My Portfolio

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my interior design practice is characterised by clean lines and natural materials. i aspire to design spaces that are both beautiful and sustainable. i believe that quality materials applied with restraint afford interiors a timeless elegance that is in and of itself, ecological.

i intend for the spaces i create to evoke a strong sense of calm; i feel that interiors should provide a respite from everyday life. i also believe interiors have the power to transport us all together through the tactile elements present, to inspire memories and emotions associated with them. i am excited to embrace evolving technologies in the future to enhance my overall practice. undertaking interior architecture at swinburne, i have developed strong interpersonal and documentation skills which have been strengthened by industry experience.

EDUCATION

SWINBURNE UNIVERSITY OF TECHNOLOGY/ Bachelor of Design (Interior Architecture) (Honours) MARCH 2019 - DECEMBER 2023

WOODLEIGH SCHOOL / VCE

FEB 2016 - DEC 2017, LANGWARRIN SOUTH SENIOR CAMPUS

Completed VCE with an ATAR of 86 with two study scores above 40.

GEELONG GRAMMAR SCHOOL

FEB 2014 - DEC 2015, MANSFIELD & CORIO CAMPUSES

Completed the Year 9 Timbertop Outdoor Education program, where I learnt skills of discipline and resilience through a strenuous running, hiking and service program.

LYCÉE INTERNATIONAL GEORGES DUBY

SEP 2015 - DEC 2015 AIX EN PROVENCE, FRANCE

Completed a 3 month international Exchange at the Georges Duby International School, resided with a host family in Le Tholonet.

EXPERIENCE

Paul Conrad Architects / Graduate Interior Designer (Residential) January 2024 - Present

I commenced my role at Paul Conrad Architects as a Graduate Interior Designer at the beginning of the year. I work primarily at the front end of bespoke residential projects, and I am gaining further experience across the design phases. I use Enscape to produce 3D renderings of design concepts and compile presentations. I am furthering my furniture and styling knowledge when working with the studio’s Senior Furniture and Stylist.

Carr/ Undergraduate Interior Designer (Residential) January 2022 - January 2024

As an undergraduate Interior Designer at Carr. During 2022 I worked 4 days a week during university semesters and then full-time until March 2023. I worked 2 days a week while finishing Honours. My role consisted of design, high-level documentation, scheduling, sourcing and compiling furniture, fixtures and finishes presentations. I had the opportunity to assist on the Materials Library, Sustainability Charter and Designers with Pride committee. I have been privileged to contribute to the Carr community.

Collective Care Services / Sole Trader & Care Worker

June 2020 - June 2022, Mornington Peninsula

I operated my own business, providing 1:1 Individual Support to young adults with disabilities. I primarily assisted clients in accessing the community and attaining their social goals. These outcomes and goals shifted with lockdowns however my services adapted and continued.

T & K Jarvis, Sand, Soil & Gravel / Maintenance & Customer Service Position

January 2018 - 2021, Bairnsdale

During my gap year, my role at T & K Jarvis mainly involved garden maintenance work, including but not limited to mowing, spraying, weeding and pruning. My casual role involved customer services, taking orders and completing odd jobs.

SKILLS

My role at Carr afforded me valuable Industry experience. I have developed strong documentation skills, material and fixture knowledge and the ability to work productively on a team. This work was balanced by my studies as I recently completed a Bachelor of Design (Interior Architecture) (Honours) at Swinburne University. I am highly motivated and organised. My work demonstrates my attention to detail and meticulous approach to completing tasks. I am organised and this is reflected in my ability to work to deadlines and complete work promptly. I pride myself on my personable nature and value open and frequent communication to ensure the successful completion of tasks. I am competent in BIM documentation programs SketchUp, Rhino & Revit and skilled in the use of Enscape rendering software. I have skills in Adobe InDesign, Illustrator and Photoshop. I apply these skills across my documentation and design practice.

AWARDS

atelierwest is a holistic multi-residential development with onsite coworking opportunities for young creatives. atelierwest forms a robust creative community with an emphasis on work/life balance in the culturally diverse and blossoming melbourne suburb of west footscray.

the affordable housing component is intended to allow fledgling young creatives to buy their first home, ultimately investing in their future. with the future in mind, atelierwest is a flexible space and is intended to support growth and change within individual familial structures. atelierwest is intended to facilitate a creative community to combat the loneliness experienced by creative entrepreneurs. connections formed amongst creatives are intended to aid them as they strive to further their experience and ensuing success within the creative industries.

atelierwest represents the restoration and reinvigoration of west footscray’s wool stores, built in 1940 by the australian estates company limited. i was drawn to the wool stores due to their scale and presence in the partial industrial and residential area off sunshine road. my personal interest in heritage buildings has influenced my intention to see it restored.

industrial residential reserves train line

atelierwest is a holistic rent-to-own multi-residential development with onsite co-working opportunities for young creatives. atelierwest forms a robust creative community with emphasis on work/life balance in west footscray. the space is intended to resolve the isolation experienced by creative individuals who engage in independent work.

atelierwest’s floor plan is orientated around a central ‘spine’ atrium, which mimics a promenade link between coworking amenities and residences.

eatery

atelierwest’s design places emphasis on the communal kitchen. through my research report i interviewed many workers in the creative industries who emphasised the importance of bonding with colleagues over a meal. this space also doubles as the entry for off-site workers, creating a hive off activity and an opportunity for connection amongst workers.

ENTRY/RECEPTION

LOBBY LOUNGE

LIFTS

SMALL

CONFERENCE LOUNGE

CONFERENCE ROOM

GENDER-NEUTRAL TOILETS

CAFE & GROCER

COMMERCIAL KITCHEN

ATRIUM LOUNGE

WORK STUDIO 1

GALLEY KITCHEN

WORK STUDIO 2

SMALL ENTERPRISE

WORK STUDIOS

AMPHITHEATER

GALLEY KITCHEN & TOILETS

WORKSHOP

GALLERY

GENDER-NEUTRAL

atelierwest’s working studios are designed as accommodating workplace typologies post covid-19. i discussed these typologies with work colleagues in commercial interior design, i emulated the comfortability of working from home with integrated lounges and ergonomic seating. collaboration and cooperation are supported by high top desks and private meeting rooms.

1 bedroom apartment

atelierwest’s apartment types reflect a restrained approach to materiality and form. free from superfluous inclusions the spaces reflect a sustainable approach. the housing typologies allow for entertaining whilst encouraging residents to maximise on communal lounge, cinema and dining facilities.

LIVING
KITCHEN
DINING
BATHROOM BEDROOM

ceramica is a sustainability focused design for a museum to exhibit handmade items. located on the frankston foreshore at the foot of oliver’s hill, the building interrupts an existing walkway to encourage public interaction.

the project began with a handmade clay element. experimenting with many different forms allowed for the creation of a lay-able brick. the brick formed a facade that blocked the summer sun, whilst simultaneously allowing the winter sun to freely enter and warm the space.

in a contemporary context, my design responds to climatic demands whilst remaining sympathetic to the surrounding environment. the inclusion of rammed earth walls anchor this building to its bay-side coastal site whilst contributing to the museum’s elegance.

context

the project began with a handmade clay element. experimenting with many different forms allowed for the creation of a lay-able brick. the brick formed a facade that blocked the summer sun, whilst simultaneously allowing the winter sun to freely enter and warm the space.

the double glazed bi-fold door system encloses the interior spaces whilst also blurring lines between indoor and outdoor environments. bi-folds also allow winds to move through the building and heat to rise out through the central atrium.

62 degree sun in summer is blocked by facade clay element, this stops the heating of thermal mass slab floor and seating, keeping the building cooler

32 degree sun in winter freely enters into the building, heating thermal mass slab floor and seating. this is aided by leafless deciduous creepers hanging from green roof

galleries

ceramica’s clay facade diffuses entering sunlight creating a striking play of light against the interior walls. the building responds to its context through the inclusion of local materials. the material palette is deliberately durable to withstand coastal conditions but also reflects considered elegance within a gallery context. it is minimal in respect to the handmade objects and materials the space is intended to highlight.

the glass skin is to be opened to allow cool bay breezes to sweep in whilst allowing warm air to rise through the atrium, maintaining a temperate interior environment.

exposed aggregate polished concrete white pebble black ceramics
rammed earth
lily kelly napangardi art
lily kelly napangardi art
pale sage dulux powdercoat
white dune dulux paint
cumulus natural veneer
brushed stainless steel

haven is a refuge. providing short stay accommodation for swinburne students. its modular design is small, with an emphasis on creating comfortable spaces to eat, socialise and relax. haven supports students in developing life long relationships with their peers. The space has an emphasis on mental health.

the ‘cocoon’ is a room dedicated to quiet. located by the entrance, after classes students can spend time alone before transitioning back into the home. the space includes a parametric wooden seat which reflects the organic curves of a cocoon.

haven includes warm and natural materials which reflect hawthorn’s green surrounds. the material selections are intended to promote a calm atmosphere whilst also being durable and servicable for ease of maintenance by students. the bedrooms include a private study space which looks out to the landscaping. living spaces look out to a deck where meals and conversations can be shared.

signorino mosaic tile instyle sage upholstery
armadillo agra artichoke rug
bagged brick
instyle genie upholstery
instyle zone ambient vinyl
laminam calce large format porcelain
white dune dulux paint
tongue and groove ceiling paneling
brushed bronze

watercolours

watercolour documentation of interior and exterior spaces for my university interior architecture studio. the university studio introduced me to the application of watercolour to paper as a form of communicating the interior qualities of space such as light and materials. this form of hand documentation will support my practice into the future as an alternative and tactile approach to communicating to clients the ephemeral qualities of space.

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