including the Shreveport Symphony, The Baroque Artist of Shreveport, Marshall Symphony, South Arkansas Symphony, and Texarkana Symphony. In addition, on his baroque and classical instruments, he regularly performs with period instrument ensembles including, the Austin Baroque Orchestra, Sonido Barroco in San Antonio, and has made appearances in Houston with Ars Lyrica, the Houston Bach Society, and the Mercury Baroque Ensemble.
Director of Choral Activities Tenor Soloist
Dr. Shane Thomas is the Director of Choral Activities and Assistant Professor of Music in the Dear School of Creative and Performing Arts at Northwestern State University where he conducts the Chamber Choir, Cane River Singers, and the Northwestern Choral Artists. He teaches courses in vocal music education, choral methods, choral literature, and administrates the choral activities within the department. Thomas serves as the founder and artistic director of the Louisiana Vocal Arts Ensemble. He also serves as the Louisiana ACDA President-Elect and on the National Board for the National Collegiate Choral Organization.
website:
Soloists
Malaina
Aultman, soprano
Soprano Malaina Aultman holds her Bachelor of Music and Master of Music degrees from Louisiana Christian University and Northwestern State University of Louisiana, respectively. She has enjoyed her time post graduation traveling for performances and adjunct voice teaching here at NSULA. Her operatic highlights include Adele in Die Fledermaus, Fiordiligi in Cosi fan tutte, Asteria in Gluck’s La Corona with the Orchestra Instabile Arezzo in Tuscany, and featured soloist with the AAMS Emerging Young Artist program at the Kennedy Center.
Juan Campos, tenor
Juan Campos, tenor, is a senior vocal performance major from Dallas, Texas. He is a member of the Northwestern State University Choirs, including Chamber Choir, Cane River Singers, Orpheus, and Northwestern Choral Artists. He has performed as a soloist for the Lake Charles Messiah Society, recently played the role of The Witch in the NSU Opera Ensemble’s production of Hansel and Gretel, and was a member of the 2022 SWACDA Mixed Honor Choir and the 2022 TMEA Mixed Choir. Juan has also performed with local professional ensembles such as the Shreveport Symphony Orchestra, Rapides Symphony, and Prisma Vocal Ensemble.
Dr. Robert Cardwell, baritone
Dr. Robert Cardwell has performed with opera houses and music organizations throughout the United States, Italy, and Austria, including Sarasota Opera, Amarillo Opera, Hawaii Performing Arts Festival, Amalfi Coast Music Festival, and the AIMS Symphony Orchestra. Some of his favorite performances include leading baritone roles in Don Giovanni, Il barbiere di Siviglia, I Pagliacci, La Traviata, and Pirates of Penzance. His research interests include the use of repertoire by composers from underrepresented communities to promote a more diverse and inclusive experience in the voice studio and the stage. Dr. Cardwell is the Director of Opera at Northwestern State University of Louisiana.
Dr. Terrie Sanders, soprano
Terrie S. Sanders, soprano, holds the rank of Professor of Music and is the Music Department Head for the School of Creative and Performing Arts at Northwestern State University. She has been on the faculty at NSU since 1992. Sanders teaches Voice and Vocal Pedagogy. She holds degrees from Emmanuel College(A.A.), Lee University (B.A.), Northwestern State University (M.M.), and the University of Southern Mississippi (Ed.D). She also holds a certification with the McClosky Institute of Voice and is a Master Teacher for that organization.
Soloists
Dr. Sanders is an active performer and lecturer. She has been a member of the Summer Seminar Faculty for the McClosky Institute of Voice, based in Boston, Massachusetts, since 2005. She has presented at State, Regional, and International Conferences, including the International Congress of Voice Teachers in Australia(2012) and Sweden(2017). She has taught the MIV Certification training course in the Philippines on two separate occasions. She regularly presents Master Classes and Lectures throughout the State and Region on alignment, relaxation, and breathing techniques for the singer.
Phillip Voorhees, tenor
Phillip Voorhees is an American tenor based in Natchitoches, Louisiana. He discovered his musical passions in school and church choirs in his hometown of Gulfport, Mississippi. He is currently pursuing a Bachelor of Music degree in Sacred Music from Northwestern State University of Louisiana, where he participates in the Chamber Choir, Northwestern Choral Artists, and Opera Theatre. He has portrayed roles such as Frederick from Pirates of Penzance and St. Brioche from The Merry Widow. His experience goes beyond classical music, as he is also a songwriter, guitarist, and banjoist, blending American folk music traditions with modern sensibilities. He has won awards from the National Association for Teachers of Singing and is the secretary of NATS student chapter at NSULA.
Kat Wilkinson, mezzo soprano
Kat Wilkinson is a multi-genre vocalist known for her collaborative musicianship. In her career so far, she has performed works with the St. Louis Symphony Chorus, the Shreveport Symphony Orchestra, the Rapides Symphony Orchestra, the Natchitoches-Northwestern Symphony Orchestra, and Northwestern State Opera Theatre. The performance of Handel’s Messiah is Kat’s second season as a guest artist with the Natchitoches-Northwestern Symphony Orchestra.
Program Notes
George Frederick Handel (1685-1759) was one of the pillars of artistic life in Baroque London. His operas, court music, religious anthems, organ music, and oratorios have all become staples of the performing repertoire. Messiah, HWV 56 (1741) remains one of the enduring masterpieces of his career. Composed over a period of a few weeks (Handel often reused material from other works, which made the compositional process quicker), the oratorio is based on key moments of Jesus’s life: the Nativity, Passion, Resurrection, and Ascension.
In contrast with many of Handel’s oratorios, the singers in Messiah do not assume named dramatic roles. There is a three-part structure to the various scenes which take the forms of recitatives, arias, and choruses. There are two non-vocal numbers: the opening Sinfonia (in the style of a French Overture) and the Pifa (a “pastoral symphony” midway through Part I). Part I is generally referred to as the “Christmas Portion” and Part II and II as the “Easter Portion.”
When Charles Jennens presented Handel with his text for Messiah in 1741, Handel’s fortunes were so low that he was considering leaving England. Several years earlier, his opera company had collapsed, and he had suffered a stroke. In the years following his recovery, he had had great success with two English oratorios (Saul and L’Allegro), but his two Italian operas had been complete failures. With the fashion for Italian opera apparently over, Jennens hoped to persuade Handel to return to writing English oratorios. In the summer of 1741 came a fortuitous invitation to give a series of concerts in Dublin. With these concerts in mind, Handel set to work on the music for Messiah on August 22, completing the enormous work on September 14, a mere three weeks later. Jennens, never one to be overly modest, expressed disappointment that Handel had not spent a year setting his libretto. “[Handel] has made a fine Entertainment of it, tho’ not near so good as he might & ought to have done. I have with great difficulty made him correct some of the grossest faults in the composition, but he retain’d his Overture obstinately, in which there are some passages far unworthy of Handel, but much more unworthy of the Messiah.”
Messiah was premiered on April 13, 1742 in Dublin for the benefit of charity and drew so many people that ladies were requested not to wear hoops, in order to accommodate a larger audience. The series of concerts was a triumph. According to Faulkner’s Journal, “The best judges allowed it to be the most finished piece of Musick. Words are wanting to express the exquisite Delight it afforded to the admiring crowded Audience.” But Handel was wary about presenting his new oratorio in London. Several years earlier, Israel in Egypt had failed, partly due to a controversy over using a biblical text in the theater. When he did finally introduce Messiah there in 1743, it was not well received, partly indeed because of its biblical text, but also partly because there were too many choruses and no characters playing out a story. The work did not become widely accepted until Handel began presenting it in his annual charity performances for the Foundling Hospital in 1750.
Program Notes
The London premiere of Messiah in 1743 is a source of an urban myth: some say that King George II, so moved by the powerful music of the “Hallelujah Chorus,” stood in appreciation of the composer’s efforts (a move that obligated all to stand). As a result, during a live performance of the “Hallelujah Chorus,” the audience stands. A good story, but there has been no historical evidence to suggest that the King attended the London premiere or any subsequent performance of it that year. The first reference to the Messiah in the King’s letters dates from 1756, three years before Handel died.
Notes by Dr. John Dunn
Roster
Northwestern State University Cane River Singers
Dr. Shane Thomas, conductor
Micah Dugas, collaborative artist
Moly Sofia Amezquita
Jace Atchison
Maira Avellaneda#
Natalie Barker
Amy Bamburg*
J. Cole Becton
Lailah Belvin
Rayven Benton
William Boyd IV
Adrianna Bradford
Josue Bustillo Aguero
Erick Cabrera
Jesus Calderon Pena
Juan Campos
Daniel Carballo
Oscar Carballo Torres
Abbygail Casnave
Kyle Castilla
Alison Choate
Santiago Coavas Romero
Fisher Cooley
Camin Cooper
Riley Corden
Connor Cowan
Claudette Cruz#
Catherine Davis
Rose Delphin-Eugene*
Carlos Diaz del Valle
Leonardo Donado
John Dunn*
Karen Eugene*
Allison Flores
Douglas Flores#
Blake Fontenot
Ever Naun Galeas
Valerie Galliano
Veronia Galliano
Irene Gomez
Astrid Gomez Bravo
Valerie Gongre
Aliya Green
Felipe Guerrero Morales
Lyle Harriman
David Hall*
Perla Hipp
Harry Hoben
Xavier Hobson
Riley Hopper
Natalie Hyde
Darrick Jasmine
Kevin Juarez Lopez
Kelly Kingrey-Edwards*
Lhareen Lazo#
Holland LaGrone
Madison Lenser
José Luzuriaga Herrera
Angel Maradiaga
Steven Mendoza#
Isabella Michler
Haleigh Miller
Julian Miller
Michael Mumphrey
Sophia Naquin
Jacob Naqvi
Viktor Novosad*
Joshua Noyola
Juan Padilla
Clairie Parent
Melissa Patino Mejía#
Candace Paul
Valley Pinckley*
Max Pinkney
Gabriel Polo Gomez
Hope Powell
Jennifer Pulling*
Tim Pursell
Sara Puryear-Dunn*
Joel Ramos Alvarado
Rosalie Ray
Allyce Richards
Ryleigh Riggs
Roye’l Roberts
Santiago Rovira Ortiz
Santiago Sanchez
Colin Sebren
Jasmine Shadd
Kris Simon*
Susana Solis*
Tyla Stewart
Belen Tenesaca Bermeo
Arien Thibodeaux
Anunye Thomas
Ronald Turizo Bueno
Ashlyn Underwood
José Villeda
Phillip Voorhees
Presley Walsworth
Adeleine Whittle
Jordan Williams*
Hal Williams III
Yesenia Zapata
* faculty/community member # graduate student
Roster
Natchitoches-Northwestern Symphony Orchestra
Douglas Bakenhus, Music Director
Andrej Kurti, Assistant Conductor
Sofiko Tchetchelashvili, Instructor
Karla Gonzalez Bueno, Instructor
Bass
Violin 1
Carlos Diaz del Valle, concertmaster
Perla Hipp
Abigail Morales Ramos
Juliana Miller
Jose Mario Villeda
Lawson Kirsch
Ana Campos #
Violin 2
Oscar Andres Carballo Torres, principal
Natalie Hyde
JaNia Wallace
Chloe Hanchett
Ana Baltazar
Abigail Williams
Jessica Aylin Mata Hernandez
Jessyca Ludwig
Na’Riaya Sowell
Viola
Ronald Zaldana Sanchez, principal
Norman Martinez
Emma Felton
Salome Uribe
Matthew Samaha
Gabrielle Meziere
Cello
Jesus Calderon, co-principal
Brad Christian Powell, co-principal
Santiago Rovira
Maira Avellaneda +
Alejandro Restrepo Cardozo +
Ail Harris
Sienna Henderson #
William Shupak, principal
Rafael Melgar Caceres
Zavion Sowell *
Macyn Lacour #
Keyboard
Micah Dugas
José Luzuriaga Herrera
Oboes
Yesenia Zapata, principal
Joel Ramos
Valentina Restrepo
Aliyah Gonzalez
Bassoons
Alexis Ortega, principal
Victoria Gomez Borjas
Trumpets
Fredy Hernandez, principal
Evelyn Gardner
Timpani
Walker Libbe
+ Graduate student
# Natchitoches Central High School student
* LSMSA student
Applied Music Faculty
Dr. Douglas Bakenhus, bassoon
Mr. Luke Brouillette, guitar
Dr. Robert Cardwell, voice
Mr. Paul Christopher, cello
Dr. Stephen Clark, flute
Dr. Mary DeVille, organ
Ms. Leah Forsyth, oboe
Dr. Paul Forsyth, saxophone
Ms. Karla Gonzalez, bass
Dr. Chialing Hsieh, piano
Dr. Masahito Kuroda, euphonium/low brass
Dr. Andrej Kurti, violin/viola
Dr. Marcy McKee, voice
Dr. Malena McLaren, clarinet
Dr. Oliver Molina, percussion
Mr. Adam Philley, voice
Dr. John Price, piano
Mr. Galindo Rodriguez, trumpet
Dr. Terrie Sanders, voice
Dr. Alexis Sczepanik, horn
Mr. David Steele, clarinet
Dr. J. Mark Thompson, trombone/low brass
Ms. Sofiko Tchetchelashvili, violin/viola
Dr. Francis Yang, piano
2025- 2026
Natchitoches-Northwestern Symphony Society
Board of Directors
Mary Lou Brown, President
Samantha Thomas, President-Elect
Cecilia Smith, Secretary
Gayle Howell, Treasurer
Tom Caldwell
Vicki Caldwell
Linnye Daily
Desiree Dyess
Loren Ford
Lynnel Gill
Link Hall
Marion Johnston
Gina McCorkle
Carolyn Roy
Jacob Ruppert
Marty Sanders
Mickey Stroud
Diane Temple
Jeff Thomas
David Young
Honorary Board
Dr. Douglas Bakenhus, Conductor
Alma Alost
Martha Janes Genovese
Jennifer Maggio
Brenda Webb
Past Presidents
1966-68 Martha Roberson
1968-69 Jim Bob Key
1969-70 Frank S. Roberson
1970-71 Cecile Murphy
1971-72 James A. Ford
1972-73 Lovan Thomas
1973-74 Rosie McCoy
1974-75 Frank Roberson
1975-76 Tom Paul Southerland
1976-77 Kerlin Sutton
1977-79 Curt Kinard
1979-80 Robert Lucky, Jr.
1980-81 Cynthia Brown
1981-82 Albin Johnson and L. J. Melder, Jr.
1982-83 Maxine Southerland
1983-84 Bobbie Archibald
1984-85 Mary Jean Thomas
1985-86 Sharon Gahagan
1986-87 William H. Cross
1987-88 Margaret A. Adkins
1988-90 Patricia W. Thomas
1990-91 Raymond Gilbert
1991-92 Ryan Horton, Jr.
1992-93 Saidee Watson Newell
1993-94 Michael Wolff
1994-95 Gene Newman
1995-96 Ada Jarred
1996-97 Bill Mathis
1997-98 Joseph M. Henr y III
1998-99 Margaret Sutton
1999-2001 Jane Hall
2001-03 David Graham
2003-04 Ron McBride
2004-05 Loren Ford
2005-06 Markay Cunningham 2006-07 Steve Horton 2007-08 Jeff Thomas 2008-09 Anne Stevens 2009-10 Desiree Dyess 2010-11 Linnye Daily 2011-12 Marilyn McMurtry 2012-13 Linnye Daily 2013-14 Robert Scott 2014-15 Richard Rose 2015-17 Marty Sanders 2017-19 Rick Hudson
2019-20 Pat Thomas 2020-21 Tony Smith 2021-22 Loren Ford 2022-24 Gayle Howell 2024-25 Marion Johnston
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Music
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The Natchitoches-Northwestern Symphony Society
What began 60 years ago has evolved into a strong organization providing scholarships for orchestral musicians attending Northwestern State University. In 1966 the symphony society was formed as a college/community collaboration to promote music and the arts in the Natchitoches community. It has grown from just a few scholarships in the early years to over 29 students receiving symphony society scholarships for the 2025-2026 school year.
Creation of the non-profit organization was led by NSU music instructor/conductor Dr. Joseph B. Carlucci, Martha Roberson and Jim Bob Key. Local attorney, Arthur C. Watson, drew up the articles of incorporation and bylaws for the 19 member Board of Directors. The first Board of Directors included President Martha Roberson, Vice President Jim Bob Key, Secretary Edwina Friedman, Treasurer Arthur Watson; also serving as board members were Margaret Adkins, Dr. Archie Breazeale Jr., Ruth Cunningham, Hertzog DeBlieux, Norman Fletcher, Senator Sylvan Friedman, Harold Kaffie, Ed Pierson, Virginia Pierson, Mayor W. Ray Scott, Dr. Paul Torgrimson, Dorothy Townsend, and, of course, Dr. Carlucci.
Early concerts were performed in A.A. Fredericks Auditorium with the orchestra composed of students, faculty members and professional musicians hired from other orchestras. There were fewer concerts with the first concert performed in December, a formal affair with a Symphony Ball afterward at the local country club (no longer in existence). Over the years the orchestra became all student musicians and the symphony society became focused on providing scholarships for these students. With the creation of Magale Recital Hall, concerts became more welcoming to all with less formal environment and better sound quality.
Today, after 22 years under the direction of Dr. Douglas Bakenhus, the NSU worldclass orchestra performs five concerts throughout the year plus participating in the NSU School of Creative and Performing Arts Christmas Gala show. Amended and Restated Articles of Incorporation and By-Laws, written by attorney and board member Jeff Thomas, were adopted May 2, 2019 . Amended in 2025, the Mission Statement’s primary goal is “providing scholarships for orchestra musicians who attend Northwestern State University in Natchitoches, Louisiana.” The NNSS Board of Directors, 21 voting members, serve on a volunteer basis.
The orchestra is an amazing education and cultural asset to both the university and community. It is an essential recruiting tool for Dr. Bakenhus. Community support is vital to helping the symphony society continue to provide scholarships for these talented musicians. The Natchitoches-Northwestern Symphony Society is grateful and thanks you, the Friends of the Symphony, for your continued support.
Celebrating 60 Years of Music
NNSS History by Pat Thomas, Past President, with revisions 2025
Northwestern State University is located in beautiful, historic Natchitoches, Louisiana, the oldest (1714) settlement in the Louisiana Purchase. Northwestern State was founded in 1884 as Louisiana Normal School for the education of teachers. In 1921 the school’s name was changed to Louisiana State Normal College, then designated as Northwestern State College of Louisiana in 1944. Its current title, an indication of Northwestern State’s diversity of programs and services, became official in 1970.
Welcome to the MRS. H. D. DEAR, SR. AND ALICE E. DEAR SCHOOL OF CREATIVE & PERFORMING ARTS
Northwestern’s School of Creative and Performing Arts, designated as an “Area of Excellence” by the University of Louisiana Board of Trustees and generously endowed by the H.D. Dear family of Alexandria, Louisiana, is comprised of four areas: Music; Art; Theatre/Dance; and New Media, Journalism, and Communication Arts. All four disciplines confer undergraduate degrees, and Music and the Fine and Graphic Arts also offer graduate degrees.
To learn more about the School of Creative and Performing Arts, please contact: Mr. Scott Burrell, Director of CAPA ........................................(318) 357-4522 ..........nfburrellc@nsula.edu
Welcome to the NSU DEPARTMENT OF MUSIC
To learn more about the Department of Music, please contact: Dr. Terrie Sanders, Department Head ..................................(318) 357-5762 ............sanderst@nsula.edu
NSU music students rehearse, attend classes, take private instruction, and perform in one of the most outstanding Performing Arts facilities in the South, the A.A. Fredericks Center for the Creative and Performing Arts, named to honor one of Northwestern State’s most outstanding administrators.
The Magale Recital Hall, endowed by the Magale family of Waterproof, Louisiana, seats over 400, and is one of the finest concert halls in the U.S. It is equipped with a 40-rank Reuter organ, two nine-foot grand pianos, and an Eric Hertz harpsichord. The 1400-seat Fine Arts Auditorium is used for larger concerts, musicals and opera, dance, and numerous theatre productions.
Many performing opportunities for students include several choirs, opera theatre, orchestra, marching band, wind ensemble, jazz orchestra, percussion ensemble, and a variety of chamber music groups. Degree offerings include the Bachelor of Music in Performance, the Bachelor of Music/Sacred Music Concentration, the Bachelor of Music Education, and the Master of Music.
PLAY WITH US! MUSIC SCHOLARSHIPS @ NORTHWESTERN STATE
Students are eligible to receive scholarships for participation in music ensembles, regardless of their academic major. Scholarship awards vary, and are determined by factors including a talent audition, high school achievements, academic scores and financial need. For further information, please contact CAPA Director, Scott Burrell.
NSU’s Dear School of Creative and Performing Arts (CAPA) is dedicated to creating a diverse, inclusive and equitable experience for all students, faculty and staff. CAPA will not tolerate racism or discrimination and is committed to creating a fair, empathetic, and just environment.
Northwestern State University does not discriminate on the basis of race, color, gender, religion, sexual orientation, national origin, disability, genetic information, age, pregnancy or parenting status, and veteran or retirement status in its programs and activities and provides equal access to the Boy Scouts and other designated youth groups. Complaints or inquiries related to Title IX should be directed to the Director of Student Advocacy and Title IX Coordinator, Julie Powell (318-357-5570). For Americans with Disabilities Act (ADA) concerns, contact the Accessibility and Disability Support Director, Crissey Smith, at 318-357-5460. Additionally, Northwestern complies with the Jeanne Clery Disclosure of Campus Security Policy & Campus Crime Statistics Act. Information about NSU’s campus security and crime statistics can be found at https://www.nsula.edu/universityaffairs/police/. Full disclosure statement: https://www.nsula.edu/iehr/.
