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NOAG

interiors SEPTEMBER 8-9, 2021


NOAG interiors

Online Auction: September 8-9, 2021

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

Pictured Left: Lot 362 | Covers: Lot 415


Exhibition: August 30-September 7, 2021 Monday - Friday (closed Saturday & Sunday) 10:00 a.m. - 4:00 p.m. By Appointment - Limited Time Slots Email info@neworleansauction.com or call us at 504-566-1849 to schedule an appointment

Lot Schedule: Please note that times are approximate Wednesday, September 8, 2021 | 11 a.m CT

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bidding: Telephone

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Bidding is available by telephone, absentee and live online with LiveAuctioneers and Invaluable

Pictured: Lot 375


1 Pair of Louis XIV-Style Five-Light Sconces 20th century, the shaped patinated bronze backplates decorated with sprays of crystal drops at the top, and supporting scrolled arms with cylindrical candle cups and floriform drip pans, the whole hung with large cut glass drops, electrified. h. 18-1/2”, w. 10-3/4”, d. 6” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $500-$800

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2 Pair of Louis XIV-Style Fruitwood Fauteuils each with an arched back and padded seat joined to open arms with parcel-gilt foliate- and rosettecarved hand rests, and raised on turned legs joined by an H-form stretcher with a carved and pierced apron, upholstered in gold cut velvet. h. 47” $600-$900

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3 Continental School (Fourth Quarter 19th Century) “Poultry in the Barn” oil on canvas illegibly signed lower right. Framed. 8” x 10”, framed 15-1/2” x 17-1/2” $500-$800

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4 French Provincial Fruitwood Wine Table 19th century, the tilting circular top raised on a swing-leg base and upright supports to runner feet. h. 28”, dia. 48” Provenance: Private collection, New Orleans, Louisiana. $800-$1,200

5 Pair of French Provincial Fruitwood Fauteuils 19th century, each with a shaped and caned back joined by scrolling arms to the cushioned and caned seat, raised above a molded and shaped frieze on cabriole legs ending in scrolled toes. h. 38”

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Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $600-$900

6 French Provincial-Style Fruitwood Buffet the rounded rectangular top above a conforming case fitted with three short drawers over two cupboard doors, each inset with a shaped panel, raised on cabriole feet ending in scrolled toes. h. 38”, w. 55”, d. 19-1/2” Provenance: Private collection, New Orleans, Louisiana. $700-$1,000

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7 French Provincial Carved Oak Armoire 19th century, the upper frieze centered with carved lovebirds and relief-carved grape and leaf motifs, above a pair of mirrored doors with like-carved details, the interior lined in velvet. h. 80”, w. 54”, d. 22” $700-$1,000 8 Painted Rococo-Style Trumeau Mirror 20th century, the surround decorated with grapes, the upper tablet with a Victorian-style depiction of dogs, set with a beveled mirror plate. h. 66-1/2”, w. 17-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500 9 Molded Terracotta Figure of Two Children first quarter 20th century, modeled as a seated young girl holding a flower with a boy standing beside her, an unidentified stamped mark with the initials "MES". h. 40-1/2”, w. 14-1/4”, d. 18” $800-$1,200

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10 Pierre de Leonard, (French, 19th/20th Century), "Putti with Flowers" painted terracotta sculpture signed in script at back h. 15-3/4”, w. 18-3/4”, d. 5” $800-$1,200 11 Louis XV/XVI-Style Kingwood Occasional Table early 20th century, the banded and canted rectangular top with a parquetry panel, above a conforming case fitted with three long drawers, joined to a concave parquetry shelf on cabriole supports continuing to sabots. h. 29”, w. 17-1/2”, d. 12-1/2” $700-$1,000 10

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12 Louis XV-Style Kingwood and Marble-Top Occasional Table early 20th century, the shaped Breche d’Alep marble top within a brass banding, above a conforming case fitted with two quarter-veneered drawers, raised on cabriole legs ending in sabots. h. 29”, w. 20-1/2”, d. 13-1/2” $700-$1,000 13 Pair of Biscuit Porcelain Plaques of Children fourth quarter 19th century, probably German, with rococo borders, the backs with stamped pattern numbers. h. 9-1/2”, w. 12-1/4”

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$200-$400

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14 Louis XV-Style Argente and Polychromed Stool the upholstered cushion on a serpentine and molded frame with central floral and foliate carving, the cabriole legs with like carving at the knees. h. 18”, w. 21”, d. 16” $500-$800 15 Pair of Venetian Polychrome and Parcel-Gilt Twin Beds ca. 1900, with bombe paneled headboards and shellform crests, raised on splayed legs highlighted with gilt trim. h. 51”, inside w. 40-1/2”, l. 76”, outside w. 44”, l. 84”

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$800-$1,200

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16 Louis XV-Style Polychrome and Marble-Top Console Table early 20th century, the conforming marble top above a pierced and relief-carved frame, raised on cabriole legs joined by a cartouche-form stretcher. h. 33”, w. 35-1/2”, d. 16-1/2” $700-$1,000

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19 Pair of Giltwood Bergeres in the Louis XV Taste 20th century, each with a shaped and padded back surmounted by a shell crest, joined by out-scrolled arms to the cushioned seat, raised on foliate-carved cabriole legs ending in scrolled toes, upholstered in aqua silk taffeta with cut-velvet “ribbon” stripes. h. 41-1/2” Provenance: Private collection, Houston, Texas. $900-$1,200

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17 French Silvered Bronze Chandelier first quarter 20th century, in the neoclassical taste, the nine-light chandelier with a ribbon-decorated circular frame supported on rope-twist “chains” and set with leaf-molded candle arms, a posy of flowers supported by a pair of putto floating below, supported by molded chains. h. 38-1/2”, dia. 25”

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$800-$1,200

18 Henry Forain (French, b. 1947) “Afternoon Stroll” oil on wood panel signed lower left. Framed. 19-1/2” x 15-1/2”, framed 25-3/4” x 21-1/2” $400-$700

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20 Pair of Louis XV-Style Mahogany and Marble-Top Commodes early 20th century, each with a shaped marble top above a conforming case fitted with a single cupboard door inset with a panel depicting a figural landscape, the sides paneled en suite, raised on cabriole legs ending in sabots. h. 31”, w. 28”, d. 14” $400-$700 21 Louis XV-Style Polychromed and Marble-Top Console 19th century, the thick, demi-lune-form breche Medicis marble top over a conforming frame with bas-relief foliate blocks and interlocking flowerheads, and raised on cabriole legs joined by a shaped stretcher with an urn and flower finial. h. 34”, w. 39-1/2”, d. 18”

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$1,200-$1,800

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22 Louis XV-Style Giltwood Mirror the shaped mirror plate in a frame with foliate-, scroll- and shell-carved decor. h. 67-1/4”, w. 31-1/2” $500-$800

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23 Louis XV-Style Kingwood Occasional Table 19th century, the banded and shaped rectangular top quarter-veneered and with projecting corners, above a frieze fitted with a single drawer, raised on slender cabriole legs headed by ormolu mounts and ending in sabots. h. 28-3/4”, w. 16”, d. 12-1/2” $500-$800

24 Louis XV-Style Ormolu-Mounted Kingwood and Mahogany Vitrine second half 20th century, the upper case with an arched front crest with string inlay and a central cast brass cartouche, the corners with pineapple finials above a pair of glazed doors, the interior with a mirrored back, the base with two conforming curved drawers, raised on cabriole legs with brass mounts. h. 72”, w. 36”, d. 20”

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$300-$500

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25 Pair of French Brass Chenets ca. 1900, of Louis XV inspiration, decorated with molded scrollwork and piercing, the tops set with winged female masques. h. 19”, w. 11-1/2”, d. 17-1/2” $400-$700

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26 Louis XVI-Style Carved Giltwood Tabouret ca. 1900, the circular recessed top with a carved laurel wreath border, and mounted to four foliate-carved legs ending in scrolled toes. h. 21”, w. 21”, d. 21” $700-$1,000

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27 Pair of French Rococo-Style Giltwood Mirrors ca. 1900, each with an oval mirror plate lined with rocaille-carved giltwood, and framed with a leafand scroll-carved giltwood surround punctuated with carved flowerheads and surmounted by a central pierced basket-of-flowers finial. h. 44”, w. 28-1/4” $800-$1,200

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28 Louis XV/XVI-Style Kingwood and Marble-Top Commode 19th century, the rounded,rectangular marble top with a projecting center section, above a conforming case fitted with two long drawers, both with decorative banding and parquetry veneers, raised on cabriole legs ending in sabots. h. 36”, w. 51”, d. 22” $800-$1,200

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29 Louis XV Giltwood Barometer third quarter 18th century, the giltwood body framed in carved rocaille and scrollwork against a body decorated with incised latticework, the lower portion with carved flowerheads, both the dial and temperature panel handpainted with pink and green roses. h. 36”, w. 10-3/4” $500-$800

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31 Louis XV-Style Polychromed, Parcel-Gilt and MarbleTop Occasional Table 19th century, the shaped marble top inset into a conforming edge, above a pierced frieze with pendant floral swags, raised on molded cabriole legs ending in acanthine scrolled toes. h. 29-1/2”, w. 26-1/2”, d. 17” $1,200-$1,800

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30 Louis XV-Style Polychrome Bergere early 19th century, the domed back padded and surmounted by a floral crest, joined by low padded arms to the cushioned seat, raised above a floral-carved apron on molded cabriole legs ending in scrolled toes, upholstered in floral-patterned needlework. h. 38” $700-$1,000

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32 Pair of Italian “Mane Lion” Pottery Lamps 20th century, one decorated with “Villa Sandi” and the other with “Villa Godi Malinverni”, marked “The Mane Lion” on the bottom, mounted with shades. h. 27-1/4”, w. 17”, d. 13” $500-$800

33 Pair of Louis XV-Style Fruitwood Fauteuils 19th century, each with a padded and rounded back surmounted by a floral crest, joined by padded, scrolling arms to the like seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 40”

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$700-$1,000

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34 Louis XV-Style Mahogany Vitrine 20th century, the scrolling pediment centered by an ormolu foliate mount with pendant swags, above a case fitted with a single glazed door and glazed sides, above a shaped masque-centered frieze, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 77”, w. 33-1/2”, d. 18” $700-$1,000

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38 Pair of Giltwood Looking Glasses in the Rococo Taste each with a rectilinear beveled mirror plate in a molded frame with leaf- and scroll-carved brackets and crests. h. 50”, w. 28-3/4” $400-$700 35

35 Louis XV-Style Mahogany Vitrine 20th century, the scrolling pediment centered by an ormolu foliate mount with pendant swags, above a case fitted with a single glazed door and glazed sides, above a shaped masque-centered frieze, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 77”, w. 33-1/2”, d. 18” $700-$1,000

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36 Three Fringed Pillows in Antique French Fabric including a large example in passementerie, depicting a vase of flowers and scrollwork on a ruched silk ground, size 18” x 18”, and a smaller pair covered in Aubussonstyle needlepoint depicting flowers, size 8-1/2” x 10”. $400-$700 37 Framed Aubusson Tapestry Fragment first half 20th century, machine made. Glazed and framed. 27-1/2” x 60-1/2”, framed 37” x 70” $500-$800

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39 Pair of Rococo-Style Giltwood Wall Brackets 20th century, carved with acanthus leaves and set with serpentine shelves. h. 23-3/4”, w. 17”, d. 5-3/4” $200-$400

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40 Louis XV-Style Inlaid Mahogany Work Table the floral-, leaf- and vine-inlaid lift-top with an ormolu perimeter and fitted with an interior looking glass, the apron with like inlay, raised on cabriole legs with bronze mounts at the knees and feet. h. 29-1/4”, w. 23”, d. 17” 41

$500-$800 41 Pair of Provincial Louis XV-Style Fruitwood Fauteuils

42 Set of Four Carved Wood and Metal Sconces

20th century, each with a carved and molded frame and floral center crest, the slightly curved seat frame centered with a relief-carved flower basket, raised on cabriole legs, the seats with a conforming loose cushion. h. 38”, w. 29”, d. 22”

20th century, of Italian provincial inspiration, the baroque-style sconces carved with standards, with traces of gilt, and set with three scrolled candle arms terminating in turned wooden candle sockets, accented with turned and gilded wooden tassels. h. 26-1/2”, w. 28”, d. 16-1/2”

Provenance: Waldhorn’s Antiques, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

$500-$800

$800-$1,200

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43 Louis XVI-Style Creme-Peinte and Marble-Top Low Table late 20th century, the rectilinear white and gray marble top raised on fluted, tapering legs. h. 17-3/4”, w. 47-3/4”, d. 18” $300-$500 44 Pair of Louis XVI-Style Polychrome Fauteuils early 20th century, each with a padded circular back joined by downswept arms and fluted uprights to the deep padded seat, raised on fluted tapering circular legs ending in toupie feet. h. 21-1/2” $700-$1,000 45 Pair of Mottahedeh Pottery Figures of Monkeys

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20th century, Italian, the two figures modeled playing instruments, inspired by Meissen’s monkey bands, signed on the bottom. h. 15-1/2”, w. 4-3/4”, d. 4-3/4” $400-$700 46 Louis XV-Style Ormolu-Mounted Mahogany Low Table of ovoid bouillotte table form, the marble top with a brass gallery, the apron panels framed by brass molding and with foliate ormolu mounts, raised on fluted tapering circular legs. h. 20-3/4”, w. 25”, d. 19-1/2” Provenance: A River Oaks Estate, Houston, Texas. $300-$500 46

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47 Louis XV/XVI-Style Mahogany and Marble-Top Occasional Table early 20th century, the ovoid marble top within a brass band and above a shaped frieze joined to a lower shelf by cabriole supports ending in sabots, the whole accented with ormolu mounts. h. 29-1/2”, w. 25-1/2”, d. 16-1/2” $600-$900 48 Pair of French Bronze Sconces mid-20th century, in the Louis XVI style, on molded quiver-form backplates supported with bowknots. h. 16-1/4”, w. 11”, d. 8-1/2” $500-$800 47

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49 Louis XV-Style Parquetry-Inlaid and Ormolu-Mounted Occasional Table

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early 20th century, mahogany and mahogany stained, the marble top of tortoise form, edged with a brass frame over a conforming scalloped apron, the cabriole legs joined by a low shelf in diamond parquetry decor. h. 29”, w. 26”, d. 18-1/4” Provenance: A River Oaks Estate, Houston, Texas. $500-$800 50 Pair of Louis XVI-Style Brass-Mounted Mahogany Stands ca. 1900, probably Herts Brothers, New York, each with an onyx top with a brass gallery, over an apron with guilloche-modeled mounts, raised on fluted legs joined by a low shelf. h. 32-1/2”, w. 12”, d. 12” Provenance: A River Oaks Estate, Houston, Texas. $400-$700

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51 French/Belgian School (Fourth Quarter 19th Century) “Still Life with Lilacs and a Copper Urn”, 1891 oil on canvas unsigned, dated lower right “23 Mai 91”. Framed. 23-1/2” x 28-5/8”, framed 30-1/2” x 35-3/4” $600-$900

52 Louis XV-Style Polychrome Wood and Leather Fauteuil early 20th century, of generous proportions, the padded and embossed leather back surmounted by a floral foliate crest, joined by padded arms to the padded seat, all upholstered in celadon leather, the seat raised above a like-carved frieze on cabriole legs ending in floral scrolled toes. h. 42”

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Provenance: Private collection, Houston, Texas. $600-$900

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53 Unusual French Fruitwood and Onyx Vanity/Sink early 20th century, the top with a carved onyx mirror frame, backsplash and countertop, set with a porcelain basin along with a tipping silver-plated liner, the base with a central faux drawer flanked by drawers and three cabinets below. h. 85”, w. 59”, d. 30” $1,200-$1,800

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55 Pair of “Dresden”-Style Porcelain Candelabra post-1930, German, decorated with angels and encrusted flowers, signed “Schierholz”. h. 15-1/4”, dia. 9” $200-$400 56 Set of Six Louis XV-Style Polychromed Side Chairs 54

each with a shaped and padded back surmounted by a scrolling shell crest and within a pierced scroll frame, the padded seat raised on molded cabriole legs ending in foliate scrolled toes. h. 41”

54 Painted and Parcel-Gilt Trumeau Mirror the upper painted panel depicting a pair of putti holding wreaths, over a rectilinear looking glass, adorned with applied gilt arabesques. h. 58-3/4”, w. 32-1/4”

$800-$1,200

$300-$500

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57 Unusual French Bronze, Tole and Glass Chandelier second quarter 20th century, the eight-light chandelier having a serpentine body with painted tole sides and bronze trim, and set with four molded rococo candle arms and four interior sockets over a frosted glass base, with a bronze rococo-molded support. h. 17”, w. 27”, d. 13-1/2” $600-$900

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58 French Belle Epoque Giltwood, Glass and Fabric Four-Panel Screen fourth quarter 19th century, the Louis XV-style frame carved with rocaille and scrollwork, the upper portion set with glass panes, the lower portion with pink silk. h. 40-1/2”, w. 58” $700-$1,000

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59 Pair of Louis XV-Style Painted and Parcel-Gilt Fauteuils ca. 1900, each with a molded back with a shaped cushion, extending to open arms with scroll ends on supports, a serpentine seat and cabriole legs. h. 36-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900

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60 French Three-Panel Wallpaper Screen in the Rococo Taste ca. 1900, each panel decorated with putti-form planters on neoclassical bases with lush arrangements of pink flowers and trailing ivy, on a blond grained ground, framed with an anthemia-decorated border and marbleized bases. overall h. 84-3/4”, w. 66-3/4” $500-$800

61 Gilt-Painted Composition Figural Grouping of a Bacchante and Two Putti first quarter 20th century, French, illegible cast signature along back edge of self-base. h. 25”, w. 20”, d. 14” $600-$900

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62 Pair of Louis XV-Style Gilt- and Patinated Bronze Figural Chenets fourth quarter 19th century, one with a girl holding a bird, the other with a boy holding a paddle, set into molded and pierced gilt-bronze scrollwork decorated with stippling, set with cast iron billet bars. h. 10-1/2”, w. 12”, d. 20-3/4” $500-$800

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63 French Rococo-Style Bronze Chenets and Firescreen first quarter 20th century, the chenets decorated with patinated putti beneath bronze swags, supported by lion’s heads, h. 18-1/4”, w. 11-3/4”, d. 5”, and the firescreen with a scroll-molded surround, on cabriole legs, h. 27”, w. 27-1/4”, d. 10-1/2”. $600-$900

64 French Giltwood Overmantel Mirror in the Rococo Taste 63

fourth quarter 19th century, the bold, pierced and scrolled surround decorated with flowerheads on a sand-crusted ground, the lower corners with pierced garlands and flowers, the crest with a scroll-supported putto framed with garlands of pierced flowers, set with a beveled mirror plate. h. 63”, w. 58” $1,000-$1,500

65 Louis XV-Style Giltwood and Marble-Top Center Table the turtle-form top above a conforming foliate scrollpierced frieze centered by a shell carving, raised on cabriole legs headed by a shell shield and ending in acanthine scrolled toes. h. 33-1/2”, w. 72”, d. 36” $600-$900

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66 Franco-Chinese Gilt-Bronze-Mounted Mandarin Rose Export Bowl third quarter 19th century, the bowl decorated with Mandarin scenes and raised on a pierced bronze base with putti supporting swags of flowers, the scrolled and leaf-molded bronze handles set on the pierced and scroll-molded bronze rim. h. 14-1/4”, w. 20”, d. 15-1/2” $700-$1,000 67 French Neo-Grec Gasolier third quarter 19th century, the four-light gasolier mounted with Chinese export Rose Medallion porcelain elements, the bronze standard decorated with carefully molded and detailed lotus leaves, open pierced scrollwork, and a cylinder of Rose Medallion porcelain molded with ring handles, the scrolled arms set with anthemia-molded elements, the lower finials likely gas keys, with Rose Medallion urns holding the burners, now electrified, and shade holders set with ruffled cranberry glass shades. h. 39”, dia. 31-1/2”

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$300-$500

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68 Gilt-Bronze-Mounted Rose Canton Baluster Vase fourth quarter 19th century, Sino-French, with wellexecuted panels of Mandarin decoration on a celadon ground, on a field decorated with birds, butterflies and flowers, resting on a pierced and scrolled gilt-bronze base. h. 27-1/2”, dia. 11” $1,000-$1,500 67

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69 Chinese Rose Medallion Porcelain Punch Bowl and Baluster Vase on Stands third quarter 19th century, the elaborately decorated bowl covered with panels of mandarin decoration surrounded with peony and butterfly borders, on a wooden stand, bowl h. 6”, dia. 15-3/4”, overall h. 12-5/8”, and the large, ornately enameled and gilded balusterform vase with reserves depicting courtly pursuits, on a wooden stand, vase h. 25-3/8”, dia. 8-1/4”, overall h. 27-3/4”. $400-$700 70 Three Chinese Figural Lamps mid-20th century and later, including a pair of porcelain lamps on pierced brass bases, h. 31-1/2”, dia. 15-3/4”, and a smaller pottery example depicting a young woman on a garden seat, on a wooden base, h. 20”, w. 14-1/4”, d. 19-1/2”, all mounted with shades. $500-$800 71 Carefully Executed Chinese Export Porcelain Vase first half 19th century, the hexagonal famille rose vase decorated with scenes of a celebratory event, the upper portion with foo-dog-molded handles, the bottom with a black Chinese character mark. h. 25-1/4”, dia. 7-1/4”

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Provenance: A River Oaks Estate, Houston, Texas. $500-$800

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72 French Bronze Oil Lamp in the Louis XIV Taste fourth quarter 19th century, the standard, centered by a flaming torch, supporting a stamped brass font and fitted with a diamond-quilted opalescent glass shade, now electrified. h. 32-1/4”, dia. 7-1/2” $600-$900 73 Karl Anton Reichel (Austrian, 1874-1944) “Femme a la Cigarette”, 1908 watercolor on paper signed and dated lower right. Matted, glazed and framed. sight 12” x 9”, framed 20” x 16-1/4” $800-$1,200

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74 Sevres Art Nouveau Double-Gourd Vase ca. 1900, French, decorated with daisies on a white ground, with a “Sevres 1900 Nationale 1907” mark, along with the decorator’s initials, possibly a conjoined “HV”, h. 7-3/4”, dia. 3-1/2”; together with an aesthetic bottle vase with raised enamel, stamped “CH Fiquenet, Sevres”, h. 8-3/4”, dia. 4”. $700-$1,000 74

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75 Group of Six Sevres Vases 20th century, each with a mottled glaze, three with silvered rims and bases, one with brass rim and base, and one all cream, all marked “Sevres”, together with the “PM Sevres” mark of Paul Milet. tallest h. 7-1/2”, shortest h. 3” $300-$500 75

76 Labeled Brass-Inlaid Inkstand ca. 1837, labeled by artisan Lucy Leuchars, London, the inkstand inlaid with brass scrollwork on an ebonized ground, and mounted with a brass carrying handle flanked by ink pot compartments, the center stamp box labeled on the bottom. h. 6”, w. 12-1/2”, d. 10-1/2” $500-$800 Leuchars worked from 1829-1837, her final year being Queen Victoria’s first year on the throne. The label on the bottom advertises her wares and is marked “To Her Majesty and the Royal Family”. 76

77 Open Lot

78 Pair of Handsome Longwy Faience Vases in the Chinese Taste fourth quarter 19th century, French, decorated with turquoise and yellow scrollwork and flowers, the bases with painted and incised “Longwy” marks. h. 14”, w. 7-1/2”, d. 7-1/2” Provenance: Estate of Carol A. Straus, Houston, Texas. $700-$1,000

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79 Circle of Jean-Charles Cazin (French, 1841-1901) “A Sylvan Path in Provence” oil on board unsigned, reverse with “Figures Galantes” sketch. Giltwood frame. 9” x 13”, framed 12” x 16-1/2” Provenance: Sold in these rooms, December 5, 2008, lot 385. $700-$1,000

80 Four Similar “Pulled Feather” Art Glass Shades ca. 1900-1933, American, two shades signed “Quezal”, one with Steuben’s fleur-de-lis mark and one unsigned. h. 5”, dia. 3”

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$500-$800

81 Set of Four Signed Quezal Art Glass Shades first quarter 20th century, New York, the gold iridescent shades with scalloped edges and signed “Quezal” on the fitter interior. h. 4-1/4”, dia. 4-1/2” $500-$800

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82 Pair of Chinese Small Famille Rose Porcelain Vases 20th century, each of baluster form, with raised foot and flared rim, decorated to the exterior with birds perched amid flowering plants and cherry blossoms between gilt borders, the reverse with a four-line inscription, the base with an apocryphal six-character Qianlong mark. h. 5-1/4” 82

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$200-$400


83 French Neo-Grec Bronze Tazza second half 19th century, cast by Ferdinand Barbedienne (French, 1810-1892), the neoclassical basrelief panel depicting Orpheus, Diana and Hercules, after Ferdinand Levillain (French, 1837-1905), with masque-molded handles and raised on paw feet, signed “F. Barbedienne” on the outside edge of the tazza and “F. Levillain” on the lower right panel. h. 2-1/4”, w. 21”, d. 9” $800-$1,200

86 Maurice Poirson (French, 1850-1882) “The Dressing Room” oil on canvas signed lower left. Framed. 20” x 16”, framed 27” x 23” $700-$1,000

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84 After E. C. Wynne, (American, 20th/21st Century), "Romantic Ribbets" patinated bronze two courting frogs on lotus leaves and blossoms, signed and numbered "5/50" along edge, on a marble base with artist and title h. 14-1/4”, w. 10-1/2”, d. 5-1/2” $300-$500 85 Daum-Style Cameo Glass Vase 20th century, decorated with scenes of a mountain lake, with a spurious “Daum Nancy” signature. h. 23”, dia. 6-1/2”

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$600-$1,000

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87 Scing Randle Parker (American/Texas, 1873-1959) “Vivian”, 1900 oil on canvas signed, titled and dated en verso. Framed. 30” x 21”, framed 37” x 27” $400-$700 88 Nymphenburg Porzellan Manufaktur Vase Designed by Ruth Gurvich (Argentinian, b. 1961) ca. 2009, painted glazed bisque porcelain, from the “Lightscape” series based on paper models, artist and manufacturer stamps at bottom and numbered “35/122”, in the original cardboard presentation box. vase h. 8-1/2”, w. 4-1/2”, d. 4-1/2” $400-$700 87

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89 Napoleon III Kingwood Bureau Plat late 19th century, the banded top with an inset leather blotter, the front fitted with a pair of drawers and raised on slender, tapering square legs with brass caps. h. 29-1/2”, w. 40”, d. 24” $700-$1,000 90 French Patinated Bronze “Marly Horses” first quarter 20th century, after Guillaume Coustou (French, 1677-1746), each with cast signature along selfbase, each now on a black marble plinth. overall h. 15-1/2”, w. 11-1/4”, d. 5-3/4” $400-$700

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90


91

92

91 Post-Modern Bronze Bust of Homer the image of the Greek poet presented on a contemporary stepped base. h. 29”, w. 9”, d. 9” $700-$1,000 92 French Empire-Style Gilt-Bronze and Tole Chandelier second quarter 20th century, the six-light chandelier with a green tole body set with scrolled candle arms, decorated with medallions and acanthus leaves, the center with a flame finial, a cone-form finial on the bottom, supported on molded chains from a gilt-bronze canopy. h. 31”, dia. 21-1/2” $600-$900 93 French Empire-Style Gilt-Bronze and Tole Chandelier second quarter 20th century, the green body set with cornucopia-form bronze arms with bronze upper candle cups, the sides of the body decorated with gilt-bronze medallions and set with a flame finial and a cone-form lower finial, supported on bronze chains from a molded canopy. h. 34-1/2”, dia. 22-1/2” $600-$900

93

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94 Empire-Style Aubusson Carpet bears logo for French Accents, New York City. 9’ 1” x 12’ $1,000-$1,500 95 Louis-Philippe Mahogany Fauteuil mid-19th century, the padded slightly-domed back joined by scrolling arms to the padded seat, raised on sabre legs headed by a scrolled capital and ending in like toes. h. 36” $500-$800 96 French Bronze-Mounted Mahogany Floor Lamp first quarter 20th century, with an urn-form socket support and a flame-form finial. h. 76”, dia. 20” $100-$200

94

96

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95


97 French Brass-Mounted Wrought Iron Gueridon 20th century, in the neoclassical taste, the circular top with an inset plate-glass top, supported by three curved legs joined by a circular stretcher. h. 31”, dia. 32” $400-$700

97

98 French Bronze Bust of Napoleon Bonaparte 20th century, after Renzo Colombo (Italian/French, 18561885), cast signature along back edge, figure in military dress with cape and tricorne hat, on a thin marble base. h. 24-1/2”, w. 14-1/2”, d. 11-1/2” $1,000-$1,500

98

99 French Belle Epoque Marble and Gilt-Bronze Encrier fourth quarter 19th century, on bold paw feet, mounted with a single inkpot trimmed with engine-turned gilt bronze, flanked with finials, the front with an inset pen tray, the facade with a gilt-bronze mount. h. 8-1/4”, w. 17-1/2”, d. 10-1/2” $300-$500

99

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100 Empire-Style Gilt-Bronze-Mounted Mahogany Bed early 20th century, in the Egyptian Revival taste, the paneled headboard flanked by fluted columns and supporting a cornice with a broken-arch pediment crest adorned with a bronze laurel wreath and ribbon, with bronze molding framing the panels, the rails with leaf and vine mounts, the tripartite footboard with mounts in each panel. h. 62”, inside w. 61-1/4”, l. 77”, outside w. 69-1/2”, l. 82-1/4” $800-$1,200

101 Empire-Style Ormolu-Mounted Mahogany Center Table late 19th century, the circular top above a frieze with bronze mounts and supported by large scrolled legs ending in carved paw feet on a triangular platform base. h. 29-1/2”, dia. 38-1/2” 101

$300-$500

100

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103 102

102 Restauration Mahogany Settee 19th century, the back with a molded top rail, the closed arms with reeded scroll ends on carved supports, with bowed seat rail and shaped feet, fitted with a loose seat cushion. h. 38-1/4”, w. 56-1/2”, d. 25-1/2” $500-$800

103 Pair of Gilt-Bronze Sconces in the Neoclassical Taste second quarter 20th century, French, on backplates decorated with neoclassical profiles and swags. h. 17-1/4”, w. 10-1/2”, d. 8” $500-$800

104 Napoleon III Walnut and Burl Secretaire a Abattant late 19th century, the molded cornice above a case fitted with a plain frieze over a single paneled drawer, above a drop front opening to a variety of drawers and cubbyholes surrounding a central cupboard, all with nicely inlaid accents, over three long paneled drawers, raised on ball feet. h. 67”, w. 39-3/4”, d. 21-1/2” $300-$500

104

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105 British School (Fourth Quarter 19th Century) “Picnic by the Loch” oil on canvas unsigned. Period giltwood frame. 20” x 24”, framed 29” x 33” $700-$1,000

105

106 British School (First Quarter 20th Century) “Cottage by a River” oil on canvas signed lower right “H. Lever”. Framed. 18” x 12”, framed 25” x 19” $700-$1,000

107

107 British School (Second Quarter 19th Century) “A West Indies Scene” oil on canvas unsigned. Framed. 10-1/2” x 12”, framed 16” x 17” $600-$900

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108

108 Henry John Boddington (British, 1811-1865) “Bridge on the Usk [Wales]” oil on linen signed lower left, frame backing with typewritten label. Framed. 18-1/4” x 24-1/4”, framed 26-1/4” x 33” $800-$1,200

110

109 Georgian-Style Mahogany Settee 20th century, the double-domed back with foliate-carved interlacing splats, joined by shepherd’s-crook arms to the tapestryupholstered seat, raised on cabriole legs ending in ball-and-claw feet. h. 40-1/2”, w. 51”, d. 22” $800-$1,200

110 George III-Style Mahogany Pole Screen 19th century, the adjustable, rectangular screen inset with a needlepoint and petit point pastoral scene, raised on three splayed cabriole legs ending in pad feet. h. 60”, w. 20-1/4” $300-$500

109

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112 111

111 Queen Anne-Style Feathered Walnut Cheston-Stand late 19th century, English, set with two sideby-side drawers over two long drawers, the top and drawer fronts with highly figured veneers and banded edges, raised on cabriole legs with shell-carved knees and ending in Spanish feet, mounted with engraved brass hardware. h. 47”, w. 32”, d. 17”

112 George III Mahogany Bachelor’s Chest of Drawers 18th century, the case fitted with a pair of side-by-side drawers over three graduated long drawers, raised on bracket feet. h. 35”, w. 36”, d. 21-1/2” $700-$1,000

$700-$1,000

113 Suite of Four British Hand-Colored Engravings of “A Trip to Gretna Green” 19th century, published by J. L. Marks, London. Glazed and framed. sight 9” x 13-1/2”, framed 10-1/2” x 14-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $400-$700

113

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114 George III Mahogany Kneehole Desk fourth quarter 18th century, the rectangular top with a molded edge, above a case fitted with a pull-out slide over a single drawer, over a central concealed apron drawer and recessed cupboard, flanked to either side by a bank of three short graduated drawers, raised on bracket feet. h. 31-1/2”, w. 33”, d. 19-1/2” $700-$1,000

115 George III-Style Mahogany Bowfront Chest-on-Chest late 19th century, the molded and bowed cornice above a conforming case fitted with two short drawers over three graduated long drawers, the lower section fitted with three graduated long drawers, all banded, raised on splayed bracket feet. h. 77”, w. 44”, d. 23”

114

$800-$1,200

116

116 George III Mahogany Chest late 18th century, the rectangular top with string banding, above a conforming case fitted with three graduated long drawers, raised on tall bracket feet. h. 32-1/2”, w. 35”, d. 16-1/4” $700-$1,000 115

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117

118 Fine English Regency Mahogany Extension Dining Table

117 Pair of George III-Style Mahogany Armchairs

early 19th century, with a fold-over top that converts from a console table to a dining table and featuring a rare accordion expansion system to accommodate two 22” leaves and one 19” leaf. console h. 29-1/2”, w. 48-1/2”, d. 22”; table h. 28-1/2”, w. 48-1/2”, l. 44”, ext. l. 107”

ca. 1900, each with an acanthine-carved crest over a pierced splat, joined to the padded seat by scrolling open arms, raised on square legs joined by an H-form stretcher. h. 36”, w. 24-1/2”, d. 20”

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

$500-$800

$700-$1,000

118

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119 George III-Style Mahogany Corner Cabinet early 20th century, the molded and dentillated cornice with canted corners, above a case fitted with a single astragal-glazed door, the lower section with a deep banded frieze joined by tapering supports to a lower shelf, raised on spade feet. h. 79”, w. 31”, d. 18” $200-$400 120 George III-Style Mahogany Corner Cabinet 20th century, the molded and dentillated cornice canted and above a conforming case fitted with two bi-paneled doors, the lower section fitted with two paneled doors, raised on shaped bracket feet. h. 86-1/2”, w. 52-1/2”, d. 26-1/2” $300-$500 121 English Rococo Giltwood Mirror third quarter 18th century, the delicate pierced giltwood surround with a scroll- and rocaille-carved crest, the sides decorated with a carved flowering vine with carved stalactites, the lower portion carved to match the crest, set with an antique mirror plate. h. 33-1/4”, w. 20” 119

120

Provenance: A River Oaks Estate, Houston, Texas. $400-$700

121

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122 German School (Fourth Quarter 19th Century) “Visit to the Nursery” oil on canvas signed “Mayer (?)” lower left, and dated “1885”, titled lower center. Framed. 12-1/2” x 15-1/2”, framed 22” x 25-1/2” $600-$900

123 Five-Piece Suite of Mahogany Nesting Tables of Chippendale inspiration, comprised of a circular table with a burlwood top and carved legs on balland-claw feet, together with four shorter wedged tables, in like detail, that nest beneath the circular one. h. 18”, dia. 23” and h. 13-1/2”, w. 15-1/2”, d. 10-3/4”

122

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

124 George III-Style Mahogany Settee in the Chippendale taste, the bench of triplechairback form, each with a shaped leaf-carved top rail over a pierced splat with like carving, open arms, slip seat and cabriole legs. h. 39-3/4”, w. 70-1/4”, d. 19-3/4” $600-$900

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124

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125 Charles Edwin Baldock (British, 1876-1905) “Chestnut”, 1912 oil on canvas signed lower left, signed, dated and localized “Worksop” en verso. Framed. 16” x 20-1/4”, framed 23-1/2” x 26-3/4” $800-$1,200

125

126 William Lucas Lucas (British, 20th Century) “Bargold”, 1930 oil on canvas signed and dated lower left, titled lower right. Framed. 17” x 21”, framed 20-1/4” x 24-1/4” $1,500-$2,500 A horse named “Bargold’ was listed at nine wins and zero losses in the 1939 hurdle races at the South Australian Jockey Club (SAJC) at Morphettville. He is likely the same “Bargold” listed as stable mate of the famous British racer and sire “Papyrus”. 126

127 William Lucas Lucas (British, 20th Century) “Hamilkar”, 1930 oil on canvas signed and dated lower right, titled lower left. Framed. 17” x 21-1/2”, framed 20-1/4” x 24-1/4” $1,500-$2,500 A chestnut horse named “Hamilkar” was a successful German racer of British pedigree, sired by “Hannibal” through “Highland Queen” in 1899. He was undefeated for several years, most notably winning the Deutsches St. Leger in 1902.

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128 George III Banded and Line-Strung Mahogany Commode ca. 1800 and later, in the Hepplewhite taste, the case with a pair of doors, each with figured circular veneer panels, over a deep drawer, raised on flare feet. h. 28-3/4”, w. 22-1/4”, d. 19-1/4” $200-$400

129 George III Mahogany Bedside Commode ca. 1800, the carved and pierced galleried top over a case fitted with a pair of oval string-inlaid doors, above a likeinlaid drawer, raised on tapering square legs ending in brass casters. h. 35-1/2”, w. 19”, d. 18” $400-$700

128

130

130 George III-Style Carved Mahogany Bench early 20th century, of double chair-back form with a central carved shell, and graceful shaped arms, the slip seat raised on cabriole legs ending in ball-and-claw feet. h. 42”, w. 49”, d. 21” $700-$1,000 129

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131 George III-Style Mahogany Armoire in the Hepplewhite Taste early 20th century, the molded bowfront cornice over a conforming case with a pair of banded doors, raised on flaring feet. h. 70-1/4”, w. 35-1/2”, d. 19-1/2” $400-$700

132

131

132 Chippendale-Style Walnut Bracket Clock 18th/20th century, the Chippendale-style case set with an 18th-century British dial signed “John Brockbank, London”, and mounted with 20th-century Seth Thomas works. h. 19-3/4”, w. 11-1/2”, d. 7-3/4” $500-$800

133 George III-Style Mahogany Loveseat 20th century, the padded camelback loveseat joined by out-scrolled arms to the cushioned seat, raised on chamfered square legs joined by stretchers. h. 34-1/2”, w. 59”, d. 31” $500-$800 133

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134 British School (19th Century) “Portrait of a Gentleman” oil on linen possibly monogrammed “F” or “JE” lower right. Framed. 30” x 25”, framed 33-1/2” x 28-1/4” $500-$800 135 George III-Style Mahogany Partner’s Desk 20th century, the shaped rectangular top with an inset leather writing surface, above a conforming frieze fitted with three drawers to each side, raised on two pedestals, each fitted with a deep drawer to one side and a cupboard door to the other, on molded bracket feet, the whole with carved accents. h. 31”, w. 67”, d. 41-1/2” $1,500-$2,500

134

136 Miniature Regency-Style Mahogany Kidney-Shaped Desk 20th century, with a satinwood crossbanded top over flanking banks of drawers, finished in the round. h. 8-1/4”, w. 16”, d. 7-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

136

135

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137 Miniature English Mahogany Side-Lock Chest of Drawers second quarter 19th century, in the Late Classical taste, with turned bun feet, the top with a gallery on three sides. h. 14-3/4”, w. 14-1/2”, d. 10-1/4” $500-$800

138 Painted Miniature Chest in the 19th-Century British Style decorated in red and green with faux escutcheons, the sides decorated with panels of birds on branches. h. 16”, w. 14-1/2”, d. 8-3/4”

137

$500-$800

139 William Henry Williamson (British, 1820-1883) “Leaving Port” “Entering Port” pair of oils on wood panel one signed lower left. Framed alike. each 6” x 8”, framed 15” x 17” $400-$700

138

139

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140

140 Pair of George III-Style Mahogany and Upholstered Settees 20th century, each with a padded camelback joined by outscrolled arms to the cushioned seat, raised on chamfered square legs. h. 35”, w. 70”, d. 33” $600-$900

141 British School (19th Century) “Landscape with Village Road and Figures”

141

oil on canvas signed “V. Dewar” lower right. Unframed. 16” x 24-1/4” $400-$700

142 Henri Winstanley (British, 19th/20th Century) “Autumn”, 1887 oil on canvas signed and dated lower left. Framed. 20” x 30”, framed 32” x 43-1/2” $400-$700 142

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143 British School (19th Century) “Landscape with Shepherd and His Flock” oil on board unsigned. Framed. 5-3/4” x 7”, framed 8” x 9-1/2” $500-$800 144 Henri Winstanley (English/French, 19th Century) “Fagot Bearers and Sheep amid a Clearing”, 1897 oil on canvas signed and dated lower right. Framed. 19-3/4” x 30”, framed 32-1/2” x 42”

143

$400-$700

144

145 George III-Style Mahogany Secretary Bookcase 20th century, the upper case with a dentillated overhanging molding above a pair of glazed doors and a row of four side-by-side drawers, the slant lid opening to a fitted interior, with four long drawers below and raised on ogee bracket feet. h. 79”, w. 38”, d. 19” $200-$400

145

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146 Two English Tea Caddies 19th century, including a signed Jennens & Bettridge papier-mache example, inlaid with mother-of-pearl, h. 6”, w. 8-3/4”, d. 6”, and a William IV rosewood-veneered sarcophagus-form example, h. 7-1/4”, w. 12”, d. 6”. $600-$900

146

147 British School (Fourth Quarter 19th Century) “Mountainous Lake Landscape” oil on panel unsigned. Period giltwood frame. 10” x 17-1/2”, framed 15” x 23” $500-$800

147

148 George III-Style Mahogany Bowfront Chest mid-20th century, with the Kaplan Furniture Company’s “Beacon Hill Collection” label, the case with a bank of four graduated drawers with cross-banded perimeters and brass bails, raised on bracket feet, and with a pull-out work slide beneath the top. h. 35”, w. 38-1/4”, d. 21” Provenance: Estate of Carol A. Straus, Houston, Texas. $800-$1,200

148

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149

149 Suite of Eleven Queen Anne-Style Mahogany Dining Chairs

150 George III Mahogany Dining Table 19th century, the D-end top raised on three pedestals, each with a turned columnar standard to three splayed cabriole legs ending in reeded feet on casters, with two 12” leaves. h. 29”, w. 44”, l. 74”, extended l. 98”

consisting of one armchair and ten side chairs, each with a shaped crest above a vasiform splat, the padded seat above a shaped apron, raised on cabriole legs joined by an H-form stretcher and ending in pointed toes. h. 45-1/2”

$200-$400

$1,000-$1,500

150

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151 Carl Tielsch Altwasser Porcelain Fish Set ca. 1900, German, decorated with transfer-printed fish, consisting of a platter, l. 21-1/2”, d. 9-1/2”, and six plates, dia. 8-1/2”, marked with an eagle over “C.T.” and “Germany”. $400-$700

151

152 British School (Fourth Quarter 19th Century) “Ships on Stormy Seas” oil on canvas erroneously signed “D. Roberts” lower left. Framed. 30” x 50”, framed 42” x 61” $700-$1,000

153 George III-Style Mahogany Kneehole Desk of double pedestal form, the top with tripartite inset tooled leather, over a central drawer flanked by banks of drawers, with the stenciled label “Ethan Allen”. h. 29-3/4”, w. 55-1/2”, d. 30” $400-$700

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153


154 Pair of Victorian Silverplate Candlesticks/Lamps 1884-1891, by Rupert Favell, Elliot & Co., Sheffield, each in the form of a Corinthian column, with square cavettodomed base decorated with bellflower swags, now mounted and electrified as table lamps on painted metal plinths, with cream silk shades and pendeloque crystal finials. candlesticks h. 11-1/4”, w. 5”, overall h. (to finial) 22-3/4”, shade dia. 8-1/2” $500-$800

155 Victorian Old Sheffield Plate Tray second quarter 19th century, by James Dixon & Sons, Sheffield, of shaped oval form, the plateau flat-chased with a band of rocaille cartouches on a matte ground, with applied beaded rim and handles, the plateau engraved, on a rubbed-in plaque, “Barry”. 32-3/4” x 22-1/2” $500-$800

154

155

156 Victorian Silverplate Salver third quarter 19th century, by Smith, Sissons & Co. Sheffield, of circular form with “Chippendale” shaped border, with rococo-scroll rim, decorated with a band of flat-chased floral scrolls and raised on three acanthus scroll feet, engraved with an armorial. dia. 18-1/4” Provenance: A River Oaks Estate, Houston, Texas. $500-$800 156

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157 Silverplate Center Bowl first quarter 20th century, by the Ellis-Barker Co., Birmingham, England, of oblong form, decorated with flat-chased floral rococo scrolls, with applied rim en suite and raised on four acanthus-crested lion’s paw feet. h. 3-1/2”, l. 17”, w. 12” Provenance: A River Oaks Estate, Houston, Texas. $500-$800 157

159 Three Victorian and Edwardian Tussie Mussies including two fourth quarter 19th century examples: a silver example with embossed “vintage” cup and turned orange banded agate handle, complete with chained pin and finger-ring, l. 5-5/8”; and a gilt metal example with paneled bowl, each peaked, pierced and engraved with openwork scrolls, one hinged and with locking octagonal band, with turned and acanthus-scroll carved nacre handle, complete with chained finger ring, l. 6-1/4”; and a sterling silver example, hallmarked Birmingham, 19121913, by Adie & Lovekin, Ltd., of conical form with shaped scroll rim, l. 4-1/2”. 0.60 t. oz. (sterling example only) Provenance: Private collection, Houston, Texas. $800-$1,200

158

158 Old Sheffield Plate Hot Water Urn first quarter 19th century, of bulbous rounded rectangular form, raised on four mascaron and sheafcrested flat acanthus legs with human feet, above a waisted rectangular base centering an urn-form burner, with opposing acanthus-mounted turned wooden handles, the tap with dolphin-mounted turned wooden key, the domed lid with sheaf finial, the whole with milled banding and raised on ball feet, the body with sterling silver plaque hallmarked 1815-1816, monogrammed “RST”. h. 16-3/4”, w. 14”, d. 12-3/4” $500-$800

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159


160 Three Victorian Tussie Mussies fourth quarter 19th century, including: a silver example of waisted conical form, with beaded rim and engraved and wrigglework floral panels, with integrated hinged and chained tripod stand, the feet joining to form the ball finial, l. 4-1/2”; a gilt metal example of waisted conical form, with embossed openwork cup, complete with bodice clip, l. 2-1/2”; and a gilt metal example with openwork cup embossed with rococo scrolls and demi-putti, with baluster handle, complete with chained pin and finger ring, l. 5-1/4”. Provenance: Private collection, Houston, Texas. $800-$1,200 161 Early Victorian Mahogany Firescreen third quarter 19th century, the shield-form screen surmounted by a pierced acanthine crest, featuring a needle and beadwork scene of Hermes holding a caduceus, within a lattice pattern, raised on a turned and bulbous standard to three splayed legs ending in scrolled toes. h. 56”

160

$400-$700 162 Two Small Stools late 19th century, in like upholstery, one of truncated sarcophagus form on bun feet executed in mahogany, and the other of octagonal form with canted corners and melon feet, the frame adorned with marquetry inlay and burled walnut sides. h. 6”, w. 12”, d. 12” and h. 5-1/2”, w. 12-1/2”, d. 10” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $200-$400

162 161

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163 Pair of Regency Gilt- and Patinated Bronze Candlesticks second quarter 19th century, now mounted as lamps, with urn and ball-form standards over tripartite paw feet mounted with anthemion, set with roses issuing crystal drops and prisms, electrified. h. 21”, dia. 4” $150-$300 164 Late Victorian Giltwood Mirror ca. 1900, the rectilinear mirror plate in a molded frame, each corner with a carved cartouche and foliage. h. 52-1/2”, w. 41-1/2”, d. 2-3/4” $200-$400

164

165 Collection of Staffordshire Polychrome Pottery Figures and Spill Vases third quarter 19th century, English, including a pair of zebras, a William Shakespeare figure, a cottage-form bank and others. h. 9” to 11”, w. 3-1/4” to 6-3/4” $500-$800

163

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166

166 Collection of Staffordshire Pottery “Flatback” Figures

167 British School (Second/Third Quarter 19th Century)

third quarter 19th century, English, the collection including Bonnie Prince Charlie, Ira David Sankey and the Highland Dancers. h. 9-1/2” to 16-1/4”, w. 4-1/2” to 8-1/4”

“Minna from Walter Scott’s Pirates and Another Maiden, Probably Her Sister Brenda” pair of oils on tin each unsigned and with a period label en verso inscribed in French; the first identifies Minna and the second describes a setting “le soir a la foret”. Framed alike. each 16-5/8” x 13-1/2”, framed 23-1/2” x 20”

$500-$800

$800-$1,200

167

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168 Late Victorian Neo-Renaissance Carved Oak Sideboard late 19th/early 20th century, the cyma-molded and carved cornice over a pair of doors with embossed metal foliate tracery, over a mirror plate, supported by fluted and barley-twist columns, flanked by foliatecarved panels of fluted columns with Corinthian capitals and masque-carved bases, on a base with an added slate top, bowed center over a conforming drawer with an open shelf below, and flanked by doors with cabochon-carved panels, raised on bracket feet. h. 96-3/4”, w. 91”, d. 29” $700-$1,000

168

170 Victorian Walnut Desk late 19th century, the “turtle”-form top above a conforming case fitted with a central drawer and two short rounded drawers to either side, raised on large cabriole legs headed by foliate shield carving and ending in pad feet. h. 29-3/4”, w. 62-1/2”, d. 35” $1,000-$1,500

169

169 British School (First Quarter 20th Century) “Portrait of a Young Girl Holding a Sparrow” oil on canvas unsigned. Framed. 48” x 30”, framed 58-1/4” x 40-1/4” $700-$1,000

170

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171 William Morris Arts and Crafts Design Carpet 9’ x 11’ 8” $1,200-$1,800 172 Late Victorian Mahogany Sideboard of Neoclassical Inspiration ca. 1900, in two parts, the broken-arch pediment centered by a carved shell, over a rectilinear beveled mirror, flanked by columns, stiles and mirrors, the base with a projecting center with a drawer over a pair of doors flanked by open arches with a low spindle gallery and fluted columns. h. 103-3/4”, w. 85-1/2”, d. 24” $700-$1,000 173 Pair of Victorian Metal and Glass Carriage Lamps fourth quarter 19th century, electrified and now mounted on a single board, the lamps set with beveled glass panels. h. 31”, w. 23-1/2”, d. 11” $200-$400

171

173

172

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174 British School (Second Quarter 20th Century) “The Racing Nag”, ca. 1940 collection of four pastels on paper each signed “Charles Madson” lower right. Matted, glazed and framed. sight 13-1/2” x 10-1/2”, framed 19-1/2” x 16-1/2” $1,000-$1,500 175 English Pine and Leather-Top Writing Table late 19th century, the framed top with inset green leather with a gilt-tooled edge, one side fitted with two drawers, raised on turned legs. h. 30”, w. 84”, d. 35” $700-$1,000

174

176 Pair of Indian Engraved Metal Urns 20th century, now mounted as lamps, decorated with leaves and scrollwork, raised on acrylic bases. h. 28-1/2”, dia. 6” $600-$900

176

175

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177 Stylish Brass-Bound and Wooden-Strapped Steamer Trunk of contemporary manufacture, adorned with decals of international destinations and carriers of the early 20th century. h. 18-3/4”, w. 31”, d. 20” $400-$700 178 Pair of Argente Metal and Leather Stools in the Baronial taste, each with a sling leather seat supported by a base of crossover “swords”, joined by twisted stretchers and ending in ball feet. h. 21”, w. 29-1/2”, d. 14-1/2” $700-$1,000 177

178

179 John Tolmay (South African/Montana, b. 1943) “Rhinoceros”, 2007 patinated bronze cast signature, dated and copyright-marked on selfbase, on a marble base set atop a wooden plinth, created for the Safari Club International Hall of Fame Award, this issued to Al Cito in 2007 as per plaque at front. sculpture h. 10-1/2”, w. 20”, d. 7-1/2”, overall h. 10-1/2”, w. 20”, d. 7-1/2” $1,200-$1,800 179

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180 Pair of African Iron Currency Blades Lokele and Turumbu Peoples, Lomani and Lualaba Rivers, Democratic Republic of the Congo, on stone bases. h. 62” and 64-1/2”, w. 10-3/4”, d. 8” $500-$800

181 Pair of African Iron Currency Blades Lokele and Turumbu Peoples, Lomani and Lualaba Rivers, Democratic Republic of the Congo, on stone bases. h. 69” and 69-1/2”, w. 18”, d. 8” $500-$800

180

182

182 Pair of Italian Glazed Terracotta Tigers ca. 1967, the seated tigers glazed in natural colors, signed “Nucci” on one side and “CVE 1967” on the other. h. 40”, w. 16-1/2”, d. 20-3/4” $2,000-$4,000

60

181


183 Paul Millet Sevres Bottle-Form Vase with the post-1931 “PM Sevres” mark, artist signed “L. Bourgeot”, body adorned with fish, geometric decor and stylized sphinxes. h. 10-1/4”, dia. 6-3/8” $200-$400

184 P. Lacroix (French, Late 19th/Early 20th Century) “Cairo Market” oil on canvas signed lower right, titled on brass artist plaque and on label en verso. Framed. 23-3/4” x 15-3/4”, framed 30-3/4” x 22-5/8”

183

$500-$800

185 Danila Mamatof (Russian, 20th Century) “Bedouin Caravan”, 1999 oil on canvas signed lower right, further signed, dated and titled in Cyrillic en verso. Framed. 7-7/8” x 15-3/4”, framed 12-1/8” x 22” Provenance: Sold in these rooms, April 6, 2002, lot 1093. $300-$500

184

185

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186

186 Two Japanese Patinated Bronze Jardinieres one example decorated with a carefully detailed phoenix bird on the sides and foo dog handles, probably Meiji, h. 7”, dia. 11-1/4”, and the other lobed example on elephant-head feet, 20th century, h. 9-3/4”, dia. 15”. $800-$1,200 187

188 Pair of Patinated Bronze Foo Dogs

187 Large Pair of Japanese Bronze Urns on Hardwood Stands

late 19th century, the bodies with chased designs and encrusted with glass mosaic decor, with rock crystal eyes and breastplates. h. 33”, w. 11”, l. 26”

20th century, each of baluster form with a trumpet neck, decorated to the exterior in high relief with dragons and birds, within geometric scroll borders, raised on fitted hardwood stands. urn h. 29-1/4”, w. 14”, stand h. 12-1/4”, w. 15-3/4”, overall h. 40-3/4”

$400-$700

$400-$700

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188


189

189 Chinese Rosewood Altar Table first half 20th century, the narrow rectangular top set within a conforming frame with a concave floral frieze, over a carved and pierced paneled apron, with scrolling floral supports, the whole raised on four straight, squared legs. h. 44-3/4”, w. 83-7/8” $500-$800

190 Japanese Carved and Stained Mahogany Round Center Table

190

Meiji Period, early 20th century, the raised circular top with a floral-carved border and mounted to cabriole legs in the form of foo lions. h. 29”, top dia. 32” $700-$1,000

191 Pair of Signed Japanese Satsuma Vases 20th century, decorated with geisha’s and gilt work, the mark incorporating the Shimazu family crest. h. 8-3/4”, dia. 3-3/4” $200-$400

191

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192 Large Japanese Satsuma Vase first quarter 20th century, with polychrome decoration depicting scholars, the molded handles in the form of winged dragons grasping fringed rings, on a hardwood stand, the cabriole legs carved with animal heads. h. 56”, dia. 16” $700-$1,000

193 Two Chinese Rosewood and Marble-Top Tables early 20th century, each with an inset rouge marble top, the larger example with a floral- and foliate-carved border, raised on carved legs joined by a circular medial shelf, h. 23”, dia. 22”, and the smaller one with a beaded edge around the top, the legs joined by a circular stretcher, h. 18”, dia. 20”. $600-$900

192

193

194 Unusual Japanese Cloisonne Covered Jar with Fuku Mark the square ginger jar decorated with deities and lotus blossoms on an emerald green ground, marked on the bottom. h. 12”, w. 6”, d. 6” $500-$800

194

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195 Two Asian Figures Mounted as Lamps 20th century, including a cloisonne male figure with a carved bone face and a turquoise beaded headdress, and a porcelain female figure of Guanyin, a seated child and a water bottle at her side, her foot resting in a lotus blossom, each lamp mounted with a shade. h. 35-1/2” to 36”, w. 16-1/2” to 17-1/2”, d. 14” to 16-1/2” $700-$1,000

195

196 Buddhist Brass Altar Figure 20th century, Tibetan, the female figure wearing an elaborate headdress and hoop earrings, the back of the base pierced to receive rolled prayers or blessings. h. 34-3/4”, w. 12”, d. 7-3/4” $700-$1,000

196

197 Pair of Large Chinese Moon Flasks on Stands 20th century, decorated with Mandarin scenes against a mazarine blue ground, scattered with images of fish, crabs, lobsters, seahorses, shrimp and shells, the handles molded as chameleons, marked with Chinese characters, on ebonized wood stands. flask h. 19”, overall h. 24-1/2”, w. 12-1/2”, d. 5-1/2” Provenance: Evelyn Anderson Galleries, Nashville, Tennessee. $600-$900 197

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198 Pair of Japanese Meiji Period Cloisonne Vases 1868-1912, now mounted as lamps, the faceted, tapered vases decorated with prunus trees and birds on pierced hardwood bases, set with leaf-molded bronze candle branches and central faceted crystal finials. h. 20-1/4”, w. 9”, d. 3-1/2” $600-$900

198

199 Monumental Chinese Blue and White Porcelain and Brass Punch Pot 20th century, in the 18th-century style, the pot with a brass swing handle, brass trim on the edge of the cover and mouth of the spout, and character marks on the bottom, on a blue-painted wooden base. pot h. 23-1/2”, w. 21”, overall h. with stand 37” $500-$800 200 Pair of Chinese Hardwood and Marble-Top Stands 20th century, of small size, the stands carved with bamboo and the pierced skirts carved with grapes, each inset with a chocolate brown marble top. h. 8”, w. 17-1/4”, d. 9-1/4”

199

$700-$1,000

200

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201

202

201 Chinese Hanging Scroll 18th/19th century, with blue and green Sung-style landscape, ink and color, signed lower right. image 47” x 16-1/2”, overall 80” x 22” $300-$500 202 Chinese Six-Panel Room Divider 20th century, each panel inlaid with cloisonne, hardstones and resins depicting various auspicious objects, with carved gilt panels above and below, the reverse decorated with a garden landscape, between vacant panels. h. 79-1/4”, w. 97-1/2”, d. 1-1/2” $200-$400 203 Chinese Famille Rose Porcelain Plaque first quarter 20th century, late Qing/early Republic period, the circular plaque painted with a scene of a river meandering through mountains, with a boat, pagoda top, and figure in the foreground, with a calligraphic inscription to the upper right, mounted within a hardwood frame carved with butterflies and flowers. plaque dia. 10”, framed h. 13-3/4”, w. 12-1/2”

203

$300-$500

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203

204 Asian Announcements of Official Status in Three Languages China, 1876-1907, written in Tibetan, Mongol and Chinese on silk burlap and mounted on a pressed wood panel for hanging. 12-3/4” x 94” Provenance: Estate of Carolyn G. Fay, Houston, Texas. Exhibited: Contemporary Arts Museum, Houston, Texas, 1958, in “The Common Denominator: Modern Design 3500 B.C.-1958, A.D.”, organized by esteemed Houston designer Herbert Wells.

203 detail

Literature: Illustrated in “The Common Denominator, Modern Design 3500 B.C. to 1958 A.D.”, Contemporary Arts Museum, Houston, Texas, April 17-June 1, 1958, p. 51 in catalogue. $500-$800 Displayed in the Houston, Texas office of yachtsman Ernest Bel Fay for many years.

205 Japanese Meiji Period Cloisonne Vase 1868-1912, the tapered oviform vase decorated with polychrome trailing peonies, lotus flowers and crysanthemums. h. 10”, dia. 2-3/4” $500-$800

206 Chinese Gilt-Bronze Incense Burner with a Pair of Foo Dogs

205

20th century, the tripod censer having a pierced dome cover with “cash” symbol detail, surmounted by a qilin-form finial, the body with dragons chasing the flaming pearl, flanked by foo-dog-form handles, with apocryphal seal mark to the base; together with two foo dogs, each seated on a lotus-design base, with one foot resting on a brocade ball. incense burner h. 18”, w. 17-1/4”, foo dogs h. 17-1/2”, w. 8-1/4”, d. 12-1/2” $500-$800

206

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207 Carved and Painted Figure of a Bodhisattva possibly Thai, the figure of a Buddhist “enlightened being”, standing on a lotus flower, the symbol of purity and enlightenment. h. 42”, dia. 9” Provenance: Estate of Carol A. Straus, Houston, Texas. Literature: Illustrated in situ of the Straus’ River Oaks home in Houston, House & Garden, March, 1950, p. 99. $800-$1,200

208

207

208 Pair of Chinese Blanc-de-Chine Figures of Guanyin 20th century, the carefully detailed figures depicted standing with a deer and supporting a basket of flowers at her side, a willow branch in her hands. h. 15-1/4”, w. 6”, d. 4” Provenance: Estate of Carol A. Straus, Houston, Texas. $500-$800

209 Rock Crystal Figure on Stand 20th century, depicting a Chinese immortal and smaller figure at his left shoulder. figure h. 5-1/4”, w. 4”, d. 1-3/4”, overall h. 6-3/4” $500-$800

209

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210 Asian Print of a Royal Estate 20th century. Matted, glazed and framed. sight 23” x 11-1/2”, framed 28-1/2” x 14” $100-$200

211

211 Chinese Serpentine Carving of a Water Buffalo 20th century, modeled in repose, on a fitted hardwood stand. h. 4-3/4”, w. 4-1/2”, d. 10-1/4” $100-$200 212 Pair of Chinese Carved Wooden Foo Dogs third quarter 20th century, the grinning dogs playfully poised with their front legs on pierced balls. h. 17”, w. 15”, d. 10-1/4”

210

$300-$500

212

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213

213 Pair of Chinese Carved Wooden Foo Dogs first half 20th century, the seated foo dogs depicted grimacing, retaining traces of painted surfaces. h. 14” to 17”, w. 6”, d. 18” Provenance: Estate of Carol A. Straus, Houston, Texas. $500-$800

214

214 Pair of Small Chinese Famille Rose Porcelain Dishes possibly Yongzheng period (1723-1735), each dish of circular form with slightly everted and flared lip, decorated with scenes of scholarly figures with auspicious objects, depicted in copper red and black, each having an indistinct four-character mark to the base, one of the dishes with a Bailly-Pommery & Ass. label. h. 7/8”, dia. 4-3/4” $400-$800 215 Porcelain and Brass Table Lamp 20th century, the celadon-ground vase decorated with Mandarin figures with goats and flowering plum branches, on a scrolled brass base, mounted with a shade. h. 30”, dia. 14” $700-$1,000

215

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216

216 Three Fine Engraved Maps by John Tallis including “North America” and “Africa” from the Illustrated World Atlas (1851-1853), published to commemorate the Great Exhibit of 1851; and “Mexico / California and Texas” from the Illustrated Atlas and Modern History of the World (ca. 1850), with the newly discovered Gold Rush region delineated in yellow and accompanied by a figural cartouche of gold panning. Each map with hand-coloring. Each matted, glazed and framed similarly. sights 10-1/4” x 13-1/4” to 14” x 10-1/4”, framed 19-1/4” x 23” to 23-1/4” x 20-1/4” $500-$800

217 American Mahogany Reverse Serpentine SlantFront Desk late 18th century, probably Boston, in the Chippendale taste, the fall front opening to reveal an interior with drawers, niches and a lineinlaid central door, over an oxbow case with four graduated drawers, raised on ball-and-claw feet. h. 43-1/2”, w. 48-1/2”, d. 22”

217

$600-$900

218 American Classical Mahogany Game Table second quarter 19th century, Boston, the fold-over top with a reeded edge and canted corners, above a conforming apron with a molded lower edge, raised on a ring-turned and leaf-carved pedestal supported by reeded saber legs ending in brass cup casters. h. 29-3/4”, w. 34”, d. 16-3/8”, ext. l. 32-3/4” $300-$500 218

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219 American Classical Mahogany Work Table second quarter 19th century, Philadelphia, with a pair of molded drawers raised on a segmented turned pedestal on a concave base supported by foliate-carved paw feet. h. 29-1/2”, w. 21-1/2”, d. 15-3/4” $500-$800

220 American Sheraton-Style Mahogany Sofa ca. 1900, the molded frame with down-curved arms, supported by a turned standard in the front and raised on turned legs. h. 36-1/2”, w. 71-1/2”, d. 28-1/2” $700-$1,000

219

221 American School (19th Century) “Portrait of a Woman in a White Lace Cap” oil on canvas Framed. 36” x 28”, framed 48” x 40” $1,000-$1,500

221

220

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222 American Classical Mahogany Breakfast Table second quarter 19th century, Philadelphia, the fold-over top over a molded frieze with leaf-carved corner blocks, and raised on a foliate-carved pedestal on a concave base supported by carved paw feet. h. 29-1/2”, w. 48-1/2”, d. 24-1/4”, ext. l. 48-1/2” $400-$700

223

222

223 Late Classical Games Table second quarter 19th century, one example a Regency table in rosewood with inlaid brass stringing and die-cut brass inlay, the interior of the fold-over top with a baize lining, on a lotus- and palmette-carved pedestal on a concave platform base with paw feet h. 28-3/4”, w. 36”, d. 17-7/8”, extended d. 35-3/4” $400-$800

224 Thomas L. McKenney (American, 1785-1859) and James Hall (American, 1793-1868) four color lithographs from History of the Indian Tribes of North America, including “Pee-Che-Kir”, “Waa-PaShaw”, “On-Ge-Wae”, and “Thayendanegea”, each matted, glazed and framed. each sight 13” x 10”, two framed 24” x 20-1/2” and two framed 25” x 21-1/2” $500-$800

224

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225

225 American Neoclassical Giltwood and Eglomise Overmantel Mirror second quarter 19th century, probably Philadelphia, the giltwood surround with a projecting cornice decorated with spherules, the sides mounted with spiral-reeded columns, and the eglomise landscape tablet over a period beveled mirror plate set into a reeded surround. h. 25-3/4”, w. 58” $500-$800

226 American Late Classical Mahogany Game Table

226

second quarter 19th century, Philadelphia, Pennsylvania, the crossbanded mahogany fold-over top over a stenciled frieze, columnar pedestal and concave base edged with gilt trim and raised on scroll feet. h. 30”, w. 35-1/2”, d. 17-1/2”, extended d. 35” $400-$800

227 Chinese Export-Style Porcelain Pistol-Handled Urn 20th century, made by Mottahedeh, Portugal, decorated with an American eagle in the patriotic manner, now mounted as a lamp. h. 17-3/4”, w. 9-1/4”, d. 6-1/2” $200-$400

227

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228

228 Two American Federal Mahogany Side Chairs

229 Two American Federal Mahogany Chairs

in the Hepplewhite taste circa 1790-1800”, each with fancarved backs, probably Rhode Island or Connecticut, h. 36-3/4” and 38-1/2”

ca. 1790-1800, in the Hepplewhite taste, comprised of a side chair with a circular splat, with beaded edges and carved volutes, on supports extending from an inlaid fan, probably Rhode Island or Connecticut, h. 39-3/4”, and a chair with a splat with carved Prince of Wales feathers, flanked by volutes, h. 39”.

Notes: The last example is similar to a chair associated with the school of George Shipley, New York.

$200-$400

$200-$400

229

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230 Five Wood & Hughes “Louvre” Sterling Silver Serving Pieces the pattern introduced in 1885, New York, New York, including a salad serving set, l. 9”, and three sizes of serving spoon, l. 7-1/4”, 8-3/8” and 8-5/8”. 12.19 total t. oz. Provenance: A River Oaks Estate, Houston, Texas. $500-$800

230

231 A. F. Towle & Son “Elaine” Sterling Silver Flatware the pattern introduced in 1893, Greenfield, Massachusetts, comprising fourteen place forks monogrammed “D”, l. 7-3/8”, one dessert fork, no monogram, l. 7”, and nine tablespoons inscribed “Dupree”, l. 8-1/4”. 43.90 total t. oz. Provenance: A River Oaks Estate, Houston, Texas. $700-$1,000 231

232 American Federal-Style Line-Inlaid Mahogany Server 18th century and later, the banded single-board top over a pair of drawers with line inlay and perimeter banding, raised on tapering Hepplewhite legs with inlaid banding and stringing, bench made utilizing period chest drawers and upper case. h. 30-3/4”, w. 41-1/2”, d. 17-3/4” $500-$800

232

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233 American Late Federal Mahogany Four-Post Canopy Bed second quarter 19th century, having turned and spiraltwist posts and a paneled headboard, the footboard with a curved blanket roll. h. 85”, inside w. 54”, l. 74-1/2”, outside w. 58”, outside l. 83” $500-$800

234 American School (First Quarter 20th Century) “Young Girl with Woodpecker, Possibly Portrait of Jean MacDonald Lee Myers” oil on canvas unsigned, after the ca. 1850 portrait attributed to John James Trumbull Arnold (1812-1865) now conserved by the Colonial Williamsburg Foundation, Virginia. Unframed. 24” x 18” $1,000-$1,500

234

233

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236 235

235 American School (First Quarter 20th Century) “Girl in Garden” oil on canvas unsigned, after the ca. 1840 portrait of an anonymous sitter by an unknown artist now conserved by the Colonial Williamsburg Foundation, Virginia. Unframed. 27-1/2” x 18-1/2” $1,000-$1,500

236 Fine Continental Silk-on-Silk Floral Embroidery fourth quarter 18th century, depicting a vase overflowing with blooms within a vine wreath, delicately rendered in satin and chain stitch, initialed and dated “F.S. 1787” at bottom center, glazed, float-mounted and framed. framed 19” x 14-3/4” $200-$400

237 Stained Pine Folding Ladder ca. 1900, with four grooved treads and a folding shelf. folded 54-1/2” x 20-1/2”, extended h. 49-3/4”, w. 37-1/2”, d. 20” $200-$400

237

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238 Bellflower-Inlaid Mahogany Huntboard 20th century, in the Hepplewhite taste, the tall case with a pair of deep drawers, raised on tapering legs with inlaid bellflowers. h. 40”, w. 48”, d. 17-3/4” $500-$800

238

239

239 George Coulon (American/Louisiana, 1822-1904) “Bayou Landscape” watercolor on paper dated “1896” lower right. Matted, glazed and framed. sight 3” x 9-3/4”, framed 8” x 14” $500-$800 240 Harrel Gray (American/Louisiana, 1911-1979)

240

“Landscape with a Cabin” watercolor on paper signed lower right. Matted, glazed and framed. sight 10” x 14”, framed 17” x 21” $200-$400 241 Wood Carving of a Great Egret by Leland Brewsaugh (American, 1935-2003) ca. 1984, the delicately carved and painted bird poised on a step amid water plants, above an integral wooden base, the impressive example signed “Leland Brewsaugh 1984”. h. 27-1/2”, w. 32-1/2”, d. 10-3/4” $700-$1,000

80

241


242 Lulu King Saxon (American/Louisiana, 1852-1927) “House Boat on the Mississippi”, 1897 watercolor on paper signed and dated “97” lower right. Matted, glazed and framed. sight 9-1/4” x 13”, framed 15” x 19” Provenance: Collection of Jacqueline H. Howell, New Orleans, Louisiana. $500-$800 243 Palissy-Style Majolica Pottery Vase 242

second half 19th century, possibly Victor Barbizet or Thomas Victor Sergent, decorated with salamander handles, applied shells, moths, “rustic” trim and three-dimensional flowers and leaves, the foot rim with an illegible inscription. h. 11-1/2”, dia. 5-1/4” $700-$1,000 244 Newcomb College Art Pottery Matte-Glaze Circular Trivet ca. 1927, decorated by Sadie Irvine (1887-1970), potted by Joseph Fortune Meyer (1848-1931), in shallow relief with floral and branch carving, the base marked with the date, decorator’s pattern and “NC” marks. dia. 5-1/2” $500-$800 245 Colette Pope Heldner (American/New Orleans, 1902-1990) “Swamp Idyll” oil on canvas signed lower left, signed and titled en verso, verso stretcher stamped “House of De Cor, 526 Bourbon St., New Orleans, LA”. Framed. 14” x 30”, framed 15” x 31”

243

$700-$1,000

244 245

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246 J. H. Belter Laminated Rosewood Armchair and Side Chair third quarter 19th century, American, each in the “Rosalie” pattern, each with a fruit- and floral-carved crest flanked by a cluster of grapes, with serpentine seat and cabriole legs. armchair h. 36”, side chair h. 35-3/4” $800-$1,200

246

247 Edward Percy Moran (American, 1862-1935) “Off to Market” oil on canvas signed and with artist’s device lower right. Framed. 28” x 20”, framed 39” x 33” $700-$1,000

247

248 Collection of Jacob Petit Paris Porcelain Miniature Figures second quarter/mid-19th century, including one example depicting Rebecca at the well with a male figure, labeled “Rebecca” on its platform, figures of Robinson Crusoe and Friday, a Meissen-inspired harlequin figure, a “hunter” spill vase, and a gentleman in 18th-century costume, each signed “J.P.” in underglaze blue, h. 2” to 2-3/4”, w. 1” to 1-3/4”, d. 1” to 1-1/2”, together with two similar pairs of rhyton vases with encrusted flower swagging, h. 4-1/2”, w. 4”, d. 2-1/4”, a cattail-molded vase, h. 5”, dia. 2-3/4”, and a basket molded by Jacob Petit and decorated by Feuillet (pre1836), h. 3-3/4”, w. 3-1/2”, d. 2-3/4”, each piece signed “J.P.” in underglaze blue, the basket marked “Feuillet” in gilt. Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

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248


249 Collection of Jacob Petit Paris Porcelain Objects second quarter/mid-19th century, including a pair of bulb pots with pierced terracotta borders, decorated with hand-painted flowers, h. 7-3/4”, w. 4-1/2”, and an unusual lavender-ground vase decorated with a handpainted scene of a boy reading to his dog on one side and a man and woman on the other, h. 6-3/4”, w. 4-3/4”, each piece signed “J.P.” in underglaze blue, together with a female figure sweetmeat dish, h. 8”, w. 8”, d. 6”, a Zouave-molded candelabrum standard, h. 11-1/4”, w. 4-3/4”, d. 4-1/2”, a “boy” figural two-light candelabrum, h. 7-3/4”, w. 5”, d. 3-3/4”, and an oval card tray on a scrolled base, h. 4”, w. 5”, d. 4”, the sweetmeat dish and “boy” candelabrum signed “J.P.” in underglaze blue. Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 250 Collection of Jacob Petit Paris Porcelain Figures and Vases 249

second quarter 19th century, including a pair of scent bottles in the form of children selling flowers, each holding a basket of encrusted blooms, and a spill vase depicting a woman selling pottery, a barrel to one side, all on molded and pierced bases, signed “J.P.” in underglaze blue, h. 8” to 8-1/4”, w. 4-1/2”, d. 4-1/4”, together with two pairs of children with baskets, each pair depicting a girl and boy, respectively, the girls with aprons laden with flowers, all polychrome-decorated on rocaille-molded and pierced bases, each signed “J.P.” in underglaze blue, h. 8-1/2” to 9”, w. 5-1/2”, d. 4-1/2”. Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

250

251 Pair of Jacob Petit Paris Porcelain Spill Vases second quarter 19th century, depicting Robinson Crusoe and Friday, Crusoe in a fur costume with a conical hat, carrying a rifle, and Friday in a feathered apron with a parrot on his shoulder, each with woven baskets on their backs, signed “J.P.” in underglaze blue. h. 11-1/4” to 11-1/2”, w. 4”, d. 4-1/2” to 4-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 251

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252 Jacob Petit Paris Porcelain Figural Clock second quarter 19th century, the enameled biscuit figure of the muse of poetry reclining on a pink-ground clock hand-painted with figures of Eros and flowers, the dial and silk-string suspension Vincenti movement signed "Jacob Petit a Paris". h. 13-3/4”, w. 15”, d. 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $400-$700 252

253

253 Pair of Rococo Revival Porcelain Bottle Vases mid-19th century, now mounted as lamps, with panels of dancers in 18th-century costume on the obverse and musical trophies on the reverse, framed with Jacob Petit-style encrusted flowers, the necks with gilt scrollwork, mounted on hardwood stands and fitted with shades. overall h. 32-1/2”, shade dia. 18” $700-$1,000 254 American Rococo Revival Giltwood Pier Mirror on Marble-Top Stand mid-19th century, the mirror with an arched top, heavily decorated with grapes and swags of fruit, the shaped base with a conforming white marble top and ending in scrolled feet. h. 110”, w. 47”, d. 16” 254

Provenance: A River Oaks Estate, Houston, Texas. $600-$900

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255 John Gould (British, 1804-1881) and H. C. Richter (British, 1821-1902) pair of hand-colored ornithological lithographs, including “Dorifera Veraguensis” and “Spathura Solstitialis”, published by C. Hullmandel and Walton. Matted, glazed and framed alike. sight 14-1/4” x 10-1/4”, framed 22” x 18” $500-$800

255

256 After Frederic Sackrider Remington (American, 1861-1909) “Rattlesnake”, late 20th century patinated bronze on a composition marble base with a cast signature, and a plate marked “Rattlesnake by Frederic Remington”. h. 22-3/4”, w. 14”, d. 12” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $200-$400

256

257 Joe Ruiz Grandee (American/Texas, b. 1929) “Dismounted Dragoon”, 1963 oil on canvas signed lower right and copyright-marked, titled and dated on artist plaque; together with a U.S. Officer’s cavalry sword and scabbard. Framed. 30” x 22”, framed 37-1/2” x 29-1/2” Provenance: The corporate collection of FreeportMcMoRan, New Orleans, Louisiana. $1,500-$2,500

257

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258

258 American School (Second/Third Quarter 20th Century) “Mountainous Landscape with Sheep” oil on canvas indistinctly signed lower left. Framed. 19” x 24”, framed 24” x 32” $400-$700

259 Lillian Thomas Schmidt (American, 1875-1955) “In the Farmyard” oil on canvas signed and further inscribed mid-right “D’ Apres Troyon” Framed. 16” x 13”, framed 20-3/4” x 16-1/4” $600-$900

259

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260 American School (Fourth Quarter 19th Century) “A Wooded Interior Study” oil on panel unsigned. Period giltwood frame. 13” x 9”, framed 18-1/2” x 15” $500-$800

260

261 Francis Marion Tuttle (American, 1839-1910) “Trout Brook”, 1885, probably Wyoming County, Western New York oil on millboard signed lower left, signed, titled and dated en verso with “F. Devoe and Co., New York” supplier label. Framed. 16-1/8” x 12”, framed 22” x 18” $200-$400

261

262 American School (Fourth Quarter 19th Century) “River Landscape” oil on board unsigned. Framed. 17-1/2” x 24”, framed 24” x 30” $400-$700

262

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263 American School (19th Century) “Farm Scene with Haystacks” oil on wood panel unsigned. Framed. 6-1/2” x 7-1/2”, framed 12” x 14” $400-$700

264 George Howell Gay (American, 1858-1931) 263

“River Trail in an Autumnal Landscape” oil on board signed lower left. Glazed and framed. sight 17-1/2” x 27”, framed 25” x 35” $300-$500

265 American School (19th Century) “Coastal Landscape” and “River Landscape” pair of oils on board unsigned. Matching, period giltwood frames. 5” x 10”, framed 9-3/4” x 14-1/2” $700-$1,000

264

265

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266

266 British School (Fourth Quarter 19th Century)

267 American School (First Quarter 20th Century)

“The Highlands”

“Wooded River Landscape”

pair of oils on wood panel each signed “A. Maxwell” lower left. Glazed and framed. 5” x 8-1/2”, framed 11” x 15”

oil on canvas illegibly signed lower left. Giltwood frame. 8-3/4” x 11-3/4”, framed 13-1/2” x 16-1/2”

$500-$800

$300-$500

267

89


268 Semi-Antique Shiraz Carpet 5’ 4” x 8’ 2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $400-$700

268

269 Semi-Antique Bidjar Carpet 10’ 6” x 12’ 9” $800-$1,200

269

90


270 Uzbek Kazak Carpet 8’ 2” x 9’ 9” $800-$1,200

270

271 Antique Heriz Carpet 6’ 9” x 10’ 1” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900

271

91


272

273

272 Agra Heriz Carpet 8’ 5” x 11’ 8” $1,000-$1,500

273 Agra Carpet 8’ x 10’ $800-$1,200

274 Shiraz Carpet 9’ x 11’ $800-$1,200

274

92


276

275

275 Agra Carpet 8’ x 10’ $800-$1,200

276 Agra Mahal Carpet 8’ x 10’ $500-$800

277 Peshawar Sultanabad Carpet 7’ 8” x 9’ 7” $600-$900

277

93


Session II: Sunday, September 9 11:00 a.m. CDT | Lots 278-524 PICTURED: LOT 386


278

279

278 Le Vian Multi-Colored Spinel Ring 14k white gold, the ring mounted with an oval-cut pink spinel weighing approximately 2.00 carats, accented by round-cut pink, yellow, green and blue spinels weighing approximately 0.40 carats in total, stamped “Le Vian”. size 7-1/4, total weight 6.7 grams

279 Pair of Tourmaline and Diamond Earrings sterling silver, the earrings mounted with pear-cut tourmalines weighing approximately 5.58 carats in total, accented by rose-cut diamonds weighing approximately 0.92 carats in total. l. 1-7/8”, total weight 9.7 grams

281 Bixby Jewelry Suite 18k yellow gold/sterling silver, the suite including a pair of earrings mounted with round brilliant-cut diamonds weighing approximately 0.04 carats in total, l. 1-3/4”, a two-tone gold and silver bracelet, l. 7-1/2”, a two-tone gold and silver pendant, l. 1-1/8”, suspended from a double silver chain, l. 18”, a ring mounted with a cushioncut pink tourmaline weighing approximately 6.70 carats, accented by round brilliant-cut diamonds weighing approximately 0.10 carats in total, size 5-1/2, and a ring mounted with a cushion-cut green tourmaline weighing approximately 6.70 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.10 carats in total, size 5-1/2. total weight 65.6 grams

$350-$500

$600-$900

280 Le Vian Blue Quartz and Diamond Jewelry Suite 10k yellow/white gold, including a ring set with a triangular-cut blue/green quartz, with an approximate weight of 7.16 carats, and eight round-cut diamonds, with an approximate total weight of 0.03 carats, size 5-1/4, and a pendant set with an oval-shaped blue/green quartz, with an approximate weight of 11.23 carats, suspended from a 16” fourteen-karat yellow gold box chain. total weight 12.0 grams

282 Carved Agate “Leaf” Necklace 14k yellow gold, the necklace composed of two strands of carved agate beads in the form of leaves, separated by gold tubes and finished with a 14k yellow gold hook clasp. shortest strand l. 16”, longest strand l. 19”, approximate length of leaves 2”, total weight 217.2 grams

$300-$500

$100-$200

948

$350-$500


280

281

282

95


283 284

288 285

287

286

96


290

289

283 Diamond and Sapphire “Butterfly” Pendant/Brooch sterling silver, the pendant/brooch mounted with rosecut diamonds weighing approximately 2.90 carats in total and multi-colored round-cut treated sapphires weighing approximately 1.72 carats in total. size 2-5/8” x 2”, total weight 23.8 grams $500-$800 284 Pair of Diamond Dangle Earrings gold vermeil, the earrings mounted with rose-cut diamonds weighing approximately 3.54 carats in total. l. 2”, total weight 9.9 grams $350-$500 285 Pair of Diamond Earrings gold vermeil, the articulated earrings mounted with rose-cut diamonds weighing approximately 2.01 carats in total. l. 3”, total weight 17.3 grams $400-$700 286 Diamond Skull Bracelet gold vermeil, the hinged bracelet mounted with roundcut white and black diamonds weighing approximately 2.80 carats in total. inside circumference 6-7/8”, total weight 31.7 grams $450-$700

291

287 Diamond “Skull” Earrings gold vermeil, the earrings mounted with round-cut diamonds weighing approximately 0.42 carats in total. l. 1/2”, total weight 2.5 grams $250-$400 288 Wide Diamond Bangle Bracelet gold vermeil, the hinged bracelet decorated with stars, mounted with round-cut diamonds weighing approximately 3.20 carats in total. w. 1-1/4”, inside circumference 7”, total weight 77.8 grams $500-$800 289 Pair of Diamond Earrings gold vermeil, the earrings mounted with round-cut diamonds weighing approximately 2.00 carats in total. l. 2-1/8”, total weight 8.1 grams $450-$700 290 Chocolate and White Diamond Ring 14k yellow gold, set with princess-cut chocolate diamonds and round brilliant-cut white diamonds, with an approximate total weight of 1.25 carats, stamped “R. Klein”. size 7, total weight 4.8 grams $150-$300 291 Stylized Diamond Band 14k rose/yellow/white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7, total weight 7.3 grams $150-$300

97


295

292 Diamond Ring and Earrings the 10k white/yellow gold diamond ring and 14k white/ yellow gold diamond earrings mounted with round brilliant-cut diamonds weighing approximately 0.42 carats in total. ring size 7, earring l. 3/4”, total weight 11.6 grams

294 Diamond Ring and Earrings 18k yellow gold/sterling silver, the ring mounted with round brilliant-cut diamonds weighing approximately 0.04 carats in total, size 5-1/2, and the hinged hoop earrings stamped “Konstantino”, l. 3/4”. total weight 21.4 grams

$250-$400

$100-$200

293 Andrea Candela Jewelry Suite 18k yellow gold/sterling silver, the suite including a pendant mounted with round brilliant-cut diamonds, l. 1-1/8”, suspended from a silver rope chain, l. 17” to 19”, a chain-link bracelet, l. 7-1/2”, with a removable heart pendant mounted with round brilliant-cut diamonds, l. 1”, a pair of half hoop earrings mounted with round brilliant-cut diamonds, l. 3/4”, and a pair of hoop earrings mounted with round brilliant-cut diamonds, l. 3/4”, the suite with an approximate total diamond weight of 0.81 carats. total weight 74.6 grams

295 David Yurman and Mignon Faget Jewelry Suite sterling silver, the suite including a pair of David Yurman hoop earrings mounted with round brilliant-cut diamonds weighing approximately 0.16 carats in total, stamped “DY”, l. 7/8”, and a David Yurman bracelet with twisted and polished links, with a “DY” hanging tag, l. 7-1/8”, and a pair of Mignon Faget earrings, marked “Mignon Faget”, l. 7/8”. total weight 41.6 grams

$500-$800

98

$200-$400


293

292

294

99


301

300

299

298

303 302

100


297 296

296 Coin Pearl “Flirt” Ring 18k yellow gold, the ring mounted with a cluster of white coin pearls. size 5-3/4, total weight 11.3 grams Provenance: Property from an Important Private Collection. $350-$500 297 Mabe Pearl and Diamond Ear Clips 18k yellow gold, ca. 1950, the clip back earrings mounted with mabe pearls measuring approximately 4.90 mm in diameter, accented by round cultured and stick pearls in the form of flowers, the centers mounted with round brilliant-cut diamonds weighing approximately 0.55 carats in total. l. 1-1/4”, total weight 20.2 grams Provenance: Property from an Important Private Collection. $600-$900 298 Movado Series 800 Wristwatch gold and silver-tone stainless steel, the watch with a quartz movement and a 29.00 mm case with a motherof-pearl face, with diamond markers and a diamond bezel, weighing approximately 0.55 carats in total, the face marked “MOVADO SERIES 800 200 METERS SWISS MADE”, with a two-tone watch band with a deployant clasp. inside circumference 5-3/4”, total weight 80.7 grams $600-$900 299 Le Vian Diamond Band 18k white gold, the wide band ring mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.70 carats in total. size 8-1/2, total weight 11.2 grams

300 Diamond Cross Pendant platinum, the pendant mounted with European-cut diamonds weighing approximately 0.58 carats in total. l. 1-3/8”, total weight 2.1 grams $600-$900 301 Diamond Ring 18k white gold, the ring mounted with round brilliantcut diamonds weighing approximately 0.37 carats in total. size 6-3/4, total weight 3.5 grams $600-$900 302 Tiffany & Co. Elsa Peretti Cuff Bracelet sterling silver, the cuff bracelet in a free-form design, stamped “TIFFANY & CO. Elsa Peretti 925 ITALY”. inside circumference 6”, total weight 53.2 grams Provenance: A River Oaks Estate, Houston, Texas. $400-$700 303 Movado Trembrili Wristwatch stainless steel, the quartz watch with a 28.00 mm case with a mother-of-pearl face and a diamond bezel weighing approximately 0.25 carats in total, the face marked “SWISS MOVADO MADE”, with a stainless steel watch band with a deployant clasp. inside circumference 5-3/4”, total weight 47.1 grams $250-$400

$800-$1,200

101


304 LeVian Diamond Band 18k white gold, the band set with a row of round brilliant-cut diamonds flanked on either side by a row of baguette-cut diamonds, with an approximate total weight of 0.40 carats, stamped “LeVian, 18K” and with the LeVian logo. size 6, total weight 5.2 grams $250-$400 305 Two Diamond Rings and a Pair of Diamond Earrings the 14k white gold rings mounted with round brilliantcut diamonds weighing approximately 0.49 carats in total, size 6-3/4, and the sterling silver earrings mounted with round brilliant-cut diamonds weighing approximately 0.33 carats in total, l. 3/4”. total weight 8.7 grams $400-$700 306 Two Diamond Cross Necklaces with Chains comprising an 18k white gold cross pendant mounted with round brilliant-cut diamonds weighing approximately 0.12 carats in total, stamped on the back “750 ADLER”, l. 3/4”, suspended from a 14k white gold rope chain, l. 16”, and a 14k white gold pendant mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.26 carats in total, l. 3/4”, suspended from a 14k white gold box chain, l. 17-/2”. total weight 5.4 grams $400-$700

102

307 Movado Trembrili Wristwatch stainless steel, the quartz watch with a 28.00 mm case with a black face and a diamond bezel weighing approximately 0.25 carats in total, the face marked “SWISS MOVADO MADE”, with a stainless steel watch band with a deployant clasp. inside circumference 6”, total weight 47.1 grams $250-$400 308 Diamond Bangle Bracelet sterling silver, the hinged bracelet mounted with roundcut diamonds weighing approximately 6.20 carats in total. inside circumference 7”, total weight 17.7 grams $500-$800 309 Two Diamond Heart Pendants with Chains comprising an 18k white gold open heart pendant mounted with round brilliant-cut diamonds, l. 1/2”, suspended from an 18k white gold box chain, l. 18”, and a closed heart pendant mounted with round brilliantcut diamonds, l. 5/8”, suspended from a 14k white gold cable-link chain, l. 16”, with an approximate total diamond weight for both of 0.39 carats. total weight 5.7 grams $400-$700


309

306

305

307

304

308

103


310

313

311

314

315

312

316

104


310 Diamond Ring 14k white gold, the band pave-set with round brilliantcut white diamonds, accented by blue, yellow, green and purple treated diamonds, with an approximate total diamond weight of 1.00 carat. size 6-1/2, total weight 10.8 grams $200-$400 311 Pair of Blue and White Diamond Earrings 14k white gold, the earrings mounted with round brilliant-cut treated blue diamonds weighing approximately 1.00 carat in total, each surrounded by a halo of round brilliant-cut white diamonds weighing approximately 0.18 carats in total. dia. 1/4”, total weight 1.9 grams $400-$700 312 LeVian Multi-Stone Ring 14k white gold, the tapered, filigree mounting set with round brilliant-cut diamonds weighing approximately 0.10 carats in total and princess-cut treated blue, yellow, pink and green sapphires weighing approximately 0.60 carats in total, stamped “LeVian, 14k”. size 7, total weight 6.7 grams $150-$300

313 Topaz and Diamond Pendant on Chain the 18k white gold pendant mounted with a faceted cushion-cut topaz weighing approximately 22.90 carats, backed by mother-of-pearl, and accented with round brilliant-cut diamonds weighing approximately 0.83 carats in total, l. 1-1/8”, suspended from a 14k white gold chain, l. 16”. total weight 17.0 grams $700-$1,000 314 Aquamarine and Diamond Ring 18k white gold, the ring mounted with a cushion-cut aquamarine weighing approximately 2.00 carats, accented by round brilliant-cut diamonds weighing approximately 0.22 carats in total. size 10-3/4, total weight 3.4 grams $600-$900 315 Pair of Aquamarine and Diamond Earrings sterling silver, the earrings mounted with pear-cut aquamarines weighing approximately 2.78 carats in total, accented by round-cut diamonds weighing approximately 0.40 carats in total. l. 1-1/8”, total weight 6.3 grams $450-$700 316 Aquamarine and Diamond Bracelet sterling silver, the bracelet mounted with oval-cut aquamarines weighing approximately 11.85 carats in total, accented by round-cut diamonds weighing approximately 1.95 carats in total. l. 7”, total weight 1.95 grams $500-$800

105


322

320

317 Sapphire and Diamond Necklace gold vermeil, the necklace mounted with oval-cut treated sapphires weighing approximately 32.00 carats in total, accented by round-cut diamonds weighing approximately 6.50 carats in total. l. 16-3/4”, total weight 63.9 grams $900-$1,200 318 Pair of Sapphire and Diamond Earrings gold vermeil, the earrings mounted with pear-cut treated sapphires weighing approximately 7.00 carats in total, accented by slice-cut and round-cut diamonds weighing approximately 1.80 carats in total. l. 3-1/8”, total weight 22.0 grams $450-$700 319 Blue Topaz Ring 14k white/yellow/rose gold, the ring mounted with an oval-cut blue topaz weighing approximately 3.90 carats. size 5-1/4, total weight 4.9 grams $600-$900 320 Diamond and Sapphire Bangle Bracelet gold vermeil, the hinged bracelet mounted with slicecut diamonds weighing approximately 6.24 carats in total, accented on the sides with round-cut treated sapphires weighing approximately 4.50 carats in total. inside circumference 7-1/4”, total weight 22.9 grams $450-$700

106

321 Pink Sapphire and Diamond Ring 18k yellow gold, the ring mounted with a central ovalcut treated pink sapphire weighing approximately 1.08 carats, accented by round brilliant-cut diamonds weighing approximately 0.45 carats in total. size 6-1/4, total weight 7.8 grams $250-$400 322 Ruby and Diamond Bangle Bracelet gold vermeil, the hinged bracelet mounted with roundcut diamonds weighing approximately 1.80 carats in total, accented by baguette-cut treated rubies weighing approximately 1.10 carats in total. inside circumference 7-1/4”, total weight 18.9 grams $450-$700 323 Ruby and Diamond Pendant on Chain 18k white gold, the pendant mounted with baguettecut and round brilliant-cut diamonds weighing approximately 0.22 carats in total, and baguette-cut treated rubies weighing approximately 0.18 carats in total, l. 1/2”, suspended from a white gold chain, l. 16”. total weight 1.6 grams $600-$900


323

318 319

321

317

107


326

325

324

108


324 Victorian Garnet and Seed Pearl Demi-Parure 14k yellow gold, the suite comprised of a brooch and matching screw-back clip earrings, the suite mounted with oval-cut and pear-cut garnets weighing approximately 6.75 carats in total, accented by seed pearls, together with the original box. brooch l. 2-1/4”, earring l. 2-1/4”, total weight 19.8 grams Provenance: A River Oaks Estate, Houston, Texas. $600-$900

325 Antique English Angel Skin Coral Brooch 10k yellow gold, ca. 1880, the long rectangular coral cameo carved with cavorting putti. l. 2-1/4”, total weight 13.7 grams Provenance: Property from an Important Private Collection. $600-$900 326 Gold and Faience “Scarab” Bracelet 10k rose gold, the bracelet mounted with faience scarabs on a double chain. l. 6-1/2”, total weight 25.4 grams $250-$400

109


327 Diamond Ring platinum/14k white gold, the ring mounted with princess-cut and round brilliant-cut diamonds weighing approximately 0.78 carats in total. size 4-3/4, total weight 7.7 grams $900-$1,200

330 Diamond Ring platinum, the ring mounted with European-, mine- and single-cut diamonds weighing approximately 0.67 carats in total. size 6-1/4, total weight 3.8 grams $600-$900

328 Diamond Ring 14k yellow gold, the ring mounted with European-, single- and rose-cut diamonds weighing approximately 0.46 carats in total. size 9-1/2, total weight 2.5 grams

331 Diamond Ring 18k white gold, the ring mounted with a Europeancut diamond weighing approximately 0.40 carats, approximate color L-M-N and clarity VS2. size 6-1/2, total weight 2.2 grams

$450-$700

$600-$900

329 Diamond and Sapphire Ring platinum, the ring mounted with European-cut and mine-cut diamonds weighing approximately 0.69 carats in total, accented by calibre-cut sapphires weighing approximately 0.08 carats in total. size 7, total weight 4.0 grams

332 Diamond and Emerald Ring platinum/18k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.58 carats in total, accented by calibrated-cut treated emeralds weighing approximately 0.10 carats in total. size 5-1/2, total weight 4.5 grams

$500-$800

$500-$800

110


327

328

329

330

331 332

111


334

333

335

333 Opal and Diamond Ring sterling silver, the ring in the form of a flower and mounted with an oval cabochon-cut opal weighing approximately 0.82 carats, accented by single-cut diamonds weighing approximately 2.97 carats in total. size 7-3/4, total weight 12.3 grams $700-$1,000 334 Pair of Opal, Diamond, Sapphire and Topaz Earrings sterling silver, the earrings mounted with oval cabochon-cut opals weighing approximately 12.60 carats in total, accented by rose-cut diamonds weighing approximately 1.02 carats in total, colorless roundcut topaz weighing approximately 1.20 carats in total and yellow and orange treated round-cut sapphires weighing approximately 0.78 carats in total. l. 2-1/2”, total weight 22.4 grams $400-$700

112

335 Wide Opal and Diamond Bracelet sterling silver, the hinged bracelet mounted with oval and round cabochon-cut opals weighing approximately 26.00 carats in total, accented by round-cut diamonds weighing approximately 2.10 carats in total. w. 1-1/8”, inside circumference 7-3/4”, total weight 106.6 grams $600-$900


336 Movado Diamond Wristwatch stainless steel, the quartz watch with a black face and a large bezel mounted with round brilliant-cut diamonds weighing approximately 0.35 carats in total, the face marked “SWISS MOVADO MADE”, attached to a black pebble leather band. l. 6-3/4” to 8-3/4”, total weight 24.9 grams $200-$400

337 Yves Saint Laurent Large Black Persian Lamb Muse Bag 2006, gold hardware, with dual flat leather straps and trim, zippered top closure with logo tabs, front padlock detail with clochette and key, the pearlized anthracite lambskin-lined interior with a small open pocket opposite a long black satin-lined zippered pocket labeled “Yves Saint Laurent/Rive Gauche”, with five domed feet, includes the original style tag, authenticity card, care pamphlet and dual dustbags. h. 14”, w. 18”, d. 6-1/2”; strap drop: 7-1/4” $600-$900

336

337

113


338

338 Collection of Coach Wristwatches including a round stainless steel watch engraved with a “C” logo in the bezel with a black leather band, a goldtone rectangular case watch with a “C” logo engraved in the bezel with a black leather band, a gold-tone round case watch with a gold-tone band, a gold-tone stirrupchain link watch with a brown leather band, l. 6” to 7-1/2”, and a gold-tone rectangular watch and band, l. 6” to 7-1/2”.

341 Vintage Rolex Tudor Manual Wind Wristwatch 18k yellow gold, the watch face marked “Tudor” and “Swiss Made”, with a gold link band stamped “ROLEX S.A. 0750”. l. 7”, total weight 23.4 grams

$150-$300

342 Gold Shell Pendant with Chain 14k yellow gold, the pendant in the form of a shell, l. 1-5/8”, suspended from a box chain, l. 16”, total weight 6.7 grams

339 Gold Ring and Earrings 14k yellow gold, the pierced omega-back earrings and ring with a matching ribbed pattern. earring size 1-1/2” x 3/4”, ring size 4-1/2, total weight 34.4 grams Provenance: A River Oaks Estate, Houston, Texas. $800-$1,200 340 Charm Bracelet the 14k yellow gold chain bracelet mounted with two 14k yellow gold charms and one 10k yellow gold charm. l. 7”, total weight 39.9 grams Provenance: A River Oaks Estate, Houston, Texas. $800-$1,200

114

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

$200-$400 343 Two Cross Pendants with Chains including a 14k yellow/white gold cross pendant mounted with round brilliant-cut diamonds weighing approximately 0.20 carats in total, l. 1-1/4”, suspended from an adjustable box chain, l. 15” to 20”, and a 14k yellow gold cross pendant, l. 1-1/4”, suspended from a box chain, l. 16”. total weight 17.3 grams $450-$700


343

342

340

341

339

115


349

347

344

348

346

345

116


344 Diamond Ring 14k yellow gold, the ring mounted with baguettecut and round brilliant-cut diamonds weighing approximately 0.62 carats in total. size 5-3/4, total weight 4.8 grams $350-$500 345 Movado Esperanza Wristwatch gold-tone stainless steel, the quartz watch with a 27.00 mm case, with mother-of-pearl face and a diamond bezel weighing approximately 0.25 carats in total, the face marked “SWISS MOVADO MADE”, with a gold-tone stainless steel band. l. 6”, total weight 46.2 grams $300-$500 346 Diamond Ring and Bracelet 14k yellow gold, the ring and bracelet mounted with round brilliant-cut diamonds weighing approximately 0.36 carats in total. ring size 6, bracelet l. 7-1/4”, total weight 12.1 grams $400-$700

347 Two Diamond Cross Pendants with Chains 14k yellow gold, one pendant mounted with round brilliant-cut diamonds weighing approximately 0.25 carats in total, l. 1”, suspended from a box chain, l. 16”, and the other mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 0.20 carats in total, l. 1”, suspended from a box chain, l. 16”. total weight 10.9 grams $400-$700 348 LeVian Diamond Ring 14k yellow gold, the ring mounted with baguettecut and round brilliant-cut diamonds weighing approximately 0.42 carats in total, the ring stamped “LeVian 14k” and with the LeVian mark. size 5-3/4, total weight 5.0 grams $400-$700 349 Diamond Pendant Necklace 14k yellow gold, the pendant mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 0.25 carats in total, the pendant fixed to the adjustable yellow gold chain. l. 16” to 18”, total weight 2.3 grams $450-$700

117


350 Diamond Solitaire Ring 14k yellow gold, the ring mounted with a round brilliantcut diamond weighing approximately 0.90 carats, approximate color J-K-L and clarity I2-I3. size 6-1/2, total weight 2.1 grams $800-$1,200 351 Diamond Bangle Bracelet gold vermeil, the hinged bracelet mounted with roundcut diamonds weighing approximately 2.85 carats in total. w. 1/2”, inside circumference 7”, total weight 31.9 grams $500-$800 352 Rock Crystal Necklace 14k yellow gold, the necklace composed of rock crystal quatrefoil beads separated by gold roundels and finished with a 14k yellow gold ball clasp, the necklace made to be worn as one strand or doubled as a twostrand necklace. l. 35”, total weight 118.3 grams $400-$700

118

353 Diamond Bangle Bracelet gold vermeil, the hinged bracelet mounted with roundcut diamonds weighing approximately 7.80 carats in total. w. 1/4”, inside circumference 7”, total weight 20.8 grams $500-$800 354 LeVian Chocolate and White Diamond Ring 14k yellow gold, the ring in three sections, each mounted with round brilliant-cut chocolate diamonds separated by a row of round brilliant-cut white diamonds, with an approximate total diamond weight of 1.00 carat, stamped “LeVian, 14k”. size 6, total weight 5.4 grams $150-$300


351

350

354

352

353

119


356

355

357

359

358

120


361

360

355 Diamond Necklace sterling silver, the necklace mounted with slice-cut diamonds weighing approximately 10.00 carats in total. l. 15-1/2”, total weight 98.4 grams $800-$1,200 356 Pair of Diamond Earrings sterling silver, the earrings mounted with slice-cut and round-cut diamonds weighing approximately 2.50 carats in total. l. 1”, total weight 8.1 grams $450-$700 357 Pair of Diamond “Star” and “Moon” Earrings sterling silver, the earrings mounted with round-cut diamonds weighing approximately 3.40 carats in total. l. 2-1/8”, total weight 11.3 grams $450-$700 358 Wide Diamond Bangle Bracelet sterling silver, the hinged bracelet mounted with slicecut and round-cut diamonds weighing approximately 9.00 carats in total. w. 1-1/8”, inside circumference 7-3/8”, total weight 83.7 grams

359 Pair of Diamond Earrings sterling silver, the earrings in a free-form design and mounted with round-cut diamonds weighing approximately 7.00 carats in total. l. 2-5/8”, total weight 12.5 grams $450-$700 360 Corum Trapeze Watch with a black face and stainless steel case and a black leather band, the back of the case stamped ‘Water Resistant, Corum Boutique, 105.404.20 832488, Swiss Made”. l. 6” to 7-1/2”, total weight 28.5 grams $700-$1,000 361 Antique Diamond and Enamel Fleur-de-Lis Cufflinks platinum/14k white gold, ca. 1930-1940, the cufflinks mounted with round brilliant-cut diamonds weighing approximately 0.20 carats in total, accented with blue enamel and fleurs-de-lis. l. 1/2”, total weight 9.1 grams Provenance: Property from an Important Private Collection. $600-$900

$500-$800

121


362 Robert Gordy (American/Louisiana, 1933-1986) “Untitled” silkscreen in colors pencil-signed lower right, numbered “76/300” lower left. Matted, glazed and framed. sight 25” x 20”, framed 39” x 33” $1,000-$1,500

363 Pair of Contemporary Italian Leather Club Chairs each with an affixed frame, back cushion and loose seat cushion, closed arms and ebonized block feet, labeled “Tre Erre...Italy”. h. 32-1/2”, w. 39”, d. 36” 362

$700-$1,000

363

122


364

364 Pair of Contemporary Italian Leather Club Chairs

365 Rusty Wolfe (American/Tennessee, Contemporary)

each with an affixed frame, back cushion and loose seat cushion, closed arms and ebonized block feet, labeled “Tre Erre...Italy”. h. 32-1/2”, w. 34”, d. 36”

“Untitled” lacquer on plexiglass from the “Sunrise” series. In an integral frame. 10-5/8” x 47-3/4”, framed 12-3/8” x 49”

$700-$1,000

Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $700-$1,000

365

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366

366 Rusty Wolfe (American/Tennessee, Contemporary)

367 Skylar Fein (American/Louisiana, Contemporary)

“Untitled”

“Enjoying Surge to Top of Charts, Michael Jackson Enjoys Good Life at California Ranch”, 2009

lacquer on plexiglass from the “Sunrise” series. In an integral frame. 12” x 70”, framed 13-5/8” x 71-5/8”

painted wood signed and dated en verso and with artist token, titled along top edge. 12” x 23”

Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee.

$300-$500

$700-$1,000

367

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368

368 Suite of Eight Henredon Fruitwood Side Chairs each with a padded back-scrolled crest above a padded back and seat, raised on incised sabre legs. h. 39-1/2” $1,000-$1,500

369 Sidonie Villere (American/Louisiana, b. 1976) “Untitled”, 2007 mixed media on canvas wrapped on a wood support panel signed and dated en verso. Unframed. 48-1/2” x 36” $1,000-$1,500

369

125


370 Paul Dyck (American, 1917-2006) “Fool’s Gold”, 1957 oil on masonite signed, dated and titled en verso, and titled and dated on “Raymond Burr Galleries, Beverly Hills, California” label verso. Framed. 34” x 16-1/2”, framed 36-1/2” x 19-1/2” Provenance: Raymond Burr Galleries, Beverly Hills, California; Mr. and Mrs. T. W. Eason, Oklahoma City, Oklahoma; thence by descent to Ambassador and Mrs. John G. Weinmann, New Orleans, Louisiana; thence by descent to consignor. $700-$1,000

370

371 Jonah Kinigstein (American, b. 1923) “The Side Show” oil on board signed lower right, signed and titled en verso. Framed. 48” x 36”, framed 49-1/2” x 37” $500-$800

371

126


372 Rolph Scarlett (American, 1889-1984) “Untitled” oil on board monogrammed en verso. Glazed and framed. 22-1/4” x 19-1/2”, framed 30-1/4” x 25” Provenance: Rago Arts and Auction Center, Lambertville, New Jersey, June 26, 2020, lot 359. $700-$1,000

373 J. Todd Greene (American/Tennessee, b. 1969) “Clear Light of Sleep”, diptych

372

mixed media on paper signed lower right. Float-mounted, glazed and framed. each sheet 26” x 19”, total 26” x 38”, framed 38” x 52” Provenance: Private collection, Nashville, Tennessee. $600-$900

373

127


374

374 Hiroyuki Tajima (Japanese, 1911-1984) “Living Wall”, “The Scarlet Monument” and “Vestigum Vacui-Erosion”, ca. 1970 three woodblock prints in color each signed, titled, numbered and dated in lower margins. Each matted, glazed and framed. sights 18” x 23-1/2”; 35” x 22”; 13” x 9-1/2”, respectively; framed 25” x 30”, 40” x 29”; 21-1/2” x 17” Provenance: The Collection of Samuel Ellis and Valerie Sellors Dunnam, Austin, Texas. $800-$1,200 375 Max Ernst (German, 1891-1976) “Fleurs Coquillage”, 1960 photolithograph in colors pencil-signed and numbered “... /100” lower margin. Matted, glazed and framed. sight 16-1/4” x 18-1/4”, framed 27-1/2” x 30” Provenance: Mr. and Mrs. T.W. Eason, Oklahoma City, Oklahoma; thence by descent to Ambassador and Mrs. John G. Weinmann, New Orleans, Louisiana; thence by descent to consignor. $600-$900

128

375


376 Buddy Jackson (American/Tennessee, Contemporary) “Kristie” terracotta and plaster unsigned. h. 16”, w. 5-1/4”, d. 4-1/4” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $700-$1,000 377 Marlys K. Powell Mallet (American, Contemporary) “Kimono” oil and metallic paint on gallery-wrapped canvas signed “Marlys K. Powell” lower center, signed and titled en verso. Unframed. 48” x 60”

376

$700-$1,000

377

129


378 Good Pair of French Art Deco Mixed Metal and PlateGlass Pedestals second quarter 20th century, the square tops each inset with a plate glass, trimmed with a reeded brass molding, raised on tall, tapered cylindrical legs joined by an X-form stretcher. h. 45”, w. 18-1/2”, d. 18-1/2” $700-$1,000

379 American School (Second/Third Quarter 20th Century) “Female Nude Studies” collection of five inks and wash on paper unsigned. Each matted, glazed and framed alike.

378

sight 12-1/2” x 8-1/2”, framed 18” x 13” $1,000-$1,500

379

130


380 Ernst Beck (Austrian, 1879-1941) “Classical Warrior” patinated bronze first quarter 20th century, cast signature along back of self-base, figure wearing helmet and holding a scimitar. h. 16”, w. 8-1/2”, d. 3-1/2” $500-$800

380

381

381 Odilon Redon (French, 1840-1916) “Cain and Abel” etching Matted, glazed and framed. sight 8-1/2” x 5-1/2”, framed 17-3/4” x 13-1/2” $500-$800

382 Salvador Dali (Spanish, 1904-1989) “Don Quixote” etching signed in pencil lower right, notated “E.A.” lower left. Matted, glazed and framed. sight 18” x 12”, framed 31-1/2” x 25” $500-$800 382

131


383 Marc Chagall (Russian/French, 1887-1985) “Abraham and Sarah”, 1956 color lithograph from the Editions de la Revue Verve, Teriade, Paris. unsigned. Matted, glazed and framed. sight 13-1/4” x 10”, framed 22-1/8” x 19-1/8” Literature: Mourlot 122 $500-$800 The special edition produced by the art magazine Revue Teriade featured 6,500 unsigned impressions and another 75 that were signed and numbered. 384 Edna Hibel Plotkin (American, 1917-2014) “Study of Two Young Women” and “Breton Girl” two lithographs on paper the first pencil-signed and numbered lower margin “I 24/25, ed. 89”; the second-pencil signed, titled and numbered lower margin “13/140”. Each matted, glazed and framed, the first in a float-mount frame. 10-3/4” x 14-1/2” and sight 13-3/4” x 10-1/2”, framed 19-3/4” x 23-5/8” and 21-1/2” x 18-5/8”, respectively

383

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $150-$300

384

132


387

387 Ken Luce (American/Texas, b. 1950) 385

385 American Contemporary Polished Brass Mirror fourth quarter 20th century, in the manner of Karl Springer (American, 1931-1991), with a bolection-form brass surround. h. 59-1/2”, w. 39”

“Queen Anne’s Balls”, 1990 mixed media and found objects on wood panel signed and dated en verso, a “Davis/McClain Gallery” label en verso. 41” x 36” Provenance: Davis/McClain Gallery, Houston, Texas, 1992; Estate of Carol A. Straus, Houston, Texas. $700-$1,200

$700-$1,000 386 Unusual Regency-Style Ebonized and Faux Decoupage Lacquered Coffee Table the circular top on a turned pedestal, raised on splayed feet ending in brass-capped casters. h. 19”, dia. 47-1/2” $500-$800

386

133


389

389 Venetian Black Glass Chandelier 21st century, the six-light chandelier with a baluster support and bellflower-form drops. h. 41”, dia. 27”

388

388 American School (20th Century)

$200-$400

“Homage to Picasso”

390 Pair of Contemporary Club Armchairs

oil on canvas signed indiscernibly signed lower left, signed and further inscribed en verso. Framed. 48” x 36”, framed 53-1/2” x 41-1/2”

each with closed arms with scroll ends, a loose seat cushion and skirted base, labeled “Mangold & Mangold, San Antonio”. h. 37-1/2” $400-$700

$400-$700

390

134


391 After Sigmund Menkes (Polish/American, 1896-1986) “Model” oil on canvas inscribed “Menkes” lower right, illegibly signed en verso, after the “red model” that appears in numerous works by Menkes Framed. 24” x 36”, framed 29-1/2” x 41-1/2” $500-$800 392 Diane Burchard (American, b. 1936) “Freeing the Spirit” assemblage of handmade paper, dyed feathers, old trade beads and glass beads presented in a custom plexiglass display box from the “Fetish” series. h. 19-3/4”, w. 8”, d. 8”

391

Provenance: Carr Gallery, Houston, Texas; Estate of Carol A. Straus, Houston, Texas. $600-$900 393 Group of Four Hand-Woven Baskets 20th century, natural materials such as fibers, vines, barks and threads, including examples by Michael Davis (American, b. 1952), Cliff Nishimura (American, 19512011) and Lillian Elliott (American, 1930-1994), signed at bottom, fourth of unknown origin. from h. 8-1/2”, dia. 15-1/4” and h. 20, dia. 24” Provenance: Estate of Carol A. Straus, Houston, Texas. $800-$1,200

392

393

135


394 Natvar Prahladji Bhavsar (Indian/American, New York, b. 1934) “Ri-Tya VI”, 1974 color silkscreen signed, titled, dated and numbered “30/34” lower margin, frame backing with “Joan E. Kaplan Fine Contemporary Art, New Yorkî label. sight 11-1/2” x 36-1/2”, framed 32-1/8” x 48-1/8” Provenance: Joan E. Kaplan Fine Contemporary Art, New York, New York; The corporate collection of Freeport-McMoRan, New Orleans, Louisiana. $500-$800

394

395 Natvar Prahladji Bhavsar (Indian/American, New York, b. 1934) “Untitled”, 1970 color silkscreen penciled-signed, dated and numbered “31/50” lower margin. Matted, glazed with plexiglass and framed. sight 27-1/2” x 25-1/4”, framed 32-3/8” x 34-1/2” Provenance: The corporate collection of FreeportMcMoRan, New Orleans, Louisiana. $500-$800

395

396 Warren Platner-Inspired Steel and Mahogany Circular Table second half 20th century, the solid mahogany top banded edge-segmented and dovetailed together, the underside chamfered and supported by a patinated steel wire base. h. 30-1/4”, dia. 60” Provenance: Sterling Provisions, New Orleans, Louisiana. $400-$700

396

136


397 Don Wright (American/Louisiana, 1938-2007) “Seated Nude” oil on board signed lower left. Framed. 24” x 19”, framed 30” x 23-1/2” $400-$700 398 Saliha Staib (French/Louisiana, Contemporary) “Untitled - Nude” oil on masonite unsigned. Framed. 32” x 23”, framed 36” x 27” $500-$800 399 Scott Wise (American/Tennessee, Contemporary) 398

“Untitled”, 2005 carved stone incised signature and dated at back, on a black presentation plinth. sculpture h. 38”, w. 7-1/2”, d. 8”, base h. 6” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $700-$1,000

397

399

137


400 Louise Freshman Brown (American/Florida, Contemporary) “Untitled” collage on linen signed lower right. Unframed. 36” x 24” $800-$1,200

400

401 Louise Freshman Brown (American/Florida, Contemporary) “Untitled” collage on linen signed lower right. Unframed. 36” x 24” $800-$1,200

401

138


403

402

402 Post-Modern Steel Mirror

403 Art Glass Chandelier in the Daum Style

20th century, decorated with a pierced steel fan light crest above a rectangular patinated mirror glass. h. 54-1/2”, w. 34”

20th century, signed “Lorrain France”, composed of mottled green and brown glass. h. 4-1/2”, dia. 13-1/2”

$600-$900

$400-$700

139


404 Bernard Gantner (French, 1928-2018) “Winter Landscapes” two works: watercolor and ink on paper and graphite on paper both signed lower right. Both glazed and framed. sights: former 18” x 14-3/4”, latter 16” x 11”, framed: former 24” x 20”, latter 23” x 18” $600-$900

405 Kristi Hargrove (American/Tennessee, Contemporary)

404

“Life Line”, 2000 graphite on paper pencil-signed, titled and dated en verso backing. Float-mounted, glazed and framed. sheet 20” x 16”, framed 25-3/4” x 21-1/4” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $500-$800

406 Contemporary Bench-Made Mahogany Dining Table the square top opening to accommodate one 20” leaf and two additional support legs. h. 30”, w. 70”, l. 70”, ext. l. 90” Provenance: Private collection, Houston, Texas 405

$300-$500

406

140


409

408

407 Robert Anderson (American/New Mexico, Contemporary)

409 Kaaren Engle (American/Tennessee, 1961-2016)

“The Juggler”, 1994

“Squaring the Circle”, 2001

oil on paper signed and dated lower center. Float-mounted, glazed and framed. sheet 44” x 30”, framed 55-1/2” x 42”

watercolor on paper signed, dated and copyright-marked lower right. Float-mounted, matted, glazed and framed. sheet 12-1/4” x 10”, framed 23” x 20-1/4”

$600-$900

Provenance: Purchased from artist; Private collection, Nashville, Tennessee. $300-$500

408 Albert Irvin (British, 1922-2015) “Octavia”, 1992 screenprint on paper pencil-signed and dated lower left, numbered “4/225” lower right. Float-mounted, matted, glazed and framed. sheet 29” x 36-1/2”, framed 37-1/4” x 45” Provenance: Aberdeen Art Gallery, Aberdeen, Scotland; Private collection, Nashville, Tennessee. $400-$700

407

141


411 410

410 Rusty Wolfe (American/Tennessee, Contemporary)

412 Sandy Chism (American/Louisiana, 1957-2013)

“Landscape”

“Double Trouble”, 2004

lacquer on carved and shaped medium density fibreboard h. 28-1/2”, w. 18”, d. 3-1/2”

acrylic on panel signed, titled and dated en verso. Unframed. 48” x 32”

Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee.

$500-$800

$700-$1,000

411 Edie Maney (American/Tennessee, Contemporary) “Untitled Abstract” acrylic and pastel on paper signed lower right. Float-mounted, matted, glazed and framed. sheet 22” x 29-1/2”, framed 33” x 40-1/4” Provenance: Purchased from artist; Private collection, Nashville, Tennessee. $500-$800

412

142


413 T. H. Robsjohn-Gibbings Birch Side Table mid-20th century, with one shelf and raised on square legs. h. 28-1/4”, w. 18-1/4”, d. 18-1/4” Provenance: Estate of Carol A. Straus, Houston, Texas. $700-$1,000

413

414 Louise Freshman Brown (American/Florida, Contemporary)

415 Marion McClanahan (American, 1921-1993)

“Matted Pitcher”

“The Beach House”

collage on paper signed lower right. Float-mounted, glazed and framed. sheet 31” x 22”, framed 34-1/2” x 26-1/2”

lithograph on paper pencil-signed lower right and numbered “A.P. 25/40” lower left. Matted, glazed and framed. sheet 25” x 30”, framed 33” x 37”

$800-$1,200

Provenance: The Collector’s Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $100-$200

414

415

143


416 American School (20th Century) “Still Life of Lemons and Potted Plant” oil on board signed “Ch. Armstrong” lower left. Matted, glazed and framed. sight 6-5/8” x 10”, framed 15-3/4” x 20” $100-$200

416

417 Hamilton Brooks (American, 20th Century) “Silver Service”, 1997 watercolor on paper signed lower right. Matted, glazed and framed. sight 17-3/4” x 21-3/4”, framed 22” x 26-1/4” $200-$400

418 Thomas McKnight (American, b. 1941) “Untitled” and “St. Stephen’s Cathedral, Vienna” two etchings with aquatint each signed lower right, numbered lower left. Both matted, glazed and framed alike. sight 9” x 10-1/2”, framed 19” x 20”

417

$500-$800

418

144


419 Continental School (21st Century) “Contemplation” oil on canvas illegibly signed lower right. Framed. 24” x 36”, framed 29” x 41” $400-$700

419

420 Gardner Reed (American/Louisiana, 1906-1972) “Church Steeple near Inlet and Bridge” oil on wood panel signed lower left. Framed. 17” x 24”, framed 22-3/4” x 29-5/8” $800-$1,200 420

421 Neoclassical-Style Polychromed Tall Chest the case with five graduated drawers with painted arabesques and brass bail pulls, on tapering reeded legs. h. 54”, w. 34”, d. 19-1/2” $600-$900

421

145


422 James Abbott McNeill Whistler (American/British, 1834-1903) “Nocturn in Blue and Gold - Old Battersea Bridge”, ca. 1910-1920 color lithograph on paperboard “Hanfstaengl” blind stamp and copyright mark lower right, titled on “Franz Hanfstaengl, New York” label on frame backing. 16-1/4” x 12-3/4”, framed 17-3/4” x 14” $800-$1,200 423 Billy Price Carroll (American, 1920-2011) 422

“Blooming Magnolia” oil on canvas signed lower right. Framed. 16” x 20”, framed 23” x 27” $200-$400 424 Continental School (20th Century) “Market Scene” and “Picnic” pair of watercolors on paper each signed “Lazetzky” lower right, each with a “Carel Gallery/Miami Beach, Fl.” stamp. Attractively matted, glazed and framed. sight 9-1/4” x 13-3/4”, framed 17-1/2” x 22” $200-$400

423

424

146


425 Provincial Polychromed Commode 19th century and later, the rectangular top with a molded edge, above a conforming case fitted with three long, deep drawers, raised on ball feet. h. 39”, w. 52”, d. 26-1/2” $500-$800

425

426 Sixteen Millefiori Glass and Brass Door and Cabinet Pulls 20th century, designed by Peter McDougall, Crieff, Scotland, the set comprised of four door pulls, h. 3-1/2”, dia. 2-1/2”, and twelve cabinet pulls, h. 1-3/4”, dia. 1-3/4”, the bezels on the door pulls marked “Made in England”.

427 Baccarat Cut Crystal Vase 20th century, French, the cylindrical vase decorated with geometric cutting, marked with Baccarat’s acid-etched “decanter” mark. h. 8”, dia. 7-1/2” $500-$800

$600-$900

426

427

147


428 Pair of “Towle” Molded Glass Candlesticks 20th century, of contemporary design, signed on the base. h. 11-3/4”, w. 4-1/4”, d. 4-1/4” $200-$400

428

429 Three Contemporary Signed Glass Paperweights 20th century, including two Steuben examples, one decorated with doves and hearts and the other with card suits, each signed, and an acorn signed “Simon Pearce”. h. 2” to 2-1/4”, w. 2” to 2-1/4” 429

$200-$400

430 Two Signed Steuben Glass Figures 20th century, American, one a seated bull and the other of a seated bear. h. 2-1/2” to 2-3/4”, w. 2” $200-$400 430

148


431 Art Nouveau Silverplate “Muse” Jardiniere 20th century, after the 1902 model by Paul-Francois Berthoud (1870-1933), with an Art Nouveau maiden against a ground of foliage, handles on each side, signed “Berthoud” on the base and reverse. h. 22”, w. 23”, d. 8-3/4” $500-$800 432 Peter Max (American, b. 1937) “Peace on Earth” serigraph pencil-signed lower right, numbered “268/300” and with artist’s blind stamp lower left. Matted, glazed and framed. sight 12” x 8-1/2”, framed 23-1/4” x 19-3/4”

431

Provenance: Private collection, New Orleans, Louisiana. $700-$1,000

432

433 Michael Ledet (American/Louisiana, b. 1941) “Barads #3”, 1969 acrylic on canvas signed and dated “69” lower right, verso with “The Glade Gallery, New Orleans, LA” label. Thin gallery frame. 46-1/4” x 28”, framed 47” x 28-3/4” Provenance: The Glade Gallery, New Orleans, Louisiana; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $200-$400 433

149


434 436

434 Michael Ledet (American/Louisiana, b. 1941) “Untitled: Abstraction”, 1969 acrylic on canvas signed and dated lower left. Framed. 22” x 27”, framed 23” x 28” Provenance: Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $200-$400

436 Jere Hardy Allen (American/Mississippi, b. 1944) “Toward Green”, 2015 oil on wood panel signed, dated and titled en verso. Unframed. 30” x 24” Provenance: Southside Gallery, Oxford, Mississippi; Private collection, Nashville, Tennessee. $700-$1,000

435 Baccarat Crystal “Haute Couture L’Agrion Ornament” 20th century, French, the cut and molded crystal ornament with ruby and emerald plating, in its original presentation box with paperwork. dish h. 10”, w. 9”, d. 1” $600-$900 435

150


437 John Sperry (American/Georgia, b. 1956) “Wash Day” acrylic on sheet metal signed lower right. Unframed. sheet 13” x 24” $300-$500

437

438 Dan Tague (American, b. 1974) “DFO Event # 2005-114 - Hurricane Katrina - New Orleans” offset lithograph unsigned. Matted, glazed and framed. 17-1/8” x 21-1/8” $400-$700 438

439 Jackie Sumell (American, b. 1973) “People Matt Has Assaulted on Behalf of My Honor...”, 2012 cut paper and collage unsigned, with artist’s statement in envelope attached en verso. Glazed and in a shadowbox frame. 20-3/4” x 10-7/8” $300-$500

439

151


441 440

440 Dan Tague (American, b. 1974)

442 Beth Foley (American, b. 1951)

“James Dean and Marcel”

“Disorderly Eating”

photographic print pencil-signed lower right, titled lower center. Matted, glazed and framed. sight 11-3/4” x 9-1/4”, framed 19” x 15-3/4”

oil on canvas board signed lower right. Framed. 19” x 25”, framed 21-3/4” x 27-3/4”

$300-$500

Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $600-$900

441 Elisa Cossonnet (French, b. 1974) “Le Dejeuner” mixed media light-box assemblage signed lower left on tablecloth. h. 14”, w. 14”, d. 4” Provenance: The Arts Company, Nashville, Tennessee; Private collection, Nashville, Tennessee. $500-$800

442

152


443 Venetian-Style Mirrored and Parcel-Gilt Upholstered Headboard 20th century, the king-size headboard upholstered in diamond-tufted violet velvet. h. 84”, w. 80” $700-$1,000

443

444 Contemporary Chrome and Acrylic Chandelier the six-light chandelier mounted with a floriform shade. h. 33”, dia. 25-1/2” $200-$400

445 Chrome and Crystal “Ovali” Chandelier, Designed by Gaetano Sciolari (Italian, 1927-1944) ca. 1970s, in two tiers, with electric candles alternating with vertical glass rods and matte chrome ovals set with oval glass drops. h. 20”, dia. 20-1/2” $700-$1,000

444

445

153


446 Edie Maney (American/Tennessee, Contemporary) “Abstract”, 2002 acrylic on Arches paper signed lower left. Float-mounted, matted, glazed and framed. sheet 22” x 29-1/2”, framed 33” x 40-1/2” Provenance: Purchased from artist; Private collection, Nashville, Tennessee. $500-$800 446

447 Terry Rowlett (American, Contemporary) “The Cheerleader” oil on canvas signed lower left. In a shaped wood frame. 30” x 24”, framed 42” x 36” Provenance: Zeitgeist Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $700-$1,000

447

154


448

448 Suite of Four Patinated Bronze and Lucite-Mounted Pool-Side Chairs

449 Fred Fellows (American, b. 1934)

20th century, the backs with schools of fish, joined by curved arms, the seats with inset lucite and the front panels depicting mermaids. h. 36”, w. 24-1/2”, d. 16”

“The Gentle Giants”, 1985 patinated bronze cast signature, dated and numbered “26/70” along back, on a black marble plinth. overall h. 6-1/2”, w. 14-1/2”, d. 10-1/4”

$500-$800

$500-$800

449

155


450 Allison Stewart (American/Louisiana, b. 1941) “Untitled Abstract”, ca. 1990 four mixed medias on handmade paper two examples signed in pencil “Stewart” lower right. All float-mounted, glazed and in matching modern gilt frames. 14-3/4” x 15”, framed 19” x 19” $600-$900

450

451 Rusty Wolfe (American/Tennessee, Contemporary) “Celebration”, 2006 acrylic on medium density fibreboard signed, dated and titled en verso. Framed. 22-1/2” x 22-1/2”, framed 30” x 30” Provenance: Finer Things Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee. $700-$1,000

451

156


452 James Michalopoulos (American/Louisiana, b. 1951) “Choir De Nature” silkscreen on canvas signed lower left, signed and dated “2008” en verso. Framed. 40” x 30”, framed 42” x 32” $1,000-$1,500

452

453 Salvador Caballero (Spanish, 1943-2006) “Remanso”, 2006 oil on canvas signed lower left and titled en verso. Framed. 20” x 24”, framed 24-3/4” x 28-3/4” Provenance: Galerie Rouge, New Orleans, Louisiana, 2007. Accompanied by a Certificate of Authenticity issued by Galerie Rouge. $500-$800

453

157


454 455

454 Oak Map/Print Chest with three long drawers over two short lockable drawers over a long shallow drawer, the upper sides paneled and the whole raised on block feet. h. 29-1/4”, w. 41”, d. 28” Provenance: Estate of Carolyn G. Fay, Houston, Texas. Probably constructed at the Seabrook Shipyard, this piece was in the the Houston office of yachtsman Ernest Bel Fay. $800-$1,200 455 Percy Hague Jowett, R.W.A. (British, 1882-1955) “Church and Tower in the Tuscan Countryside” oil on canvas signed lower right, inscription en verso suggesting setting as Castello del Trebbio. Framed. 12-1/4” x 10-1/2”, framed 18-1/2” x 16-3/4” $800-$1,200 456 Modern Flatweave Carpet bears logo for French Accents, New York City. 9’ 1” x 12’ 2” $1,400-$1,800 456

158


457 Pauline Wallen (American/Tennessee, 1922-2010) “Landscape Scene with Branches and Mushrooms” watercolor on paper signed lower right. Matted, glazed and framed. sight 13” x 19-1/4”, framed 25” x 30-1/4” $200-$400

457

458 Billy Price Carroll (American, 1920-2011) “Landscape with Rocks and Trees” watercolor on paper signed lower right. Matted, glazed and framed. sight 12” x 8-1/4”, framed 18-1/2” x 15” $200-$400

458

159


461 459

459 Robert Rucker (American/Louisiana, 1932-2001)

461 Alice V. Meyers (American/California, 20th Century)

“Wooden Gate on an Old Plantation Road”

“River Landscape”

watercolor on paper signed lower left, inscribed on frame backing “Bucky Nelson from Papa”, and “Bequeathed to Grandson” on “Dr. James W. Nelson Collection” label. Matted, glazed and framed. sight 10-1/8” x 14-3/8”, framed 19-3/4” x 23-3/4”

watercolor on paper signed lower right. Glazed and framed. sight 9” x 12”, framed 12” x 15”

Provenance: Sold in these rooms, July 26, 2008, lot 468. $400-$700

Provenance: Sold in these rooms, December 5, 2008, lot 1459. $200-$400

460 Upholstered Ottoman in the Turkish Taste with a tufted seat cushion and skirt in striped brocade. h. 18”, w. 28”, d. 29” $75-$125

460

160


462

462 Johan Hagaman (American/Tennessee, b. 1950) “Summer Girl” found object and mixed media sculpture h. 24”, w. 7-3/4”, d. 7”

464

464 Thomas McKnight (American, b. 1941) “Winter Landscape”

Provenance: Cumberland Gallery, Nashville, Tennessee; Private collection, Nashville, Tennessee.

oil on canvas signed lower left. Framed. 10-1/2” x 13”, framed 17” x 20”

$600-$900

$500-$800

463 Cleland Powell (American/New Orleans, Contemporary) “Untitled” oil on canvas unsigned. Unframed. 24” x 48” $500-$800

463

161


465

466

465 Turkish Angora Oushak Carpet

466 Turkish Angora Oushak Runner

8’ 3” x 10’

2’ 7” x 15’ 9”

$700-$1,000

$500-$800

162


468

467

467 Turkish Angora Oushak Runner

468 Turkish Angora Oushak Runner

2’ 7” x 16’

2’ 7” x 11’ 7”

$500-$800

$400-$700

163


469

470

469 Turkish Angora Oushak Carpet 6’ 1” x 8’ 10” $400-$700

470 Peshawar Mahal Carpet 9’ x 12’ $800-$1,200

471 Flat-Weave Carpet 8’ 8” x 12’ 2” $500-$800

471

164


472

473

472 Turkish Angora Oushak Carpet 8’ 1” x 9’ 10” $700-$1,000

473 Turkish Angora Oushak Carpet 6’ 1” x 9’ $400-$700

474 Laristan Sultanabad Carpet 8’ x 9’ 10” $600-$900

474

165


475 Persian Carpet 8’ 2” x 11’ 5” $400-$700

475

476 Laristan Sultanabad Carpet 6’ x 9’ 1” $400-$700

476

166


477 Continental Patinated Metal and Glass Chandelier third quarter 20th century, of baroque inspiration, the ten-light chandelier with a patinated metal scrolled frame set with leaf-molded candle cups, hung with a profusion of cut glass and teardrop-shaped colorless and amber prisms, with a scrolled prism-hung corona at the top. h. 33”, dia. 23” $600-$900

478

478 Ida Calzolari (Italian, b. 1936)

477

“Young Girl Blowing Bubbles, Seated on Red Velvet Cushions with Golden Tassels” after a painting by Pierre Mignard (French, 1612-1695)

479 Baroque-Style Giltwood Looking Glass the beveled mirror in a conforming frame, adorned with leaf, shell and scroll carving. h. 36”, w. 54”

oil on copper signed lower right. In an ebonized carved wood frame with gilt accents. 8” x 6”, framed 12-1/2” x 10-1/4”

$200-$400

$400-$700

479

167


480 Pair of Baroque-Style Patinated Bronze Sconces 20th century, modeled as cherubic figures above molded leaves and supporting rope-twist cornucopiaform candle standards set with leaf molded drip pans, electrified. h. 23-1/2”, w. 8”, d. 7-3/4” $500-$800

481 After Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669)

480

“Portrait of Thomas Haaring, the Elder, 1655”, ca. 1878 heliogravure Matted, glazed and framed. 7-5/8” x 5-3/4”, framed 17-1/2” x 14-3/4” $300-$500

481

482 Pair of Italian Walnut and Brass Altar Candlesticks mid-20th century, in the neoclassical taste, the fluted column-form standards with Corinthian capitals and leaf-carved candle cups fitted with brass prickets, raised on leaf- and scroll-carved ogee-form bases. h. 27”, dia. 7-1/2” $500-$800 482

168


484 483

483 Large Carved and Painted Santos Figure of St. Joseph ca. 1700, possibly Italian, the standing, bearded figure dressed in a robe with a sash, the robe retaining worn red, green and Prussian blue paint with traces of gilt decoration. h. 28”, w. 10”, d. 6-1/2” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $500-$800 484 Continental School (Second Half 19th Century) “The Finding of Erichthonius” oil on wood panel unsigned, the frame backing with a later ink inscription in English of the Greek myth recounted, indistinctly signed and dated 1923. Framed. 11-5/8” x 8-1/8”, framed 15-1/4” x 12” $800-$1,200 485 Unusual Baroque-Style Parcel-Gilt Hanging Vessel 19th century, probably Italian, now mounted with lights on the interior, the conical-shaped vessel with beaded edge and carved flowerheads and acanthus leaves on a green-painted ground, hung with a pendant tassel. h. 31”, dia. 13” $150-$300

485

169


486

486 Collection of Four Painted and Parcel-Gilt Wooden Religious Icons

487 Flemish-Style Mahogany Sofa

late 19th/early 20th century, probably Greek, the collection including two with images of St. Nicholas, one example of St. George Georgios and St. Demetrius with an oklad, and one example of Jesus risen from the tomb. h. 18” to 28-1/2”, w. 13” to 17-3/4”

19th century, the double-domed and padded back joined by outscrolled sides and arms to the cushioned seat, raised on turned and block legs, joined by molded and scrolling front stretchers and ending in molded feet, partially upholstered in period tapestry. h. 49”, w. 78”, d. 30”

$700-$1,000

$800-$1,200

487

170


488

490

488 Pair of Italian Silver Giltwood Sconces third quarter 20th century, the baluster-turned backplates carved with acanthus leaves. h. 14-1/4”, w. 13-1/4”, d. 8-3/4” $500-$800

489 Ida Calzolari (Italian, b. 1936) “Floral Still Life with Peonies” oil on canvas signed lower right. Framed. 39-3/4” x 27-1/2”, framed 50” x 37” $800-$1,200

490 Follower of Giacomo Francesco Cipper (called Il Todeschini) (Feldkirch 1667-1738 Milan) “Peasant Smoking a Pipe” oil on canvas unsigned, verso with a “Christie’s” inventory label. Framed. 13” x 10”, framed 18” x 14-3/4” Provenance: Christie’s South Kensington, July 13, 2001, lot 227. $700-$1,000

489

171


491 Dutch Mahogany and Marquetry-Inlaid Vitrine on Chest late 19th century, the molded and domed cornice centered by a fleur-de-lis cartouche, above a single glazed door and glazed sides, the lower bombe case fitted with three graduated long drawers, raised on hairy hoof feet, the whole richly accented with foliate marquetry inlays. h. 79”, w. 41”, d. 20” $800-$1,200 492

492 Miniature Inlaid and Brass-Mounted Bottle Case in the Form of a Cylinder Desk second quarter 19th century, Dutch, the “desk” section inlaid with a basket of flowers, the inlaid false drawers flanked by brass-mounted ebonized columns on brass ball feet, the sides with brass carrying handles. h. 12”, w. 10”, d. 9-1/2” $700-$1,000

493 Patinated Bronze Figure of a Little Girl Feeding a Bird 20th century, in the French Belle Epoque style, on a marble base, illegibly signed. h. 23-1/2”, dia. 6-3/4” $600-$900

491 493

172


494 R. A. Hager (Dutch, 19th/20th Century) “Fishermen and Cattle Herd Resting Along the Road” oil on canvas signed lower left, a “John H. Surovek, Palm Beach, FL” gallery label on frame backing. Framed. 30” x 25”, framed 37-1/2” x 32-1/2” $800-$1,200

494

495 After Karl Girardet (Swiss, 1813-1871) “The Old Riverside Bridge” fourth quarter 19th century oil on board monogramed “C.F.” lower right, inscribed en verso. Giltwood frame. 8” x 10-3/4”, framed 14” x 17” 495

$700-$1,000

496 Karl Witkowsky (Polish/American, 1860-1910) “Young Boy Fishing” oil on board signed lower left, an old Christie’s inventory label en verso. Framed. 24” x 20”, framed 27” x 23” $1,000-$1,500

496

173


497 Continental School (Fourth Quarter 19th Century) “River Landscape with a Hamlet” oil on canvas unsigned. Framed. 10” x 14”, framed 15” x 19-1/2” $300-$500

497

498 British School (19th Century) “Landscape with Figures” oil on canvas signed illegibly and dated “1871” lower right. Period giltwood frame. 5-1/2” x 8”, framed 9” x 12” $500-$800

498

499 Continental School (Fourth Quarter 19th Century) “Landscape with Tall Trees, a Dingy and a Brook”, 1899 oil on linen indistinctly signed “Rangen/r” and dated lower right. Framed. 26-1/2” x 19”, framed 35-1/2” x 27-1/8” $600-$900

499

174


500

500 Johannes Cornelis van der Heijden (Dutch, 1911-1992) “Dutch Landscape with a Windmill” oil on canvas signed lower right. Framed. 15-1/2” x 19-3/4”, framed 18-1/2” x 22” $700-$1,000

501

502 Pair of Giltwood and Verdigris Girandole Mirrors ca. 1900, each bombe-form mirror with a scroll-carved surround and a crest decorated with pierced scrollwork and flowerheads, the bottom portion with a serpentine shelf flanked by leaf-molded candle arms, above a pierced bracket with cabochons and scrollwork. h. 51”, w. 24-1/4” Provenance: Private collection, Houston, Texas. $800-$1,200

501 Johannes Cornelis van der Heijden (Dutch, 1911-1992) “Milking the Cows” oil on canvas signed lower right. Framed. 19-3/4” x 27-1/2”, framed 23” x 30” $800-$1,200

502

175


504

503 Neoclassical-Style Carved Marble Pedestal 20th century, the circular base supporting three putti around the standard, the upper portion with rope-twist carving alternating with acanthus leaves. h. 48-1/4”, base dia. 14” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $200-$400

504 Pair of Molded Terracotta Tree Tubs in the Neoclassical Taste

503

20th century, the cylindrical tubs decorated with basrelief putti supporting swags of flowers. h. 14”, dia. 17-1/2” Provenance: A River Oaks Estate, Houston, Texas. $400-$700

505 Italian Carved Wooden Pedestal first quarter 20th century, the pedestal with an upward-gazing blackamoor, with a turned dish top, the underside with a numbered metal plate. h. 22”, w. 10-1/2”, d. 9-3/4” Provenance: Estate of Carol A. Straus, Houston, Texas. $700-$1,000

505

176


506

506 Wrought Iron and Marble-Top Console Table the serpentine variegated green marble top on a conforming base adorned with patinated foliate decor. h. 36”, w. 72”, d. 21” $600-$900

507 Painted and Parcel-Gilt Mirror 20th century, in the Continental neoclassical taste, with molded sides and a cove-molded cornice, the cutcorner plate trimmed with gilt, and carved, gilded corner medallions. h. 53-3/4”, w. 42-1/2” $200-$400

507

177


508 Directoire-Style Silver Leaf Bench each end of chair-back form with a fluted and roundelmounted top rail over an anthemion-form splat, raised on flared legs. h. 30-3/4”, w. 49-1/2”, d. 13-1/4” Provenance: Chrestia Staub Pierce, New Orleans, Louisiana; Private collection, New Orleans, Louisiana. $600-$900 508

509 Maria Theresa-Style Molded Glass and GiltMetal Chandelier the sixteen-light chandelier with a glass-clad scrolled frame set with arms on two levels, the lights with molded glass prism rings, swags of drops hung from the corona and on the lower portion of the chandelier. h. 26”, dia. 34” Provenance: Private collection, Houston, Texas. 509

$600-$900

510 Pair of Maria Theresa-Style Gilt-Metal and Glass Sconces 20th century, the six-light sconces with mirrored backplates, with glass-clad metal arms and glass spire-mounted coronas hung with swags of drops, the glass candle cups with molded glass prism rings, with more swags hung below. h. 28-1/2”, w. 21-1/4”, d. 22” 510

178

$800-$1,200


513 511

511 Italian School (19th Century) “Landscape with Figures at a Lake” oil on canvas unsigned. Framed. 23” x 25”, framed 28” x 31” $1,000-$1,500

512 Italian Giltwood and Silver-Gilt Mirror fourth quarter 20th century, in the Italian baroque taste, set with a beveled mirror plate, with a mirrorinset surround, decorated with scrollwork, shells and carved leaves. h. 59”, w. 39” $700-$1,000

513 F. Ciotta (Italian, 19th/20th Century) “The Toast” oil on canvas signed lower right. Framed. 22” x 27”, framed 25-3/4” x 30-1/2” $600-$900 512

179


514 Geza Kende (Hungarian/California, 1889-1952) “Still Life of Yellow Roses in a Porcelain Vase” oil on canvas signed lower left. Framed. 24-1/4” x 20-1/4”, framed 31-1/4” x 27-1/4” $800-$1,200 515 Polychromed Leather Three-Panel Screen late 19th/early 20th century, each painted panel with an arched top, depicting flowers and leaves, the backs retaining their old oil cloth covers. each panel h. 68-1/4”, w. 18-3/4” Provenance: Property descended in the LivaudaisWalshe family, New Orleans, Louisiana. $1,000-$1,500 516 Unusual Patinated Bronze and Marble-Mounted Pedestal

514

ca. 1900, the thick rouge marble top mounted to a cast bronze foliate standard and supported by a square rouge marble base. h. 39-1/2”, w. 10-1/2”, d. 10-1/2” $600-$900

516

180

515


517 Handsome Venetian Polychrome Blackamoor Wall Bracket mid-20th century, the figure dressed in a colorful costume and a fringed wrap, the serpentine shelf with a gilt edge and carved with fluting, with a faux marbre top. h. 20”, w. 17”, d. 10-1/2” $800-$1,200 518 Unique Carved, Silver-Leafed and Plate-Glass Etagere early 20th century, with a central carved and fluted standard, segmented and fitted with four graduated circular plate-glass shelves. h. 71”, dia. 22”

517

$700-$1,000 519 Continental Neoclassical Mahogany Side Table early 19th century, the banded and quarter-veneered rectangular top above a conforming frieze fitted with a single shallow drawer over a pendant panel flanked by scrolls, raised on a paneled baluster-form standard to three splayed legs ending in scrolled toes. h. 30-1/2”, w. 30-1/2”, d. 22-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

519

518

181


520

520 Suite of Six Fruitwood Armchairs of Directoire inspiration, each with a padded square back within a molded frame, joined by downswept arms to the padded seat, raised on reeded tapering circular legs. h. 35” $600-$900 521 Italian School (First Quarter 19th Century) “Study, Three Women and a Baby” pen and ink wash on paper Matted, glazed and framed. sight 6” x 5-1/2”, framed 10-3/4” x 9-3/4”

521

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $100-$200 522 Pair of Neoclassical Ebonized and Stenciled Armchairs early 19th century, each with a Greek-keystenciled back rail above an X-form splat, joined by curved arms, a caned seat and raised on turned legs. h. 23”, w. 20”, d. 17-1/2” $700-$1,000

522

182


523 Cesare Auguste Detti (Italian, 1847-1914) “Travelers Resting” oil on board signed lower right. Glazed and framed. 7-1/4” x 9”, framed 10” x 12” $500-$800 523

524 Continental School (Fourth Quarter 19th Century) “Winter Landscape with a Horsecart” oil on panel signed illegibly lower left. Giltwood frame. 7” x 9”, framed 11-1/2” x 14” $500-$800

524

183


ARTIST INDEX | SEPTEMBER 8-9, 2021 Allen, Jere Hardy 436

French/Belgian School 51

American School 221, 234, 235, 258, 260, 262, 263, 265,

Gantner, Bernard 404

267, 379, 388, 416

Gay, George Howell 264

Anderson, Robert 407

German School 122

Baldock, Charles Edwin 125

Girardet, Karl (after) 495

Beck, Ernst 380

Gordy, Robert 362

Bhavsar, Natvar Prahladji 394, 395

Gould and Richter 255

Boddington, Henry John 108

Grandee, Joe Ruiz 257

Brewsaugh, Leland 241

Gray, Harrel 240

British School 105-107, 134, 141, 143, 147, 152, 167, 169,

Greene, J. Todd 373

174, 266, 498

Hagaman, Johan 462

Brooks, Hamilton 417

Hager, R. A. 494

Brown, Louise Freshman 400, 401, 414

Hargrove, Kristi 405

Burchard, Diane 392

Heldner, Colette Pope 245

Caballero, Salvador 453

Hibel Plotkin, Edna 384

Calzolari, Ida 478, 489

Irvin, Albert 408

Carroll, Billy Price 423, 458

Italian School 511, 521

Cazin, Jean-Charles (circle of) 79

Jackson, Buddy 376

Chagall, Marc 383

Jowett, Percy Hague 455

Chism, Sandy 412

Kende, Geza 514

Ciotta, F. 513

Kinigstein, Jonah 371

Colombo, Renzo (after) 98

Lacroix, P. 184

Continental School 3, 419, 424, 484, 497, 499, 524

Ledet, Michael 433, 434

Cossonnet, Elisa 441

Lucas, William Lucas 126, 127

Coulon, George 239

Luce, Ken 387

Dali, Salvador 382

Mallet, Marlys K. Powell 377

de Leonard, Pierre 10

Mamatof, Danila 185

Detti, Cesare Auguste 523

Maney, Edie 411, 446

Dyck, Paul 370

Max, Peter 432

Engle, Kaaren 409

McClanahan, Marion 415

Ernst, Max 375

McKenney and Hall 224

Fein, Skylar 367

McKnight, Thomas 418, 464

Fellows, Fred 449

Menkes, Sigmund (after) 391

Foley, Beth 442

Meyers, Alice V. 461

Forain, Henry 18

Michalopoulos, James 452


Moran, Edward Percy 247

New Orleans Auction Galleries does not make any express or implied

Newcomb College Art Pottery 244

note that all of the terms and descriptions used in this catalogue

Parker, Scing Randle 87

warranty as to the authorship of works of art and fine art. Please are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

Poirson, Maurice 86

The Artist’s Name: In our qualified opinion, a work by the artist.

Powell, Cleland 463

Attributed to: In our qualified opinion, a work of the period of the

Redon, Odilon 381

artist that may be in whole or in part the work of the artist.

Reed, Gardner 420

School of / Follower of: In our qualified opinion, a work by a follower

Reichel, Karl Anton 73

of the artist. Circle of: In our qualified opinion, a work of the period of the artist

Remington, Frederic Sackrider (after) 256

and showing his or her influence.

Rowlett, Terry 447

Studio of: In our qualified opinion, a work possibly associated with

Rucker, Robert 459 Saxon, Lulu King 242

the studio of the artist and showing his or her influence. Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

Scarlett, Rolph 372

After: In our qualified opinion, a copy of a known work by the artist.

Schmidt, Lillian Thomas 259

Signed: In our qualified opinion, has the signature which is that of

Sperry, John 437

the artist.

Staib, Saliha 398

Bears Signature: In our qualified opinion, has a signature which may

Stewart, Allison 450

be the signature of the artist. Dated: In our qualified opinion, is so dated and was executed on or

Sumell, Jackie 439

around that date.

Tague, Dan 438, 440

Bears Date: In our qualified opinion, is so dated and may have been

Tajima, Hiroyuka 374

executed at about that date.

Tolmay, John 179 Tuttle, Francis Marion 261 van der Heijden, Johannes Cornelis 500, 501 van Rijn, Rembrandt Harmenszoon (after) 481 Villere, Sidonie 369 Wallen, Pauline 457 Whistler, James McNeill 422 Williamson, William Henry 139 Winstanley, Henri 142, 144 Wise, Scott 399 Witkowsky, Karl 496 Wolfe, Rusty 365, 366, 410, 451 Wright, Don 397 Wynne, E. C. (after) 84 Cipper (called Il Todeschini), Giacomo Francesco (follower of) 490


Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17


(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17


(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17


(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17


New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com 


Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Taylor Eichenwald Assistant Director of Auctions

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Director of Fine Jewelry

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Charles C. Cage Silver Specialist & Office Manager

Thomas Halverson American Furniture Specialist

Burke Designer

AUCTIONEERS Tessa Steinkamp, #1265 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Kelly McMahon Client Services & Administrative Assistant

CONSULTANTS

Grace Connors Manager of Online Auctions

ADMINISTRATION

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Ira Savoie Independent Certified Gemologist Appraiser

Gary Michael Gittelson Photographer

Christa Ougel Graphic Designer Photographer Bettina Bausa Graphic Designer

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark


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NOAG Interiors: September 8-9, 2021  

New Orleans Auction Galleries is pleased to present our September NOAG Interiors Auction, presenting a wide selection of furniture, painting...

NOAG Interiors: September 8-9, 2021  

New Orleans Auction Galleries is pleased to present our September NOAG Interiors Auction, presenting a wide selection of furniture, painting...

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