Amore - Ryuichi Sakamoto -Sheet Music for Piano

As played on the Album "Playing The Piano - Vol.1"

AMORE





Ryuichi Sakamoto

q=74

                           mp     con pedale

                      

        

            



               

       



       





   3 3                                             3 3                                                                   3

    

 

3

 

3

  

3



  

 

3

 

 

3

3

 

 3



 

3

 

 3



 

3

 

 3 3                                      3

   

3

 









3



 

3

  

© Music by Ryuichi Sakamoto. All rights reserved Transcription by Nicola Morali - www.nicolamorali.com © 2012

 

3

 



3





3



2

                     

       

3



 

 

3

 



          

 

 

   



3

   

 

 

3

 



3

3

3

        

       

 

 

             3 3                   

 

    

 

      3



     3 3



3             3                



3

3

  3



 

 

3



 3

      3     





3

 

   

   

 

 



                                  3 3                                                   mf

       Amore

  

  

        

   

     

       3

3

  

  

3

   

            R. Sakamoto

3

 

        3

       

3

   

 

 3                     3 3 mp       rit.  

3

        

 

3



 

3

 

                                        3





3

3

3

  

  



3

3

     



3





 

3

 

3

 



 

3

 

 3 3                                     3

3

      







3



 

 

 

3

3

 

   

 



 

R. Sakamoto



 

 

3

 



          

   

 

 

 

3

3

         

3



 

 

 





 3          

3

3

 



       3

3

  3



3

3



  

             3    3             







 

3



      3

 

3



                   

 

3

 

Amore

4



          



                              

    3                 3 3                          3



3          3                 



  



3





   

3

 

 

 

          3

                                                                           3





3

3

3

3

3

3

3

  

3

                            

 

Amore

3

 



 

3

 

3



 

 

3

 

  

3



3

3

  

3



                                             molto rit.

3



 

 

3

 

3



 

 

3

 

3



3

  

        3

3

R. Sakamoto