NISHITHKUMAR | ARCHITECTURE PORTFOLIO

ARCHITECTURE

PORTFOLIO

NISHITH KUMAR SELECTED WORKS 2019-23

I think to be creative you hav

e to resist taking the easy path - Daniel Libeskind

NISHITH KUMAR

Drawing upon my solid foundation in design software and technical drafting, I am a meticulous and well-organized architecture student. I possess a keen eye for detail, which enables me to deliver quality work on projects of any scale. I am highly motivated to gain hands-on experience in the field and apply my creative and problem-solving abilities to real-world design challenges, as I am committed to pursuing excellence in architecture.

+91 6382908767 NISHITHKUMAR.M@CAAD.AC.IN https://www.linkedin.com/in/nishith-kumar-807bba274/

ABOUT

SOFTWARE PROFICIENCY

DOB - 16.11.2001 NATIONALITY - Indian LOCALITY - Chennai, Tamilnadu, India

AUTODESK AUTOCAD AUTODESK REVIT SKETCHUP RHINO 3D GRASSHOPPER

EDUCATION BACHELOR OF ARCHITECTURE Chennai Academy of Architecture and Design - CAAD Chennai, Tamilnadu ( 2019 - present ) HIGHER SECONDARY EDUCATION DAV Senior Secondary School Chennai, Tamilnadu ( 2005 - 2019 )

LUMION ENSCAPE TWINMOTION ADOBE INDESIGN ADOBE PHOTOSHOP ADOBE ILLUSTRATOR AUTODESK SKETCHBOOK

COMPETITONS & AWARDS

SKILLS

TRANSPARENCE 17.0 (2022-23) - Jury Commendation Award (regional round - south zone)

IDEATION

TRANSPARENCE 16.0 (2021-22) - Special Recognition Award (regional round - south zone)

3D MODELLING

ANDC (2020) (2021)

PHYSICAL MODELLING

LECTURES & WORKSHOPS

LANGUAGES

DESIGN OF GREEN BUILDINGS - Ar.H.Gowri RECLAIMING STREETS - Ar.Nashwa Naushad PERCEIVED GEOMETRIES - Ar.Woon Chung Yen THE CITY OF TOMORROW - Dr.Zarik Boghossian GOING BEYOND EFFICIENCY - Ar.Kimm El - Dash

ENGLISH

LINES IN LENS - Triple O Pixel GEORGE TOWN HERITAGE WALK - Ar.Dean D’Cruise BAMBOO COB CONSTRUCTION - Paari Design Studio URBAN DESIGN (C10ROOTS) - Ar.Durganand Balsavar

VISUALIZATION CONCEPTUALIZATION

TAMIL

CONT

01

02

NID CAMPUS

VIDHYALAYAM

DESIGN INSTITUTE

SKILL DEVELOPMENT

ENTS

03

M

SAMADHINA

T CENTRE

CREMATORIUM

The NATIONAL INSTITUTE OF DESIGN (NID) campus serves as a centre for design education and research and is created to stimulate creativity and innovation. The campus is structured pursuant to an angled grid, and the angled walkways and pathways produce dynamic intersections and obtuse circulation. The modernist architecture style is reflected in the angled building facades, roofs and windows, which promotes natural ventilation. The central courtyards, highlight the fusion of nature and design, serving as focal points and the landscape creates a dynamic and sustainable outdoor space. The campus is a warm, welcoming place that encourages staff and students to push boundaries and think creatively.

LOCATION - TARAMANI, CHENNAI. TOTAL AREA - 57000 SQ.M.

01

NID CAMPUS DESIGN INSTITUTE

form development The campus is being planned with angles as a fundamental component to produce an aesthetically appealing and practical space that encourages creativity and innovation among staff and students. To specify the number of angles, materials, and general shape of the structures that are being erected, design guidelines have been devised. In addition to prioritising utility first when designing classrooms, studios, labs, hostels, and walkways, the modules are being constructed with acute and obtuse angles to create dynamic shapes and routes. The final massing achieves an effective balance between form and function, offering a distinctive and inspirational place for everyone who visits the campus.

final massing 10

Bevel

Undulate

Procreate

Shrivel

MAIN ENTRY/EXIT

SITE PLAN The core areas are separated into blocks, and each block is built with angled walls that are oriented in both the vertical and horizontal directions according to a set of derived angles obtained from a grid that was made using the lines from the site boundary. Bridged corridors connect the administrative, academic, and amenities buildings and also serve as a zone for displays and discussions. The blocks’ angle language is additionally implemented in these bridges. Between these blocks, open courtyards transpire, serving as places for informal discussions to take place.

DE

MIC Z

ME A

O

ST

NITIE

S

EL Z O N

E

HO

MIN

NE

AC A

AD

GFRG CONSTRUCTION DETAIL

12

CONCEPT DIAGRAM The concept is based on angles to create a visually striking and dynamic environment that fosters creativity, innovation, collaboration and visual connectivity throughout the spaces. This is achieved through the incorporation of geometric shapes, patterns, and angles throughout the campus design. Angled pathways, walkways, and bridges intersect and overlap, while buildings feature angled facades, roofs, windows, and interior walls. Central gathering spaces and focal points also incorporate angled elements, creating a cohesive and engaging campus experience.

DESIGN DEVELOPMENT

LECTURE HALLS STUDIOS LABS WORKSHOPS LIBRARY AUDITORIUM 14

CORRIDORS

PROGRAM DIAGRAM

16

An exquisite setting that merges in with the form and surrounds the centre courtyard.

design studios with outside walls inclined with jali work that complements the form.

exhibition pavilion with captivating voids, enchancing the play of light and shadow.

VIDHYALAYAM is inspired by the concept of “fluidity” and “transformation”. Its curved edge forms blend seamlessly with the surrounding landscape, while also maximizing natural ventilation and light. The spacious and flexible interior spaces encourage interaction and collaboration, with warm, earthy tones and textures creating a sense of connection to nature. The use of sustainable and recycled materials reflects the centre’s commitment to environmental responsibility and social impact. it provides an immersive and inspiring learning environment for students to grow and develop.

LOCATION - PERIYAKUPPAM, TIRUVALLUR. TOTAL AREA - 13000 SQ.M. ACHIEVEMENT - SELECTED FOR URBAN DESIGN EXHIBITION AT COLLECTORATE OFFICE,TIRUVALLUR. TEAM MEMBER - MOSES EMMANUEL.K

02

VIDHYALAYAM SKILL DEVELOPMENT CENTRE

I ND

F ROO

EXHIBIT

S

ST

KSHOPS

T R I AL L L AB CO

W

OR

US

M

AF

EPTI

ON

REC

DESIGN DEVELOPMENT

IO

E

LECTUR

S EI

URE SP

A CE

LI

BRAR

Y

20

SK

NTEEN

L

CA

N

DESIGN L

A

B

S

ITORIUM

OPME

CENTRE

D AU

E

HALLS

V

EL

T

ILL D E

MIN

N S PAC

AD

FORM DEVELOPMENT The concept of multiple voids and connecting bridges in building design provides both aesthetic and functional benefits. The voids create an open and airy atmosphere while the bridges provide continuity and flow. This creates a sense of community and connectivity within a building, improving the user experience by improving circulation, natural light and ventilation.

SUBTRACT

COMPRESS

SLICE

CONNECT

The core function of the skill development is categorised into three funtions - lecture halls,workshops and labs. these spaces are made more interactive by introducing exhibition and collaborative spaces. all these spaces put together are provided with few basic supporting spaces like the canteen, library, leisure space and auditorium. the collaboration spaces and the auditorium are made open to the outside schools, colleges and intrustries to expand the range of community participation.

CHAMPHER FINAL MASSING

FILLET

MODULE

SITE PLAN

IG N L

D

ES

CTURE

LE

S

SERVICE ENTRY/EXIT

22

MAIN ENTRY

MAIN EXIT

IE

HOP

D IN

KS

S

A

A ND BS

ME A

S

AN D WO

R

COLLA L A

RATIO N BO

U ST R I

The building is designed such that it consists of three block placed seperately on the ground but connected at various levels abow.the central main block is the tallest block which has the admin spaces,lecture hals, workshops, exhibitions and leisure spaces. the collaboration block on the left is the shortest block amoung the three and consists of the industrial collaboration space, exhibition and auditorium which are open to the outside public to access and collaborate. the labs and amenities block has the cafeteria on the ground floor, canteen on the first floor and the remaining floors contain the labs of various department.

CONCEPT DIAGRAM

JALI OP EN I N GS COOL NATU R AL V E N T IL AT IO N

E NI B RI D GES CO NNE CTING B LO CKS

SSIVE PA D

ES

IGN GR EEN FACADE SH A D E A ND C OOL I NG

Vidhyalayam is a modern institution designed with traditional Indian design elements and passive design techniques. The jali work, green facade, and open bridges provide energy efficiency and aesthetic value.

The building has classrooms optimized for natural light and ventilation, voids btwwen floors, and a sense of community and collaboration making it an ideal place for skill development and personal growth.

LECTURE HALLS WORKSHOPS DESIGN LABS EXHIBITIONS ADMIN AMENITIES 24

PROGRAM DIAGRAM

26

Connecting bridge from main block to amenities block passing over the open canteen.

exhibition space with connecting bridge above, also acting as a viewing platform.

Front facade with jali works and lanscape blending in with the building elements.

SAMADHINA is designed with respect for the cultural and religious beliefs of the specific community. The crematorium is located in a peaceful setting surrounded by natural beauty, providing a serene and tranquil environment for the final rites. it also includes separate waiting areas for men and women, designed with comfortable seating and natural ventilation, providing a peaceful and reflective space for family and friends to gather and pay their respects. the crematorium also features a prayer hall that reflects the community’s cultural and religious beliefs. The prayer hall is a space for mourners to gather, pray, and find solace during this difficult time.

LOCATION - KANNAMMAPET, CHENNAI. TOTAL AREA - 33000 SQ.M.

03

SAMADHINA CREMATORIUM

CONCEPT DIAGRAM

Samadhina is built around the idea of lighting a clay lamp (agal vilakku) and making sure it burns for the entire 16day ritual at the home of a deceased person.It is said that the fire shields the corpse and the visiting family from the powerful negative energy in the air by soaking up all of the surrounding negative energies. A Shiva statue stands in for the traditional central fire lamp at Samadhina, acting as an absorber of all harmful energy in and around the crematorium.

FIR EA

NE

G

ENERGIES FR ATIVE

OM

SP

DE

AD

S

VE

IE

ITI

D

OS

BO

MA GN

CL

P

FIR

N TIO

ER

E

N

O

NE

GAT

IVE ENERGIES

IN T HE

AT

MO S

PH

30

EV

SU

OM

IN

G

EC

T

BY

N

TIV

BR

A

NS

AM

A

ET

FIR

EA

E SC

E TR

FA

TTR

AC

FIR

Y L

R EP

T EN

R SF

BE

F AF

ED

A EG

I EV

TIO

EA

TTR

AC

TS

NE

GA

TIV

EE

NE

RG

Y

Based on the intensity of the negative vibrations they emit, the spaces are separated into four concentric circular levels. These layers are then arranged with the spaces emitting the most negative vibrations lying on the circle with the smallest radius, which is close to the temple, and the spaces emitting the least amount of negative vibrations lying on the circle with the largest radius, which is farthest away.The Shiva temple is the spot where the foci of all the rings come together.

SITE PLAN

IN BL DM

WO

s

VI E

O

CK

AND

NITIE

PR

R

A

N PY

S

DE

ME A

O

ES

t van emp i h

le

K

MAIN ENTRY/EXIT

N G DE WI

C

O N A ND TI TUALS RI

EPERA

MAIN ENTRY/EXIT

PLANS AND SECTIONS The outermost stratum consists of the admin block, prayer hall, dining hall, shops and services.these spaces are less affected by the negative energies and are used by both the individuals who come for the cremation as well as post-cremation rituals. the prayer hall is being provided as the respective community people come here once in a while for offering their prayers and the dining hall is provided as they also follow the tradition of serving food to the close relatives of the deceased over the course of 16 days following the deseased’s cremation.

H

AN V I

P LE P M TE

VIE W

OF

TH E

S

DINING AREA PLAN

DINING HALL SECTION BB’

32

ADMIN BLOCK SECTION AA’

ADMIN BLOCK PLAN

L ACE D

A

PRAYER HALL PLAN

AT THE C

EN TR E

OF

TH E

C R

EM

PRAYER HALL SECTION CC’

IUM OR AT

SHOPS AND SERVICES SECTION DD’

SHOPS AND AMENITIES PLAN

KEY PLAN

PLANS AND SECTIONS

H

IN

A

OW H S

CO HE T G IN

VIE W BIRD’S

EYE

PRE-CREMATION RITUALS PLAN

OF

SA

M AD

The following strata consists of the pre - cremation rituals and rituals platform. After the ceremonies are over, the body is transported to the lowest level, where it is burned with wood. Everyone who accompanied the body to the Crematory is expected to watch the cremation from a distance. According to community custom, only close relatives are permitted to go to the wooden pyres.As a result, observation platforms are offered between the platform used for the rites and the wooden pyres.

WAITING AREA SECTION HH’

WOODEN PYRES PLAN 34

PRE-CREMATION RITUALS SECTION EE’

NCENT

TR I C F O R

WAITING AREA PLAN

MS A

ND

TH E

CO

AL

ES C

E O

F

RITUALS PLATFORM SECTION GG’

ND LA

SC A PE WITH

IT

RITUALS PLATFORM PLAN

WOODEN PYRES SECTION II’

KEY PLAN

DINING HALL WAITING AREA RITUALS PLATFORM WOODEN PYRES SHOPS AND SERVICES

36

PROGRAM DIAGRAM

38

pathways designed with proper landscaping that enhances the essence of the space.

shivan temple located at the focal point surrounded by landscape and waterbody.

aerial view of samadhina showing the convergence of forms, voids, and nature.

COMPETITION PROJECT

CHEVRON

REVIT WORKSHOP

MONOCLE

01 02

MISCELLANE

BOTTOM UNIT

OUS STORAGE UNIT WITH OPENABLE SHUTTER

WORKS KITCHEN DETAIL DRAWING

DETAIL D RAWING

COMPETITION PROJECT

KENTRO

03 04

BACKYARD

m a s s i n g

Subtract

a n d

Rearrange

Champher

c o n c e p t

BEDROOM

Invert

Connect

Monocle residence is a modern design that features a unique blend of glass and angles. The angular roof adds character to the structure, while the extensive use of glass allows for ample natural light and provides stunning views of the surrounding environment. The design incorporates sustainable features, such as high-efficiency insulation, energy-efficient windows, and renewable energy sources to reduce the carbon footprint.it was designed as a practice project while learning the basics of revit.

TYPO LOGY - R E S I DE N C E S ITE A R E A - 50 0 S Q . M

01

MONOCLE REVIT WORKSHOP

e u p h o r i a

3 bhk 2 bhk 2.5 bhk 2.5 bhk 1 bhk 2.5 bhk 2 bhk

t r a n c e

3 bhk 2 bhk 2.5 bhk 3 bhk 2 bhk 3 bhk

e c s t a c y

2.5 bhk 3 bhk 1 bhk 2.5 bhk 1 bhk 2.5 bhk

Chevron is a self sustaining and self contained hybrid dwelling. it offers a wide variety of amenities and is at the forefront of transforming urban dwelling spaces. each and every housing unit has been crafted keeping in mind the comprehensive development of the users that caters to all the needs of an individual. each and every floor has been conceived with the maximum amount of green spaces. the towers ecstacy, euphoria and trance along with the central core dominate the skyline of the city.

TYPO LO GY - R E S I DE N C E SITE A R E A - 4 5 0 0 0 S Q . M TEAM M E M B E R S - R A K S H I T R AO, SRU THI

02

CHEVRON TR ANSPARENCE 16.0

Green facade

solar panels

a n d

i n t e r v e n t i o n s

GREEN FACADE

a t t r i b u t e s

REVERSIBILITY

portable pavilion

DISASSEMBLY

wooden panels

Kentro is designed to create an inclusive space for people of all ages and backgrounds. The building layout encourages social interaction and community engagement with a central atrium surrounded by flexible spaces for various activities. Sustainable features such as solar panels and green roofs are incorporated to promote environmental responsibility. Overall, the center serves as a hub for cultural and educational activities, providing a vibrant and inclusive space for the community to thrive.

TYPO LO GY - C OM M U N I T Y CENTRE SITE A R E A - 4 5 0 0 0 S Q . M TEAM M E M B E R S - R A K S H I T R AO, SRU THI

03

KENTRO TR ANSPARENCE 17.0

3230

3230

890

1055

605

450

794

470

665

230

230 CORNER STORAGE UNIT WITH OPENABLE SHUTTER

490

TOP CUTLERY BASKET BOTTOM PLAIN BASKET

PREMIUM MAGIC CORNER

605

STORAGE UNIT STORAGE UNIT WITH OPENABLE WITH OPENABLE SHUTTER SHUTTER

STORAGE UNIT WITH OPENABLE SHUTTER

STORAGE UNIT WITH OPENABLE SHUTTER

460

LPG CYLINDER

230

230 LPG CYLINDER

1055

595

MAGIC CORNER

141

A

230

C

470

460

400

230

250

1100

DISHWASHER

C

C' 1300

A'

B'

230

C'

455

500

CORNER STORAGE UNIT WITH OPENABLE SHUTTER

750

STORAGE UNIT WITH OPENABLE SHUTTER

STORAGE UNIT WITH OPENABLE SHUTTER

460

470

945

150

3230

BOTTOM UNIT

FRIDGE

1030

STORAGE UNIT WITH OPENABLE SHUTTER

230

600

FRIDGE

230 1045

PREMIUM TALL & LARDER UNIT

AQUA GUARD

800

720 600

TOP - FLAT BASKET BOTTOM ALLIUM BASKET

230

PREMIUM MAGIC CORNER

360

DETERGENT PULLOUT TOP - CUP & SAUCER BASKET MIDDLE - PLAIN BASKET BOTTOM - PLATE BASKET

460

1300

A

SINK

B

4060

B'

PLUMBING BELOW SINK

4060 1080

B

4060

1080

4060

BOTTOM - GRAIN TROLLEY BASKET

445

TOP - PLAIN BASKET

A'

455

750

150

3230

SCALE 1: 40

TOP UNIT

SCALE 1: 40 3230 794

1135

930

141

230

230

A

LOFT STORAGE UNIT WITH OPENABLE SHUTTER

CHIMNEY

600

595

LOFT STORAGE UNIT WITH OPENABLE SHUTTER

LOFT UNIT

C

2200

C'

LOFT STORAGE UNIT WITH OPENABLE SHUTTER

4060

B'

LOFT STORAGE UNIT WITH OPENABLE SHUTTER

230

1030

2400

B

600

4060

SCALE 1: 40

04

230

2850 3230

A'

150

DETAIL DRAWING KITCHEN DETAIL

STORAGE UNIT WITH OPENABLE SHUTTER

LOFT STORAGE UNIT WITH OPENABLE SHUTTER

900

900

LOFT STORAGE UNIT WITH OPENABLE SHUTTER

600

100

100

TRUE CEILING

STORAGE UNIT WITH OPENABLE SHUTTER

3000

3000

KITCHEN CHIMNEY

600

STORAGE UNIT WITH OPENABLE SHUTTER

600

600

WALL TILES

19MM THICK GRANITE TOP

PULL OUT DRAWER BOTTOM UNIT

800

800

BOTTOM UNIT

100MM HEIGHT SKIRTING F.G.L

ELEVATION AA’

SCALE 1: 40

F.G.L

ELEVATION BB’

SCALE 1: 40

STORAGE UNIT WITH OPENABLE SHUTTER

LOFT STORAGE UNIT WITH OPENABLE SHUTTER

STORAGE UNIT WITH OPENABLE SHUTTER

1200

LOFT STORAGE UNIT WITH OPENABLE SHUTTER

1800

200

TRUE CEILING

6000

AQUA GUARD WATER UNIT

1200

GLASS WINDOW WITH OPENABLE SHUTTERS

BOTTOM UNIT WITH OPENABLE SHUTTERS

BOTTOM UNIT

BOTTOM UNIT

1600

PULL OUT DRAWER

100MM HEIGHT SKIRTING

F.G.L

ELEVATION CC’

SCALE 1: 40 ALL UNITS ARE IN MILLIMETRES

NISHITH KUMAR +91 6382908767 NISHITHKUMAR.M@CAAD.AC.IN