Product Listing Europe, Middle East, Africa: Shure Europe GmbH, Wannenäckerstr. 28, 74078 Heilbronn, Germany Phone: 49-7131-7214-0 Fax: 49-7131-7214-14 Email: firstname.lastname@example.org United States, Canada, Latin America, Caribbean: Shure Incorporated, Phone: 1-847-600-2000 US Fax: 1-847-600-1212 Int‘l Fax: 1-847-600-6446 Asia, Pacific: Shure Asia Limited, Phone: 852-2893-4290 Fax: 852-2893-4055
PG42-USB Vocal Microphone Side-address cardioid condensor microphone for lead vocal recording applications
PG27 with Mount
Multi-Purpose Microphone Side-address cardioid condensor microphone for instrument and vocal recording applications
PG81_VERT Instrument Microphone A sensitive, flat response mic ideal for acoustic instruments.
PG52 Kick Drum Microphone A high-performance microphone tuned to capture low-end punch.
SM27 Vocal Microphone Large diaphragm, side-address cardioid condenser microphone for the stage and studio.
Industry standard microphone tailored to deliver warm and clear vocal reproduction.
SM57-X2u Instrument Microphone Industry standard, highly versatile microphone tuned for clean reproduction of amplified and acoustic instruments.
SM137 Instrument Microphone Versatile,flat response microphone in both acoustic and high volume performance applications.
SM48 Vocal Microphone Rugged microphone for vocal,speech and karaoke applications.
Instrument Microphone Sheilded,selectable frequency response microphone delivers warm and smooth audio reproduction in close-proximity applications.
SM81 Instrument Microphone Industry-standard, flat-response microphone renown for sonic accuracy in stage and studio performance applications.
Drum DMK Drum Mic Kit Industry-standard package of legendary microphones and rugged hardware for all stage and studio drum performances
XLR-to-USB Signal Adapter Use your favorite microphones to digitally record wherever and whenever your computer takes you with the new X2u XLR-to-USB Signal Adaptor. Perfect for multitrack recording, the X2u features built-in headphone monitoring with zero latency, and easy controls to balance microphone and playback audio, just plug and play for better-than-CD quality sound. X2u
Signal Adapter 8
SM81 Windscreen Large foam windscreen for the SM81
5/8”- 27 Drum Mount Instrument Mount For microphones using 5/8” - 27 threaded mic clips. Mount horizontally or vertically on drums, cymbals and stands. A56D
SM7 Windscreen Large windscreen for extra pop protection in voice-over applications. Fits SM7A and SM 7B. A7WS Large RK345 Small
Mic Clips Break Resistant Mounts Securely holds the following microphones: Models SM48,SM57,SM58,SM86,SM87A,SM94, Beta57A,Beta58A,Beta87A,Beta87C,515X,54 5,588SDX,KSM109 and all PG: A25D Models SM81,VP64A,VP64AL,SM63,SM63L,SM 63LB,KSM137,KSM141 and AMS26: A57F Model KSM9: A25E
PROFESSIONAL SOUND FROM EAR TO EAR.
For more than 80 years Shure rugged, professional audio products have been defined by a legacy of legendary performance. This passion for audio excellence also drives Shure Professional Headphones. These headphones live by a simple rule: What goes in must come out. Designed to withstand the rigors of everyday use, they are an excellent choice for music professionals and music obsessives â€“ for recording, monitoring and personal listening.
SRH240 The SRH240 Professional Quality Headphones are designed with a wide frequency range for full bass and detailed highs, ideal for general listening.
SRH440 The SRH440 Professional Studio Headphones offer an enhanced frequency response to deliver accurate audio reproduction, ideal for recording and monitoring.
SRH840 The SRH840 Reference Studio Headphones are specifically engineered for critical listening and professional recording. With their precisely tailored frequency response they deliver rich bass,clear mid-range and extended highs.
SRH750DJ The SRH750DJ professional DJ Headphones from Shure provide exceptional sound reproduction and comfort. Optimized for DJing, SRH750DJ headphones reproduce accurate audio across an extended range.
Dragonfly Blueberry Bluebird Baby Bottle
sound takes flight
With it’s unique look and highly versatile performance,the BluebirdTM has been designed to deliver the same highquality,no-compromise audio that Blue users have come to expect. The Bluebird is a large-diaphragm cardioid condenser, utilizing Blue’s renowned microphone technology and Class A discrete circuit.
custom wood storage box
In a departure from its normally application-specific designs, Blue engineered the Bluebird to be as versatile as possible, with applications ranging from vocals to electric and acoustic guitars, close-miking of drums, drum overheads, percussion, piano and strings, delivering an extended top and bottom that results in crystalclear sound quality and detail. Plus, the Bluebird bundle also includes the Bluebird Accessory Pak, containing a specially designed shockmount — the BirdCage — and a custom metal mesh pop filter—the BirdNest. No matter what your sound, the complete Bluebird package offers today’s musician a topnotch recording experience at an outstanding price — all in one nest!
The Baby Bottle shown with its custom shock/pop kit
Following in the footsteps of our acclaimed tube Bottle mic system, the Baby BottleTM mic is truly a chip off the old block. Each and every part of this solid-state, Class A discrete condenser has been hand-selected to insure nothing short of a stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, goldsputtered capsule with a fixed cardioid pattern. In the tradition of all our award-winning microphones, the Baby Bottle employs the styling, attention to detail, and hand-crafted quality for which Blue has become famous. The Baby Bottle is ideal for recording vocals, sax, percussion or any acoustic instrument. Delivering a smooth detailed midrange quality where required, this Baby can cut through the busiest tracks. Contact your local Blue microphone dealer for a demo and find out why this best-selling mic is a generation ahead of the pack!
Like Father, Like Son.
Simplicity of design. Purity of sound. Introducing Robbie, Blue’s ne Class-A discrete tube microphone and instrument preamplifier. All of the technical quality and design innovation that goes into our line of award-winning microphones has been engineered into making Robbieone of the finest (and most affordable) tube preamps available today. With no ICs and only the highest-quality discrete components
from input to output, Robbie is one of the quietest (-131 dB EIN @ 50½) and most detailed (THD 0.006%) preamps on this (or any other) planet. And it’s gorgeous design and ease of use will quickly make Robbie one of the most valuable lifeforms in your studio. For more details and information, log on to www.bluemic. com, or see your local authorized Blue dealer today.
The Woodpecker was designed to provide the smooth, intimate sound associated with the most sought-after (and expensive) vintage ribbon microphones. With its focused mid-range and outstanding bass response, the Woodpecker captures the essence of any recorded sound. The Woodpecker also excels at ambient recording, capturing room tone with the most intimate detail — whether for rock drums, guitars or vocals — any application where some natural space in the recording is desired. To get the most out of this, or any quality microphone, it is essential to pair it with a good microphone preamplifier. Most professional recordists prefer to have outboard preamps on hand, and will choose solidstate or vacuum tube models based on their unique characteristics. To maintain the integrity of your signal, try using Blue’s Cranberry, Blueberry or Kiwi highdefinition mic cable along with Blue’s outstanding Class-A vacuum tube mic preamp, Robbie. And, whenever possible, connect your pre’s output directly to your recorder or A/D converter, bypassing the mixing board and any unnecessary components. The Woodpecker also includes a custom-designed gold-accented shockmount to isolate the transducer from the recording environment and reduce unwanted low-frequency resonance or rumble.
The Mouse is a pressure-gradient cardioid condenser microphone, employing the BLUE single-membrane, factory-tuned large diaphragm capsule. For this hand-crafted diaphragm we have selected a 6-micron mylar film, sputtered with a mixture of pure gold and aluminum, and tensioned to our own hand-built brass backplates. Enclosed within a rotating spherical grille, the capsule can be positioned and adjusted in the smallest of spaces. This innovative design offers finetuning and precise placement to please the most discerning recordist, combined with an ease of use that is without equal among either vintage or contemporary microphones.
Mouse with The Shock
Technical Specifications Transducer Type Condenser, Pressure Gradient Polar Pattern Cardioid Frequency Response 20Hz – 20kHz Sensitivity 21.0mV/Pa at 1kHz (1Pa = 94dB SPL) Output Impedance 150½ Rated Load Impedance >1 k½ Maximum SPL 138 dB SPL (2.5k½, 0.5% THD) S/N Ratio 85 dB-A (IEC 651) Noise Level 8.0 dB-A (IEC651) Dynamic Range 130 dB (@2.5k½) Power Requirement +48V DC Phantom Power (IEC 268-15) Weight 980g Dimensions 165mm x 65mm
Dual Mic Input
The Mongooseâ€™s 32-by-32 digital audio matrix router receives its first 16 audio channels from up to eight RADs via the eight rear panel 8P8C (RJ-45) Remote Audio ports. The second 16 matrix input channels can come from two 8-channel CobraNet receive (Rx) Bundles via standard CobraNet Primary and Secondary/ backup ports. The 32 matrix router outputs transmit 16 channels to eight RADs and 16 more channels to two CobraNet transmit (Tx) Bundles.
Dual Line Input Dual Line Input
RAD 3 RAD 4
32 by 32 digital audio matrix router RADs deliver digital audio up to 100 meters (328 feet) each. Supports up to 32 digital audio channels from up to 8 RADs. Receive 2 and transmit 2 CobraNet Bundles. Supports DHCP, Zeroconf (Link-local & mDNS) & Auto MDI/MDIX.
Mongoose Remote Audio Interface
A family of RAD models is shown to the right. Each converts analog audio to or from 24bit, 48Khz digital audio. Each RAD mounts in a standard US electrical gang box. Standard CAT5 cable and termination transport four digital audio channels - two channels each direction - as well as power, ground and a communications channel.
The Rane SL 3 is a new audio interface for Scratch Live. Enhanced by studio grade preamps and 24-bit audio processing, this compact new solution produces a warm punchy sound to heighten the senses. Extra outputs allow DJs and electronic musicians to intensify the mix with the Scratch Live SP-6 Sample Player (New in Version 1.9).
The auxiliary input provides a live input feed for creative sampling or recording your set. Use any combination of audio source. Control CD, Control Vinyl or MIDI for more flexibility than ever.
Feature and performance enhancements include: • New, Compact Hardware Design • Higher output improves ability to easily match levels of various source types • Improved Dynamic Range (104 dB) • Improved audio performance (24 bit converters) • Galvanic isolation prevents computer noise from interfering with the audio path • USB 2.0 high speed audio interface • Aux Input for Live Mix Recording or LiveFeed • Aux Out channel allows use of Sample Player as a virtual deck and opens the door for future expan sion and creative configurations for DJs and electronic musicians • High-grade Phono Preamps upgrade performance of most mixers • Software switchable Direct Thru Connections for simplified connections • Independent Line/ Phono-level selection for each input for greater flexibility • Includes International Power Supply to insure optimum performance and easy transfer between DJs • Soft Carry Case Included
The TTM 57SL integrates the best of Rane hardware with Serato Scratch LIVE software, allowing you to fully control Scratch LIVE without touching your laptop!
FUTURE PROOF The features and functionality of your mixer will improve with each new Scratch LIVE software release – and all Scratch LIVE updates are free!
ADVANCED RECORDING CAPABILITIES Record your mix directly to hard drive. Choose between one single mixed output, or channel 1 and 2 post-fader separately. Perfect for editing after the mix – a mixtape DJ’s dream!
EFFECTS 24-bit eects using Rane and Serato’s award winning studio and live sound software technologies gives you professional studio-quality sound.
MAGNETIC FADERS Rane’s legendary patented magnetic faders are the fastest, most accurate, and longest-lasting on the planet. The TTM 57SL uses the same faders and performance-oriented layout that made the TTM 56 famous.
HARDWARE FEATURES • Internal universal power supply • 4 line / phono inputs • EQ kills on low, mid & high • Dual headphone outputs: /” and ⁄” jacks • Rane’s famous “FlexFX” eects loop system, in addition to built-in eects • RCA, TRS and XLR outputs, each with dedicated level controls
EXTERNAL AUDIO INTERFACE Use the TTM 57SL as a high-quality USB audio interface for your favorite Mac or PC software – USB 1.1 with 8 channels of streaming 16-bit / 44.1 kHz audio and on-board DSP processing.
SCRATCH LIVE CONTROL SURFACE Control Scratch LIVE without taking your hands o the mixer. Navigate through your library, load tracks, hit cues, loop and control eects via the integrated control surface. Foot-switch connection for hands-free looping, sampling and effects.
monitor level at your fingertips
The TC Level Pilot is another one of the “innovative” products to come out of TC Electronic, and the reason for ‘innovative’ in parenthesis is because, well, TC didn’t not invent the potentiometer, which is essentially what the Level Pilot is. But they did come up with the idea of making all our home-studio lives easier by creating it for us to own. That is, if we weren’t all electronics engineers that could easily make our own level-control unit with carbon, paste, and some metal, or if we didn’t own the TC Konnekt 48 that already comes with its own level control. It would be far off in saying TC Electronic created the Level Pilot after realizing how cool the remote control on the K48 is. Of course, the Level Pilot is not like the K48 remote control (if you own/have owned a K48, you’ll know why), it is just a potentiometer that has made working life alot easier. The best part of this little knob is, it works with every setup out there.
The evolution of tried and true What does a vocalist live for? A jaw-dropping vocal sound that takes audiences over the edge. Get that sound instantly with VoiceLive 2, the ultimate floorbased vocal processor. It’s more than an upgrade, it’s a vocal revolution. Easier than ever With a completely redesigned user interface, VoiceLive 2 is easy to use whether you’re looking for one preset or a creative sequence of sounds for every song. • Wizard button helps you find the right preset • Stompbox access to six effect blocks • One button access to global Tone, Pitch and Guitar FX • Easy editing of all parameters • Simple preset chaining with Step feature • USB for updates, back-ups and audio streaming New NaturalPlay harmonies Whether you play guitar, a MIDI keyboard or no instrument at all, VoiceLive 2 has brilliant vocal harmonies for you. • Control harmonies with guitar, MIDI or MP3 input • Up to 8 voices with MIDI keyboard control or 4 doubled harmonies • All new algorithm is smooth and natural even for extreme vocal styles • Auto sensing of harmony control instrument More power, voices & effects VoiceLive 2 contains virtually all the effects necessary to produce any vocal sounds of decades past, and into the future. • 5X processing power of typical floor processor • Separate harmony and doubling blocks • New reverb, tap delay, µMod • FX block for T-Pain effect, megaphone, distortion • Global effects including Tone, pitch correction, and Guitar FX • All effects can be used simultaneously An engineer that listens Like a great audio engineer, VoiceLive 2 listens to you and adjusts to make your voice sound smooth and produced. • Tone tailors adaptive EQ, compression and de-ess to your voice • Adaptive gate reduces mic input when you’re not singing • Digital mic-gain control is engaged with your feet
Solid design meets comfort Built with your comfort in mind, VoiceLive 2 has some practical features that will make for effortless performances. • Natural curve puts footswitches at comfortable angle • Recessed rubberized handle • Bright LCD and large lettering • Rubberized end caps and edit/mix knobs • Extruded aluminum and steel chassis Complete Connectivity VoiceLive 2 has the most complete connectivity of any vocal floor processor. • Mic or Line input with digital controlled mic gain • Guitar input with auto-mix , Guitar FX as well as transparent pass-thru • Stereo 1/8” (MP3 player ) input • Stereo XLR, ¼” and Headphone outputs • MIDI in, out and thru • Expression pedal input • USB for updates, back-up and audio streaming
Powerful and Excellent Monitors The BM monitors – both in their passive and active forms - are clean, powerful and accurate monitors where excellent results are easily achieved. The sound is always transparent and crisp ensuring the most realistic listening conditions for a wide array of applications. Comprised of renowned Dynaudio driver technology, these monitors have become the standard when it comes to high performance and transparency. In combination with the subwoofers, the BM series is also very well suited for multichannel facilities. Main Features - BM series X Unique linear phase and frequency response X 28mm soft dome tweeter with neodymium magnet and aluminum voice coil X Every monitor matched to any other monitor within ± 1.5 dB X BM 5A Compact, BM 5 & BM 5A, BM 6 & BM 6A: 175mm (BM 5A Compact 145mm) magnesium silicate impregnated polypropylene (MSP) bass driver with exceptionally large 75mm aluminum voice coil X BM 15 & BM 15A: 240mm magnesium silicate impregnated polypropylene (MSP) bass driver with exceptionally large 100mm aluminum voice coil X Internal damping for minimum cabinet resonance X Thermal protection of the tweeter
BM6A MKII Two-way full analog active nearfield monitor - 6.9” woofer and 1.1” soft dome tweeter The BM 6A Mk II delivers the distinctive Dynaudio objectivity and accuracy exposing every audible detail to the critical and demanding engineer - be it in music monitoring, mixing, broadcasting, OB vans, editing suites, post production facilities and project studios. Onboard LF/MF/HF placement filters as well as subwoofer high-pass filters allow optimal adaptation in any application including a powerful combination with the BM 14S.
BM12A Two-way full analog active nearfield monitor - 8” neodymiummagnet woofer and 1.1” soft dome neodymium tweeter This medium-sized nearfield monitor delivers the worldrenownedDynaudio clarity and transparency, building on the latest Dynaudio Acoustics neodymium driver technology. The onboard placement and subwoofer adaptation filters allows BM 12A to blend seamlessly into a large range of applications such as OB vans, project studios, post production facilities etc.
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