Portfolio | 2023

BIOSCOPE{WALI}_FINDING HER WAY HOME PRACTICE-LED-RESEARCH

> Situated practice is practice led research focused on spatial theories in art, architec- ture, performance, urbanism and writing. methodology allowed me to develop a robust understanding of research methods in interdisciplinary art and design practices. Situated Practice course embraces a hands-on approach, emphasizing the importance of experiential learning and site-specific research and practices. A deep understanding of the relationship between art, space, and society, and encourages critical thinking and reflection on the role of the artist in contemporary urban environments including spatial politics, urban interventions, participatory art, critical cartography, and cultural geography.

ANTHROPOLOGY . STORYTELLING . AUDIENCE ENGAGEMENT

The project is anchored on an intimate public performance on becoming the world’s first and only Bioscopewali (a nomadic Indian street performer). Through auto-anthropology, documented London locations, unveiling the transformative power of everyday life. Travelling between seven sites across central London, audiences are encouraged to kneel and look through a lens of a handcrafted Bioscope to view a scroll comprised of drawings depicting the socio-spatial portraits of everyday life in these spaces while situated poems are recounted. Re-images, Resituates and Regenders this art form from the perspective and position of a young female migrant to London as a means to understand and celebrate the spaces that allow us to feel at home in a foreign land. The drawings and writings capture the fragility and impermanence of these overlooked spaces, inviting viewers to question their own relationships with their surroundings.

Postgrad Work _ https://bioscopewali.cargo.site

The project asks what are the tangible and intangible aspects of urban space that influences one’s identity and sense of belonging. Additionally, how can performative practice help celebrate and make these visible?

“Bioscope” _ is a rare intimate storytelling experience, which brings visual art, local stories, poetry, and theater together. It is a portable colorful wooden box that has visual narratives painted on a scroll within. These boxes assist called Bioscopewalas wandering storytellers as they go from home to home.

“Bioscopewala{li}”_ The nomadic Indian street storytellers rotates their hands and displayed them to their audience while they narrated stories that revolved around the paintings. These are sequential narratives that serve as aids around which oral narratives are structured.

“This archive” _ shows the importance of the grand collective memories of the city and the extraordinary and individual memory of its inhabitants. One could not exist without the other. What should one do with the micro-historical and to most people, partly insignificant and rather ordinary spaces? How should this be preserved at all? Could it be understood as a self induced infra ordinary museum that you can put on your shoulder?

> ‘The Memory Machine’ the film documents a series of spaces from a private courtyard to a local deli and how these are transformed through Bioscopewali’s publicperformance.

We spend a third of our lives in bed looking out the window. Windows are the barriers, the connectors. On one side, me and my own space, the private, the domestic, filled with my own prized possessions:my bed, my table, my plants, books, notes on the post it, a jar of chocolate and many other things; on the other the entire city, in between the threshold; the Window sill.

sat at night in utmost pain on the bench.Opposite to me on another; two girls sat down.They seemed to want to discuss something in confidence and began to whisper. Nobody except me is nearby. And should not have understood their language either, however much louder it had been. But now could not resist the feeling, in the face of this unmotivated gossip in a language inaccessible to me. At the time Me and The Fox crossing the road from the park both felt Out of Space.

https://bioscopewali.cargo.site/The-Memory-Machine

There is no space left to putdown one more stuff in his cart, things are piled; boxed, stacked jammed. A homeless guy was selling some really intresting memorablia of his to make some more space for essantials. Ironically found an iconic phonebooth saving pot; it was kind of broken. fixed it. I’m glad could make some space for his new things; only to some space on my window sill.

COLLECTIVE

EXHIBITION MAKING

A CASE OF KOCHI MUZIRIS BIENNALE

>My work got selected with 24 other artist show “Home away from Home” is a public Exhibition in the heart of London _ House of Annetta; curated by Manifold Space. The exhibition delves into displacement, complexity of Identity shaped by one’s background and cultural origin. It took place in a 100 year old heritage house, a community art centre ‘home’ to an activist-researcher who worked against the regentrification of the area.

> In this thesis, the definition of the term ‘temporary’ in architectural discourse are to be re-visited. In broader terms, this study is concerned with how ‘temporality’ has been redefined in architecture, what its influences are on the contemporary architectural practice, and what roles it plays in the development of conventional architectural discourse. In this respect, the objective of the thesis is to understand the pragmatic and conceptual considerations by means of ‘EXHIBITION’ design.

BIENNALE . TEMPORALITY . INSTALLATION

This thesis delves into the multifaceted interpretations of the term ‘temporality’ within the realm of architectural discourse. In architecture, temporality primarily encompasses the lifespan of structures, particularly in the case of temporary constructions such as exhibitions. Throughout history, temporary structures have enjoyed a close association with festivals and other public, urban recreational, and cultural activities. These vibrant celebrations often mirror the interests of individuals or communities while simultaneously embodying broader social and cultural values. They serve as wellsprings of inspiration, generating fresh and innovative perspectives for cities and specific regions.

Furthermore, this thesis undertakes an exploration of the intricate relationship between art, culture, and architecture. The debate surrounding whether architecture qualifies as an art form has persistently sparked contentious discussions within architectural circles.

The project’s focal point revolves around the development of a conceptual design for an exhibition platform tailor-made for temporary exhibitions as an integral part of the Biennale. This undertaking involves meticulous site selection in Kochi, ensuring compatibility with the criteria set by other venues, as well as the creation of a versatile layout capable of accommodating diverse exhibition types. Additionally, the project endeavors to conceptualize an engaging outdoor exhibit interlinked with the temporary exhibition. Leveraging the proximity of the site to the backwaters, this exhibit aims to captivate a broad audience and ignite a newfound interest in the urban public space.

MODULAR FLEXIBLITY

> Forming module as per exhibition types understanding construct of space, scope of display and its relation with Art and Architecture.

SELF BUILT EXHIBITION

>Feasiblity of structure improves the community relationship and creats a once off moment.

FRAGMENTATION & ASSEMBLY

> Collapsibility encourage flexibilty and adaptability, minimization of building components and materials, and the simplification and standardization of connection details makes it more humain and accessible.

INTERIOR SYSTEMCONCENTRICSPACESLOOSE EXHIBITION SYSTEM & DESIGN APPROACH

CONTEXT & STREETSPUBLICRECOURCESPUBLIC SQUARE

> A parfomative spaces in changing scenario each time something new comes up and other being organized display in control of lighting, movement, acoustics.

> The pockets become a performance spaces, participation by visitors at the same time provides opportunities for happenings,into any surroundings in a open square and in closed interior spaces.

> The exhibition would also exist in relation to other exhibitions forming a saprate distinct entirety or a context compeliting the other exhibitions.

> The programe inclides exhibitions, public places, market and other such activities. This creats a platform for social and cultural activities and public square.

>The exhibition sets the form of built, open includes activities, public interection and concept of street. A jeourney through art culture architecture.

> Back waters and ruins on site as an element creats a link to the history and past. Also are part of landscape and gives value to the space.

Choice of material Experiance of Making Comfert user control Self built Self reflection Freedom of exploration Diffrent approach to spaces Sence of identity Site specific Needs to belong to the group Holistic experiance

EXHIBITING PAST

KOTTAPURAM SITE DURING REGULAR DAYS

Site area : 8100 sqm

Visitors : 100/DAYAVG

>Biennale is a reminder of history. It connects modern art to the 600-old heritage of Kochi and further to its mythical past enriched by the ancient port of Muziris that disappeared in the 14th century.

Realm between old and new: planning the new built as it doesn’t interfere the state of physical remains of the ruins.

Consideration of Topography and Climate: Considering existing Trees, Rainfall and waterbody of kochi region

importance of the site and placment : Respond to the waterbody and orientation

Understanding of the ruins Trying to creat a sense about the spaces after analyziang the remains andmeaning of the site

EXHIBITING ART

KOTTAPURAM SITE DURING BIENNALE MONTHS

Site area 8100 sqm

Visitors During KMB 700/DAY avg 3000/WEEK avg

>The exhibition could reach an audience event included an exhibition and archival The exhibition will house site-specific installations methods of display with techniques to encourage audience engagement the potential for experimental design to provide a showcase and voice for emerging Artists and Locals.

VENUE FOR ART, CULTURE, HISTORY, LEARNING, A PROCESS, A CELEBRATION, AN EVENT, PEOPLE.

“Ghar nu Ghar” Design Brief

>The idea of user-comfort and their underlying experience in a context of home; stand the test of time and age gracefully. The vertical volume of the building stands out in the context, with a conscious design decision to build in local and visually familiar materials. A small inner-court between the room and the façade acts as a private family room. Light plays an important role in the design of the project, as it consistently draws attention to the forms. Different spaces enhance and mellow the light accordingly, throughout the day. Greens softens the built volume and will continue to grow; client loves nature and plan. The curated choice to integrate landscape into the design dictates the micro-climate in the space, moderating the temperature in the courtyards as well.

Area : 1500 sqft/140 sqmt

Locatio : Rajkot, Gujarat

Status : Completed

Light plays an important role in the design of the project, as it consistently draws attention to the forms. The space constantly changes with day-light; underlying the different textures and colors within the spaces as well.

>Designed and transformed an interior space into an ideal space for a family of four usingrecycled materials.The challenge was to bring a contemporary language ensuring thecomfort of modern living under controlled costs.

Area : 1500 sqft/140 sqmt

Locatio : Rajkot, Gujarat

Status Completed

PROFESSIONAL EXPERIENCE PROJECTS

>Playball Design Studio is an emerging new Architectural firm based in Rajkot working with various scale of projects. Working on architec ture of an an Institutional campus for OSHO Community, Hostel facility Industrial and an Office building. Multitasking to work simultaneously on 4 different projects, from design conceptualization to preparing and handling drawings on site, design development into 3D-models using various softwares also co-ordinating with consultants, agencies and vendors on daily basis.

>Playball Design Studio is an emerging new Architectural firm based in Rajkot working with various scale of projects. Working on architecture of an an Institutional campus for OSHO Community, Hostel facility Industrial and an Office building. Multitasking to work simultaneously on 4 different projects, from design conceptualization to preparing and handling drawings on site, design development into 3D-models using various softwares also co-ordinating with consultants, agencies and vendors on daily basis.

SALES PAVILION

>The brief called for a design of a sales pavilion for ‘The Buisness Centrum’ commercial development at the ring road of the city. The simplicity of the brief and the context provided for various interpretations and explorations.

>The brief called for a design of a sales pavilion for ‘The Buisness Centrum’ commercial development at the ring road of the city. The simplicity of the brief and the context provided for various interpretations and explorations.

SHADOW FACADE . DYNAMIC

The pavilion had to be quickly assembled for a short amount of time until the proposed commercial development is completely built. The program comprised of basic needs a meeting room, site engineer’s office, reception area, a pantry, and a restroom. The cement board pieces are placed in a staggered formation where the intermediate pieces are placed on their shorter side, therby casting delicate lines of shadows throughout the day.

BUSINESS CENTRUM

>The functional requirement was the lower level of the building dedicated to commercial development and upper levels as Office spaces at the Amin Marg of the city. traditional Jaali screens. filtering light and vision through the

>The functional requirement was the lower level of the building dedicated to commercial development and upper levels as Office spaces at the Amin Marg of the city.

STRUCTURE . MATERIALITY . FACADE

The architecture is of solid geometric forms, divided the built mass with vertical planes. Each in a tall red sandstone volume, the facades mediated using louvered stone screens like traditional Jaali screens. filtering light and vision through the front facade.

meeting room, site engineer’s office, reception

OSHO TARANG

>OSHO Tarang is a Spiritual Retreat spread around in 2.5 Acer of area. A space for solitude and quiet reflection for the snysins in the outskirts of Vadodra,Gujarat.

>OSHO Tarang is a Spiritual Retreat spread around in 2.5 Acer of area. A space for solitude and quiet reflection for the snysins in the outskirts of Vadodra,Gujarat.

SPIRITUAL RETREAT MONUMENTAL . MATERIALITY

beaming in from skylights filtering through careful selection of materials, textures, finishes,

A place where space, form and material meets with human experiance, Natural light beaming in from skylights filtering through the surrounding landscape, Water elements that heights the visitor’s sensory experience acoustically, tactilely and visually. With a careful selection of materials, textures, finishes, t palates to achieve a spatial experience for an ephemeral, atmospheric qualities.

YOUTH HOSTEL

>This project is a proposal for a Hostel Facility for one of the prestigious school. The project site sits in Rajkot city next to a 94 year old primary school building. The hostel will house 420 girls in 120 bunker styled beds.

>This project is a proposal for a Hostel Facility for one of the prestigious school. The project site sits in Rajkot city next to a 94 year old primary school building. The hostel will house 420 girls in 120 bunker styled beds.

CENTRAL SPINE VOLUME . VERANDAH

The new building is designed according to the footprint of the original school building, reserving the original spatial characteristics of interior courtyard. Masses and Voids are extended multi-dimensionally by the openings to the verandah This circulation has connected several spaces at different levels through courtyards t has led to the creation of common spaces for girls to hangout.

connected several spaces at different levels

SITE & EXISTING STRUCTURE

> Related study programs are major part of our curriculum where we study and document traditional buildings of village and town and try to understand its formation, charactior and its influence on building. The application or manifestation of the knowledge, in real life situations through meticulous Observation. Experiencing architecture in the environment, society, inhabitants, and then the architectural/constructional aspects.

FIELD DRAWING . BUILTFORM . CONTEXT

CONCEPTUAL EXHIBITION DESIGN, MILL OWNERS 2019

> Le (Re) Code is an exhibition that showcases the Design work of fifth semester students of Swarrnim Institute Of Designs. Having experience of working with Exhibition Design , was awarded the opportunity to Conceptualize and assemble the display at Mill Owners Association Building Ahemdabad, by Master Le Corbusier.

PRODUCTION . ILLUSTRATION . STORYTELLING

This temporary exhibition aimed to not only display the work done by individual students but also classwork, placing institution’s work on display to the public of Ahemdabad and Architecture fraternity.

1.

1. RAMP

2. POSTER

3. ENTRANCE

4. MODEL 5. CLASS WORK 6. SCREENING 7. DISPLAY

AUDITORIUM

TOWARDS site

Ramp: A ceremonial ramp taking a person from the ground to the upper level approaching three-story void entrance to the building.

Axis: Elements such as doors and fins suggests direction and axis for movement through building were used for layout

Natural Light Intensities: Layout needs to adress the fact that exhibition has to be done in daylight and not using any artificial lights.

• Display panels have been arranged in a grid such that they form an axis walkable street’ and pause in the centre, where visitors can stand and engage with both the exhibition panels, Model and with one another.

• It is for this reason that the panels were arranged in the axis of the room, away from the walls, the ceiling and the floor. The act of internalizing was emphasized upon by the placement of sheets all taking towards River.

Architectural Polychromy: The combination of colourful and achromatic hues and different brightness values underlines the extraordinary experiences of Le Corbusier in architecture_ A Means As Powerful.

Acoustic: Assembly hall constructed in double thin brick wall paneled in wood for Acoustics was used for Panel Disscussion with students.

Context: The building sits on the Sabarmati River to the east. Surrounded by ample open space east facade are oriented diagonally to focus views towards the Site right in front of MOB and River on the reclaimed land.

Scope of discussion: Central open space gives a pause point and opportunity for display and discussions in larger group.

Panels are kept elevated from the Ceiling and the Floor with the help of transparent nylon strings that are atached to the Copper Rivet Elevated panels gives glimpse of other visitors in the room via movment of the footsteps and shadow.

The panels are made of 9mm card board held together by a piece of wood on a light framework and supported by buttresses as per need.

REPRESENTATION GRAPHICS |

> Graphic designing and illustrations are as much as about the content as it is about aesthetics and visuals. Conveying the reason to make an illustration and for the illustration to be able to hold the viewers attention requires certain thoughts behind its elements. The chosen drawing, Typography, colour, composition, medium used etc can alter the comprehensive hold that it might have on the viewer. Since the medium of interaction is visual it becomes important to represent ones work in the simplest of manner.

REPRESENTATION ILLUSTRATION STORYTELLING

IF I WAS YOU

> Here is a little excerpt from the comic about bodyshaming, fat shaming and acceptance of self in this messy world.

LET’S SEE

> Here is a little excerpt from the zine about feelings, questions, and finding softness and acceptance in this messy world. after a workshop learning about zine culture, feminism and understanding what makes a zine.

BODY SHAMING COMIC STORYTELLING

Body shaming is one of the stupidest things our culture does, but most people don’t even realise it’s happening, or that it’s weird and wrong. It’s time to address the issue the best way through the power of art and comics. by showcasing the common remarks plu size women hear from strangers, friends, even family.

ZINE . ILLUSTRATION STORYTELLING

As we are constantly learning, thinking and changing as a person, but there are definitely times when you take stock of yourself and life to help you navigate your life.If you haven’t found it yet, keep looking

CRAYON LADIES

PHOTO BOOTH CAMPUS PLANING