Modern and Contemporary Art Online Auction: April 28th, 2021

NOAG Modern & Contemporary Art Online Auction: APRIL 28, 2021

Modern & Contemporary Art Online Auction: APRIL 28, 2021

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

Pictured Left: Lot 39 | Front Cover: Lots 112, 113, 144 | Back Cover: Lot 54

Exhibition: April 19-27, 2021 Monday - Friday (closed Saturday & Sunday) 10:00 a.m. - 4:00 p.m.

By Appointment Email info@neworleansauction.com or call us at 504-566-1849 to schedule an appointment

Lot Schedule: Please note that times are approximate

Wednesday, April 28, 2021 12 p.m. CT 12:00

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bidding: Telephone

Absentee

Live Online

Bidding is available by telephone, absentee and live online with LiveAuctioneers and Invaluable

1 Ronald Searle (British, 1920-2011) “Elephant” lithograph pencil-signed upper right, numbered “98/200” lower left.

Unframed. sheet 5-7/8” x 6-1/4” $400-$700 2 Mario Villa (Nicaraguan/Louisiana, b. 1953) “Face” “Figure”, 2004

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mosaic and ink on stone plaque former with incised signature and “RU55” at lower right, signature in mosaic lower left, latter signed lower left and dated lower right.

12-3/4” x 12-3/4” and 4-1/2” x 5-1/4”, respectively $75-$125

3 Saliha Staib (French/Louisiana, Contemporary) “Untitled - Nude” oil on masonite unsigned.

Framed.

32” x 23”, framed 36” x 27” $800-$1,200

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4 Mario Villa (Nicaraguan/Louisiana, b. 1953) Two-Arm Metal Sconce with red enameled shades, elements for electricity. h. 32”, w. 12”, d. 3-1/2” $400-$700 5 Pair of Mario Villa (Nicaraguan/Louisiana, b. 1953) Mixed Metal Sconces each with three arms, with copper shades. h. 22-1/2”, w. 17”, d. 5-1/2”

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$700-$1,000 6 Mario Villa (Nicaraguan/Louisiana, b. 1953) Two-Arm Candelabrum and Serving Stand iron, the serving stand with three porcelain bowls. h. 14”, w. 19”, d. 4-1/4” and h. 17”, w. 8-1/2”, d. 10”, respectively $400-$700 7 Mario Villa (Nicaraguan/Louisiana, b. 1953) “Classical Portraits”, 1997 monotype signed and dated lower right.

Matted, glazed and framed. sight 24” x 38”, framed 34” x 47” $500-$800

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8 Gilberto Antonio Tarin (American/Texas, 20th Century) “Penne”, 1974 pen, ink, gouache and collage on paper titled in painting, signed and dated lower right.

Backed by board and wrapped with Mylar plastic.

26-3/8” x 22-5/8” $100-$200 9 Gilberto Antonio Tarin (American/Texas, 20th Century) “Dos bellos angelitos entre bola”, ca. 1974 two graphite, pen and watercolor on paper the first signed and titled upper right, the second with a similar composition signed and dated “74”.

Each backed by board and wrapped with Mylar plastic.

27” x 22-1/2” and 18-1/4” x 14-1/4”, respectively $100-$200

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10 Gilberto Antonio Tarin (American/Texas, 20th Century) “Lo qeu la bola da” and “Untitled-Figures in the Rear View”, 1974 two pen and watercolor on paper the first signed lower right and titled in Spanish right side, the second signed and dated lower center left.

Each backed by board and wrapped with Mylar plastic.

22-1/2” x 21-1/4” and 20” x 16”, respectively $100-$200 11 Susan Hauptman (American, 1947-2015) “Self-Portrait” charcoal, pastel and mesh on paper pencil-inscribed under mask at lower left.

Float-mounted, glazed and framed.

16-1/2” x 16”, framed 20” x 19-1/4” $800-$1,200

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12 12 Agnes Martin (Canadian/American, 1912-2004) “Untitled” pair of lithographs on vellum parchment paper each pencil-signed lower right.

Unframed.

11-3/4” x 11-3/4” $200-$400 13 Jack Spencer (American, b. 1951) “Sandra with Veil”, 2001 silver gelatin print with oleopasto pencil-signed lower right and numbered “1/20” lower left.

Matted, glazed and framed. sight 5” x 5”, framed 10-1/4” x 10-1/4”

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Provenance: Cumberland Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $400-$700 14 Jack Spencer (American, b. 1951) “Sandra with Hat”, 2001 silver gelatin print with oleopasto pencil-signed lower right and numbered “1/20” lower left.

Matted, glazed and framed. sight 5” x 5”, framed 10-1/4” x 10-1/4” Provenance: Cumberland Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $400-$700

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15 Mario Villa (Nicaraguan/Louisiana, b. 1953) “Nefertiti” Table Lamp 1987, base of bronze, steel and plaster (bust), with a pierced copper shade, cast signature and dated along front of bust. h. 28-1/2”, dia. 7” $600-$900

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16 Neoclassical-Style Brass and Steel Marble-Top Gueridon in the manner of Maison Jansen, France, the top with a circular brass ring and inset beveled marble, raised on slender columnar legs with reeded capitals and tapering brass feet, joined by a shaped stretcher. h. 6”, dia. 22-1/2” $300-$500

15 detail

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17 17 After Salvador Dali (Spanish, 1904-1989) “Paradise 14”

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offset lithograph on paper unsigned and unnumbered, from an unknown edition.

Float-mounted, matted, glazed and framed. sheet 13” x 10”, framed 27” x 24-1/4” $100-$200

18 Salvador Dali (Spanish, 1904-1989) “La Femme dans le Cosmos” lithograph pencil-signed lower right, unnumbered edition.

Unframed. sheet 22-1/4” x 15-1/8” $800-$1,200

19 Salvador Dali (Spanish, 1904-1989) “La Femme dans le Cosmos” lithograph in colors pencil-signed lower left, from an unnumbered edition.

Unframed. sheet 19-3/4” x 13” $800-$1,200

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20 Salvador Dali (Spanish, 1904-1989) “Paris and Helen of Troy” and “Samson and Delilah” from the Famous Lovers Suite, 1972 two color etchings each edition of 1,000 printed by Ateliers Rigal and published by Newman, each pencil-signed and numbered lower margin “702” and “414”, respectively.

Matted, glazed and framed alike.

16-1/2” x 14-1/4” and 14-1/4” x 16-1/2”, framed 25-3/4” x 18-1/4” and 23” x 21”, respectively $800-$1,200

21 Salvador Dali (Spanish, 1904-1989) “The Lady of the Unicorns” etching second edition or later, signed in plate lower center.

Matted but not framed. pl. 10-3/8” x 8-1/8”, mat 17-3/4” x 15” $200-$400

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23 After Ben Shahn (American/New York, 1898-1969) “Praise Ye the Lord”, 2001 lithograph printed by the Museum of Modern Art, New York.

Unframed.

8-3/4” x 21-3/4” Provenance: Estate of Carol A. Straus, Houston, Texas. $100-$200

24 American Art Pottery Ruffled Edge Bowl 20th century, numbered “2” at bottom, with a lucite presentation base. bowl h. 4-1/2”, dia. 10”, base h. 4”, w. 4”, d. 4” Provenance: Estate of Carol A. Straus, Houston, Texas.

Literature: Illustrated in situ of the Straus’ River Oaks home in Houston, House & Garden, March, 1950, p. 99 $100-$200

22 22 Sarandis Karavousis (Greek, 1938-2011) “Untitled - Figure in Classical Ruins” etching pencil-signed lower right, numbered “48/50” lower left, blind stamp lower center .

Unframed. sheet 7-1/2” x 6-1/4” $100-$200

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25 Eero Saarinen for Knoll, Occasional Table of the iconic “tulip” form, ca. 1961, the table with a circular rosewood laminate top beneath a conforming marble. h. 26-1/2”, dia. 18” Provenance: From the mid-century modern collection of the late George and Robbie Neilson, Marrero, Louisiana. $400-$700

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26 Buddy Jackson (American/Tennessee, Contemporary)

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“Dark Sea”, 1998 pen, ink and watercolor on paper initialed and dated lower right, titled lower left.

Float-mounted, matted, glazed and framed. sheet 4” x 6”, framed 13” x 15” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $200-$400

27 Buddy Jackson (American/Tennessee, Contemporary) “Torso”, 1998 pen, ink and watercolor on paper initialed and dated lower right, titled lower left.

Float-mounted, matted, glazed and framed. sheet 4” x 6”, framed 13” x 15” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee.

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$200-$400

28 Buddy Jackson (American/Tennessee, Contemporary) “Crouching Form”, 1998 pen, ink and watercolor on paper initialed and dated lower right, titled lower left.

Float-mounted, matted, glazed and framed. sheet 6” x 4”, framed 14-3/4” x 11” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $200-$400

29 Skylar Fein (American/Louisiana, Contemporary) “Enjoying Surge to Top of Charts, Michael Jackson Enjoys Good Life at California Ranch”, 2009 painted wood signed and dated en verso and with artist token, titled along top edge.

12” x 23”

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$400-$700

30 J. Todd Greene (American/Tennessee, b. 1969) “Clear Light of Sleep”, diptych mixed media on paper signed lower right.

Float-mounted, glazed and framed. each sheet 26” x 19”, total 26” x 38”, framed 38” x 52” $800-$1,200

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31 Joe Guy (American, b. 1953) “Location”, 1980 paper, graphite and acrylic h. 12”, open w. 24-1/4” Provenance: Robert Molina Gallery, Houston, Texas, 1981; Estate of Carol A. Straus, Houston, Texas. $200-$400

32 Ernst Benkert (American, 1928-2010) “Tomb #3”, 1991 watercolor on rag paper inscribed in pencil lower right “W & N Charcoal Grey”, verso with artist name, title and date of work.

Unframed. sheet 29-3/4” x 22” Provenance: Estate of Carol A. Straus, Houston, Texas. $500-$800

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33 33 After Fernand Leger (French, 1881-1955)

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“L’Artiste Dans le Studio” lithograph with pochoir on paper inscribed “FL 6-38” in plate lower right, pencil-numbered “425/1,000” lower left.

Matted, glazed and framed. sight 12” x 15-1/4”, framed 17” x 21” $300-$500

34 Scott Wise (American/Tennessee, Contemporary) “Untitled”, 2005 carved stone incised signature and dated at back, on a black presentation plinth. sculpture h. 38”, w. 7-1/2”, d. 8”, base h. 6” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $1,000-$1,500

35 Susan Manchester (American, 20th Century) “Four Fold”, 2003 conte, pastel and graphite on paper signed lower right.

Float-mounted, glazed and framed. sheet 46” x 50”, framed 50-1/2” x 54-1/2” Provenance: Edith Caldwell Gallery, Sausalito, California; Private collection, Nashville, Tennessee. $600-$900

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36 David Halliday (American/Louisiana, b. 1958) “Untitled” silver gelatin print pencil-signed, dated and copyright-marked lower right (under matting).

Matted and framed. sight 8-1/4” x 7-3/4”, framed 16-1/8” x 16-1/8” $600-$900

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37 David Halliday (American/Louisiana, b. 1958) “Untitled”, 1996 gelatin silver print pencil-signed, dated and copyright-marked lower right along with artist’s blind stamp.

Unframed.

14” x 11” $600-$900

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38 Edie Maney (American/Tennessee, Contemporary) “Abstract”, 2002 acrylic on Arches paper signed lower left.

Float-mounted, matted, glazed and framed. sheet 22” x 29-1/2”, framed 33” x 40-1/2” Provenance: Purchased from artist; Private collection, Nashville, Tennessee. $800-$1,200

39 Bonnie Connolly (Aboriginal Australian, b. 1936) “Untitled” oil on canvas unsigned.

Framed.

34-3/4” x 35”, framed 38-1/4” x 36-1/4”

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Provenance: Purchased Ayers Rock, Australia; Private collection, Nashville, Tennessee. $1,000-$1,500

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42 40 Rusty Wolfe (American/Tennessee, Contemporary)

43 Larry Poons (American, b. 1937)

“Untitled”, 2004

“A Year”, 1972

lacquer on plexiglass from the “Sunset” series”, signed and dated en verso frame.

In an integral frame.

23-3/4” x 69”, framed 25-1/2” x 71”

silkscreen on beaver cloth, mounted on stretchers and backed by cardboard monogrammed “LP” and numbered “6/95” lower right.

Presented in a plexiglass wrapped frame.

35” x 24-3/4”, framed 35-3/8” x 25-1/4”

Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee.

Provenance: Estate of Carol A. Straus, Houston, Texas.

$1,000-$1,500

$500-$800

41 Fourteen French Color Lithographs from Les Maitres de l’Affiche 1898, published by L’Imprimerie Chaix, Paris, under the direction of Jules Cheret, including works by such artists as Georges Meunier, Jules Grun, Eugene Grasset, Rene Pean and Cheret himself among others, each sheet with publisher’s blind stamp lower right, together with title page from Summer No. 30. sheet 15-3/4” x 11-1/2” Les Maitres de l’Affiche was a monthly subscription series which lasted from December 1895 to December 1900. Each set consisted of four reduced size full-color lithographs of wellknown posters produced on fine paper. $800-$1,200 42 Walter Inglis Anderson (American/Mississippi, 1903-1965) “Robinson...” and “One Boy He Met a Fairy...” two woodblocks on paper hand-colored by the artist’s niece Adele Anderson Lawton, each inscribed “painted by Adele” lower right.

Each matted alike and wrapped in mylar plastic. each sight 11-1/2” x 9”, mat 16-1/4” x 13-3/4” $400-$700

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45 Marlys K. Powell Mallet (American, Contemporary)

44 Collection of Five Balinese Carved and Painted Wood Musicians

“Kimono” each seated figure with a different instrument and ornamented gilt scrollwork clothing accented with bits of colored mirror glass. h. 14” to 15-1/2”, w. 9” to 11-1/4”, d. 7-3/4” to 8-1/4”

oil and metallic paint on gallery-wrapped canvas signed “Marlys K. Powell” lower center, signed and titled en verso.

Unframed.

48” x 60”

$800-$1,200

$1,000-$1,500

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46 Lain York (American/Tennessee, b. 1965) “Household Protective Spirits”, 1999 oil on wood panel signed, titled and dated en verso Unframed. h. 35-1/2”, w. 32”, d. 7-1/4” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $400-$700

47 J. Todd Greene (American/Tennessee, b. 1969) “Paw Paw” mixed media on canvas Float-mounted, glazed and framed. sheet 36” x 30”, framed 42-1/4” x 37”

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Provenance: The Arts Company, Nashville, Tennessee; Private collection, Nashville, Tennessee. $300-$500

48 48 Michael Meads (American/Alabama, b. 1966) “Hippie Jesus with Penitents on Saint Ann Street”, 2018 sumi ink on acid-free paper signed and dated lower right.

Matted, glazed and framed. sight 9-3/4” x 6-1/2”, framed 18-1/8” x 15-1/4”

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$300-$500

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49 Attributed to Georg Holub (Czech, 1861-1919) “Seated Man, Reading” graphite on paper dated lower left “29, 10, ‘94”.

Matted, glazed and presented in a giltwood frame. sight 6” x 4”, framed 16” x 14” $150-$300

50 Andree Ruellan (American, 1905-2006) “Four Men at a Charleston Dock” and “Study for ‘River Men’ Painting” two graphites on paper each signed lower right, latter localized “Savannah” lower right.

Both unframed. former 9-1/8” x 12”, latter 10” x 13”

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$800-$1,200

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51 Stephen Scott Young (American, b. 1957) “Dropping the Line” “Flip Flops and Lace” pair of etchings on paper each pencil-signed lower right, titled lower center and numbered “AP 6” and “5/44”, respectively, at lower left.

Matted, glazed and framed alike. sights 6” x 5” and 6-1/4” x 5-1/4”, respectively, each framed 14-1/4” x 13-1/4” Provenance: Gold Leaf Designs and Gallery, Chattanooga, Tennessee, March 2008. $400-$700

52 Jane Allen Nodine (American/South Carolina, Contemporary) “Vesture 0110” digital photo manipulation with acrylic and graphite on paper from the “Vesture” series.

Matted, glazed and framed. sight 21-3/4” x 22-1/4”, framed 33-1/4” x 31-1/4” Provenance: Purchased from artist; Private collection, Nashville, Tennessee.

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$200-$400

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53 Rodney Weng (Asian, Contemporary) “G’Day Mate” oil on canvas signed lower right.

Unframed and unstretched.

37” x 25-1/2” $150-$300

54 Rob Goldsmith (American/Louisiana, b. 1953) “Untitled”, ca. 2000 mixed media on paper from the “Inscape” series.

Glazed and framed. sight 27-1/4” x 29-1/4”, framed 32” x 33-1/2” $800-$1,200

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55 Robert Anderson (American/New Mexico, Contemporary) “The Juggler”, 1994 oil on paper signed and dated lower center.

Float-mounted, glazed and framed. sheet 44” x 30”, framed 55-1/2” x 42” $800-$1,200 56 After Joan Miro (Spanish, 1893-1983) “Fusse”, plate 3, from Nous Avons (1959) color lithograph after the original aquatint etching unsigned, frame backing with typewritten label from Merrill Chase.

Matted, glazed and framed. sight 4-3/4” x 6-1/2”, framed 8-3/4” x 10-1/4” Literature: Accompanied by a Certificate of Authenticity issued by Merrill Chase, ca. 1960s. $300-$500

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56 57 Kaaren Engle (American/Tennessee, 1961-2016) “Squaring the Circle”, 2001 watercolor on paper signed, dated and copyright-marked lower right.

Float-mounted, matted, glazed and framed. sheet 12-1/4” x 10”, framed 23” x 20-1/4” Provenance: Purchased from artist; Private collection, Nashville, Tennessee.

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$400-$700

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58 Stanley Boxer (American, 1926-2000)

59 Ado Sato (Japanese, 1936-1994)

“Untitled”, 1972

“Starter Red”

mixed media on paper verso with “Tibor de Nagy Gallery, Houston, TX” and “Meredith Long & Company, Houston, TX” labels.

Framed under plexiglass.

10” x 16”, framed 10-1/4” x 16-1/4”

silkscreen in colors signed, titled and numbered “45/50” lower right.

Matted, glazed and framed. sight 17-1/2” x 35”, framed 23-1/2” x 41” Provenance: Estate of Carol A. Straus, Houston, Texas.

Provenance: Estate of Carol A. Straus, Houston, Texas.

$400-$700

$500-$800

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60 Dimitri Berea (Romanian/French/American, 1908-1975) “Seated Woman”, 1968 “Pensive” “Face”, 1971 three ink on paper figural drawings respectively: signed, dated, localized “New York” and inscribed lower left; signed and localized “Paris” lower right; signed, dated, localized “Strasbourg” and inscribed lower right, last partially laid down on matting.

8-3/4” x 6-1/8”, 8” x 6”, and 12” x 9”, respectively $300-$500

61 Louise Guidry (American/Louisiana, b. 1930) “West Nashville” acrylic on board signed lower right.

Unframed.

17” x 17” $800-$1,200

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64 Roland-Heinrich Gotschik (German, 20th Century) “The Soul of Fashion”, 2020 acrylic on canvas signed lower right.

Unframed and unstretched.

42-1/2” x 30-1/2” $300-$500

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62 Robert L. Durham (American/Washington, 1912-1998) “You Can Leave Your Hat On”, 2005 oil on gallery-wrapped canvas signed, dated and titled en verso.

Unframed.

36” x 24”

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Provenance: Cumberland Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $1,000-$1,500

63 Matthew Cox (American/Louisiana, b. 1961) “Untitled” embroidered X-ray Unframed.

17” x 42” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $600-$900

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65 Giovanni Balderi (Italian, b. 1970) “Untitled”, 2010 graphite and watercolor on Arches paper pencil-signed and dated lower right, signed, dated, dedicated and inscribed en verso.

Unframed. sheet 30-1/2” x 22-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

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66 Giovanni Balderi (Italian, b. 1970) “Untitled”, 2010 graphite and watercolor on Arches paper pencil-signed and dated lower right, signed, dated, dedicated and inscribed en verso.

Unframed. sheet 30-1/4” x 22-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

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67 Steven Martin (American/Louisiana, b. 1956) “Flight” steel sculpture unsigned. h. 52”, w. 39”, d. 7” Provenance: Private collection, Birmingham, Alabama. $700-$1,000

68 Peter Max (American, b. 1937) “Quadrillage”, 1973 lithograph on paper pencil-signed lower right and numbered “81/250” lower left, artist’s blind stamp lower left.

Matted, glazed and framed.

17” x 20-1/2”, framed 27” x 30-1/2”

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$600-$900

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69 Laurent Marcel Salinas (French, 1913-2010) “Au Salon de la Rue des Moulins” lithograph in colors after Toulouse-Lautrec (French, 1864-1901), pencilsigned lower right, numbered “1307/1500” lower left.

Matted, glazed and framed. sight 18-3/4” x 21-3/4”, framed 31” x 33-3/4” $200-$400 70 Paul Allen Reed (American, 1919-2015) “Mr. and Mrs. Ounce” etching with aquatint pencil-signed lower right, titled lower left.

Matted, glazed and framed. sight 12-1/2” x 7-1/2”, framed 19-1/2” x 14” Provenance: Estate of Carol A. Straus, Houston, Texas.

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$300-$500 71 Contemporary Patinated Steel and Marble-Top Console Table of demi-lune form and with an overhanging marble top, raised on shaped wrought iron legs ending in scrolled toes. h. 28”, w. 35-1/2”, d. 16” $300-$500

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72 Jose Luis Cuevas (Mexican, 1934-2017) “Jack the Ripper”, 1968 lithograph on paper from the “Crimes of Cuevas” portfolio, pencil-signed and dated lower right, signed in reverse, titled and dated in plate upper right.

Float-mounted, glazed and framed. sheet 22” x 30”, framed 28” x 36” $150-$300

73 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Untitled Figural Study” oil on canvas signed lower left.

Unframed.

28” x 24” $700-$1,000

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74 Rusty Wolfe (American/Tennessee, Contemporary)

75 Rusty Wolfe (American/Tennessee, Contemporary)

“Untitled”

“Untitled”

lacquer on plexiglass from the “Sunrise” series.

In an integral frame.

12” x 70”, framed 13-5/8” x 71-5/8”

lacquer on plexiglass from the “Sunrise” series.

In an integral frame.

10-5/8” x 47-3/4”, framed 12-3/8” x 49”

Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee.

Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee.

$1,000-$1,500

$1,000-$1,500

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76 Dan Tague (American, b. 1974) “Murder” crude oil on paper signed lower right.

Matted, glazed and framed. sheet 19” x 13”, framed 24-1/4” x 18” $700-$1,000

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77 Francisco Toledo (American/Texas, 1940-2019) “Leon” black and white etching signed in pencil lower right, titled lower center and numbered “58/250” lower left, verso with “DuBose Gallery, Houston, TX” and “Associated American Artists, New York, NY” labels.

Matted, glazed and framed. sight 13” x 10”, framed 23” x 16-1/2” Provenance: DuBose Gallery, Houston, Texas; Estate of Carol A. Straus, Houston, Texas.; Estate of Carol A. Straus, Houston, Texas. $500-$800

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78 William Gropper (American, 1897-1977) “Mike Fink” lithograph pencil-signed and signed in plate lower right, titled in plate lower left.

Matted, glazed and framed. sight 15-3/8” x 9-3/4”, framed 24-1/4” x 17-3/4” $200-$400

79 Ben Shahn (American/New York, 1898-1969) “Veterans Attacking The Flag” pen and ink on paper signed in pencil lower right.

Matted, glazed and framed. sight 6-1/2” x 10”, framed 13” x 17” Provenance: The Downtown Gallery, New York, New York, 1956; Estate of Carol A. Straus, Houston, Texas. $500-$800

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80 Rolland Harve Golden (American/Louisiana, 1931-2019) “Untitled”, 1979 watercolor on paper signed and dated lower left.

Float-mounted, matted, glazed and framed. sheet 22” x 30”, framed 32” x 40” $700-$1,000

81 Dong Kingman, N.A. (American, 1911-2000) “Afternoon in the Park” watercolor on paper signed lower right.

Matted, glazed and framed. sight 21” x 14”, framed 30” x 22” $700-$1,000

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82 Rolland Harve Golden (American/Louisiana, 1931-2019) “Rue Eglise”, 1994 pencil and watercolor on paper signed and dated lower right, titled, dated and copyrightmarked in pen en verso.

Matted, glazed and framed. sight 8-1/4” x 5-1/2”, framed 14-5/8” x 11-5/8” $400-$700

83 Ellsworth Woodward (American/New Orleans, 1861-1939) “The Old Trolley Stop, French Quarter” etching monogrammed in plate lower left.

Matted, glazed and framed. sight 8-1/2” x 12”, framed 13” x 16-1/2”

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Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

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84 Robert Rucker (American/Louisiana, 1932-2001) “The General Store” oil on canvas signed lower right.

Framed.

18” x 24”, framed 21-1/2” x 28” $400-$700

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85 Workshop of Henry Hensche (American/Louisiana/Massachusetts, 1899-1992) “Autumn Landscape with a Cottage” oil on masonite inscribed upper right.

Framed.

16” x 20”, framed 26” x 30” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

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86 American School (20th Century) “Still Life of Lemons and Potted Plant” oil on board signed “Ch. Armstrong” lower left.

Matted, glazed and framed. sight 6-5/8” x 10”, framed 15-3/4” x 20” $200-$400

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87 Gary Bukovnik (American/California, b. 1947) “Sunflowers”, 1990 lithograph in colors pencil-signed, dated and numbered “17/20 AP” lower right.

Matted, glazed and framed. sight 35-3/4” x 21-3/4”, framed 38-1/2” x 24” $1,000-$1,500

88 Hamilton Brooks (American, 20th Century) “Silver Service”, 1997 watercolor on paper signed lower right.

Matted, glazed and framed. sight 17-3/4” x 21-3/4”, framed 22” x 26-1/4” $300-$500

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89 Gary Bukovnik (American/California, b. 1947) “San Francisco Symphony 1990/91 Season” lithograph in colors pencil-signed lower left.

Matted, glazed and framed. sight 39” x 13”, framed 42” x 16” $400-$700

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44

90 Pauline Wallen (American/Tennessee, 1922-2010) “Landscape Scene with Branches and Mushrooms” watercolor on paper signed lower right.

Matted, glazed and framed. sight 13” x 19-1/4”, framed 25” x 30-1/4” $400-$700

91 Margaret Scanlan (American/Tennessee, Contemporary) “Poppy Field” watercolor on paper unsigned.

Framed. sight 29-3/4” x 39-3/4”, framed 33” x 43”

90

Provenance: Tennessee Arts Commission; Private collection, Nashville, Tennessee. $500-$800

91

45

92

92 American School (20th Century) “Kentucky Derby Balloon Race Over the Belle of Louisville Steamboat on the Ohio River” acrylic and colored pencil on poster board signed lower left and center “Chabaud”.

Unframed.

35” x 31” $500-$800

93 Billy Price Carroll (American, 1920-2011) “Blooming Magnolia” oil on canvas signed lower right.

Framed.

16” x 20”, framed 23” x 27” $300-$500

93

46

94 American School (Contemporary) “Wooded Interior” oil on canvas illegibly signed lower left.

Framed.

36” x 48”, framed 44” x 56” $700-$1,000

95 American School (Contemporary) “Autumnal Woods” oil on canvas illegibly signed lower left.

Framed.

36” x 48”, framed 44” x 56” $700-$1,000

94

95

47

96 Kristi Hargrove (American/Tennessee, Contemporary) “Life Line”, 2000 graphite on paper pencil-signed, titled and dated en verso backing.

Float-mounted, glazed and framed. sheet 20” x 16”, framed 25-3/4” x 21-1/4” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $800-$1,200

96 98 Jacques Hnizdovsky (Ukrainian/American, 1915-1985) “Suicide Oak, New Orleans”, 1974 woodcut pencil-signed, titled, dated and numbered “105/125” lower center.

Matted, glazed and framed. sight 20” x 23”, framed 26-1/2” x 30-1/2” $1,000-$1,500

97

97 Mabel Dwight (American, 1875-1955) “Old Southern Graveyard, New Orleans”, 1929 lithograph pencil-signed and dated lower right.

Matted, glazed and framed. sight 10-1/2” x 13-1/2”, framed 19-1/2” x 22-1/4” $400-$700

48

98

99 Clement Bernard Haupers (American, 1900-1982) “Rainy Night”, 1938 soft ground etching pencil-signed and dated lower right, titled lower center and marked “Ed 95” lower left.

Matted, glazed and framed. sight 8” x 11-1/2”, framed 14-1/2” x 17-1/4” $400-$700 100 Blanche McVeigh (American, 1895-1970)

99

“Accepted” and “Rejected” pair of aquatints, edition of 50 signed in pencil lower right, titled lower left and further inscribed lower center.

Both matted, glazed and framed. sights 12” x 9” and 10” x 12”, framed 21” x 16-1/2” and 22” x 18-1/2”, respectively Provenance: Estate of Carol A. Straus, Houston, Texas. $400-$700 101 Caroline Wogan Durieux (American/Louisiana, 1896-1989) “Veiled Women” electron print pencil-signed lower right, titled and inscribed “For Abe Tahir” lower left and marked “edition of 6” lower center.

Matted, glazed and framed. sight 12-1/2” x 10-1/2”, framed 20-1/8” x 17-3/4” $500-$800

101

100

49

102 After Salvador Dali (Spanish, 1904-1989) “La Menorah de la Paix” silver-patinated bronze copyright-marked and inscribed “David Modai 1980” along back, unsigned, on a black hexagonal base. overall h. 20-1/4”, w. 11-1/2”, d. 6” $1,200-$1,800

102

103 103 Marie Laurencin (French, 1883-1956) “Jeune Fille a la Guitare”, ca. 1946 hand-colored etching on paper signed in plate lower right.

Matted, glazed and framed. sh. 12-1/2” x 10”, pl. 7-7/8” x 6-1/2”, framed 13-3/4” x 12-1/4” Literature: Marchesseau, 238 $400-$700 104 Stone Bust of a Woman in the German Medieval Style 20th century, wearing a veil, wimple and fillet. h. 19”, w. 12-3/4”, d. 9-1/2” Provenance: Private collection, Houston, Texas. $500-$800

104

50

105 Clyde Connell (American/Louisiana, 1901-1998) “Lift Bearers” woodcut on rice paper pencil-signed lower right, titled and numbered “(2)” lower left.

Unframed. sheet 19” x 12-5/8” Provenance: Estate of David V. Middleton, Jr., Shreveport, Louisiana. $300-$500

105 107 Gatja Helgart Rothe (German/American, 1935-2007) “Glass Town”, 1973 mezzotint pencil-signed lower right, numbered “34/99” lower left, titled lower center.

Unframed. sheet 30” x 42-1/4”

106

$150-$300

106 Wayman Elbridge Adams (American/Louisiana, 1883-1959) “A Question” lithograph pencil-signed lower right, titled lower center and inscribed “12 prints” lower left.

Matted, glazed and framed. sight 11-3/8” x 8-3/4”, framed 19-1/2” x 15-1/4” $300-$500

107

51

108 Gatja Helgart Rothe (German/American, 1935-2007) “Downtown”, 1974 mezzotint pencil-signed lower right, marked “artist proof” lower left.

Unframed. sheet 41-1/4” x 29-1/2” $200-$400 109 Rusty Wolfe (American/Tennessee, Contemporary) “Landscape” lacquer on carved and shaped medium density fibreboard h. 28-1/2”, w. 18”, d. 3-1/2” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $1,000-$1,500

108

109 110 Richard Johnson (American/Louisiana, b. 1942) “Hoops”, 2002 acrylic and collage on board signed, dated and titled en verso, a “Galerie Simonne Stern” label en verso.

Framed.

42” x 36-1/2”, framed 49” x 42-1/4” Provenance: Galerie Simonne Stern, New Orleans, Louisiana; private collection. $800-$1,200

52

110

111 Steve McCurry (American, b. 1950) “Sharbat Gula” offset lithograph after the 1984 photograph.

Unframed.

24” x 20” $300-$500 112 Brian Taylor (American, Contemporary) “Untitled”, 1970 oil on canvas signed and dated en verso, an “A.M. Sachs Gallery, New York, NY” label en verso.

In a thin gallery frame. dia. 48”, framed dia. 48-3/4” Provenance: A.M. Sachs Gallery, New York, New York, 1971; Estate of Carol A. Straus, Houston, Texas.

Exhibited: Parkerson Gallery, Houston, May-October 1999

111

$500-$800

112

53

113 American Art Pottery Lidded Jar

115 Buddy Jackson (American/Tennessee, Contemporary)

1985, glazed ceramic, with incised geometric motif, signed “Anthony M...” and dated along upper rim. h. 20”, dia. 15”

“Kristie”

Provenance: Estate of Carol A. Straus, Houston, Texas.

terracotta and plaster unsigned. h. 16”, w. 5-1/4”, d. 4-1/4”

$300-$500 Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee.

114 Hiro Yamagata (Japanese, b. 1948)

$1,000-$1,500

“Chanson de Neige”, 1980 serigraph on paper pencil-signed lower right, numbered “126/300” lower left.

Matted, glazed and framed. sight 21-1/2” x 27”, framed 32-3/4” x 38-5/8” $800-$1,200

113

115

54

114

116

116 Natvar Prahladji Bhavsar (Indian/American, New York, b. 1934)

117 Natvar Prahladji Bhavsar (Indian/American, New York, b. 1934)

“Ri-Tya V”, 1974

“Ri-Tya VI”, 1974

color silkscreen signed, titled, dated and numbered “6/39” lower margin, frame backing with “Joan E. Kaplan Fine Contemporary Art, New Yorkî label.

Framed.

12” x 36”, framed 31-3/4” x 54-1/8”

color silkscreen signed, titled, dated and numbered “30/34” lower margin, frame backing with “Joan E. Kaplan Fine Contemporary Art, New Yorkî label. sight 11-1/2” x 36-1/2”, framed 32-1/8” x 48-1/8” Provenance: Joan E. Kaplan Fine Contemporary Art, New York, New York; The corporate collection of Freeport-McMoRan, New Orleans, Louisiana.

Provenance: Joan E. Kaplan Fine Contemporary Art, New York, New York; The corporate collection of Freeport-McMoRan, New Orleans, Louisiana.

$800-$1,200 $800-$1,200

117

55

118

118 Albert Irvin (British, 1922-2015) “Octavia”, 1992

119

screenprint on paper pencil-signed and dated lower left, numbered “4/225” lower right.

Float-mounted, matted, glazed and framed. sheet 29” x 36-1/2”, framed 37-1/4” x 45” Provenance: Aberdeen Art Gallery, Aberdeen, Scotland; Private collection, Nashville, Tennessee. $700-$1,000 119 American Vasiform Glass Sculpture 20th century, cast and formed glass, unmarked. h. 23-1/2”, w. 9”, d. 9” Provenance: Estate of Carol A. Straus, Houston, Texas. $200-$400 120 Calman Shemi (Argentinian, b. 1939) “Untitled” painted metal sculpture signed and numbered “5/10”. h. 23”, w. 13”, d. 11” $500-$800

120

56

57

121 121 After Marc Chagall (Russian/French, 1887-1985) “Le Cirque”, after the Cirque series, 1967 color lithograph special edition, pencil-numbered “258/300” in Roman numerals lower left margin, facsimile signature lower right margin.

Matted, glazed and framed. image 18-1/4” x 22”, framed 33” x 36” Provenance: Private collection, Nashville, Tennessee. $700-$1,000

122 Jerry Garcia (American/California, 1942-1995) “Feeding in the Light” offset lithograph printed and stamped signatures lower right, pencilnumbered “256/500” lower left and titled lower center.

Matted, glazed and framed. sight 13-3/8” x 16-1/4”, framed 23-1/2” x 26-1/4” $600-$900

58

122

123 123 Allison Stewart (American/Louisiana, b. 1941) “Untitled Abstract”, ca. 1990 four mixed medias on handmade paper two examples signed in pencil “Stewart” lower right.

All float-mounted, glazed and in matching modern gilt frames.

14-3/4” x 15”, framed 19” x 19” $1,000-$1,500

59

124

124 After Pablo Picasso (Spanish/French, 1881-1973)

125 Jacques Despierre (French, 1912-1995)

“Bacchanale au Taureau Noir, 1962” and “Apres la Pique, 1959”

“Aux Courses” oil on canvas unsigned.

Giltwood frame.

8-3/4” x 10-3/4”, framed 13” x 14”

two linocuts edition unknown, each with a facsimile signature lower right.

Each unframed. each sheet 12-1/4” x 14-1/4”

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$400-$700 $600-$900

125

60

126 Louise Guidry (American/Louisiana, b. 1930) “Winter Reflections” acrylic on gallery-wrapped canvas signed and titled en verso.

36” x 36” $1,200-$1,800

126

127 Dan Tague (American, b. 1974) “DFO Event # 2005-114 - Hurricane Katrina - New Orleans” offset lithograph unsigned.

Matted, glazed and framed.

17-1/8” x 21-1/8” $600-$900

127

128 Tony Benjamin (American/Louisiana, Contemporary) “Untitled Landscape” oil on canvas initialed lower right, signed en verso.

Framed.

29-1/2” x 39-1/2”, framed 32” x 42” $800-$1,200

128

61

129 Billy Price Carroll (American, 1920-2011) “Landscape with Rocks and Trees” watercolor on paper signed lower right.

Matted, glazed and framed. sight 12” x 8-1/4”, framed 18-1/2” x 15” $300-$500

130 Maximiliano Pruneda (American/New Mexico, b. 1948) “Moon Pool” acrylic, gold leaf and mixed media on masonite three-part construction, each within an integral wood support, signed, titled and with display instructions en verso. approximately 135” x 143”

129

Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $100-$200

130

62

131

131 Carl Sublett (American/Tennessee, 1919-2008) “Beach Scene”, 1978 watercolor on paper signed and dated lower right.

Float-mounted, glazed and framed. sheet 22” x 29-1/2”, framed 29-1/4” x 36-3/4” Provenance: The Collector’s Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $400-$700

63

132

132 Contemporary Sleeper Sofa

133 Suite of Four Hollywood Regency Gold-Leafed Steel Chairs

in a black-flecked cream upholstery. h. 28”, w. 74”, d. 37” Provenance: Estate of Carol A. Straus, Houston, Texas.

20th century, with tubular steel frames, each having an arched back with a central oval latticework panel and a round cushion seat covered in faux leopard velvet fabric. h. 44”, w. 17”, d. 17”

$300-$500

$400-$700

133

64

134

134 Interesting Hollywood Regency-Style “Round-About” Ottoman with a carved giltwood base, the upper cushion upholstered in fabric with interlocking woven circles. h. 19”, dia. 42” $300-$500

135 Interesting “White-Wash” Patinated Bronze “Rope & Tassel” Circular Occasional Table 20th century, in the form of knotted rope, the fret ending in a tassel, and with an inset plate glass top. h. 24”, dia. 24-1/2” $300-$500

135

65

136 Pair of Silver-Leaf Plaster Plaques in the Art Deco Style 20th century, each with a stylized bird on a molded geometric ground. h. 19-1/2”, w. 19” $700-$1,000

136

137 Maria Potocka (Polish, 20th Century) “Untitled”, 1962 mixed media on paper verso with “Saidenberg Gallery, New York, NY” label.

Matted, glazed and framed. sight 7-3/4” x 7”, framed 14” x 13-1/2” Provenance: Saidenberg Gallery, Inc., New York, New York, 1964; Estate of Carol A. Straus, Houston, Texas.

Exhibited: Collection of Mr. and Mrs. Robert Straus, University Art Museum, UT, Austin, July 9-Sept. 11, 1966 $300-$500

137

66

138 Patinated Bronze Sculpture of the “Eyes of Providence” 20th century, unsigned, supported on four hands, above a thin beveled mirror base. h. 15-1/2”, w. 12-3/4”, d. 12-3/4”, base 15” x 15” $800-$1,200

138

139 Rolland Harve Golden (American/Louisiana, 1931-2019) “Porch Swing”, 1976 ink and watercolor on paper signed and dated lower center.

Matted, glazed and framed. sight 28-1/2” x 21-1/2”, framed 42” x 34-1/2” $700-$1,000

139

67

140 David de Villier (American, b. 1960) “She Picked One Flower”, 2001 acrylic on wood panel signed lower left, signed, titled, dated, and marked “#510” en verso, a “Linda Hodges Gallery, Seattle, Washington” label en verso.

Framed.

6-3/4” x 8-3/4”, framed 11-3/4” x 13-1/2” Provenance: Linda Hodges Gallery, Seattle, Washington; Private collection. $400-$700

140

141 Lynne Stewart (American, Contemporary) “Flora Galleria”, 1997 quilted fabric signed, dated and titled at back.

Unframed.

23” x 20” Provenance: Estate of Carol A. Straus, Houston, Texas. $500-$800

141

688

142 Colette Pope Heldner (American/New Orleans, 1902-1990) “Little Green Shutter Inn, French Quarter, New Orleans” oil on canvas signed and titled en verso.

Framed.

34” x 30”, framed 39-1/2” x 33-1/2” $600-$900

142

143 Natvar Prahladji Bhavsar (Indian/American, New York, b. 1934) “Untitled”, 1970 color silkscreen penciled-signed, dated and numbered “31/50” lower margin.

Matted, glazed with plexiglass and framed. sight 27-1/2” x 25-1/4”, framed 32-3/8” x 34-1/2” Provenance: The corporate collection of Freeport-McMoRan, New Orleans, Louisiana. $800-$1,200

143

69

144 Johan Hagaman (American/Tennessee, b. 1950) “Summer Girl” found object and mixed media sculpture h. 24”, w. 7-3/4”, d. 7” Provenance: Cumberland Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $800-$1,200

144

145 Embroidery of Indigenous Motifs first or second quarter 20th century, cotton/silk and metallic threads on a dark fabric ground, with bands of animals, figures, boats and geometric designs.

Encased in acrylic.

46-1/2” x 44-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $200-$400

145

70

146 Florence Knoll Armchair for Knoll Associates ca. 1961, model 65A introduced in 1958, retaining its period tufted brown upholstery on a chromed steel base, retaining the upholsterer’s union label. h. 31”, w. 35”, d. 28” Provenance: From the mid-century modern collection of the late George and Robbie Neilson, Marrero, Louisiana. $500-$800

147 Mid-Century Modern Mahogany Bed Headboard ca. 1961-62, the vertical figured grain framed by ebonized stringing and a molded edge, sized to complement a contemporary queen-size bed, probably by Knoll Associates. h. 42-1/2”, w. 63”

146

Provenance: From the mid-century modern collection of the late George and Robbie Neilson, Marrero, Louisiana. $400-$700

147

71

148

148 Florence Knoll for Knoll Associates, Pair of T-Bar Side Tables

149 Florence Knoll for Knoll Associates, Pair of Twin Beds and Night Stand

ca. 1961, each with a chromed steel base and a walnut top. h. 17”, w. 27”, d. 27”

ca. 1961, introduced in 1956, each headboard in walnut and cane, the bedside table retaining a Knoll Associates, Park Ave., NY label. bed h. 32-1/2”, w. 40”, l. 72”, table h. 18”, w. 19-1/2”, d. 19-1/2”

Provenance: From the mid-century modern collection of the late George and Robbie Neilson, Marrero, Louisiana. $400-$700

Provenance: From the mid-century modern collection of the late George and Robbie Neilson, Marrero, Louisiana. $500-$800

149

72

150

150 Eero Saarinen for Knoll, Coffee Table ca. 1961, the walnut top supported by a cast aluminum tulip-form base. h. 15”, dia. 42” Provenance: From the mid-century modern collection of the late George and Robbie Neilson, Marrero, Louisiana. $400-$700

73

151 Paul Millet Sevres Bottle-Form Vase with the post-1931 “PM Sevres” mark, artist signed “L. Bourgeot”, body adorned with fish, geometric decor and stylized sphinxes. h. 10-1/4”, dia. 6-3/8” $300-$500

152 Chapman Kelley (American/Texas, b. 1932) “Picking Daisies” oil wash on canvas signed mid-left.

Thin gallery frame.

48” x 72”, framed 49” x 73” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

151

$400-$700

152

74

153 Clyde Connell (American/Louisiana, 1901-1998) “Portrait of a Woman” oil on masonite signed en verso.

Artist frame.

25” x 18”, framed 32” x 25” Provenance: Estate of David V. Middleton, Jr., Shreveport, Louisiana. $800-$1,200

153

154 David Giese (American, 20th/21st Century) “Trophy for Falconing Attended by Venus”, 2005 concrete, flotage, paint and mixed media from “The Villa Bitricci” series.

66” x 60” x 14” Provenance: OK Harris Gallery, New York, New York; Private collection, New Orleans, Louisiana. $100-$200

154

75

155 Henry Casselli (American/Louisiana, b. 1946) “Bust of a Woman” patinated bronze incised signature and numbered “1/10” at back, on an integral carved wood plinth. sculpture h. 12-1/2”, overall h. 19”, w. 10”, d. 7-3/4” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $2,000-$4,000

155

156 Francesco Spicuzza (Italian/Wisconsin, 1883-1962) “Lake at Dusk” pastel on paper board signed lower left.

Glazed and framed.

25” x 29-3/4”, framed 29-1/2” x 34-1/2” $800-$1,200

156

76

77

157 An Furuta (Japanese, b. 1915) “Untitled” oil on canvas artist stamp lower right, signed en verso, a “University of Houston” exhibition label en verso.

Framed.

21” x 13-1/4”, framed 22” x 14-1/4” Provenance: Estate of Carol A. Straus, Houston, Texas.

Exhibited: Contemporary Art From Japan, University of Houston, Houston (Texas), November 8-December 15, 1996 $400-$700

157

158 Jere Hardy Allen (American/Mississippi, b. 1944) “Toward Green”, 2015 oil on wood panel signed, dated and titled en verso.

Unframed.

30” x 24” Provenance: Southside Gallery, Oxford, Mississippi; Private collection, Nashville, Tennessee. $1,000-$1,500

158

78

159

160 Group of Six Sevres Vases

159 Lucky Morton Kngwarreye (Aboriginal Australian, b. 1950)

20th century, each with mottled glaze, three with silvered rim and base, one with brass rim and base, and one all cream, all marked “Sevres”, together with the “PM Sevres” mark of Paul Millet. tallest h. 7-1/2”, shortest h. 3”

“Sweet Potato Vine” acrylic on canvas unsigned.

Framed.

25” x 37”, framed 27” x 39”

$400-$700

Provenance: Purchased Ayers Rock, Australia; Private collection, Nashville, Tennessee. $600-$900

160

79

161 David Halliday (American/Louisiana, b. 1958) “Grapefruit and Eucalyptus”, 2007 archival pigment print an “Arthur Roger Gallery, New Orleans” label en verso, this print 6 of an edition of 25.

Matted, glazed and framed. sight 13-3/4” x 17-3/4”, framed 21” x 25” Provenance: Arthur Roger Gallery, New Orleans, Louisiana; Private collection. $500-$800

161

162 Piero Fenci (American, b. 1944) “Hoja Bronce”, 1989 glazed low fire ceramic signed and dated at bottom. h. 8-1/2”, widest dia. 16-5/8” Provenance: Estate of Carol A. Straus, Houston, Texas. $500-$800

162

80

163 David Strickland (American/Texas, 1955-2019) “Untitled”, 1988 found metal object assemblage h. 56”, w. 27”, d. 12” Deaccessioned to benefit the Hilliard Art Museum at the University of Louisiana at Lafayette. $400-$700

163

164 David Strickland (American/Texas, 1955-2019) “Untitled”, 1988 found metal object assemblage h. 71”, w. 25”, d. 14” Deaccessioned to benefit the Hilliard Art Museum at the University of Louisiana at Lafayette. $400-$700

164

81

165 Sandy Chism (American/Louisiana, 1957-2013) “Double Trouble”, 2004 acrylic on panel signed, titled and dated en verso.

Unframed.

48” x 32” $1,000-$1,500

165

166 Pierre-Charles Bayle (French, 1935-1993) “Bull Ring” lithograph pencil-signed lower right, numbered “51/250” lower left.

Unframed.

21-1/4” x 29-1/2” $150-$300

166

82

167

167 Warren Platner-Inspired Steel and Mahogany Circular Table second half 20th century, the solid mahogany top banded edgesegmented and dovetailed together, the underside chamfered and supported by a patinated steel wire base. h. 30-1/4”, dia. 60” Provenance: Sterling Provisions, New Orleans, Louisiana. $500-$800

168 Contemporary Carved and Polished Hardwood Root Depicting a Swan ca. 1986, probably American, with a carved head and beak, set with glass eyes, signed on the base “G. Mille, Jan. (?) ‘86”. h. 18-1/2”, w. 27-1/2”, d. 13” $700-$1,000

168

83

169 Stuart & Sons Art Nouveau Glass “Cairngorm” Bowl ca. 1906, Stourbridge, England, the green transparent bowl with ruby “peacock eye trailing”, the pontil engraved with a spurious “Galle/repose” mark. h. 3-1/2”, dia. 10” Provenance: Estate of Carol A. Straus, Houston, Texas. $250-$400

169

170 Jack Youngerman (American, 1926-2020) “Changes II”, 1970 silkscreen pencil-signed lower right, a “DuBose Gallery, Houston, Texas” label en verso.

Glazed and framed. sheet 43” x 32-1/2”, framed 45” x 34” Provenance: DuBose Gallery, Houston, Texas; Estate of Carol A. Straus, Houston, Texas. $250-$400

170

84

171 Marion McClanahan (American, 1921-1993) “The Beach House” lithograph on paper pencil-signed lower right and numbered “A.P. 25/40” lower left.

Matted, glazed and framed. sheet 25” x 30”, framed 33” x 37” Provenance: The Collector’s Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $200-$400

171 172 Al Stirt (American/Vermont, b. 1946) “Bowl”, 1992 turned wood signed and dated at bottom. h. 3”, dia. 7-1/2” Provenance: Estate of Carol A. Straus, Houston, Texas. $100-$200

172

173 Four Cambodian Lacquerware Vessels ca. 1920, including two bowls with contrasting banding, a spire-form vessel with like banding and a red-ground bowl, each retaining its lid. h. 2-1/4” to 18”, dia. 5” to 7-3/4” $600-$900

173

85

174

174 Roy Lichtenstein (American/New York, 1923-1997) “Paper Plate”, 1969 screenprint in colors on paper plate stamped and dated en verso “Roy Lichtenstein (copyright mark) On 1st Inc. 1969”, published by On First Inc., New York, New York.

Unframed. dia. 10-1/4” Provenance: Private collection.

Literature: Corlett III, 45 $1,000-$1,500

86

175

175 After Roy Lichtenstein (American/New York, 1923-1997)

176 Roy Lichtenstein (American/New York, 1923-1997)

“Brushstrokes”

“As I Opened Fire”, after 1966

screenprint on paper pencil-signed lower right, from an unnumbered edition.

Unframed.

22-1/2” x 30-1/2”

triptych offset lithographs in colors unsigned edition of 3,000, published by Stedelijk Museum, Amsterdam.

Unframed. each sheet 25” x 20-1/2”

$400-$700 $700-$1,000

176

87

177 Contemporary Glass and Metal Pendant Chandelier 20th/21st century, set with five teardrop-form cased glass shades with polychrome exterior colors. h. 47”, dia. 20” $600-$900

178 Elsa Baker (American/Louisiana, Contemporary) “Foodscape Series No. 2-7”

six oil crayons on paper each signed lower right.

All matted, glazed and framed.

10-3/4” x 13-3/4” to 14” x 10-3/4”, framed 18-1/2” x 21” to 21-3/8” x 18” $300-$500

177

178

88

179 Will Berry (American/Tennessee, b. 1954) “Camden Yards”, 2001 oil on linen titled and dated on a “Zeitgeist/Nashville, Tennessee” gallery label en verso.

Framed.

22” x 22”, framed 23-3/4” x 23-3/4” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $600-$900

179

180 R. C. Gorman (American/New Mexico, 1931-2005) “Woman from Chinle”, 1998 painted ceramic vase pencil-signed and numbered “84/150” along lower edge, titled, dated and inscribed “1984 Gorman Edition/Greg Grycner Ltd. Ed” at bottom. h. 18”, dia. 12” $500-$800

180

89

181 Edward Ruscha (American, b. 1937) “A Particular Kind of Heaven” offset lithograph pencil-signed lower right.

Unframed.

21-3/4” x 33” $500-$800

181

182 Rolland Harve Golden (American/Louisiana, 1931-2019) “River of Dreams”, 2009 watercolor on paper signed lower right, signed, titled and dated in pen en verso.

Matted, glazed and framed. sight 9” x 13”, framed 20” x 23-1/2” $500-$800

182

90

183 Robert Philipp (American, 1895-1981) “The Park Bench” oil on panel signed lower right.

Framed.

7-1/2” x 9-1/2”, framed 11” x 13” $800-$1,200

183

184 Donald Purdy (American, b. 1924) “Crowded Cafe Scene” oil on canvas board signed lower left.

Framed.

10-1/2” x 13”, framed 14” x 16” $800-$1,200

184

91

185

185 Julio Salas (Venezuelan, 20th Century) “Town Square” oil on canvas signed lower left.

Framed.

24” x 36”, framed 31” x 43” $1,000-$1,500

186 David Azuz (Israeli/French, 1942-2014) “Grey Lady Red Bar”, 1980 lithograph pencil-signed lower right, numbered “117/200” and with two artist blind stamps at lower left.

Unframed.

30-7/8” x 23-7/8 $200-$400

186

92

187

187 Malcolm T. Liepke (American, b. 1954) “The Vanity” “Seduction in Blues and Greens” “Seated Profile” “Pensive” four lithographs all pencil-signed lower right, respectively: numbered “5/90” and with “Eleanor Ettinger” blind stamp lower left, titled en verso; numbered “32/175” and with “Eleanor Ettinger” blind stamp lower left; marked “A/P” lower left; numbered “A/P 8/25” lower left. sheets 30” x 27-1/2”, 23” x 28-1/2”, 28-1/2” x 20” and 23-1/4” x 18-3/8”, respectively $300-$500

93

188

188 Malcolm T. Liepke (American, b. 1954) “Alone - Together” “Woman Reading” “Untitled - Cafe Scene” three lithographs each pencil-signed lower right, first numbered “A/P 7/25” lower left; second marked “A/P” lower left; third marked “W/P” lower left.

All unframed. sheets 25-7/8” x 20-1/2”, 31-1/2” x 17-3/8” and 28” x 26”, respectively $300-$500

94

95

189 Andrew Wyeth Metropolitan Museum of Art Poster 1976, for the 1977 exhibition “Two Worlds of Andrew Wyeth: Kuerners and Olsons”, pencil-signed upper left.

Unframed. sheet 38-7/8” x 22-5/8” $50-$100

190 Rusty Wolfe (American/Tennessee, Contemporary) “Celebration”, 2006 acrylic on medium density fibreboard signed, dated and titled en verso.

Framed.

22-1/2” x 22-1/2”, framed 30” x 30” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $1,000-$1,500

191 Two Art Deco Paul Millet Sevres Pottery Vases

189

each with the post-1931 “PM Sevres” mark, one of baluster form with white body and red neck, lid and base, the other with a bulbous red body with blue rim and base. h. 13” and h. 11”, respectively $300-$500

191 190

96

192 Pamela Kelly Sills (American/Louisiana, Contemporary) “Water Lilies”, 1989 oil on canvas signed and dated upper right.

In a thin gallery frame.

66” x 48”, framed 67-1/2” x 49-1/2” $800-$1,200

192

193 Pamela Kelly Sills (American/Louisiana, Contemporary) “Cactus”, 1986 oil on canvas signed and dated upper right.

In a thin gallery frame.

68” x 47-1/2”, framed 70” x 48-1/2” $800-$1,200

193

97

194 William Thomas “Tom” Young (American/Louisiana, 1923-2014) “Zarahemla”, 1959 oil and wax on canvas board signed lower right, and signed, titled and dated en verso.

Framed.

12” x 15”, framed 13-1/2” x 16-1/2” $250-$400

194

195 American School (20th Century) “Waterlilies and Cattails” oil on canvas illegibly signed lower left.

Unframed.

39-1/4” x 39-1/4” $600-$900

195

98

196 Zella Funck (American/Louisiana, 1917-2009) “They Always Cared for Sundays”, 1989 oil and pastel on canvas signed, titled and dated lower right.

Framed.

44” x 48”, framed 45” x 49” $400-$700

197 Zella Funck (American/Louisiana, 1917-2009) Four-Panel Screen depicting a “Reclining Venus” on the obverse and a “Louisiana Garden” on the reverse, rendered in oil and pastel. h. 67”, each panel w. 24”

196

$600-$900

197

99

198 American/Continental School (Contemporary 20th Century) “White Flower Framed in Blue”, 1987 acrylic on paper on stretcher backed by board indistinctly monogrammed “MVP?”, localized “Paris” and dated “20 avril 87”.

Matted and glazed in an acrylic wrapped framed.

11-1/2” x 15”, framed 19” x 23” Provenance: Estate of Carol A. Straus, Houston, Texas. $300-$500

198

199 Barton Lidice Benes (American, 1942-2012) “Book - Wrapped” “Untitled”, 1971 mixed media book construction and pen and ink on paper former signed lower left, latter pencil-signed, dated and with inscription lower center.

6-1/2” x 9-1/4”; sheet 30” x 22” $400-$700

199

200 Saul Steinberg (American/New York, 1914-1999) “Bauhaus” lithograph in colors signed lower right, numbered “6/75” lower left.

Float-mounted, glazed and framed. sight 23” x 30”, framed 27” x 34” Provenance: Estate of Carol A. Straus, Houston, Texas. $300-$500

200

100

202

201

201 Bruce Davenport (American/Louisiana, b. 1972)

202 Claude Bauret Allard (French, b. 1936)

“TDBC Presents a Day of a Gangsta”, 2009

“Untitled Landscape”, 1986

marker on paper signed, dated and titled in various places.

Glazed and framed. sight 59-1/2” x 23-3/4”, framed 62” x 26-1/2”

watercolor and pencil on Fabriano paper signed and dated lower left.

Float mounted, glazed and framed.

48” x 31”, framed 50” x 34”

$800-$1,200

Provenance: Estate of Carol A. Straus, Houston, Texas. $500-$800

101

203

203 Pedro Friedeberg (Mexican, b. 1936) “Unicornios” “Equinofebrifuga” two silkscreens in color each signed lower right, former numbered “P.A. IX/X” lower left, latter numbered “P.A. 7/18” and with partial title decal lower left.

Each matted, glazed and framed. former sight 23” x 23”, framed 29” x 29”; latter sight 22-1/4” x 22-1/4”, framed 28” x 28” $800-$1,200

102

103

204 Dan Tague (American, b. 1974) “James Dean and Marcel” photographic print pencil-signed lower right, titled lower center.

Matted, glazed and framed. sight 11-3/4” x 9-1/4”, framed 19” x 15-3/4” $500-$800

205 Jackie Sumell (American, b. 1973)

204

“People Matt Has Assaulted on Behalf of My Honor...”, 2012 cut paper and collage unsigned, with artist’s statement in envelope attached en verso.

Glazed and in a shadowbox frame.

20-3/4” x 10-7/8” $400-$700

205

206 Jack Pierson (American, b. 1960) “Eric in Miami ‘89”, 1997 Iris print signed, dated, titled and numbered “7/30” in ink en verso.

Float-mounted, glazed and framed. sheet 19-7/8” x 13-1/8”, framed 22-5/8” x 15-3/4” $700-$1,000

206

104

207 Stephanie Freid-Perenchio (American, Contemporary) “Elephant Tusks” photographic print Glazed and framed. sight 30” x 24”, framed 39-1/2” x 33-1/2” $700-$1,000

207

208 Billy Price Carroll (American, 1920-2011) “Dolphins”, 1989 patinated bronze cast signature and dated along side edge, on an integral carved wood base. h. 9-1/2”, w. 13-1/8”, d. 7-1/2” $300-$500

208

209 Fred Fellows (American, b. 1934) “The Gentle Giants”, 1985 patinated bronze cast signature, dated and numbered “26/70” along back, on a black marble plinth. overall h. 6-1/2”, w. 14-1/2”, d. 10-1/4” $700-$1,000

209

105

210 Xavier Esqueda (Mexican, b. 1943) “Ord 55”, 1975 pencil on paper signed and dated lower right, verso with “Covo de Iongh” gallery label.

Glazed and framed.

22” x 15”, framed 28” x 21” Provenance: Estate of Carol A. Straus, Houston, Texas. $500-$800

210

211 Kiki Smith (American, b. 1954) “Silk Moth”, 2018 risograph mounted on Arches paper pencil-signed and dated lower right and marked “Edition of 100” lower left, printed by the Robert Blackburn Printmaking Workshop under the auspices of Smith’s Thirteen Moons publishing imprint.

Matted, glazed and framed. image 9-7/8” x 7-7/8”, sight 11-1/2” x 9-3/8”, framed 18-1/2” x 16-3/8” Provenance: Thirteen Moons, New York, New York; Private collection, New Orleans, Louisiana.

Together with a copy of the print documentation from Thirteen Moons. $700-$1,000

211

106

212 Ron Isaacs (American, Contemporary) “Gilded Lily”, 2004 acrylic on carved birch plywood trompe-l’oeil sculpture signed en verso.

55” x 24” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $1,000-$1,500

212

107

215

213 214 Alleyne Howell (American, 20th Century) “Mist Over the Lake”, 1993

213 Ashley Longshore (American/Louisiana, Contemporary)

oil on canvas signed and dated lower right.

Framed.

24” x 42”, framed 24-3/4” x 43”

“I Have Enough Jewelry...”, 2018 limited edition porcelain plate with image of famed jewelry designer Lorraine Schwartz, signed and numbered “12/50” at bottom, with original hot pink cardboard presentation box. dia. 10-3/4”

Provenance: Estate of Carol A. Straus, Houston, Texas. $600-$900

215 Verre de Soie Art Glass Vase and Bowl Attributed to Steuben

$100-$200

early 20th century, the vase with an iridescent blue rim, the bowl with a polished pontil, both unsigned. h. 12”, dia. 7-1/2” and h. 3”, dia. 5-1/2”, respectively $200-$400

214

108

216 New Orleans Mardi Gras Poster, 1982 “May You Find Peace”, by D’Ann Potts, designed by Ed Rahaim.

Framed.

24” x 18”, framed 25” x 19” $100-$200

216

217 Don Wright (American/Louisiana, 1938-2007) “Shanty by the River near an Oak Tree”, 1998 watercolor signed and dated “98” lower left.

Matted, glazed and framed. sight 20-1/2” x 30-1/2”, framed 30-1/2” x 40-1/2” $400-$700

217

109

218

219 Acrylic “Vetro” Crib by Nursery Works

218 Jim Bonner (American/Louisiana, 20th Century)

contemporary, adjustable to three mattress heights, laseretched “Nursery Works” logo with model and unique limited edition number “Vetro 216”.

54” x 29-3/4” x 35-1/4”

“The St. Charles Line”, ca. 1983 three lithographs and USPS stamp limited edition portfolio, including: “Engine”, pencil-signed and numbered “296/1,000” lower center; “Streetcar”, pencilsigned and numbered “486/1,000” lower left; “Interior Plan”, pencil-signed and numbered “123/350” lower left; together with a “St. Charles streetcar, New Orleans, La., 1923” USA 20-cent stamp, all in a manila folder.

$800-$1,200

$100-$200

219

110

220

220 Andrea Mistretta (American/Louisiana, 20th Century) “New Orleans Mardi Gras, 1995” lithograph signed lower right, numbered “431/900” lower left.

Matted, glazed and framed. sight 33” x 11-1/2”, framed 39-1/4” x 17-1/4” $150-$300

111

221 Michael Ledet (American/Louisiana, b. 1941) “Untitled: Abstraction”, 1969 acrylic on canvas signed and dated lower left.

Framed.

22” x 27”, framed 23” x 28” Provenance: Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $400-$700

221

222 Michael Ledet (American/Louisiana, b. 1941) “Barads #3”, 1969 acrylic on canvas signed and dated “69” lower right, verso with “The Glade Gallery, New Orleans, LA” label.

Thin gallery frame.

46-1/4” x 28”, framed 47” x 28-3/4” Provenance: The Glade Gallery, New Orleans, Louisiana; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $300-$500

222

112

223 Sarath Gunasiri Perera (Sri Lankan, b. 1964) “Untitled” oil on canvas Framed.

20” x 22-1/2”, framed 21-3/4” x 23-1/2” Provenance: Purchased in Sri Lanka; Private collection, Nashville, Tennessee. $600-$900

223

224 Edie Maney (American/Tennessee, Contemporary) “Untitled Abstract” acrylic and pastel on paper signed lower right.

Float-mounted, matted, glazed and framed. sheet 22” x 29-1/2”, framed 33” x 40-1/4” Provenance: Purchased from artist; Private collection, Nashville, Tennessee. $800-$1,200

224

113

225 John Sperry (American/Georgia, b. 1956) “Wash Day” acrylic on sheet metal signed lower right.

Unframed. sheet 13” x 24” $400-$700

225

226 “Missionary” Mary Proctor (American/Florida, b. 1960) “The Watermelon Pickers”, 2013 acrylic on wood panel signed and dated lower right, titled along upper edge, lengthy inscription en verso.

Unframed.

11-3/4” x 15-3/4” $300-$500

226

114

228

227 Open Lot

228 Beth Foley (American, b. 1951) “Disorderly Eating” oil on canvas board signed lower right.

Framed.

19” x 25”, framed 21-3/4” x 27-3/4” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $1,000-$1,500

115

229

229 Elisa Cossonnet (French, b. 1974) “Le Dejeuner” mixed media light-box assemblage signed lower left on tablecloth. h. 14”, w. 14”, d. 4” Provenance: The Arts Company, Nashville, Tennessee; Private collection, Nashville, Tennessee. $800-$1,200

116

230

230 Gail Bruce (American, Contemporary)

231 Gail Bruce (American, Contemporary)

“Park Bench”

“Pier Fishermen”

silk screen pencil-signed lower right, numbered “85/275” lower left, titled lower center, a “PK” blind stamp lower left and a “Charles Cardinale/Fine Creations” stamp lower right.

Unframed. sheet 18” x 42”

serigraph pencil-signed lower right, titled lower center, numbered “182/250” lower left, with a “PK” blind stamp lower left and a “Charles Cardinale/Fine Creations” blind stamp lower right.

Unframed. sheet 27” x 36”

$100-$200

$100-$200

231

117

232 LeRoy Neiman (American, 1921-2012) “2005 Special Olympics Nagano” serigraph pencil-signed lower right, numbered “223/300” lower left.

Unframed. sheet 35” x 29” $300-$500

232

233 LeRoy Neiman (American, 1921-2012) “Winter Wonderland” serigraph in colors pencil-signed lower right, numbered “167/300” lower left, with “Meredith Long & Company, Houston, TX” label.

Matted, glazed and framed. sight 43-1/2” x 22-1/2”, framed 51” x 29” $700-$1,000

233

118

235

234

234 LeRoy Neiman (American, 1921-2012)

235 LeRoy Neiman (American, 1921-2012)

“Frank, Liza, Sammy at Royal Albert Hall”

“Frank, Liza, Sammy at Royal Albert Hall”

serigraph pencil-signed lower right, numbered “8/250” lower left.

Unframed. sheet 41-1/2” x 31-1/2”

serigraph partially laid down pencil-signed lower right, numbered “10/250” lower left.

Unframed. sheet 41-1/2” x 31-1/2”

$100-$200 $100-$200

236 LeRoy Neiman (American, 1921-2012) “Champions at Madison Square Gardens” serigraph in colors pencil-signed lower right, numbered “153/300” lower left, verso with “Meredith Long & Company, Houston, TX” label.

Matted, glazed and framed. sight 28-1/2” x 41”, framed 35” x 48” Provenance: Meredith Long & Company, Houston, Texas. $1,000-$1,500

236

119

237 George Rodrigue (American/Louisiana, 1944-2013) “We Will Rise Again” offset lithograph signed lower right.

Framed. sight 28” x 20”, framed 30-1/2” x 22-1/2” $1,000-$1,500

237

238 George Rodrigue (American/Louisiana, 1944-2013) “George’s Sweet Inspirations, 2000” silkscreen in colors signed in gold pen lower left, numbered “64/150” lower right.

Unframed.

22” x 17-3/4” $600-$900

238

120

239 George Rodrigue (American/Louisiana, 1944-2013) “Midnight Surprise, 2000” silkscreen in colors signed in silver pen lower left, numbered “85/150” lower left.

Unframed.

22” x 17-3/4” $500-$800

239

240 George Rodrigue (American/Louisiana, 1944-2013) “International Child Art Foundation, 2003” offset lithograph pencil-signed lower left, numbered “14/500” lower right.

Unframed. sheet 31” x 23” $600-$900

240

121

241

241 George Rodrigue (American/Louisiana, 1944-2013) “Our Love Blooms” silkscreen signed lower left, marked “artist proof” lower right.

Glazed and framed. sight 22-3/4” x 29-3/4”, framed 25” x 32” $2,000-$4,000

122

123

243

242

242 LeRoy Neiman (American, 1921-2012)

244 Gail Bruce (American, Contemporary)

“Basketball”

“Ballet Dancers”

serigraph in colors pencil-signed lower right, numbered “212/300” lower left, verso with “Meredith Long & Company, Houston, TX” label.

Matted, glazed and framed. sight 33-1/2” x 29-1/2”, framed 40-1/2” x 36”

serigraph pencil-signed lower right, titled lower center, numbered “164/250” lower left, with a “PK” blind stamp lower left and a “Charles Cardinale/Creators” blind stamp lower right.

Unframed. sheet 21” x 40”

Provenance: Meredith Long & Company, Houston, Texas. $100-$200 $700-$1,000

243 Terry Rowlett (American, Contemporary) “The Cheerleader” oil on canvas signed lower left.

In a shaped wood frame.

30” x 24”, framed 42” x 36” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $1,000-$1,500

124

244

245 Ann Hornback (American/Louisiana, b. 1945) “What I Do Not Want” oil on canvas with applied painted wood elements signed lower right.

28” x 20-1/2” $500-$800

245

246 American School (20th Century) “Still Life of Flowers and Blue and White Porcelain on a WhiteDraped Table” lithograph pencil-signed “Barbara...?” lower right, numbered “16/250” lower left.

Unframed. sheet 42-3/4” x 34” $100-$200

246

125

247 After Serge Poliakoff (Russian, 1900-1969) “Composition in Red and Black” offset lithograph after the 1972 Munich Olympics official poster.

Unframed.

36” x 25” $100-$200

247

248 “Le Daure” Wine Advertising Poster lithograph on paper backed in linen, design by Benedetto (Betto) Lotti (Italian, 1894-1977), printed by Vercasson Paris, signed in plate and with printer’s mark at upper left.

Unframed. overall 64” x 43” $200-$400

248

126

249

249 “L’Oie d’Or” Foie Gras Advertising Poster lithograph on paper, design by Leonetto Cappiello, published by Devambez Paris, lithography by G. Descouens.

Unframed.

41-1/2” x 55” $1,200-$1,800

127

ARTIST INDEX | APRIL 28, 2021 Adams, Wayman Elbridge 106

Furuta, An 157

Allard, Claude Bauret 202

Garcia, Jerry 122

Allen, Jere Hardy 158

Giese, David 154

American School 86, 92, 94, 95, 195, 246

Golden, Rolland Harve 80, 82, 139, 182

American/Continental School 198

Goldsmith, Rob 54

Anderson, Robert 55

Gorman, R. C. 180

Anderson, Walter Inglis 42

Gotschik, Roland-Heinrich 64

Azuz, David 186

Greene, J. Todd 30, 47

Baker, Elsa 178

Gropper, William 78

Balderi, Giovanni 65, 66

Guidry, Louise 61, 126

Bayle, Pierre-Charles 166

Guy, Joe 31

Benes, Barton Lidice 199

Hagaman, Johan 144

Benjamin, Tony 128

Halliday, David 36, 37, 161

Benkert, Ernst 32

Hargrove, Kristi 96

Berea, Dimitri 60

Haupers, Clement Bernard 99

Berry, Will 179

Hauptman, Susan 11

Bhavsar, Natvar Prahladji 116, 117, 143

Heldner, Colette Pope 142

Bonner, Jim 218

Hensche, Henry (workshop of) 85

Boxer, Stanley 58

Hnizdovsky, Jacques 98

Brooks, Hamilton 88

Holub, Georg (attributed to) 49

Bruce, Gail 230, 231, 244

Hornback, Ann 245

Bukovnik, Gary 87, 89

Howell, Alleyne 214

Carroll, Billy Price 93, 129, 208

Irvin, Albert 118

Casselli, Henry 155

Isaacs, Ron 212

Chagall, Marc (after) 121

Jackson, Buddy 26-28, 115

Chism, Sandy 165

Johnson, Richard 110

Connell, Clyde 105, 153

Juneau, Pat 227

Connolly, Bonnie 39

Karavousis, Sarandis 22

Cossonnet, Elisa 229

Kelly, Chapman 152

Cox, Matthew 63

Kingman, N.A., Dong 81

Cuevas, Jose Luis 72

Kngwarreye, Lucky Morton 159

Cundin, Jose-Maria 73

Laurencin, Marie 103

Dali, Salvador 18-21

Ledet, Michael 221, 222

Dali, Salvador (after) 17, 102

Leger, Fernand (after) 33

Davenport, Bruce 201

Lichtenstein, Roy 174, 176

de Villier, David 140

Lichtenstein, Roy (after) 175

Despierre, Jacques 125

Liepke, Malcolm T. 187, 188

Durham, Robert L. 62

Longshore, Ashley 213

Durieux, Caroline Wogan 101

Mallet, Marlys K. Powell 45

Dwight, Mabel 97

Manchester, Susan 35

Engle, Kaaren 57

Maney, Edie 38, 224

Esqueda, Xavier 210

Martin, Agnes 12

Fein, Skylar 29

Martin, Steven 67

Fellows, Fred 209

Max, Peter 68

Fenci, Piero 162

McClanahan, Marion 171

Foley, Beth 228

McCurry, Steve 111

Freid-Perenchio, Stephanie 207

McVeigh, Blanche 100

Friedeberg, Pedro 203

Meads, Michael 48

Funck, Zella 196, 197

Miro, Joan (after) 56

Mistretta, Andrea 220 Neiman, LeRoy 232-236, 242 Nodine, Jane Allen 52 Perera, Sarath Gunasiri 223 Philipp, Robert 183 Picasso, Pablo (after) 124 Pierson, Jack 206 Poliakoff, Serge (after) 247

Wolfe, Rusty 40, 74, 75, 109, 190 Woodward, Ellsworth 83 Wright, Don 217 Yamagata, Hiro 114 York, Lain 46 Young, Stephen Scott 51 Young, William Thomas ‘Tom’ 194 Youngerman, Jack 170

Poons, Larry 43 Potocka, Maria 137 Proctor, ‘Missionary’ Mary 226 Pruneda, Maximiliano 130 Purdy, Donald 184 Reed, Paul Allen 70 Rodrigue, George 237-241 Rothe, Gatja Helgart 107, 108 Rowlett, Terry 243 Rucker, Robert 84 Ruellan, Andree 50 Ruscha, Edward 181 Salas, Julio 185 Salinas, Laurent Marcel 69

New Orleans Auction Galleries does not make any express or implied

Sato, Ado 59

warranty as to the authorship of works of art and fine art. Please

Scanlan, Margaret 91

note that all of the terms and descriptions used in this catalogue

Searle, Ronald 1

are intended as our qualified opinions only and are subject to the

Shahn, Ben 79

Conditions of Sale set forth elsewhere.

Shahn, Ben (after) 23

The Artist’s Name: In our qualified opinion, a work by the artist.

Shemi, Calman 120 Sills, Pamela Kelly 192, 193 Smith, Kiki 211 Spencer, Jack 13, 14

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

School of / Follower of: In our qualified opinion, a work by a follower

Sperry, John 225

of the artist.

Spicuzza, Francesco 156

Circle of: In our qualified opinion, a work of the period of the artist

Staib, Saliha 3

and showing his or her influence.

Steinberg, Saul 200

Studio of: In our qualified opinion, a work possibly associated with

Stewart, Allison 123 Stewart, Lynne 141 Stirt, Al 172 Strickland, David 163, 164

the studio of the artist and showing his or her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

Sublett, Carl 131

After: In our qualified opinion, a copy of a known work by the artist.

Sumell, Jackie 205

Signed: In our qualified opinion, has the signature which is that of

Tague, Dan 76, 127, 204 Tarin, Gilberto Antonio 8-10 Taylor, Brian 112 Toledo, Francisco 77 Villa, Mario 2, 4-7, 15

the artist.

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Dated: In our qualified opinion, is so dated and was executed on or

Wallen, Pauline 90

around that date.

Weng, Rodney 53

Bears Date: In our qualified opinion, is so dated and may have been

Wise, Scott 34

executed at about that date.

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Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

LIST OF RECOMMENDED SHIPPERS Please note that New Orleans Auction Galleries does no packing or shipping. Our clients have successfully used the following drayage companies.

COMPANY

PHONE

EMAIL

Bayou Movers 504-228-3827 bayoumoversla@gmail.com Craters & Freighters 800-733-0310 nola@cratersandfreighters.com RB Shipping 404-524-9122 info@rbshippingllc.com The Box 504-568-0281 woodenbox@bellsouth.net N.O. Packaging & Shipping

504-885-4544

info@nolapackandship.com

Pakmail 800-230-5229 pakmail493@yahoo.com Kid Gloves 504-309-6894 tanya@lakidgloves.com UPS Store #4134 504-866-8664 store4134@theupsstore.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Taylor Eichenwald Assistant Director of Auctions

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Director of Fine Jewelry

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Charles C. Cage Silver Specialist & Office Manager

Thomas Halverson American Furniture Specialist

Burke Designer

AUCTIONEERS Tessa Steinkamp, #1265 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Kelly McMahon Client Services & Administrative Assistant

CONSULTANTS

Grace Connors Manager of Online Auctions

ADMINISTRATION

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Christa Ougel Graphic Designer

Ira Savoie Independent Certified Gemologist Appraiser

Gary Michael Gittelson Photographer

Bettina Bausa Graphic Designer

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark