MARTINOS.PORTFOLIO.2025.A4

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Curriculum vitae

About/Introduction

Identity scale

SELECTED WORKS:

Speculative design project Report Art

The social sculpture Milena

Cinema – performance

TV show Discourse of Performance

The short film W

The short film At sea

The performance Pilėnai

Process - Dressing Up - Characters

Woman on The Urinal

The Meat Costume

EDUCATION

2024 – Vilnius Academy of Arts, Scenography and Site-Specific Art (MA)

2023 – Accademia di Brera, Dramaturgy of Scenography, Erasmus Program

2021 – Justinas Vienozinskis Art School, Vilnius

2020 – Lithuanian Academy of Music and Theatre, Performing Arts (BA)

2020 – Lithuanian Academy of Music and Theatre, Music Pedagogy (BA)

2016 – Juozas Tallat-Kelpsa Conservatory, Vilnius

SELECTED EXHIBITIONS

2024 – Vilnius Academy of Arts Graduation Show: Clouds exhibition, Titanikas Gallery

2024 – Counterargument VI: Outsiders, Radvila Palace Museum of Art, Vilnius 2023 – Berlin Photo Week, Kühlhaus Berlin

2021 – Solo exhibition Confrontation with Hope, Arts Printing House, Vilnius

2020 – Young Painter Prize finalists group exhibition, Pakrante Gallery, Rupert Residency

WORKSHOPS

2023 – Film Art Masterclass with Academy Award-winning designer Allan Starski, Scanorama Film Festival

2023 – Voice and Movement Workshop with Meredith Monk and Katie Geissinger, Gaida Festival

2023 – Creative workshops and discussions at the annual meeting of the Nordic-Baltic Fine Art Schools Network KUNO, focusing on KUNO Biennial 2023 – Shared Imaginations

2023 – Performance Art Workshop Intersections – Streaming and Performance Art, Vilnius Academy of Arts, in collaboration with the Nordic-Baltic Fine Art Schools Network KUNO

2023 – Innovation in Healthcare social design project, CIRRUS/Nordplus, North Estonia Medical Centre, Tallinn 2022 – Interdisciplinary Art Workshop The Moment, Estonian Academy of Arts (EKA) and Narva Art Residency (NART)

2021 – Interdisciplinary Art Workshop Conversations about the Weather, Nida Art Colony (NAC)

THEATRE, PERFORMANCE, CINEMA:

2024 – Costume design for the performance Pilenai, Science and Art Laboratory (MMLAB), Arts Printing House, Kaunas City Chamber Theatre, Siauliai State Drama Theater

2023 – Scenography and costume design for the short film At Sea (dir. Tadas Radis, Columbia University, New York), SLA Gallery, Anthology Film Archives

2023 – Scenography and costume design for the short film W (dir. Tadas Radis, Columbia University, New York), SLA Gallery, Anthology Film Archives

2022 – Scenography for the play Peter Pan (dir. Karolis Zajauskas), The Pulse Theatre Festival, The Balcony Theatre, Vilnius

SCHOLARSHIPS

2025 – Emerging Artist Grant, Lithuanian Council for Culture 2021–2024 Vilnius Academy of Arts Incentive Scholarship for Academic Excellence

COMPETITIONS:

2020 – Young Painter Prize XII finalist

WORTH TO MENTION:

2025 – Art projects coordinator for Galerie Uberall, Vienna

2024 – Co-founder of the speculative company Report Art 2022–2023 Creative & Visual Concept Designer at Wonder Architects Creative Studio

2023 – Curator of artist Lukas Juscius solo exhibition Sacristy, 5 Mills Gallery, in collaboration with Vilnius Academy of Arts and the University of Applied Arts Vienna

2021 – Singing Teacher at the Music and Art School, Vilnius

Martina Kryževičiūtė

Born 1997, in Vilnius

https://www.instagram.com/leavedirtydishes/ martina.kryzeviciute@gmail.com +370 677 39 598

Martina Kryževičiūtė is an interdisciplinary artist, performance creator, and teacher. Her work focuses on participatory, community-based, and socially engaging art. Through her creations, she explores the diversity of human social behavior and societal phenomena, drawing from her personal experiences.

Her artistic practice spans filmmaking, acting, singing, painting, and design. Martina's creative method is spontaneous and experimental, often employing modeling techniques where situations related to social and cultural contexts are intentionally staged and integrated into her work. To gain a deeper understanding of contemporary art and society, she uses both qualitative and quantitative interviews and applies methods of situational direction.

Martina is dedicated to developing the genre of social performance, where environmental scenography plays a crucial role. This artistic practice allows her to reflect specific experiences and social contexts. One of her notable projects is the social figure Milena – an art critic, journalist for the "Report Art" agency, content creator, and art influencer. Through Milena, Martina examines how evolving cultural and social trends shape society.

Martina's inclination toward interdisciplinarity emerged in her childhood. She played the violin and piano, drew, wrote poetry, and enjoyed reading and listening to music. However, her creativity extended beyond traditional forms – she would create alternative reality scenarios for her friends in the neighborhood. For instance, she "taught" Japanese, which was actually her own interpretation based on sounds from the anime series Dragon Ball Z. Her friends believed in her knowledge and even rewarded her with candies.

Another bold childhood experiment involved convincing her peers that she had a twin sister with whom she no longer spoke. To maintain the illusion, she would rush home, change clothes, and return as a completely di erent character.

At the age of 13, Martina played music at funerals, baptisms, and even on the streets to earn money. However, this type of performance did not resonate with her, and she soon abandoned it.

Martina Kryževičiūtė calls herself a "life actress." Every day and every environment becomes a stage where she consciously performs the script of the day, filled with improvisation, surprises, and comical situations. She easily communicates with people from various social backgrounds and institutions, engaging in collaborations that range from working with real estate agencies to teaching music at a school in Vilnius.

From her childhood performances to her conscious direction of everyday life, these experiences naturally extend into her artistic practice. Today, Martina experiments with environmental scenography, creating situations that encourage audience engagement and expand the boundaries of art and world perception.

FUTURE ARCHITECT

SOCIAL

DREAMING

RESEARCHER VISIONARY DESIGNER

MOTIVATOR

PEDAGOGY

VOCAL

TEACHER

CRITICAL DESIGN

EDUCATION

SOCIAL

DESIGN

IDENTITY

SOCIALLY ENGAGING ART

ART OF PARTICIPATION

SOCIAL SCULPTOR

PERFORMANCE

VISIONARY

EXPERIMENTAL ART

SITUATIONAL DIRECTION

IDENTITY SCALE

PERFORMER

INTERDISCIPLINARY ARTIST

MUSICIAN DRAG

SINGER

REPORT ART

SPECULATIVE DESIGN COMPANY

In 2024, designer Lukas Jusčius founded the speculative design company Report-Art, co-founded by interdisciplinary artist Martina Kryževičiūtė.

Report-Art stands out for its unique approach, bridging contemporary art and society. The project was developed with the support of artist, designer, engineer, founder of the Lithuanian Space Agency, Julijonas Urbonas.

This initiative was driven by research in contemporary art, participation in cultural events, and dialogue with artists and audiences. A growing gap between the art community and the wider public was noticed. To address this, an entertainment-educational platform was launched to make art more accessible. Through engaging, satirical, yet educational content, artists aim to bring art to a broader audience.

https://www.instagram.com/report.art/

What value does art create in the 21st century?

What is the relationship between the viewer and art?

Excerpts from the promotional Report Art video presentation (dir. Lukas Juscius), 2024

WHO IS

MILENA?

user.7526

the wackest exhibition i have seen

my.art.iq.is.500 why is there an ambulance????!

kenrick.lame

I love seing Milena in a setting like this :DDDD

ketamine.rose

This is actually entertaining!

gallery.lexicon visit us!

MILENA A SOCIAL SCULPTURE

Milena is an activist, Report Art journalist, performance content creator, and influencer exploring the impact of shifting cultural and social trends on society. She utilizes performativity and attention-capturing techniques to study human behavior through practical experiments in the cultural field.

Social sculpture* is an artistic concept developed by the German artist Joseph Beuys. It encompasses the idea that every person can be an artist, actively shaping society as a work of art.

https://www.instagram.com/reel/C5ntCEttXGT/?igsh=MTloczlwb3QzejFvOA==

Excerpt from the social performance: Counterargument VI: Outsiders, at the Radvila Palace Museum, 2024, Vilnius

(REPO T) art and culture education

https://www.youtube.com/shorts/Y_dCLwB-j6k

Directors: Tadas Radis, Vilius Jagminas

Producer: Martina Kryževičiūtė

Two actors find themselves at odds over whether to star film. Two enigmatic directors express doubts about their work, yet one of the actors chooses to fully commit to the As he delves deeper into the film, a series of unforeseen events the lines between reality and fiction, leaving everyone unsure what is truly happening. Perhaps all is but a film?

Actors: Karolis Zajauskas, Alvydė Pikturnaitė, Rytis Mėdžius, sandras Adomas Kočnevas

Scenography and Costume Design: Martina Kryževičiūtė

Lighting Designer: Edvin Novickij

Composer: Laurynas Motiekaitis

education pitch: enezia’24

in a new following the project. events blur unsure of Mėdžius, Alek-

unreleased project, 2024

e esančius autorinius kūrinius įgy vendinti, viešinti ir adaptuoti draudžiama.

CINEMA – PERFORMANCE

TV SHOW DISCOURSE OF PERFORMANCE

Short Film, 7 min. 2024

Watch professional artists and their audience. Listen to their conversations and misunderstandings, and turn it into a fictional TV talk show. Do people in the art world speak in a way that the audience understands? Why do we get bored when art is discussed on TV? In this work, I aimed to reflect discussions about art. I created typical art world characters and gave them real or confusing dialogues about contemporary art. I want to ask the viewer: do you find what you see and hear in art discussions interesting?

Director, Screenwriter, Producer: Martina Kryževičiūtė

Cinematographers: Vilius Jagminas, Deividas Švenčionis

Cast: Dainius Gavenonis, Mindaugas Šukys, Mindaugas Bonanu, Augustas Klimas, Lina Brazau, Lukas Juščius, Deividas Trasykis

Scenography and Costume Design: Martina Kryževičiūtė

Lighting Designer: Edvin Novickij

Montage: Deividas Švenčionis

TV SHOW DISCOURSE OF PERFORMANCE

Short Film, 7 min. 2024

Excerpts from the casting of actors for the show Discourse of Performance, 2024

W

Short Film, 18 min. 2024

Two actors find themselves at odds over whether to star in a new film. Two enigmatic directors express doubts about their following work, yet one of the actors chooses to fully commit to the project. As he delves deeper into the film, a series of unforeseen events blur the lines between reality and fiction, leaving everyone unsure of what is truly happening. Perhaps all is but a film?

Directors: Tadas Radis, Vilius Jagminas

Producer: Martina Kryževičiūtė

Actors: Karolis Zajauskas, Alvydė Pikturnaitė, Rytis Mėdžius, Aleksandras Adomas Kočnevas

Scenography and Costume Design: Martina Kryževičiūtė

Lighting Designer: Edvin Novickij

Composer: Laurynas Motiekaitis

AT SEA

Short Film, 17 min. 2023

A human lays in ennui at the sea side. A mythological figure of disorder appears carrying a promise of play. Their encounter is cut short by the appearance of another mythological figure of order with plans of their own. The human must face themselves as a playing and a thinking being, guided by the suggestions of the enigmatic characters. What will become of the human? Will he succeed in reconciling his two clashing natures?

Directors: Tadas Radis, Vilius Jagminas

Producer: Martina Kryževičiūtė

Actors: Karolis Zajauskas, Rytis Mėdžius, Darius Bagdžiūnas

Scenography and Costume Design: Martina Kryževičiūtė

Composer: Laurynas Motiekaitis

Sound Design: Simonas Gimelstein

PILĖNAI

Performance, 40 min. 2024

Artists Matas Dirginčius and Naubertas Jasinskas reinterpret the story of Pilėnai*, recognizing the possibility of history repeating itself and the ongoing threats to our nation, the performance deconstructs rigid notions of masculinity. The creators raise the question: how can we develop new models of interaction that emphasize openness, sensitivity, and empathy?

Pilėnai* were an ancient Lithuanian tribe known for their resistance against the Teutonic Order. In 1336, after a long siege, they chose death over surrender when their fortress fell, becoming a symbol of Lithuania's fight for freedom.

Concept Authors and Performers – Matas Dirginčius and Naubertas Jasinskas

Music Dramaturgy – Agnė Matulevičiūtė

Lighting Designer and Scenographer – Dainius Urbonis

Costume Designer – Martina Kryževičiūtė

Movement Consultant – Paweł Sakowicz

Producer – Rusnė Kregždaitė

Manager – Greta Senkutė

Communication – Rasa Kregždaitė

Designer – Ieva Sutkutė

Visual Video Artist – Ričard Žigis

Technical Director – Vladislav Bajaznyj

Photographer – Kęstutis Žilionis

PROCESS – DRESSING UP – CHARACTERS

WOMAN ON THE URINAL

Performance, 40 min. 2024

On February 9, 2024, in a youth club bathroom in Vilnius, I created an experiential art piece titled Woman on the Urinal.

Dressed as a man, I urinated in a urinal placed in an open space.

The artwork did not have clear instructions for the viewers or participation, but the participants themselves formed a social connection with the art object. The changing participants became co-authors of the artistic space and tools for exploring a social phenomenon.

The men in line behind me recognized the woman in me, as I was facing away from the urinal while urinating. They became uncomfortable and, with their bodies, tried to shield me from the gaze of the other men in line.

But that evening, I was a man—so why did my behavior disturb them so much?

THE MEAT COSTUME

Video performance, 3 min. 2021

After the war in Ukraine started, together with Lukas Juscius, we created a jacket made of raw meat, which we later fed to hungry dogs, 2022.

martina.kryzeviciute@gmail.com

https://www.instagram.com/leavedirtydishes/

martina.kryzeviciute@gmail.com https://www.instagram.com/leavedirtydishes/

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